:00:46. > :00:56.for Sport Relief. Welcome your hosts, it is Alex
:00:56. > :01:16.
:01:16. > :01:21.APPLAUSE Well, this is the Grand Final, and
:01:21. > :01:26.we are live. Live people, we're live.
:01:26. > :01:29.If I may, of course a huge thanks to our professional dancers, they
:01:29. > :01:35.have been amazing throughout the series, they really have. Thank you
:01:35. > :01:39.guys. So talented, and so, so sexy. Stop it.
:01:39. > :01:45.Hello and welcome to what can only be described as thermonuclear dance
:01:45. > :01:50.war, eight acts will shake their high-achieving thang, in an attempt
:01:50. > :01:56.to become the greatest celebrity dance act in the known boogie-verse.
:01:56. > :02:00.20 acts have graced this very stage, but only one can become the disco-
:02:00. > :02:05.God, that is Let's Dance Champion 2012.
:02:05. > :02:09.Cue applause APPLAUSE
:02:09. > :02:15.JLS will also be performing the official Sport Relief single
:02:15. > :02:23.tonight. We like a bit of JLS.
:02:23. > :02:28.Tell them the next bit. # And she's flown in just for us,
:02:28. > :02:31.it is the wonderful Katy Perry. So the wait is over, it is time to
:02:31. > :02:35.get acquainted with some of the bravest human beings on the planet.
:02:35. > :02:44.Ladies and gentlemen, it is a privilege to welcome back the
:02:44. > :02:54.saviours of dance-kind, the Let's Dance 2012 Finalists! Tameka and
:02:54. > :02:58.
:02:58. > :03:08.Laurie. Terry Alderton.
:03:08. > :03:15.
:03:15. > :03:22.Eddie The Eagle. Miles miles.
:03:22. > :03:32.Dani and Tyger. Omid Djalili.
:03:32. > :03:52.
:03:52. > :03:58.Rowland Rivron. That was very good.
:03:58. > :04:03.Just that bit was good, simply delicious.
:04:03. > :04:08.What's at stake? Well, the winner tonight will walk
:04:08. > :04:13.away with this. No, that's a jar of pickles, pan the camera to the left
:04:13. > :04:19.please, there she is. The finest plastic trophy in the
:04:19. > :04:24.fires of Mount Doom. I think I would rather the pickles.
:04:24. > :04:33.Let's not forget tonight our finalists are giving their all for
:04:33. > :04:42.Sport Relief. Let's hear it for our acts, wonderful, wonderful people.
:04:42. > :04:46.So, who will take their place in our Hall of Dance Fame, alongside,
:04:46. > :04:51.Robert Webb, James Thornton and Rufus Hound and Charlie Baker, and
:04:51. > :04:54.be crowned, Let's Dance Champion. The decision is your's at home, you
:04:54. > :04:57.alone will decide who takes the title, and whose boop will rise to
:04:57. > :05:01.the top. We are opening the phone lines
:05:02. > :05:09.right at the top of the show, and have arranged for a particularly
:05:09. > :05:12.grand lady to do just that. No, Alice Barry is not back is she?
:05:12. > :05:18.In your dreams. Can the audience still be
:05:18. > :05:28.upstanding, here we are. (clears throat) It gives me great
:05:28. > :05:49.
:05:50. > :05:59.pleasure, to introduce Her Majesty I here by declare the Let's Dance
:06:00. > :06:01.
:06:01. > :06:10.Grand Final telephone lines are now open. Thank you so much your
:06:10. > :06:14.majesty, thank you. I concede to your brilliance, you win.
:06:14. > :06:17.Now, remember, numbers for each act are not the same as they were in
:06:17. > :06:27.previous shows. So please make sure that you dial in for the right act
:06:27. > :06:27.
:06:27. > :07:11.Apology for the loss of subtitles for 43 seconds
:07:11. > :07:16.Have you quite finished? Yes I have. We will remind you of all the
:07:16. > :07:20.numbers throughout the show. Calls cost 50p from a BT landline, and
:07:20. > :07:24.36.5p will go to sport very live. Other operators may vary, and calls
:07:24. > :07:31.from mobiles will be considerably higher. The lines will close, what
:07:31. > :07:34.are you doing? A face? Just standing here being bored. Get the
:07:35. > :07:39.bill payer's permission before you call. It is down to you, you are
:07:39. > :07:42.the Lords of the dance tonight. Your votes alone will decide this
:07:42. > :07:45.year's Let's Dance Champion. Obviously deciding who to vote for
:07:45. > :07:48.tonight is a very important decision. It is not like deciding
:07:48. > :07:52.what house to buy, or whether to have children, this really matters.
:07:52. > :07:56.He's right, it is a massive decision. To help you make it, well
:07:56. > :08:01.we have gone out and got you a little panel. I have said it before,
:08:01. > :08:04.I will say it again, what a panel. Two of them follow the Let's Dance
:08:04. > :08:08.tradition of having left feet and absolutely no sense of rhythm.
:08:08. > :08:16.other is so knowledgeable, we did actually think she turned up at the
:08:16. > :08:26.wrong studio this evening. How have we got her. It is Frank Skinner,
:08:26. > :08:49.
:08:49. > :08:53.Rhod Gilbert and Queen of the dance, APPLAUSE
:08:53. > :08:58.I defy you to make any sense of that introduction. It was good. It
:08:58. > :09:02.was big. It was marvellous. Your panel for
:09:02. > :09:06.the evening, it is time for the first finalist. Before Let's Dance,
:09:06. > :09:13.not only had this man never danced on live TV, he had never won
:09:13. > :09:23.anything, ever. Now he could win a prize that makes Olympic gold look
:09:23. > :09:34.
:09:34. > :09:39.like runners up in the meat raffle. There is something you need to see.
:09:40. > :09:45.Gentlemen, as you know the ancient Mayan civilisation predicted the
:09:45. > :09:49.end of the world in 2012. There must be a thousand of these
:09:49. > :09:57.apocalyptic predictions, so we never paid it any heed, until this
:09:57. > :10:05.happened. Going straight into the final is Eddie 'The Eagle' Edwards.
:10:05. > :10:08.This is a 4,000-year-old Mayan prophesy, it should perennial loser
:10:08. > :10:14.Eddie 'The Eagle' Edwards ever win anything, the universe will implode,
:10:14. > :10:24.and life will cease to exist. what you are saying, if he wins the
:10:24. > :10:31.
:10:31. > :10:38.final on Saturday...Exactly. I It's good to see you again Eddie.
:10:38. > :10:44.It's been a long time. Why, after everything we talked about. I just
:10:44. > :10:50.wanted to be good at something. You're good, Eddie, the trouble is,
:10:50. > :11:00.you're too good. Your lines are impecable. And that
:11:00. > :11:05.hitch-kick, it was, to die for. But you know you can't win, don't you
:11:05. > :11:10.Eddie. Why not? The prophesy. is just ancient mumbo jumbo, we
:11:10. > :11:15.don't know if it's real. We can't take that chance, which is why I
:11:15. > :11:20.want you to dance in the final, and I want you to lose. Then I never
:11:20. > :11:29.want you to dance again. That is what you said about the ski jumping.
:11:29. > :11:39.What? Nothing. Will you do it Eddie, will you make me that promise?
:11:39. > :11:43.
:11:44. > :11:53.That was incredible. Alex, this thing just got real. For Sport
:11:53. > :12:03.Relief, here we go, dancing as Austin Powers, to Soul Bossa Nova -
:12:03. > :12:03.
:12:03. > :14:14.Apology for the loss of subtitles for 43 seconds
:14:14. > :14:18.Instrumental, it is Eddie 'The Big thank you to The Royal British
:14:18. > :14:23.Legion band Romford there, fantastic, they are multiplying,
:14:23. > :14:31.there is more of them. Outstanding, are you happy with it?
:14:31. > :14:36.Very happy. Shall we find out what the panel think? Skinner? It was an
:14:36. > :14:41.extravaganza, there was ten million people on the stage, and eddie
:14:41. > :14:44.looking like a distressed zebra in the middle of it. Lots of pointing,
:14:44. > :14:47.some pointing can be lack lustre, I would have missed a lot of stuff if
:14:47. > :14:57.he hadn't pointed it out to me. State-of-the-art pointing, well
:14:57. > :14:58.
:14:58. > :15:02.done, mate. It is lovely that we have someone,
:15:02. > :15:10.finally, who can comment on the technical ability of our dancers.
:15:10. > :15:16.could have done, but Eddie I thought I was hallucinating, Mike
:15:17. > :15:21.Myers and the Twist have nothing on you. It was like a dream, I can't
:15:21. > :15:24.critque it technically because I was somewhere else! Fair enough,
:15:24. > :15:29.and Rhod, do you think Eddie deserves to win something? Look at
:15:29. > :15:34.that face, of course he does. change? I thought was inspired
:15:34. > :15:40.choosing a character that allows you to wear your own glasses! I
:15:40. > :15:44.thought it was awesome, I was never quite sure whether you were called
:15:44. > :15:54.Eddie 'The Eagle' Edwards because you soared like an eagle or you ate
:15:54. > :16:00.mice, tonight I thought you were a sexy, wall rus-toothed love eagle!
:16:00. > :16:10.There we have it, our panel is sold, if Eddie's Bossa Nova won you over,
:16:10. > :16:14.
:16:14. > :16:20.Remember tonight is your last chance to vote for your favourite,
:16:20. > :16:24.thank you very much, Eddie 'The Eagle' Edwards.
:16:24. > :16:30.Even his glasses have steamed up. He's been in character for the last
:16:30. > :16:34.three weeks. Fantastic. Tina Turner has won nine Grammy
:16:34. > :16:39.Awards, seven Billboard Music Awards, and has a star on the
:16:39. > :16:49.Hollywood Walk Of Fame. But tonight is her greatest honour yet, being
:16:49. > :16:53.
:16:53. > :16:58.impersonated by a big, bald, butch Hello, hello. What? Nothing.
:16:58. > :17:05.It's you, it's you isn't it. Stand- up comedian, Terry Alderton here.
:17:05. > :17:15.Who? No the one that did the Tina Turner on the dance show, do the
:17:15. > :17:18.
:17:19. > :17:23.face, I love the face. Tim, do the I knew this would happen. I know,
:17:23. > :17:29.we're in the final. Not the final, you know it has taken me the years
:17:29. > :17:35.to build up the reputation of a credible stand-up comedian, now all
:17:35. > :17:41.I'll be remembered for is the dance and the face. Go on, do the face.
:17:41. > :17:51.That's it, we're not doing the final? This charade is over. Oh no
:17:51. > :18:22.
:18:22. > :18:31.it isn't. Oh yes it is. Well I guess that settles that then.
:18:31. > :18:37.Best of five. A man whose dancing career is like
:18:37. > :18:47.his skirt, short and inappropriate. For Sport Relief, dancing to Proud
:18:47. > :18:55.
:18:55. > :19:01.Mary, by Tina Turner, it is Terry # Down in the city
:19:01. > :19:10.# Working for the man # Every night and day
:19:10. > :19:14.# Big wheel keep on turning # Proud Mary keep on burning
:19:14. > :19:20.# And we're rolling # Rolling
:19:20. > :19:30.# Rolling yeah # Rolling on a river
:19:30. > :19:39.
:19:39. > :19:45.# In the city # Working for the man
:19:45. > :19:51.# Every night and day # I never lost a minute of sleeping
:19:51. > :19:55.# Worrying about things #Ic about wheel keep on turning
:19:55. > :20:01.# Proud Mary # Keep on burning
:20:01. > :20:06.# Rolling # Rolling on the river
:20:06. > :20:14.# Rolling # Rolling on the river
:20:14. > :20:17.# Do do do # Yeah
:20:17. > :20:24.# Rolling # Rolling on the river
:20:24. > :20:29.# Rolling # Rolling on the riverle # Rolling
:20:29. > :20:39.# Rolling # Rolling on the river
:20:39. > :20:50.
:20:50. > :21:00.# Rolling APPLAUSE
:21:00. > :21:03.
:21:03. > :21:10.Terry Alderton, come and join us. You really refined that impression,
:21:10. > :21:15.it is eerie. How are you doing? really, really like you. Don't do
:21:15. > :21:20.this? I really, listen. Butt out Jones, I'm with the other Jones.
:21:20. > :21:26.Sorry. Stand here and try to be normal for
:21:26. > :21:30.a second. Normal. Frank Skinner, what are you thinking, Sir? I think,
:21:30. > :21:35.if Loose Women was a late night show, that is what it would look
:21:35. > :21:40.like. There was a moment then, when the doors opened, I thought, God,
:21:40. > :21:45.Terry looks absolutely fantastic. I was looking at one of the girl
:21:45. > :21:51.dancers. But the dancing was high - energy, I could see the muscles
:21:51. > :21:57.tensing and untensing in the legs, it was excellent stuff. It was
:21:58. > :22:04.high-energy brilliance, I thought. APPLAUSE
:22:04. > :22:09.Frank thought it was sexy, what did you think? Tina, diva, from the
:22:09. > :22:14.slow finger snaps, to the simy with the fringe flying, there was
:22:14. > :22:22.nothing you couldn't do. You know what, I think you could be Tina's
:22:22. > :22:28.personal private dancer! Rhod, you were laughing your head off? Mainly
:22:28. > :22:35.at the facial expressions, you looked like you were having an
:22:35. > :22:39.aneurysm, you looked like the girl at the Office Party. It puts the
:22:39. > :22:43.lotion, otherwise it gets the hose again! It is a bit like that.
:22:43. > :22:51.you feel that Terry's Tina should be top of the tree, this is the
:22:51. > :22:56.be top of the tree, this is the Lines may be busy, keep trying. You
:22:56. > :23:04.can vote for any act at any time until the lines close a bit later
:23:04. > :23:10.until the lines close a bit later Thank you very much, Terry Alderton.
:23:10. > :23:15.I love to watch that man walk away. For a couple of reasons!
:23:16. > :23:23.Our next act took us back to the golden age of disco, the music was
:23:23. > :23:30.funky, and the hair was enormous, it is Fatima Whitbread and The
:23:30. > :23:35.Cuban Brothers. Hello friends, thank you four your continuous
:23:35. > :23:39.support of The Cuban Brothers and Fatima. The lovely Fatima.
:23:39. > :23:49.raidant fate ma. Oi, Fatima is coming round.
:23:49. > :24:06.
:24:06. > :24:12.NO! You can't show Fatima the lovely jigsaw with the javelin
:24:12. > :24:18.missing. Let's go and see my beautiful sculpture instead. No, my
:24:18. > :24:28.sculpture, Fatima, no, someone has taken her nose, which one of you
:24:28. > :24:36.
:24:36. > :24:46.You forget how to craft it, hombre, it's rubbish, never mind, never
:24:46. > :24:49.
:24:49. > :24:55.mind. Ola. Fatima, Benos, si, oh, OK,
:24:55. > :25:03.busy. Your beautiful hair, you are washing your beautiful hair, no, no,
:25:03. > :25:13.problem. We see you in the final then. Adios, me amore, I love you.
:25:13. > :25:21.
:25:21. > :25:26.That film will form the bulk of the evidence in Fatima's bid for a
:25:26. > :25:36.restraining order. For Sport Relief dancing to You Should Be Dancing -
:25:36. > :25:50.
:25:50. > :25:59.By The Bee Gees. # Out in the dark
:25:59. > :26:04.# No woman take me higher # My woman keep me warm
:26:04. > :26:14.# What you doing on your bed # What you doing
:26:14. > :26:51.
:26:51. > :26:59.# You should be dancing # Yeah
:26:59. > :27:08.# You should be dancing # Yeah
:27:08. > :27:16.# You should be dancing # Yeah
:27:16. > :27:26.# We should be dancing # Yeah
:27:26. > :27:42.
:27:42. > :27:47.# We should be dancing Fatima Whitbread and The Cuban
:27:47. > :27:50.Brothers. Come and join us guys. For me that
:27:50. > :27:55.Come and join us guys. For me that was absolutely awesome. How was
:27:55. > :28:00.that for you? Amazing, thank you so much. It was nerve racking, I'm
:28:00. > :28:04.glad we got through, it was a great occasion. Panel, what are you
:28:04. > :28:08.thinking now, Frank? I never realised before, the great thing
:28:08. > :28:14.about dancing in flares is the trousers keep moving after the leg
:28:14. > :28:20.has stopped. I loved the disco totem pole ending, we had a sports
:28:20. > :28:25.legend in a nice frock, it was everything. If I was on Strictly, I
:28:25. > :28:31.would say, "yes, you should be dancing"! Arlene what did you
:28:31. > :28:39.think? Well, I tell you, you have made my Saturday night a fever,
:28:39. > :28:46.because, not one John Travolta, but three, whoever dreamed it has taken
:28:46. > :28:54.until 2012 to see Fatima Whitbread do a hustle. Arlene liked it, Rhod,
:28:54. > :28:59.what did you make of it? I saw four John Travolta. Four, surely. I
:28:59. > :29:07.thought you blew John Travolta away, all four of you. You made him
:29:07. > :29:12.retrospectively look like a wheelie bin. That's a nice feeling. If you
:29:12. > :29:18.bin. That's a nice feeling. If you like, if you liked that, you should
:29:18. > :29:28.phone in. Remember, your call will be, of course, raising money for
:29:28. > :29:29.
:29:29. > :29:34.It's so nice that they have become friends as well.
:29:34. > :29:37.And maybe more! On to the next act. First he won awards as a comedian,
:29:37. > :29:43.then he had his own TV show, then he became a Hollywood film star,
:29:43. > :29:49.now, at long last he has hit the big time, the Let's Dance stage.
:29:49. > :29:54.It's Omid Djalili. I can't believe I got to the final.
:29:54. > :30:02.If you told me a year ago, even six months ago, that I got to the final,
:30:02. > :30:10.I would have thought you are crazy. Because this is, just, wow.
:30:10. > :30:16.I'm living the dream here. Which makes this so much harder to take.
:30:16. > :30:25.I don't know how it happened. I woke up this morning and I had a
:30:26. > :30:30.pain in my throat. I think I might have later reign giet tis.
:30:30. > :30:34.-- Laryng itis. Obviously I have taken medical advice, because I
:30:34. > :30:44.really want to perform in the final. The doctor said I could really
:30:44. > :30:47.
:30:47. > :30:54.damage my vocal chords. I just don't know what to do. I
:30:54. > :30:59.think because (whispers) of the state of my throat, it will be
:30:59. > :31:04.impossible to do the final. It is a dance show, what has it to do with
:31:04. > :31:08.your voice? I can't, it is looking impossible. Fine we will drop you
:31:08. > :31:18.from the show. So I have done a lot of soul-searching over the last
:31:18. > :31:22.couple of minutes, and I have decided to go for it. I'm back in.
:31:22. > :31:32.That's not bad, that's good, it is not a race. I'm going to dance in
:31:32. > :31:37.
:31:37. > :31:45.Just think what this final show would have been like without his
:31:45. > :31:55.performance. Less glitzy, less glamorous. Three minutes short too!
:31:55. > :31:56.
:31:56. > :32:06.Dancing for Sport Relief it is Omid # Do do do
:32:06. > :32:30.
:32:30. > :32:34.# The number of the summer # The summer of the drama
:32:34. > :32:38.# Music hitting your heart # Because I know you have soul
:32:38. > :32:45.# Listen you all # Swinging while I'm singing
:32:45. > :32:48.# Give me what you're giving # Rhythm of speech
:32:48. > :32:58.# Freedom # We have to fight the powers that
:32:58. > :32:58.
:32:58. > :33:53.Apology for the loss of subtitles for 43 seconds
:33:53. > :34:01.# Fight the power APPLAUSE.
:34:01. > :34:07.Omid Djalili. A crowd pleaser.
:34:07. > :34:10.Come here you, you sickeningly talented man. You catch your breath,
:34:10. > :34:18.we will go straight to the panel. Frank Skinner, what are you
:34:18. > :34:23.thinking? I believe the kids that was Gee, the ending with the brooms
:34:23. > :34:29.was like a game of urban Quidditch. I loved it, you completely were
:34:29. > :34:33.marvellous, I loved it. That is a little nod to the riot clean-up
:34:33. > :34:40.that was on Twitter. By the way, after a terrible debilitating
:34:40. > :34:45.problem with my voice, I got through that. Thank you.
:34:45. > :34:50.Thank you for your support. He's a bit of dancer, isn't he? You had a
:34:50. > :34:57.butch crew there, and you did not let your b-boys down, you were
:34:57. > :35:06.there, the rhythms, jumping out of shows shoes. Absolutely hot. I'm
:35:06. > :35:10.telling you, your hips were hopping. Rhod what did you make of it?
:35:10. > :35:20.thought it was amazing, incredible choreography, great fun, a bit of
:35:20. > :35:21.
:35:21. > :35:27.satire, the news, the riots. It was The News At Ten, The Musical, a
:35:27. > :35:29.hip-hopping Trevor McDonald. If you think Fight The Power is a winner,
:35:29. > :35:39.think Fight The Power is a winner, don't fight the urge to phone. The
:35:39. > :35:42.
:35:42. > :35:48.Your calls will raise money for Sport Relief. Thank you very much,
:35:48. > :35:53.Omid Djalili. We have seen some fantastic acts so
:35:53. > :35:58.far tonight, but let me tell you, that's only the half of it. Yeah I
:35:58. > :36:04.know, because we're literally half way through the show. Here is
:36:04. > :36:12.what's coming up. Dani Harmer and Tyger Drew-Honey, Miles Jupp,
:36:12. > :36:22.Rowland Rivron, Tameka and Laurie. And we're also looking forward to
:36:22. > :36:26.music from the wonderful JLS, and, of course, an exclusive performance
:36:26. > :36:28.from Katy Perry. That's quite high-pitched over
:36:28. > :36:32.there! Our next act are young, funny, they
:36:32. > :36:40.can act and dance and they are here tonight. I'm assuming they have
:36:40. > :36:44.lost a bet. It is Dani and Tyger. Another night on the town with my
:36:44. > :36:54.best girl, and we just got through to the final. I could tell that she
:36:54. > :37:00.
:37:00. > :37:08.was very impressed with my smooth Are you two pip squeaks, Tyger and
:37:08. > :37:18.Dani? I wasn't scared of this punk, I ain't the kind of guy who backs
:37:18. > :37:23.down? Yes! You two, need to throw the dance in the final. Fat Sam's
:37:23. > :37:30.got a lot of money riding on it, and Fat Sam isn't used to losing.
:37:30. > :37:36.This bruiser was trying to sweat me, I was harder than a GCSE math's
:37:36. > :37:46.exam without a calculator, hi to protect this broad. I needed a plan.
:37:46. > :37:55.
:37:55. > :38:05.Dani, we need a plan, do something, It's a good job you're a good
:38:05. > :38:09.
:38:09. > :38:15.The custard pie is actually very effective, especially, if like that
:38:15. > :38:25.gangster you are lactose intolerant. It can kill a man dead!
:38:25. > :38:32.
:38:32. > :38:34.For Sport Relief, dancing to fat # Will soon walk through that door
:38:34. > :38:38.# At fat Sam # Grand Slam
:38:38. > :38:43.# Speak easy # Always able to find you a table
:38:43. > :38:46.# There is room for just one more # At fat Sam's
:38:46. > :38:56.# Grand Slam # Speak easy
:38:56. > :38:56.
:38:56. > :38:59.# Once you get here # Fat Sam is your
:38:59. > :39:06.# Home sweet home # Plans are made here
:39:06. > :39:12.# Each night astounds you # Stories by the dozen
:39:12. > :39:22.# Anybody who is anybody # Will soon walk through that door
:39:22. > :39:32.
:39:32. > :39:40.# At Fat Sam's Grand Slam # Politicians saved by the kitchen
:39:40. > :39:44.# Caught his fingers there # Once you get in
:39:44. > :39:50.# Fat Sam is your home sweet home # Plans are made here
:39:50. > :39:52.# Games are played here # Each night astounds you
:39:53. > :39:57.# Movers are above you # Stories by the dozen
:39:57. > :40:03.# Look around your person # The news we make here
:40:03. > :40:06.# Everybody who is will anybody # Will soon walk through that door
:40:06. > :40:16.# Fat Sam's # Grand Slam
:40:16. > :40:19.
:40:19. > :40:25.perfect, are you happy with that perfect, are you happy with that
:40:25. > :40:31.Dani? I'm happy, good the second time around, I still can't breathe.
:40:31. > :40:39.Tyger are you happy. Very happy, thank you.
:40:39. > :40:43.First of all, it is a privilege to be here at the moment Tyger's voice
:40:43. > :40:48.broke! That was like being at a musical, almost too good for the
:40:48. > :40:54.show. Professional, lovely, I love the moustache, the kiss curl, I
:40:55. > :41:02.will bid on the Sport Relief website when it is over. Really top
:41:02. > :41:12.notch. Arlene? Really professional, you two sparkle like Schwartz could
:41:12. > :41:14.
:41:14. > :41:17.have crystals on a Charles en to cloud. What did you think?
:41:17. > :41:26.Sickeningly talented. How old are you? 16, you should be playing
:41:26. > :41:30.fruit machines in a chip shop, that is what I was doing at your age.
:41:30. > :41:37.If you thought the dancing with custard cut the mustard, the number
:41:37. > :41:43.custard cut the mustard, the number is on the screen. Please remember,
:41:43. > :41:46.the bill payer needs to give permission before the call.
:41:46. > :41:56.Dani and Tyger be careful of the Dani and Tyger be careful of the
:41:56. > :41:57.
:41:57. > :42:01.Next is a class act, and an upper middle-class act, who proved his
:42:01. > :42:04.total dedication, not only by dyeing his hair and knitting his
:42:04. > :42:11.own jumper, but practicing Firestarter on his Aga all week. It
:42:11. > :42:20.is Miles Jupp. Since taking part in Let's Dance
:42:20. > :42:27.for Sport Relief, my life has changed immeasurable for the worse.
:42:27. > :42:32.My friends warned me against doing it, but I ...I just wouldn't listen.
:42:32. > :42:38.You are going to look like the biggest. We don't want to see you
:42:38. > :42:44.dance. Think of your family, Miles. Now they have disowned me, I turned
:42:44. > :42:52.to my parents for support, but, they just don't understand what it
:42:53. > :43:01.Now to make things much, much worse, I have to go through the
:43:01. > :43:06.excruciating process again. What was all that about? I know how
:43:06. > :43:13.things are done, I am on Rev. have decided I don't want to see
:43:13. > :43:21.him ever again. All I can do now is win the thing.
:43:21. > :43:29.And claim that prize money. There is no prize money, Miles, it
:43:29. > :43:37.is for charity. What? It is a charity gig, there is no money.
:43:37. > :43:40.What, none? There is no... The people at home, they like to see
:43:40. > :43:45.someone going home with a big pot of cash, that is why people watch
:43:45. > :43:49.television on a Saturday night, it's what it's for.
:43:49. > :43:54.Any way, do you need me to do anything else, is that all right,
:43:54. > :44:04.done, great. What is the point of this!
:44:04. > :44:07.
:44:07. > :44:11.Ridiculous, complete waste of time. We can just take a quick look at
:44:11. > :44:17.Miles supporters in the friends and family area. All very excited, not
:44:17. > :44:23.to be here. Awkward. Wasn't expecting that, what a lovely
:44:23. > :44:33.audience. Dancing to Firestarter by the Prodigy, all for sports relief,
:44:33. > :45:00.
:45:00. > :45:06.# Danger illustrated # I'm a fire starter
:45:06. > :45:16.# Twisted Firestarter # I'm The Fire-Eaters
:45:16. > :45:16.
:45:16. > :45:23.# Twisted Firestarter # I'm the Firestarter
:45:23. > :45:29.# Twisted Firestarter # I'm the one infected
:45:29. > :45:37.# Twisted animator # I'm a Firestarter
:45:37. > :45:47.# Twisted Firestarter # I'm a Firestarter
:45:47. > :45:47.
:45:47. > :46:33.Apology for the loss of subtitles for 43 seconds
:46:33. > :46:39.Well done. Are you happy with that? Yeah. No.
:46:39. > :46:44.No. It was great, obviously. Let's see what the panel think, shall we?
:46:44. > :46:50.Frank Skinner? What I liked about it, it was called Firestarter, and
:46:50. > :46:55.it looked like Ronald McDonald had been in a fire! Your hair might get
:46:55. > :47:03.the Irish vote tonight. I think it made a nice change from the
:47:03. > :47:08.dancing! Well, it was like a horror film, man wakes up in unenlightened
:47:08. > :47:13.psychiatric hospital, goes camping with some girls, gets happy, it was
:47:13. > :47:17.exciting. Entertaining nonetheless? Arlene turned to me and said it was
:47:17. > :47:21.technically brilliant. Absolutely, there wasn't a lot of choreography,
:47:21. > :47:30.but Miles, it was a brilliant portrayal of a nightmare, and I did
:47:30. > :47:36.recognise the head-banging, there you go, brilliant, that's dancing.
:47:36. > :47:43.Rhod anything, quickly? I thought it was a wonderful transformation
:47:43. > :47:51.from Guardian-reading posh boy, into terrifying Crusty The Clown
:47:51. > :47:54.and Gene Simmons! If you thought that Mr Jupp was the best by miles!
:47:54. > :48:04.that Mr Jupp was the best by miles! Do you like it. Call on this number.
:48:04. > :48:09.
:48:09. > :48:12.The call will make a difference to There goes a broken man.
:48:12. > :48:16.He's glad to get it over, to be honest.
:48:16. > :48:21.On an ordinary dance show, you would never expect the winner to be
:48:21. > :48:31.a middleaged dad strutting about in a grey sue. This is no ordinary
:48:31. > :48:50.
:48:50. > :48:56.dance show or no ordinary dad, this I saw you up there, old man,
:48:56. > :49:04.busting my moves. Who is that, it's Christopher Walken. Hey, dipstick,
:49:04. > :49:09.keep the voice down. We don't want everybody to hear. I stopped in to
:49:09. > :49:16.give you some advice. You can either take it or leave it, I'm
:49:16. > :49:22.only going to say it once. The key to perfecting this dance is simple,
:49:22. > :49:28.if you follow my advice, I promise you, you will win the final. Do you
:49:28. > :49:35.want a pinapple cube? No, I don't want a pinapple cube, you clown,
:49:35. > :49:40.just shut up and listen. A wise man once told me, when it comes to
:49:40. > :49:45.dancing you got to look at things from from an all together different
:49:45. > :49:52.perspective, you have to float like a feather. When the moment comes,
:49:52. > :49:58.you have to sting like a...Sorry, Chris, if I don't powder up after a
:49:58. > :50:03.performance, I will run into all sorts of chaffing problems, what
:50:03. > :50:07.were you saying? The secret to perfecting this dance, and winning
:50:07. > :50:17.the Let's Dance for Sport Relief is simple. Taxi for Mr Rivron. Have to
:50:17. > :50:21.
:50:22. > :50:24.stop you there, cab's here, nice to see you, cheers. What a strange man.
:50:24. > :50:29.If you don't believe that was actually Christopher Walken, well
:50:29. > :50:34.here he is in the studio, ladies and gentlemen.
:50:35. > :50:39.Fair play, he even made a banner. He's a shy man.
:50:39. > :50:49.Good effort. For Sports Personality of the Year, dancing to Weapon Of
:50:49. > :50:49.
:50:49. > :52:22.Apology for the loss of subtitles for 43 seconds
:52:22. > :52:32.Choice - Fatboy Slim, it's Rowland Weapon Of Choice - Fatboy Slim
:52:32. > :53:07.
:53:07. > :53:11.Quite remarkable. Roland. Come join Fabulous, are you happy.
:53:11. > :53:15.Over the moon. It is a lovely place. You should be happy, what are you
:53:15. > :53:18.thinking? The message to any young people watching this is don't be
:53:18. > :53:22.afraid of middleage, it can be very beautiful.
:53:22. > :53:26.Honestly, I would like to learn it and do it every day. It is honestly
:53:26. > :53:36.one of the best dances I have ever seen on this show. I totally loved
:53:36. > :53:41.
:53:41. > :53:49.it. That was brilliant wasn't it, Arlene? Rowland, you are my weapon
:53:49. > :53:55.of massive choice. You have style dripping off you like molt and lava,
:53:55. > :54:00.those stalk walks, I will be stalking you? Rhod, did you like
:54:00. > :54:03.the stalk walks? I loved them. Potentially that could have been a
:54:03. > :54:06.disaster, it is such a cool song, Christopher Walken, it was such a
:54:07. > :54:16.brave, bold choice, you are dancing so exposed on your own up there.
:54:16. > :54:21.But Christopher Walken, I have to say, he made you look like Bungle.
:54:21. > :54:23.If Rowland's Fatboy Slim, means he should be old boy win, we didn't
:54:23. > :54:28.should be old boy win, we didn't write that, call the newspaper.
:54:28. > :54:32.Lines may be busy, when you call your money will go to help some of
:54:32. > :54:42.the world's poorest countries and projects here in the UK.
:54:42. > :54:49.
:54:49. > :54:54.In the first week of Let's Dance, two stars of EastEnders became
:54:54. > :55:00.Beyonce and Gaga, and unusually for residents of Albert Square, their
:55:00. > :55:04.appearance didn't end in misery and disaster, it is Tameka and Laurie.
:55:04. > :55:10.Do you know what Laurie, after winning the first heat of Let's
:55:10. > :55:14.Dance, it has been a-maz-ing. has been absolute madness. For the
:55:14. > :55:18.first time, I know what it is like being you, when people stop you in
:55:18. > :55:23.the street, asking you for your autograph, your photograph, it is
:55:23. > :55:33.amazing. It is even on a whole different level, even for me Tameka,
:55:33. > :55:40.I'm used to being recognised, seems everyone wants a piece of me now.
:55:40. > :55:45.It's your boyfriend, again. Tell him I'm busy being famous.
:55:45. > :55:55.It's nothing. Jonathan Ross, and Stephen Fry now following me on
:55:55. > :56:07.
:56:07. > :56:13.Tonight's the night. Hello, hello, hello. Can I help you ladies.
:56:13. > :56:17.we're Tameka and Laurie, as in Beyonce and Lady Gaga. You are
:56:17. > :56:22.having a laugh, aren't you. I watch that programme, Tameka's much
:56:22. > :56:26.taller than you, and next you will be telling me you're Jane Beale.
:56:26. > :56:35.Jane Beale, she was well fit. coming in, excuse us. Code red
:56:35. > :56:39.alert, security. We're on stage in ten minutes!
:56:39. > :56:46.I want to assure you that no members of the EastEnders cast were
:56:46. > :56:54.hurt in the making of the vt, the two bouncers are expected to make a
:56:54. > :57:04.full recovery. For Sport Relief, dancing to Telephone by Lady Gaga
:57:04. > :57:07.
:57:07. > :57:11.and Beyonce, it is Tameka and # You called I can't hear a thing
:57:11. > :57:15.# I have no service in the club you # What did you say
:57:15. > :57:24.# You're breaking up on me # Sorry I cannot hear you
:57:24. > :57:27.# I'm kind of busy # Sorry I can't hear you
:57:27. > :57:30.# I'm kind of busy # Just a second
:57:30. > :57:39.# That's my favourite song # They're going to play
:57:39. > :57:43.# I can't text you # Now you won't stop calling me
:57:43. > :57:49.# I'm kind of busy # Stop calling
:57:49. > :57:53.# Stop call # I don't want to think any more
:57:53. > :58:03.# I want to go to the dance floor # Stop calling
:58:03. > :58:05.
:58:05. > :58:09.# My head and my heart on the dance floor
:58:09. > :58:12.# # Should have left my phone at home
:58:12. > :58:18.# This is such a sad song # I have to let go
:58:18. > :58:21.# Stop calling # I don't want to think any more
:58:21. > :58:24.# My head and heart on the dance floor
:58:24. > :58:27.# Stop calling # I don't want to talk any more
:58:27. > :58:33.# I left my head and my heart on the dance floor
:58:33. > :58:38.# Stop calling # I don't want to think any more
:58:38. > :58:44.# I left my head # And my heart on the dance floor
:58:44. > :58:54.# Stop calling # I don't want to talk any more
:58:54. > :59:16.
:59:16. > :59:21.# I left my heart It's a crowd pleaser.
:59:21. > :59:26.Laurie are you happy? Very happy. Tameka happy? I feel good, like my
:59:26. > :59:32.Godfather said I would. Frank, are you happy? I'm very
:59:32. > :59:35.happy. That was really, I was getting Pepsi and Shirley
:59:35. > :59:39.flashbacks. That squatting thing at the end looked really hard. I
:59:39. > :59:44.didn't know if you were coming back up, up you came. It was really
:59:44. > :59:51.exciting, it was proper dancing, I loved it. Brilliant, well done.
:59:51. > :00:01.Was it good for you Arlene? Girls you are so Lady Gaga and Beyonce.
:00:01. > :00:02.
:00:02. > :00:06.With all that hip pounding, vogueing, you are fantastic. East
:00:06. > :00:12.end Enders, over, this is your world now.
:00:12. > :00:16.-- EastEnders over, this is your world now. It has totally ruined
:00:16. > :00:21.EastEnders for me now, are you really Jane Beale, from the chippy.
:00:21. > :00:30.Is that you? You look even better than you do in a hygiene hat and a
:00:30. > :00:33.white smoke, even better. If the girls' Telephone engaged you,
:00:33. > :00:38.you want to see them take home the you want to see them take home the
:00:39. > :00:41.title, call the number. Please remember to get the bill-
:00:41. > :00:51.payer's permission before you call. Thank you very much Tameka and
:00:51. > :00:54.
:00:54. > :00:58.So, there you have it, eight acts, eight iconic dance routines, eight
:00:58. > :01:03.pimples on the face of dance. Who should be first to place their
:01:03. > :01:07.disco flag on the summit of Mount Dance, it is up to you. There is
:01:07. > :01:12.plenty of time to decide, lines are still open for about ten minutes.
:01:12. > :01:19.In keeping with the refined nature of the show, we have classic words
:01:19. > :01:27.from a renowned thespian, whose flour rid tones are like a delicate
:01:27. > :01:33.flower. For sooth, the terms and conditions-th. When I was first
:01:33. > :01:38.asked to be part of Let's Dance, I thought me, Simon Callow, shake my
:01:38. > :01:46.booty on the television. I prefer a booty on the television. I prefer a
:01:46. > :01:50.little vocal booty,, calls cost 50p from a BT landline, of which 36.5p
:01:50. > :02:00.goes to Sport Relief. Other operators may vary, and calls from
:02:00. > :02:04.
:02:04. > :02:14.mobiles will be considerably higher. For more details, visit the website.
:02:14. > :02:18.All one word! Beautifully done, Simon, who do you want to see
:02:18. > :02:28.crowned Let's Dance Champion 2012. Here is a reminder of all eight
:02:28. > :02:28.
:02:28. > :04:08.Apology for the loss of subtitles for 43 seconds
:04:08. > :04:11.performances with the numbers you There is just about five minutes
:04:12. > :04:15.left, so please keep the votes coming in, not only will it
:04:15. > :04:19.temporarily lift the spirits of a nervous celebrity, but each vote
:04:19. > :04:22.will help boost the Sport Relief efforts. Although this year's Let's
:04:23. > :04:26.Dance story, it is nearly over, so sad.
:04:26. > :04:36.There is still plenty more of Sport Relief to look forward to. Have a
:04:36. > :04:45.
:04:45. > :04:55.Strictly is going underwater. Who are you? We're a boy band from
:04:55. > :05:01.
:05:01. > :05:05.Savage, you're looking savage, mate. Us 39ers must stick together.
:05:05. > :05:15.39ers? Are you a Chelsea fan? No, I hate
:05:15. > :05:25.
:05:25. > :05:32.Any plans you had for next weekend, cancel them, you now have a date
:05:32. > :05:36.with Sport Relief. It is a sure thing. Friday, BBC One, from 7.00pm
:05:37. > :05:40.on wards. We're absolutely over the moon to be welcoming our next guest
:05:40. > :05:49.on to the Let's Dance stage, with her only UK performance of her new
:05:49. > :05:56.single Part Of Me, it is the # Days like this
:05:56. > :06:02.# I want to drive away # Pack my bags
:06:02. > :06:05.# And watch your shadow fade # You chewed me up
:06:05. > :06:09.# And spit me out # Like I was poison
:06:09. > :06:12.# In your mouth # You took my light
:06:13. > :06:19.# You drained me down # That was then
:06:19. > :06:24.# And this is now Now look at me
:06:24. > :06:26.# This is the part of me # That you're never gonna
:06:26. > :06:31.# Ever take away from me # No
:06:31. > :06:34.# This is the part of me # That you're never gonna ever
:06:34. > :06:38.# Take away from me # No
:06:38. > :06:40.# Throw your sticks and stones # Throw your bombs and your blows
:06:40. > :06:45.# But you're not gonna break my soul
:06:45. > :06:47.# This is the part of me # That you're never gonna ever
:06:47. > :06:55.# Take away from me # No
:06:55. > :07:01.# I just wanna throw my phone away # Find out who is really
:07:01. > :07:06.# There for me # You ripped me off
:07:06. > :07:10.# Love was cheap # Was always tearing at the seams
:07:10. > :07:12.# I fell deep # You let me drown
:07:12. > :07:19.# But that was then # And this is now
:07:19. > :07:24.Now look at me # This is the part of me
:07:24. > :07:29.# That you're never gonna ever # Take away from me
:07:29. > :07:31.# This is the part of me # That you're never gonna ever
:07:31. > :07:36.# Take away from me # No
:07:36. > :07:39.# Throw your sticks and stones # Throw your bombs and your blows
:07:39. > :07:43.# But you're not gonna # Break my soul
:07:43. > :07:47.# This is the part of me # That you're never gonna ever
:07:47. > :07:52.# Take away from me # No
:07:52. > :07:54.# Now look at me # I'm sparkling
:07:54. > :07:59.# A firework # A dancing flame
:07:59. > :08:04.# You won't ever put me out again # I'm glowing
:08:04. > :08:11.# Oh oh # So you can keep the diamond ring
:08:11. > :08:15.# It don't mean nothing any way # In fact you can keep everything
:08:16. > :08:20.# Yeah yeah # He can September for me
:08:20. > :08:22.# This is the part of me # That you're never gonna
:08:22. > :08:27.# Ever take away from me # No
:08:27. > :08:30.# This is the part of me # That you're never gonna ever
:08:30. > :08:35.# Take away from me # No
:08:35. > :08:40.# Throw your sticks and your stones # Throw your bombs and your blows
:08:40. > :08:43.# You're not gonna break my soul # This is the part of me
:08:43. > :08:47.# That you're never gonna ever take away
:08:47. > :08:57.# From me # No
:08:57. > :08:59.
:08:59. > :09:03.# Come on # This is the part of me
:09:03. > :09:08.# Throw your sticks # And your stones
:09:08. > :09:12.# Oh # Break my soul
:09:12. > :09:22.# This is the part of me # That you're never gone ever
:09:22. > :09:30.
:09:30. > :09:34.APPLAUSE The wonderful Katy Perry, I almost
:09:34. > :09:37.wore the same outfit. That would have been embarrassing.
:09:37. > :09:42.Phone lines are now closed, thank you very much for voting, stop
:09:42. > :09:50.doing it. We really appreciate that. OK, I'm not going to lie to you, it
:09:50. > :09:54.is the final show, even though it is St Patrick's Day, the mood in
:09:54. > :10:03.Shenanigans is subdued, we are all professionals, let's try to get
:10:03. > :10:08.through this, shall we. Subdued my bum, this is Shenanigans,
:10:08. > :10:12.baby, it is like the lower decks of the Titanic. We have an Irish folk
:10:12. > :10:19.band, we have Omid Djalili running through shot, dancing, even.
:10:19. > :10:26.We have a superStar Bar tender, Queen Elizabeth II, thank you very
:10:26. > :10:31.much. By the way, it's the Diamond Jubilee here, please consider
:10:31. > :10:35.Shenanigans as a venue. I will think about that. Time for a bit of
:10:35. > :10:39.chit chat, that is why we are here. Fatima Whitbread and The Cuban
:10:39. > :10:44.Brothers, so much riding on this, more so for you, if you win, you
:10:44. > :10:52.win the trophy, and Fatima, lot of pressure. It is a lot of pressure,
:10:52. > :10:57.what a beautiful evening, bonita, that is coming home. Such wonderful
:10:57. > :11:02.sentiments, if you win and end up living with these guys for a year,
:11:02. > :11:06.you will have your javelin to fend them off? I'm sorry for them.
:11:06. > :11:12.Laurie and Tameka, very colourful characters, if you won this evening,
:11:12. > :11:17.who would take the trophy home? would be me. Ha ha, she's a
:11:17. > :11:20.comedian, she's going into comedy. We will arm wrestle for it. With
:11:20. > :11:25.great power comes great responsibility, maybe you are not
:11:25. > :11:30.ready to win, if you are arguing already? Maybe. Good luck.
:11:30. > :11:35.Omid Djalili, if you win this evening, who will take the trophy
:11:35. > :11:39.home? No-one takes me seriously, every time I say something people
:11:39. > :11:43.laugh at me. Shut up you silly man, that was a lot of fun.
:11:43. > :11:47.Eddie 'The Eagle' Edwards, the Mayan prophesy dictates if you win
:11:47. > :11:51.this evening, the world will come to a fiery end. Eddie, it would be
:11:51. > :11:55.worth it, wouldn't it? It would be worth it. I would actually win
:11:55. > :11:59.something. What would it mean to you to win Let's Dance? It would be
:11:59. > :12:04.fantastic, I'm keeping my skis crossed it will happen. Can I just
:12:04. > :12:09.say, this man, I was watching earlier on in rehearsals, he fell
:12:09. > :12:14.over and twisted his knee, he really hurt himself, he went out
:12:14. > :12:19.there. Are you OK? It looked painful but also humiliating
:12:19. > :12:24.because you were in a red dress? know, I manned up and I thought I
:12:24. > :12:30.will go out there and raise money for charity. What a cross-dressing
:12:30. > :12:34.guy! You two, you could be, if you play your cards right, the youngest
:12:34. > :12:38.winners of the Let's Dance trophy, ever, you are so young, I think in
:12:38. > :12:47.a way it is kind of an advantage. Look at the people in this room,
:12:47. > :12:52.look at this guy? I'm 23, I'm not that young. But Tyger. I'm 16 and
:12:52. > :12:58.my voice is breaking. It is not really an advantage. It broke ages
:12:58. > :13:02.ago, it fluctuates sometimes. The best of luck with that.
:13:02. > :13:05.Rowland, have you become resigned to the fact that for the rest of
:13:05. > :13:10.your life now, whatever party you go to, people are going to say, do
:13:10. > :13:16.the dance? Yes, I know, they will be bitterly disappointed. Why?
:13:16. > :13:22.Because I can't remember it. I'm old, I'm 60 and I know it. Thank
:13:22. > :13:25.you Rowland. Miles Jupp, OK, moving forward from Let's Dance, how
:13:25. > :13:30.damaged do you think your reputation will be in high society
:13:30. > :13:35.circles? I think people will continue to shun me, Steve. What
:13:35. > :13:39.will they think at the polo club? I'm not genuinely that posh, Steve,
:13:39. > :13:44.in the way you are genuinely not that Welsh, that is a showbiz
:13:44. > :13:48.secret. I am this Welsh and you are that posh. Good luck guys. Thank
:13:48. > :13:54.you very much for your time, you are really heros, every single one
:13:54. > :13:59.of them. Honoured to be back here Alex, it is back to you.
:13:59. > :14:03.Always a heck of a night in Shenanigans. We are now counting
:14:03. > :14:08.and verifying your calls, don't forget you can still donate to
:14:08. > :14:11.Sport Relief with just a single text. JLS, of course, went to
:14:11. > :14:14.Uganda to witness firsthand where your money goes, this is a tough
:14:14. > :14:18.but very important film. I do have to warn you as well, some viewers
:14:18. > :14:21.may find it a little bit distressing.
:14:21. > :14:31.We are here in Uganda to tell you about the heart-breaking illnesses
:14:31. > :14:33.
:14:33. > :14:43.Mohammed is just six weeks old, and was brought in by his mum this
:14:43. > :14:44.
:14:44. > :14:51.morning, with severe pneumonia. This is terrible. His mum had to
:14:51. > :15:00.walk for hours to get here today. She has no other mode of transport.
:15:00. > :15:05.It is just distressing to see a mother have to go through this.
:15:05. > :15:15.Such a little baby. You can see he's having a lot of difficulty
:15:15. > :15:20.breathing. So many kids in here, they are all not well. Everywhere
:15:20. > :15:24.we look, there are desperately sick children.
:15:24. > :15:30.What is really scary to think is one in eight of these children will
:15:30. > :15:34.die before they are five years old. Something as simple as a �5 vaccine,
:15:34. > :15:40.in most cases, will prevent them from being here.
:15:40. > :15:48.It is just ridiculous. You can't get any clearer than this,
:15:48. > :15:53.you guys have the chance to save lives. Just �5 would stop a case
:15:53. > :15:59.like this, right here. Sadly, it was too late for Mohammed, he died
:15:59. > :16:05.just an hour after we left. Guys this really is an emergency, we can
:16:05. > :16:08.see it all around us, that a simple �5 to get a vaccine like this and
:16:08. > :16:15.all of these children wouldn't have to be here, please do something
:16:15. > :16:18.about it right now and text the word "yes" to 70005, because you
:16:18. > :16:25.will definitely be saving lives, please, let's do something about
:16:25. > :16:35.this. That's the reason why your help is
:16:35. > :16:49.
:16:49. > :16:52.so desperately needed. If you want JLS have also provided us with the
:16:53. > :17:02.best official Sport Relief single since, ever, I think. You do like
:17:03. > :17:14.
:17:14. > :17:18.that one. Here it is, singing Proud, # When my strength was gone
:17:18. > :17:25.# And I just gave up on life # In my darkest place
:17:25. > :17:28.# You were my guide # And you told me that I
:17:28. > :17:35.# Should live my life to the limit # When you fall down
:17:36. > :17:45.# Get back up and fight # Well the shape of my heart don't
:17:46. > :17:48.
:17:49. > :17:52.# I'm determined when you trust in # It's all I need
:17:52. > :17:58.# Now I'm hoping # If you hear this
:17:58. > :18:03.# You believe that all that I do # Is to make you proud
:18:04. > :18:06.# Make me stronger # So I rise up
:18:06. > :18:11.# Made my mind up # So that all I do
:18:11. > :18:17.# Is to make you proud Proud proud
:18:17. > :18:25.# Make you proud proud Make you proud proud
:18:25. > :18:28.# All that I do is to make you proud
:18:29. > :18:36.# Nobody can tell me # They were there for me
:18:36. > :18:38.# Before you came around # There was pain in every heart
:18:38. > :18:48.beat # But eventually
:18:48. > :18:53.# You build my resolve to be strong # Now I'm hoping
:18:53. > :18:58.# If you hear this # You believe that all that I do
:18:58. > :19:02.# Is to make you proud # Now I'm hoping
:19:02. > :19:06.# If you hear this # You believe that
:19:06. > :19:13.# All that I do is to # Make you proud
:19:13. > :19:17.# Proud proud proud # proud proud
:19:17. > :19:21.# All that I do is to make you proud
:19:21. > :19:26.# Proud proud # Make you proud
:19:26. > :19:36.# Proud proud # All that I do is to make you
:19:36. > :19:37.
:19:37. > :19:47.proud APPLAUSE
:19:47. > :19:48.
:19:48. > :19:54.Thank you so much to JLS, that single will be in the shops and
:19:54. > :19:58.available to download from Monday. The friends and family area is ram
:19:58. > :20:01.jammed here, Tony and David are here, a few familiar faces from
:20:01. > :20:06.EastEnders from over there. But you know what, they are all on the edge
:20:06. > :20:11.of their stools. Steve, is it time for the results?
:20:11. > :20:21.Oh it's time, Alex, it's time, big time. Let's welcome the finalists
:20:21. > :20:25.
:20:25. > :20:35.back to the stage. Eddie The Eagle, Tameka and Laurie,
:20:35. > :20:49.
:20:49. > :20:59.Terry Alderton, Rowland Rivron, Fatima and The Cuban Brothers,
:20:59. > :21:16.
:21:16. > :21:19.Miles Jupp, Omid Djalili, Dani and Over the past five weeks, 12
:21:19. > :21:22.celebrity acts, 20, sorry, celebrity acts have put their
:21:22. > :21:28.dancing hopes and dreeps in your hands. And all for Sport Relief --
:21:28. > :21:32.dreams in your hands, all for Sport Relief. Now we're down to the final
:21:32. > :21:39.eight. The agonising wait is over, it is time to reveal the winner.
:21:39. > :21:45.Acts are you ready? Audience are you ready? Katy Perry is the trophy
:21:45. > :21:55.ready? Yep, ready.
:21:55. > :21:56.
:21:56. > :22:03.Thank you, panel, are you ready? Yes, ready. Then let's do this.
:22:03. > :22:13.In no particular order. The first act whose Rumba has been rumbled
:22:13. > :22:25.
:22:25. > :22:35.is... Miles Jupp. Dowse him in The second act whose body-popping
:22:35. > :22:36.
:22:36. > :22:46.bubble has burst is... It's Terry Alderton. After everything he has
:22:46. > :22:47.
:22:48. > :22:57.been through, no. The third act to stop throwing
:22:57. > :23:07.shapes, and start throwing a tantrum is... Fatima and The Cuban
:23:07. > :23:07.
:23:07. > :23:17.Brothers. Who saw that coming? I can't believe it.
:23:17. > :23:23.All right, the fourth act whose jiving ain't surviving is... I
:23:23. > :23:33.can't believe this, it's Eddie The Eagle.
:23:33. > :23:35.
:23:35. > :23:45.This is getting stupid. The fifth act whose hokey cokey was
:23:45. > :24:05.
:24:05. > :24:11.just to ropey, is... Omid Djalili. What? That leaves just three acts,
:24:11. > :24:18.Dani and Tyger, Rowland Rivron and Tameka and Laurie. Now two of you
:24:18. > :24:23.are our runners up, one of them is our champion, but who received the
:24:23. > :24:29.most viewer votes tonight? Well it is time to find out.
:24:29. > :24:39.The act with the highest number of votes and the winner of Let's Dance
:24:39. > :24:44.
:24:44. > :24:52.for Sport Relief 2012 is... Rowland Rivron.
:24:52. > :24:55.Sir, come with me. Congratulations Rowland Rivron. You
:24:55. > :25:00.dreamed the dream just a few short weeks ago and here you are
:25:00. > :25:06.victorious, did you ever think it could happen? Certainly not, no.
:25:06. > :25:11.You have done it. Anybody you would like to thank? Andrea, my physio,
:25:11. > :25:15.and Richard who has taught me everything, and David who showed me
:25:15. > :25:21.everything, and you two, you are gorgeous. All of that with a gamy
:25:21. > :25:25.knee? A very gamy knee. So Rowland Rivron is the champion of Let's
:25:25. > :25:29.Dance for Sport Relief tonight. And to pass on the dance baton, and
:25:29. > :25:39.mark your incredible achievement, it is last year's winners, James
:25:39. > :25:46.
:25:46. > :25:50.Titans of men. Would you like to do the ceremony,
:25:50. > :25:56.please. It gives me great pleasure to pass
:25:57. > :26:01.this to a great man, and a great dancer. Rowland Rivron.
:26:01. > :26:07.He's done it. Rowland, you have been incredible, and as champion
:26:07. > :26:11.you have a year of civic duties and official functions ahead of you, by
:26:11. > :26:19.begin now, with your inaugural performance, go and get ready. We
:26:19. > :26:23.want to see it one more time baby. So, there goes our winner, but all
:26:23. > :26:27.of our acts have performed brilliantly this evening, and
:26:28. > :26:31.through the series, let's give a huge round of applause to Eddie
:26:31. > :26:37.'The Eagle' Edwards, Terry Alderton, Fatima and The Cuban Brothers, Omid
:26:37. > :26:41.Djalili, Dani and Tyger, Miles Jupp and, of course, Tameka and Laurie.
:26:41. > :26:45.I think you will agree, it has been a series to remember, but just in
:26:45. > :26:55.case you forgot, take a look at this.
:26:55. > :26:59.
:26:59. > :27:06.Whoop with every fibre of your That's Shenanigans.
:27:06. > :27:16.For the love of God ladies it's 7.00pm. It was amazing.
:27:16. > :27:19.
:27:19. > :27:27.Gangster man, you know. It was physical poetry.
:27:27. > :27:36.This is Shenanigans. Shut-up. Austin Powers said, gravy baby.
:27:36. > :27:41.Ifrpblgt that was the 60s. I often wondered if you gave Dennis the
:27:41. > :27:48.Menace Orvill, he's haircut and too many blue smarties.
:27:48. > :27:54.You're in Shenanigans, baby. Yes. The performance of such maturity.
:27:54. > :28:04.Three words people, West End Hit. That was fantastic, enthusiasm, you
:28:04. > :28:05.
:28:05. > :28:15.can really move. Is there a doctor in the house? Mr Lional Blair.
:28:15. > :28:17.
:28:17. > :28:24.was quality. Wow, that is what I'm talking about.
:28:24. > :28:28.What a two week it is has been, and a massive thank you to you, let's
:28:28. > :28:32.thank viewers voting for Sport Relief, it makes a massive
:28:32. > :28:37.difference. Your calls and texts have raised over �1 million. Thank
:28:37. > :28:43.you so much. And don't forget, Sport Relief
:28:43. > :28:48.Night is on BBC One, this Friday, 23rd March, from 7.00. You can get
:28:48. > :28:55.involved with Sport Relief going to the web site. Are you ready to see
:28:55. > :28:58.your winner, one last time? Yes.
:28:58. > :29:08.Dancing to Weapon Of Choice - Fatboy Slim, please welcome your
:29:08. > :29:08.
:29:08. > :30:01.Apology for the loss of subtitles for 43 seconds
:30:01. > :30:06.champion of Let's Dance 2012, it is # You can go with that
:30:06. > :30:09.# You can go with us # You can go with this
:30:09. > :30:19.# You can go with that # You can go with this
:30:19. > :30:45.
:30:45. > :30:48.# The weapon of choice # You can go with this
:30:48. > :30:51.# You can go with that # You can go with this
:30:51. > :30:54.# You can go with that # You can go with this
:30:54. > :31:00.# You can go with us # You can go with this
:31:00. > :31:10.# You can go with that # You with go with this
:31:10. > :31:20.
:31:20. > :31:26.A worthy winner, let's have you up front, sir, come and enjoy it.
:31:26. > :31:30.So there we are, a massive thank you to all of our 20 celebrity acts