Wetherby 15

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0:00:03 > 0:00:09We're at Wetherby Racecourse today, but which team will be leading the field?

0:00:09 > 0:00:11Do you fancy taking a bet?

0:00:11 > 0:00:13Let's go bargain hunting, yeah!

0:00:37 > 0:00:42The racecourse here at Wetherby has seen many winners in its time

0:00:42 > 0:00:45since it was opened in 1891,

0:00:45 > 0:00:50but the big question today is - which of our teams, the Reds or the Blues,

0:00:50 > 0:00:54will gallop off to victory over at the auction? Stay tuned to find out.

0:00:54 > 0:00:56Coming up on today's show,

0:00:56 > 0:00:59the Reds strike a hard bargain.

0:00:59 > 0:01:03- The very best price I can do for that is 90 quid.- I'll say 65.

0:01:03 > 0:01:06I want it to knock me out. That does not knock me out.

0:01:06 > 0:01:09Whilst Anita works hard to convince the Blues.

0:01:09 > 0:01:11- Plastic is the new gold.- Is it?

0:01:11 > 0:01:13LAUGHTER

0:01:15 > 0:01:17So let's meet the teams.

0:01:18 > 0:01:24So it's a family affair today with two teams of mothers and daughters.

0:01:24 > 0:01:29For the Reds, we've got Carrie and Roxanne, and for the Blues, we've got Judith and Rachel.

0:01:29 > 0:01:32- Hello, everyone.- Hello.- Hello.

0:01:32 > 0:01:37- Now, Carrie...- Yes. - This racecourse surrounding is one that's familiar to you.

0:01:37 > 0:01:42- I trained my horses and raced them here.- Really? - On occasion, yes.- Brilliant.

0:01:42 > 0:01:45- Since you were three years of age? - No.

0:01:45 > 0:01:51- Oh, right.- I was riding ponies when I was three, but later, I bred and trained racehorses for my father.

0:01:51 > 0:01:55And when he died last year, I stopped altogether.

0:01:55 > 0:01:59What do you get up to these days if you're not training horses?

0:01:59 > 0:02:05Just a few hours running Gigi's in Knaresborough, antiques and bric-a-brac, you know, junk.

0:02:05 > 0:02:09Today, you're going to be able to show your skills, aren't you?

0:02:09 > 0:02:14- We're going to give you £300 and you'll find something that will sell, yes?- Definitely.

0:02:14 > 0:02:17Oh, marvellous. That sounds like the business.

0:02:17 > 0:02:20Now, Roxanne, you're a hairdresser?

0:02:20 > 0:02:24- I practise on Mum a lot.- Do you? - With all her hair.

0:02:24 > 0:02:30- She likes to come in and see me in the salon.- You have a bit of a natter?- Yes, more than a natter!

0:02:30 > 0:02:35- I've got very long hair. She tries to cut it off. - You can't cut your mum's hair off!

0:02:35 > 0:02:38I try to just trim the ends, but she won't let me.

0:02:38 > 0:02:41But you've got a dream job in view. What's that?

0:02:41 > 0:02:45I'd like to do singing and musical theatre, something like that.

0:02:45 > 0:02:48And do you perform at all at the moment?

0:02:48 > 0:02:53No, not at the moment. I like to play acoustic guitar and have a bit of singing.

0:02:53 > 0:02:59- I go to a local jam night in Knaresborough.- Is that what you do? - Yeah.- Is she any good?- Fantastic.

0:02:59 > 0:03:03- There you are. You're not her mum for nothing!- No.- Absolutely right.

0:03:03 > 0:03:07- I'd tell her if she was rubbish. - I bet you would too.

0:03:07 > 0:03:12- Do you two think you'll make a winning team today? - Definitely.- I think so too.

0:03:12 > 0:03:17They've got youth, they've got experience. I think this is going to be a piece of cake for you two.

0:03:17 > 0:03:22- And very good luck anyway. - Thank you.- Smashing job.

0:03:22 > 0:03:26- Judith, you run a shop yourself? - Of course I do.- Tell us about it.

0:03:26 > 0:03:30You know the sweets you got in a jar that are now in the Beamish Museum?

0:03:30 > 0:03:35- I sell those, but mine are not in a museum. - So, all those old-fashioned sweets?

0:03:35 > 0:03:37Yeah, old-fashioned sweets in jars.

0:03:37 > 0:03:39And you sell it by the quarter?

0:03:39 > 0:03:45They always ask by the quarter and I say, "You'll just get what I give you."

0:03:45 > 0:03:48What else do you sell in your shop apart from sweeties?

0:03:48 > 0:03:53I sell limited edition prints of my pictures and I also sell originals.

0:03:53 > 0:03:55Rachel, it says here you like to talk.

0:03:55 > 0:03:59- I'm on telesales, so I do a lot of talking.- You do telesales?

0:03:59 > 0:04:04- Oh, yeah, I'm one of them pests. - You ring me up at half past six every evening and...?

0:04:04 > 0:04:08- Yeah, and wonder why you're not in. - Yes, exactly.

0:04:08 > 0:04:12- Why you're busy!- So you do like to chat on professionally?- Oh, yeah.

0:04:12 > 0:04:17- What sort of product are you selling? - Solar panels.- Oh, solar panels.

0:04:17 > 0:04:21- Do you know anything about solar panels?- Of course I do!

0:04:21 > 0:04:24- You like a bit of art too like your mother?- Yeah.

0:04:24 > 0:04:30- What sort of things do you get up to?- I'm mainly a charcoal drawer of dogs.- You do that on commission?

0:04:30 > 0:04:33- A bit of both. I sell prints in my mum's shop as well.- Lovely.

0:04:33 > 0:04:38Do you think you'll be able to find a masterpiece between you today to sell on?

0:04:38 > 0:04:42- Yes.- There's one out there.- There is one out there.- Yeah, there is.

0:04:42 > 0:04:47You never know. You have to be confident. Now the money moment. £300 apiece.

0:04:47 > 0:04:51They're looking very happy over here, taking the £300.

0:04:51 > 0:04:56You know the rules and your experts await and very, very, very good luck!

0:04:59 > 0:05:02Now, where are our experts for today?

0:05:02 > 0:05:05Stop sunning yourself there, Thomas Plant.

0:05:05 > 0:05:07You've got your Red Team to find.

0:05:08 > 0:05:12Meanwhile, Anita Manning is searching for her Blues. Ooh!

0:05:12 > 0:05:14Get to it then, experts!

0:05:14 > 0:05:20The plan is just to buy something that will sell on and make profits, so that we can win. That's the idea.

0:05:20 > 0:05:24It doesn't matter what it is. We'll just go for it.

0:05:24 > 0:05:28I think this mother and daughter duo will be pretty formidable.

0:05:28 > 0:05:33- What about tactics though?- I was thinking ceramics and jewellery.

0:05:33 > 0:05:36You like that. I like jewellery. What about you?

0:05:36 > 0:05:40- Spending. Spend, spend, spend.- Oh, you're a girl after my own heart!

0:05:40 > 0:05:46- ..you're eyeing up at the moment. - Can we trot on a bit? Trot on. I know what I'm looking at.

0:05:46 > 0:05:50What we want to do, girls, is bag something fairly soon

0:05:50 > 0:05:54which will give us plenty of time for everything else.

0:05:54 > 0:06:01Can I just have a look at that 78 one? It's got a bit of a dent in it. It'll be a bit less money then.

0:06:01 > 0:06:06- Can I suggest something else in this cabinet?- Yes. - Can we put these back?- Yeah.

0:06:06 > 0:06:11- I'd like to look at the tsubas. Do you know what these are? They're lovely.- They're beautiful.

0:06:11 > 0:06:15So these are tsubas and a tsuba is the hilt for the katana.

0:06:15 > 0:06:20I don't think they're so old. They're probably only about 50 years old.

0:06:20 > 0:06:25- So, in here you like the vestas... - I'm thinking about it, Tom. I don't want to buy straight away.

0:06:25 > 0:06:31- I know.- I've got it in my mind though.- You've got to have a plan. Shall we move on?- Yeah, move on.

0:06:31 > 0:06:34- Trot on, Tom. Trot on. - Trot on, trot on.

0:06:35 > 0:06:38Yes, trot on, Thomas. You heard the woman.

0:06:38 > 0:06:45- Anything that's jumping out at you? - I like the colour of this.- You like colourful...- I like that colour.

0:06:45 > 0:06:48Well, girls, this comes from a favourite place of mine.

0:06:48 > 0:06:50Can you guess where?

0:06:50 > 0:06:53- Oh, no, it isn't! - LAUGHTER

0:06:53 > 0:06:57I thought it was a piece of Maling from Newcastle,

0:06:57 > 0:07:00but it's a piece of New Hall Ware. Tell me why you like it.

0:07:00 > 0:07:03- Because of the orange. - You like that?- Hmm.

0:07:03 > 0:07:06- Bright?- Yeah.- It shouts at you.

0:07:06 > 0:07:11- We like that stuff that's way down south.- Poole Pottery?- Poole, yeah.

0:07:11 > 0:07:17- We love Poole.- You love Poole?- Oh, yeah.- I'm glad you're in my team because I love Poole as well.

0:07:17 > 0:07:20- I've got a piece of Poole at home. - Yeah.

0:07:20 > 0:07:25- Talking about Poole, ladies... - I know, I saw that. It is Poole.

0:07:25 > 0:07:30Shall we just get it? This is a girl with a mission. She's in a hurry.

0:07:30 > 0:07:32It's 1960s.

0:07:32 > 0:07:37It's this 20th century design and it's colourful and that's what you like.

0:07:37 > 0:07:42- It's got this modernist shape here. - That needs to be about 50, doesn't it?

0:07:42 > 0:07:44Hello!

0:07:44 > 0:07:48Hello. We were looking at your piece of Poole here.

0:07:48 > 0:07:51I think...£40.

0:07:51 > 0:07:56The best I could do would be 50 and that's the bottom of it.

0:07:56 > 0:07:59- Is that the bottom line, 50? - It would be, yeah.

0:07:59 > 0:08:01Have another wee go.

0:08:01 > 0:08:07No, honestly, I don't think we'll get a profit at 50. I don't. I think it would have to be about 45.

0:08:07 > 0:08:12We've got to sell it in an auction. Can you imagine us getting a profit at 50?

0:08:12 > 0:08:1445?

0:08:14 > 0:08:17Go on, 45. That would be my rock bottom.

0:08:17 > 0:08:20- That's your rock bottom? - Yeah.

0:08:20 > 0:08:26- If you'll let us have it for 45, I think... What do you say, Rachel? - Yeah, I'm happy.- You're happy.

0:08:26 > 0:08:31So we've got our first buy in about the first 40 seconds.

0:08:31 > 0:08:36We've had a good bit of bargaining here. You chose well. What a team!

0:08:36 > 0:08:39But I chose it...as well.

0:08:39 > 0:08:42Oh, you're going to have trouble there, Anita.

0:08:42 > 0:08:45Well done though, Blues. One down.

0:08:45 > 0:08:49- What about this lovely Deco dancer? She is quite nice, actually.- She is.

0:08:49 > 0:08:56- In good condition.- Waldendorf, is that right? She's rather elegant. What's the best on that figure?

0:08:56 > 0:09:02The very, very best is £50. I couldn't do it for any less because I'd be losing money.

0:09:02 > 0:09:07- It's lovely, but it's not scantily clad enough for me and dramatic enough.- I know what you mean.

0:09:07 > 0:09:11I want something that knocks me out. That does not knock me out.

0:09:11 > 0:09:13That, I wouldn't give house room.

0:09:13 > 0:09:18This wants to be slightly bigger and more fabulous, then we'll say yes.

0:09:18 > 0:09:23- Let's go a bit more money, 80 quid, on something a bit more flamboyant. - We'll have a think.

0:09:23 > 0:09:29- We can keep this in the bank. Thank you very much.- Thank you. - It was a good discount. Thank you.

0:09:29 > 0:09:33I think Carrie wants drama, Thomas, so tally-ho, what?

0:09:33 > 0:09:36- You've got the hang of it now. - There we are.

0:09:36 > 0:09:40- Do you like it?- Not really, no. - She doesn't like it.- No.

0:09:40 > 0:09:44- Do you not like your mother's taste in furniture?- Not all of it, no.

0:09:44 > 0:09:48I put that beautiful picture underneath and I've got glass...

0:09:48 > 0:09:54- Yeah. It doesn't mean I like it.- But I painted the picture.- The picture's nice, but...- Thank you!

0:09:54 > 0:09:58- Right, we'll just...- Are we interested in this table?- No.

0:09:58 > 0:10:05- She says no, so we'll just go along with the flow cos she's the boss. - All right, but don't sulk.

0:10:05 > 0:10:09No sulking in this game, Blues. We're meant to be having fun.

0:10:09 > 0:10:11Now, are those Reds on the fiddle?

0:10:11 > 0:10:14- Can we have a look at the fiddle? - Certainly.

0:10:14 > 0:10:19Let's have a look at the fiddle. Let's look in the F-hole and see what it's like.

0:10:20 > 0:10:23Hold that, Rocky. I can't see inside.

0:10:23 > 0:10:27You want to look inside the fiddle? How do you know about these fiddles?

0:10:27 > 0:10:29My uncle is Barry Dransfield.

0:10:29 > 0:10:32- And he is...? - A professional fiddle player.

0:10:32 > 0:10:36He was in Mutiny On The Bounty and buys fiddles off me.

0:10:36 > 0:10:40Oh, come on, Thomas. Don't you know your fiddle from your elbow?

0:10:40 > 0:10:45- What's the price?- I need for that... The very best price I can do for that is 90 quid.

0:10:45 > 0:10:50There's quite a lot to do on this fiddle. I'm not going to offer 70. I'd say 65.

0:10:50 > 0:10:52No, I can't, my darling. >

0:10:52 > 0:10:56It needs a bridge on it. You've got the bridge?

0:10:56 > 0:10:58There's your bridge.

0:10:58 > 0:11:02It's not that, Tom, though. Look. It's in very bad...

0:11:02 > 0:11:06- It's got a bit of wear to it. - I know, but it is a nice fiddle.

0:11:06 > 0:11:09I'd be happier at 65.

0:11:09 > 0:11:12- What do you think it'll make at auction?- About 95, 100.

0:11:12 > 0:11:16Are you positive on that one? How old do you think this fiddle is?

0:11:16 > 0:11:18I'd say about 1880, 1890.

0:11:18 > 0:11:22I like the detail around the edge just here.

0:11:22 > 0:11:25- That's what gives it its quality. - Yeah, it does.

0:11:25 > 0:11:29This is the bad bit, but we're all right at 65. There's a profit in it.

0:11:29 > 0:11:33You say this is a fiddle, rather than a violin.

0:11:33 > 0:11:36How do we know that it's a fiddle or a violin?

0:11:36 > 0:11:41- The length.- The length. So this length from here to here? - From there to there.

0:11:41 > 0:11:45So this is a fiddle or a violin or a viola?

0:11:45 > 0:11:47- I'd say this is a fiddle. - It's not a viola.

0:11:47 > 0:11:50- A viola is slightly bigger. - It's more length.- Yeah.

0:11:50 > 0:11:54- I'll buy it for 65. - OK, we'll do it for 65.

0:11:54 > 0:11:56- We're going to buy it?- At 65, yeah.

0:11:56 > 0:11:59- 65, it's a deal.- Lovely. - Thank you very much.

0:11:59 > 0:12:03- Yes, we've bought something. - Thank you.- We have bought something.

0:12:05 > 0:12:08God, I'm exhausted! I am exhausted!

0:12:08 > 0:12:10I think we all are, Thomas.

0:12:10 > 0:12:14It's taken us half an hour to buy one item. It ain't gonna work.

0:12:14 > 0:12:18- We'd better be quick now.- Yeah. - We know what we want now.

0:12:18 > 0:12:23- I think I like the lady. - You like the lady. We can always go back and get the lady.

0:12:23 > 0:12:25At the gallop, please, Reds.

0:12:25 > 0:12:28Now, what's caught Anita's eye?

0:12:28 > 0:12:32What you've got, girls, is you've got that orange Poole vase.

0:12:32 > 0:12:37Right? And you've got these crazy, 20th century stools.

0:12:37 > 0:12:42- They're plastic.- I know, but plastic is the new gold.- Is it?

0:12:42 > 0:12:44LAUGHTER

0:12:44 > 0:12:47You know how bathrooms are the new kitchens?

0:12:47 > 0:12:51This is what all the cool kids in London are buying.

0:12:51 > 0:12:53Yeah, well, it'll have to be cheap.

0:12:53 > 0:12:59- I think they are quite cheap. - Are they? That's all right then. - We've got the maker's mark here.

0:12:59 > 0:13:05- Bauhaus style.- But what we've got are a pair of lime green, plastic, matching stools.

0:13:05 > 0:13:08- With the covers? - With the covers, 25.

0:13:08 > 0:13:10- Are these the original covers?- Yeah.

0:13:10 > 0:13:12I would say 20.

0:13:12 > 0:13:16- They're a great team, aren't they? - I'm defeated. Give us £20.

0:13:16 > 0:13:21He's going to give you... Are you listening? He'll take 20 quid.

0:13:21 > 0:13:27- Are you happy with that? What's next?- Jewellery.- Yes. We want jewellery.- OK, let's go that way.

0:13:27 > 0:13:31Well, that's plastic fantastic! Two down, Blues.

0:13:31 > 0:13:35- Big diamonds!- For £200? LAUGHTER

0:13:35 > 0:13:38Come on, get a move on, you lot! The clock's ticking.

0:13:38 > 0:13:41What's your very, very best on that?

0:13:41 > 0:13:46- That's lovely.- There's a lot of work in that.- The different colours? - Yeah.- Can we have a look?

0:13:46 > 0:13:50- Yesterday, that was £140. - You couldn't do 90?

0:13:50 > 0:13:54- No. I could do 100.- Could I have a look at it?- You certainly can.

0:13:54 > 0:13:57- Have you got a crane(?) - It's fine. Don't worry.

0:13:58 > 0:14:04- It's beautiful.- What do you think of that? You've got different colours of marble, the serpentine marble,

0:14:04 > 0:14:10the slate, this brown marble, and this lovely white... almost got a sort of Carrara to it.

0:14:10 > 0:14:15- Let's see in the back. - There's the movement and you've got the garniture with it as well.

0:14:15 > 0:14:18- The French know how to make things, don't they?- Certainly.

0:14:18 > 0:14:24- They didn't have anything on the top.- There was no bit where there was a statue?- Not on these.

0:14:24 > 0:14:28If that was 95, we'd walk away with it now. It is perfect, Tom.

0:14:28 > 0:14:31- It's lovely. - Go on, you can have it for 95.

0:14:31 > 0:14:36- Shall we get it?- I think we should. - That's a deal. That's done.

0:14:36 > 0:14:41- Brilliant, bought. Second item down.- Quality piece, quality piece. Very nice.

0:14:41 > 0:14:43- Thank you, sir.- Thank you very much.

0:14:43 > 0:14:45Great buy, Reds. Two down.

0:14:47 > 0:14:51Now those Blues are on a diamond mission.

0:14:51 > 0:14:55If you were buying a piece of jewellery, what would you like to buy?

0:14:55 > 0:14:59If it was an antique like that, I'd go for something traditional

0:14:59 > 0:15:02and I would go for a cameo, but I also like diamonds.

0:15:02 > 0:15:05You like diamonds? Diamonds are a girl's best friend.

0:15:07 > 0:15:12Why don't we take five minutes on our own, separate out,

0:15:12 > 0:15:15have a look round, meet back here in five minutes

0:15:15 > 0:15:21- and see if anybody has seen anything that really they've fallen in love with?- Yeah.- OK?

0:15:22 > 0:15:28So the Blues are feeling all sparkly, but how are those Reds getting on?

0:15:28 > 0:15:32I'll stop bickering and I'll be just quiet and you'll be really bored.

0:15:32 > 0:15:37That will not happen. You being quiet will never, ever happen.

0:15:37 > 0:15:42- I've known you for 40 minutes... - I'm trying to help you. You've got all this other work.

0:15:42 > 0:15:45- At the double, please! - Oh, just a minute.

0:15:45 > 0:15:49- You're going to make me buy something horrible.- No, I'm not.

0:15:49 > 0:15:51Oh, blimey, you Reds are making me dizzy!

0:15:51 > 0:15:55- Can we go back down that road bit? - Trot on, trot on.

0:15:55 > 0:15:56# Dizzy... #

0:15:56 > 0:16:00Let's go in here. I've seen a chair. In there.

0:16:00 > 0:16:02# I'm so dizzy, my head is spinning... #

0:16:02 > 0:16:05Turn me round. In there. Go in there, Rocky.

0:16:05 > 0:16:10- The Marly Horses?- Yeah. - Turn me around.- Can we just leave her here?- I think we can.

0:16:10 > 0:16:13Now, Roxanne, that's your mother, dear!

0:16:13 > 0:16:19- We need to be off the grass.- We're going to try and get off the grass. - Hang on.- We've got ten minutes.

0:16:19 > 0:16:21# Dizzy, dizzy... #

0:16:21 > 0:16:25Hey, are those Blues doing a deal without Anita?

0:16:25 > 0:16:28It's 1689. It's William and Mary.

0:16:28 > 0:16:30It's a half-crown.

0:16:30 > 0:16:34The book value for these is about £280.

0:16:34 > 0:16:39If you're interested in that, I will do that for 250, but that would be my bottom...

0:16:39 > 0:16:44- You wouldn't do 200 because we haven't got the money?- We've only got 200. It's our last item.

0:16:44 > 0:16:47We just have 200. >

0:16:48 > 0:16:51- I will do it for 200. - Our last item.

0:16:51 > 0:16:53Where's Anita? Anita!

0:16:53 > 0:16:55Anita's run away!

0:16:55 > 0:17:01So as the Blues hunt down their Anita, the Reds are racing to the finishing post.

0:17:01 > 0:17:04- What can you do for the pair, love? - The horses?

0:17:04 > 0:17:07- 40. - 40 for the pair?

0:17:07 > 0:17:11These are called Marly Horses and they come in spelter and bronze.

0:17:11 > 0:17:16These are in spelter and they've had some black paint over them which has oxidised.

0:17:16 > 0:17:19They've got a real shabby chic-ness.

0:17:19 > 0:17:22Yeah, I'm happy there's no soldering or bad damage.

0:17:22 > 0:17:27Yeah, somebody would live with those, painted or unpainted.

0:17:27 > 0:17:30Do you think there's a profit in these, Thomas?

0:17:30 > 0:17:34- Tom, I've had a good look at these. - Yeah, what do you think, Carrie?

0:17:34 > 0:17:40This gentleman will be fair with me because he knows there's a little bit of... Not...

0:17:40 > 0:17:44A little bit of corrosion. Can you go down to 27 quid for the pair?

0:17:44 > 0:17:48- No, I can't.- What can you do on these?- I'll take 30.- 30?

0:17:48 > 0:17:51- £30...? Good man.- Thank you.

0:17:51 > 0:17:53- That's it!- Yes.

0:17:53 > 0:17:56- Cup of tea.- Yeah. - Cup of tea.- Trot on.

0:17:56 > 0:17:59- Trot on. You're telling me to trot on! - LAUGHTER

0:17:59 > 0:18:01I'm off. Come on!

0:18:01 > 0:18:03- Let's go.- Let's go.

0:18:05 > 0:18:08Giddy-up now, Thomas!

0:18:08 > 0:18:11Now, have those Blues found Anita yet?

0:18:11 > 0:18:13- We've found a coin.- Right.

0:18:13 > 0:18:17But I thought that I would bring you over some diamonds.

0:18:17 > 0:18:22Now, this first one here is a little pendant.

0:18:22 > 0:18:24It's got 16 little diamonds.

0:18:24 > 0:18:27- They're set... - They are tiny, aren't they?

0:18:27 > 0:18:31You've only got a couple of hundred quid to spend, girl.

0:18:31 > 0:18:36It's 130 and we can get that for £110.

0:18:36 > 0:18:39I wouldn't wear it. The diamonds are too tiny.

0:18:39 > 0:18:41I want big diamonds!

0:18:42 > 0:18:48- We've got a little three-stone ring here.- Can I look at it?- Uh-huh. - I don't like that.

0:18:48 > 0:18:51There's not enough bling in that ring, Anita.

0:18:51 > 0:18:53You've got this little one here

0:18:53 > 0:18:56which is a little, single-stone diamond.

0:18:56 > 0:18:59- It's nice.- You like that one?- Yeah.

0:18:59 > 0:19:01It's a slightly bigger diamond,

0:19:01 > 0:19:05but it's slightly dated in its appearance because it's modern...

0:19:05 > 0:19:09That wouldn't sell. I don't like that.

0:19:09 > 0:19:14The third one is a little 1930s, Art Deco ring.

0:19:14 > 0:19:16- That's nice, that.- I like that.

0:19:16 > 0:19:18And that is £170.

0:19:18 > 0:19:21Have we time to see any more jewellery?

0:19:21 > 0:19:26Girls, we're running out of time, so you've got to make your mind up.

0:19:26 > 0:19:29- I do fancy the coin. - You want the coin?

0:19:29 > 0:19:33- I don't know anything about coins, honestly.- Your choice, your choice.

0:19:33 > 0:19:36You wanted jewellery, so it's your choice now.

0:19:36 > 0:19:41So, forgetting about that ring, it's between the coin and that now.

0:19:41 > 0:19:45- You spotted the coin.- I like that coin.- You have to make up your mind.

0:19:45 > 0:19:47The coins have a specific value.

0:19:47 > 0:19:51- Am I right?- Generally, you will get a specific value for the coins.

0:19:51 > 0:19:55The only thing I can say, Rachel, is we'll have to toss a coin. >

0:19:55 > 0:19:59Girls, you've got very little time left, very little time.

0:19:59 > 0:20:04- Quick!- I'll go for the coin. - The coin it is then.- OK, the coin. Thank you very much.

0:20:04 > 0:20:07Will you let us have it for 197?

0:20:07 > 0:20:10- Go on then.- Shake on it, shake on it.

0:20:10 > 0:20:14OK, give him 197 before we break his cabinet.

0:20:14 > 0:20:16- Yeah, 197. - Thank you.

0:20:16 > 0:20:20OK, thank you. Bye-bye. I'd better get these diamonds back.

0:20:20 > 0:20:24Well done. You made it in the end and that's something to dance about.

0:20:24 > 0:20:27# Oppa Gangnam style

0:20:27 > 0:20:29# Gangnam style... #

0:20:29 > 0:20:33It's all terribly tiring, this racing lark. Time's up!

0:20:33 > 0:20:36Let's check out what the Red Team bought, eh?

0:20:37 > 0:20:41First of all, they spent £65 on an early 20th century fiddle.

0:20:42 > 0:20:47£95 was spent on an Art Deco, marble clock garniture.

0:20:48 > 0:20:52And they took a £30 punt on a pair of spelter Marly Horses.

0:20:52 > 0:20:55- I mean, I'm relaxed, you know.- Good.

0:20:55 > 0:21:01- Relaxed? You might be relaxed. We're feeling very, very tense, aren't we, Tom?- Very tense.

0:21:01 > 0:21:06- How much did you spend, darling? - £190. I wanted to spend more, but I couldn't.

0:21:06 > 0:21:10Have you got £110 of leftover lolly somewhere about your person?

0:21:10 > 0:21:13Yeah, we're going to treat this gentleman.

0:21:13 > 0:21:16Thank you. Which is your favourite piece?

0:21:16 > 0:21:20- I do like the clock very much. - The clock is your favourite.

0:21:20 > 0:21:22- Do you agree with that?- Yes.

0:21:22 > 0:21:25- Always agree with your mother. - I don't really have a choice.

0:21:25 > 0:21:28- Here comes the do-re-mi for Tom. - Thank you.

0:21:28 > 0:21:33- What are you going to do with it, Thomas?- I'm going to buy us a talisman.

0:21:33 > 0:21:39That's enigmatic. Good on you, Tom. Meanwhile, why don't we check out what the Blue team bought, eh?

0:21:39 > 0:21:44They dived on in and paid £45 for this Poole Pottery Delphis vase.

0:21:44 > 0:21:50This pair of retro avocado-coloured stools cost them £20.

0:21:51 > 0:21:57And they reigned the William and Mary silver half crown for £197. Wow!

0:21:57 > 0:22:01- He took a bit of bargaining. - He did, but he did it.

0:22:01 > 0:22:05I think you're very tough, you girls, that's all I can say.

0:22:05 > 0:22:10- I'm just hard.- Which is your favourite piece, hard one?

0:22:10 > 0:22:13My favourite piece, I think, would be the Poole.

0:22:13 > 0:22:18- Do you agree?- Yeah. It's the only thing we do agree on.- That's OK.

0:22:18 > 0:22:22- How much did you spend all round? - £262.- That's a lovely amount.

0:22:22 > 0:22:26- Can I have the 38, please? Who's got the £38?- I have.

0:22:26 > 0:22:30- You don't like handing this over. - Not really.- OK, there we go.

0:22:30 > 0:22:34- I'll trust you, Anita.- Thank you. - What will you do with that?

0:22:34 > 0:22:41The girls were a pair of stars. I want to buy something shiny or sparkly that suits their character.

0:22:41 > 0:22:48That'll be very popular. Meanwhile, we're heading off to North Yorkshire. How lovely.

0:22:49 > 0:22:55Kiplin Hall, a fine Jacobean country house, stands in the beautiful Vale of Mowbray,

0:22:55 > 0:22:59between the Yorkshire Dales and the North Yorkshire moors.

0:22:59 > 0:23:04Kiplin Hall was built in the 1620s by George Calvert

0:23:04 > 0:23:10as a hunting lodge, he being Secretary of State to James I.

0:23:10 > 0:23:16In its time it's been owned by four families over four hundred years,

0:23:16 > 0:23:20each of which have left their mark on this magnificent house.

0:23:20 > 0:23:25I can't wait to have a look inside. Come on.

0:23:34 > 0:23:38The Carpenters, who owned Kiplin in the 19th century,

0:23:38 > 0:23:44transformed this room from the Gothic style into the Jacobean style

0:23:44 > 0:23:48creating it and finishing it in the late 1880s.

0:23:48 > 0:23:55You can sense their preference and love for the Arts and Crafts movement

0:23:55 > 0:23:57in their choice of decoration.

0:23:57 > 0:24:02For example, the tiles that line the slip of that fireplace

0:24:02 > 0:24:05are by William Frend De Morgan.

0:24:05 > 0:24:10Similarly, here with this handsome, Iznik-style, two-handled pot,

0:24:10 > 0:24:14it's also be De Morgan. They're making a statement.

0:24:14 > 0:24:17"We love the Arts and Crafts."

0:24:17 > 0:24:23Beatrice Carpenter, however, decided to take this to a higher and more practical level

0:24:23 > 0:24:27with the Home Arts and Industries Association,

0:24:27 > 0:24:33a philanthropic association set up in 1884

0:24:33 > 0:24:38to provide additional employment typically for rural types

0:24:38 > 0:24:44so that they could improve their skill base and also have a source of additional income.

0:24:44 > 0:24:49Her talents as a designer are evidenced in this ledger.

0:24:50 > 0:24:57You can see a beautiful lattice-design look filled with foliage and birds.

0:24:57 > 0:25:02That design was incorporated by a member of the association

0:25:02 > 0:25:05into the inlay in this cabinet.

0:25:05 > 0:25:10There's the trellis, look, with the interspersed birds.

0:25:10 > 0:25:12And there it is in the design.

0:25:12 > 0:25:15But perfectly worked.

0:25:15 > 0:25:18I have to say, very skilfully done.

0:25:18 > 0:25:21Simple, stylised forms,

0:25:21 > 0:25:28but beautifully executed by what would have been an amateur artist.

0:25:28 > 0:25:33Here we've got an edition of the Studio magazine,

0:25:33 > 0:25:35bound into a volume,

0:25:35 > 0:25:37dating from 1901,

0:25:37 > 0:25:41that shows, on this page, a rather beautifully-inlaid casket.

0:25:41 > 0:25:48And if you look carefully, it says, "Designed by the Honourable Mrs Carpenter". Our Beatrice.

0:25:48 > 0:25:53What's fascinating is that in the hall today we have the very casket.

0:25:53 > 0:25:56We've got beautifully-inlaid,

0:25:56 > 0:26:03some sheep and a shepherd and his dog, with reflected images carefully crafted

0:26:03 > 0:26:09in this pool of water in the foreground. If you look at the front surface,

0:26:09 > 0:26:15it corresponds pretty well exactly to the illustration in the Studio magazine.

0:26:15 > 0:26:20It says underneath in the magazine, "Inlaid by Walter Smailes".

0:26:20 > 0:26:22Who was Walter Smailes?

0:26:22 > 0:26:28Well, he was Beatrice Carpenter's gardener here at Kiplin.

0:26:28 > 0:26:33Imagine the scene - Beatrice comes out and says, "Smailes, leave that herbaceous border

0:26:33 > 0:26:38"and come inside and learn a little woodwork with me." "Yes, madam."

0:26:38 > 0:26:44Anyway, true to form, Smailes actually turned out to be rather good at this

0:26:44 > 0:26:46as evidenced by that casket.

0:26:46 > 0:26:48Most successful.

0:26:48 > 0:26:54The big question today is how successful are our teams going to be over at the auction?

0:26:58 > 0:27:04It's lovely to be with Jeremy Pattison at Tennants Saleroom in North Yorkshire.

0:27:04 > 0:27:10- Lovely to see you.- Hello, Tim. - We've got quite a selection of goods here for you today.

0:27:10 > 0:27:17Roxanne and Carrie went with the old fiddle and bow. Is that by Stradivarius, by any chance?

0:27:17 > 0:27:22I'm afraid not, Tim. That's a poor example of a violin and bow.

0:27:22 > 0:27:28- This is probably a late-19th, early-20th century European copy. - Yes.

0:27:28 > 0:27:32- It's not going to bring a couple of million, then.- Definitely not.

0:27:32 > 0:27:35- How kind are you with your estimate? - £20-£40.

0:27:35 > 0:27:40- Really?- Someone might buy it because it's cheap.- They paid 65.

0:27:40 > 0:27:47So that's started off on the wrong note. Moving on swiftly to the Art Deco clock garniture.

0:27:47 > 0:27:54- I don't know how you are with these things, but I think that is just a spectacular buy.- It is.

0:27:54 > 0:27:59A wonderful example, very good value, stylish, different marbles.

0:27:59 > 0:28:05And it reeks of Art Deco. This team paid £95 retail for this, so the dealer's made a profit.

0:28:05 > 0:28:09Goodness only knows what he paid for it.

0:28:09 > 0:28:15- There's a few nibbles, but by and large it's in good nick. - He obviously bought very well,

0:28:15 > 0:28:19- but I hope to see £100-£150. - Can you?- Yes, I hope so.- Good.

0:28:19 > 0:28:25Now the old staple of the sculpture section of every sale in Britain for the last 100 years

0:28:25 > 0:28:31- has been a pair of these things. - Yes.- Very, very commonly reproduced, weren't they?- They are.

0:28:31 > 0:28:35Trouble is they're a zinc-based metal, so they're very brittle.

0:28:35 > 0:28:41- There's various repairs and they're slightly crude. - How much for the pair, then?

0:28:41 > 0:28:46That's something people don't really want at the moment.

0:28:46 > 0:28:50- £20-£30 for the pair.- Really? Well, they only paid £30

0:28:50 > 0:28:56and I think they thought you were going to say £100-£200, but that is not the case.

0:28:56 > 0:29:00They used to be £100-£150, but prices have changed on them.

0:29:00 > 0:29:07On that basis, I still think they'll come out OK, but let's go and check out their Bonus Buy, eh?

0:29:07 > 0:29:11Now Carrie, Roxanne, you two gorgeous...!

0:29:11 > 0:29:16You spent £190. Yes, you gave Thomas £110.

0:29:16 > 0:29:20- Thomas, what did you spend it on? - I said I needed divine intervention.

0:29:20 > 0:29:25- I bought a bit of ecclesiastical... - Oh, wow.

0:29:25 > 0:29:31- Oh, lordy. - Watch the top! There it is. - And how much was this?

0:29:31 > 0:29:34- Is that all you're interested in?! - What is it?

0:29:34 > 0:29:40- It's ecclesiastical silver.- OK. - Your travelling communion cup and wafer tray.

0:29:40 > 0:29:43It's a little travelling set.

0:29:43 > 0:29:47It's Victorian, it's silver. 1855.

0:29:47 > 0:29:53- You've seen one of those. - It's very sweet.- Of course, I've been avoiding your first question.

0:29:53 > 0:29:57- Did you spend all the money? - I spent it all.- All of it.

0:29:57 > 0:30:02- You've spent about 100. - £110.- He had £110.

0:30:02 > 0:30:07What's the profit? Well, these sometimes make 150, 250. They are quite popular.

0:30:07 > 0:30:14- I like it. It's lovely.- Roxanne's father trained to be a priest. That's very apt.- When did he...?!

0:30:14 > 0:30:18- Her father did. - When?- Before he met me.

0:30:18 > 0:30:21He never made it!

0:30:23 > 0:30:25I love it! Don't you?

0:30:25 > 0:30:29He was nearly celibate until he met your mum!

0:30:29 > 0:30:33- Brilliant! Trained to be a priest. - I thought that's why you'd like it.

0:30:33 > 0:30:39- She was brought up Catholic. - There you are, then. I bought the right thing.

0:30:39 > 0:30:41Anyway, you gather yourselves together.

0:30:41 > 0:30:48Meanwhile, for the audience at home, let's find out what the auctioneer thinks about the communion set.

0:30:48 > 0:30:51OK, then, Reverend... there you go.

0:30:51 > 0:30:54A little practice communion set.

0:30:54 > 0:30:59My experience with these is often they were in fitted cases to travel.

0:30:59 > 0:31:04There's often a three-piece set, so again it's incomplete.

0:31:04 > 0:31:10- Right.- Gilded, but the question is what do you do with it in today's market?

0:31:10 > 0:31:16I suppose that's true, really. It's got some weight, though. It's made of solid silver.

0:31:16 > 0:31:20- Gird up your loins. How much?- £40-£60.

0:31:20 > 0:31:24Is that all? Well, the Planter paid £110, God bless him.

0:31:24 > 0:31:28- I'm not quite sure why. - I'll try my best.- I'm sure.

0:31:28 > 0:31:34That's it for the Reds. Now the Blues, who have gone for colour over substance, I fancy.

0:31:34 > 0:31:40- Starting out with the Poole vase, which is stylish.- Yes.

0:31:40 > 0:31:43- When was it made, do you reckon? - Quite late. '60s, '70s.

0:31:43 > 0:31:50- Again, you have to love that colour. - Uranium orange isn't everybody's cup of tea.- Certainly not.

0:31:50 > 0:31:54- For the right person, though, how much?- £20-£30.

0:31:54 > 0:31:59£45 paid. How about the avocado pair of bathroom stools?

0:31:59 > 0:32:05- Again, different. I do like them. Retro furniture, injection-moulded plastic.- Yeah.

0:32:05 > 0:32:10- But it possibly could be the colour. - That puts people off?- Yes.

0:32:10 > 0:32:15- You don't have to have that woolly hat on top.- Possibly take that off!

0:32:15 > 0:32:20There's a label on there. I think they're about 1958.

0:32:20 > 0:32:24Oh, quite early, then? And they're in good nick.

0:32:24 > 0:32:28- They are strange. I've never seen this model.- So how much?

0:32:28 > 0:32:34- £50, £60 maybe? - You're a marvellous man. They only paid £20.- Ah, good.- That's not bad.

0:32:34 > 0:32:39Lastly, and in a completely different sense,

0:32:39 > 0:32:45- we've got the silver coin. Like that?- I do, but again it goes down to condition.

0:32:45 > 0:32:49Collectors are looking for something in mint condition.

0:32:49 > 0:32:51I think this has been mounted.

0:32:51 > 0:32:56- To a serious coin collector, it has its limitations. - Tell us about this.

0:32:56 > 0:33:02People took genuine old coins - because this is a 17th-century coin, isn't it?

0:33:02 > 0:33:07- Yeah.- And they put them in brooches? - Yes, yes. Brooches, pendants.

0:33:07 > 0:33:12- And you think that's what has happened to this one?- Possibly.

0:33:12 > 0:33:16- So what's your estimate? - Cautious. £50-£80.

0:33:16 > 0:33:18- They paid £197.- Right.

0:33:18 > 0:33:24- And they paid that amount thinking it was absolutely spot-on.- Yes.

0:33:24 > 0:33:28- Anyway, we'll have to see. That's the fun of the auction.- Exactly.

0:33:28 > 0:33:34And if you're right, they'll definitely need their Bonus Buy no matter how well the avocado goes.

0:33:34 > 0:33:38So let's have a look at the Bonus Buy.

0:33:38 > 0:33:42Now Jude, Rach, this is your moment. £38 you gave Anita Manning.

0:33:42 > 0:33:45Anita, what did you spend it on?

0:33:45 > 0:33:46Oh!

0:33:46 > 0:33:49- What's that?- What's that?!

0:33:49 > 0:33:54- It's a wee silver thing. - It looks small.- It looks small.

0:33:54 > 0:33:56- Is it a knife?- It's not a knife.

0:33:56 > 0:34:01- It's a little...- Comb? - ..tortoiseshell comb.

0:34:01 > 0:34:05Probably for someone with not a lot of hair.

0:34:05 > 0:34:09- Or a moustache. - That will make a lot.- You reckon?

0:34:09 > 0:34:15- How much did you spend on it? - I spent £30 on it.

0:34:15 > 0:34:20It's hallmarked silver. Made in Birmingham in 1913,

0:34:20 > 0:34:27just before the war. What I liked was the scale of it. Small one, possibly for a moustache.

0:34:27 > 0:34:34It's nicely hallmarked, good condition and the comb hasn't lost any of the teeth.

0:34:34 > 0:34:38It's still got the dandruff.

0:34:38 > 0:34:44You girls think about it. You're both predicting a small profit.

0:34:44 > 0:34:50Meanwhile, why don't we - for the audience at home - let the auctioneer look at Anita's comb?

0:34:50 > 0:34:54There you go, Jeremy. I'm not going to say the obvious.

0:34:54 > 0:35:01Exactly. I don't know if Anita bought this for me... Silver. Nice engine-turned decoration.

0:35:01 > 0:35:05- What's it worth?- I won't be bidding for it.- No, no, quite.

0:35:05 > 0:35:09- What's it worth?- As silver, it's got to be worth £40-£50.

0:35:09 > 0:35:14OK, £30 paid. It's a nice thing to have tried. We'll see what happens.

0:35:14 > 0:35:18- Looking forward to this? - Can't wait.- Me neither.

0:35:21 > 0:35:26OK, Carrie, Roxanne, how excited are you on the excited scale?

0:35:26 > 0:35:32- It's good fun, isn't it? - Is it like the beginning of a major race your horse is running in?- No.

0:35:32 > 0:35:36- Oh.- I like it when my horse comes past the lollipop best.

0:35:36 > 0:35:42- But this is good fun. - It's got a bit of buzz.- Definitely! Especially when you're here.

0:35:42 > 0:35:48You're too kind, Carrie. First up is the violin and bow. Let's have a pluck at this.

0:35:48 > 0:35:52The early-20th-century violin and bow. Cased. It's been used.

0:35:52 > 0:35:5620 bid. £20 bid to start.

0:35:56 > 0:35:59At 20. 30. 40. £40.

0:35:59 > 0:36:01Shall I sell this? At 40.

0:36:01 > 0:36:07At 40. 50 anywhere? For the last time. £40 will take it.

0:36:07 > 0:36:11£40 is minus £25. Not to worry. Moving on to the garniture.

0:36:11 > 0:36:16- He likes this.- Very attractive marble garniture. Really stylish.

0:36:16 > 0:36:18Three-piece set. Start me at £100.

0:36:18 > 0:36:2160 bid. 60. Any advance on 60?

0:36:21 > 0:36:2470. 80. 90. 100.

0:36:24 > 0:36:27- 110. At 110 on my left. Any advance?- Come on!

0:36:27 > 0:36:31I expected a bit more. Give me 110. At 110. 120?

0:36:31 > 0:36:35I'm going to sell. For the last time. 110 and selling.

0:36:35 > 0:36:39He sold it for £110. Cheap enough, isn't it?

0:36:39 > 0:36:45That is plus £15. Overall, minus £10. OK, now the Marly horses.

0:36:45 > 0:36:49A pair of spelter Marly horses. For the pair, £20 to start me?

0:36:49 > 0:36:53Spelter figures. 20 bid. 20 in the room. At 20.

0:36:53 > 0:36:56I'll take 25 on them. 25. 30.

0:36:56 > 0:36:59- Gentleman's bid there. At 30. - Look out...

0:36:59 > 0:37:03Any further bids? 30 will take them.

0:37:03 > 0:37:05£30. Wiped its face.

0:37:05 > 0:37:08Oh, dear. Minus £10 overall, girls.

0:37:08 > 0:37:14What about this communion cup lark? Are you going to wrap up your losses at minus £10

0:37:14 > 0:37:19- or risk £110 on the communion set? What'll you do?- It's a risk.

0:37:19 > 0:37:23- I'm not going to go for the risk, if you agree.- She's got to!- Yes!

0:37:23 > 0:37:28- What did you pay for it?- 110. - It's not going to make that.

0:37:28 > 0:37:33- I think we should leave it. - Definitely not? OK, fine.

0:37:33 > 0:37:37They're definitely not taking it. Minus £10 is what it is,

0:37:37 > 0:37:42- but we're going to sell the Bonus Buy anyway, just for the hell of it. - Is it now?- Yes.- Brilliant.

0:37:42 > 0:37:49- A Victorian silver travelling communion cup and wafer dish. - Watch it make 200!- Two pieces.

0:37:49 > 0:37:53- £50? £30? For silver.- Oh(!)

0:37:53 > 0:37:5630 bid. 30. 30. 40.

0:37:56 > 0:37:5950. 60. 70.

0:37:59 > 0:38:01- 80.- They love it, Tom(!)

0:38:01 > 0:38:05- £90 I'm bid, standing. - Come on.- 100.

0:38:05 > 0:38:09110? 110 at the moment. Any more bids on that?

0:38:09 > 0:38:11110, the gentleman's bid.

0:38:11 > 0:38:16Wiped its face. 110. No shame, no gain. No profit, no loss.

0:38:16 > 0:38:21- Well done, Tom.- If you'd taken it, you'd be in the same position.

0:38:21 > 0:38:25Anyway, overall, you girls, you are minus £10. All right?

0:38:25 > 0:38:31- It's not that bad!- It could be a winning score. Don't say a word to the Blues, all right?

0:38:31 > 0:38:35If we hadn't been on the fiddle, we'd be in front!

0:38:42 > 0:38:48OK, now, Judith, Rachel. This is your chance. Your Delphis vase, £45 paid.

0:38:48 > 0:38:53His estimate is £20-£30 so it's an uphill struggle. Keep smiling!

0:38:53 > 0:38:59If the worst comes to the worst, you've got that lovely encrusted comb(!)

0:38:59 > 0:39:03First up is the Delphis vase and here it comes.

0:39:03 > 0:39:08A Poole pottery Delphis vase. Orange. Good decorative thing.

0:39:08 > 0:39:11£30 for the Poole vase? 30? £10. Thank you, sir.

0:39:11 > 0:39:1310 bid.

0:39:13 > 0:39:17Any advance on 10? 15? 20? £20 I'm bid.

0:39:17 > 0:39:22Any advance on 20? Give me 5? Got a commission bid. 25, new bidder.

0:39:22 > 0:39:26It's a room bid. One more? Any more?

0:39:26 > 0:39:28£25 and selling.

0:39:28 > 0:39:33He sold it for 25. You're minus 20. OK, now your stool.

0:39:33 > 0:39:37Very unusual. A pair of 20th-century West German plastic stools

0:39:37 > 0:39:40in avocado green. Very green.

0:39:40 > 0:39:45Certainly 1950s, '60s. Personally, I'd take those covers off.

0:39:45 > 0:39:50- He's giving them a big build-up. - But they might keep you warm. £50 for the pair?

0:39:50 > 0:39:5430 I'm bid. Thank you. 30. Retro there. 40.

0:39:54 > 0:39:56Any more bidders? 50. 50 I'm bid.

0:39:56 > 0:40:01- Any advance on 50? - How marvellous is that?

0:40:01 > 0:40:03£50.

0:40:03 > 0:40:05- Yes!- £50 is plus 30,

0:40:05 > 0:40:09which transforms you into £10 profit. Plus 10.

0:40:09 > 0:40:13- Here comes the half crown. - William and Mary silver half crown.

0:40:13 > 0:40:16£100? £50?

0:40:16 > 0:40:2020 I'm bid. 20 for the crown. 30. 40.

0:40:20 > 0:40:2250. 60. 70.

0:40:22 > 0:40:2580. 90. 100. 110. 120.

0:40:25 > 0:40:28And 30. 130 in the middle there.

0:40:28 > 0:40:30- 140, new bidder. - Come on!

0:40:30 > 0:40:34Any more bidders on this? At 140.

0:40:34 > 0:40:37Any further bids? 140 will take it.

0:40:37 > 0:40:42£140 is minus £57. You had plus £10.

0:40:42 > 0:40:44You're minus 47.

0:40:44 > 0:40:49Didn't quite work out, did it? It didn't make the £50-£80 that he estimated,

0:40:49 > 0:40:53but it didn't make the full 200, which is what it was really worth.

0:40:53 > 0:40:57So I'd say the jury's out for that. Bad luck on you girls.

0:40:57 > 0:41:03What are you doing about the comb? You're minus 47. Are you going to have a punt?

0:41:03 > 0:41:06- Rach? What do you want to do? - Just go for it.

0:41:06 > 0:41:13- We're all looking at you. - We're going with it because the dandruff is worth £50!

0:41:13 > 0:41:20- Yes.- That would be a yes, then, would it? OK, we're going with the scurfy old comb. Here it comes.

0:41:20 > 0:41:25A pocket comb. Silver case. Birmingham, 1913.

0:41:25 > 0:41:30I've got a commission on this. 10. 20. 30. £30 I'm bid. At 30. 40.

0:41:30 > 0:41:34- Takes my bids out. 40 in the room. - You're in profit.

0:41:34 > 0:41:39Any advance on this? I shall sell. For the last time, for the comb. The bid is £40.

0:41:39 > 0:41:43- Well done, Anita. That's plus £10. - You've done very well.

0:41:43 > 0:41:50Overall, you're minus 37. That could be a winning score. Don't say a word to those Reds.

0:41:50 > 0:41:54We'll reveal all in a moment. Thanks, girls.

0:42:01 > 0:42:06Well, well, well, well, well. What a splendid day we've had today.

0:42:06 > 0:42:11Each team has failed to make any cash at all.

0:42:11 > 0:42:15So the winners and runners-up is just a question of scale.

0:42:15 > 0:42:19The team that has done rather worse are, of course, the Blues.

0:42:19 > 0:42:23- Aww!- You made good money.

0:42:23 > 0:42:27You made money on your plastic stools and on your comb,

0:42:27 > 0:42:34but you made a socking great loss on the half-crown. Minus £37 is your number, but good fun, yes?

0:42:34 > 0:42:36- Oh, yeah.- Oh, yeah!

0:42:36 > 0:42:39I'm very glad to hear that(!)

0:42:39 > 0:42:45But the victors today, the Reds, who go home shining with glory

0:42:45 > 0:42:51because they managed to lose £10. How cool is that? You made no major scores, but no major losses.

0:42:51 > 0:42:56- So congratulations. Has it been good fun?- Fantastic.

0:42:56 > 0:43:00- What about you, Ma?- I enjoyed it. There's mad people here.- Crazy!

0:43:00 > 0:43:06- Absolutely. So crazy, you ought to join us soon for more bargain hunting. Yes?- Yes!

0:43:06 > 0:43:13I know you're sitting there thinking, "I could have done better than that!" What's stopping you?

0:43:13 > 0:43:18If you think you can spot a bargain, go to our BBC website and apply.

0:43:18 > 0:43:21It'll be splendid to see you!

0:43:27 > 0:43:29Subtitles by Red Bee Media Ltd