0:00:02 > 0:00:05TRADITIONAL SCOTTISH MUSIC
0:00:10 > 0:00:13It's buddies all the way on today's show.
0:00:13 > 0:00:18We've got two teams of amigos ready and waiting to go.
0:00:18 > 0:00:20They're chums, they're bestest mates,
0:00:20 > 0:00:24so let's go bargain hunting, my friends!
0:00:49 > 0:00:52Today we've come to see our friends in the north,
0:00:52 > 0:00:55to Edinburgh, to be precise,
0:00:55 > 0:00:59where friendship is about to be tested to the limit
0:00:59 > 0:01:02by 60 minutes of Bargain Hunt pressure.
0:01:02 > 0:01:05Here's a quick taste as to what's coming up.
0:01:07 > 0:01:10'The Reds get hung up on something psychedelic.'
0:01:10 > 0:01:14This thing here? Yeah, yeah. PAUL LAUGHS
0:01:14 > 0:01:16Erm, OK...
0:01:16 > 0:01:21'Yes... And the Blues are left mesmerised by Moorcroft ceramics.'
0:01:21 > 0:01:24Moorcroft. Moorcroft! Can you handle it?
0:01:24 > 0:01:26'But first, let's meet the teams.'
0:01:26 > 0:01:31Yes, on the programme today, we've got two pairs of pals.
0:01:31 > 0:01:33Well, they're pals at the moment!
0:01:33 > 0:01:35For the Reds, we've got Anna and Ellie,
0:01:35 > 0:01:38and for the Blues, we've got Bill and John.
0:01:38 > 0:01:40Hello, everyone. ALL: Hello! Lovely to see you.
0:01:40 > 0:01:43Now, Anna, how did you and Ellie first meet?
0:01:43 > 0:01:45Well, we go to the same university.
0:01:45 > 0:01:48It was my first day there and I didn't know anybody
0:01:48 > 0:01:52and Ellie had been there for a year and she took me under her wing
0:01:52 > 0:01:54and we've been friends ever since.
0:01:54 > 0:01:56That's nice, isn't it? Yes.
0:01:56 > 0:01:58What university are you at?
0:01:58 > 0:02:01Edinburgh College of Art. It's the art school in Edinburgh.
0:02:01 > 0:02:05It's just merged with Edinburgh Uni and we do performance costume there.
0:02:05 > 0:02:10It's really great. You're both doing the same course? Yes. That's even better.
0:02:10 > 0:02:12Tell us about your course.
0:02:12 > 0:02:16It's designing and making clothes and costumes
0:02:16 > 0:02:19for film and TV and theatre and stuff.
0:02:19 > 0:02:21We do allsorts. It's absolutely great.
0:02:21 > 0:02:24We do millinery and puppetry and set design and everything.
0:02:24 > 0:02:28Ellie, it says that you save quite a lot of cash by looking after your own clothes a bit.
0:02:28 > 0:02:31Yes, I like to make my own clothes
0:02:31 > 0:02:36out of like old things I find and get from the charity shops, which is good fun.
0:02:36 > 0:02:40Have you always been a seamstress? Yes. I'm a better one now!
0:02:40 > 0:02:42Do you collect anything?
0:02:42 > 0:02:48I collect a lot of bric-a-brac. I love coloured glass and teacups.
0:02:48 > 0:02:50I've got loads of teacups at home.
0:02:50 > 0:02:54Vintage clothing. I love vintage clothing, coats and hats and stuff like that.
0:02:54 > 0:02:57So, there's going to be plenty of scope for you in this fair, then?
0:02:57 > 0:03:01Yeah, I'm really excited! There's always good retro things knocking about.
0:03:01 > 0:03:03Anyway, good luck in a minute!
0:03:03 > 0:03:08Now, chaps, it's going to be a case of youthful exuberance
0:03:08 > 0:03:10versus age and experience today. True.
0:03:10 > 0:03:12Is that going to be the case? Yes.
0:03:12 > 0:03:17Bill, your friendship with John blossomed a little later in life, didn't it? Yes.
0:03:17 > 0:03:21After I retired, I decided to take a second degree
0:03:21 > 0:03:24and as part of that, I decided to take French.
0:03:24 > 0:03:28I turned up at the class and this gentleman was the lecturer. Ah!
0:03:28 > 0:03:32We had an absolutely superb year, he was a brilliant lecturer,
0:03:32 > 0:03:34but our ways parted at the end of that.
0:03:34 > 0:03:38About a year and a half after it, we wound up in adjacent tennis courts,
0:03:38 > 0:03:41playing tennis, very badly... Right.
0:03:41 > 0:03:44..and the friendship resumed.
0:03:44 > 0:03:46We discovered that we both enjoyed cycling,
0:03:46 > 0:03:48we were both interested in cycling abroad,
0:03:48 > 0:03:50so we started cycling together.
0:03:50 > 0:03:55We're about to embark on our ninth annual cycle trip abroad. Are you?
0:03:55 > 0:03:58This year we're going to Austria - Innsbruck to Passau. Right.
0:03:58 > 0:04:00John, you're Belgian,
0:04:00 > 0:04:03so you speak Walloon, do you? Oh, yes.
0:04:03 > 0:04:08Lovely. In fact, I've recently bought all the Tintins in dialect.
0:04:08 > 0:04:12Very collectable, these cartoon books. Absolutely. As collectable as Beano.
0:04:12 > 0:04:14Yes! Or Dandy.
0:04:14 > 0:04:16When I was a boy, I had all the first editions. Did you?
0:04:16 > 0:04:20Unfortunately, when I went back after university, I went back home
0:04:20 > 0:04:23and I asked my mother, "Where are my Tintins"
0:04:23 > 0:04:26and she said, "You don't want Tintins! I just gave them away!"
0:04:26 > 0:04:29First editions! Sacrebleu!
0:04:29 > 0:04:33Sacrebleu. So, you gave your mother a bit of stick? Oh, yes!
0:04:33 > 0:04:37They're now worth £500 each. This is enough to make you weep!
0:04:37 > 0:04:41Anyway, we're going to go for the £300. There we go, £300, girls.
0:04:41 > 0:04:43You know the rules. Your experts await.
0:04:43 > 0:04:47Off you go! Very, very, very good luck.
0:04:47 > 0:04:49Ooh, I do like the Continentals, don't you?
0:04:52 > 0:04:55'Now, let's unmask our experts.
0:04:55 > 0:04:58'For the Reds, it's Paul Laidlaw.
0:04:59 > 0:05:02'And measuring up against him for the Blues is Charles Hanson.
0:05:02 > 0:05:04'Go, Charlie!'
0:05:10 > 0:05:14Ellie, Anna, have we similar tastes?
0:05:14 > 0:05:16Quite similar. Yes!
0:05:16 > 0:05:20Quite similar! That sounds less than...!
0:05:20 > 0:05:22What's your passion when it comes to antiques?
0:05:22 > 0:05:26Something that is cheap, but will sell for a lot of cash.
0:05:26 > 0:05:31John, with your sort of French and Belgian flavour, are you a Continental buyer?
0:05:31 > 0:05:33I will go for small silver items.
0:05:33 > 0:05:39Is this friendship going to survive this exercise, with this quite similar taste?
0:05:39 > 0:05:41We'll try to. Yes. I would say so, yes.
0:05:41 > 0:05:44Come on, let's go and find... Right! Right!
0:05:44 > 0:05:47We'll be fine!
0:05:47 > 0:05:49We're going to be better than fine. Let's go!
0:05:49 > 0:05:52'They're off! Already, Charles is having trouble
0:05:52 > 0:05:55'keeping hold of his Blues. Oh, dear!'
0:05:55 > 0:05:57Where's John? He's here. Oh, he's over there.
0:05:57 > 0:05:59It's busy, isn't it? Yes. That's OK.
0:05:59 > 0:06:03Just caress the objects and we'll keep walking.
0:06:05 > 0:06:08'Uh-oh! John's off again!
0:06:08 > 0:06:12'Over on the Reds, our costume designers Anna and Ellie
0:06:12 > 0:06:15'have been lured by an officer and a gentleman.'
0:06:15 > 0:06:18It's quite striking. Yes.
0:06:18 > 0:06:20Is it just costume or is it old?
0:06:20 > 0:06:22'No, it's the real McCoy, Anna.'
0:06:22 > 0:06:28It is a doublet to an officer, a lieutenant...
0:06:28 > 0:06:31..of the Royal Scots.
0:06:31 > 0:06:34Collectable. Are you half interested?
0:06:34 > 0:06:38Yes! Let's test the water. Let's see what these prices are like. Definitely. OK.
0:06:38 > 0:06:40Is he out and about?
0:06:40 > 0:06:44'It seems this officer's lost his right-hand man!'
0:06:44 > 0:06:47The dealer's off dealing elsewhere!
0:06:47 > 0:06:50We know where it is. BOTH: Yes.
0:06:50 > 0:06:52'That's it! Quick march, ladies!
0:06:52 > 0:06:54'And what's that the Blues have spotted?'
0:06:54 > 0:06:57It's Royal Brown Derby.
0:06:57 > 0:06:59Royal? Royal Brown Derby. Hold on!
0:06:59 > 0:07:02Did I hear Royal Brown Derby? Royal Brown Derby.
0:07:02 > 0:07:07Crown Derby! Derby became Crown China in 1890. Right.
0:07:07 > 0:07:10Where am I from? Derby. Exactly.
0:07:10 > 0:07:12You'll know. Exactly. So, it's not Brown?
0:07:12 > 0:07:16It's not Brown Derby, it's Crown Derby! Crown Derby.
0:07:16 > 0:07:19'That's more like it, Bill!' Thanks for coming!
0:07:19 > 0:07:22It's a lovely object but, dare I say it,
0:07:22 > 0:07:25it's slightly out of vogue at the moment.
0:07:25 > 0:07:29Down it goes. 'Yep, you put your Brown Derby down, Bill.
0:07:29 > 0:07:31'The Reds, however, have grabbed something green.'
0:07:31 > 0:07:35I like the gold. I think they're a really nice colour.
0:07:35 > 0:07:36They're definitely unusual.
0:07:36 > 0:07:39Wurttembergische Metallwarenfabrik. Very good!
0:07:39 > 0:07:44German, er, not just art metal, but famed for their art metalwares
0:07:44 > 0:07:45late 19th century,
0:07:45 > 0:07:47well into the 20th century.
0:07:47 > 0:07:50So you've got a brand and a brand's a good thing.
0:07:50 > 0:07:52Shall we ask the price? Yes, go on.
0:07:52 > 0:07:55They're £145. 145. PAUL GROANS
0:07:55 > 0:08:00I think they're too much for you. We all love them but you're going to lose money.
0:08:00 > 0:08:02'Wise words, Paul.'
0:08:09 > 0:08:13'Over with the Blues, this bargain-hunting lark seems like child's play.'
0:08:13 > 0:08:15Boys and toys, eh? Boys and toys!
0:08:15 > 0:08:17That has got a lot of history.
0:08:17 > 0:08:22What you've got there... Is in good nick. ..is in good nick, but it isn't very old. Right.
0:08:22 > 0:08:26In so far, it's probably a 1980s case set. Do you think?
0:08:26 > 0:08:29Yes, that late. Maybe '70s. Right.
0:08:29 > 0:08:34And when you look at toys, you want to go back to the great golden age of Corgi, Dinky,
0:08:34 > 0:08:36but back to maybe the '50s or '60s. OK.
0:08:36 > 0:08:38This says 1993.
0:08:38 > 0:08:43'Yes, this wee whippersnapper set of Corgi vans is only 20 years old.'
0:08:43 > 0:08:45It's not very old, but it's a collectable.
0:08:45 > 0:08:47Let's find out how much it is.
0:08:47 > 0:08:50Hiya! How much? Uh-huh.
0:08:50 > 0:08:53I don't see a price on it at all. Six pounds. Six pounds?
0:08:53 > 0:08:57That's very good. It's cheap, isn't it? Very cheap. It's cheap.
0:08:57 > 0:09:01John, you're looking slightly bemused. 'John doesn't seem happy to play along.'
0:09:01 > 0:09:04Considering it's 1993... Yes.
0:09:04 > 0:09:07..it's hardly an antique, is it?! CHARLES LAUGHS
0:09:07 > 0:09:10Sell it for a fiver? That's fine. Fiver. Deal.
0:09:10 > 0:09:12'Hold your horses, Bill!'
0:09:12 > 0:09:15Shall we think about it or have you just bought it? I've just bought it.
0:09:15 > 0:09:20What's he doing? We've only got three items! That's OK. You'll get two beauties.
0:09:20 > 0:09:23'Now, now, boys, don't throw your toys out of the pram!
0:09:23 > 0:09:27'At least you've got your first buy at barely seven minutes in.'
0:09:27 > 0:09:29I think that'll sell!
0:09:36 > 0:09:39'It seems like Paul's gone for a cuppa with his Reds.'
0:09:39 > 0:09:41A loving cup.
0:09:41 > 0:09:45Is it a loving cup? With a toad inside. Oh, it's got two!
0:09:45 > 0:09:49That's going to be expensive, though. The very best I can do on that would be 120.
0:09:49 > 0:09:52What I like about it is...
0:09:52 > 0:09:54'Not your cup of tea, eh, Ellie?' Is it ugly?
0:09:54 > 0:09:56Put it down! Wasted our time!
0:09:56 > 0:10:01I'm sure someone else would love it. 'No love lost there, girls.
0:10:01 > 0:10:04'But something's got Charles's heart racing -
0:10:04 > 0:10:07'a Victorian silver heart-shaped buckle, in fact.'
0:10:07 > 0:10:12Isn't that gorgeous? What we look for at auction is some romance. True!
0:10:12 > 0:10:15'Ooh, you old romantic, Charlie.'
0:10:15 > 0:10:21We want some love, and that's what auctions thrive on, that emotive value.
0:10:21 > 0:10:23'This love-ly belt buckle
0:10:23 > 0:10:27'was made by the renowned London silversmith Samuel Jacobs.'
0:10:27 > 0:10:32Oh, I love that! It's silver, it's cast with sea scrolls in a Rococo style
0:10:32 > 0:10:35and it's hallmarked for London 1892.
0:10:35 > 0:10:38I like it because it's just a love token.
0:10:38 > 0:10:42It must be love. It must be love. It's love for me!
0:10:42 > 0:10:45If your wife was at the auction room
0:10:45 > 0:10:50and she said, "John, I want that" what would you say?
0:10:50 > 0:10:53Well, I might say yes, I might say no!
0:10:53 > 0:10:56'Who says romance is dead, eh?'
0:10:56 > 0:10:58Yes? What?
0:10:58 > 0:11:02What's the best price? I was going to say 75,
0:11:02 > 0:11:04but as it's cash, 70.
0:11:04 > 0:11:06We'll give you 60 cash.
0:11:06 > 0:11:1065. And you'll make two old men happy.
0:11:10 > 0:11:1265. 65. 65. Come on.
0:11:12 > 0:11:15CHARLES LAUGHS
0:11:15 > 0:11:16All right. Get it bought!
0:11:16 > 0:11:19Oh, I love this! That's it, sold. There we are.
0:11:19 > 0:11:24A heart on a heart. 'I think you're meant to wear your heart on your sleeve, John.
0:11:24 > 0:11:28'Well done, Blues, your second buy at only 15 minutes.
0:11:28 > 0:11:31'But the Reds haven't even picked up on their first.
0:11:31 > 0:11:36'Hang on, though! Here's something psychedelic for these art students.'
0:11:36 > 0:11:38This thing here? Yeah, yeah.
0:11:38 > 0:11:40PAUL LAUGHS
0:11:40 > 0:11:42Erm... OK...
0:11:42 > 0:11:45Shall we pick it up and have a wee... Yeah.
0:11:45 > 0:11:48Would it still work? Yeah. I like it.
0:11:48 > 0:11:50Well, look at the label there.
0:11:50 > 0:11:54BT approval number. Excellent! 1981 there.
0:11:54 > 0:11:59I think this is '80s retro... Yeah! ..from GPO.
0:11:59 > 0:12:02Because this is a '60s design... BOTH: Yeah.
0:12:02 > 0:12:07..and that explains why the colour is anything but '60s GPO. Yes.
0:12:07 > 0:12:11I think that's worth paying 30, 35 pounds for
0:12:11 > 0:12:13and it might make 50.
0:12:13 > 0:12:15Are you up for it? BOTH: Yes.
0:12:15 > 0:12:18Are you going to turn on the charm? 38 would be the very best. 38.
0:12:18 > 0:12:20I was thinking about 20 quid?
0:12:20 > 0:12:24Oh, my goodness! I think I need to have a lie down now!
0:12:24 > 0:12:26No. I think 30 would be best.
0:12:26 > 0:12:29Is that a deal? That's a deal. Yay!
0:12:29 > 0:12:32Thank you very much. ALL: Thank you.
0:12:32 > 0:12:36'Good call, Reds. At last, you've rung in your first buy.'
0:12:36 > 0:12:39# ..hanging on the telephone #
0:12:39 > 0:12:43'Over with the Blues, something's finally got John weak at the knees.'
0:12:43 > 0:12:48Say it again, John. Moorcroft! How does it go, John? Moorcroft!
0:12:48 > 0:12:51Moorcroft, in my auction house, is going through the roof.
0:12:51 > 0:12:53Oh, that's pretty.
0:12:53 > 0:12:57With the original label, as well, the Queen Mary label from the 1940s.
0:12:57 > 0:13:00And the smaller Moorcroft is often more collectable.
0:13:00 > 0:13:04My only concern is that tiny flaw... This one here.
0:13:04 > 0:13:09..which, clearly, I think is either a superficial scratch or maybe a firing flaw.
0:13:09 > 0:13:13So be aware, it could pull it down to £50.
0:13:13 > 0:13:15There's a little scratch here, so...
0:13:17 > 0:13:20'I bet that won't rub off, madam.'
0:13:20 > 0:13:21Will you take 120?
0:13:21 > 0:13:24That's how it is. 120? Yes.
0:13:24 > 0:13:26You're wonderful. Thank you.
0:13:26 > 0:13:29So, you bought it? Yes. £120.
0:13:29 > 0:13:31You've done that. No, he did it! It's your turn.
0:13:31 > 0:13:34Put it there. So that's our threesome.
0:13:34 > 0:13:39'Well done, Blues, even if you have caught your expert unawares once again!
0:13:39 > 0:13:43'Three buys in an impressive 20 minutes.
0:13:43 > 0:13:48'But, Reds, you've only got one on the slate. No time to be taking it easy.'
0:13:48 > 0:13:53Explain what we're looking at. This bag. But I don't think Anna likes it that much.
0:13:53 > 0:13:55I quite like it. It's OK, but...
0:13:55 > 0:13:57'Oh, handbags at dawn!'
0:13:57 > 0:13:59Why do we like it? Why don't we like it?
0:13:59 > 0:14:03I like it because it's an unusual shape. I think it's interesting. It is a good shape.
0:14:03 > 0:14:07Indian? Yes. South Asian? Yes.
0:14:07 > 0:14:09Certainly the leather elements look it.
0:14:09 > 0:14:12Are we looking at something we might buy? 'Yeah, come on, Reds!'
0:14:12 > 0:14:14It's up to you. Erm...
0:14:14 > 0:14:18Erm, I'm not... I don't know. We can ask.
0:14:18 > 0:14:21This bag, what's the best price you can do on that?
0:14:21 > 0:14:23Now...
0:14:24 > 0:14:2625? It's crazy, isn't it? Yes.
0:14:26 > 0:14:31If I were in any position to be looking at buying vintage bags... 'Perish the thought!'
0:14:31 > 0:14:35..I'd like to at least know I could wear it out... Yes.
0:14:35 > 0:14:37..if I had the rush of blood to the head.
0:14:37 > 0:14:41Is there any chance you could do it for 15? I know that's really cheeky.
0:14:41 > 0:14:44I'll take 20! I'll take 20.
0:14:44 > 0:14:47OK, then. We'll do that? 20 quid.
0:14:47 > 0:14:51Thank you very much! OK! Thank you! That's lovely. Thank you very much!
0:14:51 > 0:14:54Cheers. Thanks for that. Thank you.
0:14:54 > 0:14:56'Polite bargaining, eh, girls?
0:14:56 > 0:14:58'You've bagged your second buy at 33 minutes,
0:14:58 > 0:15:02'but you've still got one to go so get a wiggle on.'
0:15:05 > 0:15:07What are your card-playing skills like?
0:15:07 > 0:15:13Pretty good? Well, if they are, you've probably played the game of cribbage,
0:15:13 > 0:15:16in which case, you'll have used one of these.
0:15:16 > 0:15:21The cribbage board, technically, enables you to record the score
0:15:21 > 0:15:24as you play this complicated game.
0:15:24 > 0:15:28In this particular cribbage board, we've got three decorative panels
0:15:28 > 0:15:34and each of those are densely carved with Chinese courtly figures,
0:15:34 > 0:15:38which gives you a clue as to where this thing comes from.
0:15:38 > 0:15:40China, I reckon,
0:15:40 > 0:15:42around 1900 in date.
0:15:42 > 0:15:46If you look at the incredibly detailed way
0:15:46 > 0:15:53that the rest of the surface of the platform of the cribbage board has been carved,
0:15:53 > 0:15:58you get to twig that this thing is actually not just a cribbage board,
0:15:58 > 0:16:00it's a complete work of art.
0:16:00 > 0:16:03The timber itself is sandalwood,
0:16:03 > 0:16:07the platform stands on rather elegant shaped legs
0:16:07 > 0:16:10with carved toes,
0:16:10 > 0:16:14and underneath there's a little box compartment with a sliding lid.
0:16:14 > 0:16:19Take that off and inside are four pegs,
0:16:19 > 0:16:22known in the game as spilikins.
0:16:22 > 0:16:24The idea with the four pegs is,
0:16:24 > 0:16:29as you progress from point to point,
0:16:29 > 0:16:34you insert a spilikin, or peg, to record the score.
0:16:34 > 0:16:40Spare spilikins go into these little holes at top and bottom.
0:16:40 > 0:16:43Isn't that beautiful? No chips, no marks,
0:16:43 > 0:16:46just a little bit grubby,
0:16:46 > 0:16:50but otherwise, absolutely complete and correct.
0:16:50 > 0:16:54What would it cost you to start playing cribbage using a board like this?
0:16:54 > 0:16:58The board could be yours for £60,
0:16:58 > 0:17:00which I tell you, is no money!
0:17:05 > 0:17:09'But how are our Reds doing in the hunt for their last buy?
0:17:09 > 0:17:12'Could our costume design students sew it all up
0:17:12 > 0:17:15'with this Victorian bone needle case?'
0:17:15 > 0:17:16It's modelled as a parasol.
0:17:16 > 0:17:20We do this, stick a few needles in there.
0:17:20 > 0:17:23Who doesn't need needles on their person in an emergency?
0:17:23 > 0:17:27But the little glass bead there, it's not decorative.
0:17:27 > 0:17:30It's a lens. Inside is a little tiny photograph,
0:17:30 > 0:17:32and these are called Stanhopes.
0:17:32 > 0:17:36If we catch it in the right light... Ta-da!
0:17:36 > 0:17:39..it's fantastic!
0:17:39 > 0:17:41It's Margate.
0:17:41 > 0:17:44'Invented in 1857,
0:17:44 > 0:17:48'these Stanhope viewers were a hit with the Victorian public,
0:17:48 > 0:17:52'allowing micro photographs, as small as a pinhead,
0:17:52 > 0:17:54'to be viewed through the lens.'
0:17:55 > 0:17:59If it doesn't work from that side, give it 180 degrees and look at it the other way. Where?
0:17:59 > 0:18:02Look through the little lens... Oh, God, yeah!
0:18:02 > 0:18:06That's a good reaction - "Oh, God, yeah!"
0:18:06 > 0:18:09SHE GASPS Ah! No way!
0:18:09 > 0:18:13'Yes way! The mini Margate photo is for real.'
0:18:13 > 0:18:15That's amazing! ELLIE LAUGHS
0:18:15 > 0:18:18That's so clever!
0:18:18 > 0:18:22Your reaction was great! I've never seen anything like that!
0:18:22 > 0:18:25But what's it worth? 20 or 30 pounds.
0:18:25 > 0:18:28You can have it for 25.
0:18:28 > 0:18:31Shall we have a quick little wander and come back?
0:18:31 > 0:18:3420? 20 and we nail it now and we seal the deal.
0:18:34 > 0:18:36No, it has to be 22.
0:18:36 > 0:18:38Yes? Yes! OK. It's a deal.
0:18:38 > 0:18:41Thank you. Thanks for that.
0:18:41 > 0:18:42Great fun. Well done!
0:18:42 > 0:18:46'At last! You've stitched it up, Reds, with your final buy
0:18:46 > 0:18:50'and a generous eight minutes left on the clock, so relax.'
0:18:50 > 0:18:53They've spent their money. Time's up.
0:18:53 > 0:18:55Let's check out what the Red Team bought.
0:18:55 > 0:18:58'First up for the Reds, it was ding-a-ling-a-ling
0:18:58 > 0:19:02'with this '60s-style retro telephone at just £30.
0:19:02 > 0:19:08'Next, they bagged this Art Deco evening bag for just £20.
0:19:08 > 0:19:12'Finally, they eyed up this Victorian needle case and Stanhope viewer
0:19:12 > 0:19:14'at just £22.'
0:19:14 > 0:19:16It was good, wasn't it? I know!
0:19:16 > 0:19:18Was it good? BOTH: Yes!
0:19:18 > 0:19:20You didn't spend much, did you? BOTH: No.
0:19:20 > 0:19:23How much grand total? BOTH: 72!
0:19:23 > 0:19:27£72. That is a shameful amount of money!
0:19:27 > 0:19:31Who's got the leftover lolly? Anna. Well done. I'll take it all.
0:19:31 > 0:19:33Which is your favourite object?
0:19:33 > 0:19:37I think the little, erm, umbrella and needle case
0:19:37 > 0:19:39with the picture of Margate.
0:19:39 > 0:19:41I really love that. OK.
0:19:41 > 0:19:45Do you agree with that, Ellie? No, I like the telephone. You like the telephone. Yes.
0:19:45 > 0:19:49Is your telephone going to pitch up with the biggest profit?
0:19:49 > 0:19:51Yes, definitely. It is? I think it probably is, as well.
0:19:51 > 0:19:54Because you have been in the hands of the maestro.
0:19:54 > 0:19:58Yeah! And we all know how good he is at making profits.
0:19:58 > 0:20:01Thanks, Tim! Still, there's a tumble to be had,
0:20:01 > 0:20:03not that I'm making a prediction!
0:20:03 > 0:20:07What are you going to do with that? Oh, Tim... Spend the lot!
0:20:07 > 0:20:11I am in a tizz. I have all of this to go at.
0:20:11 > 0:20:15I would love to find something that resonates with you guys.
0:20:15 > 0:20:18Good luck with your bonus buy. Go and have a nice cup of tea.
0:20:18 > 0:20:22Meanwhile, we're going to check out what the Blue Team bought, aren't we?
0:20:22 > 0:20:27'The Blues drove a hard bargain with this set of Corgi toy vans
0:20:27 > 0:20:28'for only £5.
0:20:28 > 0:20:31'Next, they fell in love with the Victorian Samuel Jacobs
0:20:31 > 0:20:35'silver heart-shaped buckle at £65.
0:20:35 > 0:20:38'Finally, John got his beloved Moorcroft,
0:20:38 > 0:20:42'this cute little 1940s vase, at £120.'
0:20:42 > 0:20:46When you're enjoying something, it goes quickly, doesn't it? Absolutely.
0:20:46 > 0:20:47Bill, you are phenomenal.
0:20:47 > 0:20:49Yes! Absolutely phenomenal.
0:20:49 > 0:20:53Almost as phenomenal as Charles Hanson!
0:20:53 > 0:20:55Chaps, did you have a good shop? It was super. Good.
0:20:55 > 0:20:58What did you spend, you chaps, all told?
0:20:58 > 0:21:00£190.
0:21:00 > 0:21:04Who's got £110 of leftover lolly? You? It's you!
0:21:04 > 0:21:05You've been found out!
0:21:05 > 0:21:08Ah-ah-ah! Oh, sorry! Sorry!
0:21:08 > 0:21:11Got to check it! No, we're not going to check it.
0:21:11 > 0:21:12Over to you, Charles. Thank you, Tim.
0:21:12 > 0:21:18What are you going to spend that on? It's a difficult one because they are great friends.
0:21:18 > 0:21:22They work together harmoniously, so it's going to be an interesting one.
0:21:22 > 0:21:24I shall find something to impress you. Good luck, Charles.
0:21:24 > 0:21:28Meanwhile, we're heading off to the home of a Scot.
0:21:28 > 0:21:33Not just any old Scot but Sir Walter Scott.
0:21:33 > 0:21:35Abbotsford, here we come.
0:21:38 > 0:21:43Abbotsford, nestled in the beautiful landscape of the Scottish Borders,
0:21:43 > 0:21:46was home to Sir Walter Scott who, during the 19th century,
0:21:46 > 0:21:50was the world's most popular novelist.
0:21:51 > 0:21:56He published an average of two books every year for 17 years.
0:21:56 > 0:22:00As soon as the books hit the shelves, they sold out.
0:22:00 > 0:22:03They made him a small fortune, enough to build Abbotsford
0:22:03 > 0:22:07and to indulge his passion for antiques and curios.
0:22:12 > 0:22:15Scott's novels were translated into many languages
0:22:15 > 0:22:19and he became the first British best-selling author.
0:22:19 > 0:22:23His reputation attracted the admiration of writers around the globe.
0:22:23 > 0:22:25He was called a genius
0:22:25 > 0:22:31and world-class writers such as Byron, Wordsworth and Balzac wrote to him,
0:22:31 > 0:22:33paying their respects.
0:22:33 > 0:22:37They loved Scott's works so much
0:22:37 > 0:22:40that they felt they simply had to send him
0:22:40 > 0:22:45the first editions of books that they were having published.
0:22:45 > 0:22:47If we look at this one, which is a thrill
0:22:47 > 0:22:53because it's a first edition of The Brothers Grimm Fairy Tales,
0:22:53 > 0:22:55dated here 1812,
0:22:55 > 0:23:01and that, on the title page, is Walter Scott's own signature.
0:23:01 > 0:23:04If you look inside the leather calf cover,
0:23:04 > 0:23:07it says "Bound by Carss, Glasgow".
0:23:07 > 0:23:10That's because, typically at that time,
0:23:10 > 0:23:14books didn't come to you with a hard cover.
0:23:14 > 0:23:17You simply took them to your very own bookbinder
0:23:17 > 0:23:20to have the nice outer cover put on, which is fun.
0:23:20 > 0:23:24But which other author in Britain at this period
0:23:24 > 0:23:28might seriously have been a rival for Scott?
0:23:28 > 0:23:32Think mad, think bad, think dangerous to know.
0:23:32 > 0:23:34Think Byron.
0:23:34 > 0:23:38Actually, Scott and Byron were great rivals.
0:23:38 > 0:23:43As poets, and this is before Scott started writing his novels,
0:23:43 > 0:23:46they were effectively clashing head-to-head.
0:23:46 > 0:23:50But it was the mutual publisher that introduced them
0:23:50 > 0:23:54and - surprise, surprise - they got on really rather well.
0:23:54 > 0:23:58Scott presented Byron with a special dagger
0:23:58 > 0:24:03and Byron reciprocated by presenting this urn to Scott.
0:24:03 > 0:24:05It is exquisitely made,
0:24:05 > 0:24:11being hallmarked in London in 1811 with the maker Samuel Hennell.
0:24:11 > 0:24:15I think Scott felt he'd been a bit upstaged here.
0:24:15 > 0:24:20Indeed, Byron wondered whether he should put a presentation inscription on it, decided against,
0:24:20 > 0:24:25but once Scott had received it, he immediately sent it off for engraving
0:24:25 > 0:24:29and it now says "Given by Lord Byron to Walter Scott,
0:24:29 > 0:24:31"April 1815"
0:24:31 > 0:24:34which I think is rather lovely.
0:24:34 > 0:24:39At the time it was presented, it had inside some old Greek bones,
0:24:39 > 0:24:42which Byron had brought back.
0:24:42 > 0:24:46This was enough to enchant Walter Scott.
0:24:46 > 0:24:50"The bones of an ancient fallen Greek warrior," he thought,
0:24:50 > 0:24:53which made him love the thing even more.
0:24:53 > 0:24:56Of course, the big question today at the auction is,
0:24:56 > 0:24:58and let's not make any bones about this,
0:24:58 > 0:25:03will any of their purchases turn out to be big earners?
0:25:10 > 0:25:1280. 90.
0:25:12 > 0:25:16I can't tell you how lovely it is to be back in Glasgow at Great Western Auctions
0:25:16 > 0:25:18with the lovely Anita Manning.
0:25:18 > 0:25:22Anita, hello. Welcome, Tim. It's lovely to have you here.
0:25:22 > 0:25:25We've got a colourful collection for you, that's all I can say.
0:25:25 > 0:25:30This telephone looks as if it would go with one of your colour schemes.
0:25:30 > 0:25:35Tim, this is funky and this is fun.
0:25:35 > 0:25:38This is a GPO-style 746.
0:25:38 > 0:25:41Will your audience just fall over themselves to get hold of it?
0:25:41 > 0:25:42Well, I hope so!
0:25:42 > 0:25:45I've estimated at £30 to £50. Right.
0:25:45 > 0:25:49So I hope that it might go somewhere between that, just for fun.
0:25:49 > 0:25:51Yes, exactly. Well, £30 was paid.
0:25:51 > 0:25:55Next is this seriously weird-looking handbag.
0:25:55 > 0:25:59I mean, would you wear this? If you wanted to go out with a wee bit of style,
0:25:59 > 0:26:04it was a little bit different, a little bit retro, this is the handbag for you.
0:26:04 > 0:26:08It has exotic dancers and I like that. Do you?
0:26:08 > 0:26:10I particularly like that clasp,
0:26:10 > 0:26:13which is harping back to the Art Deco period.
0:26:13 > 0:26:16What's your estimate? 25 to 40.
0:26:16 > 0:26:18OK, that's a winner, then. £20 paid.
0:26:18 > 0:26:22Now, lastly, is that really trad bit of Victorian collectable,
0:26:22 > 0:26:26the Stanhope viewer in the form of a miniature umbrella.
0:26:26 > 0:26:30Erm, I mean, is this old hat today or do people still go for them?
0:26:30 > 0:26:31I suppose it is old hat,
0:26:31 > 0:26:34but it's a charming wee thing.
0:26:34 > 0:26:38It's showing off the Victorians' love of, I suppose,
0:26:38 > 0:26:42holiday resorts and invention.
0:26:42 > 0:26:45Can you imagine going on your holidays
0:26:45 > 0:26:47and looking through a little hole
0:26:47 > 0:26:50and seeing photographs of your holiday places?
0:26:50 > 0:26:52So they would wonder at that.
0:26:52 > 0:26:55What's your estimate? 30 to 40.
0:26:55 > 0:26:58You've estimated jolly nearly a profit on each item.
0:26:58 > 0:27:03I wonder if you'll achieve it. In case not, let's go and have a look at the bonus buy.
0:27:03 > 0:27:06OK, girls, you sent The Laidlaw off with £228.
0:27:06 > 0:27:10What did you spend it on, Paul? I spent it on...
0:27:10 > 0:27:12Oh! Behold...
0:27:12 > 0:27:14It's one of those.
0:27:14 > 0:27:16Exactly! OK! "What on earth am I looking at?"
0:27:16 > 0:27:19Take one.
0:27:19 > 0:27:22That is a Prussian officer's helmet badge. OK.
0:27:22 > 0:27:24Surely you know what that is.
0:27:24 > 0:27:26That's an Iron Cross.
0:27:26 > 0:27:28Oh, yeah. Oh! I knew that.
0:27:28 > 0:27:31That's a gallantry award. OK.
0:27:31 > 0:27:35Given to Imperial German Forces.
0:27:35 > 0:27:39That dates to the First World War. And that's a first class. There are grades of these awards.
0:27:39 > 0:27:43You've been brave in the field, you get a second-class award.
0:27:43 > 0:27:48If you're particularly so, or an officer, there's a first-class Iron Cross.
0:27:48 > 0:27:50For the two, I paid £80.
0:27:50 > 0:27:53OK. Rest assured. Do you think they'll make a profit?
0:27:53 > 0:27:55At auction, they're worth 80 to 120. If you said to me,
0:27:55 > 0:28:00"Buy me those tomorrow from a dealer" I'd need £250.
0:28:00 > 0:28:05BOTH: OK. Wow! That's quite something, girls, isn't it?
0:28:05 > 0:28:08For the audience at home, why don't we check out what Anita thinks
0:28:08 > 0:28:11about Paul's militaria.
0:28:11 > 0:28:14OK, Anita, here's a memento
0:28:14 > 0:28:17of something that is coming up for its big centenary.
0:28:17 > 0:28:23And that certainly will help First World War memorabilia,
0:28:23 > 0:28:26and these are two pieces of that type of item.
0:28:26 > 0:28:30There are plenty of militaria collectors out there,
0:28:30 > 0:28:32so I'm hoping they will go for these things.
0:28:32 > 0:28:36What are they worth, these two bits of First World War memorabilia?
0:28:36 > 0:28:38I've estimated them £60 to £100.
0:28:38 > 0:28:42OK. The Laidlaw paid 80 and he's very reliable on these things.
0:28:42 > 0:28:45There we go. We'll park those two chaps over there and move on,
0:28:45 > 0:28:48because that's it for the Reds, swiftly to the Blues.
0:28:48 > 0:28:53Now, first up for them is the Corgi Classic Vehicle Set.
0:28:53 > 0:28:56I mean, the variety on this show just takes your breath away!
0:28:56 > 0:29:00When guys looks at that, they will remember their childhood.
0:29:00 > 0:29:03These have obviously not been taken out of the box,
0:29:03 > 0:29:05and folks will collect them.
0:29:05 > 0:29:11I think they'll be touched by the different advertising on the little things.
0:29:11 > 0:29:15Fyffes Bananas! Oh, my goodness! It's sort of sweet, isn't it?
0:29:15 > 0:29:17And they paid a five-pound note,
0:29:17 > 0:29:22which, when you think about it, to get it in that state for £5, it isn't much, is it?
0:29:22 > 0:29:25I've estimated 15 to 20. And you're a wee girlie!
0:29:25 > 0:29:29I know. Goodness only knows what you would've estimated if you were a wee boy!
0:29:29 > 0:29:32I might've been a wee bit generous! I don't think so!
0:29:32 > 0:29:34I think that's probably spot on.
0:29:34 > 0:29:38Anyway, next up is something that, for me, looks pretty Scottish,
0:29:38 > 0:29:41which is a heart-shaped silver buckle.
0:29:41 > 0:29:44Is it Scottish? No. No, it's not.
0:29:44 > 0:29:46Heart shapes are... I can see where you're coming from.
0:29:46 > 0:29:53Hearts shapes are often used in Scottish or Glasgow-style items
0:29:53 > 0:29:58and you know, of course, that us Scots are incurable romantics! OK!
0:29:58 > 0:30:00This one was made by Samuel Jacobs,
0:30:00 > 0:30:04a London silversmith and a very good silversmith.
0:30:04 > 0:30:07The quality of the work is really quite special
0:30:07 > 0:30:09and I think this is a lovely item.
0:30:09 > 0:30:11Is it 65 pounds' worth?
0:30:11 > 0:30:13I've estimated 70 to 90.
0:30:13 > 0:30:16Spot on. That's what we like to hear, Anita.
0:30:16 > 0:30:19Ooh, we're getting excited about this!
0:30:19 > 0:30:22And then the traditional Moorcroft hibiscus wee pot.
0:30:22 > 0:30:26This is a sweet wee thing. Is it 1940s? It's 1940s. It is.
0:30:26 > 0:30:30And it has the original paper label to the base
0:30:30 > 0:30:33and the collectors love that. Quite right.
0:30:33 > 0:30:35What's your estimate? 80 to 120.
0:30:35 > 0:30:39That's a bit lean because they paid £120. Really?
0:30:39 > 0:30:41If it all goes belly-up,
0:30:41 > 0:30:44let's have a quick look at their bonus buy.
0:30:44 > 0:30:48OK, B and J, this is it, right? What has he got under his rag?
0:30:48 > 0:30:50You gave him £110
0:30:50 > 0:30:54and I suspect that Charles Hanson may've bought a picture.
0:30:54 > 0:30:58I have, actually. It's something very local.
0:30:58 > 0:31:02The artist was born in Edinburgh, I bought it in Edinburgh.
0:31:02 > 0:31:05And he's a wonderful artist
0:31:05 > 0:31:07because he likes the ladies.
0:31:07 > 0:31:09OK? Uh-huh.
0:31:09 > 0:31:11Wonderful artist. It's a William Russell Flint.
0:31:11 > 0:31:16Ah! Wow! Two years ago, one of his paintings made £110,000.
0:31:16 > 0:31:18Get away! Absolutely! Watercolour -
0:31:18 > 0:31:23We give you £110 and you're translating it into £110,000!
0:31:23 > 0:31:26Trying to! Ah, yes! For the purpose of Bargain Hunt!
0:31:26 > 0:31:30This is a wonderful picture, in so far it's signed in pencil by the artist.
0:31:30 > 0:31:33More importantly, it's what the artist loved.
0:31:33 > 0:31:35He loves the Spanish nudes.
0:31:35 > 0:31:39Don't we all! You've got that here - semi-clad.
0:31:39 > 0:31:41If I pass that to you, just have a handle.
0:31:41 > 0:31:45And what is ever so nice, Tim, is what I uncovered on the back,
0:31:45 > 0:31:48Oh, yes, look! "The Two Models By Sir William Russell Flint."
0:31:48 > 0:31:53He died in 1969 and he's just what the market likes.
0:31:53 > 0:31:56I feel, up here in Glasgow, from Edinburgh,
0:31:56 > 0:31:58it could do quite well. Well done. The guy done well.
0:31:58 > 0:32:01What's it worth? What, to us? I'll tell you.
0:32:01 > 0:32:04I think at auction, it's a picture which, hopefully,
0:32:04 > 0:32:06ought to make, I hope,
0:32:06 > 0:32:09maybe £150 to £200. I predict a profit.
0:32:09 > 0:32:12Thank you, Charles. Let's find out whether the other lady,
0:32:12 > 0:32:15that's Anita, likes it, too.
0:32:15 > 0:32:18There you go, Anita. As if by magic, there it is -
0:32:18 > 0:32:20one girl with her kit more or less on
0:32:20 > 0:32:22and the other one covering up. SHE LAUGHS
0:32:22 > 0:32:24Sir William Russell Flint,
0:32:24 > 0:32:27Edinburgh artist, wonderful artist.
0:32:27 > 0:32:30He was an illustrator and a lithographer, as well,
0:32:30 > 0:32:32so his prints are terrific.
0:32:32 > 0:32:33This is very charming
0:32:33 > 0:32:39because it has been dedicated to Kay, so I think it's quite sweet.
0:32:39 > 0:32:42What's your estimate? 100 to 150. 110 paid.
0:32:42 > 0:32:46That's not bad. That's that cunning Charles Hanson. With any luck, he'll make a profit.
0:32:46 > 0:32:49Well, standby, Anita. Thank you.
0:32:56 > 0:32:59Now, Anna, Ellie, how are you feeling?
0:32:59 > 0:33:01A bit nervous. Nervous!
0:33:01 > 0:33:03Looking very glamorous but nervous.
0:33:03 > 0:33:05We have a saleroom that is stuffed with people.
0:33:05 > 0:33:09You could not get more people into Anita's sale, which is lovely.
0:33:09 > 0:33:11We're on the edge on the void.
0:33:11 > 0:33:13The first item that's going to come up
0:33:13 > 0:33:17is your lovely retro coloured phone. And here it comes.
0:33:17 > 0:33:22Ladies and gentlemen, this is not a quiet statement.
0:33:22 > 0:33:24This is Carnaby Street.
0:33:24 > 0:33:26This is Sergeant Pepper.
0:33:26 > 0:33:30This is your youth, ladies and gentlemen!
0:33:30 > 0:33:34Start me at £30. 30 bid. 40. 50.
0:33:34 > 0:33:3660. You're in profit.
0:33:36 > 0:33:38It's on the phone at 60.
0:33:38 > 0:33:41LAUGHTER
0:33:41 > 0:33:44It's on the phone at 60!
0:33:44 > 0:33:4870. WOMAN: 80? 70 with the man with a smile on his face.
0:33:48 > 0:33:51You remember that. You remember Carnaby Street, Jim, don't you?
0:33:51 > 0:33:54You're blushing! LAUGHTER
0:33:54 > 0:33:57No? We're out. The telephone's out!
0:33:57 > 0:34:01It's 70 on the floor. On the floor at £70.
0:34:01 > 0:34:05All done at £70. £70...
0:34:05 > 0:34:06Well done, girls.
0:34:06 > 0:34:09That's £40. That's absolutely marvellous.
0:34:09 > 0:34:12Now, here comes your old bag!
0:34:13 > 0:34:18Now, ladies and gentlemen, no lady can have enough handbags.
0:34:18 > 0:34:20Start me at £20.
0:34:20 > 0:34:2420 bid. Any advance on 20? 30.
0:34:24 > 0:34:2640. 50.
0:34:26 > 0:34:29£50. With the lady at 50.
0:34:29 > 0:34:31You're in profit, girls. Any advance on £50?
0:34:31 > 0:34:33£50...
0:34:33 > 0:34:37Well done, Anita! £50 is plus £30.
0:34:37 > 0:34:40You are plus £70. Brilliant! That's good!
0:34:40 > 0:34:44The Victorian novelty carved and hand-painted bone needle case,
0:34:44 > 0:34:47with the Stanhope viewer modelled as a parasol,
0:34:47 > 0:34:49with little hand-painted detail.
0:34:49 > 0:34:52It's so sweet, ladies and gentlemen.
0:34:52 > 0:34:57Start me at 20. 20 bid. Any advance on 20?
0:34:57 > 0:34:5930? £30?
0:34:59 > 0:35:0240.
0:35:02 > 0:35:0540 with the gentleman from Queensland.
0:35:05 > 0:35:0750?
0:35:09 > 0:35:1150 with the lady. With the lady at 50.
0:35:11 > 0:35:16This is a remarkable result. Yes! £50! £50...
0:35:16 > 0:35:20Good Lord! £50 is eight to 30.
0:35:20 > 0:35:23That is plus 28.
0:35:23 > 0:35:28You are plus £98 overall, which is quite extraordinary.
0:35:28 > 0:35:32Are you going to risk it for a biscuit and go with the German gear,
0:35:32 > 0:35:35or are you going to stick with your marvellous profit?
0:35:35 > 0:35:37Yes. Let's risk it.
0:35:37 > 0:35:42Are you going with the bonus buy? Yes. Paul paid 80. It is a risk.
0:35:42 > 0:35:44We're going to go with it? Yes. OK. Lovely.
0:35:44 > 0:35:49Here it comes. Bids on the books, ladies and gentlemen.
0:35:49 > 0:35:51I can start the bidding at £60.
0:35:51 > 0:35:56Any advance on 60? 70. 80 with me.
0:35:56 > 0:35:59You've wiped your face. It's on the books at £80.
0:35:59 > 0:36:01Any advance on £80?
0:36:01 > 0:36:0490. Fresh bid. Here we go! Here we go!
0:36:04 > 0:36:06Thank goodness for that. Still cheap.
0:36:06 > 0:36:09Any advance on £90? All done at £90?
0:36:09 > 0:36:11£90...
0:36:11 > 0:36:15Oh, well! We got a tenner! £90 is good enough. £90 is plus 10,
0:36:15 > 0:36:19which means you are plus £108!
0:36:19 > 0:36:21That's not bad!
0:36:21 > 0:36:25I can't believe it! Anita has done it again!
0:36:25 > 0:36:27Listen, girls, don't say a word to the Blues. OK.
0:36:27 > 0:36:31In fact, look a bit serious. Is that possible? Yes!
0:36:31 > 0:36:36Anyway, we'll catch up in a minute. Congratulations. BOTH: Thank you! Thank you!
0:36:41 > 0:36:44Well, chaps, this is exciting, isn't it?
0:36:44 > 0:36:46Just look at the people in this room.
0:36:46 > 0:36:50Do you know how the Reds got on? No. Great. We don't want you to.
0:36:50 > 0:36:55First up, then, is your set of vans in their original box. Here they come.
0:36:55 > 0:36:58It's a lot for the boys. Start me at £20.
0:36:58 > 0:37:01Start me at £20. You paid £5, lads. Start me at 20.
0:37:01 > 0:37:03£10, then.
0:37:03 > 0:37:0510 bid. A chorus of tenners. 10. 20.
0:37:05 > 0:37:09£20. Any advance on £20?
0:37:09 > 0:37:11All done at £20. £20...
0:37:11 > 0:37:15It's good, isn't it? Yes! Plus £15, lads. You can't sniff at that.
0:37:15 > 0:37:19Here comes your buckle. A most beautiful object.
0:37:19 > 0:37:22This is a Victorian heart-shaped silver buckle
0:37:22 > 0:37:26by Samuel Jacobs, London 1892.
0:37:26 > 0:37:28Start me at £100.
0:37:28 > 0:37:31Start me at 100. Start me at 50, then. 50 bid!
0:37:31 > 0:37:33Come on, let's go! 50 bid.
0:37:33 > 0:37:38Any advance on 50? 60. 70.
0:37:38 > 0:37:41You're in profit, lads. 80. £80.
0:37:41 > 0:37:44With you, sir, at 80. One more!
0:37:44 > 0:37:48It's Samuel Jacobs. 80. Over there! 90 with the lady.
0:37:48 > 0:37:51It's with the lady at £90.
0:37:51 > 0:37:54Samuel Jacobs, at £90... One more!
0:37:54 > 0:37:56Any advance on 90? One more!
0:37:56 > 0:37:58Any advance on 90?
0:37:58 > 0:38:04Yes! £100! She's come back in! Yes! She's come back in!
0:38:04 > 0:38:08Is she your wife? He said no, she said yes!
0:38:08 > 0:38:11Is she taking the decisions in this house?
0:38:11 > 0:38:15Are you going to get into a row? No. Give her a kiss!
0:38:15 > 0:38:18He's giving her a kiss! Aww! We'll give her a kiss!
0:38:18 > 0:38:22£100 with the lady. 110!
0:38:22 > 0:38:24She's come in!
0:38:24 > 0:38:27110. They're all going mad, these women!
0:38:27 > 0:38:31Any advance... It's hard, isn't it? 110. Give him a tenner!
0:38:31 > 0:38:33Any advance... 120! Yes!
0:38:33 > 0:38:38LAUGHTER That deserves two kisses!
0:38:38 > 0:38:43120. Any advance on 120? All done at 120? 120.
0:38:43 > 0:38:45ALL: Yes!
0:38:45 > 0:38:49£120! Brilliant! Give the lovers a big clap!
0:38:49 > 0:38:52Aww! APPLAUSE
0:38:52 > 0:38:55I hope that is your wife!
0:39:00 > 0:39:02What's going to happen with the Moorcroft? Here we go.
0:39:02 > 0:39:09It has the original 1940s paper label to the base.
0:39:09 > 0:39:12Will you start me at £100?
0:39:12 > 0:39:15Start me at 50. Oh, no. Uh-oh. 50 bid.
0:39:15 > 0:39:18Any advance on 50?
0:39:18 > 0:39:2160? 70. Come on, let's go!
0:39:21 > 0:39:2480. 90. 100.
0:39:24 > 0:39:26£100.
0:39:26 > 0:39:31110. Yes! Any advance on 110? 110.
0:39:31 > 0:39:33It's minus £10 but it's OK.
0:39:33 > 0:39:37110. Bad luck, chaps. That is minus £10.
0:39:37 > 0:39:41It means you're plus £60. What are you going to do about Russell Flint?
0:39:41 > 0:39:46Are you going to park the £60 that you've got in the bank
0:39:46 > 0:39:48or are you going to go with Russell Flint?
0:39:48 > 0:39:52Are you going to have a punt? Yeah! Yeah? Why not?
0:39:52 > 0:39:56Stick or twist? ANITA: Any advance on 50?
0:39:56 > 0:39:58Stick or twist? Twist. You're going to twist. OK.
0:39:58 > 0:40:02We're going to have a go at the bonus buy. Here comes Russell Flint.
0:40:02 > 0:40:04Start me at £100 for the Russell Flint print.
0:40:04 > 0:40:08Come on. Start me at £100. 80, then.
0:40:08 > 0:40:1180 bid. 90. 100. 110. 120.
0:40:11 > 0:40:13130.
0:40:13 > 0:40:16Look at this, Charles. 140. 150. Come on, let's go. Oh, Charles!
0:40:16 > 0:40:19155. Let's go, baby. Wonderful!
0:40:19 > 0:40:21160. Look at this, Charles. 160.
0:40:21 > 0:40:27160 on the floor. 160. Keep going! 170. Fresh bidder.
0:40:27 > 0:40:30170. Any advance on 170? One more.
0:40:30 > 0:40:32Any advance on 170?
0:40:32 > 0:40:35All done at 170. 170...
0:40:35 > 0:40:39Yes! £170 is plus £60.
0:40:39 > 0:40:42You chaps have just doubled your profit because you made 60 on that
0:40:42 > 0:40:47and you have now got £120. Yes!
0:40:47 > 0:40:50That is quite something, isn't it? Thank you. Well done, Charles.
0:40:50 > 0:40:53Your taste is vindicated, Charles Hanson.
0:40:53 > 0:40:56Now, the big thing is here, chaps, this could be a winning score
0:40:56 > 0:40:59so don't say a word to the Reds.
0:41:03 > 0:41:07No secret both teams have done extraordinarily well.
0:41:07 > 0:41:11As usual, we have to have a team of runners-up
0:41:11 > 0:41:14and the runners-up today are...
0:41:14 > 0:41:16..the Reds. THEY GROAN
0:41:16 > 0:41:19Unlucky!
0:41:19 > 0:41:22Oh, no!
0:41:22 > 0:41:28So, girls, you have done so incredibly well to make £108.
0:41:28 > 0:41:31Here's your £108... Thank you very much. Thank you.
0:41:31 > 0:41:34..which is quite something, I have to say.
0:41:34 > 0:41:36There's your three to make up your 108. Thank you.
0:41:36 > 0:41:39£40, £30, £28, plus £10... I know.
0:41:39 > 0:41:43..all solid profits, which is wonderful.
0:41:43 > 0:41:46Profits on every single item,
0:41:46 > 0:41:49which gets you the consolation price,
0:41:49 > 0:41:52which is the Golden Gavel.
0:41:52 > 0:41:56You kids are members of the ancient and venerable order of Golden Gavellers.
0:41:56 > 0:41:58Take one. Thank you.
0:41:58 > 0:42:00Go out and pimp up your dresses!
0:42:00 > 0:42:03Thanks, Tim. That's you included, Paul!
0:42:03 > 0:42:06Put it with your collection! Have you had a lovely day?
0:42:06 > 0:42:10It's been fantastic! Fantastic! We've loved having you on. You've been so fantastic.
0:42:10 > 0:42:16As have the boys, our victors today, who are going to go home with £120.
0:42:16 > 0:42:18There you go - 120.
0:42:18 > 0:42:21Your profits were extraordinary, Charles.
0:42:21 > 0:42:25To make £60 out of a bonus buy... That's great. ..retrieved all
0:42:25 > 0:42:30and made up for the one minor loss of £10 on the Moorcroft,
0:42:30 > 0:42:33which is what let you down. But you've done incredibly well.
0:42:33 > 0:42:36Did you enjoy it? Absolutely. Fantastic. Yes.
0:42:36 > 0:42:41Are you proud of Charles? Oh, yes! A wonderful man. Wonderful man!
0:42:41 > 0:42:43Great human being! Great human being.
0:42:43 > 0:42:45And great to have you on our show.
0:42:45 > 0:42:49Why don't you join us soon for some more bargain hunting?
0:42:49 > 0:42:51Yes? ALL: Yes!
0:42:51 > 0:42:54Subtitles by Red Bee Media Ltd