0:00:06 > 0:00:12No, we're not at Glastonbury. We're in the grounds of Kedleston Hall.
0:00:12 > 0:00:15After some atrocious weather
0:00:15 > 0:00:19we're here to delve, discover and dig out of the mud,
0:00:19 > 0:00:21hopefully, some bargains.
0:00:21 > 0:00:23What could be more delicious than that?
0:00:23 > 0:00:26So, let's go bargain hunting.
0:00:26 > 0:00:28Squelch!
0:00:50 > 0:00:53The landscape in Derbyshire inspired Jane Austen
0:00:53 > 0:00:55to write Pride And Prejudice.
0:00:55 > 0:00:59But today it's going to be sense, sensibility
0:00:59 > 0:01:06and sensible wellies which help our teams dig out all those bargains.
0:01:06 > 0:01:07Oh, Mr Darcy!
0:01:10 > 0:01:14Coming up - Anita's glad she's on Mavis's team.
0:01:14 > 0:01:16Go, go on, go on, go on, go on.
0:01:16 > 0:01:18I would go for 80 but not any more.
0:01:18 > 0:01:21Would you accept ?5 for the three?
0:01:21 > 0:01:24Whereas the Blues have trouble pinning their purchases down.
0:01:24 > 0:01:28We know where it is. We do, do we. Down there. What are you doing?
0:01:28 > 0:01:30We can't find it.
0:01:31 > 0:01:33Heaven help us. Let's meet these teams.
0:01:34 > 0:01:37We're keeping it in the family today, I tell you,
0:01:37 > 0:01:40because for the Reds we've got husband and wife Norman and Mavis,
0:01:40 > 0:01:43Hi, guys. Hiya. Lovely to see you.
0:01:43 > 0:01:47And for the Blues, we've got brother and sister, Old Nick and Young Pat.
0:01:49 > 0:01:53How lovely. Now, Norman, how did you and Mave first meet?
0:01:53 > 0:01:57I was an apprentice in the Royal Air Force at Halton.
0:01:57 > 0:02:01Mavis was working in the local post office.
0:02:01 > 0:02:05And I happened to say, I fancy the bird who works in there.
0:02:05 > 0:02:08And you went in for a postal order one morning and that was it?
0:02:08 > 0:02:13And that was it. How lovely. Best postal order you ever cashed, eh?
0:02:13 > 0:02:18Absolutely. Did you do much flying in the RAF? No, no.
0:02:18 > 0:02:20Far too dangerous, flying.
0:02:20 > 0:02:23What did you do? Bomb disposal. TIM LAUGHS
0:02:23 > 0:02:27You left the dangerous stuff to the flyers. That's right.
0:02:27 > 0:02:30You are a tease, Norm, you really are.
0:02:30 > 0:02:32So you've seen a few of these monsters
0:02:32 > 0:02:35and got up close and personal? One or two, one or two.
0:02:35 > 0:02:37It must be very nerve-wracking?
0:02:39 > 0:02:41I'll let you into a secret. Yes.
0:02:41 > 0:02:45You don't cut the blue wire. You don't cut the blue wire!
0:02:45 > 0:02:48Or the red wire. Which one to do I cut?!
0:02:50 > 0:02:53Don't do that. No, I'll leave it to the professionals.
0:02:53 > 0:02:56But you're all heroes as far as I'm concerned
0:02:56 > 0:02:58because I definitely couldn't do it.
0:02:58 > 0:03:01Now, Mavis, it says you worked as a nurse. Yes, for 26 years.
0:03:01 > 0:03:04Did you? And how did you get into nursing?
0:03:05 > 0:03:07I'd done numerous jobs before
0:03:07 > 0:03:11and then I've always wanted to do nursing when I left school
0:03:11 > 0:03:13but my mother said no, you couldn't do this and that.
0:03:13 > 0:03:17Norman sent off for an application form without telling me
0:03:17 > 0:03:22so when I was 39 I got an application to go into nursing.
0:03:22 > 0:03:26Never? I went in the October and I was in nursing by the February.
0:03:26 > 0:03:28Did you apply in your own name or Mavis's name?
0:03:28 > 0:03:32He knew I wanted to do it. How sweet is that? Good for you, girl.
0:03:32 > 0:03:36Now, before you started working you travelled about a bit with Norman in the service?
0:03:36 > 0:03:38Oh, we travelled all over the place.
0:03:38 > 0:03:42Germany, Singapore, er, Cornwall. Where's your favourite?
0:03:43 > 0:03:47I'd say Singapore. Was it? Yes, yes. Nice and warm.
0:03:47 > 0:03:52It was warm and I took up netball out there, the wives netball team I was in,
0:03:52 > 0:03:56and ran it with the captain for two years with three teams.
0:03:56 > 0:03:58It was wonderful but I wasn't built like I am now.
0:04:00 > 0:04:02Don't be like that. Good luck.
0:04:02 > 0:04:05Now, for the Blue team.
0:04:05 > 0:04:07Nick you were christened Martin, weren't you?
0:04:07 > 0:04:10Yes, I was. So why do I call you Old Nick then?
0:04:10 > 0:04:12It goes back to when I was first born.
0:04:12 > 0:04:15My grandmother used to baby-sit for me.
0:04:15 > 0:04:17I was born with a shock of black hair that used to stick up
0:04:17 > 0:04:20like horns and she used to call me Old Nick.
0:04:20 > 0:04:22It went through all my family, it went through school,
0:04:22 > 0:04:26went through the Royal Air Force and everybody knows me as Nick.
0:04:26 > 0:04:29Isn't that funny? And he had the cheek of Old Nick as well. Did he?
0:04:29 > 0:04:32That's why we call you Old Nick. And Young Pat.
0:04:33 > 0:04:37I think you like that, don't you? Yes. That's your new nickname then.
0:04:37 > 0:04:42Super. Now, Nick, like Norman, you're ex-RAF. Yes.
0:04:42 > 0:04:46What did you do in the RAF? I was an armament technician.
0:04:46 > 0:04:50Not bomb disposal? Oh, yes. A bit later than Norman.
0:04:50 > 0:04:54Same sort of line. Bombs, bullets, guns, missiles, bomb disposal, you name it.
0:04:54 > 0:04:57Isn't that interesting in the one team. Lovely.
0:04:57 > 0:05:02So, Pat, what keeps you busy, darling? Well, I'm semi-retired.
0:05:02 > 0:05:06I did accountancy and book keeping for 50 years. For how many years?
0:05:06 > 0:05:1150 years, from the age of 15 until I retied. You never did?
0:05:11 > 0:05:15Did you really? Yeah. You can't be 65, you don't look 65.
0:05:15 > 0:05:16Isn't that a miracle?
0:05:18 > 0:05:19Any strategy?
0:05:19 > 0:05:24We'd like to buy inexpensive as possible with the biggest profit.
0:05:24 > 0:05:27All right, so you're going to try not to spend a lot of money. Try.
0:05:27 > 0:05:32That's the message we're getting. Super. Now, the money moment.
0:05:32 > 0:05:35Here's your ?300, ?300 apiece.
0:05:35 > 0:05:38You know the rules, your experts await and off you go!
0:05:38 > 0:05:40Very, very good luck!
0:05:40 > 0:05:42Old Nick indeed!
0:05:44 > 0:05:48Speaking of which, where the devil are those experts?
0:05:48 > 0:05:50Always keen to get to the bottom of any problem,
0:05:50 > 0:05:52it's our potty Scot, Anita Manning.
0:05:56 > 0:06:00And trying to add some class, Philip Serrell's looking dapper.
0:06:02 > 0:06:03Hm, maybe not.
0:06:06 > 0:06:09OK, guys, do you fancy a bit of mud wrestling? Oh, definitely.
0:06:09 > 0:06:12You can count me out. Oh, Anita!
0:06:12 > 0:06:14Is there a plan?
0:06:14 > 0:06:19Well, my side of it, I'd like unusual quirky stuff that's cheap and makes a big profit.
0:06:19 > 0:06:21Silver. You want something pretty.
0:06:21 > 0:06:23Oh, definitely, just like me.
0:06:23 > 0:06:26Or even a pair of wellies like yours. Thank you so much.
0:06:26 > 0:06:28Yes, they are very fetching, Phil.
0:06:28 > 0:06:31You definitely need a pair today. Eurgh.
0:06:31 > 0:06:33Are you enjoying the mud?
0:06:33 > 0:06:36Do you know what we call it in Scotland? What's that? Clabber.
0:06:37 > 0:06:40We call it clods in the north of England.
0:06:40 > 0:06:43Clabber, clods and lots of bods. This should be fun.
0:06:43 > 0:06:45THEY LAUGH
0:06:45 > 0:06:47Have a look in here.
0:06:49 > 0:06:55Anita, what do you think of that? You've spotted something lovely here.
0:06:55 > 0:06:56Iridescent glass.
0:06:56 > 0:07:00It is 20th century so maybe in the last 20, 30 years.
0:07:00 > 0:07:02So it's pretty modern then?
0:07:02 > 0:07:06It's pretty modern but it's of nice quality
0:07:06 > 0:07:08so don't let that put you off.
0:07:08 > 0:07:11You tell me what you like about it.
0:07:11 > 0:07:13It's just the shape and the colour and...
0:07:13 > 0:07:15It's very pretty, isn't it?
0:07:15 > 0:07:18..it's just the whole thing. A dragonfly on a lily pad.
0:07:18 > 0:07:24How romantic can you get? Is your wife a romantic woman? Absolutely.
0:07:24 > 0:07:27Calm down, calm down, calm down!
0:07:27 > 0:07:29We'll take that as a yes.
0:07:29 > 0:07:33It is a lovely thing. It reminds me of Ditchfield Glass.
0:07:34 > 0:07:38He used this wonderful iridescent glass and it's very pretty.
0:07:38 > 0:07:42This isn't Ditchfield. It says on it Lazlo.
0:07:42 > 0:07:44Tell us about Lazlo.
0:07:44 > 0:07:46Lazlo was a chap that worked for John Ditchfield.
0:07:46 > 0:07:49So he was a pupil of Ditchfield? Yes.
0:07:49 > 0:07:53He made his animals of glass instead of silver.
0:07:53 > 0:07:57So what would be your best price on that? I think 140's a good price.
0:07:57 > 0:08:01OK? Erm... Can you do it..? Come on then.
0:08:02 > 0:08:04Can you do it for 80? No.
0:08:05 > 0:08:09No. 120 and that's further than I want to come down.
0:08:09 > 0:08:11You don't get them any more.
0:08:13 > 0:08:18110. How about 100 then? I've had a 110 bid from this on here.
0:08:18 > 0:08:20Go on, go on, go on. 100.
0:08:20 > 0:08:23I'll come down to 115 and that's it. 100.
0:08:23 > 0:08:27No, I'm sorry, I can't do it. Oh, you can. I can't. I'm sure you can.
0:08:27 > 0:08:30There's money in it for you at 115. No, 100.
0:08:30 > 0:08:31No, can't do it. 110?
0:08:33 > 0:08:39I've refused 110. Oh, 110, go on. It's only a fiver. I know.
0:08:39 > 0:08:41Go on then. Right. Yes.
0:08:41 > 0:08:44Caught me at a weak moment. This woman is red hot.
0:08:44 > 0:08:49Thank you. She's red hot. Thank you very much. Thank you.
0:08:49 > 0:08:52I don't think you need me.
0:08:54 > 0:08:57Yep, Mavis is clearly a force to be reckoned with
0:08:57 > 0:09:01and that means the Reds have gone into the lead at only five minutes and counting.
0:09:01 > 0:09:04We are the champions!
0:09:04 > 0:09:08She is the champion! Me!
0:09:08 > 0:09:11Yes, shake your booty, Mave.
0:09:11 > 0:09:14Now, can the Blues get a wiggle on?
0:09:14 > 0:09:17Let's have a look in this one here and see what we can see.
0:09:18 > 0:09:20But what attracts RAF Nick?
0:09:20 > 0:09:23A clock made from a plane propeller of course.
0:09:23 > 0:09:26Do you like the clock? I like the clock as well actually.
0:09:26 > 0:09:29I think if you have a bad day at the auction
0:09:29 > 0:09:31that's going to make around ?80.
0:09:31 > 0:09:36If you have a good day it might make between ?150-?200.
0:09:36 > 0:09:38It depends on what type of sale it is,
0:09:38 > 0:09:41who's there and all the other bits and bobs.
0:09:41 > 0:09:44So, what's the death finish on that? 150.
0:09:44 > 0:09:48?150? No, that is it. You could buy that if you wanted to.
0:09:49 > 0:09:53But you run a risk of perhaps losing ?60-?70.
0:09:53 > 0:09:54But you might make ?50.
0:09:54 > 0:09:57The good thing about it is, it actually does work.
0:09:57 > 0:09:59Can we keep that in mind, Phil.
0:09:59 > 0:10:02What you could ask this goodly gentleman to do is perhaps
0:10:02 > 0:10:05hang onto it for you for about 45 minutes? No problem.
0:10:05 > 0:10:08Would that be all right? I really like that. Superb.
0:10:09 > 0:10:12Now, how's Mave the Rave getting on with all this mud?
0:10:12 > 0:10:16Hold you're trousers up. I might show my legs.
0:10:16 > 0:10:18Oh, go on, give us a thrill, Mave.
0:10:18 > 0:10:22I think some of it's got in my socks. THEY LAUGH
0:10:22 > 0:10:24Are you splashing me again? Probably.
0:10:24 > 0:10:28There is just a bit of mud here, Pat, isn't there? Just a trifle.
0:10:28 > 0:10:30The poor little dog's drowning.
0:10:30 > 0:10:32I know how he feels.
0:10:34 > 0:10:39Guys, I love this. I couldn't get over it at school. I love that.
0:10:39 > 0:10:41It's a funky thing. How much funky?
0:10:41 > 0:10:44Well, in my eyes,
0:10:44 > 0:10:49if you buy that for ?150 I think it would be a great fun thing to go for.
0:10:49 > 0:10:51What date is it? '40s or '50s.
0:10:51 > 0:10:55For me it's like that Kenneth Williams, Barbara Windsor...
0:10:55 > 0:10:57Oh, matron!
0:10:57 > 0:11:00What's the best you can do? I'd say 150 is way too low.
0:11:00 > 0:11:04I'd say 165 is the absolute bottom.
0:11:04 > 0:11:06And I think that's a steal.
0:11:06 > 0:11:09What we'll do is, shall we ask our friend..?
0:11:09 > 0:11:12Can you keep this for about 45 minutes? 45 minutes, fine.
0:11:12 > 0:11:17Can't guarantee we'll buy it, can't guarantee we'll buy it but we might come back and have a look.
0:11:17 > 0:11:18Please do. That'll be great.
0:11:18 > 0:11:22So another item in reserve for the Blues but no buys.
0:11:22 > 0:11:24Come on Reds, show them how it's done.
0:11:27 > 0:11:29That's a Schneider Trophy. It certainly is.
0:11:29 > 0:11:32It's a wonderful piece, is that.
0:11:32 > 0:11:34Is that silver?
0:11:34 > 0:11:36It'll be chrome on top of brass.
0:11:36 > 0:11:38But it'll be typical 1930s.
0:11:38 > 0:11:41Chrome is really good. It isn't blistered.
0:11:41 > 0:11:42It's a one-off piece.
0:11:42 > 0:11:46Norman, do you recognise this plane? Can you tell us something about it?
0:11:46 > 0:11:50Yes, it's a model of the Schneider Trophy aircraft
0:11:50 > 0:11:53which was the forerunner of the Spitfire. Really?
0:11:53 > 0:11:57Yes, it won the word speed record. You do know all about it.
0:11:57 > 0:12:02Do you like it? I do. Do you like it? I do actually. Yes, I do.
0:12:02 > 0:12:07He worked on a Spitfire as well. So you worked on a Spitfire?
0:12:07 > 0:12:12Oh, yes. What sort of job did you have on the..? The weapons.
0:12:12 > 0:12:14So you looked after all that sort of stuff. Yeah.
0:12:14 > 0:12:19How much are you asking for this? The actual price on it is ?160.
0:12:19 > 0:12:22GASPS It is because of what it is.
0:12:22 > 0:12:24That's heavy.
0:12:24 > 0:12:30The death on that would be 130 and there's no negotiation on that. No.
0:12:30 > 0:12:32130. That's a shame. It is.
0:12:32 > 0:12:34Too much.
0:12:34 > 0:12:37No, it's too much. If it was silver...
0:12:37 > 0:12:39If it was silver it wouldn't be there.
0:12:39 > 0:12:42You'd have added another nothing on the end. Well, that's right.
0:12:42 > 0:12:45I'll do 120, that's it. Can't do any better than that.
0:12:45 > 0:12:50What do you think, Mavis? I'd go for 80 but not any more. No chance.
0:12:50 > 0:12:52I've turned down bids higher than that today.
0:12:52 > 0:12:55It's just too much isn't it. 100?
0:12:56 > 0:12:59I'll split the difference, 110. 100.
0:12:59 > 0:13:02I can't do it. How about 105 then?
0:13:02 > 0:13:04I can't do it. Mavis is doing her best.
0:13:04 > 0:13:07She knows this is a special item for Norm, though.
0:13:07 > 0:13:11How do you feel about it yourself? I'll do it for 110.
0:13:11 > 0:13:14I'm tempted, I must admit. It's nice.
0:13:15 > 0:13:19There's history. Well, it's up to you.
0:13:19 > 0:13:21And it's part of your history, Norman.
0:13:24 > 0:13:26Yeah? It's up to you, darling.
0:13:28 > 0:13:31I like it. It's a nice piece, sir.
0:13:31 > 0:13:33Bit of history. It is.
0:13:35 > 0:13:38110? I can do 110, sir.
0:13:40 > 0:13:42There we go. 110. That's a deal.
0:13:42 > 0:13:45I think you've done the right thing. I hope so.
0:13:45 > 0:13:50Of course you have, Norman, it warms the cockles to see such a personal connection.
0:13:51 > 0:13:55I am so pleased that Norman bought that little plane.
0:13:55 > 0:14:00I could see that he was torn. He loved it. It meant so much to him.
0:14:00 > 0:14:05I really like that Schneider aircraft model.
0:14:06 > 0:14:09It's wonderful.
0:14:09 > 0:14:11I wanted him to buy it but in the end it was up to him
0:14:11 > 0:14:16and when he said yes and shook on it, it just,
0:14:16 > 0:14:18it meant so much.
0:14:18 > 0:14:21And from the sublime to the ridiculous.
0:14:21 > 0:14:24It seems Mr Serrell is feeling a bit self-conscious.
0:14:26 > 0:14:29I'm not actually sure these have added to my street cred.
0:14:29 > 0:14:31They're wonderful. Just shut up.
0:14:31 > 0:14:35Really cool, actually. You can shut up as well.
0:14:35 > 0:14:36Ready?
0:14:36 > 0:14:41We've got two items you both absolutely love. Definitely.
0:14:41 > 0:14:45You've bought those in 25 minutes so we've got 35 minutes
0:14:45 > 0:14:48and still lots of money. I've got to leave you some pennies.
0:14:48 > 0:14:50I'll leave you a pound shall I?
0:14:50 > 0:14:52Leave me a pound!
0:14:52 > 0:14:54The Blues have a plan too.
0:14:54 > 0:14:57Find something for Pat. But it's not going well.
0:14:59 > 0:15:03What about these, Phil? Did you ask how old it is?
0:15:03 > 0:15:05No, I didn't. Uh-oh.
0:15:05 > 0:15:07There's something seriously wrong here. Pat likes it.
0:15:07 > 0:15:10Don't use that as the old excuse, "Oh, she likes it".
0:15:10 > 0:15:13He's holding the dolly. These things at auction they are ten a penny.
0:15:13 > 0:15:17Look on the internet price guides, you can not see one of those, you can see a hundred of them.
0:15:17 > 0:15:20I'm ever mindful that we haven't bought anything yet. Yes, of course.
0:15:20 > 0:15:23We've still got two things we might be thinking of
0:15:23 > 0:15:25but I am mindful that we haven't bought anything yet. Right.
0:15:25 > 0:15:28Let's have a wander up this way. Follow the leader.
0:15:29 > 0:15:32I think the Reds are being led astray by their expert.
0:15:32 > 0:15:34That looks like Philip Serrell.
0:15:35 > 0:15:37Well, I don't know about the wonky eyes
0:15:37 > 0:15:39but he is very huggable I'm told.
0:15:39 > 0:15:42Probably got his beady eye on us.
0:15:44 > 0:15:48Actually Phil is actually focusing on the task in hand,
0:15:48 > 0:15:50unlike the two siblings.
0:15:50 > 0:15:54Hey, enough of that you, enough of that.
0:15:54 > 0:15:57I'm not sure how waterproof this is and you might need it later.
0:15:57 > 0:16:00Do you want to concentrate on the job in hand?
0:16:00 > 0:16:02Yep, half an hour gone.
0:16:03 > 0:16:07Do you like those? Yeah, different aren't they?
0:16:07 > 0:16:08How much?
0:16:08 > 0:16:11Yeah, that's it. Ask the man.
0:16:11 > 0:16:14How much are your bowls, sir? ?50 the set.
0:16:14 > 0:16:1750 for four. They're not a set.
0:16:17 > 0:16:19No, they're not a set. What about just the two in the bag?
0:16:22 > 0:16:25Would they be half the 50? Would they be ?25? 30.
0:16:25 > 0:16:29I mean these would cost you probably, I don't know,
0:16:29 > 0:16:32?80-?120 if you want to go and buy them new.
0:16:32 > 0:16:35People use these, they turn them
0:16:35 > 0:16:38and use them for feet on 18th Century, 17th Century furniture.
0:16:38 > 0:16:39Really? Yes. Wow.
0:16:39 > 0:16:41Things you need to look at.
0:16:41 > 0:16:44You've got some splits in them. Is that a bad thing?
0:16:44 > 0:16:47It ain't the best recommendation in the world
0:16:47 > 0:16:50but you're getting to the point where you've got to spend some money. Yes.
0:16:50 > 0:16:55So, at ?25, you both like them. I'd dive in. They're quirky.
0:16:55 > 0:16:58If you don't you're going to end up spending nothing. OK.
0:16:58 > 0:17:00Do you want to do that? Go on then.
0:17:00 > 0:17:04As long as they're 25, no more than 25. Where is he? 25?
0:17:04 > 0:17:07Erm, yeah. Go on then.
0:17:07 > 0:17:11Thank you very much. Thank you. Thank you very much indeed.
0:17:12 > 0:17:15Well knock me down with a set of bowls,
0:17:15 > 0:17:17the Blues have finally made their first purchase!
0:17:17 > 0:17:20You like a wee bit of the exotic.
0:17:20 > 0:17:24We do because we've been to the exotic places.
0:17:24 > 0:17:27Of course, you lived in Singapore. Yeah, we did. What is it?
0:17:27 > 0:17:31It's just a decorative panel. Oh, it's a picture.
0:17:31 > 0:17:37How do you feel about it? I like it but I can't see it...
0:17:37 > 0:17:41I mean, who would buy it? It's not pressing all the buttons? Let's go.
0:17:42 > 0:17:46Dynamic team work, Reds. Not an approach the Blues favour, however.
0:17:48 > 0:17:51What about that jewellery box? Pardon? Fishing box? No, no, no.
0:17:53 > 0:17:54For the garden?
0:17:55 > 0:17:58Look at that. What about that?
0:17:58 > 0:18:00Hang on a minute. I love that.
0:18:00 > 0:18:04That's nice. I really, really like that. It's got age to it.
0:18:04 > 0:18:08How old is it? Is it old, Philip? It's an 18th century leather fire bucket.
0:18:08 > 0:18:11There you go, see. How much is your..? 75.
0:18:11 > 0:18:15Is that the death on that? Best it can be - 65.
0:18:15 > 0:18:18It's an early one, a genuine one. It's 18th century, isn't it? Definitely.
0:18:18 > 0:18:22Can I have look? Has it got a split down the side?
0:18:22 > 0:18:25Yes it has. That just wants some attention to it really.
0:18:25 > 0:18:28It's a nice tactile piece. It's got the feel. It has, hasn't it.
0:18:28 > 0:18:29You're buying a decorative item.
0:18:29 > 0:18:31These things used to make hundreds of pounds.
0:18:31 > 0:18:35Its condition isn't brilliant because you've got this split here
0:18:35 > 0:18:38and this is an old repair round here I would think.
0:18:38 > 0:18:42And you should originally have had a leather strap to it.
0:18:42 > 0:18:45At auction that's going to make somewhere between ?50-?100.
0:18:45 > 0:18:47So there is a possibility..? Yeah, I quite like it.
0:18:47 > 0:18:52I'd buy it but I don't have a life and I need to get out more!
0:18:52 > 0:18:56Do you like it, my love, because I'm conscious... Well, it's different.
0:18:56 > 0:18:59I'm not sure that's the answer I was looking for.
0:18:59 > 0:19:02It's whether you like it with its age and the fact of what it is
0:19:02 > 0:19:06and what it was, bless it. 200-years-old. Yes, I do like it.
0:19:06 > 0:19:09Wouldn't that make a lovely piece with flowers in it or something? Yes, I do.
0:19:09 > 0:19:14Would ?60 do any good? Yeah, yeah. 60? Take it for 60?
0:19:14 > 0:19:18OK, then. Thank you very much. I like that. I really like that.
0:19:18 > 0:19:19I like that.
0:19:19 > 0:19:23And with that, the Blues have drawn level with the Reds.
0:19:23 > 0:19:25I'm very conscious you haven't bought what you want.
0:19:25 > 0:19:29That's OK, I like the clock as well. I like all the things we've bought.
0:19:29 > 0:19:33Do you want another 15 minutes just in case we can find you something and then go back for the clock?
0:19:33 > 0:19:37It's worth a look. Do you think so? Come on, let's have a look.
0:19:37 > 0:19:42Now, someone who isn't shy when it comes to acquisitions is our Mavis.
0:19:42 > 0:19:44Anita, what do you think of these?
0:19:44 > 0:19:47I like the shape and everything on them. How many pieces?
0:19:47 > 0:19:52We've got three pieces? Is there three pieces to this? It's three.
0:19:52 > 0:19:57It would look quite nice on a dinner table. It's from the 1930s.
0:19:57 > 0:20:01It's art deco but it's silver plated only.
0:20:01 > 0:20:05If you like it, you will need to be down by a substantial amount.
0:20:06 > 0:20:09Would you accept ?5 for the three?
0:20:09 > 0:20:11Watch out. Mave's about.
0:20:11 > 0:20:13I can't do that. I know, I know.
0:20:13 > 0:20:16What's your best price, then? What have I got on it?
0:20:16 > 0:20:1820.
0:20:18 > 0:20:22I can do it for about 15. That's the least I can do.
0:20:22 > 0:20:25?7. No, ?10's a fair bargain. Eight?
0:20:26 > 0:20:29What do you think? Nine.
0:20:29 > 0:20:34Go on, then. You're sold. It's a deal. Thank you.
0:20:34 > 0:20:36Nice to meet you. Thank you.
0:20:36 > 0:20:42Well done, Reds. You've cleaned up - at least, in the figurative sense.
0:20:42 > 0:20:46Can I have this dance? A wee victory dance in the mud!
0:20:46 > 0:20:48Waaaaaaaay! LAUGHTER
0:20:50 > 0:20:55You big old kids - you'll be making mud pies next! Now, buck up, Blues.
0:20:55 > 0:20:56What have you got for Pat?
0:20:59 > 0:21:02So how much is the dog? He's lovely, isn't he?
0:21:02 > 0:21:04Cheers, Anita. It was excellent.
0:21:04 > 0:21:07I wouldn't have liked to have been on the other side
0:21:07 > 0:21:10of the counter with you trying to get me down!
0:21:10 > 0:21:11The time has come, guys.
0:21:11 > 0:21:15You've got two minutes to find what Pat wants. Otherwise - clock.
0:21:15 > 0:21:18I think the clock. He's set his heart on the clock.
0:21:18 > 0:21:21Yes, but it's not all about him, you know. He's my little brother.
0:21:21 > 0:21:25My little brother? She's always looked after me. She's gone soft now, hasn't she?
0:21:25 > 0:21:28Isn't that sweet? Sisterly love. Now come on Blues,
0:21:28 > 0:21:31there's a clock to buy, and only one minute in which to find it.
0:21:34 > 0:21:38We know where it is, don't we? We do, do we? Down there. Where?
0:21:38 > 0:21:40What are you doing?
0:21:40 > 0:21:42We can't find it!
0:21:42 > 0:21:45Ah, ah, ah!
0:21:45 > 0:21:48There. Oh, that's good.
0:21:48 > 0:21:49Can I lift it?
0:21:49 > 0:21:53Yeah, of course. Just watch the clock, because it does tip out of the front.
0:21:53 > 0:21:55I like it. I think it's good.
0:21:55 > 0:21:57Is there anything better you can do on that for us?
0:21:57 > 0:22:00No, there's not, unfortunately, no. Not with the price I've had on.
0:22:00 > 0:22:02I've put my cards on the table.
0:22:02 > 0:22:06He's knocked you the thick end of 100 quid off. Yes, that's true.
0:22:06 > 0:22:10Are you going for it? Yes, we'll go for it. Thank you very, very much.
0:22:10 > 0:22:12I tell you, after this, I could do with a cup of tea. Off you go.
0:22:12 > 0:22:15Chocolate biccy? Go on. Two, if you like.
0:22:15 > 0:22:16Two choccy biccs, eh?
0:22:16 > 0:22:19It's enough to make you want to break out into song.
0:22:19 > 0:22:25# Please release me, let me go... #
0:22:25 > 0:22:30Cos time's up, and let's remind ourselves what the red team bought.
0:22:30 > 0:22:33Stop throwing all that underwear about, you girls.
0:22:33 > 0:22:34Oh, I wish!
0:22:34 > 0:22:39But speaking of big drawers, Mave was drawn strongly to this Lazlo
0:22:39 > 0:22:41paperweight, and paid a hefty ?110.
0:22:44 > 0:22:49Another 110 secured this model of a Schneider trophy for Norman.
0:22:51 > 0:22:55And Mave the Rave struck again with this condiment set,
0:22:55 > 0:22:58viciously haggling the price down to ?9.
0:22:58 > 0:23:01Enjoyed that, then? I did. Including the dancing in the rain?
0:23:01 > 0:23:04Are you a couple of mudlarks, or what?
0:23:04 > 0:23:07Oh, yes. I was thinking of stripping off and doing a wrestling match,
0:23:07 > 0:23:09but I decided against it.
0:23:09 > 0:23:11It's not that sort of show, love.
0:23:11 > 0:23:14You've never seen hippos in the mud?
0:23:14 > 0:23:21Well, I don't know! I think I could begin to rather enjoy that. And what did you spend all round?
0:23:21 > 0:23:26229. You spent 229? I would like ?71 of leftover lolly, please.
0:23:26 > 0:23:29Thank you. That is ?71.
0:23:29 > 0:23:36Are you going to count it? No, no - don't worry. I trust you. Anyway, millions wouldn't. ?71.
0:23:36 > 0:23:39Anita Manning - your challenge is to go out and convert that
0:23:39 > 0:23:41into something lovely that's going to be profitable.
0:23:41 > 0:23:44What I'd like is for this lady to come with me
0:23:44 > 0:23:48and bargain for me, because she is ferocious!
0:23:48 > 0:23:50And this is coming from a professional.
0:23:50 > 0:23:53This is coming from a lady who really does know how to bargain.
0:23:53 > 0:23:58So that is an accolade, Mave, I tell you. Anyway, Mave the Rave!
0:23:58 > 0:24:00Good luck, and good luck Anita.
0:24:00 > 0:24:03Meanwhile, why don't we check out what the Blue team bought, eh?
0:24:03 > 0:24:08A pair of turned wooden bowls rolled their way first. ?25 paid.
0:24:10 > 0:24:13Then they sank ?60 into this Georgian fire bucket.
0:24:16 > 0:24:19And finally, Nick got his propeller clock,
0:24:19 > 0:24:22paying ?150 in the dying seconds.
0:24:24 > 0:24:28Well, guess whose wellies are attached to the Blue team?
0:24:28 > 0:24:33Very clever stuff, P Serrell. Now, did you have a good shop-up, Pat? Excellent, thank you very much.
0:24:33 > 0:24:35Was it good, Old Nick? Wonderful. Tremendous.
0:24:35 > 0:24:37How much did you spend all round?
0:24:37 > 0:24:41?235. That's a good number - 235.
0:24:41 > 0:24:45Superb. OK, fine. So I want the ?65, please.
0:24:45 > 0:24:48Thank you. There's the ?65 - I won't count it - I'll trust you.
0:24:48 > 0:24:49Over it goes to the maestro.
0:24:49 > 0:24:51What you going to do with that, P Serrell?
0:24:51 > 0:24:55Well, I'm not going to kick the bucket, but we neglected Pat in our shopping.
0:24:55 > 0:24:59We really neglected Pat, so I'm going to go and find something girly.
0:25:00 > 0:25:05Nice one! That'll be a first, Phil. Anyway, lots of fun.
0:25:05 > 2:57:14Meanwhile, we're heading off to Brum, 22:57:30,759 --> 25:36:35,211 where they also have a lot of fun. 25:36:35,211 --> 25:36:35,211 Founded in 1932 by Dame Martha Constance Hattie Barber, 25:36:35,211 --> 25:36:35,211 the Barber Institute of Fine Arts sits proudly in the grounds 25:36:35,211 --> 25:36:35,211 of the University of Birmingham, and is widely 25:36:35,211 --> 25:36:35,211 recognised as one of the finest small art galleries in the world. 25:36:35,211 --> 25:36:35,211 Lady Barber was wife of successful Birmingham property developer 25:36:35,211 --> 25:36:35,211 and solicitor Sir William Henry Barber. 25:36:35,211 --> 25:36:35,211 They married in 1893, the year that Sir William retired, aged 33, 25:36:35,211 --> 25:36:35,211 and they moved to a manor house in Berkshire. 25:36:35,211 --> 25:36:35,211 But they maintained extensive links with Birmingham, 25:36:35,211 --> 25:36:35,211 because it was, after all, Sir William's home city, 25:36:35,211 --> 25:36:35,211 making many gifts over the years. 25:36:35,211 --> 25:36:35,211 But it was the university that was the greatest 25:36:35,211 --> 25:36:35,211 recipient of their largesse. 25:36:35,211 --> 25:36:35,211 Lady Barber founded an institution within the University which 25:36:35,211 --> 25:36:35,211 was designed to encourage the study of both art and music. 25:36:35,211 --> 25:36:35,211 She stipulated that only work of the highest standard 25:36:35,211 --> 25:36:35,211 should be displayed here. 25:36:35,211 --> 25:36:35,211 It is a principle the gallery still adheres to to this very day. 25:36:35,211 --> 25:36:35,211 And one of the Barbers' greatest treasures is this - 25:36:35,211 --> 25:36:35,211 The Harvest Wagon by Thomas Gainsborough. 25:36:35,211 --> 25:36:35,211 It shows country life at a moment. 25:36:35,211 --> 25:36:35,211 The cart has stopped in a wooded glade. It's the end of the harvest. 25:36:35,211 --> 25:36:35,211 You can see the rake and some ears of corn on the edge of the wagon. 25:36:35,211 --> 25:36:35,211 It's a delightful genre painting, painted by Gainsborough with 25:36:35,211 --> 25:36:35,211 this lovely soft flecking touch to the trees. 25:36:35,211 --> 25:36:35,211 These girls are getting up on board 25:36:35,211 --> 25:36:35,211 because they're going off to a bit of a party, 25:36:35,211 --> 25:36:35,211 and the chaps are consuming 25:36:35,211 --> 25:36:35,211 a flagon of cider just as a bit of a stiffener before the off. 25:36:35,211 --> 25:36:35,211 Talking of drinking... 25:36:35,211 --> 25:36:35,211 This enormous painting is by the Spanish 17th century artist 25:36:35,211 --> 25:36:35,211 Murillo, and it's important to the Barber collection 25:36:35,211 --> 25:36:35,211 because it's the only 17th century Spanish work on permanent display. 25:36:35,211 --> 25:36:35,211 It is absolutely crammed with figures. 25:36:35,211 --> 25:36:35,211 In fact, there are 22 of them in this biblical scene. 25:36:35,211 --> 25:36:35,211 It shows our Lord at the marriage at Cana where 25:36:35,211 --> 25:36:35,211 he is about to perform his first miracle at a wedding ceremony. 25:36:35,211 --> 25:36:35,211 The bride and groom in the middle look incredibly gloomy, 25:36:35,211 --> 25:36:35,211 and that's because they've been told that they've just run out of wine - 25:36:35,211 --> 25:36:35,211 the worst social faux pas that you could possibly imagine. 25:36:35,211 --> 25:36:35,211 Our Lord says, though, "Don't worry about that!" 25:36:35,211 --> 25:36:35,211 He orders the servants to fill the empty wine flagons with water, 25:36:35,211 --> 25:36:35,211 and this is the moment where that water is about to be transformed, 25:36:35,211 --> 25:36:35,211 thanks to the miracle, into the finest of wines. 25:36:35,211 --> 25:36:35,211 When this painting was cleaned and conserved in 2004, 25:36:35,211 --> 25:36:35,211 it was a job that was supposed to take four months. 25:36:35,211 --> 25:36:35,211 In fact, it took seven, because when the restorer was here, 25:36:35,211 --> 25:36:35,211 it was so interesting for him to talk to the public passing by, 25:36:35,211 --> 25:36:35,211 that it took an additional three months to sort the picture out, 25:36:35,211 --> 25:36:35,211 and during that time he discovered all sorts of interesting 25:36:35,211 --> 25:36:35,211 things like this change in the angle and shape of the pavement, 25:36:35,211 --> 25:36:35,211 as you can see by the change of colour in the painting. 25:36:35,211 --> 25:36:35,211 And here, you can just make out where some birds originally 25:36:35,211 --> 25:36:35,211 were coming out of the lemon drizzle cake. 25:36:35,211 --> 25:36:35,211 That's called, in painting terms, pentimento, 25:36:35,211 --> 25:36:35,211 where the artist changes his mind and overpaints 25:36:35,211 --> 25:36:35,211 to disguise an earlier version. 25:36:35,211 --> 25:36:35,211 The big question for our team today over at the auction 25:36:35,211 --> 25:36:35,211 is going to be, are they about to need a blessed miracle? 25:36:35,211 --> 25:36:35,211 Well, we've come the 24 miles across the county border 25:36:35,211 --> 25:36:35,211 from Derbyshire to Staffordshire to Lichfield 25:36:35,211 --> 25:36:35,211 to be with Richard Winterton at Richard Winterton Auctions. 25:36:35,211 --> 25:36:35,211 Richard, hello. Hello. 25:36:35,211 --> 25:36:35,211 Now, Norman and Mavis, with all the connections, 25:36:35,211 --> 25:36:35,211 went first with the lily pad glass weight. 25:36:35,211 --> 25:36:35,211 What do you like most about it? 25:36:35,211 --> 25:36:35,211 The glue. 25:36:35,211 --> 25:36:35,211 I know. It's not so hot, that, is it? 25:36:35,211 --> 25:36:35,211 Cos we have to reveal that underneath this loose maybug 25:36:35,211 --> 25:36:35,211 there is a gob of glue before you get to the lily pad. 25:36:35,211 --> 25:36:35,211 When they found it in the fair, it was attached, but only just. 25:36:35,211 --> 25:36:35,211 It looks like Ditchfield, but it won't make Ditchfield money, will it? 25:36:35,211 --> 25:36:35,211 No. How much? 40 to 60. 25:36:35,211 --> 25:36:35,211 ?40-?60. They paid 110. 25:36:35,211 --> 25:36:35,211 It's not even going to take off, is it? Nowhere near. 25:36:35,211 --> 25:36:35,211 Talking about taking off, what about this little Schneider trophy? 25:36:35,211 --> 25:36:35,211 Chromium plated, 1930s. 25:36:35,211 --> 25:36:35,211 It's got no quality, nothing. The propeller works. 25:36:35,211 --> 25:36:35,211 Yeah, look. There you go. That works. 25:36:35,211 --> 25:36:35,211 But apart from that, I can't see it. Again, I've gone 40 to 60, exactly the same again. 25:36:35,211 --> 25:36:35,211 And they paid ?110, exactly the same again. Just no. 25:36:35,211 --> 25:36:35,211 What about the condiments? 25:36:35,211 --> 25:36:35,211 Silver plate, of course. 25:36:35,211 --> 25:36:35,211 Silver plate, but people still want the condiment set. 25:36:35,211 --> 25:36:35,211 I can see it making ?20-30. Please don't take the wind out of my sails again with the price! 25:36:35,211 --> 25:36:35,211 I'm going to puff you up now, because they only paid nine. 25:36:35,211 --> 25:36:35,211 Go! Happy boys. 25:36:35,211 --> 25:36:35,211 There's an awful lot of losses to cover in the earlier two items, and 25:36:35,211 --> 25:36:35,211 they're going to need their bonus buy, 25:36:35,211 --> 25:36:35,211 so let's go and have a look at it. 25:36:35,211 --> 25:36:35,211 You gave Anita Manning ?71. 25:36:35,211 --> 25:36:35,211 We did. Now, she's a pretty cute operator, is Anita Manning, 25:36:35,211 --> 25:36:35,211 so she can have anything under that rag, and knowing her, 25:36:35,211 --> 25:36:35,211 she's gone off and got you a bargain. 25:36:35,211 --> 25:36:35,211 But anyway - will you show us what you bought, please, Anita. 25:36:35,211 --> 25:36:35,211 That's nice. 25:36:35,211 --> 25:36:35,211 This is a little malachite. 25:36:35,211 --> 25:36:35,211 That's the name of this stone here, which is a rather pretty green 25:36:35,211 --> 25:36:35,211 colour, and it's encased in this yellow metal engraved band. 25:36:35,211 --> 25:36:35,211 So I'd like to think that it was gold, but I don't know. 25:36:35,211 --> 25:36:35,211 How much did you pay? 25:36:35,211 --> 25:36:35,211 Straight in there! 25:36:35,211 --> 25:36:35,211 That Mavis is...she's in there for a killer question. 25:36:35,211 --> 25:36:35,211 I got it at a fairly good price. ?20. 25:36:35,211 --> 25:36:35,211 20? That's good. That was good. 25:36:35,211 --> 25:36:35,211 Is that all? 25:36:35,211 --> 25:36:35,211 That's the real Russian malachite stone. 25:36:35,211 --> 25:36:35,211 The stone of the Tsars, 25:36:35,211 --> 25:36:35,211 the most gorgeous of all green polished lapidary stone. 25:36:35,211 --> 25:36:35,211 You make it sound so sexy. Hey! 25:36:35,211 --> 25:36:35,211 You settle down, Mavis! Keep taking those tablets, darling! 25:36:35,211 --> 25:36:35,211 Would you wear it, Mavis? 25:36:35,211 --> 25:36:35,211 Yes, I would. Would you wear it, Norman? 25:36:35,211 --> 25:36:35,211 Well, I don't think so, but... 25:36:35,211 --> 25:36:35,211 In your ear hole! 25:36:35,211 --> 25:36:35,211 I could always get my nose pierced, couldn't I! 25:36:35,211 --> 25:36:35,211 Oh, no! You wouldn't look right. 25:36:35,211 --> 25:36:35,211 Well, what fun, anyway. You don't have to decide about taking it now. 25:36:35,211 --> 25:36:35,211 You can decide later. 25:36:35,211 --> 25:36:35,211 But right now for the audience at home, 25:36:35,211 --> 25:36:35,211 let's find out what the auctioneer thinks about Anita's bangle. 25:36:35,211 --> 25:36:35,211 Now, Richard. This is a high-quality object, isn't it? Look at that. 25:36:35,211 --> 25:36:35,211 It's well-made. Isn't it? 25:36:35,211 --> 25:36:35,211 That Anita's been clever here, I think. 25:36:35,211 --> 25:36:35,211 I think she's gambling, as well, on it. 25:36:35,211 --> 25:36:35,211 Because it's not marked, so we can only put yellow metal. 25:36:35,211 --> 25:36:35,211 But it's got a bit about it, hasn't it? A bit of quality. 25:36:35,211 --> 25:36:35,211 Would you mind valuing it as is, then? Just as yellow metal. 25:36:35,211 --> 25:36:35,211 What's your opinion as to what that is? I think that's a nice item. 25:36:35,211 --> 25:36:35,211 We've put 30 to 40 and it will make that. 25:36:35,211 --> 25:36:35,211 Yeah, well, Anita paid 20. 25:36:35,211 --> 25:36:35,211 So that's a very good bonus buy item, isn't it? 25:36:35,211 --> 25:36:35,211 Now, that's it for the Reds. Now for the Blues. 25:36:35,211 --> 25:36:35,211 We seem to have a colourful, quite feminine look here, 25:36:35,211 --> 25:36:35,211 and on that side of the table it looks definitely masculine. 25:36:35,211 --> 25:36:35,211 What about the bowls? Good old set of bowls. 25:36:35,211 --> 25:36:35,211 We have two or three of these every sale. In they come! 25:36:35,211 --> 25:36:35,211 And what do they make? 25:36:35,211 --> 25:36:35,211 They make 20 to 30. ?30. 25:36:35,211 --> 25:36:35,211 In a little case like that? ?25 paid. 25:36:35,211 --> 25:36:35,211 So that's pretty good, isn't it? Yes. 25:36:35,211 --> 25:36:35,211 Then you've got the Georgian leather fire bucket. 25:36:35,211 --> 25:36:35,211 Now, that's a really nice, 25:36:35,211 --> 25:36:35,211 old-fashioned country house finishing object, isn't it? 25:36:35,211 --> 25:36:35,211 How much? 25:36:35,211 --> 25:36:35,211 40 to 60, and it'll make top end of that. 25:36:35,211 --> 25:36:35,211 OK, well it needs to, because they paid the ?60. 25:36:35,211 --> 25:36:35,211 I don't think he's got much of a problem on that. OK. 25:36:35,211 --> 25:36:35,211 Now I rather like these clocks made out of First World War bits of kit. 25:36:35,211 --> 25:36:35,211 I mean it's recycling and all that, but it's good fun, isn't it? It is. 25:36:35,211 --> 25:36:35,211 How do you rate it, then? 25:36:35,211 --> 25:36:35,211 80? 100? Something like that? 120? 25:36:35,211 --> 25:36:35,211 Might it make 150? 25:36:35,211 --> 25:36:35,211 I think we're top end for that. Well, that's what we need, because they paid 150. 25:36:35,211 --> 25:36:35,211 I'm not surprised they paid it. Yes. 25:36:35,211 --> 25:36:35,211 Well, on that basis, it's a bit crucial, that clock, 25:36:35,211 --> 25:36:35,211 because if it doesn't go well, they're definitely going to 25:36:35,211 --> 25:36:35,211 need their bonus buy, so let's go and have a look at it. 25:36:35,211 --> 25:36:35,211 ?65 of leftover lolly you had and you gave it to him. 25:36:35,211 --> 25:36:35,211 Show us your wares then, Phil. 25:36:35,211 --> 25:36:35,211 Well, I've got to say that you and I had a fairly good shop, didn't we? And I felt so sorry for you. 25:36:35,211 --> 25:36:35,211 Now, I think this is absolutely, truly hideous. 25:36:35,211 --> 25:36:35,211 But you liked it, didn't you? So happy birthday, happy Christmas. 25:36:35,211 --> 25:36:35,211 Oh, thank you. That is lovely. 25:36:35,211 --> 25:36:35,211 I paid ?55 for that. 25:36:35,211 --> 25:36:35,211 You didn't? Yes I did. And this just proves what a soppy old sentimentalist I am. 25:36:35,211 --> 25:36:35,211 Well, it's blue. 25:36:35,211 --> 25:36:35,211 It's in perfect condition, and it's a great big lump. 25:36:35,211 --> 25:36:35,211 I tell you, there are people out there who like their '60s, '70s glass. 25:36:35,211 --> 25:36:35,211 And they'll pay money for it. One thing's for certain - it will be sold, 25:36:35,211 --> 25:36:35,211 whether you decide to pick it or not, and that decision comes later. 25:36:35,211 --> 25:36:35,211 But right now, for the audience at home, 25:36:35,211 --> 25:36:35,211 let's find out what the auctioneer thinks about Phil's dish. 25:36:35,211 --> 25:36:35,211 Right then, Richard Winston. There's a lump for you. 25:36:35,211 --> 25:36:35,211 This is said to be Philip Serrell's girly item. Is it? 25:36:35,211 --> 25:36:35,211 He likes a big old strong girl, does Phil! 25:36:35,211 --> 25:36:35,211 Yes. He'll need it to carry that around! It's a lump, isn't it? 25:36:35,211 --> 25:36:35,211 Kind of a wave look to it, isn't it? 60s. We see so much of it, though. 25:36:35,211 --> 25:36:35,211 I think we've got ?25 to ?30, so... 25:36:35,211 --> 25:36:35,211 Is that all? Yes. Serrell's paid ?55. No! 25:36:35,211 --> 25:36:35,211 Yes. You've got a struggle here, Richard. I've got a struggle. 25:36:35,211 --> 25:36:35,211 Hopefully they will be already in profit. Yeah. 25:36:35,211 --> 25:36:35,211 That's the positive attitude. That's why he's where he is today! 25:36:35,211 --> 25:36:35,211 Good luck! 25:36:35,211 --> 25:36:35,211 35, 35, 35. 25:36:35,211 --> 25:36:35,211 And 40, and ?35 I'm bid, and sold, then for ?35. 25:36:35,211 --> 25:36:35,211 So Mave, how are you feeling, babe? A bit nervous. Are you? Yes. 25:36:35,211 --> 25:36:35,211 What have you got to be nervous about? Standing by you! 25:36:35,211 --> 25:36:35,211 I won't bite you. No, seriously, I mean, the estimates aren't so hot. 25:36:35,211 --> 25:36:35,211 But estimates don't really matter. 25:36:35,211 --> 25:36:35,211 The thing is, you buy what you love. 25:36:35,211 --> 25:36:35,211 Yes, you buy what you love and hope that somebody in this room 25:36:35,211 --> 25:36:35,211 or on the internet is going to love it too. Love it as much as me. 25:36:35,211 --> 25:36:35,211 First up is the paperweight, and here it comes. 25:36:35,211 --> 25:36:35,211 We go now to lot 314. 25:36:35,211 --> 25:36:35,211 There's the dragonfly paperweight there. 25:36:35,211 --> 25:36:35,211 Lot 314, ?25 I'm bid. 25. ?30. 35, ?40. 25:36:35,211 --> 25:36:35,211 ?40 I'm bid, at ?40. Here at ?40. At 40. Second row at ?40. 25:36:35,211 --> 25:36:35,211 No interest, internet? No other interest. Selling then at ?40. 25:36:35,211 --> 25:36:35,211 I'm really sorry. That's ?70. Minus 70. That's a blow. 25:36:35,211 --> 25:36:35,211 Oh, dear. We have 315 now. 25:36:35,211 --> 25:36:35,211 Now, Schneider. 25:36:35,211 --> 25:36:35,211 Lot 315. 40 bid. ?40. 45, with me at 45. 25:36:35,211 --> 25:36:35,211 ?50. ?60. ?70. 25:36:35,211 --> 25:36:35,211 At 70, ?80. 25:36:35,211 --> 25:36:35,211 Internet again. ?90. 25:36:35,211 --> 25:36:35,211 ?90, I'm bid at 90. ?100. 110. 110! 110. 25:36:35,211 --> 25:36:35,211 120, internet. 120, 120, 120. At 120. 25:36:35,211 --> 25:36:35,211 That is good. 120. Everyone else out? All done. Sold at 120. 25:36:35,211 --> 25:36:35,211 Yes! Well done. You are quite right, plus ?10. Lovely job. 25:36:35,211 --> 25:36:35,211 Great. 25:36:35,211 --> 25:36:35,211 316. The condiment set there. ?10. ?10. ?10. ?10 I'm bid. 25:36:35,211 --> 25:36:35,211 ?15. ?20. ?25. 25:36:35,211 --> 25:36:35,211 ?25 right away at 25. 25, ?30. Internet again at 30. ?30, ?30. 25:36:35,211 --> 25:36:35,211 With the internet at 30, everyone else out. Sold at 30. 25:36:35,211 --> 25:36:35,211 Brilliant. That's plus ?21. 25:36:35,211 --> 25:36:35,211 How good is that? Minus 39 is where you're at, OK? 25:36:35,211 --> 25:36:35,211 So what are you going to do about this...? 25:36:35,211 --> 25:36:35,211 We're having it. We're going for it. Absolutely. 25:36:35,211 --> 25:36:35,211 For ?20, that's a very stylish and nice looking thing. 25:36:35,211 --> 25:36:35,211 Anyway, here it comes - the exciting bangle. 25:36:35,211 --> 25:36:35,211 We go now this time to the metal hinged bangle there, lot 320. 25:36:35,211 --> 25:36:35,211 ?20 I'm bid. ?20, 25, ?30. 35, ?40. 25:36:35,211 --> 25:36:35,211 Hey! 45, 45 in the room now, at 45, 45. 25:36:35,211 --> 25:36:35,211 45, ?50, ?50 right away at 50. In the corner at 50. 50. 25:36:35,211 --> 25:36:35,211 How exciting! 25:36:35,211 --> 25:36:35,211 Sold at 50. 25:36:35,211 --> 25:36:35,211 Yes! 25:36:35,211 --> 25:36:35,211 Good on you. Well, that is very good, Anita. That's plus ?30. 25:36:35,211 --> 25:36:35,211 You had minus 39, you're now only minus ?9. 25:36:35,211 --> 25:36:35,211 So how are you feeling, Pat? 25:36:35,211 --> 25:36:35,211 Nervous. Are you? What have you got to be nervous about? 25:36:35,211 --> 25:36:35,211 You've got your bro with you, haven't you? Well, that's true. 25:36:35,211 --> 25:36:35,211 We set out to buy a cheap thing and make a profit. I think we bought dearly. 25:36:35,211 --> 25:36:35,211 And if the worst comes to the worst, Pat, 25:36:35,211 --> 25:36:35,211 you've got your bowl to fall back on, haven't you? 25:36:35,211 --> 25:36:35,211 Anyway, first up are the old bowls, and here they come. 25:36:35,211 --> 25:36:35,211 336 now, the wooden bowls there, in their case. A fiver I'm bid. 25:36:35,211 --> 25:36:35,211 Five, eight, 10, 12, ?12. ?12 I'm bid, ?12. 15, internet. 25:36:35,211 --> 25:36:35,211 18, room. ?18 I'm bid. Room at ?18. Far right at ?18. 25:36:35,211 --> 25:36:35,211 I don't like the look of this. ?18. 25:36:35,211 --> 25:36:35,211 Blast it! ?18 is minus ?7. 25:36:35,211 --> 25:36:35,211 Still, let's not sweat. 25:36:35,211 --> 25:36:35,211 The fire bucket. Lot 337, the Georgian leather fire bucket. 337. 25:36:35,211 --> 25:36:35,211 Commission bids are in. I'm in at 60. I have 70. I have 80 with me. 25:36:35,211 --> 25:36:35,211 At ?80 with me, at 80. At 80. ?80. 25:36:35,211 --> 25:36:35,211 All done. Sold at 80. 25:36:35,211 --> 25:36:35,211 He sold at 80. ?80. That's brilliant. That's plus 20. 25:36:35,211 --> 25:36:35,211 Which means you are plus 13. See? It soon comes back. 25:36:35,211 --> 25:36:35,211 Now, yes. 25:36:35,211 --> 25:36:35,211 ?50 bid. 60, 70, 80. At ?80, I'm bid at ?80. At ?80, and ?80. At 80. 25:36:35,211 --> 25:36:35,211 At 80, at 80, at 80, at 80. 25:36:35,211 --> 25:36:35,211 Internet, you're not in, at 80. With me at ?80. 25:36:35,211 --> 25:36:35,211 The room is out. At ?80, top bid. Ouch! Sold at ?80. 25:36:35,211 --> 25:36:35,211 Oh, well. ?80. I think our propeller's just stuck, hasn't it? 25:36:35,211 --> 25:36:35,211 It's certainly not turning any more. You're minus 57. 25:36:35,211 --> 25:36:35,211 What are you going to do about that? 25:36:35,211 --> 25:36:35,211 No? No. 25:36:35,211 --> 25:36:35,211 It's nice of Philip to think of Pat, but... Somebody had to! 25:36:35,211 --> 25:36:35,211 We're going to sell it anyway, and here it comes. 25:36:35,211 --> 25:36:35,211 We now move to 342. The studio bowl there, circa 1960. Lot 342. 25:36:35,211 --> 25:36:35,211 ?5 to start me, ?5 to start me. 25:36:35,211 --> 25:36:35,211 Five I'm bid, five I'm bid. Eight I'm bid. 25:36:35,211 --> 25:36:35,211 10, 12, 15, 18, 20, 25:36:35,211 --> 25:36:35,211 ?20 on my left. 25:36:35,211 --> 25:36:35,211 ?20 I'm bid. Far left at 20, 20, 20. 25:36:35,211 --> 25:36:35,211 Well sold. Two, 25, ?30, ?30, third row at ?30, ?30. 25:36:35,211 --> 25:36:35,211 You're out, internet. You're out in the middle. Sold then at ?30. 25:36:35,211 --> 25:36:35,211 ?30, which is minus 25. You did the right thing there. 25:36:35,211 --> 25:36:35,211 Anyway, don't say a word. 25:36:35,211 --> 25:36:35,211 Minus 57 could be a winning score, 25:36:35,211 --> 25:36:35,211 and all will be revealed in a moment. 25:36:35,211 --> 25:36:35,211 Well, well, well, well. 25:36:35,211 --> 25:36:35,211 It's no secret that today is not a day 25:36:35,211 --> 25:36:35,211 where anybody is going home with any folding money, sadly. 25:36:35,211 --> 25:36:35,211 But we have had a delightful competition all round, haven't we? 25:36:35,211 --> 25:36:35,211 Yes. Have you been chatting about the scores between you? You haven't? 25:36:35,211 --> 25:36:35,211 Well, I'm afraid I have to reveal that the runners-up today - 25:36:35,211 --> 25:36:35,211 sports though they may be - are the Blues. 25:36:35,211 --> 25:36:35,211 Minus ?57 is quite a number, and really, you were never really going 25:36:35,211 --> 25:36:35,211 to recover after that propeller disaster, were you, really? 25:36:35,211 --> 25:36:35,211 And it's not worthwhile dwelling upon, I'd say, not really. 25:36:35,211 --> 25:36:35,211 Have you had a good time, Pat? Lovely. Been all right for you, Nick? Superb. 25:36:35,211 --> 25:36:35,211 Yeah. Thank you very much, team. 25:36:35,211 --> 25:36:35,211 The victors, though, who managed to win by only losing ?9... 25:36:35,211 --> 25:36:35,211 Yay! 25:36:35,211 --> 25:36:35,211 ..are the Reds, who have a lot to be grateful for to Anita, frankly. 25:36:35,211 --> 25:36:35,211 ?30 profit on that bangle. 25:36:35,211 --> 25:36:35,211 Brought you back from the precipice, didn't it? 25:36:35,211 --> 25:36:35,211 It did. Had a good time, Norm? Excellent. 25:36:35,211 --> 25:36:35,211 We've loved having you on the show. 25:36:35,211 --> 25:36:35,211 Join us again soon for some more bargain hunting. Yes? Yes! 25:36:35,211 --> 25:36:35,211 Subtitles by Red Bee Media Ltd 25:36:35,211 --> 25:36:35,211 Continuing on BBC Two, it's... Wow! That looks complicated. 25:36:35,211 --> 25:36:35,211 Whoa! How did they...? 25:36:35,211 --> 25:36:35,211 It's... Oh, I don't... What...? 25:36:35,211 --> 25:36:35,211 That's chocolate? I...