:00:12. > :00:18.Last week 14 stars went supernova and truly showed us what they were
:00:18. > :00:25.made of. Your butt stuck out like a hanging basket. There was romance.
:00:25. > :00:30.I wasn't expecting that! There was bromance. And one broken heart.
:00:30. > :00:35.This week, for the first time, someone is going home. The bottom
:00:35. > :00:42.two will be running scared because... The dance-off is back.
:00:42. > :00:52.It's back! The dance-off is back! Every vote counts. It's time to
:00:52. > :00:52.
:00:52. > :01:39.Apology for the loss of subtitles for 47 seconds
:01:39. > :01:49.decide who do you love? # Do you Live from Television Centre, please
:01:49. > :01:50.
:01:50. > :02:00.welcome your hosts, Sir Bruce Forsyth and Tess Daly.
:02:00. > :02:07.
:02:07. > :02:11.Wonderful. Right on the beat! Good evening, ladies and gentlemen, and
:02:11. > :02:17.children, welcome to Strictly Come Dancing. It's nice to see you, to
:02:17. > :02:21.see you... AUDIENCE: Nice! It's nice to see you. Wasn't last
:02:21. > :02:24.weekend a great start? Absolutely. After the show one of the
:02:24. > :02:33.celebrities gave me a lift home. That was nice. No it wasn't. Never
:02:33. > :02:43.again. 90mph on the motorway. And in and out of the traffic. In the
:02:43. > :02:45.
:02:45. > :02:50.end, I said, Victoria Pendleton... LAUGHTER
:02:50. > :02:57.I didn't expect the laugh there! Victoria Pendleton, if you don't
:02:57. > :03:02.slow down, I am going to follow off these handlebars. APPLAUSE. That's
:03:02. > :03:07.the one. We have two laughs instead of of one. We are about to embark
:03:07. > :03:12.on a dance epic of a show with all 14 of our celebrities battling it
:03:12. > :03:16.out on the dance floor. It's like Ben Hur in the ballroom. Last week
:03:16. > :03:20.our celebrities took their first steps on the dance floor. But this
:03:20. > :03:28.week they're dancing for survival because you at home get the chance
:03:28. > :03:38.to vote for your favourites. I bet they're quacking back there.
:03:38. > :03:48.
:03:48. > :03:55.the quaking stop. It's time to meet Kimberley Walsh and Pasha Kovalev
:03:55. > :04:05.Nicky Byrne and Karen Hauer, Fern Britton and Artem Chigvintsev,
:04:05. > :04:07.
:04:07. > :04:17.Michael Vaughan and Natalie Lowe, Lisa Riley and Robin Windsor, Louis
:04:17. > :04:18.
:04:18. > :04:26.Smith and Flavia Cacace, Dani Harmer and Vincent Simon Simone,
:04:26. > :04:36.Sid Owen and Ola Jordan, Denise van Outen and James Jordan Richard
:04:36. > :04:37.
:04:37. > :04:47.Arnold and Erin Boag, Victoria Pendleton and Brendan Cole, Colin
:04:47. > :04:52.
:04:52. > :05:00.Salmon and Kristina Rhianoff, Jerry Hall and Anton Du Beke and Johnny
:05:00. > :05:07.Ball and Iveta Lukosiute. APPLAUSE AND CHEERING That was all for you.
:05:07. > :05:10.Good audience. You look magnificent. Ladies, you look incredible. And,
:05:10. > :05:20.as there are lots of young people watching, I will rephrase that for
:05:20. > :05:24.
:05:24. > :05:33.them. OMG, you babes, is looking reem. LAUGHTER And you's will be
:05:33. > :05:37.aving it large tonight, innit. Welcome to the show. Tonight for
:05:37. > :05:42.the first time our couples are dancing for your votes. Once
:05:42. > :05:46.everybody's danced the phoneliness will open and you have your chance
:05:46. > :05:49.to have your say. Your votes will be be combined with the judges'
:05:49. > :05:58.scores from last week and this week and the two couples with the lowest
:05:58. > :06:01.number of points will face another dreaded dance-off. Oh Oh! If you
:06:01. > :06:09.like your dancing served with a side order of expert opinion you
:06:10. > :06:14.can press your red button for live commentary throughout the show with
:06:14. > :06:18.ex-Strictly champion Karen Hardy and joining her is Rufus Hound. If
:06:18. > :06:24.you want to hear their words of wisdom press red now and you are
:06:24. > :06:34.ready to go. And so are we. We are. Good! The first couple tonight is
:06:34. > :06:35.
:06:35. > :06:40.Nicky Byrne and his partner, Karen Hauer. APPLAUSE Now we found out
:06:40. > :06:48.last week that Nicky's partner, Karen, she's one of the new
:06:48. > :06:52.professional dancers, is from Veneuzla and she never heard of
:06:52. > :06:58.Westlife and after the show I told her all about them and said, now do
:06:58. > :07:04.you know who they are? She said, yes, but who the devil are you?
:07:05. > :07:11.What about that accent? Here they are - good luck to them - here they
:07:11. > :07:15.are in training. As week one goes, it was a disaster,
:07:15. > :07:21.but I am still here, you know, no one went home. I went over to the
:07:21. > :07:25.judges' desk and got absolutely savaged. I am not particularly
:07:25. > :07:33.happy, actually, Karen. There are certain rules in Strictly Come
:07:34. > :07:38.Dancing. You broke one of them. That, my darling, is a lift.
:07:38. > :07:41.lift probably wasn't the best idea in the world. It was exactly what
:07:41. > :07:46.Craig needed to begin to pull us apart on and probably exactly what
:07:47. > :07:51.I didn't need on my first week. all make mistakes. I probably won't
:07:51. > :07:58.be making the same mistake again. don't want to experience that again.
:07:58. > :08:02.Are we doing a lift? No lift. week I am dancing the cha-cha-cha.
:08:02. > :08:06.I have to go out there and impress the judges and people at home. It's
:08:06. > :08:12.a great routine. Karen's really pulled this one out of the bag.
:08:12. > :08:18.Then I can't get it right. I forgot it! This was the first time that
:08:18. > :08:23.he's ever walked out of the room. It was nice for him to walk back in.
:08:23. > :08:28.Let's do it again. Confidence is dented but the only way to fix that
:08:28. > :08:38.is to get back to the drawing board. I am ready, it's show time, let's
:08:38. > :08:38.
:08:38. > :10:15.Apology for the loss of subtitles for 47 seconds
:10:15. > :10:20.cha-cha. Dancing the cha-cha-cha, APPLAUSE AND CHEERING
:10:20. > :10:25.What a start tonight! Thank you. Oh, that started the show off so well,
:10:25. > :10:35.both of you. Full of energy. Delightful. All right, let's now
:10:35. > :10:40.welcome our judges, Craig, Darcey, Len and Bruno. APPLAUSE
:10:40. > :10:44.Now we had, as you know, we had two shows last weekend. On the Friday
:10:44. > :10:47.Friday Craig was mean, controversial and rude. But on the
:10:48. > :10:54.Saturday, he was lovely. He explained to me afterwards, he said,
:10:54. > :11:00.I just had an off day and promised he will never be lovely again.
:11:00. > :11:07.LAUGHTER Never, ever. Len, what did you
:11:07. > :11:12.think of that first offering? a cup of tea and a world of lattes,
:11:12. > :11:16.if you like. I am a traditionalist, it was too much boyband dancing and
:11:16. > :11:22.not enough cha-cha-cha in there. Listen, I don't like to be cruel. I
:11:22. > :11:26.want to be kind. There was very little about that I could rave
:11:26. > :11:32.about. Tkoeu apologise for that. But there you are. Oh, well. That's
:11:32. > :11:36.not as good a start as we thought. Bruno? Tonight you were more
:11:36. > :11:44.switched on. You were going for it. You had a naughty twinkle in your
:11:44. > :11:47.eyes, which was good. It was a little bit Take That 1995. I love
:11:47. > :11:52.them. But the problem is that you lost timing completely at the end.
:11:52. > :11:56.You really lost it. You were off completely and you have to stretch
:11:56. > :12:00.your legs when you do your basic cha-cha but performance-wise, I
:12:00. > :12:06.thought you went in the right direction. So combine the two.
:12:06. > :12:13.enough. Craig? For me it was all a little bit like a zumba exercise
:12:13. > :12:21.class. It was very flat-footed. I couldn't help but notice you had
:12:21. > :12:26.some rotation in the hip department. It was quite nice to view. That's a
:12:26. > :12:29.plus. Unfortunately, it left your body as you started to move. But
:12:29. > :12:38.the energy was great. I thought your commitment to the piece was
:12:38. > :12:45.good. Yes, lovely. APPLAUSE Now, Darcey? Nicky, there was confidence.
:12:45. > :12:48.There was attitude. It was great. You had some funky isolations there,
:12:49. > :12:53.but sadly, for me, also there wasn't enough cha-cha but a great
:12:53. > :13:00.contrast from last week. Darcey, you would like more isolation?
:13:00. > :13:10.were nice. Very nice. Work on your isolation. Off you go. Well done.
:13:10. > :13:14.
:13:14. > :13:16.APPLAUSE AND CHEERING Come on, Nicky. Now the positive,
:13:16. > :13:22.Bruno said, you are going in the right direction. How was it for
:13:22. > :13:28.you? Terb -- terrible to be honest. I couldn't hear the beats at the
:13:28. > :13:32.start. I was making it up as I was going along. I lost the beat at the
:13:32. > :13:37.start. That considered, you did blooming well! You set many a heart
:13:37. > :13:41.a fluttering with that hip action. Even Craig. That was the intention.
:13:41. > :13:45.Craig savaged you last week, did that give you a different attitude?
:13:45. > :13:52.We worked hard on this tonight and it didn't go well. Don't be like
:13:52. > :14:02.that! Bruno says you are going in the right direction. They loved it,
:14:02. > :14:17.
:14:17. > :14:27.One better than last week. If you want to vote for Nicky and Karen
:14:27. > :14:34.
:14:34. > :14:39.there's two ways to do This Week Well done, Nicky. I thought it was
:14:39. > :14:44.a top start to the show. Loads of energy. Still to come we have
:14:44. > :14:52.Victoria Pendleton, she's back in the saddle with a foxtrot and
:14:52. > :15:00.Richard Arnold is heading for the love shack, baby! Now our next
:15:00. > :15:04.couple, Colin Salmon and his partner Kristina Rhianoff. Colin's
:15:04. > :15:10.cha-cha-cha left the judges shaken and stirred last week. This week he
:15:10. > :15:17.is taking his girl for a spin in the Viennese waltz. Here they are
:15:17. > :15:20.in training. I was feeling quietly confident.
:15:20. > :15:30.And you hit the studio and you have lights in your face and the judges
:15:30. > :15:35.and that threw me, actually. That confidence went to a noisier panic.
:15:35. > :15:38.It was so unbelievable to see people standing and cheering for us.
:15:38. > :15:43.Best cha-cha of the night. I came away absolutely thrilled. I had the
:15:43. > :15:46.best time. It was the first time I ever danced in front of eight
:15:46. > :15:52.million people or eight people. Now we take it to the next level and
:15:52. > :15:58.keep going. I think Colin is finding the Viennese waltz harder
:15:58. > :16:02.than the cha-cha-cha. First challenge is my height. I have to
:16:02. > :16:08.keep the shape of the back. That's perfect. I can't move. You have to
:16:08. > :16:12.keep your butt tucked in. I have been feeling it in the balls of my
:16:12. > :16:18.feet, knees, back, shoulders. heard him today complaining about
:16:18. > :16:22.his knees and back and so on. Well, what can do you? What is wrong with
:16:22. > :16:31.disco? Saturday night, I am going to forget about the knees and back
:16:32. > :16:41.and aches and pains and dance and nail it. Dancing the Viennese waltz,
:16:42. > :16:42.
:16:42. > :18:08.Apology for the loss of subtitles for 47 seconds
:18:08. > :18:15.Colin Salmon and Kristina Rhianoff. APPLAUSE AND CHEERING
:18:15. > :18:22.Very nice. Lovely. What about that? That's such a lovely feel to it.
:18:22. > :18:25.Romantic, lovely. How are the knees? Fine. While you get your
:18:25. > :18:30.breath back, I will take the opportunity to welcome our fabulous
:18:30. > :18:38.singers, Dave Arch and his wonderful, wonderful orchestra!
:18:38. > :18:42.APPLAUSE AND CHEERING All right. Now then, Bruno, we
:18:42. > :18:46.start with you. Colin, nice and extended long lines and I tell you,
:18:46. > :18:49.it's hard because you have plenty of length to work with, you know.
:18:50. > :18:54.It's harder if you are taller because you have much more space to
:18:54. > :18:58.cover. The thing, when you go in hold it needed more drive, more
:18:58. > :19:03.musicality, more sweep. Don't lean forward. I know it's hard again,
:19:03. > :19:08.plenty of length, but it's kind of - I found it a little bit not so
:19:08. > :19:15.involving tonight. A bit careful for me. All right. Craig? I have to
:19:15. > :19:22.agree with Bruno, you did hit nice lines throughout but your double
:19:22. > :19:27.hand flicking is quite vexatious, darling. I don't know why you are
:19:27. > :19:31.doing it, but it's odd. It's like that. It's rather nice if the arm
:19:31. > :19:34.goes out and stays out. Rice and fall, there -- rise and fall,
:19:34. > :19:44.there's too much. In this dance it should remain as smooth as possible.
:19:44. > :19:45.
:19:45. > :19:55.But I think you are dancing more to your height and that's good to see.
:19:55. > :19:57.
:19:57. > :20:01.You didn't see the fly that he was that he was flicking? Darcey?
:20:01. > :20:06.had the perfect frame, so elegant but you have to watch you don't
:20:06. > :20:16.stoop. Lift the chin, not just the eyes. There's a lot of eyes up here.
:20:16. > :20:17.
:20:17. > :20:22.But well done. A man that can ballroom and Latin. I don't know
:20:22. > :20:29.how he manages to keep his eye on Kristina, she's down there, you
:20:29. > :20:36.must be looking for her. LAUGHTER I just thought that to myself! Len?
:20:36. > :20:39.Step out more and it was a tad timid. Having said that, you are an
:20:39. > :20:43.actor, you got into the character as you did last week. It had
:20:43. > :20:47.elegance and sophistication. I like the fact in hold there was no stoop
:20:47. > :20:53.for me. You danced to your height and that's what you must do. Don't
:20:53. > :21:00.dance down. Keep up. And you can move as much as you want, Chris
:21:00. > :21:10.Kristina will keep up. Don't worry. So move more! Good words. Off you
:21:10. > :21:11.
:21:12. > :21:20.go then. Well done. APPLAUSE AND CHEERING
:21:20. > :21:24.Colin, he can ballroom and Latin. Yes he can. Now, being - Anton said
:21:24. > :21:30.he is off already. How did you overcome the height difference?
:21:30. > :21:35.followed the instructions here. listen to your taskmaster. Good
:21:35. > :21:40.pupil. Darcey said a perfect frame and Jerry commented during the
:21:40. > :21:46.dance, he is a long, tall drink! I love the way she said that. Sounds
:21:46. > :21:56.so much better coming from Jerry with that accent. Fabulous. The
:21:56. > :22:08.
:22:08. > :22:18.One up on last week. We are going up in the right direction. OK, here
:22:18. > :22:25.
:22:25. > :22:31.is the numbers you need to keep Without you, they may not be back
:22:31. > :22:38.here next week. They really want to stay, don't you? Yes, we do. Love
:22:38. > :22:46.that voice. Back to you, Bruce. Right, next up is Dani Harmer and
:22:46. > :22:52.her partner, Vincent Simone. APPLAUSE
:22:52. > :22:56.Now, because I don't watch children's television much the it's
:22:56. > :23:02.past my bedtime, but I don't know much about Dani. She said, I know
:23:02. > :23:10.all about you. I did a project on you at school. I said, really, were
:23:10. > :23:20.you doing media studies? She said, no, ancient history. LAUGHTER Shut
:23:20. > :23:22.
:23:22. > :23:27.up! Not funny at all. Here they are Saturday, my nerves did get to me.
:23:27. > :23:34.I have never been that scared in all my life. Smile, because all the
:23:34. > :23:37.tension you create stops the movement to flow. Dani was
:23:37. > :23:42.disappointed because she was nervous and the nerves took over.
:23:42. > :23:47.can't compare it to anything. My hands were doing this. I can't stop
:23:47. > :23:52.shaking. Stop it. I will find someone else to dance with.
:23:52. > :23:59.Saturday was amazing but I am so glad it's over because now I get to
:23:59. > :24:03.salsa. Bring it on! I am so excited. I am going to pretend I am a sexy
:24:03. > :24:09.salsa dancer and see where that gets me. Vincent wants to push me
:24:09. > :24:13.so he put in a tricky lift but at the moment it's arms and legs
:24:13. > :24:19.everywhere and me on the floor. There's different ways of jumping
:24:19. > :24:23.on top of a man. Am I that heavy! We are dancing. How do you jump
:24:23. > :24:29.like a dancer? I have no idea. That's good. But now I am stuck.
:24:29. > :24:35.You will definitely see a lot more Dani in the salsa. You need to let
:24:35. > :24:45.go now. And a less nervous rabbit caught in the headlights look.
:24:45. > :24:45.
:24:45. > :26:24.Apology for the loss of subtitles for 47 seconds
:26:24. > :26:32.Dancing the salsa, Dani Harmer and APPLAUSE AND CHEERING
:26:32. > :26:42.I thought that was wonderful. That was beautiful. Are you happy?
:26:42. > :26:43.
:26:43. > :26:49.loved that. Lovely song and beautiful words. LAUGHTER
:26:49. > :26:57.Sounded like a pig sty. Just my own thoughts! Craig? This dance does
:26:57. > :27:00.suit the smaller type person, I am not being funny, it's true. Lovely
:27:00. > :27:06.clean finishes. The energy was fantastic. I wasn't completely fond
:27:06. > :27:11.of the dismount in the second lift. You sort of went splat. It looked
:27:11. > :27:21.like something went horribly wrong. I don't know what you were aiming
:27:21. > :27:25.for there, Vincent. I loved the forward walkover. Darcey, what did
:27:25. > :27:30.you think? Yeah, it's so great to see you having fun on that dance
:27:30. > :27:34.floor and amazing isolations with the upper body. Just follow it
:27:34. > :27:39.through with the lower body, with the hips. I want to see more hips,
:27:39. > :27:49.it's so important in salsa and you have great hips. Thank you!
:27:49. > :27:51.
:27:51. > :27:58.Beautiful. OK. Now then, Len? you little munchkin, you came out
:27:58. > :28:08.and gave it some welly. You were foul-on and -- full-on and flat out
:28:08. > :28:10.
:28:10. > :28:14.and I liked it. We haven't had Bruno yet. You gorgeous little
:28:14. > :28:17.thing, you didn't splatter, you blossomed tonight. You were happy,
:28:17. > :28:22.having a good time. Great content, all the arm passes were very
:28:22. > :28:28.difficult. You did it well. She is right, you got to get these hips.
:28:28. > :28:36.Look at you. Do it for me. Gorgeous! Use it. Use it to full
:28:36. > :28:46.extent. Don't be shy. Like you! It was wonderful. We all loved you.
:28:46. > :28:51.
:28:51. > :28:59.Off you go and be proud. APPLAUSE Really good comments from the
:28:59. > :29:06.judges. I know. I love this. Teach me, I am desperate - I love that! I
:29:06. > :29:11.got to get to learn the body roll. That's one cool - not here, though.
:29:11. > :29:16.On to you. Len loved it. How are your nerves? I am actually all
:29:16. > :29:21.right this week. I enjoyed that. I wasn't so terrified. That was one
:29:21. > :29:26.speedy salsa. And first lifts, very ambitious. How did they go? It was
:29:26. > :29:36.interesting in rehearsals. Interesting. Hopefully that went
:29:36. > :29:53.
:29:53. > :30:03.better. Well done. Here are your Better than last week. If you want
:30:03. > :30:07.
:30:07. > :30:13.The phonelines open later. You are hope you are settled in for a night
:30:13. > :30:19.of sheer ballroom bliss. Anyone ready for some more? Come on,
:30:19. > :30:29.Bruce! Right, our next couple is Fern Britton and her partner, Artem
:30:29. > :30:30.
:30:30. > :30:33.Chigvintsev. APPLAUSE Lovely Fern. Now Fern has asked me not to make
:30:33. > :30:37.more puns about her name. She said, I get that all the time and I am so
:30:37. > :30:42.sick of it. I said, I understand, and I won't do it any more. I will
:30:42. > :30:50.just focus on your dancing and after last week's performance, it's
:30:50. > :31:00.obvious, Briton's Got Talent. No! Shouldn't have said that. Sorry,
:31:00. > :31:06.
:31:06. > :31:15.You wafted your skirt a lot. didn't mind the wafting, all flirty.
:31:15. > :31:19.I am surprised it caused such a controversy on the panel. I like
:31:19. > :31:23.skirt-ography. What was amazing was that last extension. That leg went
:31:23. > :31:30.so high, the line, the foot. you happy? I am happy. I am happy,
:31:30. > :31:37.too. Are you really? You won't be tomorrow when we rehears again.
:31:37. > :31:41.This week we are dancing the waltz and it's a very romantic dance.
:31:41. > :31:45.Training has not exactly been romantic. Again! I have been doing
:31:45. > :31:50.a lot of repetitions. One more time. From the beginning. Again. Do it
:31:50. > :31:54.again. And again. Go from the top. And again one more time. First step.
:31:54. > :32:00.It's very frustrating. I hate it when he gets frustrated with me. I
:32:00. > :32:10.hate that. That's not your step at all. If I am being harsh it's only
:32:10. > :32:10.
:32:10. > :32:20.because I want her to be the best she can possibly be. Got it. Got it.
:32:20. > :32:20.
:32:20. > :34:03.Apology for the loss of subtitles for 47 seconds
:34:03. > :34:08.Dancing the Viennese waltz, Fern APPLAUSE AND CHEERING
:34:08. > :34:11.You deserve that hug after all that training and everything.
:34:11. > :34:16.deserves it! He's dragged me through the week. You did very well
:34:16. > :34:20.there. Darcey, start us off, darling. You gave us such a
:34:20. > :34:26.beautiful feeling when you dance. Really it's lovely. And so nice to
:34:26. > :34:32.see you travelling, as well. Just make sure you keep it smooth. It
:34:32. > :34:37.gets up and down. But the arms, one other thing, you have got to follow
:34:37. > :34:41.through. When you extend the arm don't finish here. Extend the
:34:41. > :34:48.fingers right to the very ends of the fingers. Please, believe in
:34:48. > :34:54.yourself and the confidence will follow. APPLAUSE Good points there.
:34:54. > :34:59.Len? There was a bit of wafting going on early on. We put it in for
:34:59. > :35:04.you. I like a waft, actually. Your posture needed to be stronger. But
:35:04. > :35:10.let me tell you, it was better than last week. So you are on the way up.
:35:10. > :35:15.Well done. APPLAUSE That's good. Encouraging. Bruno? You have to
:35:15. > :35:21.watch it, they were both right. Sometimes it looked like you are
:35:21. > :35:25.casually dusting. It was lovely, oh, nice and clean clean! You have to
:35:25. > :35:30.follow it through. Keep strong here and follow those lines. Always you
:35:30. > :35:35.come alive once you are in the arms of a strapping young man. You seem
:35:35. > :35:41.to like it. So lovely then. But you have to combine the two. All right,
:35:41. > :35:48.you know, you got to get the posture right and extend the lines.
:35:48. > :35:51.Good tips. Craig? Speaking of hand shaping, you also need to tuck your
:35:51. > :35:54.thumb under, as well. Darcey didn't mention that little bit. You need
:35:55. > :35:58.to extend the line a little bit more by pulling up through your
:35:58. > :36:04.back and your chest and that will help keep your left shoulder down,
:36:04. > :36:10.which was raising up. I thought the flow around the floor was fantastic.
:36:10. > :36:20.You must be happy about that. Away you go and be happy! APPLAUSE AND
:36:20. > :36:29.
:36:29. > :36:36.Come on, the lady in red. Craig said the F-word - fantastic.
:36:36. > :36:41.missed that. Would you say ballroom was more your thing? Probably, I
:36:41. > :36:44.don't know, I am still learning. I don't know where I am. He dragged
:36:44. > :36:49.me through, he is brilliant. seems you don't want to let Artem
:36:49. > :36:55.down. Big-time, of course I don't. I only do it for you, and you.
:36:55. > :36:58.Darcey says you need to believe in yourself. Valid point? Yes, at this
:36:58. > :37:08.stage it's difficult to get your head around anything, actually. But
:37:08. > :37:26.
:37:27. > :37:31.thanks. You're doing great. That's Yes. Improvement on last week.
:37:31. > :37:41.pleased. If you want Fern to avoid the fear of the dance-off tomorrow,
:37:41. > :37:44.
:37:44. > :37:50.Remember all our celebrities are going to need your votes. Back to
:37:50. > :38:00.you, Bruce. Thank you, our 5th couple is Richard Arnold and his
:38:00. > :38:00.
:38:01. > :38:07.partner, Erin Boag. In last week's waltz Richard was criticised for
:38:07. > :38:13.not showing enough personality. We hope to see his fun side in
:38:13. > :38:17.tonight's cha-cha-cha. Here's the fun side, we hope, here they are in
:38:17. > :38:22.training. It was the most extraordinary feeling I have ever
:38:22. > :38:27.had in my life. The moment it was over you just wanted to get back
:38:27. > :38:37.out and do it again. Your footwork was the best of any waltz I have
:38:37. > :38:47.seen. Seven! I am a dancer! It was a bit boring. Are you trying to be
:38:47. > :38:51.butch? I was emotting. I missed the real Richard in that dance. Brace
:38:51. > :38:57.yourselves! The cha-cha gives me a chance, obviously, to throw my arms
:38:57. > :39:01.around a bit and wiggle my hips. It's a fun, bubbly dance. You will
:39:01. > :39:07.see a different side of Richard. am going to need another one. I
:39:07. > :39:11.thought I have been cha-chaing all my life, but according to Erin I
:39:11. > :39:15.have been mincing. You still have to do your step. Step back. What he
:39:15. > :39:19.lacks in technique, he makes up for in performance. You have to get the
:39:19. > :39:24.balance between your feet in the right place and the technique and
:39:25. > :39:33.obviously, giving it this with your personality. I think the feet may
:39:33. > :39:43.fall foul of this. You got to throw in a shimmy, it's Saturday night.
:39:43. > :39:43.
:39:43. > :41:20.Apology for the loss of subtitles for 47 seconds
:41:20. > :41:27.Dancing the cha-cha-cha, Richard APPLAUSE AND CHEERING
:41:27. > :41:37.Well, that was absolutely great. All those flowers! We have seen
:41:37. > :41:38.
:41:38. > :41:42.Richard in full bloom. It's Saturday night, it's my winter box.
:41:42. > :41:48.You were critical last week, what about this? Tonight you have a
:41:48. > :41:58.split personality, I tell you that. That was blissfully barmie. It was
:41:58. > :42:07.something in between a livewire and a cukatoo. It was the weirdest cha-
:42:07. > :42:13.cha-cha but in a sick way I enjoyed A sick cha-cha-cha, after all that
:42:13. > :42:21.effort! Craig, what did you think? I wasn't entirely convinced that
:42:21. > :42:31.you wanted to take Erin to a love shack, darling. LAUGHTER
:42:31. > :42:37.. Both cha-cha-cha walks do belong in a drag show. I used to work in
:42:37. > :42:47.menswear, we used to do it all the time. Suits you, Sir? Did you sell
:42:47. > :42:48.
:42:48. > :42:54.a lot? Not if I am honest. I am not surprised. Craig can be funny. I
:42:54. > :43:04.almost laughed. Darcey, darling? This is the Richard I wanted to see.
:43:04. > :43:06.
:43:06. > :43:14.Relaxed, full of life. Come here, sweetheart! You mustn't touch!
:43:14. > :43:24.but, just for Erin, you have to create some tension in the arms.
:43:24. > :43:30.
:43:30. > :43:34.Please. She needs you to lead her. Darcey, less Bustle. He has been
:43:34. > :43:40.saving that one. Len. Loud and proud and that's just your shirt. I
:43:40. > :43:47.am telling you, Richard... No, your arm most of the time was on your
:43:47. > :43:52.hip or hanging down like a bit of cotton from a knicker leg. You are
:43:52. > :43:58.a better dancer than having to camp it all all up. You can go for it.
:43:58. > :44:03.You are a better dancer. Certain people need to do that stuff. You
:44:03. > :44:10.don't. A little bit over the top for me, but it was fun. There's a
:44:10. > :44:20.dancer in you. You will get it out of him. Go you go.
:44:20. > :44:27.
:44:28. > :44:33.. My winter pansies have withered. Oh dear! That is the Richard we
:44:33. > :44:38.have all been waiting for, us and Darcey. Blissfully barmie, said
:44:38. > :44:43.Bruno. How did you feel it went? How do you feel it went, love.
:44:43. > :44:46.Everybody was doing the mashed potato with us. Len said you were a
:44:46. > :44:56.better dancer than that, what will you bring to the competition next
:44:56. > :45:14.
:45:14. > :45:20.week? Apparently tighter knicker We will take it. 19. Craig's so
:45:20. > :45:28.harsh. You shook your thing. I did. If you would like to see Richard
:45:28. > :45:32.dance another day you can call: Wait for the lines to open. Still
:45:32. > :45:41.to come, Lisa will be showing us what she can do with the sreuen
:45:41. > :45:50.eats waltz -- Viennese waltz waltz. Our next couple is Victoria
:45:50. > :45:53.Pendleton and her partner, Brendan Cole.
:45:53. > :45:58.APPLAUSE AND CHEERING Now, last week we were running out of time so
:45:58. > :46:08.we didn't have time for Craig's comments on Victoria. If we run out
:46:08. > :46:09.
:46:09. > :46:13.of time this week, Craig won't be able to comment again. LAUGHTER See
:46:13. > :46:19.the match? Did you see the match? A bit of a walkover, but never mind...
:46:19. > :46:29.Hello, are you all right. Happy birthday. We might do another song
:46:29. > :46:32.
:46:32. > :46:40.later on, OK. LAUGHTER Ah, I think that's wasted enough time. APPLAUSE
:46:40. > :46:45.Here they are in training. I was really excited to go out and
:46:45. > :46:50.perform the dance. And then to mess it up on the night, I felt really
:46:50. > :46:53.disappointed. You don't know what's going to happen on a live show.
:46:53. > :46:58.Before the show we ran it four times downstairs in the corridor,
:46:58. > :47:02.it was perfect. She was performing, it was great. Then... You messed it
:47:02. > :47:08.up so much. I was so annoyed with myself. I couldn't conceal it. You
:47:08. > :47:13.put so much work into something and it goes wrong. In the bottom spot,
:47:13. > :47:19.Victoria and Brendan. You are a champion, you have fallen off the
:47:19. > :47:22.bike before. Get back on it. Do a twirl. Brendan brought me a lovely
:47:22. > :47:27.dance skirt and it definitely makes you want to spin around the dance
:47:27. > :47:33.floor and be more elegant. I want to swivel around in the skirt a lot.
:47:33. > :47:37.I am seeing a smile on the girl's face. She's come in here firing,
:47:37. > :47:40.exactly what you would expect from our Olympian. This week I am doing
:47:40. > :47:46.the foxtrot. We have already discovered that me spinning on-the-
:47:46. > :47:49.spot or trying to turn is bad news. I can do this. You can do it. We
:47:50. > :47:54.are at the bottom of the leader board now, so it's essential that I
:47:54. > :48:00.can improve on my spins, because I really want to stay in the
:48:00. > :48:10.competition. Dancing the foxtrot, Victoria
:48:10. > :48:10.
:48:10. > :49:47.Apology for the loss of subtitles for 47 seconds
:49:47. > :49:53.APPLAUSE AND CHEERING Well done, very well done. There we
:49:53. > :50:00.are. Lovely. And all your friends up there, everyone. That was
:50:00. > :50:06.beautiful. So proud. Victoria, can I ride on your handlebars again?
:50:06. > :50:13.Any time. Oh, that's good. Len? Clean, classy and confident. A
:50:13. > :50:17.fantastic improvement from last week. The transition from in and
:50:17. > :50:26.out of hold are a little bit unstable. You got to work on that
:50:26. > :50:31.more. But what an improve - Queen Vic is back. OK, Bruno? Victoria is
:50:31. > :50:35.back in the race! Well done, my darling. Very nice indeed in hold.
:50:35. > :50:39.Now you have to work on your turns. That's what happened in the
:50:39. > :50:43.transitions, because you don't spot, you lose balance. So take a point
:50:43. > :50:50.of reference, turn and spot and go to it. Because the improvement, as
:50:50. > :50:58.Len said, is great. Well done. And he knows what he is talking
:50:58. > :51:04.about. He's been on the turn for years.
:51:04. > :51:10.Shocker! Craig? It's true, actually. You remembered it, so that's a good
:51:11. > :51:15.start and that's worth at least one point. The turns are very rigid.
:51:15. > :51:22.You need to get those sorted out and when you turn back into hold
:51:22. > :51:28.you need to get your arm out of the way quicker, well done. Darcey, my
:51:28. > :51:33.love? Yes, the nerves have gone. It's wonderful to see. You look
:51:33. > :51:38.beautiful. That lovely smile. watch your fingers, you get a
:51:39. > :51:42.little bit splayed, maybe tension. But only noticed it a couple of
:51:42. > :51:49.times. Get them together. But now you are going to have fun with the
:51:49. > :51:59.show, I know you are. Thank you. Practise the turns on your bike.
:51:59. > :52:05.
:52:05. > :52:08.Off you go. Well done. Yes. Queen Vic is back. Miles more
:52:08. > :52:11.confidence this week. Is it a happier place for you, in hold?
:52:11. > :52:20.am holding on to Brendan. I know he is going to take care of me.
:52:20. > :52:25.feels safe in Brendan's arms. lovely. The return of the knight in
:52:25. > :52:35.shining armour. I can't tell you how lovely she is. I am loving my
:52:35. > :52:48.
:52:48. > :52:58.work. The judges will agree you Now that's a massive difference to
:52:58. > :53:06.
:53:06. > :53:10.Still to come, Louis is getting to grips with Flavia in the Viennese
:53:10. > :53:16.waltz. Lucky girl. And Jerry is getting ready for her close-up.
:53:16. > :53:20.There it is. What a night it's been already. What can we expect next?
:53:20. > :53:27.Well, anything tonight. Our next couple is Michael Vaughan and his
:53:27. > :53:32.partner, Natalie Lowe. APPLAUSE AND CHEERING
:53:32. > :53:38.In last week's waltz the judges criticised his facial expressions.
:53:38. > :53:47.Will he have a smile on his face after this week's jive? Who knows?
:53:47. > :53:53.Here they are in training. As much as my face probably looked
:53:53. > :54:02.like I was concentrating, it was. I did enjoy it. I think you could
:54:02. > :54:07.sense from the way me and Natalie gave a fist-clenched punch, we knew
:54:07. > :54:15.that's what we could have expected in week one. It's an amazing start.
:54:15. > :54:20.Your butt stuck out like a hanging basket. Hanging basket? A bit harsh.
:54:20. > :54:23.This week I have to catch Natalie. You should know how to do that.
:54:23. > :54:27.Natalie's watched any cricket she will understand that catching was
:54:27. > :54:32.not my strength. There's no room for mistakes in this routine.
:54:32. > :54:37.get this wrong, Natalie ends newspaper the audience. --. Ends up
:54:37. > :54:40.in the audience. I am scared about what could happen. Hello, kids. My
:54:40. > :54:47.daughter decided to bring a few friends. She said she was bringing
:54:47. > :54:56.a couple. It seemed like the whole school. It was so nice to have them
:54:56. > :54:59.come in and watch us. They're just enjoying it. They think dad's
:54:59. > :55:09.bonkers dancing around and having a laugh. Keep dancing!
:55:09. > :55:09.
:55:09. > :56:42.Apology for the loss of subtitles for 47 seconds
:56:42. > :56:52.Dancing the jive, Michael Vaughan APPLAUSE AND CHEERING
:56:52. > :56:58.Well done, Michael. Leave that with me. What a difficult dance to give
:56:58. > :57:04.you, Michael. Of all the dances, that one. My goodness. I tell you
:57:04. > :57:12.what, you can see you were lighter on your feet. Oh, give me the axe!
:57:12. > :57:18.Oh my God, you were like a wild goose chased by a fox! You were - I
:57:18. > :57:24.don't think I have ever seen such bad footwork. But it was so funny.
:57:24. > :57:30.I have to say. I think Richard Attenborough should put new a
:57:30. > :57:36.nature programme. Unbelievable. The timing was so bad, it was good.
:57:36. > :57:44.Exactly, so we all had a good laugh. You couldn't do it worse. He came
:57:44. > :57:49.out, look, he came out and he had a go, didn't he?! APPLAUSE And that's
:57:49. > :57:55.what it's all about. God knows what Craig is going to say. You might
:57:55. > :58:01.use that in the end. That has to be one of the oddest jives I think I
:58:01. > :58:05.have ever witnessed. In the ten series, it was really bizarre. Your
:58:05. > :58:14.hips seem to have a mind of their own, darling. Most of the time it
:58:14. > :58:19.looked like you were busting for a we, -- wee. I am! But he came out
:58:19. > :58:25.and he had a go. APPLAUSE AND CHEERING
:58:25. > :58:31.Finish us off, Len. It had a bit of gusto and enthusiasm and there was
:58:31. > :58:39.a lot going on, but unfortunately it was mostly bad. A great
:58:39. > :58:47.improvement on what? Last week. are going to be my favourite.
:58:47. > :58:57.you. They all loved it. Off you go. Oh, sorry. Go on, get him!
:58:57. > :59:05.APPLAUSE AND CHEERING He is high-fiving up here. Yes,
:59:05. > :59:10.there you go. Well,. I thought it was great. She has low expectations.
:59:10. > :59:17.Very loyal. Bruno said, so bad it was good. How are you going to
:59:17. > :59:21.improve next week? This week's been like a non-stop zumba class. If I
:59:21. > :59:28.am still in I will keep working. have done so many hours this week
:59:28. > :59:38.on that. I spout many hours in -- I put so many hours into it.
:59:38. > :59:53.
:59:53. > :00:03.That's all right. Could be worse. What do you think? If you think
:00:03. > :00:04.
:00:04. > :00:10.Michael tkefrbs another in-- We still have loads more to look
:00:10. > :00:17.forward to. Who is next? But he had a go, didn't he? APPLAUSE Our next
:00:17. > :00:22.couple is Louis Smith and his partner, Flavia Cacace. APPLAUSE
:00:22. > :00:31.AND CHEERING Evidently, Louis fancies Kimberley
:00:31. > :00:37.Walsh, and he asked me if I could could subtly find out if Kimberley
:00:37. > :00:45.was interested. I said, leave it to me, subtle match-making is my
:00:45. > :00:55.speciality. Kimberley? Louis fancies you. Let me know if you are
:00:55. > :00:56.
:00:56. > :01:04.interested, I will keep it quiet! Here they are in training.
:01:04. > :01:09.Oh my God, I wasn't expecting that! You worked hard on that hip action.
:01:09. > :01:15.Well done. In my eyes I think you're going to
:01:15. > :01:21.go far in this show. I love the fact Darcey has a soft spot for
:01:21. > :01:25.Louis. I don't blame her at all. We worked on those hips for hours.
:01:25. > :01:30.think Darcey got embarrassed herself. I hope we can give her
:01:30. > :01:36.more enjoyment over the next few weeks. I am happy with 27,
:01:36. > :01:40.definitely. Happy with the way the routine went, happy with my partner.
:01:40. > :01:47.My Strictly experience is going well so far. This week we are doing
:01:47. > :01:51.the Viennese waltz to Puppy Love. Everyone has a young love, like the
:01:51. > :01:54.best thing in the world, I think that's what the song is about. I
:01:54. > :02:00.have to make it come across like that. You smile when you are having
:02:00. > :02:05.fun. This is fun, yeah! I struggle to smile. Let alone be romantic. So,
:02:05. > :02:10.this is going to be tough. smile. I hope that I can get a
:02:10. > :02:20.little bit of a smile from him on Saturday. Are you smiling?
:02:20. > :02:20.
:02:20. > :03:50.Apology for the loss of subtitles for 47 seconds
:03:50. > :03:57.Dancing the Viennese waltz, Louis APPLAUSE AND CHEERING
:03:57. > :04:00.Very nice. Lovely. What about that? That was beautiful. I love that
:04:00. > :04:04.song and it had so much feeling between the pair of you. We start
:04:04. > :04:14.with you, Darcey. I like it. You are calm, you are confident and you
:04:14. > :04:18.have grace and posture. Just what you need for a ballroom. Sshh! I do
:04:18. > :04:22.need an emotional connection between you and Flavia, that's just
:04:22. > :04:32.as important for the performance and I am missing that. But there's
:04:32. > :04:41.
:04:41. > :04:46.technique and I even saw a fleckerl. Did you, Len? Yeah, I saw a natural.
:04:46. > :04:55.I saw more turns than the Government. I saw great posture. I
:04:55. > :05:05.saw the best dance I have seen tonight or last week. It was great.
:05:05. > :05:11.Well said, Len. Bruno? Well, I felt it. I felt it, Darcey. You make
:05:11. > :05:17.such a lovely pair. It was like a Valentine's Day postcode brought to
:05:17. > :05:25.life. Great musicality. I go with Len, best dance so far. You should
:05:25. > :05:34.be very happy. You two - you want to be watched. Off you go, up the
:05:34. > :05:41.stairs. APPLAUSE AND CHEERING
:05:41. > :05:45.Louis! Get you! Len and Bruno's best dance of the night, so far.
:05:45. > :05:51.High praise. Are you getting used to feeling like a ballroom dancer?
:05:51. > :06:01.I am in this suit. I feel like a gentleman. And give us a smile,
:06:01. > :06:19.
:06:20. > :06:29.Louis. There it is. You see, he has Great score!
:06:30. > :06:43.
:06:43. > :06:47.Please don't call until the lines are open, if you do, your vote
:06:47. > :06:54.won't count and you may be charged. Our next couple is Denise van Outen
:06:54. > :06:59.and her partner, James Jordan. APPLAUSE AND CHEERING
:06:59. > :07:03.Denise got wonderful comments for her waltz last week but this week
:07:03. > :07:12.she's tackling an energetic jive. In the rehearsals things took a
:07:12. > :07:16.turn for the worse. Here they are in training.
:07:16. > :07:20.Dancing the waltz was the best feeling in the world but also the
:07:20. > :07:26.scariest. I had sweaty palms, a dry mouth, my heart was going 100mph.
:07:26. > :07:33.My legs were shaking. So, I was in shock when Craig said... Saved the
:07:33. > :07:37.best until last. I am starting to like this Craig Revel Horwood guy.
:07:37. > :07:41.Your footwork overall is poor. No heel leads. I know, I knew he was
:07:41. > :07:46.going to tell me off. This week we are dancing the jive, the problem
:07:46. > :07:51.is you need so much energy. Where are you going? I don't know. Once
:07:51. > :07:54.you have danced it a couple of times you are exhausted. I have
:07:54. > :07:58.been spinning so much in this routine that I feel a little bit
:07:58. > :08:08.out of control. I can't spin any more, I feel sick! I am dizzy
:08:08. > :08:16.enough as it is, like I need more spins in my life? Denise came in
:08:16. > :08:22.this morning with a pain in her neck. He's insisted I go to physio.
:08:22. > :08:26.Denise has sustained whiplash. can you get that from the jive?
:08:26. > :08:36.Take a can of toughen up and let's get on with it.
:08:36. > :08:36.
:08:36. > :10:20.Apology for the loss of subtitles for 47 seconds
:10:20. > :10:29.Dancing the jive, Denise van Outen What about that?! Look at this.
:10:29. > :10:35.They loved that. Absolutely beautiful.
:10:35. > :10:43.I know you would like to say a few words. No. I can't speak. I have
:10:43. > :10:47.such a dry mouth! They They both can't talk. Darcey? Wow, Denise!
:10:47. > :10:52.You got the style of the jive instantly. There was bounce, you
:10:52. > :10:55.even had retracting kicks. So much energy all the way through. I would
:10:55. > :11:02.only say on the arm movements getting too much effort in the
:11:02. > :11:12.shoulders, but amazing. Amazing! APPLAUSE
:11:12. > :11:12.
:11:12. > :11:17.Len? Tutti frutti! I tell you what, that was my cup of tea. It was
:11:17. > :11:24.fabulous. It was full-on. It had attack, it had energy. I was
:11:24. > :11:34.disappointed last week, this week I am delighted. Well done. You were
:11:34. > :11:35.
:11:35. > :11:42.jumping up and down. It was - Bruno? That's my girl, Denise the
:11:42. > :11:48.go-er. She was going for it. I tell you, the style was brilliant. Kicks
:11:48. > :11:57.and flicks perfect. That's the way we like to see a jive. Well done.
:11:57. > :12:07.great jive. Can't wait for Craig. Now for the truth, darling. Fab-u-
:12:07. > :12:13.
:12:13. > :12:23.Get off! You will get us into trouble!
:12:23. > :12:26.APPLAUSE AND CHEERING Watch the neck. How was the neck,
:12:26. > :12:30.because I was feeling for you all the way through that? I can't feel
:12:30. > :12:35.it because of the adrenalin and nerves. Tomorrow I am going to be
:12:35. > :12:41.in agony. Are you pushing this girl too hard? Yeah. He can't actually
:12:41. > :12:51.speak. He is out of breath. Craig's first fab-u-lous of the series.
:12:51. > :13:06.
:13:06. > :13:16.love it when he says that. All the 8s. Highest score of the
:13:16. > :13:19.
:13:19. > :13:22.night, so far. Well deserved. To They want to stay another week in
:13:22. > :13:29.the ballroom, right? We love it. Where are you going to go from
:13:29. > :13:33.there? Higher. Remember the two couples with the lowest combined
:13:33. > :13:42.scores and votes will be facing the dance-off. Back to you, Bruce.
:13:42. > :13:52.Thank you. Our next couple is Johnny Ball and his partner Iveta
:13:52. > :13:54.
:13:54. > :13:59.Lukosiute. I will do that again and his partner Luka... Lukosiute. How
:13:59. > :14:08.can I describe Johnny? What can you call someone who's been on
:14:08. > :14:15.television nearly 50 years? I know what I call him, a -- a bebeginner.
:14:15. > :14:19.He is just a kid! A little boy. Here they are in training.
:14:19. > :14:23.Saturday was tremendously exciting. I wasn't really very nervous. We
:14:23. > :14:29.loved the routine but the judges didn't like it very much. It was
:14:29. > :14:34.all a bit Last Of The Summer Wine. You failed the MOT, haven't you?
:14:34. > :14:39.have never really been a big fan of miming, darling. Your mouth was
:14:39. > :14:47.moving ten to the dozen throughout and was very distracting. If this
:14:47. > :14:52.is our biggest problem, we can fix that. Craig gave me a three, I
:14:52. > :14:58.looked in the box and he has a minus 2. I am determined to get
:14:58. > :15:01.bigger scores. I have a feeling you will look good Saturday. This week
:15:01. > :15:06.we do foxtrot. I think he will do better because he is a tall,
:15:06. > :15:11.elegant looking man. I don't think his age is a problem. He practises
:15:11. > :15:16.five to six hours a day. He comes to the studio before I arrive and
:15:16. > :15:19.Johnny leaves the last. I sleep like this. He uses his face a
:15:19. > :15:25.little bit too much. We need to calm down a little bit the mouth.
:15:25. > :15:29.You hold that and this goes... must not mess around with my face.
:15:29. > :15:37.Very good. I hope the judges are watching my feet and posture and
:15:37. > :15:47.arms and not my mouth. Dancing the foxtrot, Johnny Ball
:15:47. > :15:47.
:15:47. > :17:27.Apology for the loss of subtitles for 47 seconds
:17:27. > :17:34.APPLAUSE AND CHEERING How about that? Look at that,
:17:34. > :17:39.Johnny. On their feet there. Well done. They stand better than I do!
:17:39. > :17:43.I think Len, you are the one to start us off. I will, if you have
:17:43. > :17:48.asked me nicely. What you do, you do with enthusiasm. Ever since I
:17:48. > :17:52.have seen you years ago you do everything with enthusiasm and this
:17:52. > :17:55.is the same. OK, your posture could be better, your footwork could be
:17:55. > :18:05.cleaner. But it had lots of content and I like the movement around the
:18:05. > :18:09.
:18:09. > :18:14.Actually I have something nice to say. You set off very well. In fact,
:18:14. > :18:18.out of hold you hit some very nice lines. There was really nice
:18:18. > :18:22.movements. Obviously, when you went in hold Len is right, you stiffened
:18:22. > :18:30.up and didn't flow. But I think it was better than last week. Much
:18:30. > :18:36.better. Wonderful. Good praise from Ren -- Len and
:18:36. > :18:46.Bruno. Splayed hands, gapping and that's due to your posture. But I
:18:46. > :18:47.
:18:47. > :18:52.have to say, a decent effort. that's good. APPLAUSE. Darcey,
:18:52. > :18:56.finish us. Wonderfully better than last week. Work on the topline.
:18:56. > :19:01.It's so important, especially for Iveta because she needs your
:19:01. > :19:07.support and strength so she can do those beautiful holds and moves.
:19:07. > :19:11.But you have all the moves, just believe in yourself. You are
:19:11. > :19:21.working hard. Off you go. Keep going.
:19:21. > :19:25.
:19:25. > :19:31.APPLAUSE AND CHEERING Yes! Johnny be good! Look at that.
:19:31. > :19:36.What an improvement. Even Craig was positive. How did you feel it went?
:19:36. > :19:40.The frame was weak. Was it? That was the bit I had to try hard, but
:19:40. > :19:45.it was lovely. I enjoyed it and it was a great routine and she as
:19:45. > :19:55.fabulous. I was trying to bring the gentleman out of him that he is,
:19:55. > :19:55.
:19:55. > :20:05.and it's natural for him. So I just have to be yourself. Kept it zipped
:20:05. > :20:20.
:20:20. > :20:28.Better than last week. If you want to keep Johnny Ballroom
:20:29. > :20:32.on his dancing feet call: Don't have to think of a number,
:20:32. > :20:42.they're the only ones you are going to need. Back to you, Bruce. Our
:20:42. > :20:47.next couple is Sid Owen and his partner, Ola Jordan. There's been a
:20:47. > :20:51.lot of drama and tension between them this week. What's been going
:20:51. > :20:58.on? Has there been a big argument in training? Has there been an
:20:58. > :21:03.injury? Will they even be able to dance?
:21:03. > :21:12.(EastEnders Theme Music) APPLAUSE Actually, they're fine. I
:21:12. > :21:16.was just building up the drama a bit. Here they are in training.
:21:16. > :21:21.Saturday night, first few steps were a little bit dodge, but as I
:21:21. > :21:24.got into it I enjoyed it. I didn't expect it to be that good. You have
:21:24. > :21:32.something special. All these lovely comments from the judges, it was
:21:32. > :21:35.unreal. From Len, I was overjoyed. I couldn't believe it. Yes! A lot
:21:35. > :21:43.of emotions run through your mind. Don't cry. I am not crying.
:21:43. > :21:48.are! He has tears in his eyes. So sweet! I did get a little bit
:21:48. > :21:53.choked up. Monday morning and it's all about the next dance. How many
:21:53. > :21:59.steps? Three. Why are you doing five? I don't know. This week we
:21:59. > :22:03.are attempting the salsa. OK, grab my leg. Sorry, I thought it was the
:22:04. > :22:13.other one. There's a lot going on in the routine. I have three lifts.
:22:14. > :22:14.
:22:14. > :22:21.I will just drop her on her head now. A headstand. I don't know who
:22:21. > :22:25.Ola thinks I am. Louis did it in the first week. She thinks I am
:22:25. > :22:33.about 20. I can't believe I am doing this. Let's pray to God that
:22:33. > :22:43.it all comes off on the night. Dancing the salsa, Sid Owen and Ola
:22:43. > :22:43.
:22:43. > :24:27.Apology for the loss of subtitles for 47 seconds
:24:27. > :24:34.APPLAUSE AND CHEERING Look at this!
:24:34. > :24:38.Look at that. Better than acting! Don't get that with acting. I love
:24:38. > :24:44.that New Zealand bit, the rugby player bit in the middle. Sorry, I
:24:45. > :24:53.forgot some steps. Nobody noticed, you shouldn't have said anything!
:24:53. > :24:58.Bruno? Sid, the good thing is the Sid Vicious attitude! Yeah! But I
:24:58. > :25:02.am telling you, because of the attitude, you disguise incredible
:25:02. > :25:06.amount of mistakes. You were off timing almost all the way through.
:25:06. > :25:09.The timing was completely off. Salsa is all about timing and
:25:09. > :25:13.having the hips going the correct way. You can't force it all the
:25:13. > :25:19.time. You know, it's got to be smooth. Sorry, the performance was
:25:19. > :25:29.very high, but you couldn't disguise the lack of technique.
:25:29. > :25:30.
:25:30. > :25:34.There we are. Craig, did you agree? Yes, I do, it was haphazard, I
:25:34. > :25:41.would like to see more connectivity. On the bright side, I loved the
:25:41. > :25:44.routine. I thought it was fantastic. The knee slide was excellent. I
:25:44. > :25:50.loved the hip rotation that you had. There's a lot of good in there.
:25:50. > :25:55.Thank you. A lot of good. And Darcey? The nerves are gone, you
:25:55. > :25:58.are relaxed. I would just say the energy died a little bit. But
:25:58. > :26:02.generally, you partnered Ola brilliantly. So much confidence
:26:02. > :26:09.there, I was confident watching do you all the lifts with her. Come
:26:09. > :26:15.back and show me some more hips next time. Very good on the lifts.
:26:15. > :26:23.What's she doing? Leave him alone! The salsa is hot and spicy, it's
:26:23. > :26:27.from the Caribbean, Kingston Jamaica, this was more the Thames.
:26:27. > :26:30.More formal. I think - you went a bit wrong and then it all sort of
:26:30. > :26:37.went. You got to get out there and you are as good as you are, just
:26:37. > :26:47.get out there and give it some more. Go on, Sid! You can do that. Go on,
:26:47. > :26:48.
:26:48. > :26:53.well done. Off you go. APPLAUSE AND CHEERING
:26:53. > :26:58.Yes! Sid Vicious in the house! Even Craig loved those hips. What's it
:26:58. > :27:03.like getting to showcase this new side of Sid? It's bizarre, actually.
:27:03. > :27:07.You got a bit excited. I did get really excited. You can't blame me,
:27:07. > :27:17.can you? We could feel it up here. I did lose the steps a bit. It was
:27:17. > :27:22.
:27:22. > :27:32.good. Brilliant. There was a Louis one-hand hapbstand. The scores are
:27:32. > :27:46.
:27:46. > :27:51.Not a bad score. That's all right. Got to keep working harder. What
:27:51. > :27:58.have you got next week if you are here? A tango. I have high hopes
:27:58. > :28:05.for that. What did you think of Sid's hips? Have they hypnotised
:28:05. > :28:08.you? If you want him back here. Remember,
:28:08. > :28:18.don't call until I tell you. Over to you, Bruce.
:28:18. > :28:18.
:28:18. > :28:27.Our next couple is Kimberley Walsh and Pasha Kovalev. APPLAUSE Lovely.
:28:27. > :28:33.Last week Kim pwer lay wowed us -- Kim pwer lay pwer Kim pwer
:28:33. > :28:37.Kimberley wowed us with, how did they get on in training? Saturday
:28:38. > :28:44.night I really thoroughly enjoyed it. And she went alone. Please can
:28:44. > :28:49.you bring back that wow factor next week? I will try!
:28:49. > :28:53.I thought the whole thing was incandescent, darling. What does
:28:53. > :29:01.that mean? I didn't think it was right to ask at the time. I was
:29:02. > :29:06.hoping it was positive. I am going to call you nimble Kimble. I hope
:29:06. > :29:12.that sticks, I thought it was hilarious. Pasha calls the foxtrot
:29:12. > :29:18.the King of the ballroom dances. you can foxtrot, you can dance.
:29:18. > :29:26.really want to make it look elegant and smooth and right now it doesn't
:29:26. > :29:29.look like that. Basically, if I feel in quite a lot of pain and
:29:29. > :29:35.very uncomfortable it usually means I am in the right position. We have
:29:35. > :29:38.to go through the pain to make a beautiful dance. Darcey said I
:29:38. > :29:42.brought the wow factor last week but she also asked me to bring it
:29:42. > :29:49.back again this week. I guess anything less than "wow" is not
:29:49. > :29:59.going to be good enough for her. Dancing the foxtrot, Kimberley
:29:59. > :29:59.
:29:59. > :31:47.Apology for the loss of subtitles for 47 seconds
:31:47. > :31:51.Wonderful. That had saufp move to it. Well done, both of you. Must
:31:52. > :31:56.have been a very good week. I tell you that. OK, Craig, will you start
:31:56. > :31:59.us off? I thought it was absolutely gorgeous, I loved the routine. You
:31:59. > :32:06.danced it beautifully. The only thing that did bother me was your
:32:06. > :32:11.jaw. It was really protruding forward. You need to pull that back
:32:11. > :32:18.a bit, darling. Just try and really hard to look left, aren't you? But
:32:18. > :32:27.it ruins the line a little bit. do you think I feel? LAUGHTER Shut
:32:27. > :32:31.up, get off! Darcey, darling. beautiful mood you created,
:32:31. > :32:36.Kimberley. I would only say in the top line it gets a bit soft in your
:32:36. > :32:44.centre and watch the gapping between the two of you and I am
:32:44. > :32:49.sure he's said that a few times. But a wonderful attitude promenade,
:32:49. > :32:59.where you held that line. Maybe not the wow factor, but still a very,
:32:59. > :33:02.very nice foxtrot. And Len? know, I thought it was limp, I
:33:02. > :33:08.didn't feel there was enough conviction in the dance. You were
:33:08. > :33:13.hanging on. You went wrong. Listen, it's good enough and good enough is
:33:13. > :33:19.better than not enough but for you it's got to be more than enough.
:33:19. > :33:28.Our expectations are huge. You You got to do better than that, girl.
:33:28. > :33:32.Fair enough. I love the set-up, I love the style, I love the
:33:32. > :33:36.performance. Yes, in hold you need more body contact and you don't
:33:36. > :33:42.lift from the chin, you lift from the spine. The whole thing looked
:33:42. > :33:48.very, very pretty. You were doing an impression of me there! It was
:33:48. > :33:58.wonderful. They all loved it. Good things there. Watch the chin, dear.
:33:58. > :34:00.
:34:00. > :34:05.Keep it out of the way. Up the stairs! APPLAUSE AND CHEERING
:34:05. > :34:08.Come here, you. Can I say that's the prettiest jaw I think I have
:34:08. > :34:15.ever seen. You split the judges there. Yeah, you know what, I was
:34:15. > :34:18.really, really nervous. I could feel it really affecting me. A
:34:18. > :34:22.little bit disappointed. It's like we saw a different dance to them.
:34:22. > :34:26.What are you going to do next week? I need to work on it more, more
:34:26. > :34:32.time to get it into my body. The nerves really took over. You are
:34:32. > :34:42.getting more confident with Pasha, I think. Yeah, I don't know.
:34:42. > :35:03.
:35:03. > :35:09.Tonight I felt it was a bit much. Better score than we thought. And
:35:10. > :35:16.you brought your bandmates in. Did that make you more nervous? I was
:35:16. > :35:26.nervous tonight maybe because I was going so late on in the show.
:35:26. > :35:26.
:35:26. > :35:30.We open the phonelines later. One couple must leave which means the
:35:30. > :35:36.pressure to perform is huge. The scores are only half the story.
:35:36. > :35:44.Your votes can save your favourites. Back to you, Bruce. Our next couple
:35:44. > :35:49.is supermodel Jerry Hall and her partner, Anton Anton Du Beke.
:35:49. > :35:54.APPLAUSE And may I say, what a pairing. I said, how are you going
:35:54. > :36:02.to cope with having a partner who spends all day posing in front of
:36:02. > :36:10.the mirror? Jerry said, I will just have to put up with it! LAUGHTER
:36:10. > :36:16.But he is still lovely. Here they are in training.
:36:16. > :36:21.I thought the dancing went OK, but it was a masterclass in how to work
:36:21. > :36:27.a fur shawl. I thought I did that really well. You have taken minimal
:36:27. > :36:31.to a new lovely. I suppose I meant do more cha-cha-cha. But I mean, I
:36:31. > :36:39.did what I was told and I thought it went OK. You have the assets,
:36:39. > :36:46.use them. Dance more! Get her to work harder on those steps. I used
:36:46. > :36:50.all kinds of assets. That needs work. This week we have the foxtrot.
:36:50. > :36:53.The judges can't complain about there not being enough steps
:36:53. > :37:01.because it's all steps. It's difficult because we only have four
:37:01. > :37:06.days to learn very difficult dance. What? Zig-zag. I know Jerry wants
:37:06. > :37:10.to do as well as she can because she's having such fun. The other
:37:10. > :37:16.way. In order to be good at something, you have to enjoy it.
:37:16. > :37:20.There was a few mistakes. I am starting to feel a little
:37:20. > :37:26.competitive. Let's try and do it without messing up. OK. I wish I
:37:26. > :37:28.thought of that! I don't want to be too good in the beginning because I
:37:28. > :37:38.want to give the other ones a chance.
:37:38. > :37:38.
:37:38. > :39:17.Apology for the loss of subtitles for 47 seconds
:39:17. > :39:26.Dancing the foxtrot, Jerry Hall and APPLAUSE AND CHEERING
:39:26. > :39:31.You did it! You got through it! Have you anything to say? I had
:39:31. > :39:36.fun! Good, I am glad about that. I thought we had established that
:39:36. > :39:39.first. Darcey. Thank you, Jerry. You have worked harder, I can see
:39:39. > :39:43.it and you start with this beautiful posture but you lose it
:39:44. > :39:47.early on. In the hold, the shoulders come up and the elbows
:39:47. > :39:53.drop, really watch that. It's so important. I can see you are trying
:39:53. > :39:55.to create this lovely style of Fred and Ginger but you have to follow
:39:55. > :40:00.through. The focus for the finished performsance must be there still.
:40:00. > :40:09.Don't lose it. OK, good advice. Len? You want to give the others a
:40:09. > :40:14.chance, you have accomplished that, for sure! Don't look like that. I
:40:14. > :40:21.liked the content. I appreciated a heel turn was in there. I liked the
:40:21. > :40:27.mix of steps. Your problem is you are too vertical. That is the
:40:27. > :40:34.problem. You have got to stretch up. You have to move away from - that,
:40:34. > :40:39.do it. Go on. Straighten yourself, girl. APPLAUSE. You got to stretch
:40:39. > :40:49.away. You are too vertical, my lovely. We don't like to give you
:40:49. > :40:50.
:40:50. > :41:00.everything in one go. Keep some in reserve. Anton, Jerry's stuck on
:41:00. > :41:04.you! Like velcro! Lift and separate, darling. But you, you know, she
:41:05. > :41:08.doesn't break a sweat, because a girl let's the man do the work.
:41:08. > :41:18.They're right, I love watching you, there was a lot in it. I am waiting
:41:18. > :41:24.for more. Craig, are you waiting for more? I sure am! It looked like
:41:24. > :41:29.Anton was dancing with Mr Burns from The Simpsons. It was all like
:41:29. > :41:39.this. Posture, posture. The last time I saw posture like that was
:41:39. > :41:40.
:41:40. > :41:48.this summer in my tkpard -- garden on a praying mantis. He hasn't got
:41:48. > :41:54.a garden! Right, but that's the finish of it. I think that's enough.
:41:54. > :42:04.Wonderful. A lot of fun to watch you both. Off you go. Well done.
:42:04. > :42:16.
:42:16. > :42:22.So endlessly fabulous. Marvellous. She was marvellous. Some of the
:42:22. > :42:27.worst accents I ever heard. Don't even attempt the accent, I failed.
:42:27. > :42:31.I didn't know Craig was from Wales Wales! Len liked the content. Do
:42:31. > :42:39.you think your modelling skills will help you with the posture.
:42:39. > :42:46.It's hard to get a distance from Anton. Don't look at me, I say. She
:42:46. > :42:51.can't help it! She can't help herself. Don't blame her for that.
:42:51. > :42:57.What are you going to give them next week if you are still here?
:42:57. > :43:06.don't know. We have a quickstep. This is going to and joy. A lot of
:43:06. > :43:16.steps. They're all going to be quick. That's a good sign. I am not
:43:16. > :43:30.
:43:30. > :43:35.sure I will have good posture for What do you think? If you want to
:43:35. > :43:45.see Jerry strike a pose in that quickstep in the ballroom next week
:43:45. > :43:53.
:43:53. > :43:58.Give us a pose, Jerry. Oh, have it. Yes! We will use that. Glamour.
:43:58. > :44:05.Back to you, Bruce. What's going on up there? Our final
:44:05. > :44:14.couple is Lisa Riley and her partner, Robin Windsor. APPLAUSE
:44:14. > :44:17.Well, last week when she finished that routine and skaut Rob --
:44:17. > :44:22.caught Robin this place went crazy. It stopped the show, because of
:44:22. > :44:28.that famous lift she's been offered lots of different work. I said,
:44:28. > :44:34.film, television or theatre? She said, no, the Fire Brigade. Right,
:44:34. > :44:38.here they are in training. Get ready.
:44:38. > :44:42.I can't believe how well the routine went last week. Everyone
:44:42. > :44:51.was clapping. I thought, we are doing all right here. I think
:44:51. > :44:58.they're enjoying it. That was grand, beautiful, exuberant entertainment!
:44:58. > :45:05.You can dance! We couldn't believe it. No way, this isn't real. Shut
:45:05. > :45:10.up! That's the highest score of the weekend. What more do you want? It
:45:10. > :45:15.was the best night of my life. I am completely on cloud nine. I think I
:45:15. > :45:19.am going to be on cloud nine forever, because - well, I say that
:45:19. > :45:24.until I do the Viennese waltz and it all goes pear-shaped. We are
:45:25. > :45:31.going from a high energy cha-cha- cha, to a fluid, graceful Viennese
:45:31. > :45:38.waltz. I have to be a Princess, try to be. It's all about the way you
:45:38. > :45:42.walk, hold yourself. You have grace. I am definitely more of a fast
:45:42. > :45:46.boppy girl. It's a challenge and I love a challenge. Because we are
:45:46. > :45:51.top of the leader board for the cha-cha week, I don't feel I am out
:45:51. > :45:59.of the danger zone. Obviously, I have to get the grace right or I am
:45:59. > :46:09.going to get the bus home. Dancing the Viennese waltz, Lisa
:46:09. > :46:10.
:46:10. > :47:53.Apology for the loss of subtitles for 47 seconds
:47:53. > :48:00.APPLAUSE AND CHEERING What about it! Lisa, that was so
:48:00. > :48:10.wonderful, darling. So wonderful. Your little feet, they're beautiful.
:48:10. > :48:12.
:48:12. > :48:18.I can't stop them! What a lovely story. I love the
:48:18. > :48:28.story. You didn't invite him in for coffee. No! I had to go in my
:48:28. > :48:31.
:48:31. > :48:41.carriage. Cinderella. I missed that bit! Len? It was a panto. We had
:48:41. > :48:41.
:48:41. > :48:47.Prince Charming and Cinderella the fairy Godmother and ugly sisters.
:48:47. > :48:54.In hold, you have to work on - come and see me after the show. I will
:48:54. > :48:59.explain it. Be careful, dear. Right, Bruno. What I love love about you,
:48:59. > :49:03.we always get full-on entertainment. It's like a mini series. I am shy,
:49:03. > :49:07.I am graceful, I am going, I am coming, I am getting it all. That's
:49:07. > :49:10.a good thing. Len is right, I have to go with him, technically
:49:10. > :49:17.sometimes actually you were so into it, it looked like you were leading
:49:17. > :49:21.him. He is the Prince! He's got to lead. It comes out of your energy.
:49:21. > :49:27.In this kind of dance it has to be much more refined, my darling. Len
:49:27. > :49:33.is right. All right. Good points. Craig? You danced that with great
:49:33. > :49:43.dexterity. It was light. I didn't expect it to be. It was graceful.
:49:43. > :49:44.
:49:44. > :49:49.But it is true, the man should lead, darling. Remember that! Darcey?
:49:49. > :49:53.love the focus in your eyes from the very beginning, it's beautiful.
:49:53. > :50:00.It creates a wonderful mood straightaway. It's true, you do try
:50:00. > :50:04.a bit hard in the transitions and you grab your man. Let him grab you.
:50:04. > :50:10.He's got to be the guy that's going to lead you around. It's true, the
:50:10. > :50:17.guys are right. You give a beautiful energy. Have you always
:50:17. > :50:27.been a grabber! Always! Off you go. It was wonderful.
:50:27. > :50:34.
:50:34. > :50:38.APPLAUSE AND CHEERING Should I say Cinderella? Do you
:50:38. > :50:44.feel like a Princess. I need to get back to my northern roots now.
:50:44. > :50:49.was fabulous. Everybody is talking about your ballroom skills, any
:50:49. > :50:59.more surprises? You have to ask him, he creates it all, I just follow.
:50:59. > :51:11.
:51:11. > :51:20.25! She can do serious, too. Get your phones ready. It's almost time
:51:20. > :51:24.vote. If you don't want hreus so to leave -- Lisa to leave us call:
:51:24. > :51:27.Please don't pick up the phone until we let you know the lines are
:51:27. > :51:30.open. That's it. All our couples have given everything they've got.
:51:30. > :51:40.We have carried over the judges scores from last week and added
:51:40. > :51:51.
:51:51. > :51:54.them to tonight. Let's look at the Remember, you can change all of
:51:54. > :52:02.that by picking up the phone and voting for your favourite and why
:52:02. > :52:09.wait? Because the phone lines are now open! They're excited. If you
:52:09. > :52:19.are calling from a mobile call 62252 followed by the number of
:52:19. > :52:26.
:52:26. > :52:32.your favourite couple. If you are calling from a landline dial
:52:32. > :52:35.090152252. Voting details can be found at bbc.co.uk/Strictly. Here
:52:35. > :52:45.is a reminder of tonight's performances and the numbers that
:52:45. > :52:45.
:52:45. > :56:47.Apology for the loss of subtitles for 47 seconds
:56:47. > :56:51.What a night. Great. Didn't they all do well? They did. Our stars
:56:51. > :56:55.have been living in a ballroom bubble but it's time for that
:56:55. > :56:57.bubble to burst as one of our 14 celebrities must leave the
:56:57. > :57:04.competition. Your votes will make all the difference. Pick up the
:57:04. > :57:08.phone. They need you! I am Welling up. It's our first results show.
:57:08. > :57:14.The two couples with the lowest combined judges' scores and your
:57:14. > :57:19.votes will have to face the dreaded dance-off. Oh! Then after both