:00:13. > :00:21.Last week our time travelling stars danced through the decades. And
:00:21. > :00:26.Wembley Arena erupted like never before. The dancers were trickier.
:00:26. > :00:33.The lifts were bigger. And with the competition so fierce,
:00:33. > :00:38.the scores were higher than ever. But, sadly, Richard discovered he
:00:39. > :00:44.only had a one-way ticket, leaving him stranded on his desert island.
:00:44. > :00:54.Now, just eight remain and surviving Wembley has made them the
:00:54. > :01:26.
:01:26. > :01:31.Give me some space! What do you want space for you might not be
:01:31. > :01:41.here next week. It doesn't matter. Easy for her to say when she is top
:01:41. > :01:41.
:01:41. > :02:26.Apology for the loss of subtitles for 44 seconds
:02:26. > :02:36.Live from Television Centre, please welcome your hosts, Sir Bruce
:02:36. > :02:47.
:02:47. > :02:52.She's never missed yet! I was going for that. We got there in the end.
:02:52. > :02:58.That's the main thing. What's all this? What is this? It's the lights,
:02:58. > :03:01.they're fabulous. Is that necessary?! Right, good evening,
:03:01. > :03:05.ladies and gentlemen, and children and welcome to Strictly Come
:03:05. > :03:12.Dancing. Is it necessary?! It's nice to see you, to see you...
:03:12. > :03:16.AUDIENCE: Nice! Yes, it's nice to see you, Bruce. Now this week we
:03:16. > :03:24.have two birthdays. Kimberley's birthday was on Tuesday and
:03:24. > :03:31.tomorrow it's Bruno's birthday. I thought I would buy both of them a
:03:31. > :03:36.birthday cake. I got Kimberley an angel cake because she is an angel.
:03:36. > :03:46.What did you get Bruno? A fruitcake. APPLAUSE
:03:46. > :03:46.
:03:47. > :03:55.. Better than nothing! A nutty fruitcake. Happy birthday to you...
:03:55. > :04:00.That's enough! Right. Is that necessary? It is! Last week we saw
:04:00. > :04:03.nine couples dancing through the decades at Wembley Arena. Behave!
:04:03. > :04:08.Despite performing their biggest routines we had to say goodbye to
:04:08. > :04:15.one couple and Richard and Erin left the competition. Our stars
:04:15. > :04:19.might be back on home ground here, but the pressure is still on. They
:04:19. > :04:23.get closer to the glitterball trophy. That's right. The
:04:23. > :04:32.competition's hotting up and tonight promises to be another
:04:32. > :04:42.night of sizzling ballroom. before... Now, that was necessary.
:04:42. > :04:47.
:04:47. > :04:49.Before they boil over, it's time to From girlband Girls Aloud, pop
:04:49. > :04:53.princess Kimberely Walsh and her partner Pasha Kovalev. From
:04:53. > :04:58.Westlife, Nicky Byrne and his partner Karen Hauer. Cricket legend
:04:58. > :05:02.Michael Vaughan and his partner Natalie Lowe. Soap star Lisa Riley
:05:02. > :05:07.and her partner Robin Windsor. Olympic gymnast Louis Smith and his
:05:07. > :05:11.partner Flavia Cacace. Star of CBBC's Tracy Beaker, Dani Harmer
:05:11. > :05:16.and her partner Vincent Simone. Presenter and performer Denise Van
:05:16. > :05:26.Outen and her partner James Jordan. And finally, Olympic gold medallist
:05:26. > :05:33.
:05:33. > :05:41.Victoria Pendleton and her partner APPLAUSE AND CHEERING
:05:42. > :05:46.They look so great. Yes. There they all are, and desise, what a start -
:05:46. > :05:50.- Denise what a start to your routine last week, carried in
:05:50. > :05:54.shoulder high with four hunky men in loincloths, we are pleased for
:05:54. > :05:59.you, Denise, but it's been a week now. Can we have them back? I
:05:59. > :06:02.thought that would go better than that, never mind! What a waste of
:06:02. > :06:05.five lines! Tonight our couples are hoping to score highly with the
:06:05. > :06:09.judges but now they're going to need your votes more than ever to
:06:09. > :06:13.stay in the competition. Those votes will then be combined with
:06:13. > :06:20.the judges' scores and the bottom two couples will be in the dreaded
:06:20. > :06:26.dance-off and one of them will leave the ballroom. AUDIENCE: Ah!
:06:26. > :06:32.Remember to prez -- press your red button for live commentary and
:06:32. > :06:38.joining her is Sara Cox. There they are F you fancy -- if you fancy
:06:38. > :06:48.hearing what they have to say, phres red now -- press red now.
:06:48. > :06:48.
:06:48. > :06:52.first couple is Dani Harmer and her partner, Vincent Simone. APPLAUSE
:06:52. > :06:57.AND CHEERING There they are. Well done. Dani is looking forward to
:06:57. > :07:02.when the series finishes so she can have a break. She's planning to go
:07:02. > :07:11.on one of them 18-30 holidays. I said, I once went on an 18-30
:07:11. > :07:20.holiday. She said, when was that? I just told you, 1830. Shut up! That
:07:20. > :07:26.wasn't funny! It was 1830. That's when the plane took off. 6.30 at
:07:26. > :07:32.night. They didn't know any of my sing-song numbers. I felt so alone.
:07:32. > :07:37.I am rambling. Here they are. Good, that's gone. Here they are in
:07:37. > :07:40.training. Performing at Wembley last Saturday
:07:41. > :07:50.was definitely the biggest thing I have ever done in my life. It was
:07:51. > :07:52.
:07:52. > :07:56.just absolutely amazing. You were fabulous. I didn't just get two 9s,
:07:56. > :08:03.I got four. I just performed at Wembley. We did. I forgot about
:08:03. > :08:10.you! I felt like one of the Spice Girls. This week we are going to be
:08:10. > :08:13.doing the samba. We are doing it to All The Single Ladies by Beyonce.
:08:13. > :08:17.So many things to remember. As a single lady I can connect with the
:08:17. > :08:23.song. I don't have time for the dating scene. Vincent is the only
:08:23. > :08:31.man in my life. The samba is all about performance and the energy.
:08:31. > :08:40.Welcome to Strictly speed dating. Let's start dating. Do I know you
:08:40. > :08:48.from somewhere? Hi, sweet cheeks. Time is up. Do you come here often?
:08:48. > :08:53.Innit. Hello, Bella, what is the matter?
:08:53. > :08:59.It looks like you have seen a ghost. Bella, Bella! You just fall asleep.
:08:59. > :09:09.I had the weirdest dream. I went speed dating and all my dates were
:09:09. > :09:10.
:09:11. > :09:20.you. That's not a weird dream. Dancing the samba, Dani Harmer and
:09:21. > :09:21.
:09:21. > :11:00.Apology for the loss of subtitles for 44 seconds
:11:00. > :11:05.APPLAUSE AND CHEERING Wonderful. Wasn't that wonderful?
:11:05. > :11:09.Dani, you have done it. And you are smiling. I am. That's wonderful.
:11:09. > :11:14.Great routine. To start the show off, that was wonderful. Now let's
:11:14. > :11:21.welcome our judges. Craig, Darcey and Len and Bruno. APPLAUSE AND
:11:21. > :11:24.CHEERING I don't know how to tell you but
:11:24. > :11:34.shock news, ladies and gentlemen, Craig said in the newspapers that
:11:34. > :11:40.
:11:40. > :11:45.he is thinking of taking a year off Strictly Come Dancing. CHEERING
:11:45. > :11:52.Please, is there anything I or anyone else can do to persuade to
:11:52. > :11:56.you change your mind? Make it longer! No need for any more of
:11:56. > :12:00.that, Brendan! I don't like hecklers, I deal with them in a
:12:00. > :12:06.nasty way. Len, what did you think? This was a party dance and I have
:12:06. > :12:09.to say, you got this party started. You came out and it was bubbly. I
:12:09. > :12:14.thought you were brave the way you started up there on your own. I
:12:14. > :12:24.loved the routine. Lots of basic stuff going on. Yet you kept that
:12:24. > :12:29.
:12:29. > :12:35.going. It was fabulous. Well done. It was lovely. I agree. Bruno?
:12:35. > :12:45.oh-! You won't be single for long. I will put a ring on it. It's
:12:45. > :12:50.charming and bubbly like babiesham. I was watching your feet, your heel
:12:50. > :12:57.so well placed. Amazing placement. The hip action, the bounce, I loved
:12:57. > :13:02.it. You could see the feet in the shadows then? I could. Nice to know.
:13:02. > :13:07.Craig? You are one hot little dancer, loved the bounce action.
:13:07. > :13:11.Fantastic arm placement. All those body ripples were done to
:13:11. > :13:21.perfection. I love all the quotations of Beyonce in there. A
:13:21. > :13:28.very, very tidy samba, darling. APPLAUSE I love the quotations. I
:13:28. > :13:33.didn't hear them say a thick! -- a thing! Darcey? The boys are right,
:13:33. > :13:36.Dani, extraordinary. Such a clean samba. Saw every move, the detail
:13:36. > :13:40.and everything, so clean. Loved it. Your attitude and confidence at
:13:40. > :13:44.this point in the competition is brilliant. I would only say in your
:13:44. > :13:50.running promenades, all these, I would finish off the Armstronger
:13:50. > :13:55.and cleaner -- armstronger and cleaner but I loved it. Thank you
:13:55. > :14:05.for a wonderful start and keep smiling!
:14:05. > :14:08.
:14:08. > :14:12.Come on! Our tiny, tidy dancers. What a way to kick off the show.
:14:12. > :14:15.Len said you got the party started. The samba is one of the more
:14:16. > :14:22.testing dances but you made it look easy. It's really hard. I thought
:14:22. > :14:27.it would be easy to begin with but there's a lot of technique.
:14:27. > :14:32.made it look easy. Can we have a bit of that again. Oh-oh! Look at
:14:32. > :14:36.that. She made it look really good. Brilliant. Full house of nines last
:14:36. > :14:46.week, are you pulling out the stops for a ten this week? We would love
:14:46. > :15:03.
:15:03. > :15:08.to. We wouldn't complain. Come on There we go. All the nines again.
:15:08. > :15:18.Great score. So happy. Great start. And you getting sexy on the dance
:15:18. > :15:22.
:15:22. > :15:32.floor. Trying. There's two ways to call and vote for your favourite
:15:32. > :15:36.
:15:36. > :15:39.couple. If you like them, you Don't call until lines open f you
:15:39. > :15:47.do your vote won't count and you might be charged. That's one down
:15:47. > :15:51.and seven to go. Oh-oh! I like it. Plenty more glitz in store,
:15:51. > :15:58.including Lisa and Robin and Michael is getting serious in the
:15:58. > :16:04.Argentina tango. Who is next, Bruce? Sorry! Next up - I am in a
:16:04. > :16:14.funny mood tonight. I hope it lasts. Right. Next up is Kimberley Walsh
:16:14. > :16:15.
:16:15. > :16:18.and her partner, Pasha Kovalev. APPLAUSE
:16:18. > :16:23.Now Kimberley, I hope you are watching, as it was your birthday
:16:23. > :16:33.on Tuesday, all the dancers in the show have clubbed together to buy
:16:33. > :17:03.
:17:03. > :17:13.That's enough! No, that's all I am doing. They only gave me a fiver.
:17:13. > :17:16.
:17:16. > :17:22.Here they are - that was hard work! Saturday night at Wembley was
:17:22. > :17:27.absolutely incredible. I was so, so nervous before our performance. But
:17:27. > :17:33.as soon as I started I just thoroughly enjoyed every second of
:17:34. > :17:39.it. You can certainly shake that tush. I hope there are people out
:17:39. > :17:43.there voting for you. When we heard we made it through... Kimberley and
:17:43. > :17:52.Pasha, you are through. I was very relieved as you could probably see.
:17:52. > :17:56.It was a good feeling. You are going, who are you to call me?
:17:56. > :18:00.really love the tango. It's a very passionate dance and quite fiery.
:18:00. > :18:04.It's about jealousy. It's about anger. You cannot just be nice and
:18:04. > :18:12.sweet. You really need to bring that part of the dance out in order
:18:12. > :18:17.for tango to be a tango. It was so good, why you start laughing? In
:18:17. > :18:27.real life she's very, very sweet girl. Here I am asking her to be
:18:27. > :18:30.
:18:30. > :18:34.that angry, jealous woman. It's quite hard to be angry at Pasha. If
:18:34. > :18:43.I can't get that character right on Saturday night, it could all fall
:18:43. > :18:53.apart and I can't let that happen. Dancing the tango, Kimberley Walsh
:18:53. > :18:54.
:18:54. > :20:47.Apology for the loss of subtitles for 44 seconds
:20:47. > :20:50.Kimberley and Pasha, look, look at that. I always like our dancers to
:20:50. > :20:55.look when they have a standing ovation. It's a wonderful moment.
:20:55. > :20:57.Some people take it the other way. A couple of weeks ago Tess
:20:57. > :21:05.introduced the singers by name which I thought was a very nice
:21:05. > :21:11.thing to do. So, let's welcome Hayley, Tommy, Andrea and Chris,
:21:11. > :21:20.there they are. Thank you. APPLAUSE Always your singing is so lovely.
:21:20. > :21:25.Not forgetting Dave Arch and Neal, Frank, Trevor, John, Paul, Simon
:21:25. > :21:32.and Andy. I can't do that every week! And his wonderful, wonderful
:21:32. > :21:39.orchestra! Come on! APPLAUSE AND CHEERING Bruno, you
:21:39. > :21:44.start us. Kim we arely -- Kimberley, the ultra vixen with a killer
:21:44. > :21:50.attitude. I haven't seen a mean pout since Joan Collins in Dynasty!
:21:50. > :21:58.Don't touch what you can't afford! Apart from the at - the attitude
:21:58. > :22:02.was great but the dance was brilliant as well. You were going
:22:02. > :22:08.for it. You are getting better and better. It was a fabulous standard.
:22:08. > :22:14.Did I see a slight wobble in the middle? Maybe I haven't. But I am
:22:14. > :22:20.telling you, it was great. Thank you. It was absolutely great.
:22:20. > :22:25.Well done both of you. Lovely. OK, Craig? Yes, you did see a slight
:22:25. > :22:28.wobble. Your feet sort of crashed into one another it seems,
:22:28. > :22:33.something happened. But I absolutely loved the drama at the
:22:33. > :22:37.top. You set the story of the dance up brilliantly. You told that story
:22:37. > :22:46.all the way through, which was fantastic. I love your hand shaping
:22:46. > :22:56.on Pasha's back there, the thumb was nicely placed into the crack of
:22:56. > :23:00.
:23:00. > :23:09.his... Armpit. It was lovely. think you better stop. You are
:23:09. > :23:13.getting yourself into a... Fabulous. Well done. APPLAUSE Darcey, bring
:23:13. > :23:18.us back to earth. It's true, the story-telling was wonderful. I
:23:18. > :23:24.loved your moody, pouting lady. Brilliant. You kept it all the way
:23:24. > :23:31.through. You didn't die there and the top line. The attack, brilliant.
:23:31. > :23:40.I loved it. Well done. What does Len think? I have to agree partly,
:23:40. > :23:44.because I loved the mood of it, Kimberley and Pasha and passion.
:23:44. > :23:49.Your hold goes in and out. It's a little bit loose sometimes.
:23:49. > :23:53.Sometimes it's very good. Then it all goes loose and comes back. That
:23:53. > :23:56.wasn't so good. You never did one heel lead so your feet were a
:23:56. > :24:02.little bit flat throughout. But the feel of the dance, the mood of the
:24:02. > :24:12.dance and the intensity of the dance was spot on. Absolutely
:24:12. > :24:12.
:24:12. > :24:22.marvellous. APPLAUSE Good criticism there. Thank you Kimberley Walsh
:24:22. > :24:26.
:24:26. > :24:31.and Pasha Bolangese! Well done, Kimberley. A standing
:24:32. > :24:36.ovation. I get a little hug every week. She's such a darling. It's
:24:36. > :24:41.lovely when they do that because they enjoyed it. They were on their
:24:41. > :24:45.feet. Such character and a real feisty tango from you and they're
:24:45. > :24:50.loving that moody pout. How did you get into character. I kept laughing
:24:50. > :24:54.all the time. We know, we are used to the smile. It's back! You look
:24:54. > :25:00.very good with the moody pout. Now a busy week for you with Girls
:25:00. > :25:07.Aloud. So busy, yeah. Have hu time for your usual training? I have
:25:07. > :25:15.been bringing Pasha wherever we go. Poor Pasha with all the girls in
:25:15. > :25:25.girls allowed! -- in Girls Allowed! He will be in the next video. The
:25:25. > :25:44.
:25:44. > :25:50.Joint highest score, is that right? It's our favourite, yeah. Good, if
:25:50. > :25:55.Kimberley's tango ticked the boxes for you, don't just sit back and
:25:55. > :25:59.think that's nice, pick up the phone and vote.
:25:59. > :26:06.All I ask is that you wait until everyone as danced before you call.
:26:06. > :26:13.Who is ready to wow us, Bruce? Our next couple is Victoria
:26:13. > :26:17.Pendleton and her partner, Brendan Cole. APPLAUSE Popular couple.
:26:17. > :26:23.Now, Victoria is struggling to cope with the fame she's been getting
:26:23. > :26:29.since she's been on this show. She was in a hurry and she cycled home
:26:29. > :26:32.last week and did the paparazzi didn't stop. On every street
:26:32. > :26:42.paparazzi photo after photo. I said, I don't think they were paparazzi,
:26:42. > :26:44.
:26:44. > :26:51.they were speed cameras. APPLAUSE Skap p -- she doesn't half belt
:26:51. > :26:56.along. Here they are in training. Wembley was a fantastic experience,
:26:56. > :27:01.flying in is a first for me, think for Wembley, as well. It's Wembley,
:27:01. > :27:07.it's time to do things differently. I wouldn't normally throw a bicycle
:27:07. > :27:12.into a paso doble. It was incredible. Your shoulders start
:27:12. > :27:19.creeping up, you have to keep those down. It was lovely of that person
:27:19. > :27:24.to stand up at that moment. I was very flattered by that. All right?
:27:24. > :27:31.This week we are dancing the salsa to Candy by Robbie Williams. My
:27:31. > :27:37.track record for Latin dances is pretty atrocious. But I have really
:27:37. > :27:44.enjoyed learning the salsa so far. Oh! Doesn't necessarily translate
:27:44. > :27:48.to what the judges see. What do we have to do to get you pumped and
:27:48. > :27:53.excited, what do you want? A puppy. The salsa is nothing without a
:27:53. > :28:01.little bit of of confidence. It's a show-boating dance. Overall, you
:28:01. > :28:06.have to sell it. I am not a sexy Latino dancer?! How does one answer
:28:06. > :28:09.this? I haven't had the best results in my Latin dances and I
:28:09. > :28:14.know my performances have been weak. However, I am going to put that
:28:14. > :28:24.behind me and see what happens and hope it's enough on the night.
:28:24. > :28:24.
:28:24. > :30:05.Apology for the loss of subtitles for 44 seconds
:30:05. > :30:12.Dancing the salsa, Victoria . APPLAUSE AND CHEERING
:30:12. > :30:15.Well, I tell you, that was reallying so! -- really something!
:30:15. > :30:21.The salsa Queen, Victoria. Will you hold that just a moment. You were
:30:21. > :30:26.dancing to a song called Candy, so before we meet the judges and hear
:30:26. > :30:35.their comments I thought we would try to sweeten them up a bit. Bruno,
:30:35. > :30:43.we have got you a lollipop. Thank you. Len, a humbug. LAUGHTER
:30:43. > :30:53.Nothing personal. I understand. Darcey, we have got you some
:30:53. > :30:58.
:30:59. > :31:07.lovehearts. You got the lovehearts! Get out! Craig, we got you a
:31:07. > :31:16.gobstoper. Thank you. APPLAUSE It's the thought behind it. You liked
:31:16. > :31:26.that. Craig, we start with you. Speaking of sweets, the prop Candy
:31:26. > :31:26.
:31:26. > :31:36.sticks had more fluidity. Is that it? Oh, that's it. It's working,
:31:36. > :31:38.
:31:38. > :31:44.the gobstoper. Darcey. I was amazed you achieved all that armography. I
:31:44. > :31:52.like that word. What was brilliant is how you got together for all
:31:52. > :31:59.those lifts. You have the most amazing core. APPLAUSE
:31:59. > :32:03.. That might be because your core is so strong and you can see those
:32:03. > :32:10.muscles. That might distract from the hip action. That's the only
:32:10. > :32:16.thing that will make it difficult. But it was good. Very strong lady.
:32:16. > :32:20.APPLAUSE Len? It was a bit light. I am going
:32:20. > :32:24.to call you a light Victoria sponge. It needed more go in it, that was
:32:24. > :32:33.the main thing. I have to agree, the lifts were very good, very
:32:33. > :32:43.clean. You came out and worked it. A bit more oomph, that's all.
:32:43. > :32:48.
:32:48. > :32:56.about Bruno? You look very fetching in pink Bren... Sorry! And you look
:32:56. > :33:01.gorgeous when you stand still, you are fabulous. The thing is you have
:33:01. > :33:04.so much to offer and you still don't deliver. It's all in the hips,
:33:04. > :33:10.the rhythm. It wasn't there. You have got to get - listen to this
:33:10. > :33:15.music. Get into it. Let yourself go. Feel it. It just doesn't happen. I
:33:15. > :33:20.don't understand why. I mean, look at you. You look amazing. Use it.
:33:20. > :33:27.Use all of those - all this that you have in the dance floor. I
:33:27. > :33:35.don't know, I am lost for words because it really defies belief.
:33:35. > :33:44.all loved it. The faces of people out there. Off you go, Victoria and
:33:44. > :33:51.Brendan. That's it, go, there you APPLAUSE Come here. Ready for a hug
:33:51. > :33:55.with me. Oh, dear dear. Amazing lifts, brave lifts. Did you enjoy
:33:55. > :34:00.yourself a little bit before they started. It was good. I don't know
:34:00. > :34:07.whether to laugh or cry. Tissue at the ready, just in case. No more
:34:07. > :34:11.tears, come on. It's tragic. I know it's tragic. And Craig says that,
:34:11. > :34:15.let's forget that. The judges were not bowled over. But you have got
:34:15. > :34:18.100% public support behind stphaou we have had it so far, it's been
:34:18. > :34:24.very nice. We are at the stage where everybody is really, really
:34:24. > :34:28.good. So good. We try our best. We had a nice week in training. We
:34:28. > :34:33.will keep going with a little bit of Candy, am I doing the wrong
:34:33. > :34:36.dance? You were having a blast until the judges started. It's been
:34:36. > :34:46.fun, I have enjoyed trying to shuffle around to the salsa. That's
:34:46. > :35:11.
:35:11. > :35:15.all I can do. Try my best. She's All-time low? No, that cha-cha was
:35:15. > :35:20.rubbish, what are you talking about! Let's not go back to that,
:35:20. > :35:26.Brendan. You are going to need the public support. If you thought the
:35:26. > :35:29.salsa was sweet like Candy call: Lines open once all our couples
:35:30. > :35:37.have danced. If you call too soon the vote won't count and you may
:35:37. > :35:42.still be charged. Who is up next? Our next couple is Louis Smith and
:35:42. > :35:46.his partner Flavia Cacace. APPLAUSE AND CHEERING
:35:46. > :35:52.Yes, I knew you were looking forward to them. I am sure I don't
:35:52. > :35:57.need to remind you that Louis was a silver medallist in the Olympics
:35:57. > :36:01.and he is so good... APPLAUSE He is so good on the pommel horse. Mind
:36:01. > :36:10.you, I did see him make a mistake once. He slipped when he went to
:36:10. > :36:14.straddle it and he damaged his personal best. LAUGHTER That's an
:36:14. > :36:22.athletic term. Your personal best. I bet you haven't got one. Right,
:36:22. > :36:26.how dare you! Here they are in training.
:36:26. > :36:33.Last Saturday before I went on to dance I actually felt physically
:36:33. > :36:39.sick. I was so nervous about not being able to get to the end. We
:36:39. > :36:43.had a bad rehearsal, so on the live show it was as scary as the Olympic
:36:43. > :36:49.Games. I was disappointed because I know you can do it so well. It
:36:49. > :36:53.wasn't bad, but you can do better. The main thing is that the public
:36:53. > :37:00.kept us in and we have another chance this week. So let's make the
:37:00. > :37:05.most of it. This week we are dancing the paso
:37:05. > :37:10.doble. It's a very masculine dance. You mess around with a cape. We are
:37:10. > :37:15.dancing to Dirty Diana, Michael Jackson. Louis really likes this
:37:15. > :37:21.song and he is a big fan of Michael Jackson. And he can do a lot of the
:37:21. > :37:28.moves. Unfortunately, we can't really use those for the paso doble.
:37:28. > :37:36.It doesn't exist in any dance! is a heel lead back. We are not
:37:37. > :37:41.doing the moonwalk. Louis, we are doing the paso doble. Not the
:37:41. > :37:44.Michael Michael -- Jackson dance. Saturday night when that song comes
:37:44. > :37:54.on, I am really going to enjoy myself.
:37:54. > :37:54.
:37:54. > :39:43.Apology for the loss of subtitles for 44 seconds
:39:43. > :39:48.Dancing the paso doble, Louis Smith . APPLAUSE AND CHEERING
:39:48. > :39:52.Come on, that is for you. I am not doing that for the audience. I am
:39:52. > :39:58.doing it for those dancers. You deserve to look at that when you
:39:59. > :40:03.have worked so hard. It's a wonderful moment. Darcey, start us
:40:03. > :40:12.off. Louis, you have it all to give but I lost the story-telling in
:40:12. > :40:16.that. It's true. The man has to be arrogant, forceful, passionate.
:40:16. > :40:22.the attitude wasn't there for me. And that was disappointing. I mean,
:40:22. > :40:27.you are clean and it's exact and precise, so overall, your shaping
:40:27. > :40:30.is good, I just missed the story. I wanted you to perform. I thought
:40:30. > :40:35.you were going to have fun with this. I really wanted you to have
:40:35. > :40:38.fun. Well, there we are. Len, what did you think? Well, it's not
:40:38. > :40:42.cupcakes and ice-cream. It's thunder and lightning, you have to
:40:42. > :40:47.come out and attack and perform. You got great lines, you have
:40:47. > :40:57.presence. You come out and you have great presence. This was - there
:40:57. > :41:01.was nothing going on. There was no fire in the blooming thing! Len is
:41:01. > :41:05.right. I agree. Of course, you have the lines, you can produce
:41:05. > :41:11.beautiful shapes. But it's what's behind it, we should be left
:41:11. > :41:20.breathless. It's all about blood, it's about killing, revenge. All
:41:20. > :41:24.strong passions and you have to - it's a paso doble, it's based on
:41:24. > :41:31.the Matador, it's a fight to the death. That's what you have to
:41:31. > :41:35.produce. Please, come back and do it. What were you going to say?
:41:35. > :41:41.much talk about blood, I wondered what time the show was going out.
:41:41. > :41:47.With kids watching. I was wondering the same thing. When is it going
:41:47. > :41:52.out?! Craig, you finish. We might be live, darling. In order for to
:41:52. > :41:58.you actually move up the judges' leaderboard, you have to learn to
:41:58. > :42:02.act these dances. You can go no further with us unless you give
:42:02. > :42:08.yourself up. Well, the audience are taking it for the lovely dance that
:42:08. > :42:18.it was, but you have something to work on. Take it all in. Off you go.
:42:18. > :42:22.
:42:22. > :42:29.APPLAUSE Come on, Louis, we got a standing
:42:29. > :42:33.ovation. They all absolutely loved it. APPLAUSE AND CHEERING
:42:33. > :42:37.I mean, the judges, blood aside, they say you have got it, can you
:42:37. > :42:42.give yourself up to it? They want to you give yourself up to it.
:42:42. > :42:47.That's the most vicious you have seen you all week. I am a nice
:42:47. > :42:52.person, you know. I thought I at least got into it a little bit.
:42:52. > :42:58.is not vicious at all. You are also not a a performer by trade. This is
:42:58. > :43:08.all new to you. Can you give the judges what for, Louis? I will try!
:43:08. > :43:27.
:43:27. > :43:37.27. Interesting. Yeah, interesting. Was it well deserved? Do you agree
:43:37. > :43:39.
:43:39. > :43:43.with the judges? If the paso set Let's see how much he has got to
:43:43. > :43:46.give us next week. I reckon he has a lot more. Don't call until lines
:43:47. > :43:51.open. It's been a night of incredible performances tonight and
:43:51. > :43:57.it's not over yet. Back to you, Bruce.
:43:57. > :44:03.Now our next couple, Lisa Riley and her partner, Robin Windsor.
:44:03. > :44:07.APPLAUSE I don't know about you, but I love
:44:07. > :44:13.their disco routine last week. After the show, I told Lisa there
:44:13. > :44:22.was only one disco song that summed up my last ten years. She said,
:44:22. > :44:32.Saturday Night Fever? I said, no, Staying Alive. Shut up! Don't be
:44:32. > :44:32.
:44:32. > :44:39.like that! APPLAUSE Here they are in training. The performance level
:44:39. > :44:45.is great. You make everyone feel fabulous. It was big, it was bold.
:44:46. > :44:52.It was beautiful. If it was possible I could bottle the emotion
:44:52. > :44:59.that I felt on Saturday, I would sell it to everybody. Enjoy this,
:44:59. > :45:04.look at this! It's the best feeling I have ever had in my life. This is
:45:04. > :45:11.all for you and Robin. To say I was overcome is such an understatement.
:45:11. > :45:19.The tears came. That was pure, pure emotion. This week we are dancing
:45:19. > :45:28.the rumba, to the song As If We Never Said Goodbye. I love working
:45:28. > :45:36.with Lisa because she works so hard. She would work 24-7 if she could.
:45:36. > :45:46.Do you not think we should work... You have got it. See you. Now, what
:45:46. > :45:54.
:45:54. > :46:04.about my hip twists? I will see you Robin, one more thing... All right,
:46:04. > :46:04.
:46:04. > :46:14.if you are going to be like that. Dancing the rumba, Lisa Riley and
:46:14. > :46:14.
:46:14. > :48:02.Apology for the loss of subtitles for 44 seconds
:48:02. > :48:06.Lovely, lovely. That was beautiful. I love the pointed toe at the end.
:48:06. > :48:10.I could have watched that for hours. Len? I liked some of the detail,
:48:10. > :48:14.the forward walks that you did at the start. I liked the - the
:48:14. > :48:18.feeling of the dance for me wasn't there. It wasn't exciting so I
:48:18. > :48:25.can't get excited about it, unfortunately. That's a shame.
:48:25. > :48:32.Bruno? Yeah, I mean, it was nice. It was stylised and surprisingly
:48:32. > :48:40.understated from you. I think we were expecting something more fiery,
:48:40. > :48:50.Norman -- Norma Desmond. Nice, but not overwhelming. You just played
:48:50. > :48:51.
:48:51. > :48:54.it down a bit. Craig? It was tempestuous and it lost its
:48:54. > :48:59.sensuality. That's what I really thought. I don't think it's a dance
:48:59. > :49:06.that suits you. But what you did do was, I thought, you danced it well.
:49:06. > :49:12.But it doesn't suit you. And coming from him, that was good. Darcey?
:49:12. > :49:16.is so true, it's so hard to sustain those slow moves, the stroking of
:49:16. > :49:21.the floor, the caressing and that's hard for you because sour brilliant
:49:21. > :49:31.in the hrat -- because you are so brilliant in the Latin. This isn't
:49:31. > :49:35.
:49:35. > :49:39.your dance, sadly. Every dance doesn't suit every person. No.
:49:39. > :49:47.will be back with all that. Thank you.
:49:47. > :49:53.APPLAUSE Why are you shaking your head?
:49:53. > :49:57.Because they said it was beautiful. Seriously, they were all cheering
:49:57. > :50:01.up here. I really enjoyed it and I did try and find my inner actress
:50:01. > :50:06.and everything and they didn't see that. But not to worry. You really
:50:06. > :50:11.are like best mates. That's your relationship. Did you struggle to
:50:11. > :50:15.find the romance? No, who wouldn't love that every day? But we have a
:50:15. > :50:19.laugh and we love the giddy side of stuff. But I wanted to bring that
:50:19. > :50:27.emotion tonight and it's a shame they didn't see it. But we tried.
:50:28. > :50:32.We tried. Eight weeks in now, Lisa. What is the reaction like from
:50:32. > :50:41.people on the street? It's crazy. We go for a coffee and it's like,
:50:41. > :50:51.we love you, Lisa and Robin. It's lovely. We are so grateful for
:50:51. > :51:06.
:51:06. > :51:11.everyone supporting us. The scores Could be worse. The judges have
:51:11. > :51:19.been harsh with their scores. If Lisa's dance has pushed your
:51:19. > :51:26.buttons and you want to show your appreciation call:
:51:26. > :51:29.Don't do anything until I tell you. If you want exclusive gossip, we
:51:29. > :51:32.have photos and you can check us out on Facebook and Twitter. Who is
:51:32. > :51:40.next, Bruce? Our next couple is Michael Vaughan
:51:40. > :51:45.and his partner, Natalie Lowe. APPLAUSE AND CHEERING
:51:45. > :51:49.Yes, Michael has been teaching Natalie some cricketing terms. She
:51:49. > :51:54.wanted to show me what she learned. She said, on my left, that's the
:51:54. > :52:01.leg-side. On my right, that's the off-side. I said what's behind you?
:52:01. > :52:09.She said, my backside. I didn't explain the fine leg, I wasn't
:52:09. > :52:13.going there. Here they are in training.
:52:13. > :52:18.Saturday night at Wembley was the most unbelievable night. When I
:52:18. > :52:22.finished New York New York, I could see everyone was starting to stand
:52:22. > :52:28.up. I never thought in a million years that I would get a standing
:52:28. > :52:33.ovation at Wembley for dancing. was the most incredible feeling.
:52:33. > :52:43.It's one of my highlights in my life. Who would believe that six
:52:43. > :52:44.
:52:44. > :52:49.weeks ago you nearly left this competition? Look at you now!
:52:49. > :52:57.A fitting finale for a fantastic night. This week we are doing the
:52:57. > :53:01.Argentine tango. This is all about you being really intimate. It's so
:53:01. > :53:08.much sensuality. I want to you be more Latin lover. What about that?
:53:08. > :53:15.No. Not sexy? Dreadful. It's there, I just have to bring it out in him.
:53:15. > :53:22.The Sheffield lad has to produce sexiness this week. Ole, Natalie!
:53:22. > :53:28.That's more like it. I am going to take you to Buenos Aires. Lovely
:53:28. > :53:35.dish. A chip? Saturday night I have to forget Sheffield. I have to get
:53:35. > :53:45.into Argentina. Come on. Hello! It's got to be hot.
:53:45. > :53:45.
:53:45. > :55:27.Apology for the loss of subtitles for 44 seconds
:55:27. > :55:34.Dancing the Argentine tango, . APPLAUSE AND CHEERING
:55:34. > :55:38.Right. OK, Bruno, straight in with you? Michael, the look of painful
:55:38. > :55:42.concentration on your face. That wasn't sexy, looked like you were
:55:42. > :55:48.passing a kidney stone. It wasn't sexy. It wasn't sensual. It was
:55:48. > :55:51.like a series of steps. It was sexy if you watch a broomstick. There
:55:51. > :55:58.was no relationship at all. You were concentrating so much in
:55:58. > :56:02.trying to get through the routine that it lost any sense of sexuality
:56:02. > :56:09.and fluidity. It was a series of steps. You tried hard but it didn't
:56:09. > :56:13.come to an Argentina tango, for me. There you go. OK. Craig? For me
:56:13. > :56:18.basically I think it lacked any sort of resistance and lead. It's
:56:18. > :56:24.the man's job to lead the dance and indicate to the woman how to
:56:24. > :56:34.respond to it. I didn't feel that was happening and that happens in
:56:34. > :56:43.
:56:43. > :56:48.It didn't look like an Argentine tango. Darcey, can you add to that?
:56:48. > :56:50.Michael, you are such an attentive partner. You concentrate on Nat,
:56:50. > :56:57.it's brilliant. The concentration and then obviously how hard you
:56:57. > :57:01.have worked, but again I also missed that domineering man that
:57:01. > :57:06.the - you have to be hungry and passionate for her. You were
:57:06. > :57:12.concentrating so much on the move. Beautiful ease into the lifts.
:57:12. > :57:17.Marvellous. And you create some lovely lines and everything. I
:57:18. > :57:27.think the concentration on her, but you have to be more arrogant.
:57:28. > :57:29.
:57:29. > :57:34.ar tkpwabt -- or tkpwapbt. Work on the -- more or tkpwapbt. Work on
:57:34. > :57:39.the arrogant. There's two parts to every routine. Part one you learn
:57:39. > :57:43.the dance. Part two, you come out and perform it. OK. Maybe the
:57:43. > :57:49.performance was lacking a little bit. But it was a full routine. The
:57:49. > :57:53.lifts were good. That drag across. The spin on the tphror. There was
:57:54. > :57:57.so -- on the floor. There was so much good going on. Sometimes these
:57:57. > :58:01.people - maybe I am the same as well, you get overwhelmed by one
:58:01. > :58:08.thing. Craig talks about you have to lead the dance. The man leads
:58:08. > :58:11.every dance. Why don't you talk about everyone leading the dance?
:58:11. > :58:17.It's actually not about that, I was talking about this particular dance.
:58:17. > :58:24.The woman reacts... Virtually none of the men lead any of the pro
:58:24. > :58:30.girls because they don't know how to. For your information...
:58:30. > :58:37.APPLAUSE Hold on. I think it's the car park afterwards. Every man for
:58:37. > :58:45.himself. We finished on Len, that was good. Thank you, Len. That gave
:58:45. > :58:51.you heart. Off you go. APPLAUSE
:58:51. > :58:56.Here he is, the Latin love God. The judges have been tough tonight.
:58:56. > :58:59.They're expecting so much. amazing, we did come out of a turn
:58:59. > :59:04.early so we were trying to hold the rest of the routine back. You are
:59:04. > :59:07.amazing. I can't believe we have created an argument between Len and
:59:07. > :59:13.Craig. That's an achievement. you were in the dance-off in week
:59:13. > :59:17.three you have come so far. How does it feel when you go out there
:59:17. > :59:20.and dance? It's great. I did make a couple of mistakes tonight but the
:59:20. > :59:26.competition is that good now that you know if you make mistakes it
:59:26. > :59:31.could be your last week. I will try my best each week. Spending a week
:59:31. > :59:41.dancing like that, it's not the hardest thing to do. And those
:59:41. > :59:51.
:59:51. > :00:01.lifts spectacular. Signature lifts. It's not the highest score but it
:00:01. > :00:11.
:00:11. > :00:17.isn't your lowest. Don't let this Lines open later. I will tell you
:00:17. > :00:24.when. What is in store next, Bruce? Next is couple number seven, I
:00:24. > :00:34.think. If you are counting. Nicky Byrne and his partner, Karen Hauer.
:00:34. > :00:38.APPLAUSE Now last week before Nicky's
:00:38. > :00:41.Jailhouse Rock number, he said I don't want you doing any stupid
:00:41. > :00:46.catchphrases before I dance. I am taking on a very serious role. I
:00:46. > :00:50.said, don't worry, I won't. What role are you taking on? He said I
:00:50. > :00:57.am a prisoner and I am serving hraoeufp. I said, oh, life, is the
:00:57. > :01:03.name of the game and I wanna play the game with you! APPLAUSE I don't
:01:03. > :01:09.know why I did that. I know, Len, you didn't have to make a face.
:01:10. > :01:13.Here they are in training. To be a part of Strictly Come
:01:13. > :01:17.Dancing at Wembley was up there with the highlights of my career so
:01:17. > :01:26.far. I genuinely loved going back. It was one of the best nights of my
:01:26. > :01:30.life. Everybody loves a rebel! danced as best I could and all of a
:01:30. > :01:33.sudden I found myself in the bottom two. It was like absolutely gutting.
:01:33. > :01:37.But I dug as deep as I could and went for it. I had never seen this
:01:37. > :01:41.side of Nicky, the side that is really fighting to be part of
:01:41. > :01:46.Strictly. I am going to save Nicky and Karen. It just switched
:01:46. > :01:52.something in me right now because I was that close to going home. I
:01:52. > :01:56.need to nail this this week. The charl London seems like a --
:01:56. > :02:00.Charleston seems like a fun dance. Might be the dance I need. This
:02:00. > :02:06.week is going to be never-ending because we are going to live in the
:02:06. > :02:11.dance studio. Today I brought in the harshest critics of all, I have
:02:11. > :02:16.my kids and nieces and nephews, they're playing the role of Len,
:02:16. > :02:25.Craig, Darcey and Bruno. What did you think? I thought it was
:02:25. > :02:32.brilliant. What did you think? He seemed to morph into Craig.
:02:32. > :02:36.was a disaster, darling! It's amazing to get the kids' feedback.
:02:36. > :02:42.It makes me feel even more up for the challenge. I have done the hard
:02:42. > :02:52.work and I am going to give it some now on Saturday night.
:02:52. > :02:52.
:02:52. > :04:40.Apology for the loss of subtitles for 44 seconds
:04:40. > :04:48.Dancing the Charleston, Nicky Byrne You have done it! They are standing
:04:48. > :04:53.for you two. Look at them. So you can see what the audience are doing.
:04:53. > :04:57.I don't know what the judges think, but that was the quickest
:04:58. > :05:01.Charleston I ever hard, the quickest. Craig, start us off.
:05:01. > :05:08.wasn't a disaster, darling, you will be pleased to know. That
:05:08. > :05:14.suited you down to the ground. That is your best yet.
:05:14. > :05:21.APPLAUSE Well done, Nicky. With a little help. Darcey? It was magic!
:05:21. > :05:29.I loved it. You look like you just come off that movie, The Artist.
:05:29. > :05:37.Fabulous. It was quirky, fun. Loved it. It was. Len? I like the set-up,
:05:37. > :05:40.the damsel in distress. There was no distress, you were the no-stress
:05:40. > :05:48.distress. Bottom two last week. You are going to be top two this week.
:05:48. > :05:54.How about that! Keep it going, Bruno. It was character-driven,
:05:54. > :05:59.funny, energising and some of the steps were brilliant. Some you went
:05:59. > :06:04.a bit hip hop. But never lost the Charleston. Imaginative, fresh,
:06:04. > :06:14.brilliant. Be pleased with yourself. Lovely choreography. Go on, off you
:06:14. > :06:20.
:06:20. > :06:25.APPLAUSE AND CHEERING Yes, Nicky! A standing ovation.
:06:25. > :06:30.never knew what that was like before. It's good, isn't it?!
:06:30. > :06:34.judges said they loved it. You wanted to nail it this week. He has
:06:34. > :06:39.been practising all night. He hasn't stopped practising up here
:06:39. > :06:42.with Karen. You wanted to come back strong. I needed to. It's not nice
:06:42. > :06:49.being down there. This week was tough, it was busy. To have the
:06:49. > :06:53.kids in was great and I think, Jay was Bruno. They got me going.
:06:53. > :07:03.They're gorgeous! Craig said your best dance yet. Let's hope he gives
:07:03. > :07:23.
:07:23. > :07:27.you more than a six. The scores are APPLAUSE AND CHEERING Yes! Get in,
:07:27. > :07:33.says Nicky. Your highest score by a mile. Joint top of the leaderboard,
:07:33. > :07:39.how does that feel? Is this rehearsals? This is real! Nicky was
:07:39. > :07:45.in the dance-off next week, he does not want to be back there. If his
:07:45. > :07:50.footwork impressed you u call -- impressed you, call and give him
:07:50. > :07:53.your vote. There's only one more couple to go.
:07:53. > :07:57.How exciting was that Charleston? It was brilliant. Who is next,
:07:57. > :08:01.Bruce. Well done, Nicky. Our next couple
:08:01. > :08:06.is Denise van Outen and her partner, James Jordan.
:08:06. > :08:11.APPLAUSE AND CHEERING What about last week with those
:08:11. > :08:15.two? A great dance last week. Last week they scored an almost perfect
:08:15. > :08:24.39. I thought I would ask Craig some questions. I said to him, what
:08:24. > :08:28.do you play at a bowling alley? He said, nine pin bowling. I said,
:08:28. > :08:32.what did Moses bring down from the mountain? He said, the nine
:08:32. > :08:39.commandments. I said, where does the Prime Minister live? He said,
:08:39. > :08:48.number nine Downing Street. I knew it. He doesn't know what a ten is!
:08:48. > :08:54.APPLAUSE Here they are in training. To be at Wembley and it was such a
:08:54. > :08:57.brilliant buzz in the arena and the crowd were going crazy. That's the
:08:57. > :09:02.dance of the series. The best Charleston I have ever seen on
:09:02. > :09:07.Strictly. It was just like living in auto dream. It was amazing --
:09:07. > :09:10.living in a dream. It was amazing. The highest score on the series.
:09:10. > :09:13.The danger is when you get high scores you do feel there is a lot
:09:13. > :09:19.more pressure on you and as the weeks go on I do find myself
:09:19. > :09:28.getting more nervous. Our next dance is the American
:09:28. > :09:33.smooth. It's a more showy dance. You are allowed to do three lifts.
:09:33. > :09:39.Ouch! My arm was about to hit James' face, so he ducked to get
:09:39. > :09:41.out of the way. I did panic and thought I I really hurt myself but
:09:41. > :09:47.actually I am all right and hopefully it's knocked some sense
:09:47. > :09:53.into me. The scary thing is that lift isn't actually that dangerous,
:09:53. > :09:59.it's the one at the end that's dangerous. You haven't got me!
:09:59. > :10:04.your arms forward. He has had this lift go wrong before where he got a
:10:04. > :10:08.broken nose. Keep turning. It's a really difficult lift. Bearing in
:10:08. > :10:12.mind I have been doing it with Ola for years, I am asking and
:10:13. > :10:19.expecting Denise to do that lift in four days. It could go really
:10:19. > :10:29.horribly wrong. Dancing the American smooth, Denise
:10:29. > :10:29.
:10:29. > :12:15.Apology for the loss of subtitles for 44 seconds
:12:15. > :12:22.APPLAUSE AND CHEERING Beautiful. Come on. What about it?
:12:22. > :12:29.There you are, Denise and James, look. Look at the audience. You
:12:29. > :12:34.have won them over beautifully. Two weeks running. I saw that bump on
:12:34. > :12:40.the head. I know. I had never seen that before. That was terrifying.
:12:40. > :12:49.You are very gutsy, I must say. Darcey? Denise, that was graceful,
:12:49. > :12:52.musical. You are a pleasure to watch. In those difficult lifts
:12:52. > :12:58.it's extraordinary how effortless you make them, I know James is part
:12:58. > :13:03.of that, but you make it seamless and you could create beautiful
:13:03. > :13:08.lines in all those lifts and sailed around that floor. Beautiful.
:13:08. > :13:12.are so right. Len, did you agree? did. It was like the sea, there was
:13:12. > :13:15.wave after wave of effortless motion. I thought it was wonderful.
:13:16. > :13:25.A couple of foot things happened during the course of it, but the
:13:25. > :13:32.look of it was class. You are really so good. Bruno? The smooth
:13:32. > :13:42.and weightless quality of the finest silk, seamless flow of
:13:42. > :13:48.movement. Emotional connection. For me, it was perfection. Thank you!
:13:48. > :13:53.So glad that's your last one! Craig? James, your thumb was up on
:13:53. > :14:03.occasion, your bottom was sticking out. You lacked any rise and fall.
:14:03. > :14:05.
:14:05. > :14:10.Denise, you were perfect. You got him there! Another triumph. He was
:14:10. > :14:17.expecting a taxi. My mum told me to be nice this year, so I am going to
:14:17. > :14:26.stay quiet. Yes, that is better that you stay quiet. Such praise
:14:26. > :14:34.was wonderful and you really are a great couple of dancers. Off you go.
:14:34. > :14:40.APPLAUSE AND CHEERING Beautiful routine. Another standing
:14:40. > :14:44.ovation. Bruno said it was perfection. I know, that's amazing.
:14:44. > :14:48.I am just glad I didn't fall on my head. The lifts were so brave, I
:14:48. > :14:52.was nervous watching you. I was nervous, as well. Four days to do a
:14:52. > :14:58.lift that you have been doing for years, that takes skill. It does, I
:14:58. > :15:01.am very good! Just kidding. Amazing score last week, three tens. Does
:15:01. > :15:04.that add to the pressure to maintain that? Yeah, it does. I
:15:04. > :15:14.don't know if we can top that. I don't think we will this week.
:15:14. > :15:28.
:15:28. > :15:32.Shall we have a look? The scores Got one at the end there! Well done.
:15:32. > :15:35.Incredible score. So happy. Len was right, you know, when we were doing
:15:35. > :15:41.one of the turns our feet got caught. So the judges know what
:15:41. > :15:44.they're looking at. We did make a couple of mistakes. A little wobble.
:15:45. > :15:48.We didn't notice up here. You know, we are happy with that score. It's
:15:48. > :15:58.fantastic. Really pleased. Imagine Denise getting through next week
:15:58. > :16:02.
:16:02. > :16:08.because the only way to make sure Get your fingers flexed up ready to
:16:08. > :16:13.dial because lines are going to be opened in mere moments. What a way
:16:13. > :16:23.to finish. All our couples have danced, how does the leaderboard
:16:23. > :16:27.
:16:27. > :16:34.All our stars are going to need your votes. Nobody is safe without
:16:34. > :16:44.you. What are you waiting for? The phone lines are now open! CHEERING
:16:44. > :16:51.
:16:51. > :16:55.They're excited about that. The I am giggling because I can hear
:16:55. > :17:05.Brendan behind me! Here is a reminder of tonight's performances
:17:05. > :17:05.
:17:05. > :19:22.Apology for the loss of subtitles for 44 seconds
:19:22. > :19:26.Thank you all so much. You have given us such a fantastic show.
:19:26. > :19:29.Wasn't it great? Our eight remaining stars have done all they
:19:29. > :19:34.can. Now they need your votes if they're going to stay. Remember,
:19:35. > :19:38.lines close at 8.30pm tonight -- 8.20pm tonight. Get dialling.
:19:38. > :19:44.two couples with the lowest scores will face each other in the dreaded
:19:44. > :19:48.dance-off and then the judges will decide which one of them will leave
:19:49. > :19:53.the Strictly ballroom. We will also be joined by the hottest band to
:19:53. > :19:59.come out of Ireland since Westlife, obviously, Nicky, The Script will