0:00:00 > 0:00:00- 888
0:00:00 > 0:00:02- 888- - 888
0:00:10 > 0:00:12- # Remember
0:00:20 > 0:00:22- # Remember #
0:00:24 > 0:00:28- We're remembering with - one of Wales's most popular groups.
0:00:29 > 0:00:32- A group with a melodic combination - of voices.
0:00:32 > 0:00:37- A group which has entertained - audiences, in Wales and beyond...
0:00:37 > 0:00:39- ..for almost 50 years.
0:00:39 > 0:00:43- # You have to love them, - believe you me
0:00:43 > 0:00:46- # The country's rural buses
0:00:46 > 0:00:49- # They do their work - with little fuss
0:00:50 > 0:00:53- # Day by day, time after time
0:00:53 > 0:00:56- # Very soon, we'll all hear tales
0:00:56 > 0:01:00- # Of the troubles of travelling - by bus through Wales #
0:01:00 > 0:01:04- Their name and exploits - are renowned throughout Wales.
0:01:05 > 0:01:09- They've earned great respect, - especially in this area.
0:01:09 > 0:01:12- They join me in Llanberis - - Hogia'r Wyddfa.
0:01:12 > 0:01:16- Take us right back to the start. - When was the group formed?
0:01:16 > 0:01:19- Back through the mists of time.
0:01:19 > 0:01:23- We're all agreed - that 1963 was the year...
0:01:24 > 0:01:28- ..we formed a group - called Triawd Yr Wyddfa.
0:01:28 > 0:01:30- We'd perform locally...
0:01:30 > 0:01:36- ..myself on the guitar - and the other two vocalists with me.
0:01:37 > 0:01:39- I could play three chords, if that.
0:01:39 > 0:01:43- Sometimes, we all performed - without the guitar.
0:01:44 > 0:01:45- Did you have three?
0:01:45 > 0:01:46- Did you have three?- - I had three, yes.
0:01:46 > 0:01:49- As you said, - you didn't accompany us on stage.
0:01:50 > 0:01:54- You'd strike the chord off-stage - and run onto the stage to sing!
0:01:54 > 0:01:59- As time went by, - we thought we should have musical...
0:01:59 > 0:02:01- ..accompaniment.
0:02:01 > 0:02:06- We went over to see Vivian, - knowing he could play the guitar.
0:02:06 > 0:02:08- He could play four chords.
0:02:08 > 0:02:10- He had five by the end!
0:02:12 > 0:02:16- That heralded the birth of the band.
0:02:16 > 0:02:21- When Vivian joined us - to play the guitar...
0:02:21 > 0:02:25- ..we wanted to add a little - something to the accompaniment.
0:02:25 > 0:02:29- We were related to Parti Eryri, - a local singing group.
0:02:29 > 0:02:32- We'd rehearse in Caeathro.
0:02:32 > 0:02:38- Dic Morris, Richard Morris, - was Parti Eryri's accompanist.
0:02:39 > 0:02:42- We decided to ask Dic - if he would accompany us...
0:02:42 > 0:02:45- ..to give us something extra - on stage.
0:02:48 > 0:02:52- We were a five-piece band - for many years.
0:02:52 > 0:02:55- # Why do you weep
0:02:55 > 0:02:58- # Young man from Lleyn?
0:02:59 > 0:03:02- # Your eyes are tearful
0:03:02 > 0:03:05- # As you walk at dusk
0:03:05 > 0:03:08- # Death faded
0:03:08 > 0:03:12- # Her rosy complexion
0:03:12 > 0:03:15- # She lies watched by angels
0:03:15 > 0:03:17- # Dressed in white in a tomb #
0:03:18 > 0:03:23- And then, as the anchor and the - background to everything, Llanberis.
0:03:23 > 0:03:25- Llanberis, without a doubt.
0:03:25 > 0:03:27- We were raised in Llanberis.
0:03:27 > 0:03:30- We lived within 100 yards - of each other.
0:03:30 > 0:03:34- It made life far easier - when we had to rehearse.
0:03:34 > 0:03:39- Llanberis is our backdrop today. - We're so fond of the place.
0:03:39 > 0:03:42- Why don't we join them in Llanberis?
0:03:42 > 0:03:45- Sit down, you're making - this place look untidy.
0:03:48 > 0:03:52- # Our dear Wales is so lovely
0:03:52 > 0:03:56- # No place on earth can rival this
0:03:56 > 0:04:01- # And of all the villages - of the world
0:04:01 > 0:04:05- # One is better than all the rest
0:04:05 > 0:04:10- # Oh, it's heaven on earth, - under the stars
0:04:10 > 0:04:15- # In the small village of Llanberis
0:04:16 > 0:04:20- # At the foot of Snowdon, - above the lake
0:04:20 > 0:04:25- # See Ceunant Mawr - and its foaming water
0:04:25 > 0:04:27- # A narrow stream
0:04:27 > 0:04:33- # Is gurgling a tune - as it flows from the high mountain
0:04:33 > 0:04:37- # Oh, it's heaven on earth, - under the stars
0:04:38 > 0:04:42- # In the small village of Llanberis
0:04:42 > 0:04:47- # Oh, it's heaven on earth, - under the stars
0:04:47 > 0:04:52- # In the small village - of Llanberis #
0:04:55 > 0:05:01- I was born here - in Newton Street, Llanberis.
0:05:02 > 0:05:07- Myrddin lived just around - the corner, around 300yds away...
0:05:07 > 0:05:09- ..near the woods.
0:05:10 > 0:05:12- He was born a fortnight before me.
0:05:13 > 0:05:15- He's older than me!
0:05:15 > 0:05:17- Both of us were in the same pram.
0:05:17 > 0:05:19- Our mothers decided...
0:05:19 > 0:05:26- ..because of the financial - constraints after World War II...
0:05:26 > 0:05:30- ..to buy one pram for both of us.
0:05:30 > 0:05:34- We sat facing each other, - shouting and crying.
0:05:35 > 0:05:38- That was the beginning - of Hogia'r Wyddfa!
0:05:39 > 0:05:44- Arwel's home - was a very musical home.
0:05:45 > 0:05:49- Both his parents were musicians. - His mother was an excellent singer.
0:05:50 > 0:05:53- His father had conducted choirs - over the years...
0:05:53 > 0:05:56- ..in Crosville, Caernarfon - and so forth.
0:05:57 > 0:06:01- Arwel's father - was in the Band of Hope with us...
0:06:02 > 0:06:04- ..when we were young children.
0:06:04 > 0:06:09- We learnt the modulator - few people - know about the modulator today...
0:06:09 > 0:06:12- ..especially the younger generation.
0:06:12 > 0:06:15- That's where Hogia'r Wyddfa began.
0:06:15 > 0:06:19- As a leader of song - in Preswylfa Chapel, Llanberis...
0:06:19 > 0:06:22- ..my father taught the art - of singing sol-fa.
0:06:22 > 0:06:27- Local children knew they could earn - money in singing competitions.
0:06:27 > 0:06:30- The best sol-fa singer - could win sixpence.
0:06:30 > 0:06:33- You could win a penny - just for trying!
0:06:33 > 0:06:35- I was one of those who tried!
0:06:35 > 0:06:38- I think I was a disappointment - to my parents.
0:06:38 > 0:06:44- They could teach others how to sing - and advance themselves musically...
0:06:44 > 0:06:46- ..but their son - didn't advance at all!
0:06:47 > 0:06:51- I would always try my best, though.
0:06:51 > 0:06:54- To illustrate - my father's disappointment...
0:06:54 > 0:06:58- ..one night, - he offered me a prize at home...
0:06:58 > 0:07:03- ..on the understanding that I - wouldn't compete later that evening.
0:07:03 > 0:07:07- As the years passed, - we continued to sing together...
0:07:07 > 0:07:10- ..and we found a sound - that suited us...
0:07:10 > 0:07:13- ..as we walked around Llanberis.
0:07:13 > 0:07:17- At the time, we were a bigger gang - than just Hogia'r Wyddfa.
0:07:17 > 0:07:20- We found a bass, - a melody and a tenor.
0:07:20 > 0:07:25- We looked at one another realizing - we'd found a unique sound.
0:07:25 > 0:07:27- There was harmony in the singing.
0:07:27 > 0:07:30- We decided to go for it.
0:07:30 > 0:07:35- Arwel composed the melody setting - off an amazing chain of events.
0:07:35 > 0:07:39- Myrddin would harmonize - with tenor descant...
0:07:39 > 0:07:41- ..and I would sing bass.
0:07:42 > 0:07:46- No musical score was written - in the early days.
0:07:46 > 0:07:51- The close harmony we sang - just fell into place.
0:07:51 > 0:07:54- I didn't necessarily sing bass - all the time.
0:07:54 > 0:07:57- On some of the songs, - it was closer to alto...
0:07:57 > 0:08:00- ..as the harmonies were so close.
0:08:00 > 0:08:04- Myrddin would drop down - from his tenor's voice too.
0:08:04 > 0:08:06- We focused on close harmonies.
0:08:07 > 0:08:12- # The tugboats pulled the ship - to the deep waters
0:08:13 > 0:08:18- # And all the flags - waved in the wind
0:08:19 > 0:08:21- # Of the hundreds there
0:08:22 > 0:08:24- # We didn't notice anyone
0:08:25 > 0:08:30- # Except for the girl - on the quay in Rio
0:08:31 > 0:08:37- # Rio
0:08:37 > 0:08:42- # Rio #
0:08:43 > 0:08:45- I joined the trio in 1967.
0:08:45 > 0:08:50- I remember hearing a knock - at the door. Who was there?
0:08:50 > 0:08:55- Elwyn was looking for my brother - to play guitar for the group.
0:08:56 > 0:09:01- I told El, "El, he's at work.
0:09:01 > 0:09:05- "I'll play the guitar for you, - if you want."
0:09:05 > 0:09:07- "OK, great. Brilliant!"
0:09:08 > 0:09:10- That's how I joined Hogia'r Wyddfa.
0:09:11 > 0:09:16- Initially, Hogia'r Wyddfa was - a group of singers singing locally.
0:09:16 > 0:09:19- We rarely travelled - further than Bangor...
0:09:19 > 0:09:24- ..or the far reaches of the Lleyn - Peninsula and towards Eifionydd.
0:09:25 > 0:09:30- We slowly made a name for ourselves - and so the longer journeys began.
0:09:30 > 0:09:35- I remember visiting Rhydlewis in - Cardiganshire for the first time.
0:09:35 > 0:09:38- It was our first time - away from our home patch.
0:09:38 > 0:09:41- At the time, Arwel had a Mini.
0:09:41 > 0:09:43- We all travelled in the Mini.
0:09:43 > 0:09:47- The mileage of some cars - goes around the clock.
0:09:47 > 0:09:51- Arwel's Mini went around the clock - about five or six times!
0:09:51 > 0:09:54- Because we travelled - so extensively...
0:09:55 > 0:09:57- ..we became known - throughout Wales.
0:09:58 > 0:10:01- Recording companies heard about us.
0:10:01 > 0:10:05- Wren Records contacted us.
0:10:05 > 0:10:11- The first record we recorded - was in 1967 - Caru Cymru.
0:10:11 > 0:10:16- # I love every acre - of dear old Wales #
0:10:16 > 0:10:20- It was recorded - in Neuadd y Penrhyn, Bangor.
0:10:21 > 0:10:25- # Every mountain and summit - covered in heather
0:10:26 > 0:10:30- # Every inlet, ravine and moor... #
0:10:31 > 0:10:36- There was great excitement - at the time.
0:10:36 > 0:10:41- Not for us, but for the locals. - "Ooh, Hogia'r Wyddfa are recording."
0:10:41 > 0:10:44- They'd never seen anything like it.
0:10:44 > 0:10:48- We recorded that song - on the first record.
0:10:49 > 0:10:51- We didn't sell many.
0:10:51 > 0:10:57- We kept in touch with the charts - and we were second to Mary Hopkin.
0:10:57 > 0:11:00- I'd heard of her!
0:11:01 > 0:11:03- The second time around...
0:11:03 > 0:11:07- ..we recorded Tylluanod, - a poem by R Williams Parry.
0:11:08 > 0:11:13- It hit the top of the charts, - as did Caru Cymru soon afterwards.
0:11:13 > 0:11:17- When we recorded - the second record, Tylluanod...
0:11:17 > 0:11:22- ..Hogia'r Wyddfa - became a household name.
0:11:23 > 0:11:27- The sound - to whit to woo. - "What's this?" the people asked.
0:11:27 > 0:11:34- # To whit to woo
0:11:36 > 0:11:39- # When Glaslyn's shiny waters flow
0:11:39 > 0:11:42- # Into the twilight, - like a sword to its sheath
0:11:42 > 0:11:46- # When the moon shines - on the manor's windows
0:11:46 > 0:11:50- # Between the branches - and nesting crows
0:11:50 > 0:11:53- # When slumber closes the dogs' jaws
0:11:54 > 0:11:57- # Night falls at Ynysfor - to their echo... #
0:11:57 > 0:12:00- I first heard them - back in the 1960s.
0:12:00 > 0:12:05- I was presenting a Saturday morning - programme, Helo Sut Dach Chi?
0:12:05 > 0:12:11- We'd have hundreds of letters every - week asking for Hogia'r Wyddfa.
0:12:11 > 0:12:16- Most were sent by Arwel's family - and the people of Llanberis.
0:12:19 > 0:12:22- # From Llanfairpwll - to the far corners of the world
0:12:22 > 0:12:24- # And many faraway cities
0:12:24 > 0:12:29- # I've swaggered many hours - for better or for worse
0:12:29 > 0:12:32- # In my sleep I'll return each time
0:12:32 > 0:12:34- # To my cosy home
0:12:34 > 0:12:38- # Where I spent my childhood, - halcyon days
0:12:38 > 0:12:41- # And we'll have fun
0:12:41 > 0:12:44- # With our friends - and fair maids
0:12:44 > 0:12:46- # We'll spend our time with them
0:12:46 > 0:12:51- # We'll stay and not say - that we'll bid farewell
0:12:51 > 0:12:54- # And let the sound of joyous song
0:12:54 > 0:12:56- # Echo through the land #
0:12:59 > 0:13:00- .
0:13:03 > 0:13:03- 888
0:13:03 > 0:13:05- 888- - 888
0:13:06 > 0:13:08- # Remember #
0:13:10 > 0:13:11- The people of Caernarfon...
0:13:12 > 0:13:15- ..would head in only one direction - on Sunday evenings...
0:13:15 > 0:13:17- ..the chapel.
0:13:17 > 0:13:20- Seilo, Salem, Moreia, Caersalem...
0:13:20 > 0:13:24- ..and many other places of worship - attracted the masses.
0:13:24 > 0:13:30- However, a year ago, locals noticed - a new attraction in the town.
0:13:30 > 0:13:36- It wasn't a chapel. - It was here, in the Majestic Cinema.
0:13:36 > 0:13:39- Here, during the early 1970s...
0:13:39 > 0:13:43- ..Ser Cymru concerts - were held on Sundays.
0:13:43 > 0:13:46- Hogia'r Wyddfa topped the bill.
0:13:46 > 0:13:50- They were the stars, - along with Tony & Aloma.
0:13:50 > 0:13:52- The venue was packed.
0:13:52 > 0:13:56- All artistes who sing at - the Majestic perform at their best.
0:13:59 > 0:14:05- The performers conduct themselves - in a very professional manner.
0:14:07 > 0:14:10- The atmosphere differs - from cosy smaller concerts.
0:14:11 > 0:14:15- Every performer at the Majestic - seems determined to impress.
0:14:15 > 0:14:18- # Like the two of us
0:14:18 > 0:14:21- # Whoa-hoa-hoa-hoa, I love you
0:14:21 > 0:14:23- # I love you so
0:14:23 > 0:14:26- # Never leave me, - never break my heart #
0:14:27 > 0:14:30- Idris Williams, - how do these performances differ...
0:14:31 > 0:14:33- ..to a musical night - held in a village hall?
0:14:34 > 0:14:39- I'd say that this show is far more - professional than any other show.
0:14:40 > 0:14:43- When you go to a village hall...
0:14:45 > 0:14:48- ..everyone's rushing around, - asking, "When are we on?"
0:14:49 > 0:14:51- Here, - everyone knows the stage order.
0:14:51 > 0:14:56- They're waiting in the wings ready - to go on stage. There are no gaps.
0:14:56 > 0:15:02- # I'll recover in springtime #
0:15:05 > 0:15:08- I remember singing - in the Majestic in Caernarfon.
0:15:08 > 0:15:13- Idris and Viv would organize - the nights - Williams and Williams!
0:15:14 > 0:15:16- We'd sing Gwanwyn there.
0:15:16 > 0:15:19- Gwanwyn topped the charts - at the time.
0:15:19 > 0:15:21- A bloke came up to me.
0:15:21 > 0:15:25- I knew him because - I'd played football with him.
0:15:25 > 0:15:29- I wondered what he was doing there - on a Sunday night.
0:15:29 > 0:15:34- I was more likely to see him - in a pub or a bookie's shop.
0:15:34 > 0:15:37- He attended a concert - on a Sunday night.
0:15:37 > 0:15:40- He asked us to sing - about springtime.
0:15:40 > 0:15:45- "Will you sing that song about that - bloke from Llanberis who's ill?"
0:15:45 > 0:15:47- That was his understanding...
0:15:47 > 0:15:51- ..of one of the most tragic poems - written in the Welsh language.
0:15:51 > 0:15:53- They were a bloomin' nuisance.
0:15:54 > 0:15:59- They were a nuisance because - everything had to be perfect.
0:15:59 > 0:16:03- Arwel would say, - "Are you sure that was right?
0:16:03 > 0:16:05- "Am I on the same level as Myrddin?"
0:16:06 > 0:16:08- Everything had to be perfect.
0:16:08 > 0:16:12- When they found that perfection, - everything fell into place.
0:16:12 > 0:16:16- The aim for Idris and me...
0:16:16 > 0:16:22- ..was to host as professional a show - as we could...
0:16:22 > 0:16:28- ..with microphones, - a PA system, lights and so forth.
0:16:31 > 0:16:37- We were also auditioning acts - at the Majestic, Caernarfon...
0:16:37 > 0:16:41- ..the venue previously used - for Ser Cymru concerts.
0:16:42 > 0:16:47- We were trying - to find new talent, fresh faces...
0:16:47 > 0:16:52- ..to join Hogia'r Wyddfa - and Tony & Aloma.
0:16:53 > 0:16:55- At one time, people thought...
0:16:55 > 0:17:01- ..that there was ill feeling between - Welsh artistes but there wasn't.
0:17:01 > 0:17:02- We were good friends...
0:17:03 > 0:17:08- ..with Hogia Llandegai, - Hogia'r Deulyn and Hogia Bryngwran.
0:17:08 > 0:17:12- We followed the pop chart - in Y Cymro every week.
0:17:12 > 0:17:14- Were we up or down?
0:17:14 > 0:17:18- Where were Perlau Taf, - Tony & Aloma and Dafydd Iwan?
0:17:18 > 0:17:21- We were up or down the charts - every week.
0:17:21 > 0:17:24- There was no ill feeling at all - between us.
0:17:24 > 0:17:29- People thought that if we topped - the charts, there'd be bad blood.
0:17:29 > 0:17:35- I'd see Hogia'r Wyddfa in concerts - and numerous noson lawen evenings.
0:17:35 > 0:17:40- They often topped the bill, - the group people wanted to hear.
0:17:41 > 0:17:44- I always gave them - the same introduction.
0:17:44 > 0:17:48- We understood one another - and I'd make some sort of joke.
0:17:49 > 0:17:52- "Who is the most popular group - in Wales?
0:17:52 > 0:17:54- "Who does everyone want to hear?
0:17:54 > 0:17:57- "Which group fills halls and venues?
0:17:57 > 0:18:01- "That's right, but Hogia Llandegai - can't be with us tonight!
0:18:01 > 0:18:03- "Please welcome Hogia'r Wyddfa."
0:18:04 > 0:18:06- We were one big family.
0:18:06 > 0:18:12- Hogia Llandegai, Tony & Aloma, - Y Pelydrau, Dafydd Iwan, Huw Jones.
0:18:13 > 0:18:15- Being on the same stage as them...
0:18:15 > 0:18:19- ..being backstage - when they were on stage...
0:18:19 > 0:18:21- ..was an experience and an honour.
0:18:22 > 0:18:24- Hogia Kilimanjaro.
0:18:25 > 0:18:28- He hasn't learned - to play the guitar yet.
0:18:28 > 0:18:29- I know three chords.
0:18:30 > 0:18:33- Three chords was enough - for Hogia'r Wyddfa for ten years!
0:18:34 > 0:18:38- These people want to hear us. - Are you going to join us on stage?
0:18:38 > 0:18:40- I think you'd better go.
0:18:49 > 0:18:51- OK?
0:18:51 > 0:18:54- One, two, three, four.
0:18:56 > 0:19:00- # We're the boys from Kilimanjaro
0:19:00 > 0:19:03- # Who sound like crocodiles
0:19:04 > 0:19:06- # The owls have gone
0:19:07 > 0:19:10- # We're a super group
0:19:10 > 0:19:13- # Fair play to the dear old owl
0:19:14 > 0:19:18- # It was a faithful friend
0:19:19 > 0:19:22- # Croc croc croc croc
0:19:22 > 0:19:25- # Croc croc croc croc
0:19:25 > 0:19:29- # Croc croc croc croc
0:19:29 > 0:19:33- # Croc croc croc croc #
0:19:38 > 0:19:43- Early in the 1970s, I used - to compere for Ryan and Ronnie.
0:19:43 > 0:19:48- They decided to parody - the pop groups of the time.
0:19:48 > 0:19:53- They had to parody the most famous - group of all - Hogia'r Wyddfa...
0:19:53 > 0:19:55- ..singing Tylluanod.
0:19:55 > 0:20:00- # We are Hogia'r Wyddfa, - we make the sound of the owl
0:20:00 > 0:20:05- # We've come far from making sounds - like quack-bah-bah-moo-moo
0:20:05 > 0:20:08- # Believe us, - making the sound of an owl
0:20:08 > 0:20:11- # Is more difficult - than you'll ever know
0:20:11 > 0:20:14- # To whit to woo #
0:20:14 > 0:20:17- # A little blue tit, dear blue... #
0:20:18 > 0:20:23- The foundation of our relationship - is the friendly banter.
0:20:24 > 0:20:28- You never belittle - people you don't like.
0:20:28 > 0:20:30- Here's Hogia'r Wyddfa.
0:20:30 > 0:20:34- # When the wind blows
0:20:34 > 0:20:37- # And the trees - have shed their leaves... #
0:20:38 > 0:20:42- The early part of the 1960s - was an exciting time.
0:20:42 > 0:20:46- Groups sprung up in just about - every village in Wales.
0:20:46 > 0:20:49- We found ourselves right - in the middle...
0:20:50 > 0:20:54- ..singing Anglo-American songs - we'd translated...
0:20:55 > 0:20:57- ..that we didn't really enjoy.
0:20:57 > 0:21:01- At the time, we realized - that if we wanted to be different...
0:21:01 > 0:21:04- ..we had to offer - something different.
0:21:04 > 0:21:08- We were the only ones - who researched Welsh poetry.
0:21:08 > 0:21:12- It was a sensitive area - and controversial idea.
0:21:12 > 0:21:18- Would our audience like the nation's - finest poetry set to music?.
0:21:18 > 0:21:21- It's hard to believe today...
0:21:21 > 0:21:23- ..that at the time...
0:21:23 > 0:21:29- ..people could be so strait-laced, - blinkered and narrow-minded.
0:21:29 > 0:21:35- They opposed the idea - of adapting poetry for pop songs.
0:21:37 > 0:21:39- It was such a ridiculous attitude.
0:21:40 > 0:21:42- In essence, the work of poets...
0:21:43 > 0:21:46- ..such as Crwys, Cynan - and Williams Parry...
0:21:46 > 0:21:49- ..was popular with ordinary people.
0:21:49 > 0:21:52- Who wrote Y Tylluanod?
0:21:52 > 0:21:54- Can you name the poet?
0:21:54 > 0:21:55- Rhian?
0:21:56 > 0:21:57- R Williams Parry.
0:21:57 > 0:21:59- Let's sing it.
0:22:01 > 0:22:04- # When night waits for darkness #
0:22:04 > 0:22:08- Hogia'r Wyddfa - re-popularized the poems.
0:22:08 > 0:22:13- They brought them to the attention - of thousands of people...
0:22:13 > 0:22:16- ..by combining them with pop music.
0:22:16 > 0:22:19- Iorwerth Peate and others - criticized them...
0:22:19 > 0:22:23- ..for lowering - the high standing of poetry...
0:22:23 > 0:22:25- ..by setting it to pop melodies.
0:22:25 > 0:22:28- They were judged by music critics...
0:22:28 > 0:22:34- ..who said that the melodies were - too simple, sweet and stereotypical.
0:22:34 > 0:22:38- In truth, the marriage - of music and poetry worked.
0:22:38 > 0:22:43- # She lies watched by angels
0:22:43 > 0:22:51- # In white robes in a tomb #
0:22:53 > 0:22:58- It was important to have - a story behind the poetry.
0:22:59 > 0:23:01- It added to the compositions.
0:23:01 > 0:23:05- Let's reflect on the origins - of the text of Aberdaron.
0:23:05 > 0:23:08- Cynan enjoyed - reciting the poem to audiences.
0:23:08 > 0:23:12- "When I'm old and respectable - with money in my pocket
0:23:12 > 0:23:16- "All the critics dead and buried - and everyone sings my praises."
0:23:16 > 0:23:19- There was a hatred - within his soul...
0:23:19 > 0:23:22- ..a resentment - of criticism he received.
0:23:22 > 0:23:25- I did some research and realized...
0:23:25 > 0:23:31- ..that Cynan had been badly hurt - by the criticism he received.
0:23:31 > 0:23:36- When I took a song to Richard - Morris, our accompanist...
0:23:36 > 0:23:42- ..the first thing he'd ask was, - "What's the story behind the song?"
0:23:42 > 0:23:44- I had to tell Dic the story...
0:23:45 > 0:23:50- ..that the lyrics and melody should - convey the sound of the waves.
0:23:53 > 0:23:55- SOUND OF WAVES
0:24:03 > 0:24:06- # When I'm old and respectable
0:24:07 > 0:24:10- # With money in my pocket
0:24:10 > 0:24:14- # All criticism over
0:24:14 > 0:24:18- # And everyone sings my praise
0:24:18 > 0:24:22- # I shall buy a lonely cottage
0:24:22 > 0:24:26- # With nothing in front of its door
0:24:26 > 0:24:30- # But the rocks of Aberdaron
0:24:30 > 0:24:33- # And the raging waves of the sea #
0:24:33 > 0:24:37- Many modern critics have claimed...
0:24:37 > 0:24:41- ..that Hogia'r Wyddfa - sang during a safe period.
0:24:41 > 0:24:43- Their songs were safe.
0:24:43 > 0:24:46- They weren't safe, believe you me.
0:24:47 > 0:24:51- The song means a lot to me - but others don't like it.
0:24:51 > 0:24:54- That's what singing - and composing is all about.
0:24:55 > 0:24:58- I don't expect everyone - to appreciate my songs.
0:24:58 > 0:25:03- Of all the concerts - we've performed as Hogia'r Wyddfa...
0:25:03 > 0:25:06- ..including America and Canada...
0:25:06 > 0:25:09- ..and the Albert Hall in London...
0:25:09 > 0:25:12- ..the greatest experience was...
0:25:12 > 0:25:16- ..performing Cofio Cynan - with Cwmni Theatr Cymru.
0:25:17 > 0:25:21- # Lord, let me sleep awhile
0:25:23 > 0:25:28- # I've tossed and turned - through the night
0:25:28 > 0:25:32- # My soul is troubled
0:25:32 > 0:25:36- # Amid violence and unrest #
0:25:39 > 0:25:41- Cynan passed away in 1970.
0:25:42 > 0:25:45- Hogia'r Wyddfa were invited - by Wilbert Lloyd Roberts...
0:25:45 > 0:25:48- ..to be part - of the Cofio Cynan production.
0:25:48 > 0:25:51- What was so remarkable - about their contribution?
0:25:52 > 0:25:56- Their popularity was a key factor.
0:25:56 > 0:26:01- The melodies and the way - the songs were presented...
0:26:02 > 0:26:04- ..were enchanting.
0:26:04 > 0:26:06- I'll use the word "enchanting".
0:26:06 > 0:26:10- It was enchanting and it certainly - appealed to the audience.
0:26:10 > 0:26:13- It tied in perfectly - to the production...
0:26:14 > 0:26:17- ..and the different periods - in Cynan's life.
0:26:17 > 0:26:20- In his poem Hwiangerddi...
0:26:20 > 0:26:22- ..he writes from Macedonia.
0:26:22 > 0:26:26- You can hear his longing - for Carn Madryn...
0:26:26 > 0:26:29- ..and the echoes of distant breezes.
0:26:29 > 0:26:31- It created a certain atmosphere.
0:26:31 > 0:26:36- When Hogia'r Wyddfa sang, - they created the perfect atmosphere.
0:26:36 > 0:26:41- # Oh, for a breeze to lull me
0:26:41 > 0:26:45- # From the tranquillity - of distant Carn Madryn
0:26:45 > 0:26:52- # To stop the guns - roaring in my ears
0:26:53 > 0:26:59- # And let me hear - the melodies of happier days #
0:27:03 > 0:27:04- .
0:27:06 > 0:27:06- 888
0:27:06 > 0:27:08- 888- - 888
0:27:09 > 0:27:10- # Remember #
0:27:12 > 0:27:16- Let's look back - at the songs and the laughter.
0:27:16 > 0:27:20- What was the secret - of Hogia'r Wyddfa's success?
0:27:20 > 0:27:22- We were cheap!
0:27:22 > 0:27:27- We were cheap because - we could perform all night.
0:27:27 > 0:27:31- Concert organizers didn't - have to book additional acts.
0:27:31 > 0:27:35- It was just us. - They only had to pay us.
0:27:35 > 0:27:38- Comic sketches - were part of our act.
0:27:38 > 0:27:41- The comedy and humour - of the sketches...
0:27:41 > 0:27:44- ..appealed to the audiences - of that time.
0:27:44 > 0:27:50- It also helped us - enhance our performances.
0:27:50 > 0:27:52- There were tears everywhere.
0:27:52 > 0:27:56- The songs brought a tear - to the audience's eyes...
0:27:56 > 0:28:00- ..but they were crying with laughter - at the sketches.
0:28:00 > 0:28:02- We combined both elements.
0:28:03 > 0:28:05- He doesn't like flying.
0:28:05 > 0:28:08- Don't mention - anything do with flying.
0:28:09 > 0:28:13- Don't say storms, or thunder - and lightning or turbulence.
0:28:13 > 0:28:14- Turbulence?
0:28:14 > 0:28:16- Turbulence?- - Turbulence?
0:28:21 > 0:28:24- Drink some of this. - It'll do you good.
0:28:24 > 0:28:26- There's plenty of it.
0:28:29 > 0:28:31- Thank you.
0:28:34 > 0:28:38- Hogia'r Wyddfa are part - of the noson lawen tradition.
0:28:38 > 0:28:40- We all took part together.
0:28:40 > 0:28:45- Variety was the essence - of that entertainment tradition.
0:28:45 > 0:28:47- The comic and the solemn.
0:28:47 > 0:28:50- Music, recitation and sketches.
0:28:50 > 0:28:53- Hogia'r Wyddfa - had the whole package.
0:28:53 > 0:28:56- Here are your crisps, darlings.
0:28:57 > 0:28:58- Cheese and onion?
0:28:59 > 0:29:00- Plain.
0:29:00 > 0:29:01- Plain.- - Plane?
0:29:05 > 0:29:07- A lot of people - think they're funny...
0:29:08 > 0:29:11- ..but Hogia'r Wyddfa - understood comedy.
0:29:11 > 0:29:15- They understood timing. They knew - how long a line should last.
0:29:16 > 0:29:18- That's an all-important key factor.
0:29:19 > 0:29:21- Don't talk about anything - that flies.
0:29:23 > 0:29:27- Sorry about that. - Can I get you anything else to eat?
0:29:27 > 0:29:30- Chips and a sausage.
0:29:30 > 0:29:32- Jumbo.
0:29:32 > 0:29:34- Jumbo!
0:29:35 > 0:29:37- Sit down!
0:29:37 > 0:29:43- There's a quarry behind me. That's - from where the lads' humour stems.
0:29:43 > 0:29:45- It's a type of humour...
0:29:45 > 0:29:49- ..that is obvious and superficial - but also digs in a subtle way.
0:29:50 > 0:29:51- It's presented with affection
0:29:52 > 0:29:54- That's why their humour is popular.
0:29:54 > 0:29:56- Between the quarry...
0:29:56 > 0:30:02- ..and the characters you'd meet on - the pitch on a Saturday afternoon...
0:30:02 > 0:30:05- ..we picked up the humour - - just like C'mon Midffild.
0:30:05 > 0:30:09- Mei always said the script - had been written for them.
0:30:09 > 0:30:13- That's perfectly true. - The script was written for us too.
0:30:14 > 0:30:17- We picked up sayings or events...
0:30:17 > 0:30:21- ..and turned them - into sketches for the stage.
0:30:21 > 0:30:25- The actors are ready. Can they - make their way to the stage?
0:30:25 > 0:30:27- The doctor and the father.
0:30:30 > 0:30:34- The mother and the daughter.
0:30:43 > 0:30:46- The problem was, I was always - the first to start laughing.
0:30:47 > 0:30:51- I only had to look at Arwel.
0:30:51 > 0:30:55- The giggles would start. - Myrddin would start to laugh.
0:30:55 > 0:30:57- He was bent over double, laughing.
0:30:57 > 0:31:02- Elwyn would try to keep us all under - control and keep a straight face.
0:31:03 > 0:31:05- Sometimes, he'd be unable to do so.
0:31:05 > 0:31:08- A short sketch would go on - for half an hour!
0:31:09 > 0:31:12- Time is running out. - We'll give it one more shot.
0:31:12 > 0:31:16- Can you speed up - or we'll be here all night?
0:31:17 > 0:31:19- Where is your son?
0:31:20 > 0:31:21- This is my son.
0:31:22 > 0:31:23- Oh.
0:31:40 > 0:31:45- I'm sorry to say that your son - has broken his hipo-spinalization...
0:31:49 > 0:31:53- Who was the clown? I'm not - looking at anyone in particular.
0:31:53 > 0:31:56- I looked like the clown...
0:31:56 > 0:31:59- ..but ultimately, - I was the most sensible.
0:32:00 > 0:32:02- I had stooges either side of me.
0:32:02 > 0:32:05- The three stooges, - but they were the two stooges.
0:32:06 > 0:32:09- More often than not, - there was a woman in the sketch.
0:32:10 > 0:32:11- Oh!
0:32:13 > 0:32:17- For some reason, the finger - was always pointing at me.
0:32:17 > 0:32:22- Either they didn't want the role - or they were impressed by my talent!
0:32:23 > 0:32:27- I was charged with the work - of dressing up in women's clothes!
0:32:27 > 0:32:33- I had to change behind pianos, - in Rhyd-ddu and so forth.
0:32:33 > 0:32:35- You had a shapely body at the time.
0:32:36 > 0:32:36- At the time.
0:32:36 > 0:32:38- At the time.- - Not now!
0:32:38 > 0:32:43- I wore long dresses to hide my legs!
0:32:59 > 0:33:02- Over the years, as Hogia'r Wyddfa...
0:33:02 > 0:33:06- ..we've been fortunate to find - two accompanists on the piano.
0:33:11 > 0:33:14- Richard was the first accompanist.
0:33:14 > 0:33:16- He was so gifted.
0:33:16 > 0:33:22- He created his own unique sound - at the start and end of the songs.
0:33:22 > 0:33:28- When we were on stage, - we'd lose ourselves in the music.
0:33:28 > 0:33:30- When he accompanied a song...
0:33:30 > 0:33:35- ..though it was the same song, no - two performances were ever the same.
0:33:35 > 0:33:40- He would put something - of his own character into the song.
0:33:41 > 0:33:43- Richard was a great friend...
0:33:43 > 0:33:48- ..and an integral part - of Hogia'r Wyddfa for many years.
0:33:49 > 0:33:55- His health deteriorated - and he decided to give up the role.
0:33:55 > 0:33:58- The first time I accompanied - Hogia'r Wyddfa...
0:33:58 > 0:34:03- ..Vivian had come over to ask me - to become their accompanist.
0:34:03 > 0:34:06- I couldn't believe it at the time.
0:34:06 > 0:34:09- I was brought up - listening to Hogia'r Wyddfa...
0:34:10 > 0:34:13- ..and they were asking me - to be their accompanist.
0:34:13 > 0:34:18- I was aware of Richard Morris's - contribution. He was a hero of mine.
0:34:18 > 0:34:21- He had a unique style.
0:34:23 > 0:34:27- When you heard this rhythm, - you knew Dic Huw was at the piano.
0:34:27 > 0:34:29- Simply, this is it.
0:34:45 > 0:34:49- Ryan Davies composed - a very simple song...
0:34:51 > 0:34:53- ..called O Ble Gest Ti'r Ddawn?
0:34:53 > 0:34:59- Originally, according to the copy, - the accompaniment is very simple.
0:35:11 > 0:35:12- And so on.
0:35:12 > 0:35:16- But listen to Dic - accompanying Hogia'r Wyddfa...
0:35:16 > 0:35:18- ..on O Ble Gest Ti'r Ddawn?
0:35:23 > 0:35:24- # To make me a fool?
0:35:25 > 0:35:26- # Well, you succeeded
0:35:26 > 0:35:31- # Succeeded so well
0:35:32 > 0:35:38- # What I ask you, I beg of you now
0:35:38 > 0:35:45- # Tell me please, oh, tell me please
0:35:46 > 0:35:51- # Just tell me how?
0:35:51 > 0:36:00- # Just tell me how? #
0:36:08 > 0:36:09- .
0:36:10 > 0:36:10- 888
0:36:10 > 0:36:12- 888- - 888
0:36:13 > 0:36:14- # Remember #
0:36:16 > 0:36:21- Why did you decide to split up? - How did you reach that decision?
0:36:21 > 0:36:24- Success isn't a bed of roses.
0:36:24 > 0:36:27- Sometimes, - there's a price to pay for success.
0:36:28 > 0:36:31- We made the decision...
0:36:31 > 0:36:34- ..because we'd lost control of the - situation.
0:36:35 > 0:36:38- Before we packed it in, - the situation was controlling us.
0:36:38 > 0:36:42- We never turned down - a concert invitation...
0:36:42 > 0:36:45- ..and many - were quite a distance from here.
0:36:45 > 0:36:50- When we split up, - we were in control of the situation.
0:36:50 > 0:36:55- The three of us, the five of us, - had full-time jobs.
0:36:56 > 0:37:00- They were nine-to-five jobs - for some of us.
0:37:00 > 0:37:05- Sometimes, we'd have a concert - in Mid Wales, or further south.
0:37:05 > 0:37:10- We had to perform, come home - and go to work the following day.
0:37:11 > 0:37:16- It was bound to take its toll - in one way or another.
0:37:16 > 0:37:18- To be honest...
0:37:18 > 0:37:21- It did take its toll, on our health.
0:37:22 > 0:37:24- What frightened me - more than anything...
0:37:25 > 0:37:28- ..and it's quite strange - when you consider my head...
0:37:28 > 0:37:32- ..I passed out - in a barber's shop in Caernarfon!
0:37:32 > 0:37:34- I was taken to Ysbyty Gwynedd.
0:37:34 > 0:37:38- I remember the yellow - Valium tablets in the hospital.
0:37:38 > 0:37:41- That scared me. - That's how it affected us.
0:37:41 > 0:37:45- We'd overdone it - to the point of exhaustion.
0:37:45 > 0:37:46- Curiously...
0:37:46 > 0:37:51- ..at the time we never realized - while we kept on going and going...
0:37:51 > 0:37:52- ..that we were tiring.
0:37:52 > 0:37:54- The body and mind were exhausted.
0:37:55 > 0:37:58- When the day came - to consider our future...
0:37:58 > 0:38:01- ..the choice between - the feet and the larynx...
0:38:04 > 0:38:08- ..only then did we realize - how it had affected our health.
0:38:08 > 0:38:12- I was bedridden, - I spent time in hospital.
0:38:12 > 0:38:17- I was brought down, in the same way - as Elwyn was taking Valium.
0:38:17 > 0:38:21- Without the support - of the doctors and my family...
0:38:22 > 0:38:25- My family was very supportive - at that time.
0:38:25 > 0:38:31- It was strange that they were aware - of a deterioration in my health...
0:38:31 > 0:38:33- ..though I wasn't.
0:38:34 > 0:38:37- That's when we had problems - as a family.
0:38:37 > 0:38:39- Arwel's health suffered.
0:38:39 > 0:38:43- He had constant bouts of dizziness.
0:38:44 > 0:38:46- He was confined to bed - for long periods.
0:38:47 > 0:38:50- Every time he stood up, - he felt he was going to faint.
0:38:50 > 0:38:55- Initially, the doctors - couldn't diagnose the problem...
0:38:55 > 0:38:59- ..but his health was deteriorating.
0:38:59 > 0:39:01- We were very concerned.
0:39:01 > 0:39:06- Finally, the doctors realized - that he was struggling to cope...
0:39:07 > 0:39:09- ..after living life - at such a fast pace.
0:39:10 > 0:39:13- He couldn't cope with not having - that time in his life.
0:39:14 > 0:39:16- As long as I was busy, I was fine.
0:39:16 > 0:39:20- When it all stopped, - that's when I fell ill.
0:39:20 > 0:39:24- I found myself in a situation - I couldn't handle.
0:39:24 > 0:39:29- I couldn't go to places - like Caernarfon and Bangor.
0:39:29 > 0:39:33- I couldn't speak to people.
0:39:33 > 0:39:38- I was in a state where - I was almost confined to my home.
0:39:43 > 0:39:46- Following the break from singing...
0:39:47 > 0:39:51- ..ten years passed - before we returned to the studio...
0:39:51 > 0:39:53- ..to record an LP.
0:39:53 > 0:39:59- # Can you hear the raging storm - over the summits of Snowdonia?
0:40:01 > 0:40:07- # Can you feel the pain and anguish - in your Wales today?
0:40:07 > 0:40:11- # Can you see - your country suffering?
0:40:11 > 0:40:15- # Can you see the scars?
0:40:15 > 0:40:21- # Can you see the foreign tides - washing over your language?
0:40:22 > 0:40:25- # The language of your homeland - is dying out
0:40:25 > 0:40:29- # The language of your fathers, - the language of saints
0:40:29 > 0:40:31- # Without your intervention
0:40:31 > 0:40:36- # It will never be - the language of your children #
0:40:38 > 0:40:40- We did return.
0:40:40 > 0:40:42- We did return.- - Yes!
0:40:42 > 0:40:45- We reformed the band.
0:40:45 > 0:40:50- People would ask us to perform - and it was hard to refuse.
0:40:50 > 0:40:52- We felt better by then.
0:40:52 > 0:40:54- The majority welcomed us back.
0:40:55 > 0:40:59- However a few cynics had a field day - but that didn't bother us.
0:40:59 > 0:41:04- The question posed was, how many - farewell concerts have there been?
0:41:04 > 0:41:08- A few bands had as many as us, - without naming them.
0:41:08 > 0:41:13- We received a letter inviting us - to perform after a period of rest.
0:41:15 > 0:41:17- We discussed it.
0:41:17 > 0:41:21- We decide we wouldn't - make a comeback just for 25.
0:41:21 > 0:41:24- We decided - to charge a ridiculous amount.
0:41:24 > 0:41:27- It's not ridiculous - by today's standards.
0:41:27 > 0:41:30- At the time, - it was ridiculous amount.
0:41:30 > 0:41:32- It was accepted!
0:41:32 > 0:41:36- We also decided not to perform as - the only stage act for an evening.
0:41:37 > 0:41:38- We'd take part in concerts.
0:41:39 > 0:41:42- Since then, we have performed - on stage all night...
0:41:42 > 0:41:45- ..but not as often as before.
0:41:45 > 0:41:49- You hit the nail on the head - with regard to the early days.
0:41:49 > 0:41:51- The situation controlled us.
0:41:52 > 0:41:55- We decided that we wanted - to control the situation.
0:41:56 > 0:42:01- The secret of their longevity - is the fact that they're friends.
0:42:01 > 0:42:03- They're very close friends.
0:42:03 > 0:42:07- They always have a good word - to say about one another.
0:42:07 > 0:42:11- Arwel will speak fondly - about El and Myrddin.
0:42:11 > 0:42:14- Myrddin will do likewise. - That's how they are.
0:42:14 > 0:42:16- They're such close friends.
0:42:16 > 0:42:20- The audience can sense this - when they're on stage.
0:42:20 > 0:42:24- They turn to one another and smile - when they're singing.
0:42:24 > 0:42:27- It gives a warm feeling inside.
0:42:27 > 0:42:31- Their friendship - is a key factor in their success.
0:42:32 > 0:42:37- Their biggest contribution is - popularizing, or re-popularizing...
0:42:37 > 0:42:40- ..the poetry of Cynan, Crwys...
0:42:40 > 0:42:44- ..R Williams Parry, - TH Parry-Williams and Waldo.
0:42:44 > 0:42:49- They've made the poetry accessible - to thousands of Welsh speakers.
0:42:49 > 0:42:53- This trio appeals to the Welsh ear.
0:42:53 > 0:42:57- Three men - singing in perfect harmony.
0:42:59 > 0:43:02- They provide the complete - Welsh musical experience.
0:43:03 > 0:43:06- We're grateful - to people for their support.
0:43:06 > 0:43:10- They bought our records and watched - our television programmes.
0:43:10 > 0:43:14- We never expected - to become so popular as a group.
0:43:15 > 0:43:17- People make a community.
0:43:17 > 0:43:20- The people of our early days - in Llanberis...
0:43:20 > 0:43:24- ..and the people - who live there today.
0:43:24 > 0:43:27- The people who lived around us - moulded us.
0:43:28 > 0:43:32- These people - gave us a start in life.
0:43:32 > 0:43:37- The community of people - in Llanberis moulded Hogia'r Wyddfa.
0:43:38 > 0:43:41- We started - with Pentre Bach Llanber...
0:43:41 > 0:43:44- ..which always went down well - in concerts...
0:43:44 > 0:43:46- ..and finished off - with Safwn Yn Y Bwlch.
0:43:47 > 0:43:51- The audience stood on their feet - to sing with us.
0:43:51 > 0:43:55- They were on their feet - ready to sing our anthem.
0:43:55 > 0:43:57- That gave us such a thrill.
0:44:01 > 0:44:03- # Let's stand in the breach
0:44:04 > 0:44:07- # Together we stand
0:44:07 > 0:44:13- # Wales, our country, needs us
0:44:13 > 0:44:20- # Dawn has broken - after a long dark night
0:44:20 > 0:44:26- # Freedom isn't far away
0:44:26 > 0:44:29- # Let's stand in the breach
0:44:29 > 0:44:32- # Ready to take up the challenge
0:44:32 > 0:44:38- # Loyal and true to Wales
0:44:39 > 0:44:42- # Wales is in our blood
0:44:42 > 0:44:45- # Let's defend our land
0:44:45 > 0:44:51- # Demand our nation's freedom
0:44:51 > 0:44:57- # United, together we'll stand
0:44:58 > 0:45:04- # United, together we'll stand
0:45:04 > 0:45:07- # For our language, our land
0:45:07 > 0:45:10- # For our people, our children
0:45:10 > 0:45:16- # United, together we'll stand
0:45:20 > 0:45:23- # Let's stand in the breach
0:45:24 > 0:45:27- # Hope is aflame
0:45:27 > 0:45:33- # Our hearts filled with fire
0:45:33 > 0:45:36- # We shall yield not an inch
0:45:36 > 0:45:39- # Nor retreat one step
0:45:39 > 0:45:46- # Until our nation is free
0:45:46 > 0:45:49- # Let's stand in the breach
0:45:49 > 0:45:52- # Let's conquer the enemy
0:45:52 > 0:45:58- # Nothing can stand in our way
0:45:58 > 0:46:02- # Wales is calling
0:46:02 > 0:46:05- # Let's strive for our land
0:46:05 > 0:46:10- # Freedom isn't far away
0:46:11 > 0:46:18- # United, together we'll stand
0:46:18 > 0:46:24- # United, together we'll stand
0:46:24 > 0:46:27- # For our language, our land
0:46:27 > 0:46:30- # For our people, our children
0:46:30 > 0:46:36- # United, together we'll stand
0:46:36 > 0:46:41- # United, together we'll stand
0:46:43 > 0:46:49- # United, together we'll stand
0:46:49 > 0:46:52- # For our language, our land
0:46:52 > 0:46:56- # For our people, for our children
0:46:56 > 0:46:59- # United, together
0:47:00 > 0:47:10- # We shall stand! #
0:47:10 > 0:47:13- The final question - for Hogia'r Wyddfa...
0:47:14 > 0:47:16- ..is when do you intend to retire?
0:47:16 > 0:47:22- If we're in good health and - our voices are in good condition...
0:47:22 > 0:47:27- ..we're aiming for the year 2013.
0:47:27 > 0:47:31- By then, we'll have been together - for 50 years.
0:47:32 > 0:47:34- When that time comes, we'll retire.
0:47:34 > 0:47:36- Honestly!
0:47:44 > 0:47:46- # Remember
0:47:55 > 0:47:56- # Remember #
0:48:00 > 0:48:02- S4C Subtitles by Adnod Cyf.
0:48:02 > 0:48:03- .