:00:16. > :00:25.Last week, five acts danced a Sport Relief and the nation's merriment.
:00:25. > :00:32.Scott Mills and Olly Murs. Your bum looks great in that! Danny and
:00:32. > :00:39.Tiger. West End hit! Kirsten O'Brien! I have got a gingerbread
:00:39. > :00:44.in my mouth. Is there a doctor in the House? But it was the
:00:44. > :00:50.Charleston, and the feisty fight the power, that made it rude to do
:00:50. > :01:00.final. But who will join them tonight? -- that made it to the
:01:00. > :01:23.
:01:23. > :01:33.It is Let's Dance, for Sport Relief! Please welcome your hosts,
:01:33. > :01:49.
:01:49. > :01:53.Hello and welcome to Let's Dance! It's week four and we're live!
:01:53. > :01:58.Welcome to the place celebrities come if they have the urge to dance.
:01:58. > :02:01.It is for a good cause and it is cheaper than therapy. Five
:02:01. > :02:07.celebrity acts will throw caution and they Koreas to the wind in the
:02:07. > :02:12.last of our heats before the final -- and their careers. For your
:02:12. > :02:16.average celebrity, a place in the final is the knighthood, a Nobel
:02:16. > :02:21.Prize and the cycling proficiency badge rolled into one, but they do
:02:21. > :02:28.not just do it for personal glory! All our celebrities are here for
:02:28. > :02:32.once reason. That is to raise money for a fantastic course, Sport
:02:32. > :02:37.Relief. CHEERING AND APPLAUSE. After Scott
:02:37. > :02:47.Mills and Olly Murs last week, we have the real thing. It is a
:02:47. > :02:47.
:02:47. > :02:52.bonkers performance from the brilliant LMFAO. So there are just
:02:52. > :02:58.two spaces left in the grand final. You at home will pick one of the
:02:58. > :03:02.acts and our panel will pick the other. And what... You say that all
:03:03. > :03:08.the time! They are more than qualified to spout off behind the
:03:08. > :03:12.desk because they are Let's Dance veterans. In the same way a
:03:12. > :03:16.criminal revisits the scene of the crime, they are here to give us the
:03:16. > :03:26.benefit of their experience. Russell Kane, Jo Brand and Lee
:03:26. > :03:40.
:03:40. > :03:47.Nelson! I know. There they are, three gods
:03:47. > :03:57.of the Let's Dance arena. Lee looks like he is on holiday! More from
:03:57. > :03:58.
:03:58. > :04:08.them later but let's see who is Stand-up comic, Patrick Monahan.
:04:08. > :04:09.
:04:09. > :04:17.Comedian and writer, Rowland Rivron. Comedians Watson and Oliver. TV
:04:17. > :04:27.presenters Suzi Perry and Ortis Deley. Fatima Whitbread, Fatima &
:04:27. > :04:27.
:04:27. > :04:32.The Cuban Brothers. Now then, are you settled, panel? Good. Russell,
:04:32. > :04:37.your Beyonce from last year it is still worrying me fresh in the
:04:37. > :04:43.minds of the nation. What tips do you have for a memorable
:04:43. > :04:48.performance? A course of oestrogen injections before the dance helps.
:04:48. > :04:52.The killer move is to take it so seriously that it becomes comical.
:04:52. > :04:59.When you see people possessed by whoever they are imitated, that is
:04:59. > :05:05.when it becomes funny. So thrust to the point of pelvic injury!
:05:05. > :05:11.your Brit meat was widely regarded as better than Britney! -- your
:05:11. > :05:18.Britney Spears. Islamic anything other dancers should avoid? They
:05:18. > :05:23.should -- is there anything the other dancers should avoid? They
:05:23. > :05:29.should avoid looking too attractive, being slimmer and being good at
:05:29. > :05:37.dancing. Lee. Last deed you danced in your pants with a lovely man
:05:37. > :05:46.called omelette. They need to be very brave. How brave are the acts
:05:46. > :05:51.tonight? I don't know whether me and Omelette were brave as offs our
:05:51. > :05:56.heads on sambuca, but you just think about the charity stuff you
:05:56. > :06:04.are doing, and it is helping unfortunate people like John
:06:04. > :06:10.Bishop... A ladies and gentlemen, your panel! It is Judgement Day!
:06:11. > :06:15.CHEERING AND APPLAUSE. Here we go. Our first act tonight is a stand-up
:06:15. > :06:19.comedian who regularly hugs his audience at gigs. It is a lovely
:06:19. > :06:24.touch but maybe the reason why he has never played at Wembley. It is
:06:24. > :06:30.Patrick Monahan. I am a stand-up comedian and a professional cup
:06:30. > :06:34.luck! In Britain, people say, he is a
:06:34. > :06:42.northerner, but when you are travelling overseas, people label
:06:42. > :06:50.you, they say, oh my God, you are Irish-Romanian-Middlesbrough. That
:06:50. > :06:55.is the "axis of evil"! Patrick Monahan is successful
:06:55. > :07:01.stand-up comedian. He is going on a journey to find out more about his
:07:01. > :07:06.family history. I was raised in Teesside, my dad is from Ireland
:07:06. > :07:11.and my mum is from Iran. I am hoping that I come from a
:07:11. > :07:17.traditional line of clowns, comedians and entertainers. I have
:07:17. > :07:26.just found out that my great great great grandfather was eight four
:07:26. > :07:35.time Iranian dance champion. -- was a fourth time. Unbelievable. Dancer,
:07:35. > :07:45.dancer... This is ridiculous. What?! My uncle? A ballet dancer?
:07:45. > :07:48.
:07:48. > :07:58.I am shocked, gutted... My dad's side, they are all Irish. There has
:07:58. > :08:04.
:08:04. > :08:09.SAD MUSIC. I couldn't believe it. All of them are dancers! How
:08:09. > :08:19.ridiculous? Dancing, what a load of...! You would never catch me
:08:19. > :08:22.
:08:22. > :08:26.Very unusual. Normally the acts tried to track down their relatives
:08:26. > :08:32.after they have done the show. Embarrassing three generations of
:08:32. > :08:42.his family at once by dancing to Only Girl In The World by Rihanna,
:08:42. > :08:47.
:08:48. > :08:54.for Sport Relief, it is Patrick # La la la la.
:08:55. > :09:02.# La la la la. # I want you to love me like I'm a hot guy.
:09:02. > :09:11.# Keep thinkin' of me doin' what # So boy forget about the world cos
:09:11. > :09:17.it's gon' be me and you tonight. # I wanna make your bed for ya then
:09:17. > :09:22.I'll make you swallow your pride. # Want you to make me feel like I'm
:09:22. > :09:26.the only girl in the world. # Like I'm the only one that you'll
:09:26. > :09:32.ever love. # Like I'm the only one who knows
:09:32. > :09:36.your heart. # Only girl in the world.
:09:36. > :09:39.# Like I'm the only one that's in command.
:09:39. > :09:48.# Cos I'm the only one who understands how to make you feel
:09:48. > :09:52.like a man. # Want you to make me feel like I'm
:09:52. > :09:56.the only girl in the world. # Like I'm the only one that you'll
:09:56. > :10:00.ever love. # Like I'm the only one who knows
:10:00. > :10:10.your heart. # Only one.
:10:10. > :10:13.
:10:13. > :10:16.# Want you to take me like a thief # Take me for a ride.
:10:16. > :10:21.# Oh baby take me high. # Let me make you first.
:10:21. > :10:25.# Oh make it last all night. # Want you to make me feel like I'm
:10:25. > :10:35.the only girl in the world. # Like I'm the only one that you'll
:10:35. > :10:36.
:10:36. > :10:46.ever love. How to make you feel like a man.
:10:46. > :11:13.
:11:13. > :11:20.Thank you very much. Shy and retiring Louie Spence. You seem to
:11:20. > :11:23.enjoy that far too much. How was it? Yeah, it was nice. This is
:11:23. > :11:29.normally what I wear in the north- east of England. We don't wear very
:11:29. > :11:36.much. People at home watching will think, he is overdressed. But it is
:11:36. > :11:42.a pleasure. The pleasure is ours but do the panel agreed? How good
:11:42. > :11:47.was he! Amazing! How connected among with my sister now. Signor
:11:47. > :11:53.hairy armpits next to all of the glitter, that is how a great night
:11:53. > :11:58.always finishes. I was fully shaped for Beyonce. You've really got into
:11:58. > :12:05.it. I am sure somebody is looking like that on a stag night but it
:12:05. > :12:11.was awesome. You should be really proud of yourself. Well done.
:12:11. > :12:14.did you enjoy it? I enjoyed it very much. I always feel rather
:12:14. > :12:20.distressed when a man looks better in a dress than I do, but let's
:12:20. > :12:25.face it, Jo Brit looks better in a dress and I do. I thought it was
:12:25. > :12:30.lovely and I really liked the bit when your dad came on at the end.
:12:30. > :12:37.Lee, very quickly? I thought that was so sexy that for them two
:12:37. > :12:43.minutes, I stopped thinking about you, Alex. Laughter Macros. That
:12:43. > :12:49.was not the desired effect, Lee. You have got something going on and
:12:49. > :12:59.I would like permission to go out with you. Permission denied.
:12:59. > :13:01.
:13:01. > :13:06.And when you do call, remember your money will be raising valuable
:13:06. > :13:10.funds ares for Sport Relief. This next act is a comedian and
:13:10. > :13:17.presenter known for his on-screen antics. He had better behave
:13:17. > :13:23.himself when this one is around. will crush him like an ant. It is
:13:23. > :13:33.writer and comedian Rowland Rivron. Hello, I am a presenter, comedian...
:13:33. > :13:53.
:13:53. > :13:58.Quiet one last night, Rowland? Steady. Waiter? Could I have a
:13:58. > :14:06.large Scotch, please, and have you got the wine list? Rowland, it is
:14:06. > :14:10.10am. Yeah, and I am ordering breakfast. 20 years I have
:14:10. > :14:16.represented you, Rowland. 20 years guiding your Career, babysitting
:14:16. > :14:26.you, getting you out of trouble. This time you have really messed up.
:14:26. > :14:47.
:14:47. > :14:54.Don't you remember anything about No. Like I said, it was a fairly
:14:55. > :15:02.quiet one. This time not even I can help you. Good luck on that dance
:15:02. > :15:12.the Sport Relief. You idiot. -- good luck for Let's Dance on Sport
:15:12. > :15:16.
:15:16. > :15:20.Relief. Let's Dance? Put on your Anyone who can fall off a chair
:15:20. > :15:25.like that has the potential to go all the way to Let's Dance champion
:15:25. > :15:35.2012. Agreed. Dancing to "Weapon Of Choice" by Fatboy Slim, it is
:15:35. > :15:52.
:15:52. > :15:56.MUSIC: "Weapon Of Choice" by Fatboy Don't be shocked by the tone of my
:15:56. > :16:01.voice. Check out my new weapon, weapon of
:16:01. > :16:06.choice. Don't be shocked by the tone of my
:16:06. > :16:16.voice. Check out my new weapon, weapon of
:16:16. > :16:28.
:16:28. > :16:31.You can go with this or you can go with that.
:16:31. > :16:34.You can go with this or you can go with that.
:16:34. > :16:44.You can go with this or you can go with that.
:16:44. > :16:54.
:16:54. > :17:04.Walk without rhythm. It won't attract the worm.
:17:04. > :17:19.
:17:19. > :17:21.Walk without rhythm. You can go with this or you can go
:17:21. > :17:24.with that. You can go with this or you can go
:17:24. > :17:34.with that. You can go with this or you can go
:17:34. > :17:52.
:17:52. > :17:57.Rowland Rivron, so very cool. Congratulations, that was utterly
:17:57. > :18:02.outstanding. I will let you catch your breath. Let go straight to the
:18:02. > :18:10.panel. That is the dance to beat tonight, that was absolutely
:18:10. > :18:17.unbelievable. The choreography of was spot on. It was fantastic!
:18:17. > :18:23.Amazing dancing. Jo, that was a brilliant performance, wasn't it?
:18:23. > :18:26.It was, Rowland, I had secretly loved you for years, and now way
:18:26. > :18:31.open the love you. And you are going to be corralled by every
:18:31. > :18:39.menopause all housewife in the country, and I am a leading the
:18:39. > :18:47.charge! -- menopausal. What did you make a bid, lead? One word, that
:18:47. > :18:52.was quality! Unbelievable! I would find myself, but I haven't got no
:18:52. > :18:56.credit. Not allowed phones in here. He needs an ambulance, he looks
:18:56. > :19:06.like he is going to collapse. Thanks, the wonderful Rowland
:19:06. > :19:06.
:19:06. > :19:12.Rivron! He was so good! But right now, we have a comedy double act
:19:12. > :19:16.who have recently had their run hilarious series on BBC2, full of
:19:16. > :19:22.silliness, and a bizarre situations. Sounds like a six-week rehearsal
:19:22. > :19:32.for Let's Dance. It is Watson and Oliver.
:19:32. > :19:32.
:19:32. > :19:38.I am a Lorna Watson. I am include Oliver. We are Watene and Olivares.
:19:38. > :19:45.If your nails went so long... are you saying about our nails?
:19:45. > :19:50.Have you got a problem with my nails?
:19:50. > :19:53.To be honest, I didn't surprise me when I was asked to take part in
:19:53. > :19:59.Let's Dance for Sport Relief, because as most of you probably
:19:59. > :20:06.already know, I'm actually a world- class ice dance champion. This is
:20:06. > :20:12.me after I won gold at the Winter Olympics. Hello. And this is a
:20:12. > :20:21.little something I won't, also at the Winter Olympics -- something I
:20:21. > :20:26.won. That is an Oscar. It isn't real. Isn't it. When a Let's Dance
:20:26. > :20:32.called me to invite me... Invited asked to take part in this year's
:20:32. > :20:42.show, it was obvious I had to... had to. A routine on skates.
:20:42. > :21:09.
:21:09. > :21:13.Because it was on an ice rink where Ingrid... I mean, Let's Dance is
:21:13. > :21:23.the charity, but it is also a competition. I don't know how to
:21:23. > :21:30.
:21:30. > :21:37.This promises to be at the most graceful thing on ice since the
:21:37. > :21:47.frozen crispy pancake. For Sport Relief, taking you back in 1984 and
:21:47. > :21:54.
:21:54. > :22:04.skating to Torvill and Dean's The world holds its breath as this
:22:04. > :22:04.
:22:04. > :24:20.Apology for the loss of subtitles for 136 seconds
:24:20. > :24:26.pair of comedians take to the ice Bravo! Makes you proud to be
:24:26. > :24:30.British. Watson and Oliver, outstanding. Boy you over the moon?
:24:31. > :24:36.In rehearsal, I went flying off the stage into the audience, so that
:24:36. > :24:43.was a bonus. You can can be -- cancel the ambulance! Let go to the
:24:43. > :24:47.panel. That was magical, grateful, we had a woman dressed as a man,
:24:48. > :24:55.that makes a nice change, ladies and gentlemen. And you even took
:24:55. > :25:00.the bins out halfway through, so my mum will be happy. Well done.
:25:00. > :25:05.they were superb, won't they? were, better than dancing on ice,
:25:05. > :25:09.or as I like to think of it, going to A&E with a broken pelvis. I
:25:09. > :25:19.always used to think that Bolero was a slightly boring song, but now
:25:19. > :25:20.
:25:20. > :25:25.it is fresh, exciting and it lives in my heart forever. Lee, what did
:25:25. > :25:30.you think of their impression of Cornwall and Dean? Well, when you
:25:30. > :25:34.two goals came on with the dry ice, I thought to myself, this could be
:25:35. > :25:39.it be so 2010 all over again. I was a bit disappointed with some of the
:25:39. > :25:49.rest of it, but I still love did overall and I'm going to give you...
:25:49. > :25:59.My phone number! What a result. Let's hear it for the wonderful
:25:59. > :26:00.
:26:00. > :26:10.Watene and Oliver! Thank you, -- Watson and Oliver! They are
:26:10. > :26:13.
:26:13. > :26:16.enjoying it. She nearly went! she is... There we are. We won't
:26:17. > :26:23.deduct a point for this, it is after the dance, you are fined.
:26:23. > :26:27.Panic over. Our next performance is by a TV presenting double act with
:26:27. > :26:32.plenty of gadget knowledge, but if they want to make it work tonight,
:26:32. > :26:37.they are going to have to really turn it on, then off, then on again,
:26:37. > :26:45.like a computer. It is Suzi Perry and Ortis Deley!
:26:45. > :26:53.IM Suzi Perry Foster I am also steely. During the next 48 hours
:26:53. > :26:59.your challenge is to survive using only a wireless technology. Is it
:26:59. > :27:03.ready? Does it work? Because if you have let me down... Don't worry,
:27:03. > :27:11.Suzi! I have created a gadget that will turn us into the greatest
:27:11. > :27:21.dancers who ever lived. Have you tested it? Not just yet. We need to
:27:21. > :27:21.
:27:21. > :27:28.know that it works! Forties, did it work? Not quite. But on the
:27:28. > :27:32.upside... I have just turned an old cabbage into pure gold, we have
:27:32. > :27:42.discovered alchemy! And how is that going to help a stance? A yes,
:27:42. > :27:44.
:27:44. > :27:50.but... Ortis, focus! Have you actually invented a gadget that
:27:50. > :27:54.could turn us into world-class professional dancers? No. We are
:27:54. > :28:00.due on stage in six hours. What the hell are we going to do? Don't
:28:00. > :28:03.worry! I have got plan B. I have made some danced robot replicas of
:28:03. > :28:08.ourselves, they can do the dance for us, no one will know the
:28:08. > :28:18.difference. Brilliant! We are a shoo-in for the final. I knew you
:28:18. > :28:19.
:28:19. > :28:24.If we are about to see a collection of cardboard boxes for him over,
:28:24. > :28:34.then this show has a new favourite. One to watch. Dancing to Livin' La
:28:34. > :28:43.
:28:43. > :28:48.Vida Loca by Ricky Martin, it is # She's into superstitions.
:28:48. > :28:58.# Black cats and voodoo dolls. # Well, I feel a premonition.
:28:58. > :29:00.
:29:00. > :29:05.# She's into new sensations. # New kicks in the candlelight.
:29:05. > :29:08.# She's got new addictions. # For every day and night.
:29:08. > :29:12.# She'll make you take your clothes off.
:29:12. > :29:16.# And go dancing in the rain. # She'll make you live her crazy
:29:16. > :29:21.life. # But she'll take away your pain.
:29:21. > :29:26.# Like a bullet to your brain. # Upside inside out.
:29:26. > :29:31.# She's livin' la vida loca. # She'll push and pull you down.
:29:31. > :29:37.# Livin' la vida loca. # Her lips are devil red.
:29:38. > :29:47.# And her skin's the colour mocha. # She will wear you out.
:29:48. > :30:09.
:30:09. > :30:11.# Livin' la vida loca. # She'll make you take your clothes
:30:11. > :30:13.off. # And go dancing in the rain.
:30:13. > :30:16.# She'll make you live her crazy life.
:30:17. > :30:19.# But she'll take away your pain. # Like a bullet to your brain.
:30:19. > :30:22.# Upside inside out. # She's livin' la vida loca.
:30:22. > :30:27.# She'll push and pull you down. # Livin' la vida loca.
:30:27. > :30:37.# Her lips are devil red. # And her skin's the colour mocha.
:30:37. > :30:53.
:30:53. > :30:59.That was a crowd pleaser! Fabulous stuff! So vibrant, so colourful, so
:30:59. > :31:05.many bottoms on display! That was wonderful. Are you happy? I can't
:31:05. > :31:11.breathe, you might have to speak to him. We are really happy. Shall we
:31:11. > :31:16.find out what the panel think? was all some. My mum and her
:31:16. > :31:22.friends are probably taking HRT just to deal with the consequences
:31:22. > :31:30.of how hot that was! Brilliant energy, it really sensuous. I loved
:31:30. > :31:34.it. Did you like it, Jo? I got so excited watching it, I tripped over
:31:34. > :31:42.into a senior moment and I can't really remember anything about it.
:31:42. > :31:47.You look lovely! Did it get too hot under the collar, Lee? Oh my gosh.
:31:47. > :31:57.I enjoy that but something tells me it Otis enjoyed it a lot more!
:31:57. > :31:59.
:31:59. > :32:05.Legend, my man! Thank you very much, Suzi and Otis!
:32:05. > :32:08.APPLAUSE. Our final act tonight combines a world class comedy trio
:32:08. > :32:14.and a woman who's a world champion javelin thrower and Sports
:32:14. > :32:20.Personality of the Year. Although you'll probably still know her as
:32:20. > :32:28.the one who got a cockroach jammed up her nose in the jungle. Yeah for
:32:28. > :32:38.the cockroach! It's Fatima Whitbread and The Cuban Brothers.
:32:38. > :32:38.
:32:38. > :32:43.We are the Cuban Brothers! And I am Fatima Whitbread! Let's dance!
:32:43. > :32:48.the Cuban brothers here. We are very delighted indeed to be asked
:32:48. > :32:52.to do this strange competition, the dance competition, in your country,
:32:52. > :32:57.but to be asked to do it with a legend like Fatima Whitbread, it is
:32:57. > :33:02.off the scale. Ever since we could understand the complexities of the
:33:02. > :33:11.javelin competition, we have watched her career with wide-eyed
:33:11. > :33:17.enthusiasm. Nice and steady, all the control in the world. It is a
:33:17. > :33:24.very big role, it is about 76.5 metres. Look at the way she moves.
:33:24. > :33:29.So graceful. So elegant. She is like a swan. I am telling you, one
:33:29. > :33:36.day I will dance with the Fatima Whitbread. I don't think Fatima
:33:36. > :33:42.Whitbread will want to dance with you. Could that be the gold medal?
:33:42. > :33:50.Of course, that was a long time ago, you know, we are a lot more mature
:33:50. > :34:00.and more ways. We will not be fighting over ladies! OK, boys,
:34:00. > :34:07.
:34:08. > :34:10.No fighting! No fighting! APPLAUSE.
:34:10. > :34:14.Cuban cabaret with a javelin thrower.
:34:14. > :34:18.I know what you're thinking but it was that or jazz tap with Kriss
:34:18. > :34:28.Akabusi. For Sport Relief, dancing to You Should Be Dancing by The Bee
:34:28. > :34:41.
:34:41. > :34:45.Gees, it's Fatima and The Cuban # My baby moves at midnight.
:34:45. > :34:53.# Goes right on till the dawn. # My woman takes me higher.
:34:53. > :35:03.# My woman keeps me warm. # What you doin' in the back, aah?
:35:03. > :35:03.
:35:03. > :35:48.Apology for the loss of subtitles for 136 seconds
:35:48. > :35:58.# You should be dancing, yeah. # You should be dancing, yeah.
:35:58. > :36:01.
:36:01. > :36:11.# Dancing, yeah. # You should be dancing, yeah.
:36:11. > :36:48.
:36:48. > :36:53.Too good. Toogood, far too good! Come and join me. Don't be shy. Are
:36:53. > :36:58.you happy with that? That is what I'm talking about. That is what we
:36:59. > :37:04.are all talking about. I think this is the start of the New Korea.
:37:04. > :37:12.an athlete, notice Fatima is the only one who can speak. -- it is
:37:12. > :37:16.the start of my new career. I was waiting for somebody to pull off
:37:16. > :37:25.her hat and it was Tessa Sanderson! It would be good if the cockroach
:37:25. > :37:31.came out of your nose at the end. You nailed it, or well done. It is
:37:31. > :37:37.almost as if Chris De Burgh wrote the song "lady in red" for you. He
:37:37. > :37:44.wrote a song for me when I did it called "the Lady Is Red", so I
:37:44. > :37:53.didn't do quite so well. Did you enjoy the performance? Oh my gosh,
:37:53. > :37:58.if dancing was an Olympic sport, then you would win gold! Yes!
:37:58. > :38:06.you. Fatima & The Cuban Brothers! Amazing! And this is what it is all
:38:06. > :38:09.about. Take a look at the next of our videos from JLS in Uganda.
:38:09. > :38:14.Children across the world are living in truly horrendous
:38:14. > :38:19.conditions. 75% of illness here is because of unsafe water and poor
:38:19. > :38:24.sanitation and in slums like this, children are losing their lives.
:38:24. > :38:31.This girl has lived in the slum for as long as she can remember. This
:38:31. > :38:37.is home. A few months ago, she lost her sister to malaria and diarrhoea.
:38:37. > :38:47.What are your hopes and dreams for the future? I want to be a doctor.
:38:47. > :38:50.
:38:50. > :38:55.You want to be a doctor? What are -- what are your worries? That is
:38:56. > :39:00.unbelievable. Her life is at risk every day from the open sewers, the
:39:00. > :39:05.flooding, the disease, the contamination. It is alive she
:39:05. > :39:11.should not have to live. Her little family are constantly sick. She
:39:11. > :39:16.lost her sister this year because of these conditions. Why should she
:39:16. > :39:21.have to live like this? These guys live here every single day. Every
:39:21. > :39:25.day. They don't even necessarily want to live here but they don't
:39:25. > :39:30.have no choice. This is probably the first time I have realised why
:39:30. > :39:36.diarrhoea and malaria are the biggest killers of young kids in
:39:36. > :39:42.this country, because it is ridiculous... I physically feel
:39:42. > :39:48.sick. We want to help build drains and taps and get proper sanitation
:39:48. > :39:53.to the people that need it the most. Whatever you give is going to
:39:53. > :39:57.undoubtedly saved lives, and give these kids hope the future. They
:39:57. > :40:03.have all got dreams and aspirations like all of us, they have families
:40:03. > :40:11.like we do. It is no conditions are no human being to be in. It is �5,
:40:11. > :40:15.one text, it is not that much to ask. Please. One text.
:40:15. > :40:25.As the boys said, one text can make all the difference. It certainly
:40:25. > :40:26.
:40:26. > :40:31.can. If you want to donate, you can The whole of the �5 will go to
:40:31. > :40:41.Sport Relief. You must be 16 or over. Please ask the bill payers
:40:41. > :40:49.
:40:49. > :40:55.It is happy away in Shenanigans! -- Happy hour. Fatah! I told you, you
:40:55. > :41:01.are ruining the dartboard for everyone with this! Over there! It
:41:01. > :41:08.is another crazy night in Shenanigans. Let me introduce you
:41:08. > :41:15.to our superstar barman, Louie Spence. Yes, yes, yes. And Mr
:41:15. > :41:20.Lionel Blair! Of course! APPLAUSE. Much like the film Speed,
:41:20. > :41:26.if Lionel Blair drops below 30 taps per minute, he will explode. Look
:41:26. > :41:31.out for that or stop keep it going. Let's speak to our fabulous dancer,
:41:31. > :41:41.Patrick. You have taken to dressing like a lady like a duck to cross-
:41:41. > :41:41.
:41:42. > :41:46.dressing. What is the comedian's compunction to dress like a lady?
:41:46. > :41:50.don't know about cross-dressing. I thought if Steve is not wearing the
:41:50. > :41:58.his staff, I will wear it. sequin top his mind, the rest is
:41:58. > :42:04.all yours! Watson and Oliver. Remarkable, but I want to bring up
:42:04. > :42:12.the fact that you are a skating protege. You are fabulous acted.
:42:12. > :42:19.Sure. Yeah. -- You are fabulous at it. I gave up at the age of 13 and
:42:19. > :42:24.I have not skated since. If that makes me an expert... But you have
:42:24. > :42:29.never skated before this show so you learned for us? Yes, and it was
:42:29. > :42:36.painful and hard and I was petrified. But it was wonderful to
:42:36. > :42:40.watch. You did something special. Thank you. Good luck. Fatima
:42:40. > :42:47.Whitbread! Anything to be around like red again. I am really having
:42:47. > :42:53.fun with these guys. It is beautiful. The spirit of Latin
:42:53. > :42:57.America. Did you enjoy being in the limelight dancing? It is different,
:42:57. > :43:05.isn't it, but it is for a good cause so I hope we have raised a
:43:05. > :43:11.lot of money. What the ladies said. You did a fabulous job out there,
:43:11. > :43:15.guys. A Charlton dream come true, having that lady in your arms. -- a
:43:16. > :43:23.childhood dream. It is a fantastic evening for Sport Relief, dance,
:43:23. > :43:27.for us to be touching Fatima in any capacity at all. Thank you so much.
:43:27. > :43:33.Good luck this evening. Rowland Rivron. I didn't think anybody
:43:33. > :43:38.could top trump Christopher Walker in but you did. It was incredible.
:43:38. > :43:43.All things considered, I think I pulled it off. Do you want to have
:43:43. > :43:47.a look at it? ! It is not long until we find out
:43:47. > :43:57.which acts will make it through to the final but first, it is time to
:43:57. > :44:13.
:44:13. > :44:23.make some noise for the brilliantly # I be up in the party.
:44:23. > :44:27.
:44:27. > :44:34.# I have got a drink in my hand. # Everybody is in the house.
:44:34. > :44:42.# All the goals make out for the whole club to see #.
:44:42. > :44:48.# People always say that my music is loud forced of # Sorry for
:44:49. > :44:58.partying! # People always say, turn it down.
:44:59. > :45:03.
:45:03. > :45:13.# Sorry for party. # When they talk, so read for party
:45:13. > :45:19.
:45:19. > :45:22.When I walk on by, girls be looking like damn he fly.
:45:22. > :45:24.I PIMP to the beat, walking down the street with in my new lafreak,
:45:24. > :45:27.yea. This is how I roll, animal print
:45:27. > :45:34.pants out of control. It's Redfoo with the big Afro.
:45:34. > :45:40.And like Bruce Lee rock at the club, Ahh girl look at that body.
:45:40. > :45:44.I-I work out. Ahh girl look at that body.
:45:44. > :45:49.I-I work out. When I walk in the spot, yeah this
:45:50. > :45:53.is what I see, OK. Everybody stops and staring at me.
:45:53. > :46:03.I got passion in my pants and I ain't afraid to show it, show it,
:46:03. > :46:14.
:46:14. > :46:24.show it, show it. When I'm at the mall, security just
:46:24. > :46:25.Wiggle, wiggle, wiggle, wiggle, wiggle, yeah.
:46:25. > :46:27.Wiggle, wiggle, wiggle, wiggle, wiggle, yeah.
:46:27. > :46:29.Wiggle, wiggle, wiggle, wiggle, wiggle, yeah.
:46:29. > :46:39.Wiggle, wiggle, wiggle, wiggle, wiggle, yeah, yeah.
:46:39. > :46:42.
:46:42. > :46:47.Here we go. Time to find out who will take the prize and who should
:46:47. > :46:53.sneak out in disguise. The last two spaces in the final are up for
:46:53. > :47:03.grabs. Let's welcome at our five- act back onto the stage.
:47:03. > :47:21.
:47:21. > :47:31.Patrick Monahan! Fatima and the Suzy and Ortis! And Watson and
:47:31. > :47:37.
:47:37. > :47:41.We have seen five celebrity acts put their hands and sometimes feet
:47:41. > :47:47.in the air like they just don't care. But only the act with the
:47:47. > :47:55.highest number of public bodes well have a guaranteed place in the
:47:56. > :48:05.final -- public votes. Are you ready? Audience, are you ready?
:48:05. > :48:15.Lionel Blair, are you ready? I am like a coiled spring! He is ready.
:48:15. > :48:39.
:48:39. > :48:49.Panel, are you ready? Yes! Then Patrick Monahan! I can't believe
:48:49. > :48:58.
:48:58. > :49:08.that. What just happened?! The next act to do the Cha Cha of
:49:08. > :49:18.
:49:18. > :49:27.I can't believe I am saying is, it is Watson and Oliver. Hush your
:49:27. > :49:33.mouth, are you making that up?! sorry, girls. So then there were
:49:33. > :49:37.three, Rowland, Suzi and ought to is, -- Ortis, and Fatima and the
:49:37. > :49:40.Cuban Brothers. One of you has an automatic place in the final, the
:49:40. > :49:49.other tee macro will have to depend on the panel for the last remaining
:49:49. > :49:55.place. We now have the result. is it. I can now reveal that the
:49:55. > :50:05.act with the most public votes, and going straight into the Grand Final
:50:05. > :50:13.
:50:13. > :50:20.You have won a place in the hearts and minds of a nation. You look
:50:20. > :50:26.like you can't believe it. You did it, you are through to the final.
:50:26. > :50:32.How do you feel? I am very chuffed. Well done to all these other guys.
:50:32. > :50:40.I was a contender, there you go! Hard you going to perform for us
:50:40. > :50:44.one more time! He has got to do it. He is the champion. And of course,
:50:44. > :50:54.a big round of applause one more time to Patrick Monahan and Watson
:50:54. > :50:58.and Oliver, great sports. Thank you, guys, thank you so much. And that
:50:58. > :51:08.means we have two Act's left, Suzi and Ortis, and Fatima and the
:51:08. > :51:12.Cubans. There is only one place the remaining. So it is over to our
:51:12. > :51:22.lovely panel. You cannot do a runner at this point! Before you
:51:22. > :51:58.
:51:58. > :52:02.make that all-important decision, OK, we are through the looking
:52:02. > :52:06.glass panel. What we do today will echo through the ages. I will ask
:52:06. > :52:12.you one by one to give me the name of the act you would like to send
:52:12. > :52:19.the roof. We will begin with Russell. Oh no! Listen, both
:52:19. > :52:23.amazing. The sexual chemistry in the Latin dance was amazing, but to
:52:23. > :52:30.me, Fatima is a legend. There is nothing you can chuck about woman
:52:30. > :52:36.she will not tackle, I have devoted wholeheartedly for her. -- I have
:52:36. > :52:45.to vote wholeheartedly for her. Next, we come to you, leave. Oh my
:52:45. > :52:52.gosh. This is more difficult than when I put my boy up for adoption.
:52:52. > :53:00.My heart says the Cuban Brothers. But my pants say Suzy. I am going
:53:00. > :53:05.to listen to my pants, Suzi and Ortis. Jo Brand, it is all on you.
:53:05. > :53:11.The going to have to rush you for a decision. People always prevaricate
:53:11. > :53:16.at this stage, I don't, it is Batman and the key members. --
:53:16. > :53:22.Fatima and the Cuban Brothers. Congratulations to Fatima and the
:53:22. > :53:25.Cuban Brothers. Fatima, you must be overjoyed, or dreading doing it all
:53:25. > :53:29.again? No, it has been an absolute pleasure working with these guys go
:53:29. > :53:35.I hope we have raised enough money. You have done a great job, well
:53:35. > :53:40.done. A final word? We have had such a great time, I have been
:53:40. > :53:46.wrapping myself around him all week, what is not to like? We have had a
:53:46. > :53:56.great time watching you guys. Let's hear it one more time for everyone.
:53:56. > :54:01.Thank you, dies. -- dies. Going celebrate backstage. So, next week
:54:01. > :54:06.it is all aboard the Let's Dance expressed my destination, dance-
:54:06. > :54:13.mageddon. Eight amazing acts, but only one trophy, and if that wasn't
:54:13. > :54:20.enough, you will see the official Sport Relief single, Proud by JLS,
:54:20. > :54:23.and at the exclusive UK performance by the one and only Katy Perry.
:54:23. > :54:33.remember, if you want to contribute to the Sport Relief campaign, you
:54:33. > :54:33.
:54:33. > :54:43.can donate by texting �5 to seven Enjoy it, it is fabulous, the
:54:43. > :55:03.
:55:03. > :55:07.# Don't be shocked by the tone of my voice.
:55:07. > :55:12.# Check out my new weapon, weapon of choice.
:55:12. > :55:17.# Don't be shocked by the tone of my voice.
:55:17. > :55:27.# Check out my new weapon, weapon of choice.
:55:27. > :55:31.
:55:31. > :55:34.# You can go with this. # Or you can go with that.
:55:35. > :55:38.# You can go with this. # Or you can go with that.
:55:38. > :55:41.# You can go with this. # Or you can go with that.
:55:41. > :55:44.# Or you can throw with us. # You can go with this.
:55:44. > :55:47.# Or you can go with that. # You can go with this.
:55:48. > :55:57.# Or you can go with that. # You can go with this.
:55:58. > :56:01.
:56:01. > :56:06.# Walk without rhythm. # It won't attract the worm.
:56:06. > :56:16.# Walk without rhythm. # And it won't attract the worm.
:56:16. > :56:21.
:56:21. > :56:25.# You can go with this. # Or you can go with that.
:56:25. > :56:28.# You can go with this. # Or you can go with that.
:56:28. > :56:31.# You can go with this. # Or you can go with that.
:56:31. > :56:34.# Or you can throw with us. # You can go with this.
:56:34. > :56:44.# Or you can go with that. # You can go with this.
:56:44. > :56:49.
:56:49. > :56:55.# Or you can go with that. That is going to be a tough one to