Episode 3

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0:00:03 > 0:00:05In the world of magic, speed is everything.

0:00:06 > 0:00:10From a fast buck to the fast lane. MAN LAUGHS

0:00:12 > 0:00:14As quick as a flash, things can change.

0:00:15 > 0:00:18So don't be sheepish, and keep your head...

0:00:19 > 0:00:22That was, like, impossible!

0:00:22 > 0:00:24..as we plunge right in.

0:00:24 > 0:00:26Welcome to Now You See It.

0:00:42 > 0:00:45Let's start off as I never do, with a workout at the gym.

0:00:48 > 0:00:51And a ball that magically gets bigger.

0:00:51 > 0:00:55I think someone's going to notice when he puts that back on the snooker table.

0:00:58 > 0:01:01Does that count as eating your greens?

0:01:01 > 0:01:04Meanwhile, sports day at Hogwarts descends into chaos.

0:01:06 > 0:01:07Ten points to Hufflepuff.

0:01:08 > 0:01:12A lovely sunny day at the beach. But watch out, Troy's about.

0:01:12 > 0:01:14Do you mind if I open it?

0:01:14 > 0:01:16I'll give it back to you.

0:01:16 > 0:01:17She's not happy.

0:01:19 > 0:01:20Right.

0:01:23 > 0:01:27- Perfect. You just want to take a bite out of it, right?- Yeah.

0:01:27 > 0:01:29But I take a bite out of it a different way.

0:01:29 > 0:01:32- Want me to show you?- Yeah.- All you have to do is watch my mouth.

0:01:32 > 0:01:34OK? Watch.

0:01:34 > 0:01:36Right here.

0:01:38 > 0:01:40THEY LAUGH

0:01:40 > 0:01:42How do you do that?

0:01:42 > 0:01:44It's good. I like it.

0:01:44 > 0:01:46Let me give it back to you.

0:01:46 > 0:01:47Thank you.

0:01:47 > 0:01:50Enjoy your ice creams, OK? See you later.

0:01:50 > 0:01:53What's he going to do now? Wrestle a chip off a seagull?

0:01:55 > 0:01:57It's illusionist Darcy Oake on the Megabus.

0:01:57 > 0:02:01Cut out the horseplay - you'll distract the driver.

0:02:01 > 0:02:03THEY LAUGH

0:02:04 > 0:02:06- What the...?! - He's bunked off.

0:02:06 > 0:02:09- What's up?- He's gone. - What do you mean, he's gone?

0:02:09 > 0:02:14- He's gone.- Yes, I know he's gone, but where's he gone?

0:02:14 > 0:02:15Great trick, mate.

0:02:17 > 0:02:19But the lights have turned green. See you later.

0:02:21 > 0:02:24This is one traffic warden you don't want to mess with.

0:02:26 > 0:02:28You've got to move the car. Just doing my job.

0:02:28 > 0:02:31There's a sign right there that says no standing. You can't be here.

0:02:31 > 0:02:34Why should I move now? You just gave me a ticket.

0:02:34 > 0:02:37- Just doing my job, so how about you move that car, huh?- I'm not moving.

0:02:37 > 0:02:40I'm going to give you some help, all right?

0:02:40 > 0:02:43SHE GROANS

0:02:43 > 0:02:44Oh, that's impressive.

0:02:44 > 0:02:47Normally it's the cab that picks up the person.

0:02:47 > 0:02:49MAN LAUGHS

0:02:49 > 0:02:51SHE GROANS

0:02:51 > 0:02:52They're amazed.

0:02:52 > 0:02:56They've never seen a New York taxi go this long without beeping its horn.

0:02:56 > 0:02:58- Girl power.- Right.

0:02:58 > 0:03:00You're standing right in front of a bus stop, sir.

0:03:00 > 0:03:03- You've got to move.- No, I'm not moving.- How about I show you?

0:03:03 > 0:03:05- How about I show you how to move? - Bite me.

0:03:05 > 0:03:07- Yeah?- Yeah.- How about this, huh?

0:03:07 > 0:03:09How about I show you, huh?

0:03:09 > 0:03:13And it was at this point that she remembered she needed a cab home.

0:03:13 > 0:03:14Good luck with that.

0:03:14 > 0:03:17Whoo! Yeah!

0:03:17 > 0:03:20Not all magic requires a show of brute force.

0:03:20 > 0:03:22Here's Moritz Mueller showing its gentler side.

0:03:25 > 0:03:27Great fun, unless you're stuck behind him

0:03:27 > 0:03:29in the queue at the vending machine.

0:03:32 > 0:03:34And I'm loving those fairy lights.

0:03:35 > 0:03:37Hi!

0:03:37 > 0:03:39A trip to the aquarium now,

0:03:39 > 0:03:42and a heavily disguised Cyril Takayama is up to something fishy.

0:03:45 > 0:03:46This one right here.

0:03:46 > 0:03:50Let's see, how about that pearl right there?

0:03:50 > 0:03:54- You like that one?- The black one? - Yeah, the black pearl right there. - It's beautiful.

0:03:54 > 0:03:55Let me try this.

0:03:55 > 0:04:00Let's put that right there like this, and just push through.

0:04:00 > 0:04:02Oh! Oh!

0:04:03 > 0:04:07Oh! Oh! Oh!

0:04:07 > 0:04:12They're thinking, "She's got a very hairy hand for an old lady."

0:04:13 > 0:04:17Just grab that ring right here. That one.

0:04:19 > 0:04:22Let me just pull that out right here like this.

0:04:22 > 0:04:25That terrified the goldfish. But on the plus side,

0:04:25 > 0:04:28two seconds later it had forgotten all about it.

0:04:28 > 0:04:31Look at that! That is so beautiful.

0:04:34 > 0:04:37I love this.

0:04:37 > 0:04:39- Do you like this one?- I love it.

0:04:39 > 0:04:42Then this one is going to be the gift for my granddaughter.

0:04:42 > 0:04:45- I love it.- I think you have to pay for that.

0:04:45 > 0:04:49Yeah, because her walking off without paying would be the weirdest thing to happen here(!)

0:04:51 > 0:04:54You know what I haven't seen enough of? Magic tricks with cups of coffee.

0:04:54 > 0:04:59So let's put that right with a section I call Magic Tricks With Cups Of Coffee.

0:05:01 > 0:05:03And look who's first up.

0:05:03 > 0:05:06- I'm Dynamo, what's your name? - Nicasio.- Nicasio?- Yes.

0:05:06 > 0:05:08- Brian.- Brian.- Karim.- Karim.

0:05:08 > 0:05:13Sorry, what was that? Nicasio, Karim, and...?

0:05:13 > 0:05:14Brian.

0:05:14 > 0:05:17Brian. Yeah. OK, carry on. Sorry, Dynamo.

0:05:17 > 0:05:19- Can I try something with you, Karim?- Absolutely.

0:05:19 > 0:05:22Just think of someone kind of close to you.

0:05:24 > 0:05:27Just visualise them in your mind right now. Look at me.

0:05:30 > 0:05:33This might sound really weird, but

0:05:33 > 0:05:36I'm kind of getting the name Nicole.

0:05:36 > 0:05:39I'm getting someone called Nicole.

0:05:39 > 0:05:41- Who is Nicole?- My sister.

0:05:41 > 0:05:46- Your sister? Can I take one of these coffees?- Go for it.- All right.

0:05:46 > 0:05:48Can you just take the lid off, actually?

0:05:48 > 0:05:51- Take a sip? Oh, take the lid off? - Take the lid.

0:05:51 > 0:05:52Watch.

0:05:58 > 0:05:59Whoa!

0:05:59 > 0:06:02Pretty clever, and slightly more personal than just

0:06:02 > 0:06:04writing your name on the side of the cup.

0:06:04 > 0:06:06Wow!

0:06:08 > 0:06:10- Wow!- Wow!

0:06:13 > 0:06:15I'll drink to my sister.

0:06:15 > 0:06:19Only in the world of magic would you end up drinking your sister's face.

0:06:20 > 0:06:23Justin Flom's enjoying an instant coffee.

0:06:32 > 0:06:35So called because it vanishes in an instant.

0:06:38 > 0:06:42Now it's Ben Hart with his very own BLEND of coffee magic.

0:06:42 > 0:06:46I'm going to unmake this cup of coffee using magic

0:06:46 > 0:06:48quicker than you can make a cup of coffee.

0:06:48 > 0:06:52I take my coffee milk with one sugar, so that's what you need to make.

0:06:52 > 0:06:54- Are you ready?- Yes. - Ready, steady, kettle!

0:06:54 > 0:06:57- Great catchphrase. - Connie, would you bring your hand over here?

0:06:57 > 0:07:00Just touch the side of this mug and check that the coffee is indeed hot coffee.

0:07:00 > 0:07:03- It's hot coffee.- OK. I'm going to cover it with a saucer.

0:07:03 > 0:07:05The first step in unmaking coffee

0:07:05 > 0:07:06is I'm going to try

0:07:06 > 0:07:07and bring all the milk

0:07:07 > 0:07:09out of the coffee, like this, see?

0:07:09 > 0:07:13I'll be very impressed if he can now get that milk back into the cow.

0:07:13 > 0:07:15Just nice, black coffee.

0:07:17 > 0:07:18And having just removed the milk,

0:07:18 > 0:07:21now I'm going to try and remove the sugar.

0:07:21 > 0:07:23Connie, will you pick up the sugar bowl for me?

0:07:23 > 0:07:25I'm going to try and bring out

0:07:25 > 0:07:28just dry, bone-dry sugar.

0:07:28 > 0:07:30Would you touch that for me?

0:07:30 > 0:07:34- Examine every single granule. - Totally dry.- It's very dry.

0:07:34 > 0:07:36THEY LAUGH

0:07:36 > 0:07:37Thanks. You can put it down now

0:07:37 > 0:07:40because I'm up against the clock. Quick, put it down!

0:07:40 > 0:07:43Strictly speaking, Ben, you're up against the kettle, but do carry on.

0:07:43 > 0:07:45Connie, would you hold out your hand for me?

0:07:45 > 0:07:48- Would you have a look at this dish for me, check it is empty?- Yep.

0:07:48 > 0:07:50Yes. We're going to put it down here.

0:07:50 > 0:07:52Put your hand flat on top for me.

0:07:52 > 0:07:55Now I'm going to remove all the coffee, one granule at a time.

0:07:55 > 0:07:56So, watch the coffee.

0:07:56 > 0:08:00As I stir it, you'll see something really amazing starts to happen.

0:08:00 > 0:08:02You see, what happens is those granules

0:08:02 > 0:08:03start to leave one at a time.

0:08:03 > 0:08:05They start to leave. Do you see it happening?

0:08:05 > 0:08:07- It's getting lighter. - SHE LAUGHS

0:08:07 > 0:08:09And the amazing thing is, now this coffee has just returned to

0:08:09 > 0:08:14just being just clear, perfect water.

0:08:14 > 0:08:16And if you wonder where the granules have gone,

0:08:16 > 0:08:19lift your hand, have a look. See? The granules are now here.

0:08:19 > 0:08:21And the amazing thing, dip your finger in there,

0:08:21 > 0:08:23is the water is not even hot any more.

0:08:23 > 0:08:24Which means I win!

0:08:24 > 0:08:26How's my coffee doing?

0:08:26 > 0:08:28- It's not even boiled. - Not even boiled!

0:08:28 > 0:08:32It turns out magic wins on this occasion.

0:08:32 > 0:08:34Back to Justin now for some animal magic.

0:08:36 > 0:08:39Specifically, animals joining in with magic.

0:08:41 > 0:08:44He's picked a card, he's eaten the card.

0:08:44 > 0:08:46Don't worry, Justin, you'll get that back in 24 hours -

0:08:46 > 0:08:49a finale I really don't want to see.

0:08:49 > 0:08:52Right, so, doing magic with camels is a disaster.

0:08:52 > 0:08:54Let's be a bit more sensible

0:08:54 > 0:08:57and get some sheep to join in instead.

0:08:57 > 0:09:00LAUGHTER

0:09:00 > 0:09:01OK!

0:09:01 > 0:09:04And the sheep's picked the three of spa-a-a-a-ades.

0:09:06 > 0:09:07What about this sheep?

0:09:09 > 0:09:11Yeah, three of spades again.

0:09:14 > 0:09:17Is it just me, or are farmers not as busy as they make out?

0:09:19 > 0:09:20Don't try this at home.

0:09:20 > 0:09:22It's not dangerous, you just wouldn't believe the mess

0:09:22 > 0:09:25they can make on your living-room carpet.

0:09:25 > 0:09:30Over now to the Walk Of Fame on Hollywood Boulevard.

0:09:30 > 0:09:32Three. Good!

0:09:34 > 0:09:37Did you want it just the two of you?

0:09:37 > 0:09:38Yes, I've bombed your photo.

0:09:42 > 0:09:45You want me to take one of you guys. One, two, three.

0:09:45 > 0:09:46I got in there with you.

0:09:46 > 0:09:49THEY LAUGH

0:09:49 > 0:09:52I just got in real fast, took the picture. Is that cool?

0:09:52 > 0:09:55He's convinced these people that although he's taking the photos,

0:09:55 > 0:09:57he's also in them.

0:09:57 > 0:10:01Perfect. Hope you don't mind, I got in there with you guys.

0:10:01 > 0:10:03If he really wanted to get them excited,

0:10:03 > 0:10:06he should have held up a life-size photo of Elvis.

0:10:06 > 0:10:08Got it!

0:10:10 > 0:10:12One, two, three!

0:10:15 > 0:10:18Right before I took the picture I just ran around.

0:10:18 > 0:10:21This guy was obviously CUT OUT to be a magician.

0:10:24 > 0:10:27Let's leave LA behind now as we fly east to Boston to enjoy

0:10:27 > 0:10:29the magic of Mat Franco...

0:10:30 > 0:10:35..where he'll be dumbfounding top American footballer Rob Gronkowski.

0:10:35 > 0:10:38- How you doing?- This is my trainer, Dana.- What's up, Dana?

0:10:38 > 0:10:41Yeah, sorry to keep interrupting, but can I just hear that name again?

0:10:41 > 0:10:43This is my trainer, Dana.

0:10:43 > 0:10:45He's got a trainer called Dana! Brilliant!

0:10:45 > 0:10:46Right, back to the trick.

0:10:46 > 0:10:49You play football, I do a little magic, but both...

0:10:49 > 0:10:52You know, precision and accuracy is important for both.

0:10:52 > 0:10:54- Let's try a little something. - That's true.- Is that cool?

0:10:54 > 0:10:56- You see that cone behind you?- Yeah.

0:10:56 > 0:11:00I want you to throw the ball and just try to get it as close to that cone as you can.

0:11:00 > 0:11:01- Really?- Yeah.

0:11:04 > 0:11:06That was good on the first bounce, though. That's cool.

0:11:06 > 0:11:09- All right, stand together, face me. Can I borrow that towel?- Sure.

0:11:09 > 0:11:11- Thank you. And do you have your phone on you?- Yeah.

0:11:11 > 0:11:14Let me steal that from you for a second, if I can.

0:11:14 > 0:11:16I'll take it. Great.

0:11:16 > 0:11:19Now, if I were to throw the phone, and try to get it as close to the

0:11:19 > 0:11:23cone as possible, would you feel OK with me doing that or not?

0:11:23 > 0:11:26- I'm OK with you throwing his phone. - You're OK with me doing it?

0:11:26 > 0:11:28Trainer Dana is happy for his phone to be thrown at a cone.

0:11:28 > 0:11:30All right?

0:11:31 > 0:11:33Let's see how close I can get it.

0:11:36 > 0:11:38Where did my phone go?

0:11:38 > 0:11:41- Dude.- Stop for a second. Can you call him?

0:11:43 > 0:11:47- I'm calling it. - Do you hear anything?- No.

0:11:47 > 0:11:49Come this way a little bit.

0:11:49 > 0:11:52PHONE RINGS

0:11:52 > 0:11:55This trick doesn't work quite so well when the phone's on silent.

0:11:55 > 0:11:57- I don't see anything.- That's crazy.

0:11:57 > 0:12:02Anyone... Someone have something sharp like a knife?

0:12:02 > 0:12:05Something sharp like a knife. Or, better still, a knife.

0:12:06 > 0:12:11- Dude.- Can I shake it?- Yeah. Careful.

0:12:13 > 0:12:15- Dude!- Come down here with me. Ready?

0:12:15 > 0:12:17When I threw the ball...

0:12:25 > 0:12:26Look inside there.

0:12:28 > 0:12:31- You see something in there? - No way! Seriously, no way.

0:12:31 > 0:12:34Hold out your hand. Hold out your hand. Actually...

0:12:34 > 0:12:37Can you grab it? Reach in there.

0:12:37 > 0:12:39You got it? Check that out.

0:12:39 > 0:12:44- Dude! Seriously, no way.- And I got a missed call from you.

0:12:44 > 0:12:47LAUGHTER

0:12:47 > 0:12:49- Who called you?- He did.

0:12:49 > 0:12:53Dude, that was, like, impossible.

0:12:53 > 0:12:55- Let me see this football. - Check it out.

0:12:55 > 0:12:57How did the phone get from there to here?

0:12:57 > 0:12:59For real, how do you do that?

0:13:01 > 0:13:03What do I do when I'm not

0:13:03 > 0:13:04doing magic tricks?

0:13:05 > 0:13:07Read, watch TV,

0:13:07 > 0:13:09hit a ping-pong ball up some stairs

0:13:09 > 0:13:11and into a jar of sweets.

0:13:11 > 0:13:13The usual.

0:13:13 > 0:13:15OK, if you fancy trying your hand at a few tricks,

0:13:15 > 0:13:18here's our beginner's guide to magic.

0:13:18 > 0:13:20This week, levitation.

0:13:20 > 0:13:24When you're starting out, careful preparation is important.

0:13:24 > 0:13:28Millimetres can make the difference between success and failure.

0:13:30 > 0:13:33Choosing the right person from the audience

0:13:33 > 0:13:34to assist you on stage is key.

0:13:34 > 0:13:38Someone who will not only follow your instructions to the letter,

0:13:38 > 0:13:41but can also pull off that tricky jeans/blazer combo.

0:13:45 > 0:13:46Breathe deeply.

0:13:46 > 0:13:49You need to be completely relaxed in order to successfully

0:13:49 > 0:13:51defy the laws of gravity and astound your audience

0:13:51 > 0:13:53with your ability to float in midair.

0:14:02 > 0:14:04And most importantly...

0:14:05 > 0:14:09..don't forget levitation is actually impossible without

0:14:09 > 0:14:10some sort of magic prop.

0:14:12 > 0:14:15If you've filmed yourself messing up a trick, we'd love to see it.

0:14:15 > 0:14:18For details, go to:

0:14:21 > 0:14:25And for more inside knowledge, let's join legendary double act

0:14:25 > 0:14:29Penn and Teller and a brilliant reveal in:

0:14:29 > 0:14:35The nearly impossible vanishing cordless drill. A classic of magic.

0:14:45 > 0:14:48The drill's vanished, but once you learn the secret,

0:14:48 > 0:14:50you'll see exactly how it went down.

0:14:50 > 0:14:53Not your comedy magic tricks again.

0:14:53 > 0:14:56Get rid of that thread. Take her up, Robbie.

0:14:56 > 0:14:58The handkerchief floating upwards.

0:14:58 > 0:14:59There you go.

0:14:59 > 0:15:02The dancing handkerchief.

0:15:02 > 0:15:04APPLAUSE

0:15:06 > 0:15:08OK, enough, enough. Enough, enough.

0:15:08 > 0:15:11We can do one better than the dancing handkerchief.

0:15:11 > 0:15:13How about the floating light bulb?

0:15:13 > 0:15:16And how do they do that?

0:15:16 > 0:15:18If there were wires there, you would be able to see them.

0:15:18 > 0:15:20LAUGHTER

0:15:20 > 0:15:24But there is still one wire. So just to make sure you are impressed...

0:15:25 > 0:15:27LAUGHTER

0:15:29 > 0:15:30Are we live?

0:15:30 > 0:15:32AUDIENCE: Yeah!

0:15:34 > 0:15:37Light bulbs, cards, paper cups, everything is flying upwards.

0:15:39 > 0:15:41Or is it?

0:15:42 > 0:15:46Actually, the trick is simple if you don't mind hanging upside down

0:15:46 > 0:15:48during the entire performance.

0:15:48 > 0:15:51APPLAUSE AND CHEERING

0:15:55 > 0:15:57So, let's look at some of those tricks again.

0:15:59 > 0:16:03The drill doesn't so much magically disappear as drop to the floor.

0:16:03 > 0:16:08And the light bulb is just hanging down, as light bulbs do.

0:16:08 > 0:16:10Simple but brilliant.

0:16:13 > 0:16:16Still to come, a troublesome magician is told to get on his bike...

0:16:18 > 0:16:21..things come to a surprising head, and...

0:16:21 > 0:16:24# Two tea-towel doves and a man run over by a plane. #

0:16:27 > 0:16:30Now, Young and Strange - not just the phrase that

0:16:30 > 0:16:34appeared on all my school reports but also the name of this act.

0:16:34 > 0:16:39One day, they hope to perform in Las Vegas. But, for now, it's Swindon.

0:16:45 > 0:16:48Is he going to disappear into that massive trophy in the shop window?

0:16:57 > 0:17:00Whoa! And he's up there. Brilliant.

0:17:00 > 0:17:02Who could fail to be impressed by that?

0:17:02 > 0:17:04This lady.

0:17:04 > 0:17:07Although to be fair, he is in her flat.

0:17:07 > 0:17:10Now, from Young and Strange to simply strange,

0:17:10 > 0:17:13and I'm not just talking about this man's leather trousers.

0:17:13 > 0:17:15You relaxing? Do you want to see some tricks?

0:17:15 > 0:17:17I'll show you one trick. It's unbelievable.

0:17:17 > 0:17:19Just got some rope here in one of the shops.

0:17:19 > 0:17:21That'll be the money for old rope shop.

0:17:21 > 0:17:23Give it a pull.

0:17:23 > 0:17:26- It's a normal rope, yeah? OK?- Yah.

0:17:26 > 0:17:30What I want you to do is I want you to come and stand here next to me.

0:17:30 > 0:17:32Here we go. And I want you to come and stand here next to me.

0:17:32 > 0:17:35So, I'm going to take this rope and wrap it around me.

0:17:35 > 0:17:36I want you to hold that piece

0:17:36 > 0:17:38and I want you to hold that piece. There we go.

0:17:38 > 0:17:42A little loosely, like that. So, there's the rope behind me, yes?

0:17:42 > 0:17:43Please don't floss him.

0:17:43 > 0:17:46Now, what I want you to do is I want you to face the front

0:17:46 > 0:17:47and concentrate.

0:17:47 > 0:17:50I'm going to take the rope behind me like this. And watch it,

0:17:50 > 0:17:52I'm just going to pull it through me.

0:17:52 > 0:17:54Like that.

0:17:54 > 0:17:55THEY LAUGH

0:17:55 > 0:17:57Great trick.

0:17:57 > 0:17:58And incidentally,

0:17:58 > 0:18:02what are the chances that both these guys are called Albert Carpets?

0:18:06 > 0:18:08Now, nothing to see here, just a man

0:18:08 > 0:18:12nonchalantly carrying a mannequin down the street in Brazil.

0:18:12 > 0:18:14The mannequin loses her head.

0:18:14 > 0:18:19Then, simply by having some fake workmen walk past with some wood,

0:18:19 > 0:18:22a fake paving slab and a real woman willing to stand in a sewer,

0:18:22 > 0:18:24the illusion is all set.

0:18:40 > 0:18:42Yeah, if I saw a body part on the ground,

0:18:42 > 0:18:45I would probably leave it. But I'm weird like that.

0:18:46 > 0:18:49Let's just see one more and then we'll knock it on the head.

0:18:56 > 0:18:59Now, here's Wayne Hoffman trying to get inside someone's head.

0:18:59 > 0:19:03- Right here right now is the first time you and I have ever met. Correct?- Absolutely.

0:19:03 > 0:19:05OK. That's very important,

0:19:05 > 0:19:08- that you weren't asked to write anything down backstage, nothing sneaky.- No.

0:19:08 > 0:19:11- Is there an image in your mind you think you can draw?- Anything?

0:19:11 > 0:19:13- Yes. Did you have an image in your mind?- I have one.- OK.

0:19:13 > 0:19:17- I want you to think of it now. - OK.- Now, change your mind.

0:19:19 > 0:19:21- All right.- Change your mind again.

0:19:21 > 0:19:23- You've settled on a new image? - Yeah.- Step over here.

0:19:23 > 0:19:26We have markers. I want you to draw the image right here.

0:19:26 > 0:19:28And, by the way, it doesn't matter if your artwork is good or bad,

0:19:28 > 0:19:30just draw. You have about ten or 15 seconds.

0:19:30 > 0:19:33And while she does that, I want you guys to check out a video clip

0:19:33 > 0:19:36of something I did about a month ago. Check this out.

0:19:36 > 0:19:40All right, guys, I'm here and my man Mike is about to ink up my arm.

0:19:40 > 0:19:43This is what you call an extreme prediction.

0:19:43 > 0:19:46And I think this officially proves my insanity.

0:19:46 > 0:19:47TATTOO PEN BUZZES

0:19:47 > 0:19:49Oh, man, here we go.

0:19:55 > 0:20:01That's right, guys. One month ago, I actually got a tattoo on my arm.

0:20:01 > 0:20:02What did you draw?

0:20:02 > 0:20:04LAUGHTER

0:20:04 > 0:20:08- A... What... A Yin Yang? - It just says, "Hi, Mom."

0:20:08 > 0:20:13- But, yeah, a Yin Yang. - So, is it possible to get into someone's mind

0:20:13 > 0:20:16and have any influence over their actions?

0:20:16 > 0:20:18Shut up, shut up.

0:20:18 > 0:20:19- Here's your answer.- Let me see.

0:20:19 > 0:20:23It could have been worse, she could have written "I Heart Justin Bieber".

0:20:23 > 0:20:25That was incredible, wasn't it?

0:20:26 > 0:20:30Now, it's the time in the show where we are reminded three is the magic number.

0:20:30 > 0:20:32This week, money, money, money.

0:20:35 > 0:20:38Ooh, Stephanie Jayne is good at making money.

0:20:38 > 0:20:40All you need is cardboard with a hole cut in it

0:20:40 > 0:20:42and a five-dollar bill. You shake it.

0:20:42 > 0:20:44And I've heard of taking money out of a hole in the wall...

0:20:46 > 0:20:48Here is Stephanie again

0:20:48 > 0:20:50with what is possibly the world's smallest magazine.

0:21:02 > 0:21:05Strike up the band, it is time for David and Dania's

0:21:05 > 0:21:07fabulous Quick Change Act.

0:21:08 > 0:21:10Oh, one of my all-time favourites.

0:21:19 > 0:21:21Anyone else suddenly fancy a Liquorice Allsort?

0:21:24 > 0:21:26This is a high-pressure act

0:21:26 > 0:21:29but he doesn't look like a man who's easily ruffled,

0:21:29 > 0:21:30unlike his shirt.

0:21:37 > 0:21:39New clothes and hair.

0:21:39 > 0:21:40Well, she's worth it.

0:21:43 > 0:21:45Oh, yeah, now she's a Quality Street.

0:21:49 > 0:21:51It's his turn. Can't wait.

0:21:55 > 0:21:57Ah, she's sorry to see that shirt go.

0:22:00 > 0:22:02And it's not over yet.

0:22:02 > 0:22:05She's still got the handbag and shoes to decide on.

0:22:09 > 0:22:11If either of them end up naked, I'm switching off.

0:22:15 > 0:22:18And, finally, for Dave and Dania, it's Rule Britannia.

0:22:22 > 0:22:25Now, we seem to be at a car wash, and by the music,

0:22:25 > 0:22:27I think I can guess what country we're in.

0:22:27 > 0:22:29That's right, Spain.

0:22:29 > 0:22:31FRENCH ACCORDION MUSIC PLAYS

0:22:33 > 0:22:36This wizard is just polishing up la voiture

0:22:36 > 0:22:37before his next magic show.

0:22:39 > 0:22:41He specialises in bird magic

0:22:41 > 0:22:44but I hear a rumour that the dove wants to quit the act.

0:22:50 > 0:22:53Well, that's one way to hand in your notice.

0:23:02 > 0:23:06COOING

0:23:06 > 0:23:10Still, covering your car in bird poo will stop traffic wardens doing this.

0:23:10 > 0:23:13Haaaaaargh!

0:23:13 > 0:23:14What are you, crazy?!

0:23:18 > 0:23:20Haargh!

0:23:20 > 0:23:22Ha!

0:23:22 > 0:23:24Here's the best pet-shop salesman ever.

0:23:24 > 0:23:26Bird in a cage, sir?

0:23:26 > 0:23:28Bird in a party popper, madam?

0:23:28 > 0:23:29Couple of cages?

0:23:29 > 0:23:31Plain dove. Go on, take a dove.

0:23:31 > 0:23:33Bird in a cage?

0:23:33 > 0:23:34Plain dove.

0:23:34 > 0:23:36Roast dove.

0:23:37 > 0:23:39Two for one. Just buy something.

0:23:41 > 0:23:45Over to Russia now for another incredible transport-based illusion.

0:23:49 > 0:23:50I'm hoping when they drop that cover,

0:23:50 > 0:23:53he's going to be wearing a dress made from a Union Jack.

0:23:59 > 0:24:01He's still in there.

0:24:01 > 0:24:03Hang on.

0:24:04 > 0:24:05Where's he gone?

0:24:08 > 0:24:10Oh, wow.

0:24:10 > 0:24:12I hope he can magic himself home because that was his train

0:24:12 > 0:24:14and he just missed it.

0:24:16 > 0:24:18Let's have a bit more mind-reading now.

0:24:18 > 0:24:20Here's Keith Barry.

0:24:20 > 0:24:22- Excuse me, can I stop you for two seconds?- Yeah.

0:24:22 > 0:24:24I know this sounds strange, but very quickly,

0:24:24 > 0:24:27think of a flower. Change your mind to a different flower.

0:24:27 > 0:24:30- Change your mind again.- All right.

0:24:30 > 0:24:32Change your mind, that's the flower right now.

0:24:32 > 0:24:33Have you got a flower in mind?

0:24:33 > 0:24:35- Yes. - 'Go on, say self-raising.'

0:24:35 > 0:24:37- An orchid.- An orchid?

0:24:40 > 0:24:41It's for you. Have a nice day.

0:24:41 > 0:24:43- A hydrangea. - That's an unusual flower.

0:24:46 > 0:24:48Thank you.

0:24:48 > 0:24:49- Daisy.- Really?

0:24:51 > 0:24:53- What?- It's for you, thank you.

0:24:55 > 0:24:59Master magician Andrew Mayne is out and about causing more mischief.

0:24:59 > 0:25:02I'm going to help you secure your bike so nobody steals it.

0:25:04 > 0:25:06Sound good? We don't need that.

0:25:06 > 0:25:08What you need to do is go grab your back tyre.

0:25:08 > 0:25:12You're going to pick this up. OK. Hold on to it.

0:25:12 > 0:25:14Right? Just like that.

0:25:14 > 0:25:15You're secure.

0:25:15 > 0:25:17What did you just do, bro?

0:25:19 > 0:25:21How am I going to get home?

0:25:21 > 0:25:25Can I be honest? I don't quite trust your bike lock system.

0:25:25 > 0:25:28I don't trust your shampoo. Let me show you something.

0:25:28 > 0:25:30Just like that. Right?

0:25:30 > 0:25:32Just... Boom.

0:25:33 > 0:25:35He's the best bike magician ever.

0:25:35 > 0:25:38At least he is according to his "spokes"person.

0:25:38 > 0:25:39Excuse me.

0:25:39 > 0:25:42I want you to have the peace of mind tonight to know that your bike won't get stolen.

0:25:42 > 0:25:44The whole night?

0:25:46 > 0:25:47Eternity? Sure. Yeah.

0:25:47 > 0:25:49Grab your back tyre.

0:25:50 > 0:25:53Just like that.

0:25:53 > 0:25:54Oh, snap.

0:25:56 > 0:25:57Oh, that's actually pretty good.

0:25:57 > 0:26:00- I'll never be able to get that out.- That's the idea.

0:26:01 > 0:26:03Thanks!

0:26:05 > 0:26:06- Hey! - Go on, catch him.

0:26:06 > 0:26:09Ah, if only you had a bike.

0:26:09 > 0:26:10This sucks.

0:26:10 > 0:26:12Dude.

0:26:12 > 0:26:13Dude?

0:26:13 > 0:26:14Is he coming back?

0:26:14 > 0:26:18Ah, let's hope Keith Barry pops up and offers her a gladioli.

0:26:20 > 0:26:22We've seen magic with bikes and trains

0:26:22 > 0:26:25but now, it's time for Franz Harary

0:26:25 > 0:26:28to make an actual real live plane vanish in The Big Finish.

0:26:30 > 0:26:32In my business, there's an old adage -

0:26:32 > 0:26:34to make something disappear in a puff of smoke.

0:26:34 > 0:26:37I wanted to make a stunt plane disappear in a puff of smoke.

0:26:40 > 0:26:45We had one plane coming directly at me at 180 miles an hour.

0:26:45 > 0:26:48We had a second plane which is about to come perpendicular

0:26:48 > 0:26:51and cross in front of me at 200 miles an hour.

0:26:51 > 0:26:54Now, we would have to time our illusion such

0:26:54 > 0:26:59that both of these planes would align themselves up perfectly.

0:26:59 > 0:27:02If for some reason, God forbid, the illusion should fail,

0:27:02 > 0:27:06the stunt plane would come ploughing into me at over 200 miles an hour.

0:27:06 > 0:27:09Now, I don't know about you, but I'm a bit nervous.

0:27:09 > 0:27:11Plus, I haven't understood a word he's saying.

0:27:11 > 0:27:13'Ready for takeoff.'

0:27:13 > 0:27:17'Fox ground RV triple 90 or tango, do you copy?

0:27:17 > 0:27:18John, we're good.

0:27:22 > 0:27:25What's he doing on top of that giant ironing board?

0:27:28 > 0:27:32- Checkpoint one.- 'Checkpoint one is looking good.'- Checkpoint B.

0:27:32 > 0:27:35'I have a visual on ten. It looks great from here.'

0:27:35 > 0:27:37See Mark?

0:27:37 > 0:27:38'All good from here. On your mark.'

0:27:38 > 0:27:42'Er, Franz, Roger, I don't know what I'm supposed to be doing. Over.'

0:27:42 > 0:27:44All points checked and clear.

0:27:44 > 0:27:46Give it to me, guys.

0:27:46 > 0:27:49'All looks good.'

0:27:50 > 0:27:52All right, let's do this.

0:27:52 > 0:27:55'Franz, please don't do this. You'll get knocked over. Over.'

0:27:59 > 0:28:00Go!

0:28:08 > 0:28:10The entire plane has vanished.

0:28:10 > 0:28:12Normally, it's just the luggage.

0:28:13 > 0:28:15That is so cool!

0:28:17 > 0:28:21Join us next time to enjoy more cool magic from around the planet

0:28:21 > 0:28:22as the world's greatest

0:28:22 > 0:28:25and not-so-great magicians keep us entertained.

0:28:27 > 0:28:29Now, saddle up the, erm, camel,

0:28:29 > 0:28:32I'm out of here. It could be a bumpy ride.

0:28:32 > 0:28:33'Over and out.'