:00:26. > :00:36.$:/STARTFEED. Stars were born. grace and posture. Fabulous. Dreams
:00:36. > :00:38.
:00:38. > :00:47.where broken. We bayed their wealth to his small screen legend. --
:00:47. > :00:57.farewell. Tonight, strictly Does Hollywood. There will be laughter.
:00:57. > :01:00.
:01:00. > :01:10.There will be emotion. There will be drama. Most of all, there will
:01:10. > :01:25.
:01:25. > :01:35.be... Action. It is Strictly Des quali Wedd. -- Strictly Does
:01:35. > :01:35.
:01:35. > :04:40.Apology for the loss of subtitles for 185 seconds
:04:40. > :04:50.Live from Television Centre, please welcome your hosts. Sir Bruce
:04:50. > :05:05.
:05:05. > :05:14.Good evening, ladies, gentlemen and children. Welcome to Strictly Come
:05:14. > :05:18.Dancing! It's nice to see you, to see you Nice. And it's nice to see
:05:18. > :05:20.you, Bruce. What a way to open the show! And what a great show we've
:05:21. > :05:30.got this week, Strictly Does Hollywood. Yes. I think we're all
:05:31. > :05:39.
:05:39. > :05:49.set. Are the band ready? Yes. Are the audience ready? Yes. Are the
:05:49. > :05:57.
:05:58. > :06:07.He loves to make an entrance, doesn't he? A bit of Hollywood
:06:08. > :06:12.
:06:12. > :06:22.history. Why? I know you are saying that to yourselves. Why is he the
:06:22. > :06:47.
:06:47. > :06:50.# If he only had a heart. It would take a miracle! It would.
:06:50. > :06:52.Last week, we said goodbye to our first couple as Johnny Ball took
:06:52. > :06:55.his final curtain call on the Strictly dancefloor. So tonight,
:06:55. > :06:58.all our celebrities need to peform like Hollywood stars in order to
:06:58. > :07:01.stay in the competition. It might only be early days, but the
:07:01. > :07:04.standard is already very high, so as well as plenty of Hollywood
:07:04. > :07:08.glitz and glamour we can also expect a lot more drama tonight.
:07:08. > :07:18.Yes, our couples want their star on the Walk of Fame, but one couple
:07:18. > :07:28.will be heading for the walk of So let's say hooray for Hollywood,
:07:28. > :07:39.
:07:39. > :07:41.because it's time to meet the stars From Girls Aloud, pop princess
:07:41. > :07:49.Kimberely Walsh and her partner Pasha Kovalev. From Westlife, Nicky
:07:49. > :07:51.TV Presenter Fern Britton and her partner Artem Chigvinstev. Cricket
:07:51. > :07:57.legend Michael Vaughan and his partner Natalie Lowe. Soap star
:07:57. > :08:07.Lisa Riley and her partner Robin Windsor. Olympic gymnast Louis
:08:07. > :08:08.
:08:08. > :08:11.Smith and his partner Flavia Cacace. Tracy Beaker star, Dani Harmer and
:08:11. > :08:16.her partner Vincent Simone. EastEnders star Sid Owen, and his
:08:16. > :08:19.partner Ola Jordan. Presenter and performer Denise Van Outen and her
:08:19. > :08:25.partner, James Jordan. Showbiz reporter Richard Arnold and his
:08:25. > :08:28.partner Erin Boag. Olympic gold medallist Victoria Pendleton and
:08:28. > :08:37.her partner, Brendan Cole. Film and TV star Colin Salmon and his
:08:37. > :08:47.partner Kristina Rhianoff. And finally supermodel and actress
:08:47. > :08:55.
:08:55. > :08:59.Jerry Hall and her partner, Anton They look magnificent. Fabulous!
:08:59. > :09:02.There they all are. And congratulations to all of you for
:09:02. > :09:12.the way you came down those stairs. So, whatever happens, at least
:09:12. > :09:14.
:09:14. > :09:17.Congratulations. If you fancy a little more conversation with your
:09:17. > :09:20.action tonight, then press your red button for live commentary
:09:20. > :09:27.throughout the show from Karen Hardy. And joining her this week is
:09:27. > :09:30.comedienne Katy Brand. Hello! So, if you want to hear what they have
:09:30. > :09:40.to say, then digital viewers press red now, and you're all set.
:09:40. > :09:51.
:09:51. > :09:58.first couple this evening is Fern They it are dancing to a song from
:09:58. > :10:08.Mary Poppins. They are doing the remake of that and with Riyadh. At
:10:08. > :10:18.
:10:18. > :10:25.the beginning, she will fly in on her umbrella, ella, ella. Last
:10:25. > :10:31.weekend was fantastic. I felt a bit of the Strictly magic got into my
:10:32. > :10:40.being and soul. The best thing is that when she performs, she really
:10:40. > :10:46.performs. She lives in a moment. Wow! That is all I can say about
:10:46. > :10:53.that. To have four sixes is thrilling. I am really happy with
:10:53. > :11:00.that. Up this week we are doing the Charleston to a Mary Poppins song.
:11:00. > :11:10.New week, new shoes. This week's training got off to raise low-start.
:11:10. > :11:10.
:11:10. > :11:16.My shoes are in here somewhere. -- a slow start. There was a slight
:11:16. > :11:23.difficulty in Fern Britton getting the Mary Poppins fell. Here they
:11:23. > :11:28.are, my shoes. I have a surprise for her. This is my surprise. We
:11:28. > :11:33.are here because I want you to connect with Mary Poppins. We are
:11:34. > :11:39.on a rooftop with lots of Chinese around and we are about to dance.
:11:39. > :11:49.just hope I can get my Mary magic out on the night and our routine is
:11:49. > :12:04.
:12:04. > :12:14.Dancing the Charleston, Fern MUSIC: #
:12:14. > :12:14.
:12:14. > :13:40.Apology for the loss of subtitles for 185 seconds
:13:40. > :13:45.Practically perfect in every way! What a lovely start to the show.
:13:45. > :13:53.Thank you for starting the show like that. That was wonderful. That
:13:53. > :14:03.was absolutely super. I can't be bothered with the other bit. The
:14:03. > :14:05.
:14:05. > :14:13.joke has gone now. Of course we have our judges. Please welcome
:14:13. > :14:21.them. Last week, the dance off was back. There will be another one
:14:21. > :14:28.this week. It can be very emotional. You are bound to be moved to tears
:14:28. > :14:38.so I have got used some tissues. Craig, I have got you and onion, so
:14:38. > :14:48.you can join in! You have changed. I wish! I thought you had been sold
:14:48. > :14:51.
:14:51. > :14:59.for scrap metal. Anyway, Len, start us off. You made Hollywood into a
:14:59. > :15:09.jolly good. You embrace the feeling of Mary Poppins. It was a fan. A
:15:09. > :15:12.
:15:12. > :15:19.lively start to the show. It made Bruno? Prim, proper and extremely
:15:19. > :15:27.nice, darling. But, you've got to puch it a bit more. - pump it a bit
:15:27. > :15:32.more. If you look at the film, especially in the ci chen doe at
:15:32. > :15:42.the end, the charleston needs to be punched more to give it more of an
:15:42. > :15:42.
:15:42. > :15:47.impression, characterisation good. A bit more punch in the steps.
:15:47. > :15:53.Craig? Need add lot more swivel in the charleston proper, you need to
:15:53. > :15:59.bring your feet together. Very late with that. Cleaner footwork. Know
:15:59. > :16:09.floor is splip pri so that was difficult for you. -- slippery. The
:16:09. > :16:13.
:16:13. > :16:23.whole thing I thought was laboured. The back jazz split, darling, was
:16:23. > :16:24.
:16:24. > :16:28.excellent. It wasn't laboured, was it? Really? Why bring politics into
:16:28. > :16:38.this?! The energy from your last performance was so much better, so
:16:38. > :16:38.
:16:38. > :16:47.much better. I don't think Darcey's mic is on. Can you hear me? She's
:16:47. > :16:57.saying I'm fabulous! You can be my kids' Mary Poppins
:16:57. > :17:11.
:17:11. > :17:14.any day! A wonderful start. Off you He's got me some popcorn. Thank you.
:17:14. > :17:20.Fern, that was Supercalifragilisticexpialidocious.
:17:20. > :17:26.Louis better look out. He taught me everything. How was it for you?
:17:26. > :17:31.That's the cleanest I've ever done it, isn't it? It was so much fun.
:17:31. > :17:35.Darcey said you could be her Mary Poppins. Actually, you are a bit of
:17:35. > :17:38.our Strictly Mary Poppins, aren't you, because every time someone
:17:38. > :17:45.comes off the dance floor, Fern is waiting with a hug for everyone
:17:45. > :17:55.else. It's so true. APPLAUSE
:17:55. > :18:09.
:18:09. > :18:17.One down from last week. What do you think? There is two ways to
:18:17. > :18:23.call and vote for your finalists. If Fern is your ideal leading lady,
:18:23. > :18:27.you can call. Don't calm until the end of the show when all couples
:18:27. > :18:33.have danced, otherwise your vote won't count and you may be charged.
:18:33. > :18:41.We have gone all glamorous and fabulous and sparkly up here.
:18:41. > :18:50.you say flab but uluous!? Victoria Pendleton and her partner Brendan
:18:50. > :18:54.Cole are next. Victoria has only been here for a couple of weeks and
:18:54. > :18:58.she's already causing trouble. Apparently, she's making a fuss
:18:58. > :19:07.over which shade of fake tan they put on her. That's the trouble with
:19:08. > :19:17.his British Olympic champions, they just want settle for bronze!
:19:18. > :19:18.
:19:18. > :19:24.Land of hope and... We haven't got time. Here they are in training!
:19:24. > :19:29.Saturday night was really good fun. I was so proud of Victoria,
:19:29. > :19:31.couldn't believe what she did. Clean, classy and confident. A
:19:31. > :19:38.fantastic improvement. I would never have thought he'd say
:19:38. > :19:48.anything like that to me. Victoria is back in the race!
:19:48. > :20:04.
:20:04. > :20:06.Woogl.... I'm back in the race. Not quite sure about that yet but we'll
:20:06. > :20:08.see. Here, Then... Brendan and I are
:20:08. > :20:11.dancing the rumba to Up Where We Belong from Officer and a Gentleman.
:20:11. > :20:14.It's supposed to be a sensual dance, a lot of emotion in it, quite
:20:14. > :20:17.passionate I guess, but... I need to work on that. Oh, my good, it's
:20:17. > :20:21.so romantic. It's so unnatural to me. At the beginning of a race, I'm
:20:21. > :20:25.usually so focused. In a dance, I'll be focused on my leading man.
:20:25. > :20:28.I'm immensely excited about this dance. I've always thought of
:20:28. > :20:33.myself as an officer. I want to audience to really engage with what
:20:33. > :20:37.we are doing and when they watch it, I want them to be holding their
:20:37. > :20:42.breath. We are almost going to melt together. I have to melt a bit with
:20:42. > :20:47.Brendan. I'm not melting so well... I will get the emotion out of her.
:20:47. > :20:55.It will be fine. I keep telling myself that.
:20:55. > :21:05.Dancing the rumba, from An Officer and Gentleman, Victoria Pendleton
:21:05. > :21:05.
:21:05. > :22:40.Apology for the loss of subtitles for 185 seconds
:22:40. > :22:50.Lovely. Oh, that was beautiful, the pair of
:22:50. > :22:53.
:22:53. > :23:01.you. While you two chillax - it's our chance to welcome our fabulous
:23:01. > :23:05.singers, and the wonderful, wonderful orchestra. All of you!
:23:05. > :23:10.CHEERING AND APPLAUSE Yes.
:23:10. > :23:15.Would you have rather done that with Richard Gere? No, not at all.
:23:15. > :23:20.That was lovely. Did you see her face?!
:23:20. > :23:28.Now then, Bruno, start us off? Victoria, Victoria, just when you
:23:28. > :23:31.were starting to sizzle, you nearly boiled over. I tell you, the first
:23:31. > :23:35.impression, no officer or gentleman or general would turn you down, you
:23:35. > :23:38.were really going for it. Then you got yourself I think to a mangle
:23:38. > :23:42.and lost concentration and you kind of fizzled out. The beginning was
:23:42. > :23:46.very, very good, you know that. The beginning was very, very, very good,
:23:46. > :23:56.so keep working on that direction and try to keep the composure.
:23:56. > :23:57.
:23:57. > :24:05.Don't lose it. If something happens, go back on it. Go into it. You know
:24:05. > :24:12.what I mean. You are a toucher! Craig? I'm beginning to see an
:24:12. > :24:17.actress emerging which is fantastic. Some really fantastic straight legs
:24:17. > :24:21.with the wonderful hip action which was beautiful to see. Back drag I
:24:21. > :24:26.didn't like very much because of your leg shaping but I know you had
:24:26. > :24:29.a bit of a costume drama. You need to get air underneath that chiffon
:24:29. > :24:33.and get your arm out the way sooner, that was my point last week. You
:24:33. > :24:38.have to get that happening. But, you are improving and it's
:24:38. > :24:48.wonderful to see. Exactly. APPLAUSE
:24:48. > :24:49.
:24:49. > :24:54.Marvellous. Not too much soft pedalling! Darcey? You do look like
:24:54. > :24:57.you've just come off that set. You do look beautiful. There were no
:24:57. > :25:03.nerves and there were some sensual moves happening there. I like that
:25:03. > :25:07.and the rumba has to have that. When I mentioned about your splayed
:25:07. > :25:12.fingers last time. A tip maybe in rehearsals to help this, because
:25:13. > :25:17.they are very visual - can I have your hand please - think of a small
:25:17. > :25:27.piece of paper, smaller than that, work with that and you will create
:25:27. > :25:31.
:25:31. > :25:35.a better line eventually. Thank you, You are improving every show, you
:25:35. > :25:39.are. Len's face while all that was going on. All good. I'm in a good
:25:39. > :25:46.mood so I'm not going to be moaning. This is like ride ago bike, got on
:25:46. > :25:49.week one, git going so it was a bit wob by -- get going. Last week, you
:25:49. > :25:52.get yourself pedalling along and this week you have carry on the
:25:52. > :25:56.pumping the tyres and getting yourself going down there. Keep
:25:56. > :25:59.your eyes on the road ahead and keep working like this. You are a
:26:00. > :26:05.bit unstable here and there, you know that, but you had the frock
:26:05. > :26:15.issue and this and that, I thought you did it really well. Well done.
:26:15. > :26:26.
:26:26. > :26:30.Keep working hard! Away you go! Fabulous. You beautiful lady.
:26:30. > :26:35.Wardrobe malfunction. I nearly strangled myself and Brendan like
:26:35. > :26:40.this. I know. That aside, it was fabulous. Whilst we are talking
:26:40. > :26:44.about frocks, a big shout out to the costume department. Today's
:26:44. > :26:48.show... Couldn't have said it better myself. Craig said that you
:26:48. > :26:53.are beginning to look like an actress. You have never acted, you
:26:53. > :26:58.are not an entertainer, how did you get into character? It's quite easy
:26:58. > :27:02.isn't it when you are working with such a handsome young man here. Pay
:27:02. > :27:06.you later, pay you later... A great teacher. And Brendan, do you think
:27:06. > :27:11.she's got more to give, our Victoria? I know she has. Without
:27:11. > :27:15.the frock malfunctions, that could have been a very, very strong
:27:15. > :27:19.contender, but week-by-week we'll grow. She has what it takes, I'm
:27:19. > :27:29.loving working with her, it's all good.
:27:29. > :27:43.
:27:43. > :27:47.The scores are in. Practising the 22 for Victoria and Brendan.
:27:47. > :27:52.Brendan's got a very tight face. Yes. If that's what they think,
:27:52. > :28:02.I'll take that, thank you very much. OK. Can we do it again, please?
:28:02. > :28:02.
:28:02. > :28:08.you want to see Victoria's name in lights, call from your mobile or
:28:08. > :28:12.landline. The lines open after everybody's danced. That was
:28:12. > :28:22.fabulous that, back to Bruce. Next up is Michael Vaughan and his
:28:22. > :28:23.
:28:23. > :28:28.partner, Natalie Lowe. Right, Michael told me people keep taking
:28:28. > :28:38.the Mickey out of him for being a cricketer. I said, how's that, and
:28:38. > :28:43.he said don't you start. Even Len is laughing, you are in a good mood
:28:43. > :28:53.Len! He's laughing at anything, especially everything I say. Here
:28:53. > :28:53.
:28:53. > :29:03.they are in training. Oh, my God, you are like a wild
:29:03. > :29:04.
:29:04. > :29:09.goose. I thought I did all right. That's the basic fact. I didn't
:29:09. > :29:15.think it was that bad. Eventually, I wouldn't mind a few good comments.
:29:15. > :29:20.At the minute, I'm getting battered. This week, it's Strictly does
:29:20. > :29:26.Hollywood and I've gone for a Sheffield classic, the Full Monty.
:29:26. > :29:31.Welcome to Sheffield, a City on the move. Thanks to modern industry,
:29:31. > :29:34.efficient trams and this twinkle toes. It's not all hard work for
:29:34. > :29:44.the people of Steel City. Michael here is learning a new hobby. By
:29:44. > :29:44.
:29:44. > :29:49.jof, look at that plucky little fellow. -- by jove. A dad trying to
:29:49. > :29:59.learn how to dance. Because we were bottom of the leaderboard, we've
:29:59. > :30:08.
:30:08. > :30:18.decided that we are going to Dancing the cha-cha-cha, Michael
:30:18. > :30:18.
:30:18. > :32:10.Apology for the loss of subtitles for 185 seconds
:32:10. > :32:18.You nearly went over. What about that! The overt was over. What did
:32:18. > :32:23.you order for breakfast? The full works. Hot it was not,
:32:23. > :32:31.unfortunately. Timing issues of throughout. It was awkward all the
:32:31. > :32:41.way through. You when landing like a felled tree. I suspect Latin is
:32:41. > :32:41.
:32:41. > :32:50.not going to be your dance. Better than last week. I think he is.
:32:50. > :32:55.APPLAUSE Michael, I was so much happier with your performance
:32:55. > :33:04.because you were happier on the dancefloor. Even though the timing
:33:04. > :33:11.was apt, if your top and lower body were now at least connected. -- was
:33:11. > :33:20.out, Europe top and lower body were now at least connected. What about
:33:20. > :33:26.men? There was an odd moment where you lost a bit of timing. Virtually
:33:26. > :33:32.all our celebrities do. On the forward and backward steps, you are
:33:33. > :33:42.straightening your leg. I thought you had good hip action. Last week
:33:43. > :33:47.
:33:47. > :33:55.was Boreham wet and this week was quali Wedd. Well done! -- Hollywood.
:33:55. > :34:05.I was disappointed. What we your hips doing? You have got to listen
:34:05. > :34:06.
:34:06. > :34:16.to the music. -- what weren't your hips doing? You'd go completely off.
:34:16. > :34:16.
:34:16. > :34:26.Nissan to the music. -- listen to the music. We're all loved it.
:34:26. > :34:33.
:34:33. > :34:39.Very nearly bowled over at the end. I nearly went flying on that chair.
:34:39. > :34:47.It could have been the best bet. D'Arcy said you always give it your
:34:47. > :34:55.all. Are you enjoying it? -- Darcey Bussell said. I am trying to learn
:34:55. > :35:05.and putting the hours in. I just have to go for it. They are better
:35:05. > :35:07.
:35:07. > :35:17.hips and last week. Can we see them? The scores are in. Craig
:35:17. > :35:29.
:35:29. > :35:36.Revel Horwood... Darcey Bussell... Better than last week. What is next
:35:36. > :35:44.week? The Quickstep. Will you be here to do that? I would love to be.
:35:44. > :35:50.If you want to see more, call from a mobile phone or from the land
:35:50. > :35:57.line when the phone lines open later on in the show. This is
:35:57. > :36:07.Saturday night's main feature and it is only just getting started.
:36:07. > :36:12.
:36:12. > :36:17.Bring me some sweets! Thank you. Our next couple is Jerry Hall and
:36:17. > :36:22.Anton du Beke. When she starred in the stage version of The Graduate'
:36:22. > :36:27.Jerry played an older woman who seduced a younger man. This might
:36:27. > :36:37.surprise you, but I'd love to be seduced by an older woman. But I
:36:37. > :36:40.
:36:40. > :36:49.don't think there's any left. That is not funny her! Here they are in
:36:49. > :36:58.training. I was elated about Saturday night. The dance went
:36:58. > :37:06.really well but the judges were harsh. You are to vertical. Lift
:37:06. > :37:11.and separate. I did agree with them. I have taken that criticism on
:37:12. > :37:21.board for the next dance. I do not think that is fair. We did not make
:37:21. > :37:31.any mistakes. None at all. We are going to give them off next week.
:37:31. > :37:34.
:37:34. > :37:44.Welcome. Action! We will be doing that Quickstep to Mrs Robinson from
:37:44. > :37:49.
:37:49. > :37:56.the Graduate. Jerry Hall played her. She is -- corrupted into decadent
:37:56. > :38:03.ways by an older, experienced woman. I want to concentrate on my posture.
:38:03. > :38:13.I have to give an Oscar winning performance ought it is curtains
:38:13. > :38:16.
:38:16. > :38:26.for me, baby! -- or it is curtains. Dancing the quickstep, Jerry Hall
:38:26. > :38:26.
:38:26. > :40:08.Apology for the loss of subtitles for 185 seconds
:40:08. > :40:17.Come back out here. Would you mind? I have never seen anything like it.
:40:17. > :40:27.For goodness sake! That was your best dance to date. Thank you.
:40:27. > :40:31.
:40:31. > :40:37.What are you doing in knows cricket trousers? The Quickstep suits you.
:40:37. > :40:43.Maybe because you like telling the story of Mrs Robinson. You must not
:40:43. > :40:49.tell us you are coming to the end of the dance. Do not fade. You
:40:49. > :40:59.started so well and by the end you faded. In any performance, you must
:40:59. > :40:59.
:40:59. > :41:09.not fade. I liked it. I liked it a lot. So much better. I have got to
:41:09. > :41:11.
:41:11. > :41:18.say, we have a problem. It was a bit Upstairs Downstairs. Oh, no!
:41:18. > :41:28.There are still a few problems Upstairs. Downstairs, you are quite
:41:28. > :41:42.
:41:42. > :41:50.I am talking about her of that work. -- footwork. I will move on now.
:41:50. > :41:57.The whole thing would have been better behind the screen. Oh, no!
:41:57. > :42:07.Pastor, posture, posture. There was an improvement from last week, you
:42:07. > :42:17.have got to say that. I am glad you think so. We all thought it was
:42:17. > :42:40.
:42:40. > :42:50.better than last week. That is all Come on, jerry! You are Hollywood.
:42:50. > :43:00.You must feel at home with all this blitz and glamour. It is one for
:43:00. > :43:05.
:43:05. > :43:15.eight a T, so vote for me. -- HRT. Next week we will be dancing to
:43:15. > :43:18.
:43:18. > :43:28.Paint It Black. These schools are Craig Revel Horwood... Darcey
:43:28. > :43:37.
:43:38. > :43:47.Bussell... Len Goodman... Bruno I do not think that is right. I
:43:48. > :43:51.
:43:51. > :43:54.think that should have been more. There was a definite improvement.
:43:54. > :43:58.If Jerry's the starlet you want in a starring role - call from your
:43:58. > :44:02.mobile, or landline. But don't you pick up the phone until we let you
:44:02. > :44:05.know that the lines are open. Still loads more to come, including Nicky
:44:05. > :44:15.Byrne looking smoking hot, and Lisa getting a little Hanky Panky.
:44:15. > :44:22.Naughty, the lot of you! I've read at the wrong number of bomb Michael
:44:22. > :44:32.and Natalie. -- I read out the wrong number for Michael and
:44:32. > :44:45.
:44:45. > :44:52.Sid, since you started on Strictly, we have seen the fun side of him.
:44:52. > :44:59.Is he going to get on with the mean and moody tango? Here they are in
:44:59. > :45:04.training. Saturday was great. Loved it.
:45:04. > :45:10.Enjoyed every minute of it. went wrong a little bit, but he
:45:10. > :45:15.really went for it. Didn't drop me on my face, which is good. It's
:45:15. > :45:19.supposed to be from Kingston in Jamaica, but it was more like
:45:19. > :45:25.Kingston upon Thames. Lods of hips, baby. All the comments were very
:45:25. > :45:30.fair. We need to work harder. I would love to do it again. Front...
:45:30. > :45:35.This week is Strictly does Hollywood and I'll be dancing to
:45:35. > :45:40.rock of ages, Here I Go Again. I've got to be a rock star this week, so
:45:40. > :45:47.I'm going to have as much fun as I can with it. No. All right, one of
:45:47. > :45:50.those. Get ready to rock! Show me. I think he's embarrassed at doing
:45:50. > :45:56.the steps. I think I'm a good teacher but... What I need him to
:45:57. > :46:03.do is perform in a rehearsal studio so he's used to the performance all
:46:03. > :46:09.the time. Saturday, I can't improve him, it's too late. Dance to a rock
:46:09. > :46:19.star, you can do it. As long as Sid can become a rock star like Freddie
:46:19. > :46:20.
:46:20. > :46:26.Mercury, Gene Simmons, we should be fine. What do you think? Yeah. No
:46:26. > :46:36.problem. Dancing the tango from the movie Rock of Ages, Sid Owen and
:46:36. > :46:36.
:46:36. > :48:08.Apology for the loss of subtitles for 185 seconds
:48:08. > :48:15.CHEERING AND APPLAUSE What about those two?!
:48:15. > :48:21.The rocker. What have you done to him?-On. Len, start off with you?
:48:21. > :48:26.don't know about Rock of Ages, you took blooming ages to get started.
:48:26. > :48:34.Once you did, it wasn't too bad, but there was no sharpness, no
:48:34. > :48:41.aggression in the dance, too smooth, Sid, too smooth.
:48:41. > :48:47.BOO. Bruno? I don't know if I was watching Les Dawson trying to be
:48:47. > :48:54.van Halen in AC/DC. Len is right, it was a lot of head banging but
:48:55. > :49:04.once you got into the tango it wasn't good. Craig? Stompy, clompy,
:49:05. > :49:06.
:49:06. > :49:16.clumpy. Don't take it to heart. Thank you, Bruce. Just get up the
:49:16. > :49:17.
:49:17. > :49:21.stairs as quick as you can. Off you APPLAUSE
:49:21. > :49:28.Rock'n'roll, Sid. The judges' comments aside, how did
:49:28. > :49:36.it feel to act like a rock God? Well I enjoyed it. We did, it was
:49:36. > :49:43.brilliant. You always have the Strictly smile in place, it's good.
:49:43. > :49:53.I'm sorry. Emotional again? No. tears here today. Time now to
:49:53. > :50:03.
:50:03. > :50:08.17. Your lowest score to date. I actually thought that was the most
:50:08. > :50:13.original tango we have ever seen on Strictly Come Dancing. Rock'n'roll.
:50:13. > :50:22.I don't know what the judges were looking at. Ten out of ten for
:50:22. > :50:25.entertainment. These two want to be back next week, right? Yes. Yes,
:50:25. > :50:30.please. We want them back. Tomorrow night, another couple will be
:50:30. > :50:38.leaving the show whether we like it or not. To vote for your favourites
:50:38. > :50:45.when the lines open, pick up the phone. Back to Bruce.
:50:45. > :50:51.It was me! Right... I thought Bruce, who's that?!
:50:51. > :50:57.Next, it's Kimberley Walsh and her partner... APPLAUSE
:50:57. > :51:02.Very popular lady, yes. And her partner Pasha Kovalev. They are
:51:02. > :51:06.dancing to a song from Summer Stock, a marvellous musical starring the
:51:06. > :51:12.one and only Gene Kelly. What a dancer he was that man. I actually
:51:12. > :51:18.watched the film this afternoon with the judges. Bruno side Gene
:51:18. > :51:25.Kelly was brilliant. Len said he was a dancing dazzling star, Darcey
:51:25. > :51:33.said he was a superb move and Craig gave him a six. Gene Kelly a six, I
:51:33. > :51:39.ask you. Here they are in training. Our dance on Saturday night was
:51:39. > :51:44.probably the worst that we've ever done it. Len's comments were
:51:44. > :51:48.actually fair. I didn't expect him to be quite so angry though.
:51:48. > :51:52.thought it was limp. I didn't feel there was enough conviction. Our
:51:52. > :51:56.expectations are huge for you. You've got to to better than that,
:51:56. > :52:01.girl. We did it so much better earlier on. I was so disappointed
:52:01. > :52:04.in myself really because I knew that I hadn't done the best that I
:52:04. > :52:10.could have. Kimberley got a bit emotional after the dance and I
:52:10. > :52:16.think it's only because she's a perfectionist. It was really good.
:52:16. > :52:22.It wasn't. It was really good. The song we've got this week is very
:52:22. > :52:26.fitting. It's a classic Hollywood Judy Garland song and I absolutely
:52:26. > :52:31.love her. It's forget your troubles, come on get happy and I think
:52:31. > :52:34.that's what I should do, to be honest. The steps are not that
:52:34. > :52:40.difficult actually. I'm still here, I can see what you are saying.
:52:40. > :52:47.hard not to be happy. As soon as the music starts, it's such an
:52:47. > :52:51.uplifting song that you immediately feel like bum bum... Will you make
:52:51. > :52:55.me happy, it will make me happy if she does well with the quickstep. A
:52:55. > :53:01.surprise to make her happy. I know you are feeling low this week but
:53:01. > :53:07.here is something to cheer you up. I'm happy so I hope the judges will
:53:07. > :53:15.be too on Saturday night. Dancing the quickstep from the
:53:15. > :53:25.movie Summer Stock, Kimberley Walsh and Pasha Kovalev.
:53:25. > :53:25.
:53:25. > :55:00.Apology for the loss of subtitles for 185 seconds
:55:00. > :55:08.What about this?! Oh, lovely. Kimberley and Pasha.
:55:08. > :55:13.Look at this. Look at them. It's all for you. That was lovely,
:55:13. > :55:18.really lovely. What a great tempo and the way you did that. Bruno?
:55:18. > :55:23.Now we're in business, Kimberley. Beauty, glamour, light, lovely. You
:55:23. > :55:30.really captured the spirit of the song, your frame much better, the
:55:30. > :55:37.body contact much better. You've shown that you can be wonderful.
:55:37. > :55:44.Now, we are going straight to Darcey because we are pushed for
:55:44. > :55:48.time if I go to three. Beautiful light steps. Also in the top hold,
:55:48. > :55:56.you have really work on the that, your core, I can see you've work on
:55:56. > :56:04.the that. Always such a pleasure to watch. You really are.
:56:04. > :56:10.Now then, Len is smiling but... Good news from Goodman. I liked it.
:56:10. > :56:14.Pasha, tell me what's happening, she's getting too far over on the
:56:14. > :56:20.right side and then her arm's too straight. You understand what I'm
:56:20. > :56:30.saying but you've done it well. understand. Tell her again though.
:56:30. > :56:37.
:56:37. > :56:41.Liked it a lot, such an improvement. Kimberley. When she smiles that
:56:41. > :56:50.beautiful smile, everybody gets happy. Thank you. Happier than last
:56:50. > :56:57.week? Yeah, yeah. It was fun. you breathe? I really did enjoy it.
:56:57. > :57:01.Not sure what happened out there but I enjoyed it. Out-of-body. Is
:57:01. > :57:11.Pasha like the other girls from Girls Aloud? He should be. He's got
:57:11. > :57:25.
:57:26. > :57:30.Wow. Come on! You've got to be happy with that. Your highest score
:57:30. > :57:34.so far. Well deserved. Has Kimberley's quickstep made you
:57:34. > :57:39.happy? If so, show your appreciation by calling from your
:57:39. > :57:43.mobile or landline. In tomorrow's show, two of our Hollywood stars
:57:43. > :57:46.will go head-to-head in the dance- off. Who is it going to be? Back to
:57:46. > :57:54.Bruce. Thank you, Tess. The next couple is
:57:54. > :57:59.Denise Van Outen and her partner James jor doon -- James Jordan. Now
:57:59. > :58:04.then, Denise has been performing since she was 12 years old. She
:58:04. > :58:11.said, Bruce, showbiz is in my blood. I said I know what you mean,
:58:11. > :58:21.showbiz used to be in my blood, nowadays it's Coe and cod liver oil.
:58:21. > :58:25.
:58:25. > :58:30.Awww... Here they are in training. -- Coe coacoa and cod liver oil.
:58:30. > :58:35.wanted to dance this well because James tells me he's the King of
:58:35. > :58:40.jive. There is a Lynndie, as you flick your arms and legs. I could
:58:41. > :58:49.see Len singing along to tuty fruity and it made me laugh.
:58:49. > :58:53.were shaking it. That was my cup of tea! Fab-u-lous. I've been doing
:58:53. > :59:02.this show seven years and I've never had a fabulous from Craig!
:59:03. > :59:09.Woo-hoo, come on! This week, we are going to be doing
:59:09. > :59:14.the foxtrot to a Toy Story song, you've got a friend in me. I love
:59:14. > :59:18.Toy Story, so I'm really excited to be dancing to that. We work really,
:59:18. > :59:27.really hard, but we play hard too. I thought, we've got to get in the
:59:27. > :59:32.spirit of the dance and play lots of games. Posture! Compression. I
:59:32. > :59:40.don't understand. Definitely I found a friend in Denise. I think
:59:40. > :59:50.on Saturday night, Denise is going to be amazing... Put a sock in it,
:59:50. > :59:51.
:59:51. > :00:01.James. Dancing the foxtrot from the movie Toy Story, Denise Van Outen
:00:01. > :00:01.
:00:01. > :01:36.Apology for the loss of subtitles for 185 seconds
:01:36. > :01:46.and James Jordan. Lovely. Absolutely lovely! Great
:01:46. > :01:51.
:01:51. > :01:57.posture. Great control. Beautifully Craig is right. You can dance.
:01:57. > :02:05.Beautiful, clean turns. Watched that you do not get too comfortable.
:02:05. > :02:12.You look relaxed when you perform. I am really nervous. It does not
:02:12. > :02:20.show. A very elegant couple you were. This is a complete contrast
:02:20. > :02:30.to last week but never the less good. I am giving you a burble pat
:02:30. > :02:44.
:02:44. > :02:51.on the back. -- verbal. Nice You are made for each other. You
:02:51. > :03:01.set off the story so well. Then you got into that Fox trot. It was
:03:01. > :03:07.
:03:07. > :03:17.smooth and gliding. -- foxtrot. I thought it was great. You should be
:03:17. > :03:20.
:03:20. > :03:28.very happy. Away you go. Up the Did you ever think that Darcey
:03:28. > :03:33.Bussell would call you elegant? in a million years. Nor did I.
:03:33. > :03:38.Outstanding praise from all the judges. Is it adding to the
:03:38. > :03:48.pressure and expectation? Definitely. I was really nervous.
:03:48. > :03:52.So was I. James, your most wooden performance to date. Get it? It
:03:52. > :04:02.looked good on paper. The judges' scores are in, let's have a look.
:04:02. > :04:17.
:04:17. > :04:24.Brilliant scores put up same as last week. Really well done. --
:04:24. > :04:27.brilliant scores. I am glad they commented on your foot work. So, if
:04:27. > :04:30.Denise and James are your screen idols, then call from your mobile
:04:30. > :04:39.or your landline. The lines won't open until everyone has danced,
:04:39. > :04:49.though, so move away from those phones. Who will be a Hollywood hit
:04:49. > :04:49.
:04:49. > :04:56.and he will be a box office flop? Our next couple is Colin Salmon and
:04:56. > :05:05.Kristina Rihanoff. They're doing the Tango to a James Bond theme.
:05:06. > :05:15.But Colin has told me he's only doing a couple of lifts. I said,
:05:16. > :05:18.
:05:18. > :05:26.only a couple of lifts? Why?' He said, it's obvious. If you're
:05:26. > :05:31.dancing to a James Bond theme You Only Lift Twice. Here they are in
:05:31. > :05:36.training. I thought last Saturday went well. We got to the end of the
:05:36. > :05:45.Bols and I did not fall over. I think regenerated the right amount
:05:45. > :05:54.of romance. I was pleased. -- we generated. I felt like A Little
:05:55. > :06:01.Princess next to Colin. Yorke double hand flicking is quite
:06:01. > :06:10.vexatious. -- your double hand. that is the only thing they can
:06:10. > :06:15.point out, I am proud of him. He is doing an outstanding job. This week,
:06:15. > :06:22.we have been dancing to a James Bond theme but I have been shooting
:06:22. > :06:28.for a film in Vancouver. Colin is away filming but that is no excuse.
:06:28. > :06:37.He should be dancing at all times. I am on a mission to find him and
:06:37. > :06:43.make him dance. I think I have found him. This is a good place to
:06:43. > :06:51.do something. I think my mission is accomplished. It was so worthwhile
:06:51. > :06:59.to travel from London to bank uber. I am so glad she tracked me down. -
:06:59. > :07:09.- Bank uber. Dancing the Argentine Tango, Colin Salmon and Kristina
:07:09. > :07:09.
:07:09. > :08:53.Apology for the loss of subtitles for 185 seconds
:08:53. > :09:00.Well done. Lovely atmosphere to that. I was so hoping you were
:09:00. > :09:06.going to give us the spy treatment in your dancing. The only thing I
:09:06. > :09:16.would have liked to have seen a much dirtier spy. The Argentine
:09:16. > :09:22.tango is a dirty street dance. have never been there! Your
:09:22. > :09:32.partnering was very impressive. She was throwing herself at you - legs
:09:32. > :09:35.
:09:35. > :09:41.going everywhere. Take more risks next time. I was more shaken than
:09:41. > :09:47.stirred. You acted it out but you are an actor. Take away the stuff
:09:47. > :09:57.on the table and the lifts, for me, there was not enough Argentine
:09:57. > :10:02.tango going on. You did OK. You can do character. You do that very well.
:10:02. > :10:12.You can take anything they'd throw at you. She threw everything she
:10:12. > :10:14.
:10:14. > :10:21.had. That distracts. It would be nice to see you do a bit more
:10:21. > :10:27.dancing. As an actor, you can sell it. Something to think about.
:10:27. > :10:32.was full of authority and dominance, which I absolutely love. I thought
:10:32. > :10:41.the lifts were spectacular. You really went for it. They were not
:10:41. > :10:51.easy. Fantastic work will start what about that! -- fantastic work.
:10:51. > :10:56.
:10:56. > :11:02.That was smoking hot. Was it mission accomplished? Yes. Given
:11:02. > :11:10.the time we had to direct, I am thrilled with that. 10 hours for
:11:10. > :11:20.the whole dance. That is not a lot. Darcey Bussell said you can bring
:11:20. > :11:40.
:11:40. > :11:43.more. What more have you got to That was your strongest score to
:11:43. > :11:49.date. If you think Colin and Kristina's Argentine Tango was
:11:49. > :11:59.oscar-worthy, then call from a Please don't pick up the phone
:11:59. > :12:01.
:12:01. > :12:07.And if you want loads more exclusive Hollywood gossip from
:12:07. > :12:17.tonight's show, head on over to the website. Back to you, Bruce.
:12:17. > :12:27.
:12:27. > :12:32.next couple is Richard and Erin. As you know, Richard is a showbiz
:12:32. > :12:42.correspondent and he's already got loads of gossip about Strictly. He
:12:42. > :12:52.said he gets all the gossip from Test. Here they are in training. -
:12:52. > :12:54.
:12:54. > :13:01.us Tess Daly. I turned to the judges and they were like, really?
:13:01. > :13:08.The couple who will compete in the dance of his Richards and Erin Boag.
:13:08. > :13:16.It is brutal. You have to go there and dance a heart out. I would like
:13:16. > :13:26.to say that Richard, Richard. -- your heart out. The only way it is
:13:26. > :13:34.
:13:34. > :13:44.up. We are dancing to one of my all-time favourite songs. Working
:13:44. > :13:58.
:13:58. > :14:08.for Breakfast television, I am more Millions of you are watching.
:14:08. > :14:08.
:14:08. > :15:55.Apology for the loss of subtitles for 185 seconds
:15:55. > :16:05.Dancing the Quickstep, Richard APPLAUSE Well done, you.
:16:05. > :16:06.
:16:06. > :16:13.Well done Richard and Erin. You are very generous, thank you.
:16:13. > :16:16.Quite an experience. I do apologise for interrupting you. It won't get
:16:16. > :16:21.a star on the Hollywood Walk of Fame but it was bright and lively.
:16:21. > :16:29.A little mincey occasionally in the footwork. I don't know whether to
:16:29. > :16:37.rinse it or mince it! Flow, my old sausage, flow. I liked it!
:16:37. > :16:41.I thought you were very good. I real - really meant that. Bruno?
:16:41. > :16:45.was expecting the full Dolly Parton wig and everything but it was good.
:16:45. > :16:51.You listened to the boss, you worked very, very hard, a lot of
:16:51. > :16:54.improvement, your frame and footwork was better. Without
:16:54. > :17:04.histrionic and just enough comedy at the beginning to set it up so I
:17:04. > :17:13.thought it was very good. Craig? didn't mind it actually. Was that
:17:13. > :17:19.you?! Nimble footwork, well done. You've only got Darcey to go and I
:17:19. > :17:26.think she's in a kind mood. Darcey? Richard, your best dance so far.
:17:26. > :17:30.Thank you. You were fast. When you get tired, make sure your weight
:17:30. > :17:39.doesn't go back on the heels, but I really like the style that you gave
:17:39. > :17:47.to that quickstep. Very nice. you go. Well done, Erin as well.
:17:47. > :17:51.Erin and Richard. What?!
:17:51. > :17:57.Tricky Dicky's worked hard this week! She kept saying, the
:17:57. > :18:01.quickstep's all about being out in front. And I said Dolly's got a
:18:01. > :18:07.higher centre of gravity there so she has an advantage. That must
:18:07. > :18:12.have boosted your confidence after last week? You always fall on the
:18:12. > :18:19.night and this crowd is phenomenal, you go out there and we have a
:18:19. > :18:23.phrase in Scotland where I grew up "Give it loudy". And then some?
:18:24. > :18:30.and I'm going to have to give Anton his spanks back. I'm wearing
:18:30. > :18:40.Brendan's shoes. They worked. Must be lucky shoes. Twinkle toes.
:18:40. > :18:48.
:18:48. > :18:52.25. Highest score so far. It is your highest to date. If you want
:18:52. > :19:00.to stop Richard from ending up on the cutting room floor, call from
:19:00. > :19:06.your mobile or landline. We have been there before!
:19:06. > :19:10.Well done... When the phone lines open, call, and not a moment before.
:19:10. > :19:14.Danny will channel Dorothy and Louis will be Dirty Dancing.
:19:14. > :19:23.Getting hats thrown at me. Thank you so much. Back to you, Bruce.
:19:23. > :19:28.Our next couple is Dani Harmer and her partner Vincent Simone.
:19:28. > :19:33.Now, Dani is such a big fan of mine, she really is. Do you know, she
:19:33. > :19:39.even has a mug at home with my face on it. I said, do you use it much
:19:39. > :19:46.and she said oh, yes, the dog won't drink out of anything else. Sorry,
:19:46. > :19:54.I laughed at that before the end. I thought it was so funny. To
:19:54. > :19:59.myself... Anyway, here they are in training.
:19:59. > :20:04.Saturday night was absolutely awesome. I had so much fun. Finally
:20:04. > :20:09.Dani came out of her shell. little munch kin, you were full on
:20:09. > :20:16.and flat out and I liked it. Well done. I wasn't completely fond of
:20:16. > :20:21.the dismount. You went splat, darling. Yes, yes, yes, yes! I got
:20:21. > :20:26.a seven! That's all I wanted throughout the whole series and I
:20:26. > :20:31.managed to get it on the second week. This week I'm so excited. One
:20:31. > :20:37.of my favourite films of all-time is Wizard of Oz and I get to dance
:20:37. > :20:43.to Somewhere Over The Rainbow. way you walk... I'm in pain. Dani's
:20:43. > :20:48.been struggling with dance shoes. Sorry. I hate my ballroom shoes,
:20:48. > :20:53.they absolutely kill my feet. need a man to do it for you. I'll
:20:53. > :21:00.call him for you. You need dance shoes otherwise you won't be able
:21:00. > :21:03.to move all the musnls the little feet. I'm -- muscles in the little
:21:03. > :21:08.feet. I'm sure Dorothy wore trainers. The only thing that can
:21:08. > :21:13.save me now is if someone turned up with some magic Ruby slippers.
:21:14. > :21:17.Magic slippers for you. I could click my heels together, there's
:21:17. > :21:21.no-one like Vincent. And I would be a brilliant dancer. This is the
:21:21. > :21:31.best you've ever danced. Must be the Ruby slippers. Dancing the fox
:21:31. > :21:32.
:21:32. > :21:42.trt from the movie the wizard of as, Dani Harmer and Vincent Simone. --
:21:42. > :21:42.
:21:42. > :23:04.Apology for the loss of subtitles for 185 seconds
:23:04. > :23:10.MUSIC: # Somewhere Over The CHEERING AND APPLAUSE
:23:10. > :23:14.Aw look at that. That was so beautiful!
:23:14. > :23:20.Betty been a good girl? Very good. A little treat from uncle Bruce.
:23:20. > :23:25.Yes, just a little treat. Don't have my fingers off, OK. She's
:23:25. > :23:30.beautiful. Gore Gorgeous. The dog stopped the applause from really
:23:30. > :23:39.going up. Never work with dogs. Bruno, start us off. Friends of
:23:39. > :23:43.Dorothy are going to be so pleased. You know that takes me back. It was
:23:43. > :23:48.so pretty. It was. You remember we were saying about linking the lines
:23:48. > :23:58.when you did the moves, you did it so beautifully, flawlessly moving
:23:58. > :23:59.
:23:59. > :24:05.romantic, sweet. I really, really loved it. Thank you. Yay. Craig,
:24:05. > :24:08.start us off? I absolutely loved the routine, thought you did a
:24:08. > :24:11.wonderful job, Vincent, choreographing that. Your turns are
:24:11. > :24:18.clean, you have a habit still looking down to the throor when you
:24:18. > :24:25.are spotting, you need to put the eyes up -- floor. When you do a
:24:25. > :24:30.certain move rbgs you need to extend. The unfolding, yes, keep
:24:30. > :24:36.stretching it. I agree. Darcey? do always surprise me, Dani. There
:24:36. > :24:42.was control in your gliding, it was smooth and you didn't forget that
:24:42. > :24:46.beautiful necklace in your hold. So yes, keep working hard because you
:24:46. > :24:50.are doing wonders every week coming out. Well, my little munch kin.
:24:50. > :24:58.Take the red shoes, walk down that yellow brick road, straight into
:24:58. > :25:04.next week, because that was great! Look at the little red shoes. I'll
:25:04. > :25:14.tell you, the dog did spoil the applause. Take her off now. Betty.
:25:14. > :25:17.
:25:17. > :25:22.Away you go. Thank you so much. CHEERING AND APPLAUSE
:25:22. > :25:32.What a dog! A little Toto or Betty. Can we keep
:25:32. > :25:33.
:25:33. > :25:37.him? Not a friend of yours, Vincent. Just jealous that I'm better
:25:37. > :25:41.looking. He wants the spotlight. Darcey said that you are doing
:25:41. > :25:47.wonders every week. How is that for you? Just the best thing to have
:25:47. > :25:51.that come from Darcey, honestly, but this man is a genius. I think
:25:51. > :25:56.Vincent would be the first to agree with you. How are the Ruby slippers
:25:56. > :26:01.to dance in? They're amazing. I'm hoping to keep them because they to
:26:01. > :26:11.actually feel like slippers compared to my old ones. Beautiful.
:26:11. > :26:29.
:26:29. > :26:32.29. That is your highest score so far. Flawless foxtrot. Betty, you
:26:32. > :26:38.are a good luck charm. No place like home, but Dani doesn't want to
:26:38. > :26:48.two there yet, do you? Definitely not. To keep her out of the dance-
:26:48. > :26:51.
:26:51. > :27:01.off, call from your mobile or Back to Bruce.
:27:01. > :27:04.
:27:04. > :27:14.Dani, don't worry about cleaning up after the dog. I've already done it.
:27:14. > :27:20.
:27:20. > :27:30.Urgh... Pass it along. Not in the audience! Right, our next couple is
:27:30. > :27:32.Lisa Riley and her partner, Robin Windsor.
:27:32. > :27:37.LAUGHTER Lisa's had a great start to the
:27:37. > :27:45.series, but can she keep it up? I think she will. Anyway, here they
:27:45. > :27:51.are in training. It really was fairytale when that
:27:51. > :27:55.clock struck 2011 and it went boing, I really felt like Cinderella at
:27:55. > :27:58.the ball. I love the focus in your eyes, creates a wonderful mood.
:27:58. > :28:02.were so into it, you were almost leading him. He's the prince, he's
:28:02. > :28:07.got to lead. At the end of the day, I'm an actress, I want to be a
:28:07. > :28:10.leading lady. Sometimes I need a bit of a forceful hand. I thought
:28:10. > :28:15.you danced with great dexterity, I thought it was light. Never been
:28:15. > :28:17.called light in my life, ever. I thought what they said was
:28:17. > :28:24.absolutely right, I'll take everything on board and we'll work
:28:24. > :28:30.on it won't we? We will. Action. Our movie is Dick Tracy and we are
:28:30. > :28:35.doing the jive to Hanky Panky. and fabulous, just like she is.
:28:35. > :28:40.I've never danced this fast in my life. I love being cheeky, it's my
:28:40. > :28:47.personality, it's what I'm about. Being an actress, she can pull off
:28:47. > :28:51.any character that I give her. Madonna in the movie was the gang
:28:52. > :28:57.str's moll. As Bruno said last week about me leading, I am a bit of a
:28:57. > :29:00.boss. I'll dance with you, but only if you let me lead. -- gangster's
:29:00. > :29:07.moll. This Saturday night I know what I've got to do. I've got to
:29:07. > :29:14.get on that dance floor and bring out my cheeky and my sexy side.
:29:14. > :29:24.Dancing the jive from the movie Dick Tracy, Lisa Riley and Robin
:29:24. > :29:24.
:29:24. > :31:10.Apology for the loss of subtitles for 185 seconds
:31:10. > :31:20.You have done it again. Have you had done it again. You are so light
:31:20. > :31:21.
:31:21. > :31:26.and are off feet. Well done! -- on your feet. I get very excited
:31:26. > :31:36.watching you. I cannot tell you. You really sell a number. That was
:31:36. > :31:40.
:31:40. > :31:46.brilliant. Well done! You never fail to entertain. That was
:31:46. > :31:55.fabulous. I was missing the spring and bounce in the jive. You have it
:31:55. > :32:02.but I just missed it. The arms were fabulous. So much energy will start
:32:02. > :32:10.I led to that performance. -- energy. I love to that performance
:32:10. > :32:20.will start you are a great big bundle of joy. You capture the
:32:20. > :32:24.
:32:24. > :32:32.feeling of the jive but I have to say, you are a goer. You give a
:32:32. > :32:38.good time no matter what. That vitality. Light on your feet. I
:32:38. > :32:48.love watching you. You are like a breath of fresh air. You bring the
:32:48. > :32:58.whole room to its feet. Absolutely marvellous! Who would have thought
:32:58. > :33:08.
:33:08. > :33:15.Dingle was a dancer? Off you go, Cheeky, cheated -- cheeky girl! How
:33:15. > :33:22.much fun did you have? It was brilliant. Craig it is being so
:33:22. > :33:30.kind. It is search a workout. You are more out of breath. Is this the
:33:30. > :33:40.fittest you have ever be done? never thought my thighs would ever
:33:40. > :33:59.
:33:59. > :34:09.be on British television. These That was a nice score. What do you
:34:09. > :34:16.
:34:16. > :34:26.think? Do you think that Our next couple is Nicky Byrne and
:34:26. > :34:29.
:34:29. > :34:34.Over them last two weeks, he has received for some harsh comments
:34:34. > :34:42.from the judges. Tonight he is doing the Quickstep. Could it be
:34:42. > :34:50.third time lucky? Here they're up in training. It has gone from bad
:34:50. > :34:56.to worse. Others waiting for the applause to stop. -- I was waiting.
:34:56. > :35:03.I should be jumping off the stage. It is like an out-of-body
:35:03. > :35:12.experience. There was a point where I had to grab his face. I sought a
:35:12. > :35:16.wild man. His eyes were going all over the place. It was too much boy
:35:16. > :35:26.band dancing and not enough to cha- cha. I do not blame the judges will
:35:26. > :35:27.
:35:27. > :35:36.be giving us low scores. -- Chad cha-cha. I thought, it was horrible.
:35:36. > :35:46.I wanted to do it again. It is my fault. It is Hollywood week and we
:35:46. > :35:50.
:35:50. > :35:56.are doing a scene from The Mask. Just as well Karen is a good dancer
:35:56. > :36:02.because she is a terrible make-up artist. Going out is not an option.
:36:02. > :36:12.I feel like I have not given properly yet. It feels like a fight.
:36:12. > :36:12.
:36:12. > :37:58.Apology for the loss of subtitles for 185 seconds
:37:58. > :38:07.Dancing the Quickstep, Nicky Byrne How about that? I love that music.
:38:07. > :38:14.I thought that was great. I loved that energy, bat attack, even with
:38:14. > :38:24.that green face. -- that attack will stabbed you were having an
:38:24. > :38:25.
:38:25. > :38:34.firm on the dance floor. -- that the attack. So much of an
:38:34. > :38:41.improvement. I am so glad. Well, last week there was no life and
:38:41. > :38:50.this week it is full of life. You never straighten your legs. Unique
:38:50. > :39:00.to straighten up a bit. It is all flat. -- Uniate. I liked it. Of
:39:00. > :39:03.
:39:03. > :39:13.nice job! -- nice job! You need that mask every day. Maybe it it
:39:13. > :39:18.
:39:18. > :39:28.means you can perform and deliver. You did a very good Quickstep. You
:39:28. > :39:28.
:39:28. > :39:38.went for it and that is good to see. Thank you. We will see what Craig
:39:38. > :39:48.has to save. You are starting to win me over. -- has to say. It did
:39:48. > :39:49.
:39:49. > :39:59.replicate a tango because of unease that you did an amazing job. -- the
:39:59. > :40:10.
:40:10. > :40:20.knees. Straightened them. He will It is about time. UK him out
:40:20. > :40:20.
:40:20. > :40:30.fighting. The mask did help. -- you came out fighting. I have the teeth.
:40:30. > :40:37.
:40:37. > :40:47.I led to it. I am so proud of you. -- I loved it. You even won Craig
:40:47. > :41:06.
:41:06. > :41:16.That is more like it. That is your best score by miles so far.
:41:16. > :41:22.
:41:22. > :41:25.goal was to break 28. What do you think? Call when the lines open
:41:25. > :41:27.later. Only one more dance left to go, and voting can commence!
:41:27. > :41:31.Exciting times, but don't decide who gets your vote until you've
:41:31. > :41:41.seen them all. Who's next Bruce? Our final couple tonight is Louis
:41:41. > :42:02.
:42:02. > :42:09.They are dancing the salsa. Here I saw great posture. I saw the best
:42:09. > :42:14.dance I have seen tonight. To get that was brilliant. I felt it. It
:42:14. > :42:20.was like a Valentine's Day postcard brought to life. We did what we set
:42:20. > :42:27.out to do. We have got 30 points and a straight at the top of the
:42:27. > :42:36.leaderboard. It is fantastic. have an amazing song to dance to
:42:36. > :42:46.this week. She was saying, why have you not seen us after arm? I have
:42:46. > :42:48.
:42:48. > :42:55.been trying to educate Louis Smith. Hence, I brought him a watermelon.
:42:55. > :43:05.I have done my homework. I have looked at the dance. This is my
:43:05. > :43:05.
:43:05. > :43:15.space, this is your space. We are recreating the iconic moment of the
:43:15. > :43:16.
:43:16. > :43:21.film - the final left - which is This lift can definitely make or
:43:21. > :43:31.break the routine. I am not having the time of my life right now. It
:43:31. > :43:32.
:43:32. > :43:42.can definitely make or break me. Dancing the Salsa, Louis Smith and
:43:42. > :43:42.
:43:42. > :45:10.Apology for the loss of subtitles for 185 seconds
:45:10. > :45:20.MUSIC: # (I've Had) the Time of My APPLAUSE
:45:20. > :45:28.
:45:28. > :45:37.What about it!? What a performance. That was lovely. That was lovely.
:45:37. > :45:43.Stunning. Absolutely stunning. CHEERING AND APPLAUSE
:45:43. > :45:48.Hold on, hold on just a minute. Do you know, when I said it was going
:45:48. > :45:56.to be something from Dirty Dancing, a lady over there said, is she
:45:56. > :46:06.going to do the jump. The jump, I ask you. Len? You did the lifts
:46:06. > :46:06.
:46:07. > :46:12.excellently well, very, very good. But it lacked a bit of attack. I'm
:46:12. > :46:17.only telling him the truth about what I feel. Listen, it's only my
:46:17. > :46:23.opinion, you know. It was a little bit timid, I thought it lacked a
:46:23. > :46:29.bit of attack. I would have liked you to come out and given them a
:46:29. > :46:37.really oily dance. What is the matter with these people?! What's
:46:37. > :46:41.the matter with them?! I thought you were smooth. I thought it was
:46:41. > :46:48.very smooth, very well placed, very much the way it was done in the
:46:48. > :46:56.film. You had the iconic lift done wonderfully. And you can stretch
:46:56. > :47:06.those legs. I mean, you were like Concorde taking off! I think you're
:47:06. > :47:09.
:47:09. > :47:16.great. I thought you were going to do the jump from there. Nearly.
:47:16. > :47:23.Craig? Constained, -- contained, simmering, rotating, I loved the
:47:23. > :47:29.hip action. Fantastic. Brilliant. What a partnership you are.
:47:29. > :47:33.Darcey, darling? Yes, thank you, Louis, I saw a spark of emotion lit
:47:33. > :47:43.between you and Flavia. I would like you to get out to a nightclub
:47:43. > :47:46.
:47:46. > :47:51.and free up. The salsa has to be freer. I'll take you tonight!
:47:51. > :47:55.CHEERING AND APPLAUSE I can see why it's so controlled
:47:55. > :48:03.because to do a lift like that right at the end is so hard, I know
:48:03. > :48:07.that. It was beautifully done. Amazing. Shut up! Stop it, stop it!
:48:07. > :48:17.We'll put you back in your basket. They loved it, I thought it was
:48:17. > :48:25.
:48:25. > :48:30.tremendous. Be so proud. Go on, off APPLAUSE
:48:30. > :48:34.Sum evering. Darcey or Bruno? There we are go. Nobody puts baby
:48:34. > :48:39.in the corner. Louis, is your inner performer coming out now? I think
:48:39. > :48:45.so. Definitely. I felt a bit more calmer and in theme, so yes, we had
:48:45. > :48:53.fun. I can't believe you'd never seen Dirty Dancing. Still hasn't.
:48:53. > :48:57.Come on! Come on! He promised he would. You are on Strictly Come
:48:57. > :49:03.Dancing, you've got to get with the programme. I'm going to buy him a
:49:03. > :49:05.copy. How hard was it getting that lift right? Tricky. We practised
:49:05. > :49:11.everywhere possible. We even had some special design worked on on
:49:11. > :49:21.her skirt so she didn't slip. pulled that iconic lift off to
:49:21. > :49:39.
:49:39. > :49:45.perfection. That was fabulous. In I don't know where Len's looking!
:49:46. > :49:53.Did the Dirty Dancers do it for you? If so, call from your mobile
:49:53. > :49:57.or landline after the show. If you want to see what tricks nf treats
:49:57. > :50:01.he has in store for Halloween next week, vote for him. I can't wait!
:50:01. > :50:11.All the stars have given award- winning performances, but where did
:50:11. > :50:15.
:50:15. > :50:19.the judges score them on the Remember, the fate of your
:50:19. > :50:27.favourite is in your hands and now is the time to vote because the
:50:27. > :50:36.phone lines are finally open! Pick up the phone. The lines close
:50:36. > :50:40.at 8.45. Not long to call. Get permission from the bill payer.
:50:40. > :50:50.Here is a reminder of all of tonight's storming performances.
:50:50. > :50:50.
:50:50. > :54:42.Apology for the loss of subtitles for 185 seconds
:54:42. > :54:46.What a show tonight. And the all They all need your votes to stay in.
:54:46. > :54:50.The two kuchles with the lowest scores will face each other in the
:54:50. > :54:57.dance-off and one will leave the Strictly ballroom for ever -- the
:54:57. > :55:01.two couples with the lowest scores. We'll be joined by some old-
:55:01. > :55:08.fashioned Hollywood glamour and the legendary Dionne Warwick will be