:00:22. > :00:24.Welcome to Let's Sing Dance for Comic Relief for Comic Relief. Here
:00:25. > :00:54.are your hosts, Mel and Sue! Oh, there you are, there you are!
:00:55. > :01:03.Welcome along. I tell you, what an introduction that was. I think I
:01:04. > :01:08.have that cold sores on my buttocks. Kicking off your Saturday night in
:01:09. > :01:13.style with a brand-new line-up of stars to dance and sing their hearts
:01:14. > :01:19.out. Tonight there are two places in the final to fight for.
:01:20. > :01:21.So let's see who'll be electric boogalooing,
:01:22. > :01:25.harmonising and maybe even doing the 'robot' for your votes.
:01:26. > :01:42.Tonight, the stars of casualty and Holby City. A new girl group in town
:01:43. > :01:49.like no other, boys in town. A West End boy showing his talents,
:01:50. > :01:53.EastEnder style Danny-Boy Hatchard. Proving they can sing as well as
:01:54. > :02:02.stance, James and Ola Jordan. And finally, finding their dreams
:02:03. > :02:08.Somewhere Over The Rainbow, quizzing superstars the chasers.
:02:09. > :02:13.And reports from Emeli Sande in Uganda and Billy Connolly right here
:02:14. > :02:28.in the UK. All that and an exclusive
:02:29. > :02:36.performance from Louisa Johnson and from Amanda Holden in Stepping Out.
:02:37. > :02:40.To Add A Cherry... I Went Overboard With The Celebrities. We Have A Very
:02:41. > :02:46.Special Panel. We've got a very special panel -
:02:47. > :02:58.Russell Kane, Claudia Stroke the aura. I'm going to stroke
:02:59. > :03:00.the actuality. Hope you are in the mood for classic Saturday night
:03:01. > :03:13.entertainment. Mr Mel -- Mr Khan, you look happy to be a
:03:14. > :03:22.tonight. I'm just happy to be out of Birmingham! Look, this is for
:03:23. > :03:30.Claudia This is for you. Some onion bhajis for you. There we go! Share,
:03:31. > :03:38.share! Over ?3. There we are, very nice, there we are. Khan Mr, did Mrs
:03:39. > :03:45.Khan make these? Don't be ridiculous! Claudia, so nice to see
:03:46. > :03:50.you. So nice for having me, with the ourselves. And we have a full bar
:03:51. > :03:55.say. I thought this was a documentary series, I'm still in
:03:56. > :04:00.shock. We're waiting for our acts backstage you are nervous and hoping
:04:01. > :04:08.not just to impress them but you at home as well. That's right...
:04:09. > :04:11.LAUGHTER Two acts will make it through. The
:04:12. > :04:17.winner of the viewer vote on the panel choice. You can vote with your
:04:18. > :04:25.favourite iPhone and mobile... Or... They are very dry, very dense. The
:04:26. > :04:31.phrase viewer vote is hard to say with half an onion bhaji in your
:04:32. > :04:37.cheek. You can also vote for free, yes free, online. All you have to do
:04:38. > :04:45.is sign in and register to vote now. The vote will open... Not now. There
:04:46. > :04:52.is no moisture to be had in my body! Absolutely... One for each cheek,
:04:53. > :05:03.there we go. What! Does anyone have a flagon of H2O? It's everyone's
:05:04. > :05:11.favourite doctors, casualty and Holby City actors.
:05:12. > :05:25.Casualty and Holby...? Is there a doctor in the house? Not you, a real
:05:26. > :05:47.doctor. I've lost three -- as the three most
:05:48. > :05:49.important members of staff at this hospital we've been asked to perform
:05:50. > :05:54.an Let's Sing Dance for Comic Relief for Comic Relief. We'd lie if
:05:55. > :05:57.we said we weren't worried about how people will cope when we are away.
:05:58. > :06:08.The hospital doesn't run itself, you know? Hello, casualty. Relax, I've
:06:09. > :06:14.been doing this for years. Lots of damages? We understand their
:06:15. > :06:18.concern. We are integral to the smooth running of Holby City but our
:06:19. > :06:21.patients need not worry, we have a plan. It's taken a while to find the
:06:22. > :06:26.right people but we've managed to organise cover for when we are away.
:06:27. > :06:33.The hospital is going to be in extremely safe hands. Hello,
:06:34. > :06:39.Casualty? Relax, I've been doing this for years. You won't feel a
:06:40. > :06:43.thing! Don't worry, I'm here now, everything's going to be fine.
:06:44. > :06:50.Everything is going to be fine. That's better, isn't it?
:06:51. > :06:52.Performing Bruno Mars' Uptown Funk, it's the cast
:06:53. > :07:36.# I'm too hot (hot damn)
:07:37. > :07:40.# I'm too hot (hot damn)
:07:41. > :08:03.# 'Cause uptown funk gon' give it to you
:08:04. > :08:06.# Saturday night and we in the spot
:08:07. > :08:14.# Don't believe me just watch (come on)
:08:15. > :08:47.# Uptown funk you up # Uptown funk you up (say what?)
:08:48. > :09:26.Gang... Amazing. You guys look like you need a defibrillator. It was
:09:27. > :09:33.intense, very intense. We need oxygen. Well done. What's the
:09:34. > :09:39.prognosis? What a way to start the show. You have funked us so hard, my
:09:40. > :09:45.auntie's hip has probably popped back in. What a way to start the
:09:46. > :09:53.show. Good luck to anyone following that, it was fantastic! As three got
:09:54. > :09:57.so overexcited, your voices were fantastic, the dance, you looks like
:09:58. > :10:06.you are having a good time, we adored it. Congratulations. You're
:10:07. > :10:12.through, you won! Absolutely superb as hospital staff, these three are a
:10:13. > :10:16.credit to the NHS. They really are. I'm so glad you are here, can you
:10:17. > :10:24.just checked on one of my bunions, please? If the stars of Casualty and
:10:25. > :10:26.Holby City gives Purdue Saturday night Fever rising and you want to
:10:27. > :10:28.make an appointment with them,
:10:29. > :10:31.then pop off your bra and pants, get behind the screen
:10:32. > :10:33.and take notice of these Calls cost 15p plus your
:10:34. > :10:36.network access charge. The vote opens after all our
:10:37. > :10:38.acts have performed. Please don't vote now as it
:10:39. > :10:41.won't count and you may be charged. You can also sign in or register
:10:42. > :10:45.to vote now for free online Huge love for the stars
:10:46. > :11:04.of Casualty and Holby City - all of our amazing acts are giving
:11:05. > :11:08.up their time for one main reason, to raise heaps of money for
:11:09. > :11:15.brilliant Comic Relief. It is easy PC to do your bit. All you need to
:11:16. > :11:24.do is... The money you raise goes directly to
:11:25. > :11:26.helping people here in the UK and in some of the poorest communities
:11:27. > :11:32.around the world, so please give what you can. All the information
:11:33. > :11:39.you need is going across my lower third right now. You must be 16 or
:11:40. > :11:42.over. Please remember to ask the person who pays the bill. If you
:11:43. > :11:58.don't know who that is, you are in the wrong house.
:11:59. > :12:14.And Gareth. It's Boys Allowed. Duncan, it's over. He is in the
:12:15. > :12:25.zone. Thanks, Gareth, good guy. When we got the call that Comic
:12:26. > :12:28.Relief wanted girls allowed to get back together for a one-off
:12:29. > :12:33.performance, we couldn't have been more excited. To be doing it for
:12:34. > :12:37.such an incredible charity is such an honour. We all feel so proud to
:12:38. > :12:43.have been asked. The only problem is, we're just so busy!
:12:44. > :12:47.It's fine though, I've spoken to the girls and we have a plan. We are
:12:48. > :12:55.going to book some standings and hope nobody notices. It worked on
:12:56. > :12:59.the N M as, twice! Hi John, it's Kimberly here. You
:13:00. > :13:05.want to get the band back together? Didn't we do a reunion just last
:13:06. > :13:09.year? Not like this one. Hi Duncan it's Kimberly from Girls Aloud. Hi,
:13:10. > :13:15.Kimberly. You're getting the band back together? Great, I will tell
:13:16. > :13:19.the boys. Maybe don't do that. I get it, you're keeping it as a surprise.
:13:20. > :13:30.Oh yes, it will definitely be a surprise. Getting the band back
:13:31. > :13:37.together? Yes! Getting the band back together? This is going to be
:13:38. > :13:43.amazing! Hi Gareth, it's Kimberly. Band? I was never in a band. I will
:13:44. > :13:51.take that as a yes. We're getting the band back together, or some! --
:13:52. > :14:02.awesome. Perfect, no one will ever know the difference.
:14:03. > :14:11.# Why don't you fool me, feed me Say you need me
:14:12. > :14:16.# C'mon and hold me, hug me Say you love me
:14:17. > :14:26.# Why don't you fool me, feed me Say you need me
:14:27. > :14:37.# Cos when you hold me in your arms I turn to slave
:14:38. > :14:46.# Cos if we party any more we'll start a fire of pure desire
:14:47. > :15:17.# The way that we talk, the way that we walk, it's there in our thoughts
:15:18. > :15:23.# The way that we talk, the way that we walk, so easily caught
:15:24. > :15:30.# The way that we talk, the way that we walk, it's there in our thoughts
:15:31. > :15:38.# The way that we talk, the way that we walk, so easily caught
:15:39. > :15:43.# Why don't you fool me, feed me, Say that you need me
:15:44. > :15:49.# C'mon and hold me, hug me Say you love me
:15:50. > :15:59.# Why don't you fool me, feed me, Say that you need me
:16:00. > :16:02.# C'mon and hold me, hug me Say you love me
:16:03. > :16:39.Wow! Yes. Come on over. Come here. They are on, they are off. Amazing.
:16:40. > :16:45.Lads, Well done. Lads... That is the definition of a mixed message right
:16:46. > :16:50.there, I'm loving it. You loo like my primary school teacher. We didn't
:16:51. > :16:56.want to tell you, Mel, but tonight, Mrs Woodall. Unnerving. Brill yanlt.
:16:57. > :17:02.You look great. Claudia, have all your boyband dreams come to few
:17:03. > :17:08.wigs? Gareth as Cheryl is intoxicating. You're coming home.
:17:09. > :17:19.No, very, very well done. It was fantastic. The choreography. The
:17:20. > :17:23.singing. Ben, yes - welcome. Was that enough to divert you away from
:17:24. > :17:29.the tupperware? Yes. I thought it was quite interesting, I have to
:17:30. > :17:37.say. All the boys together, having fun in unison. Reminds me of Friday
:17:38. > :17:42.night at the mosque - only boys allowed there, too! How many the
:17:43. > :17:48.chemistry between them? I'm know what this show is about. Boys
:17:49. > :17:54.dressed as girls and people paying to make it stop. It's like the lads
:17:55. > :18:01.running out of budget on an Amsterdam stag night. That is Mrs
:18:02. > :18:03.Woodall you are talking about. Respect for dantsing in heels. I
:18:04. > :18:05.know sister. So if Boys Allowed had you feeling
:18:06. > :18:08.something kind of ooh and made your heart go boom boom,
:18:09. > :18:11.then all the details Remember, you can't vote
:18:12. > :18:14.until we say otherwise someone Thanks Boys Allowed,
:18:15. > :18:18.please head over to the posh seats. And, please, don't think
:18:19. > :18:20.about splitting up just yet! Mrs Woodall off you go. Thank you so
:18:21. > :18:22.much. Don't you bust a move
:18:23. > :18:36.as still to come... Simmer crowd, I know. I Those
:18:37. > :18:49.shoulder blades know. Are poetry. Still to come: James and Ola who
:18:50. > :18:57.have been rehearsing in perfect harmony. The Chasers who are
:18:58. > :19:04.channelling their inner child at rehearsals. See what happens when
:19:05. > :19:08.three top comedians Shake It Off in style.
:19:09. > :19:09.# Shake it off # Shake it off
:19:10. > :19:16.#. Is Up next an actor and
:19:17. > :19:19.Walford's finest Danny-Boy Hatchard, who's already
:19:20. > :19:22.faced tough competition to get here in the form
:19:23. > :19:41.of a fellow EastEnder... Danny-Boy Hatchard! Singing and
:19:42. > :19:52.dancing! That's a lot of smoke. Danny, Danny, Danny Boy. He's gone.
:19:53. > :19:57.I can't tell you how chieted I am that I've been asked to do Let's
:19:58. > :20:01.Sing Dance for Comic Relief for Comic Relief. When the letter
:20:02. > :20:17.arrived, I simply couldn't believe it. Just seeing my name, it was... A
:20:18. > :20:21.dream come true. What? Me? I know Danny Boy was expecting to be
:20:22. > :20:32.invited but... They must have changed their minds. Is I actually
:20:33. > :20:36.haven't seen him in ages. He's obviously busy doing something else
:20:37. > :20:41.anyway. That's probably why he's not doing it. Singing and dancing is
:20:42. > :20:48.what I've always wanted to do. So the only big decision was, who do I
:20:49. > :21:00.perform as? But then I realised - it has to be... Elton.
:21:01. > :21:19.And now, performing Elton John's I'm Still Standing -
:21:20. > :21:32.# You could never know what it's like
:21:33. > :21:34.# Your blood like winter freezes just like ice
:21:35. > :21:37.# And there's a cold lonely light that shines from you
:21:38. > :21:41.# You'll wind up like the wreck you hide behind that mask you use
:21:42. > :21:43.# And did you think this fool could never win
:21:44. > :21:46.# Well, look at me, I'm a-coming back again
:21:47. > :21:50.# I got a taste of love in a simple way
:21:51. > :21:54.# And if you need to know while I'm still standing you just fade away
:21:55. > :21:59.# Don't you know I'm still standing better than I ever did
:22:00. > :22:07.# Looking like a true survivor, feeling like a little kid
:22:08. > :22:11.# And I'm still standing after all this time
:22:12. > :22:15.# Picking up the pieces of my life without you on my mind
:22:16. > :22:47.# I'm still standing yeah, yeah, yeah
:22:48. > :22:51.# You starting down the road leaving me again
:22:52. > :22:54.# The threats you made were meant to cut me down
:22:55. > :22:58.# And if our love was just a circus you'd be a clown by now
:22:59. > :23:00.# You know I'm still standing better than I ever did
:23:01. > :23:03.# Looking like a true survivor, feeling like a little kid
:23:04. > :23:05.# I'm still standing after all this time
:23:06. > :23:08.# Picking up the pieces of my life without you on my mind
:23:09. > :23:28.# I'm still standing yeah, yeah, yeah
:23:29. > :23:49.Danny, are you all right? Do you need a leg up? Are you all right,
:23:50. > :23:57.love? There you go. Danny Boy. Are you all right. How is the leg
:23:58. > :24:03.bearing up? I've never seen anything more energetic. You were a gazelle
:24:04. > :24:10.up there. Thank you. Would I get away from the lion? You would dazzle
:24:11. > :24:13.them with those jazz hands. Were your pipes calling, Claudia? Indeed.
:24:14. > :24:17.I thought you were magnificent. Had you to do all the singing and
:24:18. > :24:22.dancing. Then the end. It was fantastic. You and I were dancing.
:24:23. > :24:30.Loving it. A huge congratulations. You also win everything.
:24:31. > :24:35.CHEERING AND APPLAUSE Mr Khan. A soapstar but surely a popstar in the
:24:36. > :24:39.making? Great choice of song, good singing and dancing. What a style
:24:40. > :24:45.icon Elton John was. Anybody who wears a suit, hat and glasses has
:24:46. > :24:52.got to be a style icon, right? Exactly! Russell, the real question
:24:53. > :25:04.on everyone's lips is - did he fall or was he pushed? Very good. Very
:25:05. > :25:11.good. Did you like that? Very clever, very clever. There's no
:25:12. > :25:16.answer. You were like a bee on a baroca. I thought you were going to
:25:17. > :25:23.mug yourself something rotten. You didn't, the vokals and dancing were
:25:24. > :25:30.amazing. Congratulations sunng, you did yourself PROUD! Thank you so
:25:31. > :25:35.much. Don't mug me off, mate. Come on. Hello, sailor.
:25:36. > :25:37.So if you want to see Danny-Boy Hatchard Still
:25:38. > :25:39.Standing in our grand final, then all the details are
:25:40. > :25:42.on the screen now - but you know the deal - the
:25:43. > :25:45.vote isn't open yet, so please don't try or you may
:25:46. > :26:03.The posh seats are filling up nicely.
:26:04. > :26:05.Well, our stars have certainly done their bit for Comic Relief,
:26:06. > :26:21.My friend sponsored me to do advance yoga for Red Nose Day you have to
:26:22. > :26:29.avoid Squashed buns. Do you remember when you made that battenburg and it
:26:30. > :26:37.tasted like... Sick. I'm off to spend a penny or a pound and you can
:26:38. > :26:41.buy one. Hold these will you, mate. We have sandwiches, crisps, sausage
:26:42. > :26:50.rolls. Everything you need for a Red Nose Day party. The classic Owe
:26:51. > :26:58.asignificance track. 1 -- oasis track. I'm starting to feel...
:26:59. > :27:06.Ropey. All the technical jargon for an abseil. Get fundraising. Get your
:27:07. > :27:21.free fundraising kit now: It's like being in Ryland's
:27:22. > :27:24.bathroom. I must collect my tooth brush.
:27:25. > :27:26.Right, three acts have performed, two belters to go.
:27:27. > :27:29.Our next act are a couple more used to high kicks
:27:30. > :27:31.than high notes, here hoping to show off both
:27:32. > :27:45.James Ola. James and Ola. They are good at this. What do you say we
:27:46. > :27:54.take this up a little. Meet me in the ballroom and bring the glittery
:27:55. > :28:07.clothes. Tonight... Two mammoths of the dance world return. For one
:28:08. > :28:20.night, and one night only, they are BACK! Lord and Lady of the Dance.
:28:21. > :28:23.Yeah, that's right, James and Ola, a life of dance and it's all come down
:28:24. > :28:31.to this moment. This is what we trained for. This is what we live
:28:32. > :28:40.for. We're here to dance and we're here to WIN. Weeks, months, years of
:28:41. > :28:46.gruelling training. The pressure is on. There's no room for mistakes.
:28:47. > :29:00.There's no room for mistakes. No going back. No going back. This is
:29:01. > :29:11.it. This is it. And tonight, they dance and sing. Singing! Singing!
:29:12. > :29:16.That's right - singing. I thought you said it's Let's Dance, you
:29:17. > :29:19.didn't say anything about singing? Well, next time you read the
:29:20. > :29:29.small-print. All right. Now it's going to be a disaster, isn't it? I
:29:30. > :29:36.can't sing. Oh, don't be like that. CHEERING AND APPLAUSE Performing All
:29:37. > :29:41.About That Bass, it's James Ola. # Because you know I'm
:29:42. > :29:43.all about that bass # Yeah, it's pretty clear,
:29:44. > :29:58.I ain't no size two # But I can shake it, shake it,
:29:59. > :30:02.like I'm supposed to do # 'Cause I got that boom boom
:30:03. > :30:04.that all the boys chase # And all the right junk
:30:05. > :30:11.in all the right places # Yeah, my mama she told me "don't
:30:12. > :30:14.worry about your size" # She says, "Boys like a little more
:30:15. > :30:20.booty to hold at night" # You know I won't be no stick
:30:21. > :30:25.figure silicone Barbie doll # So if that's what you're into,
:30:26. > :30:34.then go ahead and move along # Because you know I'm
:30:35. > :30:36.all about that bass # Go 'head and tell
:30:37. > :30:57.them skinnies that # No, I'm just playing,
:30:58. > :31:00.I know you think you're fat # Every inch of you is perfect
:31:01. > :31:05.from the bottom to the top # Yeah my mama she told me,
:31:06. > :31:08."don't worry about your size" # She says, "Boys like a little more
:31:09. > :31:16.booty to hold at night" # (That booty booty,
:31:17. > :31:18.uh, that booty booty) # You know I won't be no stick
:31:19. > :31:24.figure, silicone Barbie doll # So if that's what you're into,
:31:25. > :31:31.then go 'head and move along # Because you know I'm
:31:32. > :32:03.all about that bass Come on. Blow the nose. That is it.
:32:04. > :32:08.That is more velocity than I thought possible. Why do I know you will
:32:09. > :32:13.take those costumes home. I know it. I think you owned it before. James
:32:14. > :32:20.loves it. I have a new found respect for women. Oh, my God! It takes
:32:21. > :32:27.hours, doesn't it? It takes a long time to look this good, you know.
:32:28. > :32:30.What I will say is that performance broke several international
:32:31. > :32:36.treaties. We will leave that. I'm sorry. So sorry. Russell, was it all
:32:37. > :32:40.about the bass for you, how did it go? I've regressed. I'm sucking my
:32:41. > :32:46.thumb. I don't know what we watched. I'm sure it will be popular in Japan
:32:47. > :32:52.whatever happened. James went full Miss.
:32:53. > :33:00.Piggy that takes courage on TV. It was trippy, it was wonderful, please
:33:01. > :33:10.don't touch me. You mow than anyone know this pair of old. We know this
:33:11. > :33:13.can dance. What I'm in awe is I didn't know of James' beautiful
:33:14. > :33:19.singing voice. I wish that had been brought to my attention you would
:33:20. > :33:26.have been singing all day. Mr Khan went, "we need tea" he pulled out a
:33:27. > :33:30.thermos. You need refreshment. I found that very disturbing I must
:33:31. > :33:32.admit. That was the intention. I might do a little prayer, if you
:33:33. > :33:46.don't mind. Here we go. APPLAUSE
:33:47. > :33:49.There we go. We will take that to the lab. Don't touch that, trust me.
:33:50. > :33:52.If James and Ola had all the right junk in all the right
:33:53. > :33:55.places, well then that's a matter for a surgeon,
:33:56. > :33:57.but if you want to vote for them then all the
:33:58. > :33:59.details you need are on the screen now.
:34:00. > :34:01.Don't vote yet and do vote carefully.
:34:02. > :34:03.I was voted off last week and it's taken me
:34:04. > :34:06.a full seven days to get my security pass back!
:34:07. > :34:09.Put your hands together for James and Ola - off you
:34:10. > :34:26.If you had this lot in your pub quiz team,
:34:27. > :34:50.The Vixen, the dark destroyer, the Governess and the Beast, it's the
:34:51. > :34:55.Chasers. Maybe just down a little bit, that's the one.
:34:56. > :35:03.So... The Chasers are performing on Let's Sing Dance for Comic Relief
:35:04. > :35:07.with Comic Relief. I think if I'm honest, neither singing or dancing
:35:08. > :35:11.is really their specialist subject. And it's not like they can learn
:35:12. > :35:22.this stuff from books, you know what I mean?
:35:23. > :35:29.LAUGHTER The thing about talent is it so
:35:30. > :35:32.subjective. What one person thinks his low or
:35:33. > :35:39.for someone might think is absolutely brilliant. I personally
:35:40. > :35:40.think they're going to be great. Dancing... Yeah... They can
:35:41. > :36:01.definitely move. And singing... Well... These guys
:36:02. > :36:12.are geniuses. I'm sure they can... Is miming an option?
:36:13. > :36:23.Who am I kidding, the four of them singing and dancing together on live
:36:24. > :36:28.telly? It has disaster written all over it. And worst of all, they are
:36:29. > :36:34.doing the Wizard of Oz. Who's going to be Dorothy? !
:36:35. > :36:41.Performing a Wizard of Oz medley - it's The Chasers!
:36:42. > :37:10.# There's a land I once heard of once in a lullaby.
:37:11. > :37:15.# I could while away the hours, conferrin' with the flowers
:37:16. > :37:22.# And my head I'd be scratchin' while my thoughts were busy hatchin'
:37:23. > :37:33.# When a man's an empty kettle he should be on his mettle
:37:34. > :37:39.# Just because I'm presumin' that I could be kind-a-human,
:37:40. > :37:45.# I'm afraid there's no denyin' I'm just a dandelion,
:37:46. > :37:54.# But I could show my prowess, be a lion not a mowess
:37:55. > :38:07.# If ever a wiz there was If ever, oh ever a wiz there was
:38:08. > :38:11.# Because, because, because, because, because
:38:12. > :38:13.# Because of the wonderful things he does
:38:14. > :38:53.Let the chase begin, my pretties! Your scary, I don't like you!
:38:54. > :39:05.Amazing! CHEERING AND APPLAUSE
:39:06. > :39:12.Vixen... I sometimes think this show isn't camp enough, we need to do a
:39:13. > :39:19.little more. Look at you, there's Toto as well. Lies, that was
:39:20. > :39:25.spellbinding. Cracking, absolutely cracking. I believe we are not in
:39:26. > :39:33.Kansas, Mr Khan. Amazing, absolutely lovely. A round of applause! I loved
:39:34. > :39:36.it so much, such clever people, you can dance, clever people. You'd be
:39:37. > :39:46.very good at getting through emigration. Can I have a selfie? Of
:39:47. > :39:55.course you can. Here we go, there we go. Lovely. I will Snapchat you
:39:56. > :40:00.later! Very good. Russell? What do you think the wonderful, great
:40:01. > :40:05.wonderful Wizard of is Bradley will should make of that? Where did that
:40:06. > :40:06.voice come from? As soon as he started singing idol, this is going
:40:07. > :40:12.to magnificent. CHEERING AND APPLAUSE
:40:13. > :40:15.I associate myself with these people the geeks, nerds and knowledge
:40:16. > :40:23.hunters. Tonight they were liberated.
:40:24. > :40:25.CHEERING AND APPLAUSE Any thoughts?
:40:26. > :40:32.It doesn't have to be about the show? Or four of you were brilliant,
:40:33. > :40:34.your voices were brilliant, hair, make-up, costume, everything. You
:40:35. > :40:40.took our breath away. Well done! CHEERING AND APPLAUSE
:40:41. > :40:45.Even the governess almost broke a smile.
:40:46. > :40:49.There we go, she smiling. If you would like the Chasers
:40:50. > :40:52.performance all the way to the final,
:40:53. > :40:56.then find the heart, the courage All the voting details
:40:57. > :41:00.are on your screen now. But the vote isn't open yet,
:41:01. > :41:02.my little pretties, there is a pantomime somewhere with
:41:03. > :41:10.a Melanie shapes hole. Thanks guys, please, join all
:41:11. > :41:13.the other acts in the Posh Seats. All our star acts have now performed
:41:14. > :41:32.and just look at them. It's like the front row
:41:33. > :41:34.of the Brit Awards, viewed Panel, please offer me your thoughts
:41:35. > :41:45.on this evening's events? Russell? It's been a sublime display
:41:46. > :41:49.of wonderful imagery and James as well, James Jordan. It's been a
:41:50. > :41:52.fantastic night. Everyone's done something so different and I will
:41:53. > :41:57.need counselling and a leaflet after this.
:41:58. > :42:00.Utterly fantastic, and just to reiterate what you said before,
:42:01. > :42:06.everyone's come here working so hard for Comic Relief, so people might go
:42:07. > :42:14.mad at home. So... Extraordinary entertainment. Mr Khan? I thought it
:42:15. > :42:19.was... I had a lovely time. I thought it was very easy. If
:42:20. > :42:27.Strictly are looking for someone... I can do it! LAUGHTER
:42:28. > :42:30.That's what they think, but it's your vote that really counts.
:42:31. > :42:32.I guess there is only one thing left to
:42:33. > :42:40.voting is now open! # Call me, call me
:42:41. > :43:05.# Call me, call me #. CHEERING AND APPLAUSE
:43:06. > :43:15.And now, the news... This is getting serious...
:43:16. > :43:22.So serious... Are they thinking about you or us...
:43:23. > :43:31.If you'd like to vote, we literally had to do that. Tonight's winner...
:43:32. > :43:38.These bifocals are playing up again. Get the bill payer's position before
:43:39. > :43:44.and in advance of your call. Always, that standard stuff. You can also
:43:45. > :43:48.vote online for free. For absolutely nothing. Go to the BBC website,
:43:49. > :43:55.where you will also find full terms and conditions. The boat closes in
:43:56. > :44:04.about 30 minutes. 12 minutes and 50 seconds. You better be quick. Don't
:44:05. > :44:10.try vote if you're watching on demand because that's in the future.
:44:11. > :44:15.Beyonce has been spotted in public mistaking her own daughter for
:44:16. > :44:27.somebody else's. It turns out it was Destiny's child! LAUGHTER
:44:28. > :44:29.Now time for a quick reminder of tonight's stupendous performances
:44:30. > :46:07.What a cracking show it's been and, in a way,
:46:08. > :46:10.Well, except for the ones who don't win.
:46:11. > :46:16.Now whilst our performers head backstage to swap tights,
:46:17. > :46:19.here's a reminder of just why we are all here tonight.
:46:20. > :46:39.And that's to raise lots of money for Comic Relief.
:46:40. > :46:45.I've got cancer and Parkinson's and I need a haircut. But no, this is
:46:46. > :46:48.Bob we made a film about him. Loneliness was his enemy. One
:46:49. > :46:56.evening she turned round and she looked at me and she said, "where's
:46:57. > :47:04.Bob?" I'm Bob and the bottom dropped out of my world then. This is Jo she
:47:05. > :47:10.was diagnosed with dementia at 57 years old. It was a devastating
:47:11. > :47:16.discovery for her and her husband. I made an appointment with the GP she
:47:17. > :47:22.said, "unfortunately you've got early onset... Early onset
:47:23. > :47:26.Alzheimer's. " This is Margaret, struggling to cope with the loss of
:47:27. > :47:33.her husband, the love of her life. Where do you go when your soul mate,
:47:34. > :47:40.partner, lover is gone? There's nowhere. Nowhere to go. And you, you
:47:41. > :47:45.amazing people out there. Young, old and somewhere in between. Your cash
:47:46. > :47:50.helps people like this, who life has dealt a tough hand. I would ask you
:47:51. > :47:56.tonight to do it again or, for the first time. It's the first time you
:47:57. > :48:04.won't know me. I'm the comedian with the weird beard what once took off
:48:05. > :48:09.all my clothes for Comic Relief. But that's not what matters. What
:48:10. > :48:12.matters is you, tonight at home and this amazing power to completely
:48:13. > :48:16.change someone's life. To give them hope and happiness. I really hope
:48:17. > :48:19.you will find it in your hearts to give a quid or two to people like
:48:20. > :48:24.Bob. It will be simple and marvellous and you will be so proud
:48:25. > :48:36.of yourselves. Can be part of a life saving miracle tonight if you can
:48:37. > :48:39.part with a some bob. To donate: Thank you.
:48:40. > :48:51.Wherever you are in the UK, you are likely to be within 20 miles
:48:52. > :48:54.of a Comic Relief funded project, so the money you help raise really
:48:55. > :49:16.All the information you need to donate is on your screen now.
:49:17. > :49:17.Please remember texts will cost your donation
:49:18. > :49:20.plus your standard network message charge and 100% of your donation
:49:21. > :49:24.You must be 16 or over and please ask the bill payers' permission.
:49:25. > :49:26.For full terms and conditions and more information go
:49:27. > :49:31.Now, Mel's got something special for you - direct from the West End
:49:32. > :49:33.stage and here for one night only - it's the very talented
:49:34. > :49:39.Oh, my days. Quality has arrived in the Posh Seating area in the form of
:49:40. > :49:43.these guys. Amanda. Yes. Welcome all of you. Thank you. So welcome to the
:49:44. > :49:49.show. Tell me about Stepping Out? It's a comedy play about a group of
:49:50. > :49:52.women and one man, Jeffrey, Dominic on the end. They meet every Thursday
:49:53. > :49:56.for an hour's tap class. You get to know them throughout that
:49:57. > :50:00.hour. It's very, very funny. Dominic, are you the only chap in
:50:01. > :50:05.the show? Yes. Tell us about your character? Jeffrey, shipping and
:50:06. > :50:12.insurance man. That's about it. It's very bored. Extraordinary. I could
:50:13. > :50:18.talk about shipping for hours. I have been told not to. Presumably
:50:19. > :50:26.you all tap dance? No. Not at all We have it on our CV as good actresses.
:50:27. > :50:27.Nick is very good. Natalie is good. Dominic is from a showbusiness
:50:28. > :50:34.family. Well, off you go and get ready
:50:35. > :50:40.to tap the light fantastic ladies. Open now at The Vaudeville Theatre,
:50:41. > :50:51.in London's West End, please tap your hands together
:50:52. > :50:54.for the cast of Stepping Out. What a brilliant performance
:50:55. > :53:24.by the cast of Stepping Out there. Now it's time to find our
:53:25. > :53:27.what happened when our very own Russell Kane Shook It Off
:53:28. > :53:29.in a shopping centre with Katherine Ryan
:53:30. > :53:42.and Shappi Khorsandi. Listen, I had a call from Lenny
:53:43. > :53:48.Henry last night who told me there was a massive dance slot available
:53:49. > :53:53.for one person on Red Nose day. I think I should clearly do. I'm like
:53:54. > :54:00.the Canadian len Goodman. That settled. Richard Curtice said he is
:54:01. > :54:08.a fan of my dance moves. You might have to step back. I was called by
:54:09. > :54:14.Beyonce she Face Timed me and said she is talking about my performance
:54:15. > :54:19.on Let's Dance. I am he a talking about this, baby girls. Beautiful.
:54:20. > :54:28.There is one way to settle this. Dance-off. Who should we do. One all
:54:29. > :54:39.three of us can relate to. If I look at us, who do I see? Jay-Z. Amy
:54:40. > :54:47.Childs. She's not a popstar. I can do her. We can do the biggest star
:54:48. > :54:49.on the planet... Attention all shoppers, the store will be closing
:54:50. > :55:11.in - hang on. Is that Taylor Swift? # At least that's what people say,
:55:12. > :55:19.# In my mind sayin' it's gonna be all right
:55:20. > :55:21.# Cos the players gonna play, play, play, play, play
:55:22. > :55:24.# And the haters gonna hate, hate, hate, hate, hate
:55:25. > :55:26.# Baby, I'm just gonna shake, shake, shake, shake, shake
:55:27. > :55:30.# Heartbreakers gonna break, break, break, break, break
:55:31. > :55:33.# And the fakers gonna fake, fake, fake, fake, fake
:55:34. > :55:35.# Baby, I'm just gonna shake, shake, shake, shake, shake
:55:36. > :55:55.# That's what they don't see, mmh-hmm
:55:56. > :56:03.# In my mind sayin' it's gonna be all right
:56:04. > :56:07.# Cos the players gonna play, play, play, play, play
:56:08. > :56:09.# And the haters gonna hate, hate, hate, hate, hate
:56:10. > :56:12.# Baby, I'm just gonna shake, shake, shake, shake, shake
:56:13. > :56:31.# Heartbreakers gonna break, break, break, break, break
:56:32. > :56:34.# And the fakers gonna fake, fake, fake, fake, fake
:56:35. > :56:37.# Baby, I'm just gonna shake, shake, shake, shake, shake
:56:38. > :57:00.# Hey, hey, hey I shake it off
:57:01. > :57:16.Are we done? Let's go. Now I'm just cross-dressing in a shopping centre.
:57:17. > :57:28.Very strong, Russell. Very strong, very thong. A lovely parting image.
:57:29. > :57:32.I was lucky to come back from Kenya and Uganda, as funny as it is, the
:57:33. > :57:36.reason we are doing this is for Comic Relief. Please donate or I've
:57:37. > :57:40.done that absolutely nothing. Please. Thank you Russell. Everyone
:57:41. > :57:48.please donate, if you can, big or small, we don't mind. The vote has
:57:49. > :57:57.now closed. Coming up with an exclusive
:57:58. > :58:27.performance of her new single, How many admissions do you get a day
:58:28. > :58:34.for malaria? 50. Is that all children? Yes. Yaku is brought in by
:58:35. > :58:51.his mother. He is limp and unresposive. We made a diagnosis of
:58:52. > :58:55.severe malaria. He was severely ill. Eight-year-old Agnes is carried in
:58:56. > :58:59.by her father, Sammual, she is anaemic from suspected malaria and
:59:00. > :59:08.urgently needs a blood transfusion, but this hospital has run out of
:59:09. > :59:17.blood. The most important thing is to trans fuse. It's serious. One of
:59:18. > :59:21.the causes of mortality. This is the horrible reality of malaria.
:59:22. > :59:27.Sleeping under a treated mosquito net at home is the simplest and most
:59:28. > :59:34.effective way of preventing malaria. But the families of Yeku and Agnes
:59:35. > :59:38.can't afford nets. As the hours tick by all the parents can do is wait,
:59:39. > :59:44.and hope. In the two minutes it takes you to watch this film, a
:59:45. > :59:47.child has died from malaria. In another two minutes another child
:59:48. > :59:52.will have lost their life to this cruel disease. But it doesn't have
:59:53. > :00:01.to be this way. ?5 buys two mosquito nets. ?10 buys four. That's a whole
:00:02. > :00:04.family protected from malaria. So please, please, please give
:00:05. > :00:05.generously tonight and let's stop another tragedy before it happens.
:00:06. > :00:22.Thank you. To donate: I'm pleased to say that
:00:23. > :00:24.both Yeku and Agnes have recovered from
:00:25. > :00:26.Malaria and are now sleeping under mosquito
:00:27. > :00:28.nets thanks to your All the details you need
:00:29. > :00:34.are on your screen now. I know things are tough, but please
:00:35. > :00:45.give what you can. Time now for an exclusive
:00:46. > :00:47.performance from pop's Here with her new single,
:00:48. > :00:50.Best Behaviour, it's Louisa Johnson. # Give me your trust
:00:51. > :01:28.and I'll try not to break it # Ooh you got me on my
:01:29. > :01:30.best behaviour, I # Give me your trust
:01:31. > :02:27.and I'll try not to break it # Ooh you got me on my
:02:28. > :02:30.best behaviour, I # I know you've got
:02:31. > :03:12.a heart of porcelain # I'm trying not to
:03:13. > :03:17.crack it in my hands # Ooh you got me on my
:03:18. > :03:30.best behaviour, I # I'm on my best behaviour,
:03:31. > :04:27.I'm on my best behaviour Amazing, amazing. It reminds me of
:04:28. > :04:30.that pyjama party we had. With the barbecue? Yes.
:04:31. > :04:32.Gang, it's the moment you've all been waiting for.
:04:33. > :04:52.You have the obligatory red envelope, please. No. I believe it's
:04:53. > :04:55.heading in right now from the land of Oz.
:04:56. > :05:01.Well, I thought I'd get my money's-worth out
:05:02. > :05:05.Lesley, I take it, by the look of your face, you've been
:05:06. > :05:13.Can we have the envelope, my darling? The absolutely fabulous
:05:14. > :05:24.Lesley Joseph! Always in character, never off. Game
:05:25. > :05:32.faces on, exactly the same as my normal face. Time to welcome back
:05:33. > :05:35.our five star acts. These stars of Casualty and Holby
:05:36. > :05:42.City! CHEERING AND APPLAUSE
:05:43. > :05:55.Boys Allowed! Danny-Boy Hatchard!
:05:56. > :06:05.James and Ola! And the Chasers!
:06:06. > :06:15.CHEERING AND APPLAUSE There they all are. Amazing.
:06:16. > :06:19.CHEERING AND APPLAUSE Earlier tonight this magnificent
:06:20. > :06:24.star act is danced and sang for you but only two can go through.
:06:25. > :06:28.Those with the highest viewer votes will have a place in the final and
:06:29. > :06:32.those who come second and third will face the panel who will choose their
:06:33. > :06:40.favourite. Load the dramatic lighting!
:06:41. > :06:45.Is this dramatic enough? That is highlighting something a bit
:06:46. > :06:54.weird... Lights up again please, lights up, that's not good!
:06:55. > :06:59.Now, we're just going to do these props. The British public have voted
:07:00. > :07:04.and we can now reveal the top three acts in the public vote.
:07:05. > :07:18.So, in no particular order, the first act is...
:07:19. > :07:30.Casualty and Holby City! CHEERING AND APPLAUSE
:07:31. > :07:45.I like that, shouting and then silence!
:07:46. > :07:54.The Chasers! CHEERING AND APPLAUSE
:07:55. > :08:06.And, finally... There is a lot of tension. In the top three, it is...
:08:07. > :08:16.James and Ola CHEERING AND APPLAUSE
:08:17. > :08:23.I can't Berwick, we have to say goodbye to Boys Allowed and
:08:24. > :08:27.Danny-Boy Hatchard! You've been brilliant guys, you've
:08:28. > :08:34.been brilliant, thank you so much. After the posh seats, please.
:08:35. > :08:39.Boys Allowed! We will now reveal the winner of the
:08:40. > :08:47.public vote. The fate of the other two is in the hands of our panel.
:08:48. > :09:01.The winner of tonight's Let's Sing Dance for Comic Relief is...
:09:02. > :09:07.The Chasers! CHEERING AND APPLAUSE
:09:08. > :09:23.Congratulations! You're going to Oz, you're going to
:09:24. > :09:33.Oz! You are going all the way to Oz! Well done. Bye-bye!
:09:34. > :09:38.Listen, we look forward to seeing you in the final, guys. Off you go,
:09:39. > :09:46.you're going to Oz, you're going to Oz.
:09:47. > :09:50.CHEERING AND APPLAUSE This is all going very, very well.
:09:51. > :09:55.This means there's just one place left in the grand final. Who will
:09:56. > :10:00.join the Chasers? Will it be James and Ola or the stars of Casualty and
:10:01. > :10:03.Holby City. It's down to the panel to decide. Before they do, here's a
:10:04. > :10:15.reminder of their cracking performances.
:10:16. > :10:18.# I'm too hot (hot damn)
:10:19. > :10:36.# So if that's what you're into, then go ahead and move along
:10:37. > :10:44.# Because you know I'm all about that bass
:10:45. > :10:58.As the screw all said to the peanut, it's crunch time. Who is it going to
:10:59. > :11:05.be? James and all adored or the stars of casualties and Holby City?
:11:06. > :11:11.-- all the stars of Casualty and Holby City. I need one name,
:11:12. > :11:15.pressure time. Mr Khan, with coming to you first. Who would you like?
:11:16. > :11:21.This is so difficult, who do I want in and who do I want out? This is
:11:22. > :11:25.worse than Brexit! I think... You both did very well, it was all for
:11:26. > :11:31.charity, but I need to look after my bunny and so it's going to be
:11:32. > :11:39.Casualty and Holby City! One-vote, vote for Casualty and Holby City.
:11:40. > :11:43.Claudia, a name please? This is tense but I work with them so I have
:11:44. > :11:50.do vote for James and Ola CHEERING AND APPLAUSE
:11:51. > :11:56.Russell, it's down to you, who is it going to be?
:11:57. > :12:00.I feel I need to inject oestrogen just to look at James. It got me
:12:01. > :12:06.singing and dancing to the point where I need a doctor, need Casualty
:12:07. > :12:12.and Holby City...! CHEERING AND APPLAUSE
:12:13. > :12:17.Thank you so much, you were amazing, you were brilliant.
:12:18. > :12:22.Well done, massive congratulations to the stars of Casualty and Holby
:12:23. > :12:31.City, through to the grand final. Sadly it is goodbye to James and all
:12:32. > :12:37.adored let's hear it for our acts. -- James and Ola Jordan.
:12:38. > :12:41.What an amazing night it's been, a massive bank 's to all our
:12:42. > :12:46.incredible stars and fantastic panel. We are back-to-back Saturday
:12:47. > :12:51.night with five more fabulous acts but right now we leave you with your
:12:52. > :13:02.winner was the ET also most thats. It's the Chasers! Crack it open.
:13:03. > :13:27.# There's a land I once heard of once in a lullaby.
:13:28. > :13:30.# I could while away the hours, conferrin' with the flowers
:13:31. > :13:37.# And my head I'd be scratchin' while my thoughts were busy hatchin'
:13:38. > :13:48.# When a man's an empty kettle he should be on his mettle
:13:49. > :13:52.# Just because I'm presumin' that I could be kind-a-human,
:13:53. > :13:59.It's great that you could come in for this, Lenny.