:00:24. > :00:30.Welcome to Let's Sing and Dance for Comic Relief. It's Saturday night
:00:31. > :00:34.and here's your hosts, Mel and Sue. # Don't believe me, just watch
:00:35. > :00:43.# Don't believe me just watch # Don't believe me just watch,
:00:44. > :00:52.# Hey, hey, hey Oh! Stop! # CHEERING AND APPLAUSE
:00:53. > :00:57.Hello. Hello. Welcome everybody. Just popped a kidney. Welcome to
:00:58. > :01:02.Let's Sing and Dance for Comic Relief. A new show where middle aged
:01:03. > :01:06.ladies dance and get tired. I just had a menopause then. Your favourite
:01:07. > :01:10.stars are going to storm this stage to perform huge song and dance
:01:11. > :01:20.numbers for your vote, you lovely public. Thank you Eamonn. Acts can
:01:21. > :01:26.be solos, duos or a C3-POs, I don't care. The best of the best will be
:01:27. > :01:31.back in the Grand Final and a chance for this trophy. No expense spared.
:01:32. > :01:32.Listen up, who are the brave bunch of stars taking to the stage
:01:33. > :01:50.tonight? Hoping the stars are align for him
:01:51. > :01:56.tonight it's Russell Grant. Sara Pascoe. Bringing you a performance
:01:57. > :02:00.that's nothing short of absolutely fabulous, it's Harriet Thorpe and
:02:01. > :02:04.Helen Lederer. Stepping out of their DJ booth and into their dancing
:02:05. > :02:09.shoes it's Ricky and Melvin. He's better known for spinning discs,
:02:10. > :02:12.tonight we hope he doesn't slip one. TV and radio presenter, Matt
:02:13. > :02:15.Edmondson. Plus see what happens when Len Goodman's tea dance is
:02:16. > :02:22.taken over by everyone's favourite Nan.
:02:23. > :02:32.All this afternoon plus a special report from Ed Sheeran about his
:02:33. > :02:35.visit to west Africa and brilliant performances from Emeli Sande and
:02:36. > :02:37.new pop sensation, Calum Scott. Lovely.
:02:38. > :02:42.APPLAUSE What a corker of a show. If that
:02:43. > :02:48.wasn't enough to make you want to cancel your aqua aerobics class
:02:49. > :02:54.tonight, we have some special guests. That reminds me, need to
:02:55. > :02:58.cancel my aqua aerobics. Our stars need your votes but they have to
:02:59. > :03:09.impress our panel of judges. Please welcome - Jo Brand! Frank Skinner!
:03:10. > :03:20.And Katherine Ryan! APPLAUSE
:03:21. > :03:32.Oh, look, hello lovely. Hello gorgeousnesses. Jo, Katherine and
:03:33. > :03:38.the sharper thorn between our roses, Frank. Welcome our lovely panel.
:03:39. > :03:43.APPLAUSE Now, Jo, girding your loins, what
:03:44. > :03:47.are you looking for from our acts? Major talent. Right. No fun, just
:03:48. > :03:55.talent. Just major tall interto take home. -- talent to take home. There
:03:56. > :03:59.is some, Jo. Is there? Prepare your bag, because there'll be something
:04:00. > :04:04.to put in it. Worrying the way you said bag there.
:04:05. > :04:08.Frank, hello. What are you hoping for this evening? It's live
:04:09. > :04:10.television, I'm hoping something will go wrong obviously.
:04:11. > :04:13.LAUGHTER We've fulfilled that mandate. I
:04:14. > :04:19.think people watch this show, they want to see quality, but they want
:04:20. > :04:24.to see maybe minor injuries. So, fingers crossed. We've had the same
:04:25. > :04:29.hair cut as well, Frank, which I'm really enjoying. I love that. You're
:04:30. > :04:35.working it better than I am. If you fall, give me the jacket, no-one
:04:36. > :04:39.will notice. Katherine, what are you looking for? I just want a great
:04:40. > :04:43.night of Saturday BBC entertainment to inspire people at home to donate
:04:44. > :04:46.as much as they can to Comic Relief. We will do that.
:04:47. > :04:49.APPLAUSE Thank you for bringing us to the
:04:50. > :04:52.point. Pressure's on. Here's how it works. Two of tonight's acts will
:04:53. > :04:56.make it through. The winner of the viewer vote and the winner of the
:04:57. > :05:02.judges' choice. You can also sign in to register or vote online now at
:05:03. > :05:07.bbc.co.uk/rednoseday. The vote opens later in the show. All our stars
:05:08. > :05:11.have given up their time for free to take part for one reason - to raise
:05:12. > :05:15.loads of money for the brilliant Comic Relief.
:05:16. > :05:27.It's incredibly easy to do your bit. To donate: The money that you raise
:05:28. > :05:30.goes directly to helping people right here in the UK and in some of
:05:31. > :05:33.the world's poorest communities. So I know times are tough, but please
:05:34. > :05:37.give what you can. Thank you. All the information you need is on your
:05:38. > :05:43.screen now. You must be 16 or over and please ask the bill payer's
:05:44. > :05:49.permission first. If your name is Bill Payer, then you're sorted. All
:05:50. > :05:52.bases covered. All our amazing acts are singing live don't. I don't know
:05:53. > :05:57.if I could do that. No, I don't think you could. They've all got
:05:58. > :06:01.backing tracks. Some even feature their very own vocals. Wow! What do
:06:02. > :06:07.you say, gang, let's get the party started. Indeed so.
:06:08. > :06:13.CHEERING Our first act is a radio DJ and a
:06:14. > :06:18.television presenter, known for having a lot of cheek. Keeping with
:06:19. > :06:26.that theme he's got a lot of cheek tonight, it's Matt Edmondson.
:06:27. > :06:40.DJ Matt Edmondson dancing and singing at the same time. That's got
:06:41. > :06:47.to hurt. As I'm preparing for my performance, there's only one person
:06:48. > :06:50.that can help me make a splash, five time Paralympic Gold Medallist Ellie
:06:51. > :06:55.Simons, hello. Thank you for having me on the show. I'm under a lot of
:06:56. > :06:59.pressure. You're used to pressure, what's your advice. First, who are
:07:00. > :07:05.you performing as? Nicki Minaj. Really? Nicki Minaj is one of my
:07:06. > :07:11.all-time I'd Oz. I thought if -- idols. I thought I needed to get
:07:12. > :07:15.into her head space. Or in this case, bum space. See you at the same
:07:16. > :07:18.time next week. Thank you so much that was great. Are you on for that
:07:19. > :07:21.swimming lesson later on. Definitely. Before you go, can we
:07:22. > :07:26.get a photo as well. Yeah. Thank you.
:07:27. > :07:35.Perfect. To be honest, it's taken a while to get used to logistically.
:07:36. > :07:41.Quite excited by it now. Feels like I've never been without. It So the
:07:42. > :07:46.quickest entry into the pool is glide in, like a knife, less splash
:07:47. > :07:56.as possible. Think stream line. OK, stream lined. People are going to
:07:57. > :08:02.have to get used to that h now. This is me. We weren't all born with
:08:03. > :08:04.perfectly formed giant buttocs. This is who I am now, and I like it.
:08:05. > :08:13.Thank you very much everyone. Cheers. See... Hang on. That is...
:08:14. > :08:17.Stuck. Can I borrow this chair for a couple of days? Thanks so murch,
:08:18. > :08:27.sorry. Sorry about your lights. Sorry, mate, cheers.
:08:28. > :08:39.Performing Super Bass, it's Matt Edmondson.
:08:40. > :08:42.# This one is for the boys with the booming system
:08:43. > :08:44.# Top down, AC with the cooling system
:08:45. > :08:47.# When he come up in the club, he be blazin' up
:08:48. > :08:49.# Got stacks on deck like he savin' up
:08:50. > :08:52.# And he ill, he real, he might got a deal
:08:53. > :08:54.# He pop bottles and he got the right kind of bill
:08:55. > :08:59.# He always in the air, but he never fly coach
:09:00. > :09:02.# He a motherloving trip, trip, sailor of the ship, ship
:09:03. > :09:05.# When he make it trip, trip kiss him on the lip, lip
:09:06. > :09:07.# That's the kind of dude I was lookin' for
:09:08. > :09:10.# And yes, you'll get slapped if you're lookin' yo
:09:11. > :09:12.# I said, excuse me, you're a hell of a guy
:09:13. > :09:15.# I mean my, my, my, my you're like pelican fly
:09:16. > :09:17.# I mean, you're so shy and I'm loving your tie
:09:18. > :09:21.# You're like slicker than the guy with the thing on his eye, oh
:09:22. > :09:24.# Yes, I did, yes I did, somebody please tell him who the I is
:09:25. > :09:28.# I am Nicki Minaj, I mack them dudes up, back coupes up,
:09:29. > :09:31.# Boy, you got my heartbeat runnin' away
:09:32. > :09:33.# Beating like a drum and it's coming your way
:09:34. > :09:36.# Can't you hear that boom, badoom, boom, boom, badoom, boom, bass?
:09:37. > :09:39.# Boom, badoom, boom, boom, badoom, boom, bass
:09:40. > :09:43.# This one is for the boys in the polos
:09:44. > :09:47.# He could ball with the crew, he could solo
:09:48. > :09:50.# But I think I like him better when he down low
:09:51. > :09:53.# And I think I like him better with the fitted cap on
:09:54. > :09:56.# He ain't even gotta try to put the mac on
:09:57. > :09:59.# He just gotta give me that look, when he give me that look
:10:00. > :10:01.# Then the pants are comin' off, off, uh
:10:02. > :10:04.# Excuse me, you're a hell of a guy you know I really got
:10:05. > :10:09.# I mean, sigh, sickenin' eyes I can tell that you're in touch
:10:10. > :10:14.# Yes, I did, yes I did, somebody please tell him who the I is
:10:15. > :10:17.# I am Nicki Minaj, I mack them dudes up, back coupes up,
:10:18. > :10:20.# Boy, you got my heartbeat runnin' away
:10:21. > :10:22.# Beating like a drum and it's coming your way
:10:23. > :10:25.# Can't you hear that boom, badoom, boom, boom, badoom, boom, bass?
:10:26. > :10:28.# He got that super bass Boom, badoom, boom, boom,
:10:29. > :10:32.# Boy, you got my heartbeat runnin' away
:10:33. > :10:34.# Beating like a drum and it's coming your way
:10:35. > :10:35.# Can't you hear that boom, badoom, boom, boom, badoom, boom, bass?
:10:36. > :10:50.CHEERING AND APPLAUSE Oh, yes. Matt, come here. I'm going
:10:51. > :10:53.to find it very hard to look you in the eye right now. Keep the eye
:10:54. > :11:05.contact. My eyes are here. You look like one of those balloon things you
:11:06. > :11:11.get at the feit. I feel like a sexy tell tubby. Gorgious. We loved that.
:11:12. > :11:15.Let's see what the judges think. Jo, was that bass super enough for you?
:11:16. > :11:19.Yes, it certainly was. I've been looking for a very long time for
:11:20. > :11:23.someone whose bum has dropped as far as mine. Hooray, I found them. You
:11:24. > :11:28.knew all the words that. Was amazing. I didn't understand any of
:11:29. > :11:35.them. You know... I'm an old person. Fantastic. Fantastic moves. You look
:11:36. > :11:39.gorgeous. It was a cracking opener. Frank, he sang, he danced at the
:11:40. > :11:44.same time. Pretty demanding. What do you reckon? Incredible. I remember
:11:45. > :11:47.Nicki Minaj when he was the leader of Ukip.
:11:48. > :11:51.LAUGHTER He never looked this good. He wore
:11:52. > :11:55.that outfit for the by-election. That was his mistake. I mean, the
:11:56. > :12:01.moves were great, especially with all that stuff in your pockets. I
:12:02. > :12:06.loved the outfit. I loved the cat suit. There's an element of a
:12:07. > :12:09.giraffe that's been exposed to large doses of radiation. I tell you what,
:12:10. > :12:17.it's always hard to be on first. I thought you absolutely nailed it.
:12:18. > :12:22.Well done. Katherine, how do you think he fared. To go on first. I
:12:23. > :12:26.love it. He's like the guy with a thing in his eye. I can tell that
:12:27. > :12:32.Matt Edmondson is an incredible MC and his love for Nicki Minaj really
:12:33. > :12:37.comes through. I want to see men also changing their bodies, you
:12:38. > :12:40.know, to be - I think it looks good on you. I'm thinking about getting
:12:41. > :12:45.it done. I love everything that I saw. Lovely comments. Thank you so
:12:46. > :12:50.much. If Matt's performance have you thinking, excuse me you're a hell a
:12:51. > :12:54.guy, I mean, my, my, my, you're like pelican fly, the details are on your
:12:55. > :12:58.screen now. Sometimes I don't know who you are any more. Nor do I.
:12:59. > :13:02.Voting opens later in the show. Don't vote now as it won't count and
:13:03. > :13:09.you may be charged. Can you sign in or register to vote now for free
:13:10. > :13:14.online at bbc.co.uk rednoseday. You know the drill. Matt, head over now
:13:15. > :13:18.so we can see you, to the posh seating area. Bye Matt!
:13:19. > :13:21.APPLAUSE So good.
:13:22. > :13:30.Amazing. That is a silhouette you don't often see in nature,
:13:31. > :13:35.wonderful. Now, it's time for a touch of class. Get the bolly on
:13:36. > :13:36.ice, things are about to get absolutely fabulous. It's Harriet
:13:37. > :13:44.Thorpe and Helen Lederer. Something tells me they're going to
:13:45. > :14:07.be... Absolutely fabulous. Look, I just need a minute.
:14:08. > :14:13.PHONE RINGS Hello, it's Edina. Is the other one
:14:14. > :14:16.there? Who? The idiot. Yes. Good, look, you've got to do something for
:14:17. > :14:20.me, for charity, it's dancing. I can't dance. That's what they want
:14:21. > :14:24.you to do. They want you not to dance on television. We're going to
:14:25. > :14:29.be on television. Television, but why? No-one knows who we are. Just
:14:30. > :14:33.do it. It's for charity. It's for comedy relief. It's not proper
:14:34. > :14:38.dancing, it's Mamma Mia. Mamma Mia. That's wonderful. I love
:14:39. > :14:46.Mamma Mia. I know everyone in Mamma Mia. What? Shut up and come with me.
:14:47. > :14:48.Hello? I thought you said you knew everyone here. We're just going to
:14:49. > :15:25.borrow the costumes. Push. Oh!
:15:26. > :15:29.Oh, it's beautiful. That's why we came here.
:15:30. > :15:36.Oh! You look wonderful. No, you look wonderful.
:15:37. > :15:39.Oh! Size 6. Should we try and squeeze it? I think you would
:15:40. > :15:49.struggle with that dear. Lunch? Oh, yes.
:15:50. > :15:58.Performing Abba's Dancing Queen it's Harriet and Helen as Ab Fabs Fleur
:15:59. > :16:08.and Catriona! APPLAUSE AND CHEERING
:16:09. > :16:10.# Friday night and the lights are low
:16:11. > :16:15.# Where they play the right music, getting in the swing
:16:16. > :16:31.# Night is young and the music's high
:16:32. > :16:34.# With a bit of rock music, everything is fine
:16:35. > :17:03.# Dancing Queen, feel the beat from the tambourine, ooh yeah
:17:04. > :17:13.# You can dance, you can jive, having the time of your life
:17:14. > :17:28.# Ooh, see that girl, watch that scene, digging the Dancing Queen
:17:29. > :17:36.# See that girl, watch that scene, digging the Dancing Queen.#
:17:37. > :17:56.Wow. Do you need a hand down All right there, my love? Thank you. I
:17:57. > :18:00.have to say that looked more ruptured spleen than dancing Queen
:18:01. > :18:09.All the stitches stayed in place. Marvellous to hear it. Well done.
:18:10. > :18:12.Frank, how Abba-fabulous was that? The ending itself I am still
:18:13. > :18:15.recovering from. That would be great in the supermarket at the checkout
:18:16. > :18:21.and you hadn't got one of those dividers, you could just do that. It
:18:22. > :18:26.reminded me of a fabulous night out I had with two stewardesses in
:18:27. > :18:34.Glasgow. It would have been easy to have taken a much loved pop classic
:18:35. > :18:38.and made it ridiculous. But you resisted that. Well done. I actually
:18:39. > :18:43.laughed out loud. I mean, throughout. Frank, thank you. As for
:18:44. > :18:48.get your cards on the table, get your calves on the table, that's
:18:49. > :18:57.what I say. Really, you went for it. Congratulations. Thank you.
:18:58. > :19:02.Katherine? It was entertaining and aspirational. I can't do the splits.
:19:03. > :19:06.I was blown away by that. What I saw on the stage tonight is what's going
:19:07. > :19:11.through my mind 24-7, there is drag and sparkle in there. You were the
:19:12. > :19:21.kind of women I want to be and I loved what I saw. Jo, are they the
:19:22. > :19:33.winners? Can I just say hurray for HRT. Well done ladies, no dancing
:19:34. > :19:36.but standing up, well done. If you thought Harriet and Helen were
:19:37. > :19:40.absolutely fabulous all the details are on the screen now and you can
:19:41. > :19:44.vote later in the show. Not now, later, step away from the phone!
:19:45. > :19:50.Later, not now. It worries me. Later, not now. It's all right.
:19:51. > :19:54.Later! It's all right. Talking of HRT, Mel is back in the
:19:55. > :20:04.room. Ladies, thank you for the music and the joy you are bringing.
:20:05. > :20:13.APPLAUSE AND CHEERING We are getting involved. Now don't
:20:14. > :20:19.you move a muscle. Still to come: Russell Grant who's been star-gazing
:20:20. > :20:25.for performance inspiration. Miss Ross, please show me the way. Sara
:20:26. > :20:34.Pascoe has been enjoying expert hands on coaching. That's it, yeah.
:20:35. > :20:40.You have strong hands. And we see what happened nan takes a
:20:41. > :20:45.trip to her local tea dance with Len Goodman. I will show you how it's
:20:46. > :20:50.done! Onwards with the party. Time for two
:20:51. > :20:57.men who I have spent many a morning in bed with. Yes, like that. It's
:20:58. > :21:08.Kiss FM Breakfast radio hosts the gorgeous Ricky and Melvin.
:21:09. > :21:13.Melvin. Ricky. Ricky and... Melvin. Why are you doing it in slow motion?
:21:14. > :21:21.It's how these things work. I don't make the rules. OK. Ricky and
:21:22. > :21:31.Melvin! Morning. Morning.
:21:32. > :21:38.All right? Yeah. What? We're in. We're doing it. They've asked us to
:21:39. > :21:42.do Let's Sing and Dance for Comic Relief. That's amazing. Who are we
:21:43. > :21:46.going to be I have been doing research and drawn up a list of
:21:47. > :21:54.classics for you to choose from. Let's do this. I have them here. All
:21:55. > :21:59.right. That's my framed foet open of when I won the Strictly Christmas
:22:00. > :22:06.special. Here it is, yes. A list of classic duos for Ricky and Melvin.
:22:07. > :22:13.Let's do this! Madonna and Brit knee. Woah! I get it, you want to be
:22:14. > :22:18.Madonna. Well, that's OK. Melvin, what are you doing? I am pitching
:22:19. > :22:25.ideas, my friend. Yeah, terrible ideas. Look, can't we do something
:22:26. > :22:28.cool? Will you stop. We are not doing our performance dressed as
:22:29. > :22:36.women. I am sure that's against the rules. Don't care, we are not doing
:22:37. > :22:47.it. Have you better ideas? Exactly. Wait. Hang on.
:22:48. > :23:05.This is it! This is the one, yes! That is it. Question. Can I do it as
:23:06. > :23:07.Tina Turner? No! Oh, my word. Performing a Will Smith medley, it's
:23:08. > :23:13.Ricky and Melvin! # My life got
:23:14. > :23:17.flipped-turned upside down # I'll tell you how I became
:23:18. > :23:24.the prince of a town called Bel-Air # In west Philadelphia
:23:25. > :23:28.born and raised # On the playground was where
:23:29. > :23:31.I spent most of my days # Chillin' out maxin'
:23:32. > :23:33.relaxin' all cool # And all shooting some b-ball
:23:34. > :23:35.outside of the school # When a couple of guys
:23:36. > :23:38.who were up to no good # Started making trouble
:23:39. > :23:40.in my neighbourhood # I got in one little fight
:23:41. > :23:43.and my mom got scared # She said, "you're movin' with your
:23:44. > :23:48.auntie and uncle in Bel-Air" # Let me see ya just
:23:49. > :23:54.bounce it with me # Come on, let me see
:23:55. > :23:59.ya just slide with me # Come on, let me see
:24:00. > :24:05.ya take a walk with me # Yo, back up now and
:24:06. > :24:19.give a brother room # The fuse is lit and
:24:20. > :24:21.I'm about to go boom # My life is a cage
:24:22. > :24:26.but on stage I'm free # Slow down girl, you're
:24:27. > :24:31.'bout to hurt somebody # Hold up, yo let's get
:24:32. > :24:33.just one thing clear # There's only one
:24:34. > :24:35.reason why I came here # Ya really done want me
:24:36. > :24:37.to tig-a-tig-a-tig-a # Ya really done want me
:24:38. > :24:40.to tig-a-tig-a-tig-a # Ya really done want me
:24:41. > :24:43.to tig-a-tig-a-tig-a # I came here tonight
:24:44. > :25:24.to hear the crowd go Well done! Really great. Ricky, we
:25:25. > :25:32.have something in common, presumably most people call you Mel? Yes, all
:25:33. > :25:37.the time. That's the most flap boy on the hair. Let's go to the panel.
:25:38. > :25:45.Not one, not two, three songs in one. I loved the medley. Katherine
:25:46. > :25:54.Ryan, she loves a medley. And Will Smith, from his greatest era! Jo,
:25:55. > :25:58.what's not to love, energy, charm, charisma. Flamboyant hair, come on.
:25:59. > :26:03.Yeah, all that and they're gorgeous and they're good at dancing and good
:26:04. > :26:09.at singing and they're coming home to my house. In the bag. They're
:26:10. > :26:17.going in the bag. You have room. Indeed. Frank, did you notice there
:26:18. > :26:27.was quite intricat costume ripping off. Incredible quick changes,
:26:28. > :26:35.everything, this is what Jedward hoped they'd become. That's the
:26:36. > :26:41.definition of a backhand comment. Gives with one hand, takes with the
:26:42. > :26:48.other. If Ricky and Melvin made you want to boom, boom shake the room,
:26:49. > :26:52.all the details you need are running across the magnificent bosoms now.
:26:53. > :26:55.Don't vote yet. The lines aren't open. Put your hands together for
:26:56. > :27:06.Ricky and Melvin. Off to the posh seats guys.
:27:07. > :27:11.APPLAUSE AND CHEERING I can't believe we are over halfway
:27:12. > :27:16.through. We are. Would you like an orange segment? Yes, I would love a
:27:17. > :27:19.hot flannel. We don't have time for a wipe down. It's a fundraising
:27:20. > :27:29.moment. There are lots of ways you at home can get involved.
:27:30. > :27:37.My friend sponsored me to do advanced yoga for Red Nose Day. It's
:27:38. > :27:40.important to avoid... Squashed buns, we have chocolate cake. Remember
:27:41. > :27:47.that tasted like... Sick. You look sick. I love the 70s dancers look.
:27:48. > :27:53.Right I am off to spend a penny or a pound and you can buy one. What have
:27:54. > :27:57.you done here? We got sandwiches, crisps, sausage rolls, everything
:27:58. > :28:05.you need for a Red Nose Day party. Do you... Want a roll with it. The
:28:06. > :28:12.classic Oasising track. Only done four hours? I am starting to feel a
:28:13. > :28:16.bit... Ropey. This is all the technical jargon for a sponsored
:28:17. > :28:20.abseil. Come on, get fundraising. Whether you bake, throw a party,
:28:21. > :28:30.dress up or take on a sponsored challenge get your free fundraising
:28:31. > :28:36.kit now at bbc.co.uk/Red Nose Day. APPLAUSE
:28:37. > :28:40.Now, time to meet a man for whom Mars is always in the fourth house
:28:41. > :28:51.of camp. It's the magnificent Russell Grant!
:28:52. > :29:01.The planets have aligned. Thank your lucky stars. Russell Grant is out of
:29:02. > :29:11.this world! I think I am stuck. I am sure some
:29:12. > :29:14.of you are aware that I have a certain history in dance
:29:15. > :29:20.competitions. This isn't my first disco, if you know what I mean.
:29:21. > :29:27.Russell, the incredible flying machine!
:29:28. > :29:34.Now, I am very proud of my time on Strictly. I think I could have gone
:29:35. > :29:41.further, maybe even have won. If I had just done one thing... Dressed
:29:42. > :30:06.up as a diva. Well, I am not making that mistake again, darling.
:30:07. > :30:57.And now, performing Diana Ross's Chain Reaction, it's Russell Grant.
:30:58. > :31:00.# You took a mystery and made me want it
:31:01. > :31:04.# You got a pedestal and put me on it
:31:05. > :31:06.# You made me love you out of feeling nothing
:31:07. > :31:14.# And I was there and not dancing with anyone
:31:15. > :31:18.# You took a little, then you took me over
:31:19. > :31:22.# You set your mark on stealing my heart away
:31:23. > :31:30.# I'm in the middle of a chain reaction
:31:31. > :31:34.# You give me all the after-midnight action
:31:35. > :31:42.# I want to get you where I can let you make all that love to me
:31:43. > :31:45.# I'm on a journey for the inspiration
:31:46. > :31:49.# To anywhere and there ain't no salvation
:31:50. > :32:15.# You let me hold you for the first explosion
:32:16. > :32:24.# Is get in the middle of a chain reaction
:32:25. > :32:28.# You get a medal when you're lost in action
:32:29. > :32:30.# All ready for the sweet sensation instant radiation
:32:31. > :32:33.# You let me hold you for the first explosion
:32:34. > :32:37.# We get a picture of our love in motion
:32:38. > :32:41.# My arms will cover, my lips will smother you
:32:42. > :33:09.Oh, my giddy aunt. CHEERING AND APPLAUSE
:33:10. > :33:13.Diana... Come on. Come on in. Thank you so much. Thanks gang. The
:33:14. > :33:18.dressing rooms are just up there. See you later. Oh, Russell. It
:33:19. > :33:21.started off so well. It finished well. In the middle it was
:33:22. > :33:29.wonderful. You were on fire. At times literally. Well done. How are
:33:30. > :33:32.you feeling? Well, I think it's great in front of this lot,
:33:33. > :33:43.fantastic. Let's see what the panel thought.
:33:44. > :33:48.Jo, the BBC was set up to inform, educate and entertain, how are we
:33:49. > :33:52.doing? Very well at the entertaining. You can see in the
:33:53. > :33:57.future, I hope you can see yourself doing well. Can you tell me how my
:33:58. > :33:59.weekend's going to be? My sign is I'm on the cusp of cancer and
:34:00. > :34:04.diabetes... LAUGHTER
:34:05. > :34:10.I can see you with two guys, one called Melvin, one called Ricky.
:34:11. > :34:21.APPLAUSE Enough of the after-show party.
:34:22. > :34:30.Frank, if Diana Ross were with us... I thought it was Lesley Joseph!
:34:31. > :34:34.Yeah, sorry. If Diana Ross were with us now what would she say? I think
:34:35. > :34:40.she'd be proud at that tribute. For a start off, with one act, you have
:34:41. > :34:43.doubled the scrout put of the British chiffon industry. Just an
:34:44. > :34:50.explosion of red. You look like road kill with rhythm. I mean that in the
:34:51. > :34:54.best possible way. Whenever you do it, you absolutely go for it. That
:34:55. > :34:59.made me - literally made me cry. Well done. Brilliant.
:35:00. > :35:04.APPLAUSE How did that rate for you? I mean,
:35:05. > :35:08.I've laughed a lot this evening, I've been entertained, but that had
:35:09. > :35:11.drama. There was fire. Jeopardy, firemen, thank you so much Russell,
:35:12. > :35:16.I loved it. There was a narrative art. There really was. And really
:35:17. > :35:21.hot dudes. That's how I like my narrative art with hot dudes at the
:35:22. > :35:25.end. If you want to see Russell in the grand finale, the details are on
:35:26. > :35:29.the screen. The vote is not open yet. Not yet. The vote's not open
:35:30. > :35:34.yet. How many times do we have to say that. The vote isn't open. I'm
:35:35. > :35:37.sorry she hasn't had her teatime sausage. Give it up for our dancing
:35:38. > :35:46.diva, Miss Diana Ross. APPLAUSE
:35:47. > :35:52.That was very strong. She's still on the move. Just that rear view. Ross
:35:53. > :35:57.on the move. Throes flowers to the crowd. Poetry in motion. Finally,
:35:58. > :36:03.it's time to welcome a girl who makes comedy look so much fun, it
:36:04. > :36:13.almost makes me want to have a go myself. It's the hillarious Sara
:36:14. > :36:20.Pascoe. Author and comedian. Sara Pascoe. I'm saying, that's going to
:36:21. > :36:31.be expensive. Sorry. Most people are already familiar
:36:32. > :36:35.with my story. When I was born, I was a baby. Then I decided to go
:36:36. > :36:41.into show business because everyone in my family is a performer. There's
:36:42. > :36:46.me and my sister Kylie, who I love. My mum Arlene Philips and my father,
:36:47. > :36:55.Lionel Richie. It all comes so easily to me. It's, all of them,
:36:56. > :37:00.just easy. Ballet. Tap. Breakdance. And the robot. That made it so much
:37:01. > :37:09.harder for my mother when I turned my back on show business and became
:37:10. > :37:14.a comedian. I'm sorry, mum. Aye comedian, I mean they're lower than
:37:15. > :37:17.magicians. My dad actually divorced my mum and left us because of the
:37:18. > :37:23.shame. We don't know where daddy is now. Maybe if I win Let's Sing and
:37:24. > :37:32.Dance for Comic Relief he'll come back and mummy will forgive me.
:37:33. > :37:47.KNOCK AT THE DOOR I booked this room from 4pm. All right.
:37:48. > :38:00.This is the one I've been practising, mum. Five, six, 78. Oh!
:38:01. > :38:09.Kylie, she's done it again. She's hopeless.
:38:10. > :38:19.And now performing Sia's Chandelier, it's Sara Pascoe.
:38:20. > :38:22.# Can't feel anything, when will I learn
:38:23. > :38:47.# I'm gonna swing from the chandelier, from the chandelier
:38:48. > :38:55.# I'm gonna live like tomorrow doesn't exist
:38:56. > :39:06.# I'm gonna fly like a bird through the night,
:39:07. > :39:21.# I'm gonna swing from the chandelier, from the chandelier
:39:22. > :39:42.# I'm gonna swing from the chandelier, from the chandelier
:39:43. > :39:50.# I'm gonna live like tomorrow doesn't exist
:39:51. > :40:01.# I'm gonna fly like a bird through the night,
:40:02. > :40:13.# I'm gonna swing from the chandelier,
:40:14. > :40:37.CHEERING AND APPLAUSE Can somebody help me? Thank you. Air
:40:38. > :40:43.yay! Amazing, amazing, amazing. You did brilliantly. So good. The only
:40:44. > :40:47.bad news after that extraordinary performance is that I'm afraid the
:40:48. > :40:53.landlord will not be giving you your deposit back. Worth it. So worth it.
:40:54. > :41:00.Well done. I'm speechless by those vocals, what did you reckon?
:41:01. > :41:03.Incredible. Looks-wise you're a cross between Kate bush and a
:41:04. > :41:09.disturbed Alice In Wonderland. Yes, that's my psyche. I really liked
:41:10. > :41:12.those people that were dancing in their swimming costumes with you as
:41:13. > :41:15.well. They were jolly nice. It was originally suggested I would be
:41:16. > :41:20.doing that. I was sort of hoping you might. Never mind. Katherine,
:41:21. > :41:25.singing and swinging at the same time. Things got pretty good. I mean
:41:26. > :41:30.Sara does it all. She never fails to impress me. I want to meet a man who
:41:31. > :41:34.looks at me the way I look at Sara Pascoe singing Chandelier. Frank,
:41:35. > :41:38.that was an extraordinary performance, especially given she
:41:39. > :41:44.ran the extreme risk of being electrocuted throughout. Yeah and
:41:45. > :41:48.the bit when the dancers became the staircase was brilliant. Sia
:41:49. > :41:54.supported by steps. I never thought I'd see that.
:41:55. > :41:57.He's so good. If you enjoyed Sara's performance and you'd like to see
:41:58. > :42:03.her in the finals... CHEERING
:42:04. > :42:07.Then all the voting details are on your screen now. The vote opens
:42:08. > :42:15.shortly. You need to sign in or register to vote online at
:42:16. > :42:18.bbc.co.uk/rednoseday. Join that alluring bunch over there. Big love
:42:19. > :42:25.for Sara. APPLAUSE
:42:26. > :42:30.Well, that is that. All of our star acts have now performed. Look at
:42:31. > :42:34.them, look at them over there, like a celebrity look-alike twilight
:42:35. > :42:38.zone. If you wouldn't mind summing up this extraordinary show, Jo,
:42:39. > :42:45.how's it been for you? Overwhelming. Yeah, thanks. Me or Frank? I don't
:42:46. > :42:52.mind, Jo. She's just saying the name. The time of night when her
:42:53. > :42:55.cold medication kicks in. Everyone has been brilliant, but Mel's not
:42:56. > :43:00.been great. Frank, sum it up for us, if you don't mind. I don't think
:43:01. > :43:04.doing charitable work should be this enjoyable. It's been like a great
:43:05. > :43:08.night out for me. I loved every one of them. Honestly. Who expected
:43:09. > :43:15.this? I thought it would be a nightmare. It was great.
:43:16. > :43:23.Katherine, one word please, just one word to sum everything up?
:43:24. > :43:26.Donations. Good. A perfect word. Going to get you Brandy. I'm not
:43:27. > :43:30.going to forget that. That's what they think, but it's your vote that
:43:31. > :43:35.really counts. I guess there's only one thing left to do, Dame Babs
:43:36. > :43:47.Windsor, it's over to you. Voting is now open!
:43:48. > :44:00.# But here's my number, so call me maybe
:44:01. > :44:05.These new vary folkals are playing up. Time to get serious now. Forget
:44:06. > :44:11.Mel, forget Sue. Strip away the characters. To be honest most people
:44:12. > :44:14.have forgotten Mel and Sue since we binned off that cake show. If you'd
:44:15. > :44:21.like to - this is serious. LAUGHTER
:44:22. > :44:25.They're booing my P 45 Melanie. Can't see anything. No. Very
:44:26. > :44:28.difficult now. If you'd like to vote for tonight's winner of Let's Sing
:44:29. > :44:33.and Dance for Comic Relief, called cost 15 p plus any network access
:44:34. > :44:45.charge. Get the bill payer's permission before you call. Or vote
:44:46. > :44:52.online for free, yes for free at bbc.co.uk /rednoseday. The vote
:44:53. > :44:56.closes in approximately 13 minutes. Being visually impaired has made you
:44:57. > :44:58.shout. Don't vote if you are watching on demand. Lovely, you can
:44:59. > :45:08.applaud now. Thank you very much. Breaking news just in from our
:45:09. > :45:14.entertainment correspondent, the Queen has announced her favourite
:45:15. > :45:25.ever boy band, apparently it's One's Direction. Now, time for a quick
:45:26. > :45:27.re... One can't get the staff! Time for a quick reminder of tonight's
:45:28. > :47:02.performances and those all-important numbers.
:47:03. > :47:09.APPLAUSE AND CHEERING A cracking bunch. Please get voting
:47:10. > :47:13.for your favourite. What a show so far. Feels like a cheese-induced
:47:14. > :47:19.dream. Listen, while our performers head back stage to get their wigs
:47:20. > :47:23.refreshed, here's a reminder of just why we are all here tonight. That's
:47:24. > :47:28.to raise money for Comic Relief. This is what happened when Ed
:47:29. > :47:29.Sheeran visited west Africa and met a
:47:30. > :47:40.brave little girl called Peaches. We will do songs. You sing one and I
:47:41. > :47:48.will sing one. Yeah. # All around... APPLAUSE
:47:49. > :47:54.# Will be loving you til we're 70. It's been over three years since the
:47:55. > :48:02.outbreak of Eboa killed over 11,000 people in Africa. When Ebola hit,
:48:03. > :48:13.what was it like? My father was sick.
:48:14. > :48:47.When was the last time you went to school?
:48:48. > :49:01.What's that, Peaches? Last thing I wanted this trip to be was to be the
:49:02. > :49:06.celebrity who comes over to Africa and cries on TV and says send your
:49:07. > :49:10.money over, I really wanted to come and be like everything is positive,
:49:11. > :49:16.everything is great. I don't know, just singing with that girl... Her
:49:17. > :49:19.dad taught her how to sing. Yeah, she just got really choked up
:49:20. > :49:23.about it. I watch Comic Relief every single
:49:24. > :49:28.year and this is always what celebrities do. I always think, no,
:49:29. > :49:33.is it really that bad? Then I sort of turn up and yes, it is. To send a
:49:34. > :49:40.girl like Peaches to school for a whole year is only ?45. Just a few
:49:41. > :49:50.of you texting right now can get the job done.
:49:51. > :50:02.As Ed said in Liberia, a whole year of education costs just ?65. That's
:50:03. > :50:08.a year of education. -- 4 h -- ?45. It's easy to make a difference. All
:50:09. > :50:11.the details are on the screen. Texts will cost your donation and your
:50:12. > :50:18.standard message charge and 100% of your donation will go to Comic
:50:19. > :50:24.Relief. You must be over 16. Full terms and continues, go to
:50:25. > :50:32.bbc.co.uk/Red Nose Day. Now it's time for a performance that doesn't
:50:33. > :50:41.involve wigs or inflatable thighs. Or this. It's Calum Scott.
:50:42. > :50:46.# I'm static and I can't move my feet.
:50:47. > :50:48.# From the moment that you stood next to me.
:50:49. > :50:54.# Feeling manic, I forget how to speak.
:50:55. > :51:38.# It feels like I can be the one for your love.
:51:39. > :51:46.# It feels like I can be the one for your love.
:51:47. > :52:16.# when the lights go out and my feet don't even want to touch the ground.
:52:17. > :52:20.# I feel the panic of my world turned upside down.
:52:21. > :52:54.# It feels like I can be the one for your love.
:52:55. > :52:59.# It feels like I can be the one for your love.
:53:00. > :53:43.APPLAUSE AND CHEERING Incredible. What an extraordinary
:53:44. > :53:46.performance by Calum Scott there. Unfortunately you can't vote for him
:53:47. > :53:51.but you can still vote for all our acts. Make sure you do. As well as
:53:52. > :53:54.tonight's star-studded performances in the studio we have taken comedy
:53:55. > :53:58.legends out and about to strut their stuff. Here's what happened when the
:53:59. > :54:08.nation's favourite nan met the nation's favourite Len.
:54:09. > :54:13.Here we go, nan. It's supposed to be a great afternoon out, get exercise,
:54:14. > :54:19.meet new people. Is this going to take long? I am going Homes under
:54:20. > :54:25.The Hammer for this. This will be a laugh. It isn't going to be all old
:54:26. > :54:34.people, their faces make me sick! Nan! One, two, three. Oh, yes, off
:54:35. > :54:40.we go. Lovely. Posture. Here we are, nan. What did I tell you! Have a
:54:41. > :54:51.look at this mob. Oh, I can't bear to look. Nan. Oh, and as for you...
:54:52. > :54:55.Sitting next to Will-i-am next week giving everyone a 7. No, that's Tom
:54:56. > :54:59.Jones. I thought you were looking a bit peaky. Are you here to dance
:55:00. > :55:03.because we have some experienced gentlemen here for you. Don't make
:55:04. > :55:06.me laugh! I'll show you how it's done.
:55:07. > :55:28.Hit it! Oh, hello! # # Where have all the
:55:29. > :55:37.good men gone # Where is the street wise Hercules
:55:38. > :55:43.to fight the rising odds. And lift! # Isn't there a white knight upon a
:55:44. > :55:46.steed # Late at night I toss and turn and
:55:47. > :55:53.I dream of what I need # I need a hero.
:55:54. > :55:58.# I am holding out for a hero to the end of the night
:55:59. > :56:07.# He's got to be strong and fast and got to be fresh from the fight.
:56:08. > :56:12.# I'm holding out for a hero until the morning light and he's got to be
:56:13. > :56:20.sure and got to be soon # And he's gotta be larger than
:56:21. > :56:24.life! What are you doing now? Not you, get back to The Voice! Get your
:56:25. > :56:31.hands off me! # I need a hero! # I am holding out
:56:32. > :56:36.for a hero to the end of the night. # He's got to be strong and he's got
:56:37. > :56:39.to be fast and got to be fresh from the fight!
:56:40. > :56:44.# I need a hero! # I am holding out for a hero to the
:56:45. > :56:51.morning light # He's got to be sharp and got to be
:56:52. > :56:59.soon and he's got to be larger than life!
:57:00. > :57:30.Snop I # I need a hero! APPLAUSE
:57:31. > :57:34.Suit yourself. Your dancers, you can keep them. That's the worst singing
:57:35. > :57:39.voice I have ever heard. That's a bit much, you were in the
:57:40. > :57:50.Eurovision, nil points! Come on boys. # I need a hero
:57:51. > :58:01.# I'm holding out for a hero... Bonnie Tyler! Sticking her oar in!
:58:02. > :58:08.Hello, nan, I hear you are looking for a hero. Not any more. You will
:58:09. > :58:14.do. We will do our own version of Dirty Dancing. Get me home in time
:58:15. > :58:22.for Pointless you can do whatever you like.
:58:23. > :58:28.APPLAUSE As you saw during that film the vote
:58:29. > :58:33.is now closed, just to confirm, Dame Babs... The vote is now closed. When
:58:34. > :58:39.the Dame speaks, you listen as I learned to my cost when I tried to
:58:40. > :58:46.jump in front of Dame Helen Mirren in the toilet queue. Don't vote,
:58:47. > :58:54.your vote won't count and you may be charged. Coming up a special
:58:55. > :59:01.performance from Emeli Sande performance. First this report.
:59:02. > :59:08.This is Eddie, he is ten years old and lives on the streets of Uganda.
:59:09. > :59:15.Every day he hunts for plastic bottles to earn a few shillings to
:59:16. > :59:23.buy food. How much do you usually make from correcting -- from
:59:24. > :59:27.collecting bottles here? 300 shillings, about 8p. He's just a
:59:28. > :59:33.little boy and he has no shoes on and he's on a rubbish pile. Living
:59:34. > :59:37.like this means he is missing out on an education. Is it hard seeing
:59:38. > :59:48.other children going to school and you are not able to go?
:59:49. > :59:54.As night falls, he searches for cardboard to sleep on and I meet up
:59:55. > :59:59.with Carole, a project worker. Just how scary is it sleeping on the
:00:00. > :00:07.streets? It is really dangerous, when the big boys come in. Yeah.
:00:08. > :00:15.They end up beating them badly to the extent they can have inner
:00:16. > :00:18.bleeding. In this town in -- in this town alone there are hundreds of
:00:19. > :00:24.boys who sleep out every night. Food, shelter and education are the
:00:25. > :00:29.basics that every child deserves. He has none of these. As you kiss
:00:30. > :00:31.your kids and put them to bed, please think about them, cold,
:00:32. > :00:39.hungry and in danger. This is your chance to make this right.
:00:40. > :00:43.Please give what you can. Thank you. Just ?10 could pay for a child like
:00:44. > :00:49.this to go to school for a whole term. To donate ?5 text the word
:00:50. > :00:55.give to: Or to donate ?10 text give:
:00:56. > :01:01.I am pleased to say that Eddie is being supported by a project to get
:01:02. > :01:06.back into education. He is living back at home with his mum and is off
:01:07. > :01:08.the streets for good. So, you can see your money really can make a
:01:09. > :01:13.difference. All the information that you need is
:01:14. > :01:16.on your screen now. Please do give what you can, every single donation
:01:17. > :01:19.can change lives. Now, please put your hands together
:01:20. > :01:30.for the wonderful Emeli Sande. # Cuz baby when you're gentle,
:01:31. > :01:49.it's all that it takes # If you're tired
:01:50. > :02:13.of south, # Cuz, baby, when you're gentle,
:02:14. > :04:50.it's all that it takes. Thanks so much Emeli. Right, now is
:04:51. > :04:59.the moment you've all been waiting for, Dame Babs over to you. The
:05:00. > :05:01.results are in! CHEERING
:05:02. > :05:06.So, Babs, without further ado, here's Mel with the red envelope.
:05:07. > :05:11.Mel? Mel! Smelly. I cannot tell you what she used to get up to. I had
:05:12. > :05:17.the dressing room next to her for three years. Can I tell you. That
:05:18. > :05:21.June Brown, what a minx. I could sit here all evening with electric
:05:22. > :05:27.gossip like this Yes, yes, yes, but you've got to get those out. There
:05:28. > :05:33.go on, get out of my booth. Mel! Sorry, mate. You know what it's
:05:34. > :05:38.like when Dame Babs starts jawing. Sorry about that. A lot of chat on
:05:39. > :05:45.the old Babs. The results are in. That means it's time to welcome back
:05:46. > :05:56.our five magnificent star acts. Matt Edmondson. Harriet Thorpe and
:05:57. > :06:11.Helen Lederer. Ricky and Melvin. Russell Grant. And Sara Pascoe.
:06:12. > :06:17.APPLAUSE Now, if you're just tuning in, that
:06:18. > :06:20.must look nuts. Earlier tonight, five celeb acts sang and danced
:06:21. > :06:23.their leg warmers off for you. Only two acts can go through. The act
:06:24. > :06:27.with the highest number of viewer votes will have a guaranteed place
:06:28. > :06:29.in the Grand Final. The acts that come second and third will face the
:06:30. > :06:36.panel who will choose their favourite. Cue the low, dramatic
:06:37. > :06:41.lighting. Oh, not that low slam -- low! In between. That's great.
:06:42. > :06:45.Fabulous stuff. We're nearly ready to go OK. Oh, God my heart's gone.
:06:46. > :06:53.Are you all right, mate. Can you hear it? Goes really loud.
:06:54. > :06:57.Calm yourself. The great British public, that's you, have voted and
:06:58. > :07:07.we can now reveal the top three acts in the viewer vote: In no particular
:07:08. > :07:15.order, first act is... Sara Pascoe! APPLAUSE
:07:16. > :07:23.Yes! Russell, thank you. I'm not surprised. Well done. My
:07:24. > :07:32.heart's gone again. Also, it's OK. Also in the top three we have...
:07:33. > :07:34.Matt Edmondson! APPLAUSE
:07:35. > :07:56.well done Matt. Finally, in the top three it's...
:07:57. > :08:07.Ricky and Melvin! APPLAUSE
:08:08. > :08:11.That means we have to say a fond farewell to Harriet and Helen and
:08:12. > :08:17.the gorgeous Russell. Guys, have you enjoyed yourselves?
:08:18. > :08:21.Loved it. Yeah. You're keeping the outfit I hope? I had a wonderful
:08:22. > :08:24.time. Keep in touch. All these people are going to make the most
:08:25. > :08:30.fantastic finalists when they get through.
:08:31. > :08:33.Ladies and gentleman, off you go darlings. Thank you so much. Big
:08:34. > :08:36.round of applause. APPLAUSE
:08:37. > :08:43.They don't want to go anywhere. Off you pop. Off you go. The winner
:08:44. > :08:47.doesn't take it all. Off you pop. Off you go.
:08:48. > :08:52.APPLAUSE We will now reveal the winner of the
:08:53. > :09:00.public vote. The fate of the other two is in the hands of the judges.
:09:01. > :09:10.Please reveal tonight's winner. And the winner is... La La Land...
:09:11. > :09:19.LAUGHTER So sorry. You did it in LA and you
:09:20. > :09:22.do it here. Sorry. So sorry. It's actually Moonlight.
:09:23. > :09:30.LAUGHTER All right. The real winner of
:09:31. > :09:44.tonight's Let's Sing and Dance for Comic Relief Is... Ricky and Melvin!
:09:45. > :09:52.CHEERING Congratulations.
:09:53. > :10:05.So good. Sara, well done, my love. Good luck. Good luck. Ricky and
:10:06. > :10:09.Melvin we look forward to seeing you in the final. Off you go and get
:10:10. > :10:13.yourself ready for the winner's performance.
:10:14. > :10:17.APPLAUSE OK. This means there's just one
:10:18. > :10:22.place left in the Grand Final. Who will join Ricky and Melvin, will it
:10:23. > :10:26.be Matt or Sara? It's down to the panel to decide. Before they do,
:10:27. > :10:46.here's a quick reminder of their cracking performances.
:10:47. > :11:19.Right. OK, who's it going to be, Matt or Sara? Panel, I'm going to
:11:20. > :11:23.ask one name from you, please. It is, I'm afraid pressure time. Jo,
:11:24. > :11:32.got my eyes on you. Who would you like to send through to the final
:11:33. > :11:37.and why? For sheer jutzpah and swinging about it has to be Sara.
:11:38. > :11:46.Right. Frank, if you say Sara, Sara is through. Who are you going for?
:11:47. > :11:52.For sheer jutzpah and even more swinging about, Matt.
:11:53. > :11:56.Oh, Katherine. Down to the wire. All eyes on the Ryan. You have the
:11:57. > :12:01.deciding vote, is it going to be Matt or Sara? It's so, so difficult
:12:02. > :12:06.for me. Sara has the voice of an angel. And Matt has the body of many
:12:07. > :12:12.different angles. Picasso, isn't it? Yeah. And I mean, nepotism aside, I
:12:13. > :12:18.think, in a decision like this, I vote for whoever has the name of one
:12:19. > :12:25.of my pets and my pets are called Dolly, one of my pets is called
:12:26. > :12:28.Megan, a bit like Matt and my cat is Sara Pascoe. That's why I'm going
:12:29. > :12:32.for you. Oh, guys. (
:12:33. > :12:36.for you. Oh, guys. That was the best hug. I'm
:12:37. > :12:41.going to miss you. Going to miss you too. Matt, I've never actually seen
:12:42. > :12:47.what you look like in real life. And you never will. We're never going to
:12:48. > :12:53.meet. You were amazing. It's criminal to let go of curves like
:12:54. > :12:56.that. Massive round of applause. Let's hear it for Matt Edmondson as
:12:57. > :13:00.Nicki Minajment -- Nicki Minaj. And for all of our
:13:01. > :13:04.acts, who've given their time, amazing.
:13:05. > :13:07.APPLAUSE Now, you're very far away, mate.
:13:08. > :13:10.There you are. Listen, what an amazing night it's been. A massive
:13:11. > :13:14.thanks to our incredible stars and our fantastic panel. We're going to
:13:15. > :13:17.be back next Saturday night at 6. 45pm with five more fabulous star
:13:18. > :13:21.acts and more special guests. For now, we will leave you with our
:13:22. > :13:32.wonderful winners, give it up for Ricky and Melvin.
:13:33. > :13:36.# My life got flipped-turned upside down
:13:37. > :13:46.# I'll tell you how I became the prince of a town called Bel-Air
:13:47. > :13:49.# In west Philadelphia born and raised
:13:50. > :13:51.# On the playground was where I spent most of my days
:13:52. > :13:53.# Chillin' out maxin' relaxin' all cool
:13:54. > :13:56.# And all shooting some b-ball outside of the school
:13:57. > :13:59.# When a couple of guys who were up to no good
:14:00. > :14:01.# Started making trouble in my neighbourhood
:14:02. > :14:03.# I got in one little fight and my mom got scared
:14:04. > :14:10.# She said, "you're movin' with your auntie and uncle in Bel-Air"
:14:11. > :14:21.# Let me see ya just bounce it with me
:14:22. > :14:26.# Come on, let me see ya just slide with me
:14:27. > :14:29.So, like, you get sponsored to swap clothes with somebody for a day.
:14:30. > :14:31.Yeah, yeah, yeah. OK, I don't get that. So, maybe...
:14:32. > :14:34.I don't get that. ..you wear your mother's clothes?
:14:35. > :14:38.I don't get it. What does she wear? No, no, she wears someone else's.
:14:39. > :14:42.OK, I don't get that, it's too complicated. Do another one.
:14:43. > :14:44.So, like, you get sponsored to let people lick stuff
:14:45. > :14:48.No, but, like, you get these flavoured... Cool, yeah.
:14:49. > :14:52.Not going to happen. Peanut butter. Do another one.
:14:53. > :14:59.For better ideas, get your free fundraising kit now.
:15:00. > :15:11.We're going to bond by finding out whether Paula was really