0:00:00 > 0:00:00- *
0:00:00 > 0:00:00- *- - *
0:00:00 > 0:00:02- I'm Cerys Matthews.
0:00:02 > 0:00:05- I've been collecting music - all my life.
0:00:06 > 0:00:09- Music covers the spectrum - of human experience.
0:00:10 > 0:00:13- It reveals secrets - and opens amazing doors...
0:00:13 > 0:00:16- ..when we travel back to its roots.
0:00:16 > 0:00:20- # There stands the magnificent oak
0:00:20 > 0:00:23- # Tw rymdi-ro rymdi radl-idl-al
0:00:24 > 0:00:29- # I shall shelter in its shadow
0:00:29 > 0:00:33- # Until my sweetheart - comes to meet me
0:00:33 > 0:00:35- # Fal-di radl-idl-al
0:00:35 > 0:00:38- # Fal-di radl-idl-al
0:00:38 > 0:00:41- # Tw rymdi-ro rymdi radl-idl-al #
0:00:43 > 0:00:48- # "I have no friend - in this cold world #
0:00:48 > 0:00:50- Tony ac Aloma in the 1970s...
0:00:51 > 0:00:55- ..performing one of my favourite - ballads, Yr Eneth Gadd Ei Gwrthod.
0:00:56 > 0:01:00- Singing ballads was a common way - of sharing music in Britain...
0:01:00 > 0:01:03- ..in the 18th and 19th centuries.
0:01:03 > 0:01:06- Instead of downloading songs - like we do now...
0:01:06 > 0:01:09- ..they could buy them - in pamphlets on the street.
0:01:10 > 0:01:14- These ballads were full of drama - and excitement...
0:01:14 > 0:01:18- ..and were sometimes very sad, - like Yr Eneth Gadd Ei Gwrthod.
0:01:18 > 0:01:21- It's about a young woman who dies.
0:01:22 > 0:01:25- Ballads were the equivalent - of our social media.
0:01:26 > 0:01:29- They were used to share news - about events and incidents.
0:01:30 > 0:01:34- The ballad pamphlets are an - extremely interesting phenomenon...
0:01:34 > 0:01:36- ..in 18th and 19th century Wales.
0:01:37 > 0:01:43- Popular songs were produced - on little pamphlets...
0:01:43 > 0:01:46- ..usually about eight pages long.
0:01:46 > 0:01:49- A typical pamphlet - included about three songs.
0:01:49 > 0:01:53- Balladeers would travel from fair - to fair around the country...
0:01:53 > 0:01:57- ..and would sometimes sell - thousands of these pamphlets.
0:01:57 > 0:02:01- Dic Dywyll was one of the most - prominent balladeers...
0:02:01 > 0:02:03- ..in the early 19th century.
0:02:04 > 0:02:08- He spent a lot of time in Merthyr - because of the high population.
0:02:09 > 0:02:11- Most people spoke Welsh.
0:02:11 > 0:02:16- He would sell maybe 2,000 pamphlets - on pay day in Merthyr.
0:02:17 > 0:02:20- They could earn a fortune.
0:02:21 > 0:02:25- This ballad was popular amongst - servants in the stable lofts.
0:02:26 > 0:02:31- This tradition was unique to parts - of Wales in the late 19th century...
0:02:32 > 0:02:35- ..and the early 20th century.
0:02:35 > 0:02:40- Servants were employed on the farm - and lived in the stable loft.
0:02:40 > 0:02:43- Stable loft
0:02:44 > 0:02:48- # I'll tell you the story - of a girl from Lleyn #
0:02:48 > 0:02:53- One of the last stable loft servants - in Lleyn was Harri Richards.
0:02:54 > 0:02:57- He is also one of our - most important balladeers.
0:02:57 > 0:03:02- # On the rosy cheeks of his lover #
0:03:04 > 0:03:07- I worked on Neigwl Ucha farm.
0:03:08 > 0:03:12- I worked on the same farm - for 47 years.
0:03:12 > 0:03:16- I didn't live in the stable loft - for that long. I got married.
0:03:16 > 0:03:19- It was a good life nevertheless.
0:03:20 > 0:03:23- No-one would ask where you'd been - when you arrived home!
0:03:24 > 0:03:26- Someone was there - to keep an eye on him.
0:03:27 > 0:03:31- His older brother, Emlyn, shared the - stable loft with him for 10 years.
0:03:31 > 0:03:36- It was quite a hard life.
0:03:36 > 0:03:37- I'm not complaining about it.
0:03:38 > 0:03:43- But we had no other option. We were - destined to be farm servants.
0:03:44 > 0:03:49- We accepted it and we enjoyed it - at fourteen years of age.
0:03:49 > 0:03:55- It was the most basic lifestyle - anyone could imagine.
0:03:55 > 0:03:59- We had a bucket to wash.
0:03:59 > 0:04:03- We had only cold water - all year long.
0:04:04 > 0:04:09- There was a lump of smelly red soap.
0:04:10 > 0:04:16- There was also a pot of Brylcreem - in the last few years.
0:04:16 > 0:04:18- It was in very poor condition...
0:04:19 > 0:04:24- ..and as unprosperous a place - as you could possibly imagine.
0:04:25 > 0:04:30- Yet it was a happy place.
0:04:31 > 0:04:36- Of course, singing - was a very important part...
0:04:36 > 0:04:40- ..of life in the stable lofts.
0:04:42 > 0:04:45- Entertainment was very important - in the stable lofts.
0:04:45 > 0:04:49- On the way back from an employment - fair in Pwllheli in 1914...
0:04:49 > 0:04:53- ..J Lloyd Williams, one of Wales' - main collectors of folk songs...
0:04:54 > 0:04:56- ..heard the servants - on the train...
0:04:56 > 0:05:00- ..singing Yr Eneth Gadd Ei Gwrthod - for the first time.
0:05:00 > 0:05:03- We always went to Pwllheli - on the bus.
0:05:04 > 0:05:06- We'd catch the ten o'clock bus home.
0:05:06 > 0:05:10- The bike would be parked - somewhere nearby.
0:05:11 > 0:05:15- You'd then ride your bike back - to the farm where you worked.
0:05:16 > 0:05:21- # By Dee's deep river bank so fair #
0:05:22 > 0:05:25- We'd sing as we rode our bikes.
0:05:25 > 0:05:29- Especially if we were happy - after a jolly evening...
0:05:29 > 0:05:31- ..it was natural to sing.
0:05:31 > 0:05:36- A song I often used to sing - was Yr Eneth Gadd Ei Gwrthod.
0:05:37 > 0:05:41- # "I have no friend - in this cold world #
0:05:43 > 0:05:47- Even though it was a very sad song, - we still used to sing it.
0:05:49 > 0:05:53- That's the reason why some songs - live longer than others.
0:05:54 > 0:05:59- # "Of the Rejected Maiden" #
0:06:00 > 0:06:04- The ballad talks about - an unnamed girl...
0:06:04 > 0:06:07- ..who is rejected - by her lover and her family.
0:06:07 > 0:06:10- "I have no friend - in this cold world
0:06:11 > 0:06:13- "Nor home, nor mother tender
0:06:13 > 0:06:16- "My father's doors - to me are closed
0:06:17 > 0:06:19- "In there I must not enter"
0:06:19 > 0:06:22- In the second verse, there is a hint - she might be pregnant.
0:06:23 > 0:06:26- "On love's hard altar I've been cast
0:06:26 > 0:06:28- "Alas! no more a maiden
0:06:29 > 0:06:31- "And hence - I'm weeping here tonight
0:06:31 > 0:06:33- "Rejected and forgotten"
0:06:33 > 0:06:37- How would a pregnant woman - who was unmarried...
0:06:37 > 0:06:39- ..be treated in the 19th century?
0:06:40 > 0:06:42- The family - of a pregnant woman...
0:06:42 > 0:06:45- ..would consider it - a great dishonour on the family.
0:06:46 > 0:06:49- The first thing they would do is try - to persuade the young woman...
0:06:49 > 0:06:51- ..to reveal the father's name.
0:06:52 > 0:06:56- They would want her to marry him. - That would happen very often.
0:06:56 > 0:07:01- That could also lead to dull - and unhappy marriages for the women.
0:07:01 > 0:07:05- Sometimes, the woman - would be thrown out of her home...
0:07:05 > 0:07:08- ..and would have go to a workhouse - to have the baby.
0:07:08 > 0:07:12- The position of such women - within society was very low.
0:07:13 > 0:07:16- The ballad has a sad ending - as the young woman drowns herself.
0:07:17 > 0:07:20- "But thinking of - your treach'rous words
0:07:20 > 0:07:22- "Makes life to me a terror
0:07:22 > 0:07:25- "O! river Dee, receive thou me
0:07:26 > 0:07:28- "There's rest beneath thy water"
0:07:29 > 0:07:34- Suicide was considered - to be a disgrace...
0:07:34 > 0:07:38- ..on the same level as babies - not christened or murderers.
0:07:38 > 0:07:42- In the case of a suicide, - the body wasn't allowed...
0:07:42 > 0:07:45- ..to enter the cemetery - through the gates.
0:07:45 > 0:07:47- Rather, it was carried - over the wall.
0:07:47 > 0:07:49- There would be - no religious service...
0:07:50 > 0:07:52- ..only "earth to earth, - ashes to ashes."
0:07:52 > 0:07:56- They would be buried on the northern - side of the church, Satan's side.
0:07:56 > 0:08:00- There is some evidence to suggest - they were buried...
0:08:00 > 0:08:04- ..with their feet pointing westwards - rather than eastwards...
0:08:04 > 0:08:08- ..so that they were unable to stand - up for salvation on Judgement Day.
0:08:09 > 0:08:13- This famous ballad was written by - John Jones, or Llew o'r Wern...
0:08:13 > 0:08:15- ..from Edeyrnion Valley.
0:08:15 > 0:08:18- It was based on the sad story - of Jane Williams...
0:08:18 > 0:08:21- ..from Ty'n-y-Caeau farm, Cynwyd.
0:08:21 > 0:08:24- But do the lyrics - reflect the true story?
0:08:25 > 0:08:29- During the last few years, there has - been great interest in this story.
0:08:29 > 0:08:33- New evidence has been discovered - about Yr Eneth Gadd Ei Gwrthod.
0:08:33 > 0:08:37- The late Ernest Jones - from Blaenau Ffestiniog...
0:08:37 > 0:08:41- ..discovered that she drowned - in the River Dee in Chester.
0:08:41 > 0:08:45- Not, as people believed to be - the case, in the Cynwyd area.
0:08:45 > 0:08:49- She worked as a cook for - a Mrs Chivar in Queen's Park.
0:08:49 > 0:08:53- She was in love - with a railway porter.
0:08:53 > 0:08:57- But as we can read in the paper, - her love was unrequited.
0:08:57 > 0:09:00- The pair had fallen out.
0:09:01 > 0:09:05- They met for the final time - on 28 July, 1868.
0:09:05 > 0:09:07- They left each other happy.
0:09:08 > 0:09:10- She doesn't return home.
0:09:11 > 0:09:13- The following day, on 29 July...
0:09:13 > 0:09:16- ..a woman's clothes - are discovered near the river.
0:09:16 > 0:09:20- A big search is initiated - and on the morning of 30 July...
0:09:20 > 0:09:23- ..her body is discovered - in the River Dee.
0:09:23 > 0:09:25- Later that afternoon...
0:09:26 > 0:09:32- ..the coroner states that she was - discovered drowned in the river.
0:09:32 > 0:09:34- There is no mention of suicide.
0:09:35 > 0:09:38- But in the song, it seems quite - likely to be a case of suicide.
0:09:38 > 0:09:42- There is also no mention - of her being pregnant.
0:09:42 > 0:09:46- Yet once again, in the ballad, - this seems to be the suggestion.
0:09:47 > 0:09:52- On 1 August, Jane Williams - was buried at Cynwyd cemetery.
0:09:52 > 0:09:56- In the ballad, there is mention - of a note in her hand.
0:09:56 > 0:09:59- "Make my grave in some lone spot"
0:09:59 > 0:10:02- "Raise there no stone - to mark the grave"
0:10:03 > 0:10:05- But there is a stone - to mark Jane's life.
0:10:06 > 0:10:11- The ballad, although not factually - correct, is still sung today.
0:10:13 > 0:10:16- Mason Neely accompanies me - on the guitar.
0:10:17 > 0:10:22- # By Dee's deep river bank so fair
0:10:22 > 0:10:26- # A fair maid sat lamenting
0:10:27 > 0:10:31- # And saying with a mournful air
0:10:32 > 0:10:36- # "My heart is almost breaking
0:10:37 > 0:10:41- # "I have no friend - in this cold world
0:10:42 > 0:10:46- # "Nor home, nor mother tender
0:10:48 > 0:10:51- # "My father's doors - to me are closed
0:10:52 > 0:10:55- # "In there I must not enter
0:10:57 > 0:11:01- # "Cold scornful fingers point at me
0:11:02 > 0:11:05- # "And taunt me with my weakness
0:11:07 > 0:11:11- # "My life's young bark is overswept
0:11:12 > 0:11:15- # "And buried 'neath the breakers
0:11:17 > 0:11:21- # "On love's hard altar - I've been cast
0:11:21 > 0:11:25- # "Alas! No more a maiden
0:11:26 > 0:11:30- # "And hence - I'm weeping here tonight
0:11:31 > 0:11:35- # "Rejected and forgotten
0:11:38 > 0:11:42- # "My thoughts are ever running on
0:11:43 > 0:11:46- # "To days of judgement heavy
0:11:48 > 0:11:52- # "And this remember, wicked man
0:11:52 > 0:11:56- # "At God's throne you must meet me
0:11:58 > 0:12:01- # "But thinking of - your treach'rous words
0:12:02 > 0:12:06- # "Makes life to me a terror
0:12:07 > 0:12:13- # "O! River Dee, receive thou me
0:12:16 > 0:12:20- # "There's rest beneath thy water"
0:12:27 > 0:12:32- # Next morning - her cold corpse was found
0:12:33 > 0:12:36- # Floating upon the river
0:12:38 > 0:12:41- # Grasped in her fingers - damp and chill
0:12:43 > 0:12:47- # They found a hasty letter
0:12:48 > 0:12:52- # "Make my grave in some lone spot
0:12:53 > 0:12:57- # "Where I in peace may rest in
0:13:00 > 0:13:07- # "Raise there no stone - to mark the grave
0:13:10 > 0:13:18- # "Of the Rejected Maiden" #
0:13:18 > 0:13:18- .
0:13:25 > 0:13:25- Subtitles
0:13:25 > 0:13:27- Subtitles- - Subtitles
0:13:35 > 0:13:38- In this series, I've spoken often - about ballads travelling...
0:13:39 > 0:13:42- ..and we sometimes adopt tunes - and come to believe they are Welsh.
0:13:43 > 0:13:45- Many have travelled - from Scandinavia.
0:13:46 > 0:13:48- Llongau Caernarfon is one example.
0:13:48 > 0:13:51- But one other song - has made such an impression...
0:13:52 > 0:13:54- ..we consider it our second anthem.
0:13:54 > 0:13:56- The tune is Finlandia...
0:13:56 > 0:14:00- ..and the lyrics are Gweddi - Dros Gymru by Lewis Valentine.
0:14:02 > 0:14:07- As the title of the melody suggests, - this piece of music is Finnish.
0:14:07 > 0:14:10- It was composed by Jean Sibelius.
0:14:10 > 0:14:13- He was born in the old city - of Hameenlinna in 1865.
0:14:14 > 0:14:18- Historically, Finland has suffered - Russian oppression...
0:14:18 > 0:14:19- ..on a regular basis.
0:14:20 > 0:14:23- The country formed part of the - Russian Empire from 1809 onwards.
0:14:23 > 0:14:25- In the early 20th century...
0:14:25 > 0:14:28- ..Russia was trying to tighten - its grasp on Finland.
0:14:28 > 0:14:31- As part of that campaign, - they refused to allow...
0:14:32 > 0:14:36- ..cultural activities which would - express any element of nationalism.
0:14:37 > 0:14:39- During the 19th century, - there were countries...
0:14:40 > 0:14:44- ..who wanted to express nationalism - through the medium of the arts.
0:14:44 > 0:14:46- That included music.
0:14:46 > 0:14:51- There were countries like Bohemia - where composers like Dvorak...
0:14:51 > 0:14:55- ..expressed their identity - through their music.
0:14:55 > 0:14:59- Unlike those - who were free to do just that...
0:14:59 > 0:15:03- ..Finland was under the control - of the Russian Empire.
0:15:03 > 0:15:08- That's why Sibelius - composed a piece like Finlandia...
0:15:09 > 0:15:13- ..but didn't call it Finlandia - or reveal what it was about.
0:15:13 > 0:15:15- It was a protest piece.
0:15:15 > 0:15:20- A protest against the oppression - they felt as a nation.
0:15:20 > 0:15:24- Originally, the piece - had numerous uncontroversial names.
0:15:24 > 0:15:26- Titles such as...
0:15:26 > 0:15:30- .."Happy feelings at the sight - of spring awakening in Finland."
0:15:30 > 0:15:34- Another was, - "Scandinavian choral march."
0:15:34 > 0:15:38- The final, quiet piece of the work - was known as the hymn.
0:15:38 > 0:15:42- This is the part - that is now called Finlandia.
0:15:44 > 0:15:47- The elements of rebellion - are clear in the piece...
0:15:47 > 0:15:50- ..from the very first notes.
0:15:54 > 0:15:57- The tension and discontent - come through very strongly.
0:16:06 > 0:16:10- When Finland's independence - was declared...
0:16:10 > 0:16:16- ..Sibelius chose patriotic lyrics - by a national poet for the tune.
0:16:16 > 0:16:18- It was not a hymn.
0:16:18 > 0:16:22- The words expressed - the faith of Finland...
0:16:22 > 0:16:26- ..in its future as a country - able to stand on its own.
0:16:28 > 0:16:32- "The dawn of Finland is breaking, - the night has been shunned
0:16:32 > 0:16:35- "It's time to stand bravely - and full of hope...
0:16:36 > 0:16:38- "..after suffering oppression - so long
0:16:38 > 0:16:41- "A new dawn has broken"
0:16:42 > 0:16:46- Sibelius is considered to be the - most important composer of Finland.
0:16:47 > 0:16:48- We are grateful to him...
0:16:48 > 0:16:52- ..for developing a national identity - through his music...
0:16:52 > 0:16:54- ..during Russia's oppression.
0:16:55 > 0:16:58- The music - has become incredibly popular.
0:16:58 > 0:17:01- Many religious lyrics - have been set to the melody.
0:17:01 > 0:17:06- Be Still, My Soul is the most - common example in English hymnals.
0:17:07 > 0:17:11- The Salvation Army - prefers Thou Art The Way.
0:17:12 > 0:17:16- The music was also once adopted - as a national anthem.
0:17:16 > 0:17:18- Not for Finland.
0:17:18 > 0:17:19- At the end of the 1960s...
0:17:19 > 0:17:22- ..Biafra was trying to break away - from Nigeria...
0:17:22 > 0:17:24- ..and they chose Finlandia.
0:17:25 > 0:17:32- # Beloved homeland - of our brave heroes #
0:17:32 > 0:17:35- As a child, I used to listen - to Noson Lawen.
0:17:35 > 0:17:39- At the end of the programme, - they would say who had taken part.
0:17:39 > 0:17:41- For example, Charles Williams.
0:17:41 > 0:17:45- But also, Dyffryn Nantlle Male Voice - Choir conducted by C H Leonard.
0:17:46 > 0:17:51- Interestingly, C H Leonard - felt that Finlandia...
0:17:51 > 0:17:55- ..was perfectly suited - for lyrics to be set to it.
0:17:55 > 0:18:01- He wrote to Sibelius and was given - permission to use Welsh lyrics.
0:18:01 > 0:18:05- If I remember correctly, C H Leonard - asked a member of the choir...
0:18:05 > 0:18:08- ..who dabbled in poetry - to write the lyrics.
0:18:08 > 0:18:12- The words written were about nature - and were not patriotic.
0:18:12 > 0:18:15- A recording exists - of that performance.
0:18:15 > 0:18:20- # Quietly in the soil #
0:18:20 > 0:18:24- Lewis Valentine - then wrote Gweddi Dros Gymru.
0:18:24 > 0:18:27- He wrote the words - after a request to write a hymn.
0:18:27 > 0:18:31- He had wanted to write - patriotic words initially.
0:18:35 > 0:18:38- One of our most prominent - performers, Dafydd Iwan...
0:18:39 > 0:18:43- ..performs Lewis Valentine's - version as part of his live set.
0:18:43 > 0:18:47- I think this hymn appeals to - Welsh people on many levels.
0:18:48 > 0:18:52- I really liked the marriage - between the lyrics and melody...
0:18:53 > 0:18:57- ..or between Lewis Valentine - and Sibelius.
0:18:58 > 0:19:01- A marriage of two patriots - in two countries...
0:19:02 > 0:19:04- ..who lived during the same period.
0:19:05 > 0:19:08- Sibelius had seen his country - break free from Russia.
0:19:09 > 0:19:13- Lewis Valentine had played his part - in starting the work...
0:19:13 > 0:19:15- ..of earning Wales its freedom.
0:19:21 > 0:19:23- Lewis Valentine - was a Baptist minister.
0:19:24 > 0:19:27- He's now chiefly remembered - as a founder of Plaid Cymru...
0:19:27 > 0:19:29- ..and as one of the three...
0:19:29 > 0:19:33- ..imprisoned for burning - the bombing school in Penyberth.
0:19:36 > 0:19:39- He spent nine months - at Wormwood Scrubs...
0:19:39 > 0:19:43- ..for taking part in the act with - Saunders Lewis and D J Williams.
0:19:43 > 0:19:45- They burnt the bombing school...
0:19:45 > 0:19:49- ..on the land of Penyberth - near Pwllheli in September 1936.
0:19:49 > 0:19:55- The site was being developed as part - of Britain's preparations for WWII.
0:19:57 > 0:20:01- He took part in this act - as a nationalist and as a Christian.
0:20:01 > 0:20:06- He had witnessed the horrific nature - of war in the First World War.
0:20:07 > 0:20:10- He was one of the ones who felt - that dropping bombs from the air...
0:20:11 > 0:20:14- ..would open another horrific - chapter in the history of war.
0:20:16 > 0:20:25- # For Wales our land, - oh, father, hear our prayer #
0:20:26 > 0:20:31- I found Gweddi Dros Gymru appealing - both for the words and the music.
0:20:33 > 0:20:37- I sang it with the band - in gigs of all sorts.
0:20:37 > 0:20:40- For example, in festivals - such as Y Cnapan...
0:20:41 > 0:20:45- ..when I was preparing - for the highlight of the night...
0:20:45 > 0:20:49- ..I used Gweddi Dros Gymru to calm - the crowd before the last storm!
0:20:50 > 0:20:53- It did calm them as expected...
0:20:53 > 0:20:59- ..but it also created a mood of - nationalism before the finale.
0:21:00 > 0:21:02- I really enjoyed singing it.
0:21:02 > 0:21:05- Not many people - sing hymns in gigs like that.
0:21:05 > 0:21:07- But I really enjoyed doing so.
0:21:08 > 0:21:13- # Who bought us with His blood #
0:21:14 > 0:21:17- I think Sibelius' music - appeals to us as a nation...
0:21:18 > 0:21:21- ..because we sometimes feel - that we are also oppressed.
0:21:21 > 0:21:24- We don't always have the rights - we should have as a nation.
0:21:25 > 0:21:28- Certainly that is true when - it comes to language and culture.
0:21:28 > 0:21:33- Finlandia often means the same - to Welsh people...
0:21:33 > 0:21:36- ..as it did - to the people of Finland.
0:21:36 > 0:21:38- It is a protest piece...
0:21:38 > 0:21:42- ..but also expresses pride - in our traditions and the arts.
0:21:43 > 0:21:47- It's amazing - how Lewis Valentine's lyrics...
0:21:47 > 0:21:50- ..suit the music perfectly.
0:21:50 > 0:21:56- It would be easy to mistake - Finlandia for a Welsh hymn.
0:22:03 > 0:22:10- # For Wales our land, - oh, father, hear our prayer
0:22:11 > 0:22:16- # This blessed vineyard - granted to our care
0:22:18 > 0:22:24- # May you protect her - always faithfully
0:22:25 > 0:22:32- # And prosper here - all truth and purity
0:22:33 > 0:22:39- # For the sake of the Son - who bought us with His blood
0:22:40 > 0:22:46- # O make our Wales - in your own image Lord
0:22:48 > 0:22:53- # O come the day - when o'er our barren land
0:22:55 > 0:23:01- # Reviving winds blow - sent from God's own hand
0:23:02 > 0:23:08- # As grace pours down - on parched and arid sand
0:23:10 > 0:23:16- # We will bear fruit - for Christ by his command
0:23:17 > 0:23:24- # Our beloved language - and gentle vigour sing
0:23:25 > 0:23:33- # The virtues - of our gentle Lamb and King #
0:23:53 > 0:23:55- S4C Subtitles by Testun Cyf.
0:23:55 > 0:23:55- .