0:00:05 > 0:00:08Today our teams are in Scotland
0:00:08 > 0:00:12to seek their fortune in the great capital city of Edinburgh.
0:00:12 > 0:00:14So let's go bargain-hunting! Yeah.
0:00:42 > 0:00:47In 1786, the impoverished Scottish poet Robbie Burns borrowed a pony
0:00:47 > 0:00:50and headed out to make his fortune.
0:00:50 > 0:00:52Within a week he'd sold a hundred poems,
0:00:52 > 0:00:56and shortly he'd cleared a ?400 profit.
0:00:56 > 0:00:58The big question today is,
0:00:58 > 0:01:03will such poetic justice be "metre'd" out to our teams?
0:01:03 > 0:01:05Here's a quick peek as to what's coming up.
0:01:06 > 0:01:11On today's show, the Reds try a sob story to seal the deal, but...
0:01:11 > 0:01:14My heart's bleeding, too! HE LAUGHS
0:01:14 > 0:01:19..the Blues refuse to let romance get in their way.
0:01:19 > 0:01:22I'll try again. Would your girlfriend love this? No, definitely not!
0:01:22 > 0:01:25So, let's meet those teams!
0:01:25 > 0:01:27On our teams today,
0:01:27 > 0:01:31we have a father-and-son relationship of sorts.
0:01:31 > 0:01:34For the Reds, we've got Rohan and Tony,
0:01:34 > 0:01:38and for the Blues, we've got David and Dave. Hello, everyone.
0:01:38 > 0:01:40ALL: Hello! Very nice to see you.
0:01:40 > 0:01:43Now, Rohan, you've brought your father along with you.
0:01:43 > 0:01:47Got your dad. Do you get along with him in every respect?
0:01:47 > 0:01:50Most of the time. People say we're cut from the same cloth.
0:01:50 > 0:01:53I look like my mother and have the personality of my father.
0:01:53 > 0:01:57But we get on pretty well. And have you both kissed the Blarney Stone,
0:01:57 > 0:01:59would you say? Um... Yes.
0:01:59 > 0:02:02Yes! That's a man of few words.
0:02:02 > 0:02:04THEY LAUGH No, no. Perfect.
0:02:04 > 0:02:07What are you doing over here? You clearly come from over there.
0:02:07 > 0:02:10Yes, I do. Well, I'm based in Scotland.
0:02:10 > 0:02:14I'm a marine biologist who does a bit of environmental consultancy,
0:02:14 > 0:02:17and I'm based in Fife. Anything to do with the sea,
0:02:17 > 0:02:20and it needs permissions to actually work with it,
0:02:20 > 0:02:23and I'm involved in the consultancy side of things. Brilliant!
0:02:23 > 0:02:27Now, Toto, you do something completely different.
0:02:27 > 0:02:31You're a concert promoter, an agent. Yes, I was indeed, Tim.
0:02:31 > 0:02:34I opened my first nightclub at 19 years of age. Did you really?
0:02:34 > 0:02:38Yes, I did. It lasted six months, but it was a good experience.
0:02:38 > 0:02:41It taught me that there was a cashflow situation there.
0:02:41 > 0:02:43And you were booking artists? Yes, absolutely.
0:02:43 > 0:02:46We used to tour people. We would buy acts from the UK.
0:02:46 > 0:02:49I toured Ronnie Corbett in southern Ireland.
0:02:49 > 0:02:52I have worked with Johnny Logan, who was the second Irishman
0:02:52 > 0:02:55to win the Eurovision Song Contest, in 1980.
0:02:55 > 0:02:59Well, that's good, isn't it? What sort of things will you be going for
0:02:59 > 0:03:02for Bargain Hunt today? I also have an interest in classic cars.
0:03:02 > 0:03:06I might look for something in the... Automobilia? Yeah.
0:03:06 > 0:03:10What about you, Rohan? I'd say marine, natural history,
0:03:10 > 0:03:13sort of shipping, navigation sort of stuff.
0:03:13 > 0:03:15Quite different to your dad!
0:03:15 > 0:03:18It's going to be interesting to see what these two finally alight on.
0:03:18 > 0:03:23Anyway, very good luck. Now, brilliant! So, David and Dave,
0:03:23 > 0:03:28how do you get to know this man Dave, David?
0:03:28 > 0:03:31Um, well, Dave is actually my girlfriend's father. Ah!
0:03:31 > 0:03:35Hence the sort-of father-and-son relationship.
0:03:35 > 0:03:37And you get on all right, do you?
0:03:37 > 0:03:41Um, I suppose so! HE LAUGHS
0:03:41 > 0:03:43He forces me to like him, so... Oh, I see.
0:03:43 > 0:03:48Don't be too fulsome in your praise of your potential father-in-law.
0:03:48 > 0:03:50David, I understand you work with wood.
0:03:50 > 0:03:54I do. I work for the Community Payback team at a local authority.
0:03:54 > 0:04:00I run a wood workshop, and we build mostly huts and Wendy houses
0:04:00 > 0:04:02from recycled wood,
0:04:02 > 0:04:04and we build it for the local community,
0:04:04 > 0:04:07and we sell it to the local community
0:04:07 > 0:04:09where all profits go to local charities.
0:04:09 > 0:04:12And, David, you also work with wood?
0:04:12 > 0:04:15I work with my dad. He owns his own business,
0:04:15 > 0:04:17so it's just me and my dad, and...
0:04:17 > 0:04:21He's not called David too, is he? He is, actually!
0:04:21 > 0:04:23THEY LAUGH He is.
0:04:23 > 0:04:25You're called David. You work with wood.
0:04:25 > 0:04:29Your father's called David. He works with wood.
0:04:29 > 0:04:33Your prospective father-in-law is called Dave, and he works with wood.
0:04:33 > 0:04:36And my son's called David, as well. I don't believe this.
0:04:36 > 0:04:38It's true. Now, your ?300 moment!
0:04:38 > 0:04:40?300 apiece. You know the rules.
0:04:40 > 0:04:42Your experts await, and off you go!
0:04:42 > 0:04:45And very, very, very good luck.
0:04:47 > 0:04:51For the Reds, our very own Scottish specimen, Paul Laidlaw.
0:04:52 > 0:04:56And getting into the Scottish spirit for the Blues is Charles Hanson.
0:04:58 > 0:05:01What's the plan today in Edinburgh? We're going to look for something...
0:05:01 > 0:05:04made out of wood, something that's made well out of wood.
0:05:04 > 0:05:08You're a classic-car man, I believe. I'm very interested in classic cars.
0:05:08 > 0:05:11Is this going to steer our buying tactics today?
0:05:11 > 0:05:13It might be, if I see anything suitable.
0:05:13 > 0:05:16Something a bit crazy, weird. Weird?
0:05:16 > 0:05:19Yeah. Quirky, you mean? Definitely.
0:05:19 > 0:05:23I'll be chasing the marine and navigational stuff. Ah, sounds good!
0:05:23 > 0:05:27Well, you seem to know what you want, teams, so let's get going!
0:05:27 > 0:05:31Look at the mix of items here. Is anything going to rock your boat?
0:05:31 > 0:05:34Er, salt-and-pepper Guinness. Irish quality.
0:05:34 > 0:05:37Just like you, Reds. Well, let's hope so.
0:05:37 > 0:05:40Onwards!
0:05:44 > 0:05:46It's a nice tactile piece of oak, isn't it?
0:05:46 > 0:05:49MV Devonshire. Any idea what this is?
0:05:49 > 0:05:51Haven't got a clue. Haven't got a clue?
0:05:51 > 0:05:54Thanks for coming. It's off a ship.
0:05:54 > 0:05:57Off a ship. MV? It's "merchant vessel".
0:05:57 > 0:05:59Merchant vessel? Thank you.
0:05:59 > 0:06:02Obviously it's got an old hook on, so it's been hung.
0:06:02 > 0:06:06What I can't work out is why it's got two holes just underneath there.
0:06:06 > 0:06:09What would they serve? That hooks onto a wall.
0:06:09 > 0:06:12Yeah. Pieces of cord coming down through there?
0:06:12 > 0:06:16Some sort of light switch? A bell? Yes, you're right.
0:06:16 > 0:06:18Well, at least someone's switched on!
0:06:18 > 0:06:20He's got it. It was a light switch, we think.
0:06:20 > 0:06:23Thank you very much. Do you want a job?
0:06:23 > 0:06:25Look out, Charles!
0:06:25 > 0:06:29What's it worth, madam? 20. What's your very best price?
0:06:29 > 0:06:3018.
0:06:30 > 0:06:34Is it a mental note? Can we have a wee think? Thank you.
0:06:34 > 0:06:37Yes, have a wee think, Blues.
0:06:37 > 0:06:40Meanwhile, what are the Reds driving at?
0:06:40 > 0:06:43Cars. Here we go. Here we go. It was inevitable.
0:06:43 > 0:06:46Has Paul found the classic-car memorabilia that Tony was after?
0:06:46 > 0:06:49What, you mean toy cars, as opposed to the real McCoy?
0:06:49 > 0:06:52No, not my speciality. Not on toys.
0:06:52 > 0:06:55Are they from, like, some TV programmes? Yes.
0:06:55 > 0:06:58Lady Penelope, isn't it? FAB 1.
0:06:58 > 0:07:01You're giving me a flashback to my youth. I appreciate that.
0:07:01 > 0:07:04The Blues are still knocking on wood.
0:07:04 > 0:07:08OK. Bring it round over here, Dave.
0:07:08 > 0:07:10What do you think of it? Er, it's really nice.
0:07:10 > 0:07:12It's definitely oak.
0:07:12 > 0:07:15Some old lock off an old door? Yeah.
0:07:15 > 0:07:18Do you know what? If you were going to be, I suppose,
0:07:18 > 0:07:23living in that ultimate high-quality Victorian, almost neo-Gothic house
0:07:23 > 0:07:29of the 1870s, 1880s, you might want a lock plate
0:07:29 > 0:07:33with this wonderful Gothic strapwork detail in iron
0:07:33 > 0:07:36on this beautiful oak panel.
0:07:36 > 0:07:38We were in Glasgow at the auction,
0:07:38 > 0:07:42and in Glasgow there's old tenement buildings with huge-type doors.
0:07:42 > 0:07:45I like your style. I could see that on.
0:07:45 > 0:07:48I like his style, too. The man's on fire.
0:07:48 > 0:07:50And it's only, like, 35. Yeah.
0:07:50 > 0:07:53Let me get it to 25. I think it's a nice object.
0:07:53 > 0:07:56I think it's a nice object. Do you think it's period?
0:07:56 > 0:08:00Oh, yeah. I'm happy. That is almost certainly, in my estimation,
0:08:00 > 0:08:05late Victorian. The colour is nice. Look at the colour.
0:08:05 > 0:08:07Yeah. It's warm, isn't it? Patina's there.
0:08:07 > 0:08:11The patination is there. Madam, how are you? Not bad.
0:08:11 > 0:08:15We're admiring your ware here, which is a lovely lock plate. It is.
0:08:15 > 0:08:18Good old one. We don't want to obviously lose you any money,
0:08:18 > 0:08:21but would we be cheeky in saying a tenner?
0:08:21 > 0:08:24Oh, that's a bit cheap. What's your best price? 20.
0:08:24 > 0:08:2720. Could we meet you halfway at 15? Yeah, go on, then.
0:08:27 > 0:08:30Oh, shake her hand. Thanks very much.
0:08:30 > 0:08:32You see? Cheeky gets you everywhere.
0:08:32 > 0:08:35Thank you. THEY LAUGH
0:08:35 > 0:08:40Well, that could be the key to your success, Blues.
0:08:40 > 0:08:43Now, what have the Reds got their eye on?
0:08:43 > 0:08:47Very smart, very fashionable ladies' buttons.
0:08:47 > 0:08:51They'll no' be waistcoat buttons. They'll be ladies' buttons.
0:08:51 > 0:08:54Um, assayed silver? Yes.
0:08:54 > 0:08:57Yeah. We can date them. They're Edwardian,
0:08:57 > 0:09:00and they depict... Are they the Muses?
0:09:00 > 0:09:02I've got some sort of goddess there with a lyre.
0:09:02 > 0:09:06What have you got? The same lady? The same all the way through.
0:09:06 > 0:09:09They'll no' be cheap, though. I had 110 on them.
0:09:09 > 0:09:13They're rather smart. They're worth about ?80 at auction,
0:09:13 > 0:09:18so they're a wee bit dear for us. Are they doing anything for you?
0:09:18 > 0:09:21Well, the fact that, as you say, they have a market,
0:09:21 > 0:09:24you feel it has a market... They're novel, in a sense, aren't they?
0:09:24 > 0:09:27Very smart. That was rather a smart lady,
0:09:27 > 0:09:31wearing hallmarked silver buttons. Absolutely.
0:09:31 > 0:09:34I like them. I like the quality.
0:09:34 > 0:09:37I like the fact that we've got a nice complete set there.
0:09:37 > 0:09:40I think they're quite pretty. I like them.
0:09:40 > 0:09:43It just comes down to the price. You said it, Rohan!
0:09:43 > 0:09:46He could do them for about 65. Would they be worth 50?
0:09:46 > 0:09:49I think at 50, you're not going to go far wrong.
0:09:49 > 0:09:54If the gentleman's prepared to accept 50 on it, we have a deal.
0:09:54 > 0:09:58I can do it for ?50, and I hope that leaves you a small profit at auction.
0:09:58 > 0:10:01Thank you very much, sir. Thanks a lot. That's brilliant.
0:10:01 > 0:10:04Well done, Reds! You buttoned up your first bargain
0:10:04 > 0:10:07for less than half the ticket price.
0:10:08 > 0:10:12If you want real history and education, isn't that wonderful?
0:10:14 > 0:10:16You know, it's like Dave and David,
0:10:16 > 0:10:21but this is a picture of the Blue Team from about 240 years ago.
0:10:21 > 0:10:24So, this is actually Dutch Delftware,
0:10:24 > 0:10:28made in circa 1770, 1780.
0:10:28 > 0:10:30This is tin-glazed earthenware,
0:10:30 > 0:10:33with probably a 19th-century plated collar on top.
0:10:33 > 0:10:37It's had some restorations, but it's ?110.
0:10:37 > 0:10:40Do you like it, Dave? Yeah, I think it's -
0:10:40 > 0:10:42Why do you like it? It's a nice piece.
0:10:42 > 0:10:45It's not made of wood. It's lovely.
0:10:45 > 0:10:47THEY LAUGH No.
0:10:47 > 0:10:51We've been knocking on wood for the last 20 minutes. We're doing well.
0:10:51 > 0:10:53We'll have a serious think about it,
0:10:53 > 0:10:57but I think we'll move on and have a look at something else.
0:10:58 > 0:11:01Now, has Paul shed any light on this item?
0:11:01 > 0:11:04Oil lamp. Oh, yeah. Very attractive.
0:11:04 > 0:11:08I would say dull as ditchwater, so why am I pointing it out to you?
0:11:08 > 0:11:11Have a look at the shade. That's the Forth Bridge, isn't it?
0:11:11 > 0:11:14It is. You're absolutely right.
0:11:15 > 0:11:19You're a brave man. You see, that there, perfectly splendid,
0:11:19 > 0:11:23but an etched shade, the Forth Bridge.
0:11:23 > 0:11:27There's its dimensions. Length over 8,000 feet,
0:11:27 > 0:11:29da-da-da-da-da, big span there.
0:11:29 > 0:11:35The Forth Bridge was completed in about 1885...
0:11:36 > 0:11:40..and, of course, is an engineering wonder of the world. Absolutely.
0:11:40 > 0:11:44And this was clearly... Is it part of the original, Paul?
0:11:44 > 0:11:48I have no doubt. That will date to the 1880s. This clearly does.
0:11:48 > 0:11:51Er, etched. This is acid-etched.
0:11:51 > 0:11:55No wheel-cutting, no handwork element to it.
0:11:55 > 0:12:00Mass-produced, I daresay, as a commemorative, but, my word...
0:12:00 > 0:12:02It's in good condition. It is. There's no damage.
0:12:02 > 0:12:05There's no chips or marks. It would'nae bounce!
0:12:05 > 0:12:08HE LAUGHS Shall we do some negotiation,
0:12:08 > 0:12:10check it out? We're going to have to.
0:12:10 > 0:12:13May we ask what price is this? It's ?280, that one.
0:12:13 > 0:12:16Oh! It's an expensive one. Sorry.
0:12:16 > 0:12:19Yeah, OK. It's a nice bit.
0:12:19 > 0:12:24What would be your very best on it? My very best on it would be 220.
0:12:24 > 0:12:26Leaves me a little profit.
0:12:26 > 0:12:29Appreciate it. Right, I think we're out of our league, aren't we?
0:12:29 > 0:12:32Little bit. Little bit.
0:12:32 > 0:12:37Ah! 220 would leave only ?30 for the last item and the bonus buy,
0:12:37 > 0:12:39so keep looking, Reds.
0:12:39 > 0:12:43Yeah. Keep that stride looking buoyant, OK? Yeah. Yeah.
0:12:43 > 0:12:47Yep, step up the pace, Blues. Two items still to buy,
0:12:47 > 0:12:50and 30 minutes left on the clock.
0:12:51 > 0:12:55Paul's found coffee spoons with something special for Tony.
0:12:55 > 0:12:57What's that? What is that?
0:12:57 > 0:13:01You tell me, Mr Classic Car! That's a grille of a car.
0:13:01 > 0:13:05It's a radiator grille! If you look underneath the enamel...
0:13:05 > 0:13:07Yeah. I see. It's a grille. That's a grille.
0:13:07 > 0:13:11Yeah, it's a grille. You see it? I do indeed.
0:13:11 > 0:13:14Decadence! Inter-war years.
0:13:14 > 0:13:19This is Bentley-owner territory. How much do you like them, now, Tony?
0:13:19 > 0:13:23They're very nice. You'd prefer it if there was oil and grease on them?
0:13:23 > 0:13:26THEY LAUGH Yeah.
0:13:26 > 0:13:30You'd prefer it if it WAS a radiator grille off an old Wolseley.
0:13:30 > 0:13:34Well, it's colourful and so forth, but we're very tight on our budget.
0:13:34 > 0:13:3645, we could shake on it. Under the hammer,
0:13:36 > 0:13:4060 quid is going to nail it, and that's my top estimate.
0:13:40 > 0:13:43At 40 we'll buy. If we can't, we'll look elsewhere.
0:13:43 > 0:13:45I need 45. Can we split the difference?
0:13:47 > 0:13:50Is it 42, and the deal's done? 43, and it's done.
0:13:50 > 0:13:53Right. HE LAUGHS
0:13:53 > 0:13:56That old Blarney Stone's good for business, you know. Good stuff!
0:13:56 > 0:13:59Well done, Reds. Two items in the old bag.
0:13:59 > 0:14:03Charles has also spotted spoons. Look at that tablespoon there!
0:14:03 > 0:14:07Dumfries. James and Archibald Dalziel, 750.
0:14:07 > 0:14:10It's out of our price range.
0:14:10 > 0:14:13And the Reds have come up with a plan.
0:14:13 > 0:14:16I'd be interested in finding something Scottish,
0:14:16 > 0:14:19uniquely Scottish, with good Scottish tradition and heritage
0:14:19 > 0:14:22and something that's going to make people go,
0:14:22 > 0:14:24"I want a part of that." There's me!
0:14:24 > 0:14:28No, Rohan, selling your expert is not an option.
0:14:28 > 0:14:32The Blues, though, are hot on the heels of the Reds at the same stall,
0:14:32 > 0:14:35but this time it's Art Nouveau jewellery they're after.
0:14:35 > 0:14:39Oh, that's gorgeous. Nine-carat gold, Edwardian pendant,
0:14:39 > 0:14:41aquamarine,
0:14:41 > 0:14:44with tiny seed pearls.
0:14:44 > 0:14:49The sinuous lines of the Art Nouveau. Let it talk to you.
0:14:49 > 0:14:52It's speaking, and it's speaking ?140.
0:14:52 > 0:14:56What's the best price? To yourself, I could do it for 130.
0:14:56 > 0:14:58130? No, no. No. 110.
0:14:58 > 0:15:01110. Keep going. 110. Sorry, no. No.
0:15:01 > 0:15:04I'm cutting my throat here. 110.
0:15:04 > 0:15:06110. Don't cut your throat for 110.
0:15:06 > 0:15:09Cut your throat for 90. 90? Yeah. OK.
0:15:09 > 0:15:12What about 100? How about 95? Meet in the middle. 95.
0:15:12 > 0:15:16Hold on. Hold on, please. Just next door to it,
0:15:16 > 0:15:18I love that photo frame.
0:15:18 > 0:15:21Ooh! Is Charles after a double deal?
0:15:21 > 0:15:24It first of all has got the enamel inlay,
0:15:24 > 0:15:29second, it's got those sinuous lines again of the Art Nouveau.
0:15:29 > 0:15:32Wouldn't your girlfriend love this? No.
0:15:32 > 0:15:35David, let me try it again. Wouldn't your girlfriend love this?
0:15:35 > 0:15:39No. Definitely not. Can I just stop you there, Charles?
0:15:39 > 0:15:41As his girlfriend is my daughter... Oh, yeah.
0:15:41 > 0:15:46..I'm seeing Amy and David. They're together forever, eh?
0:15:46 > 0:15:48It's silver. It's a sheet metal.
0:15:48 > 0:15:51The enamel is in good condition.
0:15:51 > 0:15:54The easel back, the strut back, is fine. It's original.
0:15:54 > 0:15:56It's ebonised pine back.
0:15:56 > 0:16:00But...it needs to be the right money.
0:16:00 > 0:16:03Because I love it, but we mustn't get carried away, must we? No.
0:16:03 > 0:16:06Love can get us carried away, can't it, love can. Definitely.
0:16:06 > 0:16:09We need to think price. 240 on the tag.
0:16:09 > 0:16:12That's a lot of money. I tell you what I could do it for.
0:16:12 > 0:16:15Go on. I could do it for 170.
0:16:15 > 0:16:19In the perfect world, if that came into my saleroom,
0:16:19 > 0:16:22I would guide it one to 150. Right?
0:16:22 > 0:16:25So it just about kills it at 170.
0:16:25 > 0:16:28The absolute death, please. Absolute death...
0:16:28 > 0:16:32Look at me. 145. Oh, my God! Don't. That's too close.
0:16:32 > 0:16:34I can understand the hesitation.
0:16:34 > 0:16:37It's a lot of money for a little frame.
0:16:37 > 0:16:42The Reds are also on the fence with their Victorian brass oil lamp.
0:16:42 > 0:16:44It's a big gamble. Yeah.
0:16:44 > 0:16:47At 150, I'd be saying you're there or thereabouts.
0:16:47 > 0:16:51Is it worth having a go for 120? I'll be pleasantly surprised if he does.
0:16:51 > 0:16:53Well, we'll try and surprise him. HE LAUGHS
0:16:53 > 0:16:58It's crunch time for the Blues. Ten minutes to go, two items to buy.
0:16:58 > 0:17:00Let's hope Charles has a plan.
0:17:00 > 0:17:03If I said to you, "What's the absolute best price
0:17:03 > 0:17:06if I bought the two together"...
0:17:06 > 0:17:08Hmm... 220.
0:17:08 > 0:17:14If he was to go in at ?200, I would almost snap his hand off. But...
0:17:14 > 0:17:17We'll both snap your hand off for ?200.
0:17:17 > 0:17:20Seriously, I couldn't. I need the 220.
0:17:20 > 0:17:24How's about 210? And it's... Meet you halfway.
0:17:24 > 0:17:27Here to be sold. 210.
0:17:27 > 0:17:30Sounds like a good deal to me. What you going to do, Blues?
0:17:30 > 0:17:33I think... 210. We're agreed.
0:17:33 > 0:17:37Shake his hand, and I'll say, "Going once, going twice. Sold!"
0:17:37 > 0:17:42Now, has Rohan managed to get the lamp down from ?220?
0:17:44 > 0:17:48We'll do 180 for you, to try and give you a break.
0:17:48 > 0:17:51I think we'll leave it. It probably would be a little bit too much.
0:17:51 > 0:17:56I think he's playing hard to get! This is nail-biting stuff.
0:17:56 > 0:18:00Definitely can't twist your arm? 170, and I'm losing...
0:18:00 > 0:18:03Shall we go 150, and if I can persuade the father...
0:18:03 > 0:18:05That's the price. That's the right price.
0:18:05 > 0:18:08It's killing me at 170. My heart's bleeding, too!
0:18:08 > 0:18:10HE LAUGHS
0:18:10 > 0:18:14I tell you what - 150, and I'd be delighted to shake your hand.
0:18:14 > 0:18:17165. Split the difference. Take it away.
0:18:17 > 0:18:19OK. 160 is the deal, and the deal is done.
0:18:19 > 0:18:22165. 160 and we're away. We're out.
0:18:22 > 0:18:24160. We have a deal at 160?
0:18:24 > 0:18:27OK. OK. You're a very, very decent man.
0:18:27 > 0:18:29That's brilliant. Thank you. Appreciate it.
0:18:30 > 0:18:33That's it! The story's over.
0:18:33 > 0:18:36Time's up. Let's check out what the Red Team bought, eh?
0:18:36 > 0:18:40The set of six Edwardian silver buttons were a bargain
0:18:40 > 0:18:43at less than half price. ?50 paid.
0:18:43 > 0:18:47Rohan made his dad's day, splashing out ?43 on six silver coffee spoons
0:18:47 > 0:18:50in the style of a car-radiator grille.
0:18:50 > 0:18:55And hard haggling won them a Victorian brass oil lamp
0:18:55 > 0:18:57for just ?160.
0:18:57 > 0:19:00How much did you spend? ?253.
0:19:00 > 0:19:04Yes! That's a proper amount. 253... I'd like 47, please,
0:19:04 > 0:19:06leftover lolly. There you go. All there.
0:19:06 > 0:19:1147 smackers. So, Paul, something Scottish you're going to go for?
0:19:11 > 0:19:14Yeah, well, I think we've done the Scots proud
0:19:14 > 0:19:17with our purchases thus far. I think so too.
0:19:17 > 0:19:21So could be finishing up with something Scottish in the bonus buy?
0:19:21 > 0:19:23I would love to. OK, fine.
0:19:23 > 0:19:26We'll find out about that in a moment. You guys enjoy yourselves.
0:19:26 > 0:19:30We're going to check out what the Blue Team bought, aren't we?
0:19:30 > 0:19:34The Blues opened the door with a Victorian oak and bronzed iron lock,
0:19:34 > 0:19:36with key, for ?15.
0:19:36 > 0:19:40They traded ?210 for two examples of Art Nouveau,
0:19:40 > 0:19:44a classic drop pendant with gemstones and seed pearls for ?90,
0:19:44 > 0:19:50and a silver-and-enamel photo frame for ?120.
0:19:50 > 0:19:54What did you spend between you? We spent 225.
0:19:54 > 0:19:58That is a monster amount of money. I'm very pleased about that.
0:19:58 > 0:20:02?75 of leftover lolly, then, please. Who's got that? There you go.
0:20:02 > 0:20:05Thank you. Hand that straight over to Carlos. Thank you, Tim.
0:20:05 > 0:20:08The big question on the tip of the nation's tongue is,
0:20:08 > 0:20:11what is the man going to go and buy? Got any ideas?
0:20:11 > 0:20:15Tim, I want to go historical. I want to go unique,
0:20:15 > 0:20:19and I want to take away one big memory for the whole lot.
0:20:19 > 0:20:22Well, with that big mission I leave you to it, mate,
0:20:22 > 0:20:24and have a nice cup of tea, chaps.
0:20:26 > 0:20:30And now I'm leaving Edinburgh behind for border country,
0:20:30 > 0:20:33and one of Scotland's architectural gems.
0:20:33 > 0:20:36If you didn't already know, you'd be forgiven for believing
0:20:36 > 0:20:38that this glorious neo-Gothic mansion
0:20:38 > 0:20:42was built on the fortune of a noble aristocrat,
0:20:42 > 0:20:46or a tycoon of trade and industry. It might surprise you to discover
0:20:46 > 0:20:50that it was all paid for by the powerful imagination
0:20:50 > 0:20:52of one poet and novelist.
0:20:52 > 0:20:56It was, of course, the home of Sir Walter Scott,
0:20:56 > 0:21:03the most popular writer of the entire 19th century, worldwide,
0:21:03 > 0:21:10and author of such popular classics as Ivanhoe, Waverley and Rob Roy.
0:21:10 > 0:21:12Scott was in his 20s
0:21:12 > 0:21:14when he began penning popular romantic poetry
0:21:14 > 0:21:17about Scotland's past,
0:21:17 > 0:21:21so popular it sold hundreds upon thousands of copies,
0:21:21 > 0:21:25and Scott soon had enough money to build his own dream home,
0:21:25 > 0:21:29Abbotsford. He called it "a romance in stone and lime",
0:21:29 > 0:21:33and you'll see why. Like one of his historical novels,
0:21:33 > 0:21:36Scott's castle is part fact and part fiction.
0:21:36 > 0:21:40Abbotsford is the most extraordinary mixture
0:21:40 > 0:21:45of architectural salvage and artifice,
0:21:45 > 0:21:50and this entrance hall, for me, basically says it all.
0:21:50 > 0:21:53Where's the artifice? Well, for a kick-off,
0:21:53 > 0:21:55if you look up to the ceiling,
0:21:55 > 0:21:59are all these beautiful moulded oak beams
0:21:59 > 0:22:05with attached hammers and shields not 14th century?
0:22:05 > 0:22:07Well, if you were suspicious, you'd be right,
0:22:07 > 0:22:10because actually they're made of plaster of Paris
0:22:10 > 0:22:13and horsehair and metal filaments,
0:22:13 > 0:22:17which have been crafted and then painted with brown paint
0:22:17 > 0:22:21and a graining tool. Then you add on a couple of hundred years
0:22:21 > 0:22:25of candle-smoke and homemade gas lighting,
0:22:25 > 0:22:28and that is the effect that we see today.
0:22:28 > 0:22:32The oak panelling that surrounds the hall is salvage.
0:22:32 > 0:22:35It came from the old kirk at Dunfermline.
0:22:35 > 0:22:39Similarly, these two demilune protuberances here -
0:22:39 > 0:22:43they are the precentor's desk from Dunfermline,
0:22:43 > 0:22:45which has been chopped in half,
0:22:45 > 0:22:48and then a socking slab of oak on the top
0:22:48 > 0:22:51which now provides a suitable support
0:22:51 > 0:22:57for a two-and-a-half-thousand-year- old lump of Roman Carrara marble.
0:22:57 > 0:23:02The fireplace looks old, but it was made by Scott's stonemason
0:23:02 > 0:23:07for this spot, and it's based on the abbot's seat at Melrose Abbey.
0:23:08 > 0:23:13Inspired by his new fantastical surroundings at Abbotsford,
0:23:13 > 0:23:15Scott began writing novels.
0:23:15 > 0:23:19They were such a success, each one sold out
0:23:19 > 0:23:21as soon as it hit the shelves.
0:23:21 > 0:23:23As his fortune grew, so did Abbotsford.
0:23:23 > 0:23:25In fact, over a decade,
0:23:25 > 0:23:29the house was ten times its original size,
0:23:29 > 0:23:34and filled to the brim with books, beautiful objects and curios.
0:23:34 > 0:23:38The more you look around this extraordinary place,
0:23:38 > 0:23:42the more you appreciate how expensive it must have been
0:23:42 > 0:23:46to build with all these fancy fittings, and then maintain.
0:23:46 > 0:23:52Indeed, as a result of the general crash in 1825,
0:23:52 > 0:23:55Scott went bankrupt in 1826,
0:23:55 > 0:24:00no doubt aggravated by the drain that Abbotsford had had
0:24:00 > 0:24:02on his finances.
0:24:02 > 0:24:05He resolved to wipe out his debts by writing -
0:24:05 > 0:24:09by writing like crazy, and by writing at this desk.
0:24:09 > 0:24:12Well, at least the chair looks comfy.
0:24:12 > 0:24:16The hours that he must have spent at this Gillows desk,
0:24:16 > 0:24:19churning out all those novels!
0:24:19 > 0:24:23And on his desk, to this day, the Coutts chequebook,
0:24:23 > 0:24:26a pair of silver spectacles, a pen wipe,
0:24:26 > 0:24:31his quill, and even a wee penknife to sharpen the quill.
0:24:31 > 0:24:33How brilliant is that?
0:24:33 > 0:24:36Not half as sharp, I expect,
0:24:36 > 0:24:40as our teams are going to prove to be today over at the auction.
0:24:49 > 0:24:52Can you imagine a more delightful thing
0:24:52 > 0:24:55than to visit Anita Manning at Great Western Auctions in Glasgow?
0:24:55 > 0:24:59It's a treat, Anita. Welcome, Tim. It's lovely to have you here again.
0:24:59 > 0:25:02Great to be back. Now, we've got some great gear today.
0:25:02 > 0:25:06For the Reds, rather silvery, starting off with their buttons.
0:25:06 > 0:25:09There are six of them, nicely hallmarked, in that later case,
0:25:09 > 0:25:13and they paid ?50. ?50. That's not bad at all,
0:25:13 > 0:25:17because these are beautiful quality, nice little things,
0:25:17 > 0:25:21wonderful image, complete - six of them... Yeah.
0:25:21 > 0:25:23..and in a nice little fitted box.
0:25:23 > 0:25:26Don't you love the crispness of the casting?
0:25:26 > 0:25:29That rococo casting is great, isn't it?
0:25:29 > 0:25:32We have quality here. So, what's your estimate?
0:25:32 > 0:25:3480 to 120. That's my girl!
0:25:34 > 0:25:37You spotted it. Marvellous.
0:25:37 > 0:25:42Next, six wee tea or coffee spoons, really Deco things,
0:25:42 > 0:25:46and I don't go bonkers often about these cased sets of six spoons,
0:25:46 > 0:25:50but these I think are really nice. They're absolutely lovely,
0:25:50 > 0:25:53and I particularly love the enamelwork here on the end,
0:25:53 > 0:25:56which looks like a little radiator grille! Yes.
0:25:56 > 0:26:00So it's a delightful little set.
0:26:00 > 0:26:04It's just the sort of thing you'd expect to find made in 1930 or '35,
0:26:04 > 0:26:07isn't it? Very stylish. Bit like you.
0:26:07 > 0:26:09How much? 40 to 80.
0:26:09 > 0:26:11Good. ?43 paid.
0:26:11 > 0:26:14And then back to something very traditional,
0:26:14 > 0:26:16the oil table lamp.
0:26:16 > 0:26:20What we see etched on the ball is the Forth Bridge,
0:26:20 > 0:26:25and this is one of the iconic constructions,
0:26:25 > 0:26:29one of the first cantilever bridges, first steel bridge...
0:26:29 > 0:26:31It's a wonderful sight,
0:26:31 > 0:26:34and I'm sure it will appeal to our Scottish buyers.
0:26:34 > 0:26:38What's your estimate on that? Estimate, one to 150.
0:26:38 > 0:26:40OK. ?160 paid,
0:26:40 > 0:26:43so if there's anything that's going to make them crash and burn,
0:26:43 > 0:26:48it'll be the lamp, so we'd better go and have a look at the bonus buy.
0:26:48 > 0:26:51Now, Ro, Toto, this is the bonus-buy moment. OK.
0:26:51 > 0:26:54I think I've bought you some obscure pieces here... OK.
0:26:54 > 0:26:57..but profitable. OK? OK.
0:26:57 > 0:26:59A goggle mask,
0:26:59 > 0:27:02and it dates to 1910, 1920. OK.
0:27:02 > 0:27:07And many a Royal Naval Air Service or RFC pilot wore such in the air,
0:27:07 > 0:27:11called the Mark One goggle mask. OK. It's a great thing,
0:27:11 > 0:27:14and it's worth ?30 to ?50 anywhere, any day.
0:27:14 > 0:27:17On its own? OK.
0:27:17 > 0:27:21However, this piece of old iron is a cosh,
0:27:21 > 0:27:24a highly rare and evocative piece,
0:27:24 > 0:27:29because this was issued to an SOE agent.
0:27:29 > 0:27:32What's an SOE agent? Special Operations Executive. OK!
0:27:32 > 0:27:36Yeah? These are British and Allied...
0:27:36 > 0:27:39We can call them, you could term, "spies"...
0:27:39 > 0:27:43Espionage. And they operate as espionage agents.
0:27:43 > 0:27:49Right. They're reconnoitring and sabotaging enemy activity
0:27:49 > 0:27:54in occupied and enemy territory. Extremely brave individuals
0:27:54 > 0:27:59who put everything on the line for the Allied cause.
0:27:59 > 0:28:03Including their lives. Indeed, and that's where this comes into play,
0:28:03 > 0:28:05because this is a defensive weapon.
0:28:05 > 0:28:08I'm blown away by the historical significance of it,
0:28:08 > 0:28:11and I can imagine that would be of interest to buyers.
0:28:11 > 0:28:15In any general sale, those have got to be worth ?100 to ?200.
0:28:15 > 0:28:17Put them in a specialist environment,
0:28:17 > 0:28:20or ask me to buy them, and I'm going to need a lot more than that.
0:28:20 > 0:28:24It's obscure. Just got to hope the audiences out there recognises what we're looking at.
0:28:26 > 0:28:29We don't normally feature weapons on Bargain Hunt,
0:28:29 > 0:28:31but this was a unique and unusual find.
0:28:31 > 0:28:34However, the items together cost ?50,
0:28:34 > 0:28:37which was ?3 over the Red Team's leftover lolly,
0:28:37 > 0:28:43so, after the auction, we'll take ?3 off the Red Team's final total.
0:28:43 > 0:28:46Well, here we have a piece of aviation history.
0:28:46 > 0:28:50Quite appealing, but they're not my style.
0:28:50 > 0:28:54But the story behind this amazing Second World War cosh
0:28:54 > 0:28:57is the Special Operations Executive,
0:28:57 > 0:29:01and is it not supposed to be a bit of standard equipment
0:29:01 > 0:29:03that a female spy would be issued with
0:29:03 > 0:29:07when she's dropped behind lines? I believe that these are very rare.
0:29:07 > 0:29:10I haven't seen one before. But isn't it extraordinary
0:29:10 > 0:29:14that these brave men and women
0:29:14 > 0:29:17would only have that as a form of defence?
0:29:17 > 0:29:21Oh! I think it's amazing. And the hackneyed phrase,
0:29:21 > 0:29:23"If only this object could talk"...
0:29:23 > 0:29:26I know. ..is no more apt, really,
0:29:26 > 0:29:28than with something of this type.
0:29:28 > 0:29:32How easy do you think it will be to translate into cash?
0:29:32 > 0:29:35I'd put ?60 to ?80. Well, we'll live in hope for that, Anita.
0:29:35 > 0:29:38That's it now for the Reds.
0:29:38 > 0:29:42Let's move on to the Blues, who have got something completely different.
0:29:42 > 0:29:46And first of all is the oak and iron-bound lock plate.
0:29:46 > 0:29:48It's rather attractive to look at.
0:29:48 > 0:29:52One might even call it a little piece of sculpture.
0:29:52 > 0:29:56You might do, mightn't you? It's evocative of the Victorian Gothic,
0:29:56 > 0:29:59and you've got a key. That's the big thing for me.
0:29:59 > 0:30:01So, what's your estimate, Anita? 40 to 80. Is it really?
0:30:01 > 0:30:05Yes. Well, that's marvellous! Only paid the ?15.
0:30:05 > 0:30:08A good buy. It certainly is.
0:30:08 > 0:30:11And from the sublime to the ridiculous, size-wise anyway,
0:30:11 > 0:30:15is the little pendant. You need a microscope to spot that one!
0:30:15 > 0:30:17Yeah, but it's very typical
0:30:17 > 0:30:22of these lovely turn-of-the-century Art Nouveau pendants,
0:30:22 > 0:30:25and I think that they're very, very pretty.
0:30:25 > 0:30:28With the seed pearls and other gemstones, this little one...
0:30:28 > 0:30:32It's not an aquamarine but it's trying to be an aquamarine,
0:30:32 > 0:30:34but it's a nice enough wee thing,
0:30:34 > 0:30:37and I've found that this type of pendant
0:30:37 > 0:30:40has become quite popular again.
0:30:40 > 0:30:43Really? Oh, well, that's good. That's a nice tip. Yeah.
0:30:43 > 0:30:46What is your estimate? 50 to 80.
0:30:46 > 0:30:48?90 they paid, but you never know.
0:30:48 > 0:30:51And lastly is this little duet frame.
0:30:51 > 0:30:55It has a Glasgow-style look about it, and the buyers will like that.
0:30:55 > 0:30:58But it may not be all that old. No.
0:30:58 > 0:31:01Estimate-wise, what do you think? 60 to 80? OK.
0:31:01 > 0:31:04Actually they paid ?120. It may be their comeuppance,
0:31:04 > 0:31:07in which case they're going to need their bonus buy,
0:31:07 > 0:31:10so let's go and have a look at it!
0:31:10 > 0:31:13So, Dave, Dave, this is the moment!
0:31:13 > 0:31:17You spent 225. You gave Charles ?75. Charles, what did you buy?
0:31:17 > 0:31:21I spent the whole lot, Dave and Dave. I found this.
0:31:21 > 0:31:23It's a very pretty embossed cigarette case
0:31:23 > 0:31:26with these hounds on, but it's more the interior, Tim,
0:31:26 > 0:31:29the inscription, which gives it a certain uniqueness,
0:31:29 > 0:31:36because this is celebrating a ride on RMS Carmania in circa 1908.
0:31:36 > 0:31:41It was to New York that this inscriber inscribed what's within,
0:31:41 > 0:31:45and it's just got pedigree. It's got history.
0:31:45 > 0:31:49It's got fascination, and it's rich. It's certainly got detail.
0:31:49 > 0:31:52It's got dogs on, as well. It's got dogs on, yeah.
0:31:52 > 0:31:54This man who scratched this on, Charles,
0:31:54 > 0:31:58is a bit of an artist in his own right, isn't he,
0:31:58 > 0:32:00cos that scratching's quite naive.
0:32:00 > 0:32:03He's sat on deck during the voyage and done this, hasn't he?
0:32:03 > 0:32:06Absolutely, Tim. And "Liverpool to New York."
0:32:06 > 0:32:12"Distance cannot sever. True friends are linked forever."
0:32:12 > 0:32:16Buyers will get emotive, and I would hope, in a wholesale auction,
0:32:16 > 0:32:20it's going to make between 80 and 120.
0:32:20 > 0:32:22What do you think, Dave Jr? It's beautiful.
0:32:22 > 0:32:26It's a great story. It's heartfelt. Well, you don't have to take it.
0:32:26 > 0:32:30It all depends on where you are at that moment in the auction.
0:32:30 > 0:32:32But now, for the viewers at home,
0:32:32 > 0:32:36let's find out whether Anita Manning's going to burst into tears.
0:32:37 > 0:32:40Well, this is an unusual cigarette case, isn't it?
0:32:40 > 0:32:43I quite like it. On the front we have this hunting scene here,
0:32:43 > 0:32:47which is always popular, but what I like most about this
0:32:47 > 0:32:49is the inscription.
0:32:49 > 0:32:53The engraving was done by an amateur on a voyage.
0:32:53 > 0:32:56Well, it looks like that. It doesn't look like a professional engraving.
0:32:56 > 0:33:02And I might be a bit soppy, but that endears it to me even more.
0:33:02 > 0:33:06Me, too. So, how do you rate it price-wise as Charles's bonus buy?
0:33:06 > 0:33:0945 to 60. Do you? He paid ?75.
0:33:09 > 0:33:12I fancy you might have been a bit... A wee bit mean?
0:33:12 > 0:33:15..unromantic about your estimate, do you think?
0:33:15 > 0:33:18I might have, but I'll try hard with this one.
0:33:18 > 0:33:21200. 210. 220.
0:33:21 > 0:33:23220 at the back. 230.
0:33:23 > 0:33:27Now, Ro, Toto, are you excited? Absolutely, yes.
0:33:27 > 0:33:30First up are the six buttons, and here they come.
0:33:30 > 0:33:35Lot 95 is the cased set of six Art Nouveau silver buttons
0:33:35 > 0:33:40made by S Blackensee of Birmingham, and they are 1902,
0:33:40 > 0:33:42height of the Art Nouveau movement.
0:33:42 > 0:33:45Start me at ?50. 50 bid.
0:33:45 > 0:33:47Any advance? 60.
0:33:47 > 0:33:5170. Well done. You're in profit. Any advance on 70?
0:33:51 > 0:33:54Any advance on ?70? All done at ?70?
0:33:54 > 0:33:57?70. That's plus ?20. That'll do us.
0:33:57 > 0:34:00We'll bank that, thank you. Now the teaspoons.
0:34:00 > 0:34:02Don't you just love this lot?
0:34:02 > 0:34:08It's a case set of six Art Deco silvered enamel spoons,
0:34:08 > 0:34:10Birmingham 1932.
0:34:10 > 0:34:14?100. 100. That would be nice.
0:34:14 > 0:34:16?50. She's optimistic.
0:34:16 > 0:34:18?50. 50 with the lady.
0:34:18 > 0:34:22A lady of style, who likes the Art Deco period.
0:34:22 > 0:34:24Any advance on ?50?
0:34:24 > 0:34:2760. That's it. Keep going, folks.
0:34:27 > 0:34:29?60. 65.
0:34:29 > 0:34:3170. 75.
0:34:31 > 0:34:3480. 85.
0:34:34 > 0:34:3690.
0:34:36 > 0:34:39Look at this, boys! A hundred!
0:34:39 > 0:34:43THEY LAUGH A hundred for them would be good!
0:34:43 > 0:34:46110! You've got competition, madam!
0:34:46 > 0:34:48110.
0:34:48 > 0:34:51120. They're slugging it out.
0:34:51 > 0:34:53Absolutely. 130. It's going on.
0:34:53 > 0:34:56Gentleman at 130. Determined at 130.
0:34:56 > 0:35:00All done at 130? 130.
0:35:00 > 0:35:02Well done, sir. Well done, sir. Well done.
0:35:02 > 0:35:06That's 57 plus 30, is ?87 profit. Do you like cars?
0:35:06 > 0:35:10That is amazing. You are plus 107.
0:35:10 > 0:35:13Now, what about this oil lamp? Here we go.
0:35:13 > 0:35:17The Victorian brass oil lamp and the etched-glass shade,
0:35:17 > 0:35:22which is commemorating one of the iconic sights of Scotland,
0:35:22 > 0:35:24the Forth Bridge.
0:35:24 > 0:35:28And I can start the bidding at ?100.
0:35:28 > 0:35:33110. 120 with the book. 130. Go on. Keep going.
0:35:33 > 0:35:36140. 140.
0:35:36 > 0:35:40It's on the books at 140. 150, fresh bidder.
0:35:40 > 0:35:43160 with me. Yes! 170, I'm at.
0:35:43 > 0:35:46Well... Any advance on 170?
0:35:46 > 0:35:50All done at 170? 170...
0:35:50 > 0:35:54170! You jammy man. Anyway, that's plus ten.
0:35:54 > 0:35:56You made ?117. That's absolutely marvellous.
0:35:56 > 0:35:59You got a profit on each item. Absolutely marvellous.
0:35:59 > 0:36:03Now, what you going to do? You going to go with the SOE cosh?
0:36:03 > 0:36:06I'd say go for it. We'll give it a chance.
0:36:06 > 0:36:09We'll give it a go. Your decision's made.
0:36:09 > 0:36:11We're going with the bonus buy. Anita's estimate was ?60 to ?80.
0:36:11 > 0:36:13Here it comes.
0:36:13 > 0:36:16The pair of, er, early flying goggles
0:36:16 > 0:36:22and Special Operations Executive's cosh. Can we say ?80?
0:36:22 > 0:36:2580? 60? Start me at ?20. 20 bid.
0:36:25 > 0:36:2830. 40. 50.
0:36:28 > 0:36:3150 with the lady. 60, fresh bidder.
0:36:31 > 0:36:3470. 80. 90.
0:36:34 > 0:36:36Come on... Lady at ?90.
0:36:36 > 0:36:39100, fresh bidder again. Any advance on 100?
0:36:39 > 0:36:42All done at 100? 100...
0:36:42 > 0:36:45?100, we're sold. That is superb.
0:36:45 > 0:36:48Well done, Paul. Thank you, Paul. Thank you, indeed.
0:36:48 > 0:36:51Thanks, Paul. Cheers, mate. That could be a winning score.
0:36:51 > 0:36:55We can't work it out yet, but don't tell the Blues a thing.
0:36:55 > 0:36:57OK. Absolutely.
0:36:57 > 0:37:01'So, the Reds made an amazing total of ?167,
0:37:01 > 0:37:05'which includes taking off the ?3 that was overspent
0:37:05 > 0:37:07'on Paul's bonus buy.'
0:37:07 > 0:37:11First up for you guys is your lock plate. You paid ?15 for that.
0:37:11 > 0:37:14Anita Manning has reckoned it at ?40 to ?80. Wow!
0:37:14 > 0:37:18Which is a pretty good turn on ?15, if she's right. Here we go, then.
0:37:18 > 0:37:25Lot 117 is a Victorian oak and bronzed-iron plate door lock,
0:37:25 > 0:37:28with key, ladies and gentlemen.
0:37:28 > 0:37:32Now, no home should be without one of these.
0:37:32 > 0:37:35Will you start me at ?50? Start me at 30.
0:37:35 > 0:37:3730 bid. Double your money. Got it.
0:37:37 > 0:37:40Doubled your money. 40. 50.
0:37:40 > 0:37:43?50. Good lad!
0:37:43 > 0:37:48?50. 55, fresh bidder, and the book's out as well.
0:37:48 > 0:37:52Any advance on 55? It's good, this!
0:37:52 > 0:37:56All done at 55. 55...
0:37:56 > 0:37:59Marvellous! Well done! Superb.
0:37:59 > 0:38:03You just made ?40. ?40, just like that!
0:38:03 > 0:38:06You've unlocked ?40. Fantastic, Tim.
0:38:06 > 0:38:08118, ladies and gentlemen,
0:38:08 > 0:38:13is this classic gold Art Nouveau pendant with drop.
0:38:13 > 0:38:16Can we say 100?
0:38:16 > 0:38:18?100? Come on!
0:38:18 > 0:38:20Start me at ?50, then. 50 bid.
0:38:20 > 0:38:2260. 70.
0:38:22 > 0:38:2480. 90. Yes!
0:38:24 > 0:38:27100. We're in business. Yes, we're in profit.
0:38:27 > 0:38:33Any advance on 100? All done at 100? 100...
0:38:33 > 0:38:35Yes! ?100 is plus ?10.
0:38:35 > 0:38:40Plus 50. That's good. ?50 up. Now the photo frame.
0:38:40 > 0:38:45It's the Art Nouveau sterling- silver-and-enamel duet frame.
0:38:45 > 0:38:49You can put your husband in one side and your boyfriend in the other side.
0:38:49 > 0:38:51THEY LAUGH
0:38:52 > 0:38:56It's a lovely wee piece, in Glasgow style, ladies and gentlemen.
0:38:56 > 0:38:59Start me at ?50. No. Come on. 50 bid.
0:38:59 > 0:39:01It's with you, sir, at 50. Come on. Let's go.
0:39:01 > 0:39:04Any advance on 50? 60. 70. 80.
0:39:04 > 0:39:07One more. 90. 100.
0:39:07 > 0:39:09One more! ?100.
0:39:09 > 0:39:13110 on the phone. Come on! On the phone bid!
0:39:13 > 0:39:15120, still in. 130.
0:39:15 > 0:39:19You're in profit. Well done, Dave. Well done.
0:39:19 > 0:39:22140. 150.
0:39:22 > 0:39:26Any advance on 150? Yes! Over there! 160, fresh bidder.
0:39:26 > 0:39:28?160.
0:39:29 > 0:39:34The phone's out. Any advance on ?160?
0:39:34 > 0:39:36Well, I'm blowed! All done at 160.
0:39:36 > 0:39:38160...
0:39:38 > 0:39:41Plus ?40. That is fantastic. No trouble, boys.
0:39:41 > 0:39:45Overall, you are plus ?90, no trouble at all.
0:39:45 > 0:39:48What about the fag case? Are you going to go with it?
0:39:48 > 0:39:52My head says no. My heart says yes, but the head overrules the heart.
0:39:52 > 0:39:54We're in profit. What do you think, Dave?
0:39:54 > 0:39:56Yes or no? Everything else sold well, so...
0:39:56 > 0:39:59Let's go for it. Let's go for it. We're going to go for it.
0:39:59 > 0:40:02We're going to go for it. Yes? Yes.
0:40:02 > 0:40:06It's the continental white-metal cigarette case,
0:40:06 > 0:40:09and inside, you have this beautiful motto -
0:40:09 > 0:40:14"Distance cannot sever. True friends are linked forever."
0:40:14 > 0:40:18Now, isn't that beautiful? Do I have you bursting into floods of tears?
0:40:18 > 0:40:21TIM SOBS
0:40:21 > 0:40:26Fallen in love. Fallen in love, and exchanged gifts.
0:40:26 > 0:40:29TIM SOBS LOUDLY
0:40:29 > 0:40:31THEY LAUGH
0:40:31 > 0:40:35What can we say? Will you start me at ?50?
0:40:35 > 0:40:3750 bid. 60.
0:40:37 > 0:40:40Keep going, sir. One more. 60 on the floor.
0:40:40 > 0:40:4170.
0:40:41 > 0:40:4380. 90.
0:40:43 > 0:40:47You're in profit, Charles. Well done, Charles. Well done.
0:40:47 > 0:40:50100 with me. 100.
0:40:50 > 0:40:52110. Yes!
0:40:52 > 0:40:56110, fresh bidder. 120 on the books.
0:40:56 > 0:41:01Any advance on 120? All done at 120?
0:41:01 > 0:41:03120...
0:41:03 > 0:41:06Yes! 120. Well done, Charles.
0:41:06 > 0:41:10Well done, Charles. Had faith in the man!
0:41:10 > 0:41:12Your faith was not misplaced.
0:41:12 > 0:41:18You are plus ?135, just like that. Plus 135. Amazing.
0:41:18 > 0:41:20That's pretty cool, isn't it?
0:41:27 > 0:41:30Well, I don't know when I've seen such a group of lads
0:41:30 > 0:41:33all looking so incredibly happy,
0:41:33 > 0:41:35because each of our players and experts
0:41:35 > 0:41:37think that they're going to win today.
0:41:37 > 0:41:41Well, I can tell you that both teams have done extraordinarily well!
0:41:41 > 0:41:45Both teams have made profits in excess of ?100.
0:41:45 > 0:41:50Both teams are going to be entitled to golden gavels,
0:41:50 > 0:41:53because they've made profits on all three of the items
0:41:53 > 0:41:56they shopped for.
0:41:56 > 0:41:59And the team that are the runners-up today are the Blues.
0:41:59 > 0:42:02THEY GROAN
0:42:02 > 0:42:04Oh, no! Bad luck, Blues.
0:42:04 > 0:42:07You're going to have ?135 to go home with,
0:42:07 > 0:42:11which is really, really hot, Dave and Dave,
0:42:11 > 0:42:14and you're going to get your golden gavel to go with it.
0:42:14 > 0:42:17There's your golden gavel. Well done, Dave. Thank you.
0:42:17 > 0:42:20There we go. That's marvellous. Have you had a good time?
0:42:20 > 0:42:23Brilliant. Absolutely magic. We have loved having you on the show.
0:42:23 > 0:42:25Well done, chaps. Thanks very much, Tim.
0:42:25 > 0:42:30But the victors today, the Red Team. You must be pleased with that.
0:42:30 > 0:42:33I am indeed, very much so. I think to make ?87
0:42:33 > 0:42:36on those Art Deco colourful coffee spoons was extraordinary.
0:42:36 > 0:42:40I have to say, it was down to Paul. Paul noticed them, and he gave us great advice.
0:42:40 > 0:42:42Here's your golden gavel. Thank you very much.
0:42:42 > 0:42:46Thank you, Tim. Well done. Excellent.
0:42:46 > 0:42:48So, everybody's happy, yes? Absolutely.
0:42:48 > 0:42:50We've had a great time. In fact, it's been so great,
0:42:50 > 0:42:54why don't you join us soon for some more bargain-hunting, yes?
0:42:54 > 0:42:55ALL: Yes!
0:42:55 > 0:43:00I know you're thinking, "I could have done better than that!"
0:43:00 > 0:43:02Well, what's stopping you?
0:43:02 > 0:43:06If you think you can spot a bargain, go to our BBC website and apply.
0:43:06 > 0:43:09It'll be splendid to see you.
0:43:09 > 0:43:13Subtitles by Red Bee Media Ltd
0:43:13 > 0:43:17E-mail subtitling@bbc.co.uk
0:43:17 > 0:43:17.