:00:05. > :00:08.Is there a letter R in your dad's name? Just really weird. I can't
:00:08. > :00:18.believe he got them questions. Mirror, mirror on the wall, who is
:00:18. > :00:39.
:00:39. > :00:42.the beauty out of them all? Out of APPLAUSE Hello, everyone. Hello,
:00:42. > :00:48.and welcome to Make Believe. Thank you so much for coming. This
:00:48. > :00:52.evening's show is all about the paranormal and the unexplained. You
:00:52. > :00:55.are so disinterested, it's exciting. So for that reason we filled this
:00:55. > :01:01.evening's audience with sceptics. But, before we continue, let's take
:01:01. > :01:04.a look at what's coming up on the show. We will be playing a mind-
:01:04. > :01:06.boggling game with the terrifyingly lovely Paddy Doherty. You piss me
:01:06. > :01:16.off, no bullshitting, I'll drive that head up somewhere it shouldn't
:01:16. > :01:16.
:01:16. > :01:22.go. And I'll be trying my luck as a street palm reader. Let's look at
:01:22. > :01:28.your lifeline here The way he knew that, I still don't understand it.
:01:28. > :01:32.APPLAUSE. But before that, I think it's only fair that I should tell
:01:32. > :01:38.you why I am so interested in the paranormal and the unexplained.
:01:38. > :01:41.Years ago, I visited a psychic. Imagine you met a total stranger,
:01:41. > :01:45.and they were able to tell you incredible facts, secrets and
:01:45. > :01:53.details about yourself. Let's see, I'm going to choose this lady here
:01:53. > :01:56.with the "Mother of God, don't pick me" face. What's your name? Claire.
:01:56. > :01:59.Ladies and gentlemen, let's give Claire some encouragement as she
:01:59. > :02:03.makes her way to the front. Claire, have you ever been to a psychic
:02:03. > :02:08.before? Yes. How was it? So-so. Well, you are hard to impress,
:02:08. > :02:11.Claire. Take a seat for me, Claire. I want you to take that piece of
:02:11. > :02:14.paper for me, Claire, and thinking of your mum's name, I want you to
:02:14. > :02:18.fill that out for me. Whenever I've turned away, and then when you're
:02:18. > :02:22.finished, fold it up into quarters and hold the little piece of paper
:02:22. > :02:28.on your chair. I am going to show you all exactly how the psychic
:02:28. > :02:34.experience I told you about occurred. She got me to write down
:02:34. > :02:38.my mother's name. I wrote it down on a little card. Right now, at
:02:38. > :02:41.home, my mum is blowing her tiny mind that her name is on the TV.
:02:41. > :02:45.Fold it up into quarters, and she put it inside an envelope, and she
:02:45. > :02:49.promised me, and she told me, she said there was no way she was going
:02:49. > :02:52.to have any access to the information. Once she was able to
:02:52. > :02:55.tell me my mother's name, as far as I was concerned, she was the real
:02:55. > :02:59.deal. It was terrifying. So terrifying that I ran out of the
:02:59. > :03:07.room, clutching the envelope. And remember, I was so afraid I ran out
:03:07. > :03:11.of the room holding the envelope. I didn't even pay her. And I opened
:03:11. > :03:14.up the envelope and I realised that the piece of paper wasn't in there,
:03:14. > :03:18.and then I all of a sudden started to see right through what happened,
:03:18. > :03:28.and I realised that she somehow managed to get hold of it, and in
:03:28. > :03:28.
:03:28. > :03:31.that moment it felt like my chest had opened. I felt terrible,
:03:31. > :03:34.horrible, because I believed in the instant that she was in touch with
:03:34. > :03:37.the other side. Wouldn't we all, everyone, love to know someone out
:03:37. > :03:42.there could answer life's tough questionsfor us, just by contacting
:03:42. > :03:48.the other side? So that's where you come in, Claire. Now, I want you to
:03:48. > :03:52.hold that up to the light for me. Hold that up to that bright light.
:03:52. > :03:56.Is anything coming through that at all? No. So what I also want you to
:03:56. > :03:58.do is give this envelope a proper check for me. Hold them both up to
:03:58. > :04:02.the light. Is anything shining through either of those two
:04:02. > :04:05.objects? Not at all. You're not going to give those to me. I am not
:04:05. > :04:09.going to look at them. I want you to put the paper inside the
:04:09. > :04:12.envelope and then I want you to seal it. It's all right, I had
:04:12. > :04:16.prelicked it earlier. At this point I need to contact my spirit guide.
:04:16. > :04:20.Now, what I want you to do is look me straight in the eye, and I'm
:04:20. > :04:23.going to go into a slight trance, just a very light trance, and this
:04:23. > :04:27.will help me work out the information I need. Now you will
:04:27. > :04:37.barely notice it, but my voice will change just ever so slightly. And
:04:37. > :04:45.
:04:45. > :04:55.my facial features will change. Just ever so slightly. Woo! It's
:04:55. > :04:58.
:04:58. > :05:01.very subtle. Not everyone spots the change. Do it properly this time.
:05:01. > :05:06.Now, I want you to think of this really carefully. Think of your
:05:06. > :05:16.mother's name for me. Does the name Mary mean anything to you? It's my
:05:16. > :05:19.mum. Is that your mum's name? APPLAUSE. Thank you very much.
:05:19. > :05:23.Actually, Claire, sorry, would you mind giving me one more second. Do
:05:23. > :05:29.you mind if I try and maybe get your dad's name or brothers' names
:05:29. > :05:36.or cousins' names or anything like that? So... No, thank Claire for me.
:05:36. > :05:40.Actually. Does Tony mean anything? Anthony, Tony? Yes. Anthony? Tony.
:05:40. > :05:49.Who is that? My dad. Your dad. I appreciate that, thank you very
:05:49. > :05:53.much. The funny thing is about psychics and palm readers and that
:05:53. > :05:56.sort of thing, they have an awful lot to go on, they are not just
:05:56. > :05:59.looking at your palm, they are looking at your entire body. If
:06:00. > :06:02.they were really good palm readers, wouldn't they be able to do it with
:06:03. > :06:05.just looking at your palm? Wouldn't it be fascinating to think that
:06:05. > :06:13.someone could tell us something about ourselves just by looking at
:06:13. > :06:16.our palms? For this game to be properly interesting I've
:06:16. > :06:20.constructed a beautiful big wall in the street and anyone, anyone in
:06:20. > :06:24.the world can place their hand through it. I won't have any clues
:06:24. > :06:33.as to who they are, only their hands. Let's see how accurate I can
:06:33. > :06:36.be. Would you put your hand in this hole? These people would. And
:06:36. > :06:42.straight away, I can make a couple of educated guesses, even on the
:06:42. > :06:46.other side of this board. OK, folks, for those of you on the other side
:06:46. > :06:49.of the board I'm going to make some guesses about you. If I guess right,
:06:49. > :06:55.I need you to give me a thumbs up. Practise? If I get something wrong,
:06:55. > :06:58.thumbs down. Practise? OK, so we are going to start with you. OK,
:06:58. > :07:01.this is your life line here, so this suggests it is pretty
:07:01. > :07:05.disjointed in places, I would say you are probably, I don't think you
:07:05. > :07:09.have a job at the moment. Is that right? OK. Brilliant. It is a
:07:09. > :07:13.surreal feeling that he was able to tell that by not seeing me, just by
:07:13. > :07:19.looking at my hand. I am looking at you, if you know it is you, put
:07:19. > :07:22.your thumbs up. Brilliant. Hands out flat. I am going to look at
:07:22. > :07:25.your lifeline. You are obviously the type of person who is, people
:07:25. > :07:28.would say, is a really good friend but sometimes has a temper,
:07:28. > :07:32.sometimes has a, you know, is the type of person who would snap
:07:32. > :07:35.quickly without thinking about it. Oh, brilliant. OK. Everything he
:07:35. > :07:39.said was correct. I'm quite a loyal friend but I snap. That is the
:07:39. > :07:42.thing in my life that causes the most arguments. Now you know and I
:07:42. > :07:46.know that palm reading is probably nonsense, but if I can get someone
:07:46. > :07:52.to believe in it for a tiny while it can have an impact on the way
:07:52. > :07:55.they perceive their world. This time I am going to step it up and
:07:55. > :08:01.use the black art of mentalism to tell these people things that
:08:02. > :08:08.aren't just hunches. I'd say, are you a Cancerian? You're not a
:08:08. > :08:14.Cancer, no? No, you are a cancer? Right. It is you we are talking
:08:14. > :08:18.about. So... Really weird. I can't believe he got them questions. Just
:08:18. > :08:21.weird. Onto the last one, you are the type of person who doesn't
:08:21. > :08:26.really like bright colours. Only joking, I have seen your finger
:08:26. > :08:30.nails. Psychics are always seeing relatives' names in people's palms
:08:30. > :08:35.so I am going have a go as well. The left hand is usually associated
:08:35. > :08:39.with parentage, with dads. There is a strong letter F in your palm. Is
:08:39. > :08:43.the letter F in your dad's name. It is? All right. So, I think I could
:08:43. > :08:53.be wrong, is there a letter R? Is there an R in your dad's name? I
:08:53. > :08:53.
:08:53. > :09:01.could be wrong about this, but... Come around. This name means
:09:01. > :09:04.something. My dad's name. What is it? Crawford. I knew there was an R
:09:04. > :09:09.in there. He has been called Clifford before. Has he? Good job,
:09:09. > :09:13.everybody. Really appreciate it. Thanks for that. Thanks a lot.
:09:13. > :09:16.APPLAUSE. Well, that was really fun experience for me, and this evening
:09:16. > :09:19.we are joined by Claire and Nicky from palm reading. Hello, Claire
:09:19. > :09:24.and Nicky, so let's see. I want to show you something really quickly.
:09:24. > :09:27.I am going to pass this round to a few of you. Grab one or two of
:09:27. > :09:32.these each please. All I want you to do is follow my instructions.
:09:32. > :09:36.Who doesn't have one? There you go. I want you to lay your spoons flat
:09:36. > :09:39.on your hands. Now, before we do this, it is probably good if we get
:09:39. > :09:43.a quick reference as to what a straight spoon looks like. This is
:09:43. > :09:47.a bit what a straight spoon looks like, so at the thinest point in
:09:47. > :09:57.the spoon I want you to take the tip of your index finger and just
:09:57. > :09:58.
:09:58. > :10:03.tip of your index finger and just rub. It is 49 minutes of this. And
:10:03. > :10:08.if you just give it the gentlest rub. Should be able to just see it
:10:08. > :10:13.beginning to lift, and lift, and lift. Now, let's just check this
:10:13. > :10:22.against one of yours. If I can check this against that one, we can
:10:22. > :10:26.see quite a difference there. APPLAUSE. So, everyone, I want do
:10:26. > :10:29.you take your scissor fingers and clip the spoon at the thinnest part
:10:29. > :10:32.between your scissor fingers, and I want do you very gently, very
:10:32. > :10:42.gently rub. So watch the thinnest point, that's where it is going to
:10:42. > :10:53.
:10:53. > :10:56.bend. APPLAUSE. Now, again, please check for me. Nicky and Claire,
:10:56. > :10:59.check and make sure there is no chemicals or anything on that,
:11:00. > :11:05.there is nothing sticky. It is not even hot, is it? No. Give your
:11:05. > :11:10.spoons a knock so you are happy they are solid. Just against
:11:10. > :11:20.people's heads is fine. Remember, I want to try and do it without
:11:20. > :11:25.
:11:25. > :11:33.actually touching the bending part. APPLAUSE. Now, solid. Folks, folks,
:11:33. > :11:37.there are a couple of different ways we can do this. Give it a
:11:37. > :11:41.gentle rub, all I want you to do is hold it and give it a gentle rub at
:11:41. > :11:45.the thinnest part. At the thinnest part. If you would see, see, if you
:11:45. > :11:55.were to do a shake like that, makes it look rubbery, if you continue to
:11:55. > :11:57.
:11:57. > :12:01.rub... Madame, could you come here a second for me? Just now it is
:12:01. > :12:07.quite liquid, so just be careful. Now, touch that, is that cold? It
:12:07. > :12:13.is cold, it is not hot? APPLAUSE. And this one as well. And what is
:12:14. > :12:16.your name by the way? Pamela. Pamela, that is for you. Thanks.
:12:16. > :12:19.Give Pamela a round of applause. APPLAUSE One of the most
:12:19. > :12:27.astonishing things I have seen a psychic do is a technique called
:12:27. > :12:30.remote viewing. Think about it, remote viewing. It's the ability to
:12:30. > :12:33.see through someone else's eyes, it's an astonishing feat when done
:12:33. > :12:43.properly, so I thought, "I don't want to cheat, I want someone who
:12:43. > :12:45.
:12:45. > :12:49.will give me a run for my money." The eyes I have chosen to look
:12:49. > :12:52.through are those of a fighter from the old school. Paddy Doherty. Not
:12:52. > :12:57.surprisingly, Paddy isn't scared of much, except of course when it
:12:57. > :13:04.comes to the supernatural. You know night-time, if strange things move,
:13:05. > :13:09.(BLEEP) vibrate, I'm just no good. Let's hope playing paranormal games
:13:09. > :13:13.with Paddy doesn't become a sore subject for me. Paddy, how are you,
:13:13. > :13:17.good to see you. Thanks for coming. Excuse me... What happened? I was
:13:17. > :13:21.driving my horse and I broke it in three places. What do you think
:13:21. > :13:23.about the paranormal? It fascinates me. Do you think there is a
:13:23. > :13:27.possibility there is something else out there, something unexplained?
:13:27. > :13:29.Oh, yeah, one million percent. want to try a simple paranormal
:13:29. > :13:32.experiment. Now you might recognise these, these are what universities
:13:32. > :13:35.across the world use to test for psychic ability. Basically, they
:13:35. > :13:43.are five simple images, you've got a circle, a cross, wavy lines, a
:13:43. > :13:47.square and a star. What's going to happen is I am going to you think
:13:47. > :13:50.of one of these, and my job is to work out which one you are thinking
:13:50. > :13:53.of. OK. So, Paddy, whenever you are ready I want you to look at all
:13:53. > :13:57.five of those cards. Whenever you are ready, place your good hand
:13:57. > :14:01.over the top of one of them and say yes when you've done it. I've done
:14:01. > :14:08.it. OK. Now, Paddy, I would say, if I had to guess, you're thinking of
:14:08. > :14:13.the star? Yes. You are thinking of the star. You did. All right.
:14:13. > :14:16.respect. Big respect. You are going to get a punch in the mouth. I will
:14:16. > :14:20.be honest with you, that is how they originally did it back in the
:14:20. > :14:24.day, and that was seen as proof of psychic ability. This time let us
:14:24. > :14:28.turn them all face down. All face down. This time, I want to do it
:14:28. > :14:31.differently. But just to make sure there is no way I can see, I will
:14:31. > :14:39.place my fingertips on my eyeballs. Now, Paddy, are you happy there's
:14:39. > :14:43.no way I can see? No. It is like you have given me two black eyes.
:14:43. > :14:46.Don't worry, I will be giving you them before the night's out. Pick
:14:46. > :14:50.one up, make sure the camera doesn't see. I just want you to see.
:14:50. > :14:54.Don't tell me. Look at a different one. OK, you done it? I would say -
:14:54. > :14:58.did you look for the circle first then the star? Is that what it was?
:14:58. > :15:02.Do you know what I just done to you there? There is one more thing that
:15:02. > :15:07.could be happening here. Maybe the cards are marked, so we will do it
:15:07. > :15:15.differently again. We will put them inside envelopes, that way we don't
:15:15. > :15:19.see the back or the front. One inside each envelope. Even if they
:15:19. > :15:23.were marked, I have no idea what is in which. This is the most random
:15:23. > :15:27.way of doing it. You don't know what is in each envelope. I don't
:15:27. > :15:31.have a clue. All I want you to do is pick one up and I don't want you
:15:31. > :15:38.to take the card out. I want you to look inside and remember the shape
:15:38. > :15:42.you see inside. Pick up one of them, take a look inside. And remember
:15:42. > :15:44.the shape. Let me know when you are done. I am done. The amazing thing
:15:44. > :15:48.about the paranormal is sometimes incredible amazing things happen,
:15:48. > :15:52.and I think that has happened now. Did you go for the star again?
:15:52. > :15:55.swear on my life, yes. Did you? swear on my baby's life I didn't
:15:56. > :15:59.plan for that. Brilliant. Do you know what, I want to try one more
:15:59. > :16:03.thing, I want to push remote viewing as far as we can. I want to
:16:03. > :16:07.see, Paddy, if I can see through your eyes. I want you to wander
:16:07. > :16:11.round your home and select an item you can hold in your hands, in such
:16:11. > :16:14.a way I won't be able to see through your hands. You want me to
:16:14. > :16:19.go round my home, pick an item that's going to stand in the palm
:16:19. > :16:23.of my two hands? That is it, and my job is to try and guess what that
:16:23. > :16:27.object is. In fact, your brother is here. Do you want to come in? Do me
:16:27. > :16:35.a favour, stand behind me. I wanted you to reach your hands around and
:16:35. > :16:39.cover...you have done this before. Cover up - don't cover up my ears,
:16:39. > :16:42.it makes me seasick. Paddy, are you happy there's no way I can see?
:16:42. > :16:45.you can't. By the way, fingertips, not fingernails. How do you spell
:16:45. > :16:55.gouge? Whenever you are ready, have a wander, enjoy yourself. Paddy can
:16:55. > :16:56.
:16:56. > :17:06.go absolutely anywhere in his home to choose this item. In fact to
:17:06. > :17:07.
:17:07. > :17:12.test my powers of remote viewing, OK. Lovely. Lovely. Clasped in your
:17:12. > :17:16.hands? Yes. If I was were to turn around, is there any way I could
:17:16. > :17:19.see what this is? No. Now, Paddy, imagine what it would be like if I
:17:19. > :17:23.could see through your eyes and know what you were seeing at any
:17:23. > :17:27.point in the future. Imagine how terrifying that would be. Yes. It
:17:27. > :17:30.would be a nightmare for me. I am going to turn away. Whenever you're
:17:30. > :17:35.ready, take a tiny peek inside, can you see it right now? Yes. Close
:17:36. > :17:39.your hands again. All right. Think of the colour of the item. I am
:17:39. > :17:47.seeing something that is a little bit shiny, is it silver? Is it
:17:47. > :17:50.silver? I'm going to give you a punch on the back of the head.
:17:50. > :17:54.Are you sure you doesn't have mirrors on those glasses? No, take
:17:54. > :17:58.them, go for it. They will look good on you. Make sure you're only
:17:58. > :18:01.one in the world who can see what's inside those hands. There are
:18:01. > :18:07.multiple parts to it, this is metal, this is a silver metal, you know it
:18:07. > :18:11.is not an expensive metal, you know it is quite cheap. It wouldn't
:18:11. > :18:19.annoy you if you lost it or it got damaged or broken. I could be wrong
:18:19. > :18:23.on this. I hope you are. I have drawn a picture of it. It's a rat
:18:23. > :18:28.or a mouse, it is on a silver key ring, it's got a chain to it. You
:18:28. > :18:32.look amazing by the way. I can't really see you. Mirror, mirror, on
:18:32. > :18:36.the wall, who is the beauty of them all? What did you end up up with?
:18:36. > :18:39.That is the dog's bollocks. Let me see. No way. Did you almost go for
:18:39. > :18:45.something else? I thought you were going to go with a flower. I swear
:18:45. > :18:49.on my life. I was 50-50. I was going to go for a flower. No-one
:18:49. > :18:56.knew that. Honest to God, that is amazing what you have just done.
:18:56. > :19:00.Hello, hello. Good man, Paddy. Thank you so much. You are a
:19:00. > :19:03.gentleman, Paddy. Let's hear it for Paddy. I pick up the flower, the
:19:03. > :19:08.yellow flower. I thought no, go for the key ring, it's smaller, I can
:19:08. > :19:13.put this in the plaster of Paris. You see, the badness is in me. Put
:19:13. > :19:18.that in there so he can't see, no matter how good his glasses. I had
:19:18. > :19:22.them well pressed, right against. I thought there is no way in a
:19:22. > :19:26.million years you can see, because I had them proper pressed in. Paddy,
:19:26. > :19:36.it was all the same if I'd stuck the fingers to the back of his eyes,
:19:36. > :19:38.
:19:38. > :19:41.he was still getting it. You should Remote viewing is one of those
:19:41. > :19:44.things that just chills you when you think that someone might be
:19:45. > :19:47.able to see through your eyes. But, it is nowhere near the most
:19:48. > :19:50.incredible thing I have seen. One man was the most incredible psychic
:19:51. > :19:53.that I never got to see. He would have himself blindfolded with
:19:53. > :19:56.surgical bandages, they were wrapped round his head again and
:19:56. > :19:59.again, and he would sense things round him using his hand and finger
:20:00. > :20:02.tips. Just by touching a page he would know what was written there.
:20:03. > :20:12.Decades ago, as you can see, he performed astonishing feats on the
:20:13. > :20:19.
:20:19. > :20:24.BBC, and it is my honour to try and One of his most amazing skills was
:20:24. > :20:32.just by touching a person he could tell if they were a male or female.
:20:32. > :20:36.I'm going to try that right now. LAUGHTER. So, what we are going to
:20:36. > :20:39.do? I need a few volunteers for this. This lady here. Sorry, Madame,
:20:40. > :20:45.what is your name? Leanne. I need one more person. I will make it
:20:45. > :20:49.this gentleman here in the glasses. What is your name? Jack. Please
:20:49. > :20:54.give Leanne and Jack a round of applause as they make their way to
:20:54. > :20:59.the front. APPLAUSE. Now, you both have incredibly important roles
:20:59. > :21:03.tonight. Leanne's jobs is going to be to blindfold me. Now, he used
:21:03. > :21:07.medical bandages, the types of thing you use to dress a wound. I'm
:21:07. > :21:12.going to try and raise the bar a bit. Your job is to be my glamorous
:21:12. > :21:14.assistant. Very good. You are going to go into the audience and take a
:21:15. > :21:18.personal effect from someone. A small trinket, something you might
:21:18. > :21:21.have in your pocket. Something that is personal to you. I'm glad you
:21:21. > :21:28.didn't get overdressed tonight. Are they flip-flops or sandals? Mandals.
:21:28. > :21:37.They are mandals. You have given them your own name? Of course.
:21:37. > :21:41.Folks, this is industrial strength high tensity duct tape. This is the
:21:41. > :21:45.type of thing plumbers use to seal leaks. It is extremely dangerous to
:21:45. > :21:48.get it on your skin for a long period of time, and the longer that
:21:48. > :21:56.it is there, the tighter that it binds to the skin. Now, Leanne,
:21:56. > :21:59.your job is to blindfold me. Now, I can assure you when I take these
:21:59. > :22:03.off, it renders me virtually blind. Folks, has anyone any cash? I need
:22:03. > :22:11.a couple of 50 pence pieces. Will you get a couple off anyone you
:22:11. > :22:14.like in the audience. Thank you. want you to take this tape. Hold
:22:14. > :22:17.that, please be careful against your fingers, and you are going to
:22:17. > :22:21.press that coin against my eye ball so that seals my eye ball closed.
:22:21. > :22:24.Make sure it goes over my eyelid and press the tape against my face.
:22:24. > :22:30.Press the tape against my forehead, against my cheeks. Are you happy
:22:31. > :22:36.that is stuck on? Yes. Seriously, you are happy, Leanne? Take the
:22:36. > :22:39.next one, the 50 pence piece, and do it on the opposite side. Press
:22:39. > :22:42.it against my forehead, cheeks. Folks, the reason the 50 pence
:22:42. > :22:45.pieces are there, and you can start your work for me, the minute that
:22:45. > :22:49.anything, even the lightest pressure, is on your eyelid it is
:22:49. > :22:52.impossible to open it. That is why the coins are there, to press into
:22:52. > :22:57.the eye socket. Take up another piece of tape and I wanted you to
:22:57. > :23:04.put it across this area here, across any gap. Now, there should
:23:04. > :23:08.be a night mask down there, a night mask. I am going to put this over
:23:08. > :23:18.the top, over the top, so this is for the sceptics among you. I know!
:23:18. > :23:18.
:23:18. > :23:24.So, OK. Now, there is a gentleman in the audience that has a trinket,
:23:24. > :23:27.is that right? Yes. Whenever you are ready make your way towards the
:23:27. > :23:31.stage and stand beside me with the item concealed between both hands,
:23:31. > :23:38.please. APPLAUSE. As you might imagine I have no idea when you are
:23:38. > :23:41.here. I am here. You are here, right. I can hear the mandals.
:23:41. > :23:46.want you to stand behind me and take this object and hold it above
:23:46. > :23:48.my head. As you do this, I want you to look in both my ears. I want you
:23:48. > :23:52.to make sure no-one is communicating with me. Check there
:23:52. > :23:55.is nothing in my ears. We are good. We're good? Can't help but think
:23:55. > :23:59.you are overstating our relationship, Jack. OK, so I want
:23:59. > :24:02.you to think what this is for me. I want you to think what this is.
:24:02. > :24:09.This is interesting, what is coming through, I am seeing lots of
:24:09. > :24:14.colours, am I seeing squares? APPLAUSE. Green, yellow, red, white,
:24:14. > :24:18.blue. Is this...? Sorry, sorry, sorry, I felt like it was lots of
:24:18. > :24:25.squares, but it isn't, it is one. Is it squares in squares? Is this
:24:26. > :24:30.something that goes like this? APPLAUSE. Whoa, whoa, is this a
:24:30. > :24:37.Rubik's Cube? APPALUSE. That's what it is? Is it like a key ring or
:24:37. > :24:40.something as well? Is that what it is? Excellent. Jack. What I want
:24:40. > :24:43.you to do is pick one more person from the audience. That person is
:24:43. > :24:47.going to walk over to the chalk board. Ladies and gentlemen, let's
:24:47. > :24:50.give Jack a round of applause as he makes his way back. Leanne, what I
:24:50. > :24:54.want you to do, there should be a balloon round there somewhere.
:24:54. > :24:57.There should be a balloon. You are going to pass this balloon out to
:24:57. > :24:59.anyone that you like in the audience, Leanne, whenever there is
:24:59. > :25:03.someone, whenever there is someone at the blackboard, could that
:25:03. > :25:11.person please give me a nice loud yell. Yes. All right, what is your
:25:11. > :25:14.name? Liam. All right. Liam, I want you to write in huge large letters
:25:14. > :25:18.any four or five letter word from the English language. Don't you
:25:18. > :25:21.make it a mucky one. Can you come to my left and take my left arm and
:25:21. > :25:28.could you guide me over there please. OK. So let me know whenever
:25:28. > :25:37.we are coming. Take a step down. There is cables in front of you.
:25:37. > :25:40.You are very rough, Leanne. You are very slow. Right. OK. I need chalk.
:25:40. > :25:50.I need chalk. Where is this person, the person that has written it?
:25:50. > :25:57.
:25:57. > :26:04.That's me. Can you place your hand on my shoulder? All right. So.
:26:04. > :26:14.APPLAUSE. Is that it? Yes. You can take that. Is Leanne still here?
:26:14. > :26:20.Yes. OK, guide me back over. Was that a child, was that a child?
:26:20. > :26:30.Oh, no! Could I have the box please? Oh. Lovely. Leanne, my last
:26:30. > :26:37.
:26:37. > :26:41.job is to find the balloon. I know you are thinking that this is going
:26:41. > :26:46.to be some sort of trick knife or something. Please don't tell me I
:26:46. > :26:56.hit Leanne's feet. That is why I sent mandal man back. Now just take
:26:56. > :26:56.
:26:56. > :27:39.Apology for the loss of subtitles for 42 seconds
:27:39. > :27:49.me off, take me off the stand APPLAUSE. Folks, folks, please
:27:49. > :27:51.
:27:51. > :28:01.folks, this is going to be the slowest part of the night. All
:28:01. > :28:06.
:28:06. > :28:11.right. So...can someone take the 50 pences? Folks, thank you so much
:28:11. > :28:17.for watching, thank you to my audience. Thank you to everyone who