:00:13. > :00:18.Last week, five acts were cheeky. am speechless. Creeky. Fantastic.
:00:18. > :00:23.And meaty. You can dance. And as they say - never work with animals.
:00:23. > :00:28.Or comedians in dresss. Get your hand off there. Tim Vine was the
:00:28. > :00:35.public's choice. And the soapstars got the judges' vote to secure
:00:35. > :00:45.their place in the final. Tonight - five more acts perform live. We
:00:45. > :01:08.
:01:08. > :01:13.must be bacing. Let's Dance. -- we Live from Television Centre, it's
:01:13. > :01:23.the stars for Comic Relief. Please welcome your hosts, Alex
:01:23. > :01:40.
:01:40. > :01:48.Hello and welcome to Let's Dance for Comic Relief. It's time for
:01:48. > :01:55.your week lidos of choreographical chaos here in our temple of dance -
:01:55. > :01:59.- your weekly dose. We've raided the fancy dress
:01:59. > :02:04.department. They are here to perform memorable dance routines.
:02:04. > :02:09.We have two great performances. Paloma Faith will be here. And we
:02:09. > :02:13.have a real treat in store with actual professional dancers. The
:02:13. > :02:23.cast of the West End show chorusline will be high-kicking all
:02:23. > :02:24.
:02:24. > :02:28.over the stage -- Chorus Line. We also have the second part of One
:02:28. > :02:32.Direction's recent visit to Africa. There are five acts waiting
:02:32. > :02:41.backstage. Let's meet the people hoping to launch themselves into
:02:41. > :02:48.the dancing stratosphere. Here they Dancing tonight for Comic Relief:
:02:48. > :02:56.they're rae wannabes, it's the staff and pupils of Waterloo Road.
:02:56. > :03:00.-- real wannabes. The competition will be hot. It's going to be
:03:00. > :03:07.fierce. Some might say spicy. Hoping to make a good impression,
:03:07. > :03:15.Jon Culshaw. Lovely, right. Bringing a lot of razzle dazzle to
:03:15. > :03:20.the stage, Rosemary Shrager and Kim Woodburn.
:03:20. > :03:28.Shaking your booty, comedienne Katherine Ryan.
:03:28. > :03:35.Serious dancing. And me, two very different things. And proving that
:03:35. > :03:40.on this show, anything goes, Corrie's Antony Cotton. I do
:03:40. > :03:45.remember it - but not how to do it. Let's do this.
:03:46. > :03:50.APPLAUSE Now you won't believe what is in
:03:50. > :03:55.store for you. In fact, even when you have seen it, you still won't
:03:55. > :04:01.believe it. But it is a competition. We really need judges. Heaven knows
:04:01. > :04:10.we really need judges. Instead we have these three. Fresh from the
:04:10. > :04:20.Strictly ballroom, Lisa Riley, Jason Manford and music wonder,
:04:20. > :04:33.
:04:33. > :04:37.Paloma Faith. Get into it, Manford. And you, yes,
:04:37. > :04:41.you at home have the power to give one act that special gift of an
:04:41. > :04:50.automatic place in the final. You can vote by phone or for free,
:04:50. > :04:59.through the internet. Go to Webb Red and have a look. -
:04:59. > :05:02.bbc.co.uk/rednoseday. And our first act will be judged by
:05:02. > :05:08.that panel of experts. I only say that because it is better than
:05:08. > :05:14.saying - that lot over there. Jason, long time no see.
:05:14. > :05:17.Paloma, you are performing for us. Lots of work for you tonight. But
:05:17. > :05:21.leasia, you were brilliant on Strictly, you got to the semi-
:05:21. > :05:25.finals. How do you think our stars will feel backstage? I know exactly
:05:25. > :05:28.how they are feeling. Thumping with nerves. It's live. I know how they
:05:28. > :05:34.are feeling. They have to go out there, give it millions and they
:05:34. > :05:38.will be sorted. They will be all right. Less lippy, lippy, more
:05:38. > :05:44.jiggy, jiggy. I tell you what we want, what we really, really, want.
:05:44. > :05:54.I think I know what. We really want to see our first act tonight - the
:05:54. > :05:54.
:05:54. > :06:04.cast of Waterloo Road. I'm Rebecca. Tomy. Victoria. Marlene. Karl.
:06:04. > :06:04.
:06:04. > :06:12.are the cast of Waterloo Road. Take five, everyone. Omg, guys,
:06:12. > :06:18.look who is here, it is the Let's Dance letter. Did we make it?
:06:18. > :06:23.You might not know this, but me and the kids met long before Waterloo
:06:23. > :06:31.Road. We used to dance in a tribute act together. We were pretty good,
:06:31. > :06:36.actually. We're very lucky. We actually look quite a lot like the
:06:36. > :06:46.characters we play in the tribute band. Have I got thising on right?
:06:46. > :06:52.I've missed you. We have to just become those characters. You know.
:06:52. > :06:56.So we've been working really hard, rehearsing all the old dance moves.
:06:56. > :07:01.Move give me the point, now the pout. This tribute band will only
:07:01. > :07:07.work if we get those moves just right. Pointier. Poutier. Now, that
:07:08. > :07:16.is very good. Once we get those old outfits on,
:07:16. > :07:23.the magic will just come floating back.
:07:23. > :07:31.We've still got the moves - right! Sorry.
:07:31. > :07:41.Yes, it's the Spice Girls, with scary, scary, scary and scary. Also
:07:41. > :07:41.
:07:41. > :09:35.Apology for the loss of subtitles for 114 seconds
:09:35. > :09:45.APPLAUSE You were be a slaughtly brilliant.
:09:45. > :09:46.
:09:46. > :09:52.Come on over. What a great opener to the show. Mou you could have
:09:52. > :09:57.shaved. I think it frames the face, though. Sporty Spice is more hairy.
:09:57. > :10:02.We come to you first, Lisa, a great opener. You literally did bring
:10:02. > :10:12.spice. You were amazing. I feel like a proud mother watching you.
:10:12. > :10:12.
:10:12. > :10:17.But Karl, I'm sorry, you absolutely shone. Thank you. You were great.
:10:17. > :10:21.Jason, spicy enough for you? It is like a flakback, like they are in
:10:21. > :10:25.the room. You are definitely the best act so far, I would say that.
:10:26. > :10:31.The boys were enjoying it a little bit too much for me. Well into it.
:10:31. > :10:36.You should take this on the road. Brilliant.
:10:36. > :10:46.Paloma? I've got goosebumps but mainly because the BBC haven't paid
:10:46. > :10:55.
:10:55. > :11:02.for central heating. I'm absolutely now a massive fan. I think we had a
:11:02. > :11:08.little moment with Gerry and Sporty. We tried. Ginger and Sporty were
:11:08. > :11:11.out of this world. Well thank you, that's what our
:11:11. > :11:18.soap-supporters think, that's what the panel thinks, what do they
:11:18. > :11:23.think? I'm joined by Waterloo Road co-star, Georgie. Was that up to
:11:23. > :11:29.the high standards of the show? was exactly what I expected of them.
:11:29. > :11:33.Superb. Were you annoyed you didn't get the call? Did you have the
:11:33. > :11:39.Scary Spice wig ready? I can live with it. I'm glad they did it
:11:39. > :11:45.instead of me, I can assure you. Karl and Tommy, did they need any
:11:45. > :11:50.persuasion to be Posh and Sporty. They took to it like a rat up a
:11:50. > :11:53.drainpipe. There was a fight over who got to wear the highheels but
:11:53. > :12:00.Tommy won. Tommy really won! Thank you for your time.
:12:00. > :12:03.Alex, back to you. Brilliant. So if you want to see the spice Girls
:12:03. > :12:13.reunite for the millionth time, you reunite for the millionth time, you
:12:13. > :12:15.
:12:15. > :12:20.reunite for the millionth time, you Don't vote until all the acts have
:12:20. > :12:28.dance or your vote won't count. But please give it up for the brilliant
:12:28. > :12:32.Waterloo Road. As you have already seen, here on
:12:32. > :12:42.Let's Dance, we demand perfection from all our celebrity acts. For
:12:42. > :12:42.
:12:42. > :12:47.the fist time ever, here is a look at our rigorous audition process.
:12:47. > :12:57.I'm Jon Culshaw, comedian and I'm Jon Culshaw, comedian and
:12:57. > :13:01.
:13:01. > :13:06.Um, reality check. That was probably the most ridiculous
:13:06. > :13:12.performance I have ever seen in my life. I can't believe I'm taking
:13:12. > :13:18.advice from someone who looks like a sultana. Sorry, petal it, has to
:13:18. > :13:25.be a "no." Ozzie? I don't know what you are asking me for, I can barely
:13:25. > :13:31.stand up let alone (BEEP) dance. It is going to be three noes.
:13:31. > :13:38.What a week. Claudia, what is the dance
:13:38. > :13:43.dance I'm going to do, at any rate it, starts like this, ah, ah, ah.
:13:43. > :13:51.Do you need the lavvie for a little wee? No, um, in fact, yes, exactly.
:13:51. > :13:55.Next. Oh, you are auditioning,
:13:55. > :14:02.auditioning, standing on the star, not next to the star but on the
:14:02. > :14:05.star and you are standing on it. Will you stand on the (BEEP) star.
:14:05. > :14:13.No, this is not my dance, I'm trying to fill. Obviously, it's a
:14:13. > :14:17.OK, so, we've got a situation. We don't have a celebrity dancer.
:14:17. > :14:27.We've got to have someone to really connect with the public. Hang on a
:14:27. > :14:36.
:14:36. > :14:40.minute, what about that fella over So the cleaner got gig. He is no
:14:40. > :14:46.ordinary cleaner. The man of many faces, Jon Culshaw. But can he do
:14:46. > :14:50.the impression of a good dancer? We are about to find out. Dancing to
:14:50. > :15:00.Fatboy Slim's praise praise - please welcome, Jon. Sorry, he is
:15:00. > :15:00.
:15:00. > :16:55.Apology for the loss of subtitles for 114 seconds
:16:55. > :17:02.where? He is where? What is he John jn cull Shaw.
:17:02. > :17:08.-- Jon Culshaw. Come and join me, Jon. That made me
:17:08. > :17:14.so happy. Fabulous. But what do our esteemed panel think? Jason? Coming
:17:14. > :17:17.to you first. A lot of time judges on these show say you have been on
:17:17. > :17:21.a journey. You literally have, from reception to here. I thought that
:17:21. > :17:27.was brilliant. I thought the place might go up with the amount of
:17:27. > :17:34.nylon being rubbed together. But well-played. Paloma? Well I'm
:17:34. > :17:39.astounded by the styling. I think it's so current. So now and like it
:17:39. > :17:47.really brings out the colours in your eyes, your hair and all your
:17:47. > :17:51.dancers as well, phenomenal. Brilliant image. Gorgeous all of
:17:51. > :17:58.them. It was like a party in a charity shop with all of you. You
:17:58. > :18:03.must be knackered legging it around the BBC. I was worn out before we
:18:03. > :18:04.started. I enjoyed it. Well done. started. I enjoyed it. Well done.
:18:04. > :18:10.started. I enjoyed it. Well done. Really good.
:18:10. > :18:14.So a big fat thumbs-up here. What is going on over there.
:18:14. > :18:19.I'm joined by Deborah Stephenson. Lovely to see you. How did Jon feel
:18:19. > :18:23.ahead of his performance, he must ahead of his performance, he must
:18:23. > :18:27.have been so nervous. I don't think he does. He takes everything in his
:18:27. > :18:34.stride. The only dance I have seen him do is the Brucie dance.
:18:34. > :18:39.does that go? I will leave it to him. We heard what Paloma said.
:18:39. > :18:47.What would your version say this is a bit cheeky. Well, you
:18:47. > :18:53.know, I believe that, in this world, and in this society, that you have
:18:53. > :19:01.got to be a bit entertaining and a bit fun and a bit cookie and a bit
:19:01. > :19:08.bonkers, so... You know, John jns with all those things, just a bit
:19:08. > :19:17.like me -- Jon was all those things, just a bit like me, really.! She is
:19:17. > :19:27.waving, it is fine. We are also joined by Emma Sams. I used to want
:19:27. > :19:34.to be you. What did you think was the most bizarre being in the Cobl,
:19:34. > :19:39.ys? Or Jon's performance? He was bizarre. If Jon's Fatboy Slim gave
:19:39. > :19:43.awe wide green, show your awe wide green, show your
:19:43. > :19:51.awe wide green, show your appreciation by voting: -- gave you
:19:51. > :20:01.a wide grin. Don't vote until we tell you. Otherwise your vote won't
:20:01. > :20:02.
:20:02. > :20:06.So have Jon and the cast of Waterloo Road danced into your
:20:06. > :20:10.hearts? Don't make up your mind yet. There are three more actsdesperate
:20:10. > :20:18.to get out here. Or maybe just desperate to get out. Here is what
:20:18. > :20:24.is coming up: Rosemary Shrager and Kim Woodburn are dancing for
:20:24. > :20:29.diamonds. Joop Antony Cotton leaves the cobbles of Corrie to dance the
:20:29. > :20:39.dream. And from behind the panel to centre-stage. Paloma performs her
:20:39. > :20:43.latest single. We'll have the second part of One
:20:43. > :20:50.Direction's report from Africa very soon. Now this year you can help by
:20:50. > :20:54.donating �5. All you have to do is text "yes" to 7005. Texts cost �5
:20:54. > :20:55.plus the standard network message charge. The whole �5 goes to Comic
:20:55. > :21:02.charge. The whole �5 goes to Comic charge. The whole �5 goes to Comic
:21:02. > :21:09.Relief. You must be 16 or over. Ask the bill payers' permission for
:21:10. > :21:19.permission. Up next, the Duchess of Dirt gets
:21:19. > :21:26.jiggy with the Countess of Cooking. Otherwise known as the Queen of
:21:26. > :21:35.clean and Kim Woodburn and TV chef, Rosemary Shrager. I'm Rosemary.
:21:35. > :21:38.Kim, the Queen of clean. We are Kim, the Queen of clean. We are
:21:38. > :21:40.here to do the most sexy dance. # Working nine to five, what a way
:21:40. > :21:44.to make a living # Getting by
:21:44. > :21:51.# It's all taking and no giving # You must use your mind
:21:51. > :22:01.# And you never get the credit # It's enough to drive you crazy if
:22:01. > :22:23.
:22:23. > :22:28.I pay you could clean. Rosemary! Hello. Hello. Good news, girls,
:22:28. > :22:33.after all these years, it's finally happened, I've got you a dancing
:22:33. > :22:40.gig. Fantastic. Is it the Royal Ballet. Strictly Come Dancing.
:22:40. > :22:50.Backing dancers for the Pussycat Dolls. Even better. So, are you
:22:50. > :23:00.free? Let me see if I can free up my schedule swroo. Leave it with me.
:23:00. > :23:07.
:23:07. > :23:16.Girls. Girls. All sorted dear. Two iconic music legends as you
:23:16. > :23:26.have never seen them before. Channelling Marilyn Monroe and Jane
:23:26. > :23:26.
:23:26. > :25:31.Apology for the loss of subtitles for 114 seconds
:25:31. > :25:37.APPLAUSE Simply divine. Rosemary, Kim, come
:25:37. > :25:43.join us. I'm going to be the filling in a
:25:43. > :25:47.Monroe and Russell sandwich. Come and join us over here. Please,
:25:47. > :25:56.ladies, snuggle up. Paloma, what did you think of that? I love you
:25:56. > :26:03.both. I think Rosemary, you are now my pin-up. You were so brilliant. I
:26:03. > :26:11.love it. Thank you. I can't say anything bad. I'm also very envious
:26:11. > :26:19.of your costumes. Lisa, what are you thinking? Sexy pink dehave as.
:26:19. > :26:24.Definitely. -- divas. You must have loved it with all these beautiful
:26:24. > :26:31.boys around you, in your element. Is that something you tend to enjoy,
:26:32. > :26:39.all those young mens? Well, my shus here, you fool. I'll take that as a
:26:39. > :26:43.yes. -- my husband. Jason, can you handle all this? It was, I mean, no.
:26:43. > :26:48.I felt the same way. I mean, I don't know how you did it. I don't
:26:48. > :26:53.know how you did it, but you were born for it. You are wasted cooking
:26:53. > :26:57.and cleaning. You want to do this from now on. I imagine, I don't
:26:57. > :27:04.want to start rumours but there is definitely something going on with
:27:04. > :27:10.you or three of those lads. It was electric out there. Well he flipped
:27:10. > :27:18.my bosoms. I thought - I'll have some of that, yes.
:27:18. > :27:25.Rosemary? I'm trying to catch my breath. I saw that. I'm not sure
:27:25. > :27:29.how that dance routine was allowed to be pre-watershed. It was that
:27:29. > :27:37.hot. If Rosemary and Kim left you hot. If Rosemary and Kim left you
:27:37. > :27:43.hot. If Rosemary and Kim left you quivering, call: Remember, not to
:27:43. > :27:53.vote until later, injury wise you will send this pair around.
:27:53. > :27:58.
:27:58. > :28:02.Let's hear it for the wonderful Next up, all the way from Canada, a
:28:02. > :28:10.new girl on the comedy block. Here is what happened when our producer
:28:10. > :28:17.met Katherine Ryan. I'm Katherine Ryan. I'm a
:28:17. > :28:25.comedienne. I love you. Let's Dance for Comic Relief. Have
:28:25. > :28:32.you been practising? Have I? Have you?? Have I? I have. Wonderful.
:28:32. > :28:41.want to introduce you to my secret weapon. I've got a dog. I can see
:28:41. > :28:46.that. Lassi Littlest HHobo,. What does that tell you about dogs on
:28:46. > :28:51.TV? Too many of them. There are never enough. Dolly here is going
:28:52. > :29:01.to win me the show. Why don't I show you what we've got? Dolly, do
:29:02. > :29:20.
:29:20. > :29:26.what we practised at home. Look at That was awful. It was really...
:29:26. > :29:33.Terrible. I think you'd better get back to rehearsals. Oh, and it's a
:29:33. > :29:43.no to the dog. It's all right, I didn't want to dance with that
:29:43. > :29:52.
:29:52. > :29:59.crazy fool. I'm a serious actor. No more dogs, please.
:29:59. > :30:03.Dancing to Starships by Nicki Minaj. Please, give a massive Let's Dance
:30:03. > :30:13.welcome to the fabulous bs Katherine Ryan. -- to the fabulous
:30:13. > :30:13.
:30:13. > :32:14.Apology for the loss of subtitles for 114 seconds
:32:14. > :32:20.Katherine, brilliant. Come on over. How are you? That was brilliant.
:32:20. > :32:27.Thanks. You are so brave. But it is a suit, I guess, isn't it?
:32:27. > :32:33.Obviously, we knew that. Oh, and see can let it down. Whether did
:32:33. > :32:39.you think Lisa? Awesome. I know wardrobe have designed that suit on
:32:39. > :32:43.my best assets. Why not, girl? You look fantastic. Brilliant. You must
:32:43. > :32:51.have enjoyed that Jason? I did. It was brilliant. I know Katherine
:32:51. > :32:56.from... Look me in the eye. I know her from the comedy circuit. She is
:32:56. > :33:03.a fabulous comedienne. I hope that's how you will close your show
:33:03. > :33:09.when on tour. It's my opener. Thanks for ruining it. Paloma,
:33:09. > :33:17.wasn't she great? I want to know what your tattoo says? - does it
:33:17. > :33:23.say chicken and chips? Paloma Faith is the best artist ever. Oh my...
:33:23. > :33:28.She has my vote. I'm loving this, bikini, neon, bright. Excellent.
:33:28. > :33:33.And she remains in character, or is that how you are, Katherine?? It is
:33:33. > :33:38.an unforetoon ate accident. We are almost the same. I've worked in the
:33:39. > :33:42.UK a long time. I'm acclimatising. I'm becoming less friendly. Let's
:33:42. > :33:50.see what Katherine's family say? I'm join bid somebody who kind of
:33:50. > :33:56.knows her. She gave birth. It's Katherine's mother, Julie. How are
:33:56. > :34:00.you? How are you? Julie has flown, 3,562 miles from Toronto to be here
:34:00. > :34:05.today. The question on everybody's lips is - was it worth it? Well,
:34:05. > :34:10.that had to be the most unlady-like spectacle that I have seen since
:34:10. > :34:17.the night before she moved to lo London. Spill the beans. So, yes,
:34:17. > :34:22.it was worth it. Did you realise your daughter had so much junk in
:34:22. > :34:28.the trunk?? She gets it from her mama! The best answer, ever. By the
:34:28. > :34:34.way, am I right this thinking today is your birthday? Yes. Happy
:34:34. > :34:40.birthday to Julie. Why so sad? Well, as much as I dent
:34:40. > :34:45.exactly like getting older, it's better than the alternative, so I'm
:34:45. > :34:50.kind of happy. You look awesome. Thank you very much. So do you,
:34:50. > :34:57.Steve? I feel there is a vibe between us. Is something happening
:34:57. > :34:58.right now? Well... Alex, back to right now? Well... Alex, back to
:34:58. > :35:06.right now? Well... Alex, back to you. We are not surprised. If you
:35:06. > :35:15.want to see Katherine back on this stage, in that outfit then call: or
:35:16. > :35:22.Don't vote until all our acts have perform, though. Katherine Ryan,
:35:22. > :35:26.everybody. APPLAUSE
:35:26. > :35:29.Now on Coronation Street our next star is used to a lot of drama. Is
:35:30. > :35:39.he prepared for the tears, trauma and tragedy that is Let's Dance.
:35:40. > :35:46.
:35:46. > :35:51.I'm Antony Cotton. I play Sean in Coronation Street.
:35:51. > :35:58.I grew up watching comic relae. I watch it rel inously. It will's be
:35:58. > :36:03.fun. -- religiously. It'll be fun. What matters is people phone up and
:36:03. > :36:09.vote and they raise money for Comic Relief. Here is the real deal. I've
:36:09. > :36:16.only got dance. I've only edited the music. To count me in there
:36:16. > :36:21.is... And it goes on and on and on and I'm literally like, huh, we get
:36:21. > :36:26.this first phrase done, oh, no, we only have the room until 25 and
:36:26. > :36:30.there are 25 old woman wearing lycra coming in for a zum ba class
:36:30. > :36:36.all looking at Sean from Corrie doing a tap dance. They are like,
:36:36. > :36:46.how old are you? 38. Oh, you look all right. I'm dripping wet and it
:36:46. > :36:46.
:36:46. > :36:52.# Until olden days... # Again, again Take 2. And that's what
:36:52. > :36:57.matters. That's the end game, raising money.
:36:57. > :37:01.It's been an intense evening of dancing and going last just adds to
:37:01. > :37:06.the pressure. The last thing Antony needs now is some kind of
:37:06. > :37:12.distraction. What's Gail plait really like? Do one. Does Deirdre
:37:12. > :37:17.really need those glasss? Really do one. Over to you, Alex. He didn't
:37:17. > :37:20.need that. From the carboot to the care home it'll become clear in a
:37:20. > :37:30.moment. Believe me this is something special. Dancing to
:37:30. > :37:32.
:37:32. > :37:38.Anything Goes, please welcome, Fred, keep your hands to yourself.
:37:38. > :37:48.All right my love, put the record on. Patience.
:37:48. > :37:48.
:37:48. > :39:36.Apology for the loss of subtitles for 114 seconds
:39:36. > :39:42.That was excellent. Antony, come on over. Congratulations. That was
:39:42. > :39:47.brilliant. Who knew? Oh, out of breath, obviously. Have you tapped
:39:47. > :39:57.before? I have when I was a kid, but not since I was 16. About five
:39:57. > :40:03.
:40:03. > :40:07.years ago! Of course. Can you do a little bit for us now? Very good.
:40:07. > :40:12.It was quite distracting, we know he is talented but tapping like
:40:12. > :40:15.that. Proper dancing, proper talent. Proper choreography. What are you
:40:15. > :40:19.doing on this show? That's the question.
:40:19. > :40:25.It was brilliant. I wasn't expecting it at all. I have seen
:40:25. > :40:30.you like at dos and that, dancing when you have ahad a few drinks.
:40:30. > :40:40.But that was proper dancing, proper skills. I know your name is Cotton,
:40:40. > :40:46.but you are as smooth as silk. Paloma, what did you make?
:40:46. > :40:55.Astonished. What are you lot like backstage at Coronation Street? Is
:40:55. > :41:01.Ken Barlow a pole dancer? How did you know?! Amazing. There is all
:41:01. > :41:06.these unveiled talents going on on Corrie. I expect Coronation Street
:41:06. > :41:11.the musical next, I reckon. We do our best. My mind is blown. Is that
:41:11. > :41:16.a good thing? Very good. Lisa? can't be biased. He is my best
:41:16. > :41:21.friend. He is unreal. You nailed it. I am used to you doing this after
:41:21. > :41:25.four gin and tonics in my kitchen but full showbiz, loving it, what
:41:25. > :41:31.you do best. Very chuffed. It was lovely. Thank you, thank you very
:41:31. > :41:37.much. Excellent work young man. Let's see what what your friends
:41:37. > :41:44.think. I'm joined by past and current co-stars, Suranne and Jenny.
:41:44. > :41:51.Guys, what happened? I'm a assuming you two have been out for a couple
:41:52. > :41:58.of sherberts with Antony, has he ever exhibited such panache and
:41:58. > :42:04.style I don't know if they are the same tap shoes we had on, that he
:42:04. > :42:13.had them since he was 15. No, I have new ones but I rehearsed in
:42:13. > :42:18.them. You don't do them in the outfit. No, in my pyjamas. I knew
:42:18. > :42:23.him 23 queers ago as a tap dancing rabbit. You can't say that and let
:42:23. > :42:31.it go. It was, what was it, Alice in Wonderland. He was the rabbit.
:42:31. > :42:36.He was tapping. He was the rabbit. She was the tap-dancing fireman.
:42:36. > :42:40.Tell me more laterment Thank you so much. What a great effort.
:42:40. > :42:43.much. What a great effort. much. What a great effort.
:42:43. > :42:53.Hopefully we'll see you later.. Antony needs your votes to make it
:42:53. > :42:56.
:42:56. > :43:00.through. If he has tapped into your The vote willing start in a few
:43:00. > :43:07.moments but for now give us a little skree. Oh, he has gone, all
:43:07. > :43:13.the way -- a little scream. Lots more to could. Our panellist,
:43:13. > :43:23.Paloma Faith will be performing and the cast of the Chorus Line will be
:43:23. > :43:23.
:43:23. > :43:27.providing razzle dazzle and of course we'll be finding out who...
:43:28. > :43:37.HORN SOUNDS It is called revenge. have really small ears. I know. I
:43:38. > :43:41.
:43:41. > :43:45.have to interrupt because the votes Awesome, thank you gentlemen.
:43:46. > :43:50.That's proper dancing. Thanks guys, off you go. I'm going to take that
:43:50. > :43:54.off you. You are not. It is make your mind up time. Pick up your
:43:54. > :43:58.phones and log on to the website to vote for your favourite to win.
:43:58. > :44:01.Please bear in mind although this seems a bit of a laugh, we here at
:44:01. > :44:06.Let's Dance take our voting seriously and we have terms and
:44:06. > :44:07.conditions. Here to give you the conditions. Here to give you the
:44:07. > :44:16.conditions. Here to give you the lowdown is Katie Brand. Obviously
:44:16. > :44:23.you remember me as run runner-up for Let's Dance 2010. Winning is
:44:23. > :44:30.fine but being the runner-up is important. The Swedish football
:44:30. > :44:35.team for president 1958 World Cup Final. Michael Ball, it's runner-up
:44:35. > :44:39.for the Eurovision Song Contest in 1982. To shrot for your winner
:44:39. > :44:45.calls cost 10p, from BT. Overnetworks may vary and calls
:44:45. > :44:55.from mobiles will cost more or alternatively you can vote online
:44:55. > :44:59.for free, at Webb Red. - bbc.co.uk/rednoseday. You will also
:44:59. > :45:04.find terms and conditions. Please get the bill payer's permission
:45:04. > :45:09.before you call. Voting will close in approximately 15 minutes.
:45:09. > :45:17.Remember, it's the taking part that Remember, it's the taking part that
:45:17. > :45:20.Katie Brand there. Always the bridesmaid, never the bride. Such a
:45:20. > :45:25.shame. Five amazing acts have given everything but you have the
:45:25. > :45:29.toughest job of all, choosing the winner. In many ways, this is more
:45:29. > :45:39.difficult in choosing a career or a life partner. To help you on this
:45:39. > :45:39.
:45:39. > :47:22.Apology for the loss of subtitles for 114 seconds
:47:22. > :47:26.path of self-discovery, here is a It's tough. Last week we saw some
:47:26. > :47:31.of the boys from One Direction visiting a hospital in Africa. If
:47:31. > :47:34.you remember it, had a huge affect on Zane. This week Harry and Liam
:47:34. > :47:38.find out how widespread and devastating malaria can be for
:47:39. > :47:43.children. Some viewers may find this a tough watch. We are here in
:47:43. > :47:50.the main emergency room. It is a vaing atmosphere, quiet, nobody is
:47:50. > :47:57.talking. -- it is a strange atmosphere.
:47:57. > :48:07.You can just hear kids crying. She's just not very well, the poor
:48:07. > :48:13.
:48:13. > :48:18.thing. This little boy is three. And he has malaria and is very
:48:18. > :48:22.anaemic. That's why the bottoms of his feet and his hands are so white.
:48:23. > :48:32.Be honest with me, how ill is he? He is very ill. Sometimes if they
:48:33. > :48:33.
:48:33. > :48:37.come in too late, you are not able to save them.
:48:38. > :48:45.No movement, too weak to even cry. Watching Kofi and his mum was
:48:45. > :48:51.simply heart-breaking. He is too weak to even hold his own head up.
:48:51. > :48:58.It's horrible to watch. What's frustrating is malaria could be
:48:58. > :49:04.prevented. �5 will pay for a moss Kyoto net or emergency medicine so
:49:04. > :49:14.that kids like Kofi wouldn't be this ill. Please donate, text
:49:14. > :49:27.
:49:27. > :49:30."yes." Text "yes" to 7005 to donate You will be glad to know that Kofi
:49:30. > :49:40.made a full recovery and was discharged from hospital. But not
:49:40. > :49:46.
:49:46. > :49:53.everyone is so lucky. You can help. Affection "YES" TO 7005 So far we
:49:53. > :50:03.have seen truly unique performances. We have had a brilliant panellist
:50:03. > :50:09.
:50:09. > :50:12.tonight, but now to perform her # I know a man who fills his
:50:12. > :50:22.emptiness # With strangers # I know a girl who drinks herself to sleep
:50:22. > :50:27.
:50:27. > :50:37.at night. # You can't change her.# I know people who use chat rooms as
:50:37. > :50:42.
:50:42. > :50:48.confessionals. # I know down and outs who once
:50:48. > :50:55.were, # Once they were professionals.
:50:55. > :51:02.# Wipe it off your sleeve. # Your superiority.
:51:02. > :51:11.# Don't roll your eyes, my sweet. # We're just the same.# We all get
:51:11. > :51:17.desperate sometimes # Feeling black and blue.
:51:17. > :51:24.# I know you'll find it hard to accept it sometimes.
:51:24. > :51:34.# We all feel black and we feel blue .# Wipe it off your sleeve
:51:34. > :51:39.
:51:39. > :51:43.# Your superiority. # Don't roll your eyes, my sweet.
:51:43. > :51:47.# I know a rich man who has everything you could wish for.
:51:48. > :51:53.# But children. # I know an old lady who talks a
:51:53. > :51:56.lot but could teach you # If you listen
:51:56. > :52:02.# I know people who believe in gods and demons
:52:02. > :52:08.# I know ones who think there's nothing there at all
:52:08. > :52:15.# Wipe it off your sleeve # Your superiority
:52:15. > :52:23.# Don't roll your eyes, my sweet # We're just the same
:52:23. > :52:27.# We all get desperate sometimes # Feeling black and blue
:52:27. > :52:36.# I know you'll find it hard to accept it sometimes
:52:36. > :52:42.# We all feel black and we feel blue
:52:42. > :52:50.# Wipe it off your sleeve # Your superiority
:52:50. > :53:00.# Don't roll your eyes, my sweet # Wipe it off your sleeve
:53:00. > :53:10.
:53:10. > :53:20.# Your superiority # Don't roll your eyes, my sweet. #
:53:20. > :53:21.
:53:21. > :53:25.She is just fabulous. Thank you Paloma. Congratulations.
:53:25. > :53:29.And congratulations. Now, I hope you are texting and
:53:29. > :53:33.voting like possessed people at home. Our celebrities here this
:53:33. > :53:43.evening really do deserve your ajewelation and they deserve five
:53:43. > :53:52.minutes to put their feet up -- adulatoin.
:53:52. > :53:57.And That's why they are in our backstage boozer.
:53:57. > :54:06.Let's have a chin-wag with our Let's have a chin-wag with our
:54:06. > :54:09.landlady, Jody Prenger. Listen, babe, you couldn't do me a
:54:09. > :54:15.big favour and give me the chance big favour and give me the chance
:54:15. > :54:19.to dance. Not this again. Listen, reality check. What? You are the
:54:19. > :54:24.landlady of a pub, a fake up, backstage at the BBC. It is not
:54:24. > :54:30.going to happen. You are not a dancer. Why? Do me a favour, give
:54:30. > :54:35.me a can and a packet of crisps. Tough love, ladies and gentlemen,
:54:35. > :54:38.tough love. Sexy, confident. That's how I like my ladies and what I saw
:54:38. > :54:44.this evening. Did you have fun? we? I have to tell you, I didn't
:54:44. > :54:51.think I was going to get into the air. You ZI Don't know how, but I
:54:51. > :54:56.ZKim, A good time? I had a very naughty man when I was in the air.
:54:56. > :55:04.Clutching and probing, I have fingernail marks on my boss ums,
:55:04. > :55:12.the dirty young beast. We have a message from someone who loves you.
:55:12. > :55:17.I very much love both of you. It is not diamonds that's a girl's best
:55:17. > :55:22.friend. It is words. You have a lot of them. You are good with them.
:55:22. > :55:27.How lovely just to watch you dance - in silence.
:55:27. > :55:35.Well that's typical of him. He has to have the last word. Very sweet.
:55:35. > :55:38.Can I ask you something quickly. I think it would be foolish not to.
:55:38. > :55:42.BELL RINGS Five minutes left. You are here.
:55:42. > :55:49.Shenangians looks like the Queen Vic after the fire. Any chance you
:55:49. > :55:55.could give it a once-over? I have, I'm appalled. Can you give it
:55:55. > :55:58.another once-over. I have some cleaning products. Katherine Ryan.
:55:58. > :56:03.Your mum must be incredibly proud of you this evening, we thought you
:56:03. > :56:09.deserve a traet. We have something nice lined up. Take a look at the
:56:09. > :56:15.monitor. She has the bit, you know the bit that makes you embarrassed.
:56:15. > :56:21.The bit that goes - I better not do that. I don't think Katherine has
:56:21. > :56:25.that bit, it is mission and Nicky minute does not have that bit.
:56:25. > :56:33.have not got that bit. I don't care. At the end of your day, if your
:56:33. > :56:39.children are healthy and well, life is great. So who cares? I concur. I
:56:39. > :56:45.will congratulate you later. A tear came to my eye earlier seeing you
:56:45. > :56:52.fly through TV C. I looked good. I feel worn out.
:56:52. > :57:00.But most of all we're enjoying you and Alex saying... IN A WELSH
:57:00. > :57:04.ACCENT Are you ready? Are you ready? This is' plain rude. Alex, I
:57:04. > :57:09.say this every time because it is true. These people are heroes.
:57:09. > :57:14.People at home, do what you have to do, vote, text. They deserve it.
:57:14. > :57:21.Thank you, Steve, that was bang on, wasn't it?
:57:21. > :57:27.Now over the past 25 years of Red Nose Day tonnes celebrities have
:57:27. > :57:33.joined forces to help raise money for here and abroad. We sent
:57:33. > :57:38.tonight's act rummaging through the archive to share some of their
:57:39. > :57:48.clips. 25 years of Red Nose Day. years. Same age as me dear.
:57:49. > :57:52.
:57:52. > :57:56.wish. The celebrity cameos. right! Tony Blair and Catherine
:57:56. > :58:01.Tate's Lauren. She thought I was jealous. I ain't even jealous.
:58:01. > :58:06.are just thinking - Prime Minister say it. Look at my face. Is my face
:58:06. > :58:11.bothered? Does my face look bothered? Are you messing with my
:58:11. > :58:14.sniend face, bothered Showing I'm in touch with popular culture. I
:58:14. > :58:23.ain't bothered. Who would have known that Tony Blair was such a
:58:23. > :58:29.funny guy. Out. Rubbish. Amazeballs. Scary, is you Comfie. I loved the
:58:29. > :58:36.interview with Posh and Becks. you want him to grow up to be a
:58:36. > :58:42.footballer like his dad or a sirning, like Mariah Carey?
:58:42. > :58:47.takes nerve to know you will be ripped to pieces. And still do it.
:58:47. > :58:51.The smithy one with George Michael. It shows you how people are willing
:58:51. > :58:55.to send themselves up You are a joke. I can't walk into Comic
:58:55. > :59:00.Relief with you. It is about helping people like you. It is
:59:00. > :59:07.almost like a conveyor belt. A never-ending dream of famous people.
:59:07. > :59:14.I am the last-remaining Beatle. Keira Knightley is in there. One of
:59:14. > :59:19.the funniest things I have seen. I love it. Did you know that since
:59:19. > :59:24.198866 million of little red noses have been sold to raise over �6
:59:24. > :59:32.hunds million. Last year's Red Nose Day smashed the record. Let's hope
:59:32. > :59:35.this year we can do even better. What an incredible total last year.
:59:35. > :59:39.You know what Comic Relief is nothing without your support.
:59:39. > :59:43.Please, keep texting and make this year bigger and better than ever.
:59:43. > :59:48.All the details are on the screen right now. Steve, how is the party
:59:48. > :59:53.going SNP Alex, we are partying like it's
:59:53. > :59:59.1899 back here. A very exciting time. Jenny. Hello. You must be
:59:59. > :00:05.proud of your man. So proud. So you should be. He just shone for me. I
:00:05. > :00:14.am biased but he was brilliant. Where is Suranne, is she too good
:00:14. > :00:20.for Shenangians? Yeah. Where is Antony... Cotton. Hotpot. What have
:00:20. > :00:28.you got? Apparently a hotpot. My Bethy's doesn't look like that.
:00:28. > :00:33.What is it? It is lamb. There is no horse in a Rovers' Return hotpot.
:00:33. > :00:39.BELL RINGS Sorey, the lines are closed.
:00:39. > :00:46.-- sorey. A quick shout with Waterloo Road.
:00:46. > :00:53.Hi, how is it going? Gross. You are Sporty Spice, but you haven't
:00:53. > :00:59.shaved? I think it frames my face. Not very feminine. I like it.
:00:59. > :01:05.a leaf out of Tommy's book, look at this young lady. You have really
:01:05. > :01:07.embraced the whole Posh thing. I genuinely believe David Beckham
:01:07. > :01:14.would struggle to tell the difference. I have been getting
:01:14. > :01:18.into character all day. No smiling. Designing clothes. Having a baby.
:01:18. > :01:21.Have you enjoyed yourselves? Brilliant. We've really enjoyed
:01:21. > :01:27.this week. It's been really worthwhile. I will crossmy fingers
:01:27. > :01:32.for you. You guys are fantastic. You deserve it, really do. Last
:01:32. > :01:36.week our karaoke was such a monumental success, I was
:01:36. > :01:37.absolutely inundated by two people who said they really enjoyed it. So
:01:37. > :01:47.we've decided to do it again, we've decided to do it again,
:01:47. > :01:49.
:01:49. > :01:53.This week's competitors, Rosemary and Kim. It's clash of the Titans
:01:53. > :02:00.everyone. The song we've decided for them to sing, it is an obvious
:02:00. > :02:05.one. It is Bonn Jovi's Living on a Prayer. Judgments will be passed by
:02:05. > :02:08.Jenny McAlpine. Have you ne any experience in the
:02:08. > :02:13.music industry? No, none whatsoever. You are probably still over-
:02:13. > :02:18.qualified for this. So this is how it is going to work. Rosemary you
:02:18. > :02:23.take the first verse, Kim, you take the second. The third verse, I say
:02:23. > :02:33.everyman for himself. I want a slice of the pie. Are you guys in
:02:33. > :02:51.
:02:51. > :02:57.# For love # Cos it doesn't make a difference
:02:57. > :03:04.if you make it or not # We've got each other
:03:04. > :03:10.# We'll give it a shot # Oh, we're half way there
:03:10. > :03:17.# Oh, oh, we're living on a prayer # Take my hand
:03:17. > :03:25.# We'll make it, I severe # Oh, we're living on a prayer --
:03:26. > :03:35.we will he' make I I swear... # Well done. This is Mission
:03:36. > :03:38.
:03:38. > :03:42.impossible. Who are you going to award the wonderful prize? You were
:03:42. > :03:48.both fabulous. But in the hope that Rosemary will make me a cake
:03:48. > :03:52.afterwards, I award this to Rosemary. That winds up things back
:03:52. > :03:56.here. Back to you, Alex. I don't know what to say about
:03:56. > :03:59.that? Anyway, we are minutes away from revealing our winner. Thanks
:03:59. > :04:05.to everyone who has voted and donated tonight. I hope this next
:04:05. > :04:09.film will inspire you to keep giving. Last month I visited a
:04:09. > :04:14.maternity award in Malawi to see why it is so crucial that pregnant
:04:14. > :04:18.women get to hospital to give birth. For women in developing countries,
:04:18. > :04:24.pregnancy is a difficult time. That's why getting to hospital can
:04:24. > :04:29.be a life-saving difference to mothers and air their babies. This
:04:29. > :04:33.lady gave birth yesterday. She started bleeding after giving birth
:04:33. > :04:39.which is incredibly dangerous. There is just blood everywhere on
:04:39. > :04:47.the bed. God! Severe bleeding can kill a woman in two hours if left
:04:47. > :04:51.unattended. How is the mother doing now? How is she? She has to go to
:04:51. > :04:53.the theatre so they can examine her properly. If that lady, who is
:04:53. > :04:58.suffering from a bleeding was at home in her village, what do you
:04:58. > :05:03.think would happen to her?? She would die because maybe they would
:05:03. > :05:06.be thinking that the bleeding would stop and it would be a lot of time
:05:06. > :05:11.before they would think about coming to the hospital. I think she
:05:11. > :05:21.would die. She is in the best place here. Yeah.
:05:21. > :05:28.
:05:28. > :05:32.She's back with her baby. She's been incredibly lucky. She lost so
:05:32. > :05:36.much blood they had to give her a blood transfusion. The fact that
:05:36. > :05:42.they found a match but, that would only have happened in the hospital.
:05:42. > :05:46.At home she would have had zero chance, really, of surviving. Comic
:05:46. > :05:49.relief are funding this brilliant project that is teaching young
:05:49. > :05:54.girls and women to get to hospital to deliver their babies safely
:05:54. > :05:57.rather than delivering at home. �5 will pay for a teaching section to
:05:57. > :06:03.will pay for a teaching section to will pay for a teaching section to
:06:03. > :06:13.educate all these women. You can donate by texting YES to 7005. It
:06:13. > :06:21.
:06:22. > :06:28.You can make a difference now. up your phone and text YES. Make
:06:28. > :06:33.your next text just one word YES. The whole �5 goes to Comic Relief.
:06:33. > :06:42.You must be 16 or over. Ask the bill payer's permission for
:06:42. > :06:47.permission. For all terms and continues go to the website. Time
:06:47. > :06:51.now for more dancing but don't panic. This lot know what they are
:06:51. > :06:56.doing. They are so good they could be a chorus line. In fact that's
:06:56. > :07:06.exactly what they are. Straight from the West End, please welcome
:07:06. > :07:06.
:07:06. > :09:25.Apology for the loss of subtitles for 114 seconds
:09:25. > :09:30.John Partridge and the cast of A Thank you to the cast of the Chorus
:09:30. > :09:35.Line. Fantastic stuff. I thought we'd have a straw poll of who the
:09:35. > :09:41.audience think will win? Who do you want to win? Jon Culshaw. Madam?
:09:41. > :09:46.That one with the tap shoes. She is clearly paying attention. Who would
:09:46. > :09:51.you like to see win, Michelle? Katherine Ryan. How about the lady
:09:51. > :09:57.who broke my heart at the start of the show. Gail, who do you want to
:09:57. > :10:03.see win? The lady who done Nicki Minaj. Katherine Ryan. See you,
:10:03. > :10:10.later Gill. What are you thinking? Antony. Feepblly somebody who knows
:10:10. > :10:13.someone's name. Finally. The votes are being counted by a
:10:13. > :10:18.highly-trained team of students on work experience. We are moments
:10:18. > :10:23.away from getting our winner. Fill some time, Jason. Lots of people
:10:23. > :10:26.won't know this, but you areing on stage in the West End in Sweeney
:10:26. > :10:30.Todd. You will know how they are feeling. It is not easy coming out
:10:30. > :10:34.on the stage. No, and when you are used to doing something else and
:10:34. > :10:40.when it is not your main job. when you are on stage with people
:10:40. > :10:43.who do it for their proper job, it is terrifying. Oaky doky. I'm back.
:10:43. > :10:48.Soon we will be revealing. I have the all-important cards. The
:10:49. > :10:54.results are in, everyone. They are in. OK. OK, five performed tonight
:10:54. > :10:57.but only two can make it to the final. I'm so excited. I just can't
:10:57. > :11:05.hide it. Please welcome our celebrity dancers, back to the
:11:05. > :11:14.stage. Waterloo Road.
:11:14. > :11:24.Antony Cotton. Jon Culshaw.
:11:24. > :11:30.
:11:30. > :11:34.Catherine Ryan. There they are. It's like the
:11:34. > :11:38.world's weirdest identity parade. They are all guilty.
:11:38. > :11:41.The two acts with the fewest votes will be asked to leave the stage,
:11:41. > :11:46.never to darken our door again but the act with the highest number of
:11:46. > :11:56.public votes will have a guaranteed place in the final. Acts, are you
:11:56. > :12:01.
:12:01. > :12:08.ready? YES. AUDIENCE, ARE YOU READY? Yes.
:12:08. > :12:17.Jody are you ready? Ready. Save me a chicken wing. Here we go: In no
:12:18. > :12:27.particular order, the first act to leave the competition is... I can't
:12:28. > :12:29.
:12:29. > :12:39.believe this, it's Jon Culshaw. What? What? I can't believe it. The
:12:39. > :12:40.
:12:40. > :12:50.second act to leave Let's Dance is... Rosemary and Kim. What is
:12:50. > :12:50.
:12:50. > :12:55.happening? Oh. Jon Culshaw and Rosemary and Kim thank you so much.
:12:55. > :13:00.A really good effort. But now it is time to leave the stage in a really
:13:00. > :13:05.embarrassing way. I don't want to do this to you. Off you go.
:13:05. > :13:15.# Nah, nah, nah, nah # Hey, hey, goodbye
:13:15. > :13:15.
:13:15. > :13:22.# Nah, nah, nah, nah # Hey, hey, goodbye... # Oh, that's
:13:22. > :13:32.embarrassing. I almost felt sorry for them.
:13:32. > :13:34.
:13:34. > :13:38.Almost. We must now choose our finalists. Cue the music. OK, three
:13:38. > :13:42.acts left but only one of you is guaranteed a police in the final.
:13:42. > :13:52.The act with the most public votes and going straight through to the
:13:52. > :13:57.
:13:57. > :14:06.It's Antony Cotton. APPLAUSE
:14:06. > :14:09.Congrtlations Antony Cotton. -- congrtlations. Get ready for your
:14:09. > :14:14.encore, you will be performing again at the end of the show. Oh he
:14:14. > :14:19.can't believe it. He can't believe it, bless him. He did a good job,
:14:19. > :14:24.though. OK, so just two acts remain, Waterloo Road and Katherine Ryan.
:14:24. > :14:29.So you are the runners-up at this point. Now one of you will join
:14:29. > :14:34.Antony Cotton on the final on 9th March, but the panel have to make
:14:34. > :14:37.the decision who joins Antony Cotton. Now this is literally going
:14:37. > :14:47.to be the biggest decision of your entire lives. Think carefully
:14:47. > :14:57.before you answer. I didn't see that. Let them refresh their
:14:57. > :14:57.
:14:57. > :15:38.Apology for the loss of subtitles for 114 seconds
:15:38. > :15:44.memories. A little reminder of how So, Waterloo Road, Katherine Ryan,
:15:44. > :15:51.one of you will join Antony Cotton in the final on March 9th. But who
:15:51. > :15:56.will it be? Leasey Riley, we'll come to you first, -- Lisa. Who is
:15:56. > :16:01.your choice? They were phenomenal. They opened the show so brilliantly.
:16:01. > :16:05.Katherine you were hilarious which is what Comic Relief is BI have to
:16:05. > :16:14.be biased. I love you all dearly and I'm going to Waterloo Road
:16:14. > :16:23.because you were amazing. Bias. Blatantly. Jason, you next,
:16:23. > :16:26.who are you going for? Waterloo Road or Katherine Ryan? A bit of
:16:26. > :16:30.pressure from the audience. I also thought they opened the show
:16:30. > :16:37.brilliantly. I thought the boys were very brave and also very
:16:37. > :16:43.talented. But for sheer comedy, and - I just really Jeopardy. And the
:16:43. > :16:48.gamble of wearing that outfit, I'm going to have to go Katherine.
:16:48. > :16:57.1-1. This one is going down to the wire, unprecedented, since last
:16:57. > :17:02.week. Look what you have done stkpwhrfrblgts It's all on -- look
:17:02. > :17:09.what you've done! The whole thing rests on me. I can't bear it.
:17:09. > :17:17.Weight of BBC One is currently on your shoulders. I'm throwing down
:17:17. > :17:22.my glow sticks in protest. This is too much. I never, ever, throw my
:17:22. > :17:29.glow sticks. A decision. audience are so divided.
:17:29. > :17:39.Well, the nation knows that I'm a big believer in a curvaceous,
:17:39. > :17:43.
:17:43. > :17:50.volume up tueous woman. I believe - - voluptuous woman. I believe in
:17:50. > :17:57.the power of... You have to say it. Say the words. I believe in the
:17:57. > :18:03.power of baby's got back. Katherine. Congratulations Katherine. You will
:18:03. > :18:09.be joining Antony Cotton on the final on 9th March. Let's hear it
:18:09. > :18:13.for all our acts. Two more acts through to the final. Only two more
:18:13. > :18:22.spaces left. Five more acts will be battling it out on the dance there
:18:22. > :18:27.are next week. Comedian Lee Nelson, Boyzone's Keith Duffy and Vanessa
:18:27. > :18:31.Feltz like you have never seen her before will be dancing for your
:18:31. > :18:41.pleasure. We also have music from the gorgeous Nicole Schertzinger
:18:41. > :18:44.
:18:44. > :18:50.and the gorgeous Justin Bieber. Please don't forget to text YES to
:18:50. > :18:55.70005. It really is that easy. to dance us out, the gorgeous,
:18:55. > :19:05.Antony Cotton. Get your hand off. You are not having a breather.
:19:05. > :19:20.
:19:20. > :19:30.right I'll put the record on. By Frank Sinatra Oh, no, please, no.
:19:30. > :19:30.
:19:30. > :20:55.Apology for the loss of subtitles for 114 seconds
:20:55. > :20:59.Thank you. You can see the grand final in two weeks. That's all we