:00:08. > :00:12.Welcome to Children in Need 2015 on BBC Two.
:00:13. > :00:23.While BBC One have a breather, we are putting on our party pants and
:00:24. > :00:25.dancing shoes. Peter, over to you, my friend. A bit louder. Any time
:00:26. > :00:29.now. # Let me see what spring is like
:00:30. > :00:45.on Jupiter and Mars. # What about that? Yes, Peter, we have
:00:46. > :00:50.more of that later on. Peter, your music has really evolved
:00:51. > :01:02.over the years, as has your fashion. What were you thinking when you had
:01:03. > :01:08.this picture taken? What were you thinking then? It's shocking. I had
:01:09. > :01:12.it on my bedroom wall, when I was a kid. That one there, look at the
:01:13. > :01:17.Barnett on there. I can totally understand. Can you remember this
:01:18. > :01:24.was taken? No, but can you remember when this was taken? Where did you
:01:25. > :01:28.get that? You would have done Glenn Medeiros proud. What's scary about
:01:29. > :01:33.this one, look at the puppy fat, I was only about 15 then. There is a
:01:34. > :01:38.kicking off in the back of the Vic. Look at me there, I was a baby.
:01:39. > :01:41.Early Alfie Moon, look at the shirt I was wearing. I didn't know if
:01:42. > :01:47.anybody has mentioned this, you have to help out in the pub, OK? I have
:01:48. > :01:53.some guests that one drinks, I'm relying on you. We will hear from
:01:54. > :01:58.Peter bit later on. Yes! Now, very busy. We have the familiar face, he
:01:59. > :02:01.is still here, has been here for the last few hours, Warwick is still in
:02:02. > :02:06.the house, everybody. CHEERING AND APPLAUSE
:02:07. > :02:12.How can I put this, OK? You are about to start in probably one of
:02:13. > :02:15.the biggest franchise movies in the history of films, OK, starring
:02:16. > :02:20.alongside Harrison Ford, Mark Hammett, the biggest film everyone
:02:21. > :02:26.has been waiting for it. The question I want to ask is, are you
:02:27. > :02:30.doing panto? Yes, I'm in Bristol this year. I'm doing Snow White and
:02:31. > :02:35.the seven dwarfs, playing the handsome prince. Nothing wrong with
:02:36. > :02:42.that. Your highlights tonight? Apart from you and me, Bonnie was great
:02:43. > :02:46.doing the dancing stuff. Terrific. Ellie Goulding, Rod Stewart. I
:02:47. > :02:52.remember dancing to Rod Stewart when I was about ten, two if you want my
:02:53. > :02:58.body and do you think I'm sexy. We have the video! I'm only kidding. A
:02:59. > :03:04.quick highlight of being in Star Wars? I was 11 when I was first in
:03:05. > :03:09.it. 11 years old, so going onto the set for the first time and seeing
:03:10. > :03:14.Harrison Ford and the actors, they were the characters to me, not the
:03:15. > :03:19.actors, they were brilliant. The next movie? It's exciting, I'm a
:03:20. > :03:24.fan, it's exciting to be a small part of it. I can't say anything
:03:25. > :03:31.about it. Can someone get him a drink? A nice round of applause for
:03:32. > :03:36.my pal, Warwick. Look who's coming here, Nadeem, how are you? Madine
:03:37. > :03:42.and Shane, a round of applause, welcome to the Vic. Have you been
:03:43. > :03:50.out in the cold? You're my favourite from Girls Aloud. It was Kimberly
:03:51. > :03:54.but it is now. Who is your favourite Westlife? Mark. You have got
:03:55. > :03:59.together to do this duet, which you will perform later in the show. How
:04:00. > :04:06.did happen? It happened quickly, I asked her to do it and she loved the
:04:07. > :04:10.song. Did you write the song? Yes, over in Denmark. It hasn't two weeks
:04:11. > :04:19.later, really quickly. You have known each from the past. Of course,
:04:20. > :04:26.Girls Aloud, for years. This is her 19th time on Children in Need. Yes,
:04:27. > :04:32.collectively. Have you an exclusive? It was amazing, the last time we
:04:33. > :04:38.were on we did the single for Children in Need. We have both done
:04:39. > :04:43.the singles for Children in Need. You didn't do a single? We were
:04:44. > :04:48.never asked. Girls Aloud though. I'm so sorry about that! You are
:04:49. > :04:52.performing later, we look forward to hearing the single and you are going
:04:53. > :04:59.head to head in a bit of a challenge later on. I hear, yes, questions
:05:00. > :05:04.will stop don't fall out, OK? You have to watch this, come -- it's
:05:05. > :05:08.coming up later on in the main studio. In case you are wondering
:05:09. > :05:17.what's coming up later on, feast your mince pies on this. Pucker up
:05:18. > :05:26.for some PD eights with Tom Jones and Rob Brydon. Welcome to the night
:05:27. > :05:32.with Children in Need. Wow, we have loads to look forward to. He's
:05:33. > :05:36.taking a break from his bar duties, as we get into the swing of things
:05:37. > :05:41.with a song from his new album, it's Mike Powell, Peter Andre. -- it is
:05:42. > :05:44.my friend, Peter Andre. # Come fly with me, let's fly,
:05:45. > :05:49.let's fly away # Come fly with me, let's fly,
:05:50. > :06:04.let's fly away # Come fly with me,
:06:05. > :06:11.let's float down to Peru # In llama-land
:06:12. > :06:14.there's a one-man band # Come fly with me, let's take off
:06:15. > :06:24.in the blue # Weather-wise,
:06:25. > :07:01.it's such a lovely day # Just say the words
:07:02. > :07:05.and we'll beat the birds # It is perfect for
:07:06. > :07:14.a flying honeymoon, they say # Come fly with me, let's fly,
:07:15. > :07:26.let's fly away all right fellas, do your thing,
:07:27. > :07:46.come on. # Weather-wise,
:07:47. > :08:19.it's such a lovely day # You just say the word
:08:20. > :08:22.and we will beat the birds # It is perfect for
:08:23. > :08:39.a flying honeymoon, they say # Come fly with me, let's fly,
:08:40. > :08:51.Rat-macro yes, that's what we've got to do.
:08:52. > :09:11.Let's hear it for the band. I've just clocked out of the corner of my
:09:12. > :09:15.eye the lovely lady, your dance partner, give round of applause to
:09:16. > :09:17.Jeannette. APPLAUSE
:09:18. > :09:25.I thought you were frankly from Saturday. -- Frankie. She is
:09:26. > :09:29.Jeannette, from Friday. You have been working for a long time, is it
:09:30. > :09:35.the first time you have seen him singing? Yes, I've seen him singing
:09:36. > :09:40.before but not front row. It's nice. Not nice seats, I apologise. It's
:09:41. > :09:44.nice to see him in his element because I see him terrified, so to
:09:45. > :09:52.see him really embracing this is so nice. Look at you, what's it like in
:09:53. > :09:57.rehearsals, I know in the past I spent time, he doesn't stop singing?
:09:58. > :10:01.He does thing all the time so I get my own personal serenade. I having
:10:02. > :10:06.him in rehearsal. We have so much fun. I will hear more from you
:10:07. > :10:11.later, fantastic. Give a nice big round of applause to Peter and
:10:12. > :10:12.Jeannette, in the Queen Vic. -- Jeannette.
:10:13. > :10:16.with two brilliant little girls as the stars.
:10:17. > :10:18.Here's BBC Sport's Ore Oduba to tell us more.
:10:19. > :10:20.Children in Need believes all children should be
:10:21. > :10:23.no matter what has happened in their lives.
:10:24. > :10:26.In this film, I'd like you to meet two little
:10:27. > :10:32.girls who have been through some pretty tough times, but who still
:10:33. > :10:35.managed to come out the other side.
:10:36. > :10:41.Meet five-year-old best friends Phoebe and Erin.
:10:42. > :10:46.The girls are in Newcastle for four days of fun and sport.
:10:47. > :11:01.But it's not just sports that brought these two girls together.
:11:02. > :11:05.Four years ago, Phoebe was fighting for her life in the transplant unit
:11:06. > :11:13.Phoebe had become encephaleptic, which meant the toxins that were
:11:14. > :11:17.building up in her liver were starting to affect her brain.
:11:18. > :11:23.She said Phoebe wouldn't get through a week without a transplant.
:11:24. > :11:27.Thankfully, Phoebe did get a new liver.
:11:28. > :11:30.The Leeds Children's Transplant Team in the house!
:11:31. > :11:33.She now competes for Leeds Children's Hospital
:11:34. > :11:41.I love running and I like getting some exercise.
:11:42. > :11:47.It was at the Games three years ago that she first met Erin.
:11:48. > :11:52.At five weeks of age, Erin suddenly turned yellow, virtually overnight.
:11:53. > :11:59.As the days were going on, we knew we were running out of options.
:12:00. > :12:02.One day, one of her favourite nurses came in.
:12:03. > :12:04.She said, "There's been a phone call.
:12:05. > :12:12.Erin, too, was saved by a transplant.
:12:13. > :12:16.But like Phoebe, her life now has many challenges.
:12:17. > :12:20.And the Transplant Games help tackle a few of them.
:12:21. > :12:22.She hadn't had a lot of contact with other children.
:12:23. > :12:25.We only ever met other families in hospital, so to see other
:12:26. > :12:34.children well and healthy and be able to do things is amazing.
:12:35. > :12:38.Thanks to you, Children in Need pays for Malcolm.
:12:39. > :12:42.He is the children and teens coordinator at the games.
:12:43. > :12:45.Some of the experiences that children with transplants have had,
:12:46. > :12:50.they are able to talk about that and share it with people who understand,
:12:51. > :13:01.It's amazing for Erin to meet somebody else her
:13:02. > :13:07.age who could understand everything that she was going through.
:13:08. > :13:11.They wouldn't have met without the Transplant Games.
:13:12. > :13:13.It's been a massive positive that's come from
:13:14. > :13:22.The support that they all give each other, it's a huge thing.
:13:23. > :13:40.We believe that every child needs a childhood to have fun
:13:41. > :13:43.And the Transplant Games does just that.
:13:44. > :13:50.Please show your support by calling: 03457 33 22 33.
:13:51. > :13:56.Standard geographic charges from landlines and mobiles will apply.
:13:57. > :14:03.Or you can donate online at bbc.co.uk/pudsey.
:14:04. > :14:10.So of course, Children in Need would be nothing without all
:14:11. > :14:13.Whether you pick up the phone to donate or fundraise
:14:14. > :14:30.Who have we got here? Welcome to the show. How are you? You have a tray
:14:31. > :14:37.full of ice cream. How did you go about raising money? There was about
:14:38. > :14:41.20 ice cream vans across the country who got together to hand out free
:14:42. > :14:46.ice cream. How long have you been doing that? It has been going on for
:14:47. > :14:53.four years and getting bigger and bigger. We have made ?4500 this
:14:54. > :15:05.year. In total it is about ?7,000. 20 vans altogether across the UK.
:15:06. > :15:12.They are all the same. Get them down on you. I could be here all night!
:15:13. > :15:17.Hello, Lisa. Is it strange to be in the Queen Vic? It is strange for me
:15:18. > :15:23.as well. You have got this contraption, tell me about this and
:15:24. > :15:28.how you raise money. We decided to hold a drive in movie. We made 50
:15:29. > :15:35.cars out of cardboard boxes and sat children down to watch the film. How
:15:36. > :15:42.much did you raise? Just under ?300. Give them a round of applause for
:15:43. > :15:44.these people raising a lot of money. We had a glittering array of stars.
:15:45. > :15:46.Look at these lovely faces. Please welcome Russell Grant,
:15:47. > :15:57.Louis Smith, Let's hear it, everybody. Frankie,
:15:58. > :16:03.you are my favourite Saturday. Thank you. Thank you so much for being in
:16:04. > :16:14.the Queen Vic. Is it your first time? Is it strange? A little bit.
:16:15. > :16:19.It is like the Tardis. You have done a wonderful job on strictly. You
:16:20. > :16:27.know now that you have done the show, do you carry on dancing?
:16:28. > :16:32.Everybody says, I have had a wonderful time and I will carry on
:16:33. > :16:39.dancing for ever. Did you carry on? Don't be ridiculous! I was hopeless
:16:40. > :16:44.and I am never dancing again! I do dance around the kitchen sometimes.
:16:45. > :16:50.You are a mother now. Do you often get to go dancing? I have not done
:16:51. > :16:54.any. You get convinced that you're going to do it but I don't want to
:16:55. > :17:09.do it with anyone else now. Who was your partner? Kevin. We are still in
:17:10. > :17:16.touch. Flavia and I are still in touch. Musical chairs is happening
:17:17. > :17:20.later. When they told me about it I could not believe it. When was the
:17:21. > :17:31.last time you played? I literally can't remember. That will be fun. I
:17:32. > :17:37.was about six. I went to Margot Ingleton's birthday party. I am
:17:38. > :17:42.practising most weeks just in case this happens. CHUCKLES
:17:43. > :17:49.We are raising lots of money this year. Don't let me down, what is
:17:50. > :17:58.your prediction? What makes you think I can predict anything. It is
:17:59. > :18:02.in the stars! That is what you do. Well, I don't know. All I'm worried
:18:03. > :18:08.about is what I'm here for. Why are we here? The musical chairs. Once I
:18:09. > :18:14.found out what you were doing, it's very fun, but who do you think is
:18:15. > :18:23.going to win? We might have a sneaky bet. This one is very competitive.
:18:24. > :18:27.Really? ! It's going to be a tough competition and we are looking
:18:28. > :18:36.forward to it. Give them a round of applause. We look forward to seeing
:18:37. > :18:39.them tonight. This is what happened at Wembley on a fantastic big night
:18:40. > :18:44.out. Feast your mince pies on this. Tonight we are going to be bringing
:18:45. > :18:49.you some brilliant exclusive performances from our show here
:18:50. > :18:50.at Wembley. To start it all off,
:18:51. > :18:53.we've got a group of lads who have # She maxed her credit cards and
:18:54. > :19:19.don't got a job # She pays for gas with all the
:19:20. > :19:22.change in her car # It's not the end of the road,
:19:23. > :19:26.yeah, we've all been there before # And it goes oh, oh, oh,
:19:27. > :19:30.# Oh, oh, oh, oh! # He's walking home cause he can't
:19:31. > :19:33.pay for the bus # He needs a dollar but he ain't got
:19:34. > :19:36.enough # It's not the end of the world,
:19:37. > :19:40.yeah, we've all been there before # And it goes oh, oh, oh,
:19:41. > :19:45.# Oh, oh, oh, oh! # Hey, everybody - we don't have to
:19:46. > :19:51.live this way # Don't have your rent and it's the
:19:52. > :20:28.first of the month # Your bank account has got
:20:29. > :20:30.insufficient funds # We can't afford to give up,
:20:31. > :20:33.we gotta make our own luck # Work every weekend just to get out
:20:34. > :20:41.of town # Everyone says that you'll just
:20:42. > :20:43.turn back around # And what's ironic to me, the ones
:20:44. > :20:48.that don't ever leave because they # Hey, everybody - we don't have to
:20:49. > :20:59.live this way # Oh, oh, oh
:21:00. > :21:30.# Oh, oh, oh, oh # Hey, everybody - we don't have to
:21:31. > :21:36.live this way # Yeah, we don't have to live this
:21:37. > :22:20.way! #. Ladies and gentlemen,
:22:21. > :22:30.here with his brand-new single, # I got demons, I got demons, I got
:22:31. > :22:47.demons # I close my eyes and talk to God
:22:48. > :22:51.and pray that you can save my soul # I look to you to shine a light
:22:52. > :23:01.before the darkness takes a hold # And I won't break,
:23:02. > :23:06.and I won't run # I got demons,
:23:07. > :23:18.I got demons tryin' to get to me # I'm only human, so underneath my
:23:19. > :23:26.skin the cuts run deep # I just need a little time to work
:23:27. > :23:33.'em out # I got demons, I got demons I got
:23:34. > :23:46.demons # I got demons, I got demons, I got
:23:47. > :23:52.demons # I can hear them now and then when
:23:53. > :23:56.I try to make a stand # They try their best to pull me
:23:57. > :24:04.under # We are rulers of our minds, yes,
:24:05. > :24:22.we are # I know that there's an angel
:24:23. > :24:24.watching over me # I see your wings are open wide,
:24:25. > :24:36.yeah # And I won't break,
:24:37. > :24:38.and I won't run # We're only saved when we come
:24:39. > :24:46.undone # It's just the way that we're
:24:47. > :24:53.made, oh # I got demons,
:24:54. > :24:58.I got demons tryin' to get to me # I'm only human, so
:24:59. > :25:08.underneath my skin the cuts run deep # I just need a little time to work
:25:09. > :25:15.them out # I got demons, I
:25:16. > :25:23.got demons, I got demons # I got demons, I
:25:24. > :25:32.got demons, I got demons # I got demons, I got
:25:33. > :25:42.demons, I got demons Now, ladies and
:25:43. > :25:53.gentlemen, exclusively for Children in Need, let me please welcome The
:25:54. > :25:58.Shires! # Well, they'll say it's way too
:25:59. > :26:19.cold for cut-off jeans # And they won't be drinking
:26:20. > :26:28.moonshine, but G and Ts # Dancing with sweet country girls
:26:29. > :26:46.all night # We can build our own Nashville,
:26:47. > :26:55.underneath these grey skies # And people will come, they'll come
:26:56. > :27:05.from far and wide # They'll leave their village greens
:27:06. > :27:16.and their big cities behind # We can build our own Nashville -
:27:17. > :27:23.it's about time # Won't get that Southern sun, we'll
:27:24. > :27:30.be dancing in the rain # Every single night, we'll do it
:27:31. > :27:38.again and again # Kissing those country boys in the
:27:39. > :27:59.dark # We can build our own Nashville,
:28:00. > :28:08.underneath these grey skies # And people will come, they'll come
:28:09. > :28:18.from far and wide # They'll leave their village greens
:28:19. > :28:26.and their big cities behind # We can build our own Nashville -
:28:27. > :28:39.it's about time # Oh, oh, oh, oh
:28:40. > :28:42.# Oh, oh, oh, oh # It's about time
:28:43. > :28:48.# It's about time # We can build our own Nashville,
:28:49. > :29:00.underneath these grey skies # And people will come, they'll come
:29:01. > :29:10.from far and wi-ide # People will come, they'll come
:29:11. > :29:16.from far and wide # They'll leave their village greens
:29:17. > :29:28.and their big cities behind # We can build our own Nashville -
:29:29. > :29:35.it's about time We do love a good old song
:29:36. > :30:05.and dance on Children in Need. Next, to tell you about a project in
:30:06. > :30:08.Northern Ireland, that has song and Earthlings,
:30:09. > :30:14.join us on our secret mission. A visit to the theatre can
:30:15. > :30:19.bring magic into all our lives. But for children with profound
:30:20. > :30:22.and multiple learning difficulties, like these at a special school
:30:23. > :30:24.in Lisburn, What if the theatre
:30:25. > :30:31.was to come to them? Replay are a touring company,
:30:32. > :30:35.we jump in the van and we bring the van to schools, community centres
:30:36. > :30:39.wherever the show needs to go. There are lights,
:30:40. > :30:52.stars and there is room for boats. The children are moved
:30:53. > :30:55.into the bubble and there is Because of you,
:30:56. > :31:03.Children in Need makes it possible for Replay to stage sensory
:31:04. > :31:05.performances at special schools all She's got dravet syndrome,
:31:06. > :31:15.which is severe epilepsy. It is hard because
:31:16. > :31:17.when Orla takes a seizure you don't know if she will ever come out
:31:18. > :31:22.of it, if it will be her last. The children I teach in school
:31:23. > :31:26.have profound difficulties. Most of them would have severe forms
:31:27. > :31:29.of epilepsy, they would have global developmental
:31:30. > :31:32.delay, they would have autism, they Our current show is called Closer
:31:33. > :31:40.and Closer is a really fantastical journey into space and that kind
:31:41. > :31:43.of fantasy unlocks something There is just something really
:31:44. > :31:50.important in giving them those She struggles to see and has no
:31:51. > :32:05.verbal speech but inside the bubble Miriam enjoys the play group
:32:06. > :32:14.because she enjoys noise, music. Towards the end of the show we sing
:32:15. > :32:24.the children's names to them in a cappella and it can be
:32:25. > :32:29.the most beautiful experience. The funding that we get
:32:30. > :32:32.from Children in Need is absolutely vital to continue us to give
:32:33. > :32:36.the children these experiences. If any children deserve
:32:37. > :32:38.the opportunity to have these wonderful experiences, it's these
:32:39. > :32:43.children that we work with. This is therapy, it is joy
:32:44. > :32:49.and magic all rolled into one. You can make it happen
:32:50. > :33:10.for other children too. Wow, how cool is that? If the child
:33:11. > :33:14.can't come to the theatre, take the theatre to the child. Absolutely
:33:15. > :33:18.brilliant. Please help us to help more children have an experience
:33:19. > :33:26.like that by calling 03457 33 22 33. Thanks so much. Each and every one
:33:27. > :33:31.of you make those events possible, so please keep up the good work and
:33:32. > :33:35.please keep on donating. Now, we have a Queen Vic regular, Bonnie
:33:36. > :33:41.Langford is in the house! CHEERING AND APPLAUSE
:33:42. > :33:47.Hello, Bonnie. I have just been told, so far we have raised on
:33:48. > :33:51.children in the tonight, a whopping ?23 million! How good is that?
:33:52. > :33:57.APPLAUSE Keep donating, everybody. Now,
:33:58. > :34:01.Bonnie listen, top hat. You were brilliant. You were great, when you
:34:02. > :34:07.kicked your leg you nearly took out the front row. You were fantastic.
:34:08. > :34:13.How long have you been in the show? On and off since April and now since
:34:14. > :34:18.August, and back on screen. We have the executive producer here, can we
:34:19. > :34:25.talk about Christmas storylines. Is amazing. Can I tell you something?
:34:26. > :34:29.Cat and Alfie are back. I thought I would get a chair when I said that.
:34:30. > :34:33.It's a big storyline coming up. Everyone asks me because you do a
:34:34. > :34:38.lot of theatre, what do you prefer, theatre or TV? I loved doing both, I
:34:39. > :34:41.love being here in Eastenders because you never know what is
:34:42. > :34:45.coming next. That's one of the things I found hard to get used to
:34:46. > :34:48.is the fact you don't know what's going to happen. It's really
:34:49. > :34:52.exciting, when you go to the help desk and they give you your scripts
:34:53. > :34:56.and you think, what's going to happen? I read them and go, I can't
:34:57. > :35:02.believe that. You don't know about being killed off in March then? I'm
:35:03. > :35:10.joking! I'm joking! And come back to life again! I used to watch, when I
:35:11. > :35:15.was a little boy. Twins! We looked great for 62! Alvarez at you have
:35:16. > :35:22.done, what's the best thing you have done in your career? What's a
:35:23. > :35:27.turning point? Turning point? This is a turning point. I was in
:35:28. > :35:32.Broadway when I was ten. I love Cricklewood Broadway. That was
:35:33. > :35:38.pretty good, with Angela Lansbury. I did Spamalot, which was fabulous.
:35:39. > :35:41.Thank you for being here tonight. I will see you at work on Monday.
:35:42. > :35:46.Bonnie Langford, everybody! CHEERING AND APPLAUSE
:35:47. > :35:51.As I move across the bar and I say hello to a lovely lady that has hit
:35:52. > :35:54.the charts with a storm. Jess Glynne is here, folks.
:35:55. > :35:59.CHEERING AND APPLAUSE I spoke to you earlier. You find it
:36:00. > :36:06.really strange, being in the Queen Vic? Do you find it weird? I'm so
:36:07. > :36:14.excited. Do you watch the show? Yes, I have grown up with it. You are
:36:15. > :36:17.busy. I want to ask you right now, your favourite character ever in
:36:18. > :36:24.Eastenders, bearing in mind who is talking to you? Alfie? Yes, nothing
:36:25. > :36:30.wrong with that, love. The Children in Need single, how did it come
:36:31. > :36:33.about? I wrote the song and the guys at Children in Need heard it and it
:36:34. > :36:38.touched them and they were like, we'd love to have it as part of
:36:39. > :36:41.Children in Need this year. It's amazing, it's such a personal song
:36:42. > :36:48.for me and I find amazing that can share that with everyone else doing
:36:49. > :36:53.Children in Need. We have something in common. What's that? I did the
:36:54. > :36:58.Children in Need single as well. I have to big myself up, OK? Thank you
:36:59. > :37:02.so much for getting involved. Jess Glynne, everybody.
:37:03. > :37:13.APPLAUSE We have got the winner of... Laura
:37:14. > :37:22.won the Strictly Call The Midwife dans off. I didn't know how I'd feel
:37:23. > :37:28.so proud. I think you gave it to the biggest fan. Congratulations, give a
:37:29. > :37:34.big round of applause. Now, it's time to say a big round of -- it's
:37:35. > :37:43.time to say thank you to more incredible Children in Need
:37:44. > :37:48.fundraisers. This year, the CEO set himself a sponsored endurance
:37:49. > :37:52.challenge. We are doing an 1100 mile trek around the country to see the
:37:53. > :37:56.welcome break websites. We have raised staggering amounts of money.
:37:57. > :38:01.Children need is part of our DNA, part of what we do. We love it and
:38:02. > :38:07.to raise so much money for the children is awesome. DFS customers
:38:08. > :38:11.and staff have been supporting Children in Need again this year.
:38:12. > :38:18.They have got a relaxing incentive this time. We have them in the store
:38:19. > :38:22.and we want people to take their weight off their feet for Children
:38:23. > :38:26.in Need. They have been donating by entering the Pudsey prize draw. We
:38:27. > :38:36.enter them into a drawer once a month and whoever wins wins a sofa,
:38:37. > :38:40.for free. Brilliant work, guys. Unfortunately our time on BBC Two
:38:41. > :38:44.has come to an end. I know, but the Queen Vic is still open for business
:38:45. > :38:48.and the next round is on me! CHEERING AND APPLAUSE
:38:49. > :38:52.We are going to switch back to BBC One, where Selena Gomez and the cast
:38:53. > :38:56.of Kinky Boots will be performing and we will see you back here later.
:38:57. > :39:00.See you, folks. APPLAUSE