0:00:00 > 0:00:00- 888
0:00:00 > 0:00:02- 888- - 888
0:00:07 > 0:00:09- 888
0:00:10 > 0:00:12- # Remember
0:00:21 > 0:00:22- # Remember #
0:00:26 > 0:00:29- Good evening - and a warm welcome to you.
0:00:29 > 0:00:34- Joining me is a performer who's - created many different characters.
0:00:34 > 0:00:36- More than that, - she's a character herself.
0:00:37 > 0:00:39- Hello, Gillian Elisa.
0:00:39 > 0:00:44- I think the most memorable character - was Sab, or Sabrina, in Pobol Y Cwm.
0:00:45 > 0:00:49- Sabrina is very close to my heart, - as you know.
0:00:49 > 0:00:53- She was the first character - I portrayed on television.
0:00:53 > 0:00:56- I was the youngest cast member - at the time.
0:00:57 > 0:01:00- It was a very exciting time.
0:01:01 > 0:01:05- I was acting with Gaynor Morgan - Rees, Lis Miles, Dilys Davies...
0:01:06 > 0:01:08- ..Rachel Thomas and Harriet Lewis.
0:01:08 > 0:01:13- Well, you know, I didn't have much - to say on my first day.
0:01:13 > 0:01:18- Let's see the close relationship - you had with Harriet Lewis...
0:01:18 > 0:01:20- ..or as we know her, Maggie Post.
0:01:23 > 0:01:25- Well, I don't know how you cope.
0:01:26 > 0:01:29- Five in the house? - It must be awkward at times.
0:01:29 > 0:01:33- We've always been five but - they're bound to find us a place.
0:01:33 > 0:01:35- Of course they will.
0:01:35 > 0:01:37- Can you pass me that invoice?
0:01:37 > 0:01:39- This one?
0:01:43 > 0:01:44- Dear me.
0:01:45 > 0:01:46- What's wrong now?
0:01:46 > 0:01:48- What's wrong now?- - I'm thinking about your father.
0:01:49 > 0:01:51- He's still out of work.
0:01:51 > 0:01:53- It's been two months.
0:01:53 > 0:01:55- It's been two months.- - Three.
0:01:55 > 0:01:57- Three months?
0:01:57 > 0:02:00- He's not the only one, though.
0:02:00 > 0:02:02- No, no.
0:02:02 > 0:02:05- A lot of young men too.
0:02:06 > 0:02:11- I heard they had a decent golden - handshake from the Coal Board.
0:02:12 > 0:02:13- Did you?
0:02:13 > 0:02:15- Did you?- - A thousand pounds.
0:02:15 > 0:02:17- Dad didn't say anything about it.
0:02:20 > 0:02:24- I don't know - how we completed that scene.
0:02:24 > 0:02:26- That hat was so comical.
0:02:26 > 0:02:31- If you watch that clip carefully, - we're almost laughing.
0:02:31 > 0:02:35- We were on the edge. - She was the same. We giggled a lot.
0:02:36 > 0:02:38- Did she take you under her wing?
0:02:38 > 0:02:40- Yes. She could also - be very direct with me.
0:02:41 > 0:02:43- "Have you been in that club again?!"
0:02:43 > 0:02:45- "No," I'd reply.
0:02:45 > 0:02:49- I'd laugh all the time - - I never felt she was being nasty.
0:02:49 > 0:02:50- She looked after me.
0:02:50 > 0:02:52- She looked after me.- - Moving to the stage...
0:02:53 > 0:02:56- ..you were part - of the first televised rock opera.
0:02:57 > 0:02:59- It was called Melltith Ar Y Nyth - in 1975.
0:03:00 > 0:03:04- I couldn't believe - they'd given me the part.
0:03:04 > 0:03:07- During the first audition...
0:03:07 > 0:03:11- ..Rhydderch Jones, the director, - was present...
0:03:11 > 0:03:15- ..along with Ruth Price - and Jack Williams.
0:03:15 > 0:03:18- All three - were sitting behind a table.
0:03:18 > 0:03:20- I went in and played the guitar.
0:03:21 > 0:03:27- Ruth Price then said, - "OK, you've proved you can sing.
0:03:27 > 0:03:30- "Is there something you can do - with movement?"
0:03:30 > 0:03:33- "Yes," I replied.
0:03:33 > 0:03:35- "I can do Big Spender."
0:03:35 > 0:03:40- "Right," she replied, - "Can we see Big Spender?"
0:03:40 > 0:03:42- "Right," I replied.
0:03:43 > 0:03:45- "I've got to go out first."
0:03:45 > 0:03:46- "Oh, OK."
0:03:46 > 0:03:51- I went out - and I came back in and sang...
0:03:52 > 0:03:55- # The minute you walked - in the joint, uh-uh... #
0:03:55 > 0:03:57- ..and I also did the orchestration.
0:03:58 > 0:04:01- I stopped and told them - I had to do the orchestration...
0:04:02 > 0:04:04- ..because it was part of the song.
0:04:04 > 0:04:07- # The minute you walked - in the joint, uh-uh
0:04:07 > 0:04:09- # I could see - you were a man of distinction
0:04:09 > 0:04:12- # A real big spender, - hey, big spender
0:04:12 > 0:04:14- # Uh, uh, uh-uh #
0:04:14 > 0:04:19- And they said, "Yes, thank you," - and they gave me the part!
0:04:19 > 0:04:22- Let's see you in action now.
0:04:22 > 0:04:24- We performed it in London.
0:04:25 > 0:04:29- # Beyond the world and its woes
0:04:30 > 0:04:34- # Beyond the pain and misery
0:04:34 > 0:04:39- # Beyond the stars, - you'll find a place
0:04:39 > 0:04:43- # Inside this dream
0:04:44 > 0:04:47- # No-one knows where it's found
0:04:48 > 0:04:52- # This world of perfect peace
0:04:52 > 0:04:57- # I know that a place exists
0:04:57 > 0:05:01- # Beyond the living world
0:05:02 > 0:05:06- # I'm searching for the dream
0:05:06 > 0:05:10- # That will last forever
0:05:11 > 0:05:15- # I heard tales about it
0:05:15 > 0:05:19- # Let me see it
0:05:19 > 0:05:23- # Beyond the world and its woes
0:05:23 > 0:05:27- # Beyond the pain and misery
0:05:27 > 0:05:32- # The dream #
0:05:35 > 0:05:37- That was a beautiful song.
0:05:37 > 0:05:41- It was a very exciting experience - for me.
0:05:41 > 0:05:45- You were then given a role - in a network series...
0:05:45 > 0:05:47- ..called Border Country.
0:05:47 > 0:05:50- The series - was called Border Country...
0:05:50 > 0:05:54- ..and my episode was called - Heyday In The Blood.
0:05:54 > 0:05:58- Donald Houston was the father - and I played his daughter.
0:05:58 > 0:06:00- I was very excited.
0:06:00 > 0:06:04- Donald Houston had appeared - in some great films.
0:06:04 > 0:06:05- It was an honour.
0:06:06 > 0:06:09- Let's see a clip of Border Country.
0:06:12 > 0:06:13- You?
0:06:13 > 0:06:16- Yes. That's how it is.
0:06:18 > 0:06:19- I'm going away.
0:06:20 > 0:06:22- Beti is coming with me.
0:06:23 > 0:06:26- Feel proud of yourself?
0:06:29 > 0:06:30- No.
0:06:30 > 0:06:31- I will try...
0:06:31 > 0:06:35- I will try...- - Try? Don't be daft, man. Shut up.
0:06:39 > 0:06:40- Beti?
0:06:42 > 0:06:43- Yes?
0:06:44 > 0:06:46- Speak plain.
0:06:48 > 0:06:51- You know all.
0:06:52 > 0:06:53- You know.
0:06:55 > 0:06:58- I ask you and ask you.
0:06:59 > 0:07:01- You say nothing.
0:07:03 > 0:07:05- Because...
0:07:06 > 0:07:09- Because I...
0:07:09 > 0:07:11- You understand.
0:07:12 > 0:07:16- Inside me is safe - where things ought to be.
0:07:16 > 0:07:19- Help myself like this all my life.
0:07:19 > 0:07:21- Inside.
0:07:21 > 0:07:25- There is no way out, Dad.
0:07:25 > 0:07:27- Who said?
0:07:27 > 0:07:29- I say.
0:07:33 > 0:07:35- I looked so sad.
0:07:35 > 0:07:37- That dialogue was strange.
0:07:38 > 0:07:40- I had to say unfamiliar sayings.
0:07:40 > 0:07:44- Instead of "go away", - I'd have to say "have be"...
0:07:44 > 0:07:46- ..and "have be" meant go away.
0:07:46 > 0:07:49- It was the Montgomeryshire dialect.
0:07:49 > 0:07:53- It could be rather strange - but it was a great experience.
0:07:53 > 0:07:56- There's a mixture in our next clip.
0:07:56 > 0:07:59- You were part - of the Codi Pais series.
0:07:59 > 0:08:02- Are you someone - who likes the limelight?
0:08:02 > 0:08:05- It was compulsory - if you were part of this series.
0:08:06 > 0:08:08- You can do everything.
0:08:08 > 0:08:12- I enjoy the limelight but - I also enjoy being part of a team.
0:08:12 > 0:08:17- When I was with Eirlys Parry, - Siw Hughes and Sue Roderick...
0:08:17 > 0:08:19- ..if I went over the top...
0:08:19 > 0:08:22- ..they'd look at me and say, - "Right, fine."
0:08:22 > 0:08:25- We got on so well as a team.
0:08:26 > 0:08:28- EERIE MUSIC
0:09:09 > 0:09:15- # When the night comes and the - curtains are drawn in every house
0:09:16 > 0:09:21- # The wind blows through the thorns, - you must have missed it all
0:09:23 > 0:09:30- # Under the shadow of night, - they wait to pull you down now
0:09:31 > 0:09:35- # Ghostly goings on, - is there anyone there now?
0:09:37 > 0:09:39- # Under the moonlight
0:09:40 > 0:09:44- # Under the moonlight
0:09:44 > 0:09:48- # A full moon #
0:09:49 > 0:09:53- My hands are everywhere - in all the singing clips.
0:09:53 > 0:09:57- My body's relatively still - but my hands are everywhere.
0:09:57 > 0:10:00- I love singing when I'm acting.
0:10:01 > 0:10:02- It's part of me.
0:10:02 > 0:10:04- Thank you for now, Gill.
0:10:04 > 0:10:09- In Part 2, we'll leave the acting - and singing for the jokes.
0:10:12 > 0:10:14- # Remember #
0:10:18 > 0:10:19- .
0:10:22 > 0:10:22- 888
0:10:22 > 0:10:24- 888- - 888
0:10:29 > 0:10:34- Welcome back. - Tonight, Gillian Elisa is my guest.
0:10:34 > 0:10:36- We've heard your singing voice.
0:10:37 > 0:10:41- Years ago, you were a member - of a band called Graffia.
0:10:42 > 0:10:44- You don't have a clip, do you?
0:10:44 > 0:10:47- Before we show it, - how did the group form?
0:10:47 > 0:10:50- I was rather cheeky - in my younger days.
0:10:52 > 0:10:56- I was in the BBC Club - and a band were playing.
0:10:57 > 0:11:01- I told them, "Do you know - what you need? A lead singer.
0:11:02 > 0:11:04- "A female, preferably."
0:11:05 > 0:11:08- "Come over next Thursday," - they said.
0:11:08 > 0:11:11- I went over and I sang my socks off.
0:11:11 > 0:11:13- "You're in," they said.
0:11:13 > 0:11:16- Let's see you singing - your socks off.
0:11:17 > 0:11:20- # Flying like a bird - through a screen of fog
0:11:20 > 0:11:23- # Changing the channels, - it's nothing but a fool's dream
0:11:23 > 0:11:26- # This fire's never-ending, - sparks everywhere
0:11:26 > 0:11:29- # People looking at me
0:11:29 > 0:11:30- # Where did I go?
0:11:41 > 0:11:44- # This life is nothing - but a hall filled with smoke
0:11:44 > 0:11:47- # Boys grow old living bad lives
0:11:47 > 0:11:50- # Girls in their short skirts - showing some leg
0:11:51 > 0:11:53- # Oh, if I could only go to the end
0:11:53 > 0:11:55- # Of my life
0:11:57 > 0:11:59- # Move, move on
0:11:59 > 0:12:01- # Move, move on
0:12:02 > 0:12:03- # Move, move on
0:12:04 > 0:12:06- # Move, move on #
0:12:08 > 0:12:09- Oh, dear me!
0:12:10 > 0:12:12- You said you approached the boys...
0:12:12 > 0:12:16- ..and told them - they needed a lead singer.
0:12:16 > 0:12:18- Are you a pushy person?
0:12:18 > 0:12:21- You need to be vocal - to move on in this world.
0:12:21 > 0:12:27- If I'm in a situation where I see - an opportunity to further myself...
0:12:27 > 0:12:32- ..I say, "I'm available - if you need someone like me."
0:12:32 > 0:12:35- Or "I'm interested."
0:12:35 > 0:12:39- I show willingness - in a sensible way.
0:12:39 > 0:12:42- I don't push myself - in people's faces.
0:12:43 > 0:12:45- There's a way to behave.
0:12:46 > 0:12:48- Are you a confident person?
0:12:48 > 0:12:52- I'm far more confident - than I was years ago.
0:12:53 > 0:12:55- I used to be - a rather insecure person...
0:12:56 > 0:12:59- ..until I was around 50 years old.
0:12:59 > 0:13:02- After that, I worked on myself.
0:13:02 > 0:13:06- I decided to get rid - of a lot of props in my life...
0:13:07 > 0:13:10- ..such as smoking - and drinking alcohol.
0:13:10 > 0:13:13- My life has changed since then.
0:13:13 > 0:13:17- I still get - a little nervous at times...
0:13:18 > 0:13:21- ..but I'm far more at ease now.
0:13:21 > 0:13:27- It's important for me - to be in touch with the real world.
0:13:27 > 0:13:32- Aspects of my life - are lived in a fantasy world.
0:13:32 > 0:13:34- That's why I'm still single.
0:13:34 > 0:13:38- I've had some long relationships, - though!
0:13:38 > 0:13:40- It has affected my private life.
0:13:40 > 0:13:45- What I have in my private life - are my dogs and a lot of friends.
0:13:46 > 0:13:49- I enjoy my own company, - to be honest...
0:13:50 > 0:13:51- ..more than I knew.
0:13:51 > 0:13:54- When I was younger, - I wanted a relationship...
0:13:54 > 0:13:56- ..I wanted someone with me.
0:13:56 > 0:13:59- It's not as important now.
0:13:59 > 0:14:03- I have a lot of male friends...
0:14:03 > 0:14:06- ..but I don't need a partner.
0:14:06 > 0:14:09- Let's change the mood now.
0:14:09 > 0:14:14- You played the part of a seriously - ill mother in a series called Teulu.
0:14:15 > 0:14:19- It was a difficult time - for you personally.
0:14:19 > 0:14:21- Yes, yes.
0:14:21 > 0:14:24- The previous year, - my father died of cancer.
0:14:25 > 0:14:29- In this series, - I played the part of Ann...
0:14:29 > 0:14:32- ..who was dying of cancer.
0:14:33 > 0:14:34- Let's watch a clip.
0:14:38 > 0:14:41- All that's left to do - is sign the forms.
0:14:42 > 0:14:45- You won't have to worry - about it any more, Ann.
0:14:45 > 0:14:48- The children will be safe with me.
0:14:58 > 0:15:00- You'll have to live for me now.
0:15:01 > 0:15:03- Do everything twice over.
0:15:05 > 0:15:08- Give the kids two kisses each - every morning.
0:15:09 > 0:15:10- Will you?
0:15:13 > 0:15:15- I'll be there with you.
0:15:16 > 0:15:19- You won't get rid of me easily.
0:15:29 > 0:15:32- What do you think - is on the other side?
0:15:39 > 0:15:42- It was a part that hit home for you.
0:15:42 > 0:15:46- Well, it's strange - the parts that come one's way.
0:15:46 > 0:15:49- That fitted perfectly at the time.
0:15:50 > 0:15:52- When I was offered the part...
0:15:53 > 0:15:55- ..I didn't know whether I wanted it.
0:15:56 > 0:16:01- Dad had died the previous year - but it was like therapy for me.
0:16:01 > 0:16:03- Work can be therapeutic at times.
0:16:04 > 0:16:07- After the series was aired...
0:16:07 > 0:16:10- ..I was nominated - in the Best Actress category.
0:16:11 > 0:16:14- I didn't expect it - - it was a pleasant surprise.
0:16:14 > 0:16:19- A lot of people thought I'd done - a lot of research for the part.
0:16:19 > 0:16:23- There was no need. - I'd lived through the experience.
0:16:23 > 0:16:28- I just played the part. - I learnt my lines and did it.
0:16:28 > 0:16:34- You've appeared regularly - on Noson Lawen on S4C.
0:16:35 > 0:16:37- Mrs OTT has figured - very prominently.
0:16:38 > 0:16:40- Mrs Olwen Tegwen Thomas.
0:16:41 > 0:16:46- It must be nice playing a part - that pushes you all the way.
0:16:46 > 0:16:51- Every time I play Mrs Olwen Tegwen - Thomas, I feel better afterwards.
0:16:51 > 0:16:54- It's the best tonic you could get.
0:16:54 > 0:16:58- I look as if I've had a facelift, - afterwards.
0:16:58 > 0:17:00- I use every muscle in my body.
0:17:00 > 0:17:03- The double chin comes out.
0:17:03 > 0:17:04- Oh!
0:17:04 > 0:17:07- Afterwards, I feel like a swan.
0:17:07 > 0:17:09- You're from Lampeter.
0:17:09 > 0:17:14- Have you based Mrs OTT on a family - member or someone from Lampeter?
0:17:14 > 0:17:17- There are several people in Mrs OTT.
0:17:17 > 0:17:19- There's a lot of me in Mrs OTT.
0:17:19 > 0:17:25- I have to thank Ifan Gruffydd and - Euros Lewis for these characters.
0:17:27 > 0:17:28- When I was a little girl...
0:17:29 > 0:17:33- ..I'd go to Gwauncaegurwen - to visit Nana Waun.
0:17:33 > 0:17:36- We'd sit around the fire.
0:17:36 > 0:17:39- Auntie Annie was Nana's sister.
0:17:39 > 0:17:42- She lived in the electrical shop.
0:17:42 > 0:17:46- Auntie Annie and Uncle Will - were in the electrical shop.
0:17:47 > 0:17:49- Auntie Annie would call - to see Nana...
0:17:49 > 0:17:53- ..and would sit there - smoking around the fireside.
0:17:53 > 0:17:55- She wore bloomers.
0:17:55 > 0:17:58- She'd enjoy smoking her cigarette...
0:17:58 > 0:18:00- ..and I'd impersonate her.
0:18:00 > 0:18:02- She'd take ages to inhale the smoke.
0:18:04 > 0:18:07- I'd think to myself, - "Just smoke it!"
0:18:09 > 0:18:13- I took all that in - when I was 10 years old...
0:18:13 > 0:18:18- ..and I resurrected her character - in a drama called Boyo...
0:18:18 > 0:18:20- ..with Ronnie Williams.
0:18:20 > 0:18:22- He couldn't stop laughing.
0:18:22 > 0:18:25- We'd sing in the chapel - with delayed vibratos.
0:18:26 > 0:18:30- # I ask not for... #
0:18:30 > 0:18:34- That character was based - on Auntie Annie.
0:18:34 > 0:18:38- Then Nana Waun, "Act me - putting the coal on the fire."
0:18:38 > 0:18:42- That's all I would do and they - would laugh their heads off.
0:18:43 > 0:18:45- Can I stand up for this?
0:18:45 > 0:18:48- I'd fetch the bucket - from the kitchen...
0:18:48 > 0:18:50- ..and limp towards the fireplace.
0:18:50 > 0:18:54- This leg would go out and I'd - scoop the coal into the fire.
0:18:55 > 0:18:57- They thought it was hilarious.
0:18:57 > 0:19:00- I'd noticed - how she stretched her leg out.
0:19:00 > 0:19:02- It's almost slapstick.
0:19:04 > 0:19:06- She was in pain.
0:19:06 > 0:19:09- She had arthritis...
0:19:09 > 0:19:12- ..but she could laugh - through the pain.
0:19:12 > 0:19:14- That kept them going.
0:19:14 > 0:19:18- I enjoyed making them happy.
0:19:18 > 0:19:22- You've performed - at the Edinburgh Fringe.
0:19:22 > 0:19:26- Do you need to be in front - of an audience to keep going?
0:19:26 > 0:19:31- There's something special - about being in front of an audience.
0:19:31 > 0:19:35- I'd open an envelope - just to be in front of an audience.
0:19:35 > 0:19:40- If you don't do something in front - of an audience, you lose confidence.
0:19:40 > 0:19:45- The reason I went to Edinburgh - was to perform for an audience...
0:19:45 > 0:19:47- ..who didn't know me.
0:19:47 > 0:19:49- It was a challenge.
0:19:49 > 0:19:56- What I took from the performance - in Edinburgh...
0:19:56 > 0:20:00- ..was the sense that it made me - stronger as a performer.
0:20:00 > 0:20:04- Had I not gone there, - I wouldn't be as I am today.
0:20:04 > 0:20:10- We're going to see a young Mrs OTT. - Here you are as Tomi's mother.
0:20:15 > 0:20:16- Tomi?
0:20:16 > 0:20:18- Tomi?- - Mam!
0:20:18 > 0:20:20- Tomi? Where are you?
0:20:33 > 0:20:35- Where have you been?
0:20:35 > 0:20:37- Where have you been?- - Underground, Mam.
0:20:37 > 0:20:42- Get out of there. What are you doing - down there? Your feet are soaking.
0:20:42 > 0:20:45- You look very pretty tonight.
0:20:46 > 0:20:48- Are you off to bingo?
0:20:48 > 0:20:52- Or is the milkman taking you out - to watch that film?
0:20:52 > 0:20:55- You've been five times this week.
0:20:55 > 0:20:56- Excuse me.
0:20:57 > 0:20:58- Ouch!
0:21:00 > 0:21:03- How did you - find yourself underground?
0:21:03 > 0:21:08- We reached this place - where they keep a lot of old women.
0:21:09 > 0:21:10- What are you on about?
0:21:10 > 0:21:13- What are you on about?- - A muse-e-mum!
0:21:15 > 0:21:18- We were down there for ages.
0:21:18 > 0:21:22- We were going around and around - all these dark tunnels.
0:21:22 > 0:21:28- Bleddyn said - we might find Arthur's cave.
0:21:28 > 0:21:32- I said, "Don't be so silly.
0:21:32 > 0:21:34- "He lives in Yorkshire."
0:21:38 > 0:21:41- Do you know what we saw first, Mam?
0:21:41 > 0:21:46- A big board on the wall with - colliers standing in front of it.
0:21:46 > 0:21:49- Bleddyn said it was the coal board.
0:21:55 > 0:21:59- I don't know how I kept - a straight face working with Ifan.
0:22:00 > 0:22:04- He's an actor and comedian - with whom I loved working.
0:22:04 > 0:22:05- He helped me so much.
0:22:06 > 0:22:10- He helped me gain confidence - to do comedy on my own.
0:22:10 > 0:22:12- Going back to Tomi's mother...
0:22:13 > 0:22:17- ..there was one Noson Lawen - where the producer asked me...
0:22:18 > 0:22:21- ..if I could perform - as Mrs Thomas without Tomi.
0:22:21 > 0:22:24- I didn't think I could do it alone.
0:22:24 > 0:22:27- That was the starting point - for Mrs OTT.
0:22:27 > 0:22:31- I had to give this lady a name - - Mrs Olwen Tegwen Thomas.
0:22:31 > 0:22:35- She was Tomi's mother - and she became Mrs OTT.
0:22:35 > 0:22:40- She's almost a different character - but that's how she came about.
0:22:42 > 0:22:44- What's next for Gillian Elisa?
0:22:44 > 0:22:46- What's next? Goodness knows.
0:22:46 > 0:22:49- I'm available. - I'm willing to do anything.
0:22:49 > 0:22:53- I'm doing a lot of shows - which last two hours.
0:22:53 > 0:22:55- They're bilingual shows.
0:22:55 > 0:23:00- All this has happened - since I performed in Edinburgh.
0:23:00 > 0:23:05- They're going down very well, - especially with learners.
0:23:05 > 0:23:10- I sing in Welsh and English.
0:23:10 > 0:23:12- I sing River Deep Mountain High...
0:23:13 > 0:23:16- ..bilingually, bilaterally - and by myself!
0:23:17 > 0:23:20- On that note, thank you. - It's been a great journey.
0:23:21 > 0:23:22- Thank you.
0:23:22 > 0:23:25- Until next time, - from us all here, goodnight.
0:23:30 > 0:23:32- # Remember
0:23:40 > 0:23:42- # Remember #
0:23:47 > 0:23:49- S4C Subtitles by Simian 04 Cyf.
0:23:49 > 0:23:50- .