:00:08. > :00:14.$:STARTFEED THIS PROGRAMME CONTAINS SCENES OF REPETITIVE FLASHING
:00:14. > :00:21.IMAGES (eg strobe lighting) Last weekend our 13 stars saw their
:00:21. > :00:28.names up in lights in a Hollywood extravaganza.
:00:28. > :00:36.There was high octane action. There was feel-good family fun.
:00:36. > :00:41.Brilliant! That was excellent. There were costume dramas. But for
:00:41. > :00:49.one screen Goddess there would be no sequel. The thing would have
:00:49. > :00:53.been better behind the screen. Tonight, boys and ghouls, we have a
:00:53. > :00:58.fright-tastic show for you and our celebs are running scared. No-one
:00:58. > :01:03.can hide. No-one is safe. Because on Strictly's Hallowe'en Special,
:01:03. > :01:13.anything can happen. For one of our celebrities, it will
:01:13. > :01:23.be the final nail in the coffin. Get ready for a spooktacular show.
:01:23. > :01:53.
:01:53. > :02:00.It's Strictly Come Dancing CHEERING AND APPLAUSE
:02:00. > :02:10.This is the Strictly Come Dancing Hallowe'en Special.
:02:10. > :02:10.
:02:10. > :04:54.Apology for the loss of subtitles for 163 seconds
:04:54. > :05:04.APPLAUSE Live from Television Centre, please
:05:04. > :05:15.
:05:15. > :05:21.welcome your hosts Sir Bruce How about that! Aren't they a
:05:21. > :05:25.lovely crowd. What an opener. Really wonderful start. Good
:05:25. > :05:32.evening ladies and gentlemen and children welcome to Strictly Come
:05:32. > :05:36.Dancing. It's nice to see you to see you NICE. It is Hallowe'en.
:05:36. > :05:45.That explains it. Don't get over- excited. I have been haunted all
:05:45. > :05:51.the week. What happened? Well, it was a dark and stormy night. I was
:05:51. > :06:01.awoken by a distant howling coming from the garden.
:06:01. > :06:05.
:06:05. > :06:12.I opened the bedroom door. I went down the stairs. I couldn't see
:06:12. > :06:18.where I was going. I put on the lights. (Striking a match)
:06:18. > :06:26.I don't need a match to put on the lights, for goodness sake. We do
:06:26. > :06:33.have electricity in Surrey. What happened then? I went to the back
:06:33. > :06:40.door and there peering through the window was a terrifying sight. A
:06:40. > :06:46.poor tortured soul screaming "I left this world before my time, I
:06:46. > :06:56.left this world before my time!" What did you say. I said the judges
:06:56. > :07:05.
:07:05. > :07:10.That got a bigger laugh than I thought.
:07:10. > :07:15.We are all in for a Hallowe'en treat tonight as our 12 girls and
:07:16. > :07:19.ghouls bring their scariest thrills and chills to this haunted ballroom.
:07:19. > :07:27.Tonight is not for those with a nervous disposition as our couples
:07:27. > :07:33.will face their greatest fear of leaving Strictly forever.
:07:33. > :07:38.SCREAMING. I can hear our celebs wailing in terror back stage. The
:07:38. > :07:48.nightmare has only just begun. Because, are you shaking or is it
:07:48. > :07:57.
:07:57. > :08:03.me? I'm terrified. Because it's From Girls Aloud, Kimberly Walsh
:08:03. > :08:09.and her partner Pasha Kovalev. Westlife's Nicky Byrne and Karen
:08:09. > :08:14.Hauer. Fern Britton and Artem Chigvinstev. Cricket legend Michael
:08:14. > :08:20.Vaughan and Natalie Lowe. Soap star Lisa Riley and her
:08:21. > :08:29.partner Robin Windsor. Olympic gymnast Louis Smith and his
:08:29. > :08:38.partner Flavia Cacace. Dani Harmer and Vincent Simone. Sid
:08:38. > :08:44.Owen and and Ola Jordan. Dennis Van Outen and James Jordan. Richard
:08:44. > :08:49.Arnold and Erin Boag. Cyclist Victoria Pendleton and her partner
:08:49. > :08:59.Brendan Cole. Film and TV star Colin Salmon and his partner
:08:59. > :09:14.
:09:14. > :09:24.There they all are. Yes, tonight you will be seeing many different
:09:24. > :09:32.
:09:32. > :09:39.styles of dance, xept Gangnam Style. MUSIC: Gangnam Style.
:09:39. > :09:48.Stop it! I don't get much chance to dance on
:09:48. > :09:54.this show. That was my solo. That got the blood pumping. You did it
:09:54. > :09:58.very well. Tonight these 12 couples face a night of blood-curdling
:09:58. > :10:03.ballroom with our cut-throat judges scoring their every move. Those
:10:03. > :10:10.scores will be combined with your votes and two of our couples will
:10:10. > :10:15.face the fate worse than death, the deadly disgusting dance-off.
:10:15. > :10:21.If you want to hear voices from above during the performances press
:10:21. > :10:28.your red button from commentary from Karen hardier and Larry --
:10:28. > :10:37.Karen Hardy and Larry lamb. If you want to hear their words of
:10:37. > :10:45.wisdom press your red button now. The first fearless couple tonight
:10:45. > :10:50.is Dani Harmer and her partner Vincent spooky Simone.
:10:50. > :10:53.Here they are in training. Last Saturday I was a bit nervous
:10:53. > :11:02.whether my feet would do the right thing. I seemed to pull it off
:11:02. > :11:09.somehow. Take those red shoes and walk down the yellow brick road
:11:09. > :11:15.into next week, that was great. Having Betty was brilliant until
:11:15. > :11:22.she bit Vincent. Time finding myself dancing with another dog,
:11:22. > :11:25.which could be Scooby Doo. This week is Strictly does heel wean and
:11:25. > :11:33.there is a -- Hallowe'en and there is a spooky feeling in the dance
:11:33. > :11:40.room. It feels like there's someone else, someone watching. With all
:11:40. > :11:50.the spooky stuff going on in the training room, me and Vincent have
:11:50. > :12:20.
:12:20. > :12:30.That was close. Let's get out of Dancing the cha-cha-cha, Dani
:12:30. > :12:30.
:12:30. > :14:05.Apology for the loss of subtitles for 163 seconds
:14:05. > :14:15.APPLAUSE I would have got away with it if it
:14:15. > :14:25.
:14:25. > :14:31.Thank you Anton! An extra. Of course we have our judges, Craig,
:14:31. > :14:34.Darcey, Len and Bruno. Remember last week we made Craig dress up as
:14:34. > :14:39.the Tin Man and implied he doesn't have a heart. I would like to
:14:39. > :14:49.apologise for that. Of course Craig has a a heart. At least I hope he
:14:49. > :14:52.
:14:52. > :15:00.has, otherwise where do we put the If that dance was some food, it
:15:00. > :15:02.would be a sausage sandwich. Tasty, satisfying and sets you up for the
:15:02. > :15:11.day ahead. I thought it was terrific.
:15:11. > :15:19.APPLAUSE You like a sausage sandwich. Bruno
:15:19. > :15:26.what did you think? I can't look at Vincent. I thought I was watching
:15:26. > :15:31.Loose Women. He looks like Denise Welch!
:15:31. > :15:34.Anyway, it was really spirited fun, nice and tight foot work, very well
:15:34. > :15:38.placed. What you have to do in Latin, you have to do what you did
:15:38. > :15:41.last week in ballroom. Remember when you started to extend the line
:15:41. > :15:45.and make it smoother and bigger, because sometimes you tend to
:15:45. > :15:53.tighten it up a bit. Your timing is good, your placement is good. Now
:15:53. > :15:58.it needs to be expanded a bit more. Craig, what did you think? It was
:15:58. > :16:02.clean, fantastic spins as always and fast foot work, I have to agree
:16:02. > :16:07.with Bruno, you must extend through your lines. You have got to
:16:07. > :16:15.accentuate the finishes, otherwise it doesn't look right. You were
:16:15. > :16:19.also very late with your arms in the first New York thing. BOOING
:16:19. > :16:29.No, if you can do something that fast and achieve that many moves,
:16:29. > :16:39.that was amazing. You even created the moves all the
:16:39. > :16:40.
:16:40. > :16:44.time. You are wrong. You are wrong. Only one thing, over exaggerate
:16:44. > :16:54.those hips but with that speed, you got so much in there, amazing.
:16:54. > :17:05.
:17:05. > :17:14.bit more definite. Off you go, it You should have heard the giggling
:17:14. > :17:18.going on up here, you two. You look great with a bob, Dani. What about
:17:19. > :17:26.me. The monster on stage was on Anton, no, I looked like the
:17:26. > :17:31.monster. It's different, it's a whole new you. Why do you still
:17:31. > :17:34.look so scared when you are getting the judges' comments? It is a
:17:34. > :17:39.terrifying thing. I don't know, I dread what they are going to say.
:17:39. > :17:45.It is Hallowe'en, they might be worse. Be ware, they're going to be
:17:45. > :17:49.evil tonight. Despite Anton's best efforts, that went well, is that
:17:49. > :17:53.the most fun you have had? Definitely. But trying to keep a
:17:53. > :18:02.straight face dancing with this is very difficult. Scores are in.
:18:02. > :18:12.Time to get the scores from the judges. Craig Revel Horwood...
:18:12. > :18:12.
:18:12. > :18:22.Darcey Bussell... Len Goodman...
:18:22. > :18:27.
:18:27. > :18:37.Stls' two ways to call and vote for your favourites. It will cost you
:18:37. > :18:49.
:18:49. > :18:59.Who's that? Back to you Bruce.
:18:59. > :18:59.
:18:59. > :19:05.Our next couple is Richard Arnold and his partner Erin.
:19:05. > :19:10.Erin "Bogey Man" Boag. Richard just loves Hallowe'en. He likes nothing
:19:10. > :19:15.better than telling scary stories beside the camp fire. I said how do
:19:15. > :19:23.you make a camp fire. He said "You make an ordinary fire and then I
:19:23. > :19:32.sit buy it ". APPLAUSE
:19:32. > :19:38.Here they are in training. The Quickstep was great. I didn't
:19:38. > :19:44.mind it actually. Is that you? I didn't mind it, I am going to have
:19:44. > :19:51.that up in lights. A lot of improvement, foot work was better.
:19:51. > :20:01.Your best dance so far. I feel good this week. I have no idea what
:20:01. > :20:01.
:20:01. > :20:08.fresh hell awaits me, but I feel good. Hallowe'en week, dancing the
:20:08. > :20:15.Paso Doble to O Fortuna, not exactly a floor-filler. This music
:20:15. > :20:22.is driving me mad. It's completely warped my view of reality. I hear
:20:22. > :20:32.it when I am getting ready for training. I hear it on the way to
:20:32. > :20:39.the dance studio. I only wanted an autograph. Wherever I am, whatever
:20:39. > :20:44.I am doing, I hear it. I am late for training, is Erin in? He is in
:20:44. > :20:54.a funny mood today. Erin my nerves are shredded. I have been trying to
:20:54. > :20:54.
:20:54. > :22:52.Apology for the loss of subtitles for 163 seconds
:22:52. > :23:02.Dancing the Paso Doble, Richard APPLAUSE
:23:02. > :23:10.
:23:10. > :23:15.What about that. Wasn't that great. Look at this. That was marvellous.
:23:15. > :23:20.The fire was terrific. But only half cooked my sausage and I love a
:23:20. > :23:30.well done sausage. If you are in the dance-off you can finish it off
:23:30. > :23:32.
:23:32. > :23:38.for me. Oh, the drama, you were like Gary Newman in a bad temper.
:23:38. > :23:42.But it's the lines, the lines, the artists with the posture and timing.
:23:42. > :23:46.Those were not quite there. Actually, you went for all the
:23:46. > :23:49.content which is good, the execution was not really refined as
:23:49. > :23:55.it should have been, because those shoulders have to be down. The
:23:55. > :24:04.lines have to be out. The timing has to be good. You went for drama.
:24:04. > :24:09.The acting was there. Yes, Gary Newman in a coma.
:24:09. > :24:14.That was unkind. I thought the cape work at the top
:24:14. > :24:18.was very good and the turn out of it was good.
:24:18. > :24:28.However, darling, it needs to be a lot more earthed and by that you
:24:28. > :24:34.need to dance into and through the floor a lot more. It needs a strong
:24:34. > :24:41.preparation and then height and also a finish, a nice lunge finish
:24:41. > :24:45.and nice skiesor action. There needs to be a lot more arch to this
:24:45. > :24:55.dance. You need to spot on your turns, otherwise they look terrible.
:24:55. > :25:00.
:25:00. > :25:07.The character you definitely were spooky, the most spooky matador I
:25:07. > :25:17.have ever seen. I can see you have worked very hard. But the tilt in
:25:17. > :25:17.
:25:18. > :25:22.the hips, I need more of that. If you clench your your glut muscles.
:25:22. > :25:25.That will create a better tilt when you strut your stuff around the
:25:25. > :25:33.dance floor. I like the character, you held on to that all the way
:25:33. > :25:43.through. Len. I didn't know what Craig was
:25:43. > :25:44.
:25:44. > :25:49.saying, I was yawning at the time. You great big butch bull fighter.
:25:49. > :25:57.That was difficult music. You got right into character with it. But
:25:57. > :26:01.they are right, you have got to get those tight buttocks. I used to put
:26:01. > :26:08.a coin up my bum. They could have done with a bit more shaping, but
:26:08. > :26:14.what I loved, you come out and you give it some. That's a Paso Doble.
:26:14. > :26:24.Good on you. You haven't got any change on you,
:26:24. > :26:41.
:26:41. > :26:48.You mighty matador, stand there. have to get back back into
:26:48. > :26:52.character. There was no mincing out there in the Paso Doble, no mincing.
:26:52. > :27:00.Pure macho, never mind the mincing. Len said you butch bull fighter.
:27:00. > :27:06.know. How do you embrace your dominant side. I called Sinita.
:27:06. > :27:12.macho! Some of the judges may not have liked it but the crowd were on
:27:12. > :27:18.their feet, they loved it. Were they getting up to leave? It was an
:27:18. > :27:28.ovation. Do you think you have done enough this week to avoid the
:27:28. > :27:28.
:27:28. > :27:32.dance-off? Yeah! If we have to go again, we have to go again. Thank
:27:32. > :27:39.you for supporting us. The scores are in.
:27:39. > :27:49.The judges scores: Craig Revel Horwood.
:27:49. > :27:50.
:27:50. > :27:55.Darcey Bussell... Len Goodman...
:27:55. > :28:02.Bruno Tonioli... Len is loving the butch bull
:28:02. > :28:07.fighter. He can have some more of If you don't think Richard deserves
:28:07. > :28:17.to be sent to the strictly graveyard, keep him in the land of
:28:17. > :28:25.
:28:25. > :28:35.Happy with the choice of music now. Bruce, who's next?
:28:35. > :28:40.
:28:40. > :28:45.Next up is Lisa Riley and her I bumped into Lisa earlier on today
:28:45. > :28:50.and she said I love your Hallowe'en face, those blood shot eyes, the
:28:50. > :28:56.could be webs under the nose, that spooky pointy chin. Have you just
:28:56. > :29:06.come out of make-up. I said no, I was just going in!
:29:06. > :29:09.
:29:09. > :29:19.Shut up. Anyway, here they are in On Saturday night we got another
:29:19. > :29:21.
:29:21. > :29:29.standing ovation and we just can't believe it. That was brilliant. I
:29:29. > :29:36.was Missing the spring and bounce. I will work on that, I promise
:29:36. > :29:41.Darcey. You can do a fun routine but if the feet aren't right Len
:29:41. > :29:47.won't be happy and I promised him I will get my feet right.
:29:47. > :29:51.We are doing the Charleston to the song Witch Doctor. Robin is my
:29:51. > :30:01.pupil and I am the witch. She is meant to be teaching me witch craft
:30:01. > :30:09.
:30:09. > :30:13.so I am going to take her on a trip Wow. Where are we? I have brought
:30:13. > :30:23.Lisa to the Warner Brothers studio tour in London. We have come to the
:30:23. > :30:28.
:30:28. > :30:38.making of Harry Potter. Let's drink What happens' happening? Look, you
:30:38. > :30:39.
:30:39. > :30:49.can dance. Whatever was in that potion was working. Dancing the
:30:49. > :30:49.
:30:49. > :32:45.Apology for the loss of subtitles for 163 seconds
:32:46. > :32:51.Charleston, Lisa Lisa rilely and You are amazing, you really are.
:32:51. > :32:55.What a couple you are. While you catch your your breath, it's about
:32:55. > :33:03.time to welcome our fabulous singers, Dave Arch and his
:33:03. > :33:07.wonderful, wonderful orchestra. Are you all right? Have you got
:33:07. > :33:11.over the flu? I can't believe he got dressed up
:33:12. > :33:16.for that. Craig, start with you. thought it was acted well but
:33:16. > :33:21.danced poorly. BOOING
:33:21. > :33:25.There was no cross whatsoever and your left foot was not happening at
:33:25. > :33:30.all, you were doing step touch step back and there should be a cross
:33:30. > :33:40.and swivel on each one of those steps. Otherwise it's not a
:33:40. > :33:40.
:33:40. > :33:46.Charleston. Mixed reaction there. No, that was the fastest Charleston
:33:46. > :33:50.I have ever seen, amazing. It could have become very messy but you
:33:50. > :33:55.pulled it off. He's right on some of the swivels they were missing a
:33:55. > :34:05.bit, but it wasn't that messy. You did give me back your spring and
:34:05. > :34:13.energy, thank you very much. You do a beautiful job. Quite a tempo.
:34:14. > :34:18.thought it had plenty of ting tang, it was just what you want. It is a
:34:18. > :34:27.Charleston but it is a parody of a Charleston and I thought it was
:34:27. > :34:33.great, well done. What about you Bruno? Yes, my darling. You were
:34:33. > :34:43.going at it like a spinning Banshee, God that was quick. The face, it
:34:43. > :34:44.
:34:44. > :34:50.was facial aerobics. Oh, something happened. I am telling you, nobody
:34:50. > :34:55.would ever be scared of you. I have broken the set. Because you are so
:34:55. > :35:00.much fun. Your timing is very, very good. You sell it beautifully. The
:35:00. > :35:09.foot work because of the speed could have been sharper but God,
:35:09. > :35:19.it's enjoyable to watch. Put it on your hair, it would look
:35:19. > :35:29.
:35:30. > :35:33.nicer on your hair. Joan Collins in Save to say, another fast and
:35:33. > :35:39.furious routine. Is there no stopping you two? I don't think it
:35:39. > :35:44.could get any faster. Split the judges a bit there. Have they got a
:35:44. > :35:48.point on the technical side of things? The swivels are hard, I am
:35:48. > :35:54.going to take responsibility for that because I put rubber soles on
:35:54. > :35:59.Lisa's shoes because she was slipping before, so she couldn't
:36:00. > :36:04.get her crosses. It is a built my fault. What a man taking
:36:04. > :36:09.responsibility there. Next week, if you are still here, you have the
:36:09. > :36:14.Tango. You are getting serious with the Tango. Can you two do serious?
:36:14. > :36:20.Yeah. Do we want them to do serious? We need Tango tans,
:36:20. > :36:29.definitely. The scores are in. Will the judges please reveal their
:36:29. > :36:36.scores. Craig Revel Horwood. Darcey Bussell...
:36:36. > :36:44.Len Goodman... Bruno Tonioli...
:36:44. > :36:54.26, a decent score, but not your best. If you like Lisa's cheeky
:36:54. > :36:56.
:36:56. > :37:02.Still loads more to come tonight. Nicky has gone mad scientist and
:37:02. > :37:12.Denise is getting freaky. Now we find out who is next.
:37:12. > :37:13.
:37:13. > :37:18.Our next couple is Sid Owen and his partner Oooola Jordan.
:37:18. > :37:28.It's a good job Sid spent so much time in a soap opera because
:37:28. > :37:31.
:37:32. > :37:40.there's been a bit of drama this week. Ola had to fly to Poland so
:37:40. > :37:44.Iveta Lukosiute stood in for her for training, but it was -- here is
:37:45. > :37:49.how they got on. I enjoyed it and I was shocked when the judges give me
:37:49. > :37:55.a grilling. It wasn't good. work hard all week and you want to
:37:55. > :38:02.give a good performance. Stompy, clumpy. Just knock you down in a
:38:02. > :38:06.flash and it's like, that hurt. your lowest score to date. I picked
:38:06. > :38:12.myself up and forget about last week and hopefully I can pull a
:38:12. > :38:18.good performance out of the bag next Saturday. Ola can't train this
:38:19. > :38:24.week, so Iveta stepped in. Did you feel that, I can feel there's
:38:24. > :38:34.something weird. Let's get back to training. She's nice but she gets
:38:34. > :38:40.
:38:40. > :38:46.easily distracted. OK, you got to We're locked in. Don't worry, I
:38:46. > :38:56.always come prepared. Looks like we are here for the night. Did you
:38:56. > :39:02.
:39:02. > :39:12.hear that? Yes, I did that time. SCREAMING. Let's go and investigate.
:39:12. > :39:14.
:39:14. > :39:24.What are you doing, you are Dancing the cha-cha-cha, Sid Owen
:39:24. > :39:24.
:39:24. > :41:00.Apology for the loss of subtitles for 163 seconds
:41:00. > :41:06.APPLAUSE Well done, Sid and Ola.
:41:06. > :41:12.Darcey, start us off. Fabulous to see more dance content. You can do
:41:12. > :41:16.it! You had moves there. Don't worry about going wrong. I can see
:41:16. > :41:21.your concentration on your face, I don't want to see that worry.
:41:21. > :41:28.Because I want to see that cheeky Sid that we love. Especially with
:41:28. > :41:36.Ola. She loves you. Sell it with her, come back next week with
:41:36. > :41:46.attitude in the Latin, please. about the break dancing! You have
:41:46. > :41:51.the perfect partner Olaween! Listen, I want you to do well. It's all too
:41:51. > :41:54.safe. You are coming out and playing it safe. Go for it more,
:41:54. > :41:58.take risks. I know you have had a tough week with dancing with one
:41:58. > :42:02.and another. You have got to come out, if you are going to go down,
:42:02. > :42:08.go down fighting. Because you are so careful and frightened of going
:42:08. > :42:17.wrong, you don't do it right. Get out there and give it some!
:42:17. > :42:26.Whatever happens, happens. Len is right. It still looks like you are
:42:26. > :42:32.smothered in ectoplasm. It lax detail, power and accuracy. Get
:42:32. > :42:37.back there, because you can see the thought process and that has to go.
:42:37. > :42:47.You can do it, come back and do it right. You can do it, do it right.
:42:47. > :42:51.
:42:51. > :43:01.She'll make you do it. Hallowe'en nightmare. It's very apt. Is that
:43:01. > :43:09.
:43:09. > :43:15.the end? Thanks Craig. Sorry you Come on Sid, my lovely. Ignore
:43:15. > :43:21.Craig. It's what the people at home think now. It's been a tough week.
:43:21. > :43:27.Iveta, has she been treating me well. Thank you so much. It's been
:43:27. > :43:31.like an Oladay without Ola. If you are back next week, will you come
:43:31. > :43:39.back with attitude. Definitely, I don't want to leave. We don't want
:43:39. > :43:45.to leave. I would like to say what the nation is thinking, those are
:43:45. > :43:52.some hot, hotpants. The judges have their scores. Craig
:43:52. > :44:01.Revel Horwood... Darcey Bussell...
:44:01. > :44:11.Len Goodman... Bruno Tonioli...
:44:11. > :44:22.
:44:22. > :44:32.What are you going to call? If you want loads of gossip get
:44:32. > :44:39.
:44:39. > :44:48.Next up, I nearly swallowed my tongue. What said good! Next up is
:44:48. > :44:54.Nicky Byrne and his partner Karen "Howling" Hauer. Last week I said
:44:54. > :45:04.the word chillax and Nicky tweeted that I shouldn't use young people's
:45:04. > :45:06.
:45:06. > :45:16.language. I do apologise, my behaviour was was tote inprops. I
:45:16. > :45:26.
:45:26. > :45:30.hope I don't end up trending. Last week went very well. Now I
:45:30. > :45:34.have proved I can entertain and do a bit of dancing. I am not a
:45:34. > :45:37.ballroom dancer, but it was entertaining. It was my first week
:45:37. > :45:41.where I was able to stand in front of the judges and smile. You are
:45:41. > :45:48.starting to win me over actually. So far with Craig my scores have
:45:48. > :45:58.been two and then a four and then a six. I am on the right path. I feel
:45:58. > :46:02.like my competition has just This week Strictly does Hallowe'en.
:46:02. > :46:12.We have been working together for a couple of weeks so I thought it was
:46:12. > :46:17.the right time for her to see my house. Nicky, I have to warn you I
:46:17. > :46:21.am terrified of the dark. People say it's haunted but you those old
:46:21. > :46:28.ghost stories, it's not true. This is where I like to chill. I don't
:46:28. > :46:36.know what you are so scared of. Seriously, you live here? It really
:46:36. > :46:40.is a nice room. That's a scream, I think somebody died here a few
:46:40. > :46:50.years ago, I have heard that. we get out of here, I am really
:46:50. > :47:00.scared, please, please, ploos. Thanks for coming. See you Saturday.
:47:00. > :47:00.
:47:00. > :48:42.Apology for the loss of subtitles for 163 seconds
:48:42. > :48:49.J Dancing the Tango, Nicky Byrne Well done both of you. I was
:48:49. > :48:55.supposed to take those off. forgot to take them off! The old
:48:55. > :49:01.bent knees helped this week. Len, what did you think? I thought there
:49:01. > :49:09.was far more good than bad. You could have had tighter hold and you
:49:09. > :49:18.stomped a bit with your foot work, but it was sharp and crisp. On the
:49:18. > :49:23.beat. Yes the whacky professor found his secret formula. The thing
:49:23. > :49:27.now you are finding focus and power and Len is right, because of that
:49:27. > :49:31.sometimes you are stomping about. Don't forget, it is still a Tango,
:49:31. > :49:35.we like to see you giving everything you have, but don't go
:49:35. > :49:45.off the style of it. You have to keep that going as well. We both
:49:45. > :49:46.
:49:46. > :49:56.liked it. You need to sort... They want a close up, they both liked it.
:49:56. > :49:58.
:49:58. > :50:03.Do it again. Oh, dear. Craig's face. Sickening. Look at yourself!
:50:03. > :50:07.need to sort your posture out, that is the main priority concern at
:50:07. > :50:11.this point in the competition. Also, you are picking your feet up way
:50:11. > :50:18.too much and that is why it is looking stompy but I really liked
:50:18. > :50:23.the routine. Craig likes something, that is beautiful. Darcey, did you
:50:23. > :50:27.like anything? Entertaining all round, kept in character, I liked
:50:27. > :50:32.you kept the glasses on. Len is right, you lift the knees so it
:50:32. > :50:42.looks like you are marching in the Tango, but I liked it very much.
:50:42. > :50:48.
:50:48. > :50:53.Narrative, fabulous. Well done. Off It's getting better from the judges
:50:53. > :50:57.every week. More positive by the week. You seem to dance better when
:50:58. > :51:01.you are in character? Yes, I suppose putting a suit like this on
:51:01. > :51:07.and the glasses it makes you feel like somebody else. I put Michael
:51:07. > :51:11.Vaughan's cricket suit on. He let you borrow it. What can we expect
:51:11. > :51:16.next week if you are still here? God knows, I will have to look for
:51:16. > :51:26.somebody else's costume. You are doing the rhumba, some Latin love
:51:26. > :51:27.
:51:27. > :51:37.God perhaps? We'll see. Naked to the waist, that will do it. Craig
:51:37. > :51:37.
:51:37. > :51:47.Revel Horwood... Darcey Bussell... Len Goodman...
:51:47. > :51:52.Bruno Tonioli... Not your highest score but close.
:51:52. > :52:02.We are out of the teens, so we are happy with that, we are on the way
:52:02. > :52:12.
:52:12. > :52:21.We have Michael's magic hands and Victoria and Brenda are getting
:52:21. > :52:25.married. Really? Len, you didn't do your seven.
:52:26. > :52:35.thought I would give it a rest. missed it! Our next couple is Fern
:52:36. > :52:40.
:52:40. > :52:43.Britton and her partner Artem Fern used to present that show
:52:43. > :52:48.Ready Steady Cook, where the contestants had to make a meal in
:52:48. > :52:54.less than 20 minutes. I said what if they ran out of time. She said
:52:54. > :53:02.they used rosemary and sage. Which would go well in our sausage
:53:02. > :53:12.sandwich. Forget that one. How you remember all this rubbish! Here
:53:12. > :53:13.
:53:13. > :53:16.they are in training. It was pretty good last week. The
:53:16. > :53:22.audience started clapping along with the music and I felt a really
:53:22. > :53:26.swell of warmth from them and I thought yes, I've got to do this.
:53:26. > :53:35.You made Hollywood into jolly good. I felt very imaginically
:53:35. > :53:41.transported. I did feel like Mary Poppins. It's good to do it
:53:41. > :53:45.properly and then on with the next. This week is American Smooth to
:53:45. > :53:55.Killer Queen, our Hallowe'en Special. This week you need to be
:53:55. > :53:56.
:53:56. > :54:06.Killer Queen. I have potion for you. Oh. Bottoms up. It's perfect.
:54:06. > :54:07.
:54:07. > :54:17.I am the Killer Queen. An elf, I love Christmas. It's not Christmas,
:54:17. > :54:38.
:54:38. > :54:48.Perfect. Finally. Let's dance. Oh! Dancing the American Smooth,
:54:48. > :54:48.
:54:48. > :56:35.Apology for the loss of subtitles for 163 seconds
:56:35. > :56:45.Well done Fern. That was lovely, darling. I love
:56:45. > :56:53.the finish as well. Fern, my darling, you were a bit too nicy
:56:53. > :56:57.nicy, too beige for me. It's Killer Queen, think about Craig in Panto.
:56:57. > :57:02.It's true. The song defines the character, that defines the dance,
:57:02. > :57:07.that defines the movement and defines what you do with it. That
:57:07. > :57:13.was a bit plain. It didn't have the impact that it should have had.
:57:13. > :57:17.well there we are. Darcey, what did you think? For me, it was smooth
:57:17. > :57:23.and I liked the bad Queen in you. I think you should play with that
:57:23. > :57:28.character more. Have a couple more bad roles, I think it suits you.
:57:28. > :57:33.Just watch it, when you are picked up, don't lift the shoulders, you
:57:33. > :57:40.have the most amazing partner and shouldn't be worried. Be brave, go
:57:40. > :57:48.for it more next time, please. neat and precise. You've got the
:57:48. > :57:54.how, but it it hasn't got the wow. You have to push fern a bit more,
:57:54. > :57:59.tar tem. -- Artem. I want more out of you. There was something special
:57:59. > :58:04.for you, did you see that, a heel turn. I saw the heel turn, I would
:58:04. > :58:10.have loved your feet to have been together. But I saw the heel turn
:58:10. > :58:14.and you you went into a check and weave. That is why I said you have
:58:14. > :58:24.got the how but it needs more of the wow factor. Good criticism
:58:24. > :58:42.
:58:42. > :58:47.Len Len wants Artem to push you more. You looked a bit afraid, a
:58:47. > :58:51.lot afraid by that Fern. I was abit afraid by that because I was trying
:58:51. > :58:57.to channel Artem, he is the terminator. He is indeed. While you
:58:57. > :59:01.are simply the loveliest woman I know. Hardly. Yes, you are, she is
:59:01. > :59:06.lovely. Was it a bit of a challenge for you to get into the mind set of
:59:06. > :59:11.evil Queen. It was a tough week actually, it took a lot to get that
:59:11. > :59:17.into my head. I love the costume and make-up, I love Artem looking
:59:17. > :59:24.like this. He did have a shirt on, but that was all cut off. Artem is
:59:24. > :59:34.doing it for the ladies. Good work. The judges have their scores. Craig
:59:34. > :59:36.
:59:36. > :59:43.Revel Horwood... Darcey Bussell... Len Goodman...
:59:43. > :59:53.Bruno Tonioli... 21, I think you cut yourself
:59:53. > :00:01.
:00:01. > :00:04.The lines won't open until everybody has danced. If you call
:00:04. > :00:09.too early something terrible might happen.
:00:09. > :00:19.Look at this cauldron. Before we carry on, I have a public
:00:19. > :00:21.
:00:21. > :00:25.announcement for the audience. Has anyone lost a watch? Hands up if
:00:25. > :00:33.it's yours! Just a little joke, I have been
:00:33. > :00:43.keeping up my sleeve! Look at the time. I better get on.
:00:43. > :00:45.
:00:45. > :00:50.Our next couple is Denise Van Outen and James "Jinxed" Jordan.
:00:50. > :00:55.Hollywood show was a spectacular show. That was excellent. Great
:00:56. > :01:04.posture, great control. If Craig has something to say he's not
:01:04. > :01:09.afraid to say it, so to get good comments from him is great. We got
:01:09. > :01:12.four 8s which took us to the top of the leaderboard. Obviously this is
:01:12. > :01:17.Strictly and everything could change next Saturday. This week is
:01:17. > :01:22.Hallowe'en week, so we are dancing the Cha Cha and we are going to be
:01:22. > :01:26.circus Superfreaks. I have told her less cheek and more freak and I
:01:26. > :01:36.know just the place to take her. Where are you taking me? Don't
:01:36. > :01:37.
:01:37. > :01:43.worry, stop asking questions. scared. You should be. Wow. Have
:01:43. > :01:53.you got any tips for me We will show you a few things. You moan
:01:53. > :01:57.
:01:57. > :02:02.about your spins. Can you do that, James? Yeah, easy. That was easy.
:02:02. > :02:06.I'm getting my own back. How do I get down. Leave him there, I have
:02:06. > :02:14.had a really nice afternoon, see you at the live show. That will
:02:14. > :02:24.teach him for being bossy. Hello! Dancing the cha-cha-cha, Denise Van
:02:24. > :02:24.
:02:24. > :04:10.Apology for the loss of subtitles for 163 seconds
:04:10. > :04:15.CHEERING AND APPLAUSE What about that! Couldn't believe
:04:15. > :04:22.it was you two. Craig, start us off. I'm quite
:04:22. > :04:28.partial to a little whip action, darling. But leg to hip action was
:04:28. > :04:36.a bit jolty and wooden, you need to work on that, but the timing as
:04:36. > :04:39.always superb, energy, spins, brilliant.
:04:39. > :04:44.You never disappoint, you always dance to a high standard, but if
:04:44. > :04:48.you are going to wear a short skirt you have got to have really
:04:48. > :04:54.fabulous leg action and it wasn't quite as crisp as I would have
:04:54. > :05:03.liked it. Short skirt and poor legs is not a good combination. I liked
:05:03. > :05:11.it. They looked all right to me. kinky and slinky and all in the
:05:11. > :05:14.best possible taste. The fact is s the most theatrical parts looked
:05:14. > :05:19.very, very well, but it is the basics, the backwards and forwards
:05:20. > :05:25.when you sneed to ignite the leg and get those illustrious hips
:05:25. > :05:28.working, you need to work on that, it is actually the simplest most
:05:28. > :05:38.basic thing you have to get it right. Zur not use today criticism,
:05:38. > :05:46.
:05:46. > :05:51.are you? It's good, I have a lot to I tell you what, we disagree up
:05:51. > :05:57.here, nothing wrong with those legs, fabulous legs. Did you have fun
:05:57. > :06:01.getting your freak on. It was good fun tonight. I was so nervous, it's
:06:01. > :06:09.terrifying. You have been top of the leaderboard for two weeks, do
:06:09. > :06:13.you think you will make it a hat- trick? I don't know. You were good.
:06:13. > :06:21.Still tripped out of the box though. Scores are in. It is time for the
:06:21. > :06:31.judges scores. Craig Revel Horwood... Darcey Bussell... Len
:06:31. > :06:34.
:06:34. > :06:44.Goodman... A great score 28. The highest of
:06:44. > :06:56.
:06:56. > :07:04.I tripped. Let it go, she was brilliant. Three times in a row.
:07:04. > :07:14.Nobody else noticed. Who is next? Next is Michael Vaughan and his
:07:14. > :07:24.partner Natalie "Living Dead" Lowe. Michael told me he took his wife to
:07:24. > :07:28.see the West End -- West Indies play at their home ground. I said
:07:28. > :07:32.to Jamaica? Even for you Bruce, he said, that's a very, very old joke.
:07:32. > :07:42.I said there's always somebody who hasn't heard it, I am going to try
:07:42. > :07:46.
:07:46. > :07:50.and find him. Here they are in I never thought I would be on
:07:50. > :07:55.television in front of 10 million people whipping my trousers off.
:07:55. > :08:02.Hot it was not. Timing issues throughout, it was awkward all the
:08:02. > :08:06.way through. Although I didn't do a great performance in the live, I
:08:06. > :08:13.knew I had a good performance in me if I could calm down with the foot
:08:13. > :08:20.steps. One mistake, you are out of the competition. I am going to save
:08:20. > :08:29.Michael and Natalie. We live to fight another week. When I am
:08:29. > :08:39.training, I can just feel Craig's presence. His comments stay with
:08:39. > :08:40.
:08:40. > :08:45.you all the time. Hello. "Most of the time you look like you are
:08:45. > :08:52.busting for a wee ". There's no-one there. I think I am I am being
:08:52. > :09:01.haunted by Craig's comments. Hot it was not. I need to get home and
:09:01. > :09:06.have a good night's sleep, I will feel better in the morning. Wake up,
:09:06. > :09:12.love, I have had a terrible nightmare. Was it a disaster,
:09:12. > :09:22.darling? Dancing the Quickstep, Michael
:09:22. > :09:22.
:09:22. > :11:17.Apology for the loss of subtitles for 163 seconds
:11:17. > :11:25.CHEERING AND APPLAUSE Look at that, that's worth 100 runs.
:11:25. > :11:30.Beautiful! They loved it. You surprised everybody and
:11:30. > :11:34.yourself. You must have had a wonderful week. I hear you have
:11:34. > :11:44.learnt a few magic tricks, would you like to show us. I have been
:11:44. > :11:49.
:11:49. > :11:56.working on one all week, ab ra ka APPLAUSE Do we need to say
:11:56. > :12:04.anything? Do you still want to comment? Ballroom is your thing,
:12:04. > :12:08.Michael. Well done, well done both of you. Your hold, all the way
:12:08. > :12:14.through, top line was beautiful, you didn't let go, you got tired a
:12:14. > :12:18.little at the end, but it didn't faze you at all. Even at that speed,
:12:18. > :12:28.the Quickstep, your feet were light, precise, there was no messy
:12:28. > :12:36.transitions. The best thing is that cheeky grin, that sold it to me. By
:12:36. > :12:41.the end you were a a Cheshire cat. The posture great. What I think is
:12:41. > :12:45.this, last week you were this close to going out of the competition. I
:12:45. > :12:49.am so glad you didn't, because we woonlt have got -- wouldn't have
:12:49. > :12:53.got an opportunity to see this fabulous performance. One more
:12:53. > :13:02.thing, I know week one you said you want to get a 7 from Len, this
:13:02. > :13:11.could be the night. Promises. was more than magical, it was a
:13:11. > :13:14.miracle. It was like Darren Gough all of a sudden. On hold, you were
:13:14. > :13:24.just incredible, I cannot believe what we have seen, what a
:13:24. > :13:48.
:13:48. > :13:52.transformation. Craig. You have worked your magic this
:13:52. > :13:59.week. It's a miracle, the judges said it was a miracle. You have
:13:59. > :14:03.gone from dance-off to standing ovation in a week. Bravo. This girl.
:14:03. > :14:07.Was the dance-off the push you needed? I have worked really hard
:14:07. > :14:11.for all the weeks but this week we lived on the dance floor. I wanted
:14:11. > :14:15.to improve and I think I have done that this week. It is down to this
:14:15. > :14:24.girl. She trains me hard and knows exactly the way I like to be taught,
:14:24. > :14:28.so cheers. That sounded dodgy, that! You magicked up some tens, do
:14:28. > :14:32.you think we might get some from real real? I think that is jumping
:14:33. > :14:39.a bit at this stage. They were happy though.
:14:39. > :14:48.The judges scores are in. Craig Revel Horwood...
:14:48. > :14:58.Darcey Bussell... Len Goodman...
:14:58. > :15:12.
:15:12. > :15:22.Highest score by a mile so far for you. Excuse me. This is a dream.
:15:22. > :15:33.
:15:33. > :15:42.What about that for a turn around. Our next couple is Victoria
:15:42. > :15:47.Pendleton and her partner Brendan "Kooky" Cole. Very popular couple.
:15:47. > :15:50.Last week Victoria had a wardrobe malfunction when she caught the hem
:15:50. > :15:58.of her dress. I hope it doesn't happen again, I know it is
:15:58. > :16:07.Hallowe'en, but we don't want to see a full moon.
:16:07. > :16:12.Len does. Here they are in training. I was really looking forward to the
:16:12. > :16:18.rhumba last Saturday. But on the night it started off quite romantic
:16:18. > :16:24.and intense and ended up a bit comical at the end. She got her
:16:24. > :16:29.foot stuck in the dress. It threw us both, not just Victoria and we
:16:29. > :16:34.had a malfunction with the scarf around the neck. Just when you were
:16:34. > :16:40.starting to sizzle, you nearly boiled over. Rome wasn't built in a
:16:40. > :16:43.day. I have a competitive girl on my hand, she is world and Olympic
:16:43. > :16:48.champion, so I have come up with something to get her in the
:16:48. > :16:53.Hallowe'en mood. Welcome to the Hallowe'en games with your host
:16:53. > :17:03.Colin Jackson. Our creepy competitors are Brendan Cole from
:17:03. > :17:06.the all Black Cats and Victoria Pendleton from teem heebie-jeebies.
:17:06. > :17:13.They're off, they have made a strong start. It is vital to keep
:17:13. > :17:19.the eye ball on the spoon. Brendan has dropped it. So close. But
:17:19. > :17:29.Brendan Cole has just edged it. Next up, it is apple bobbing,
:17:29. > :17:35.Brendan up first. Great technique on display there. She dunks him.
:17:35. > :17:42.Completely monsterous move by Pendleton. Disqualification. Look
:17:42. > :17:52.how he humbly he accepts his award. Dancing the Tango, Victoria
:17:52. > :17:52.
:17:52. > :19:33.Apology for the loss of subtitles for 163 seconds
:19:33. > :19:40.MUSIC: CHEERING AND APPLAUSE That was
:19:40. > :19:46.lovely, loved the eyes. I have faith in you, you have to
:19:46. > :19:50.faith in yourself, this was a proper Tango, no larking about at
:19:50. > :19:55.the start, sharp and crisp, I know there was a moment over there but I
:19:55. > :20:03.don't care because the whole feeling of it was good, well done.
:20:03. > :20:10.Big smile. Even with those eyes. loved the haunting beauty with a
:20:10. > :20:18.hint of madness, gothic melodrama, great choreography, I loved it. And
:20:18. > :20:24.your spins, you got it right. lost a little bit of posture, your
:20:24. > :20:32.hand needs to be a bit flatter to the floor but I thought the routine
:20:32. > :20:39.was brilliant, excellent. Darcey. Victoria, it was wonderful to see
:20:39. > :20:49.that fight in you, the musicality was brilliant, you were the true
:20:49. > :21:03.
:21:03. > :21:07.She deserves that Brendan. You look hauntingly beautiful, properly sold
:21:07. > :21:12.that. Craig actually said brilliant. Amazing comments from the judges.
:21:12. > :21:16.Are you starting to have fun now on the Strictly dance floor. I am
:21:16. > :21:23.enjoying it so much, it is really nerve-racking but I don't want it
:21:23. > :21:30.to end, I want to stay in. After that you might. Ladies and
:21:30. > :21:40.gentlemen, the judges have their scores. Craig Revel Horwood...
:21:40. > :21:47.
:21:47. > :21:54.Darcey Bussell... Len Goodman... That deserves a hug. Get you, 31,
:21:54. > :22:04.joint highest on the leaderboard. Victoria has been having nightmares
:22:04. > :22:17.
:22:17. > :22:25.about leaving the ballroom. She Not long to wait, only three
:22:25. > :22:35.couples left. Next is the couple, Colin Salmon and his partner
:22:35. > :22:36.
:22:36. > :22:40.Kristina Rhianoff. Znchtss one of the many Hollywood films Colin has
:22:40. > :22:48.starred in was called Resident Evil. Resident Evil, Craig, did you know
:22:48. > :22:58.they had made a film about you?! They didn't release it, did they?
:22:58. > :22:59.
:22:59. > :23:04.No, darling, they didn't release it. They were my first lifts,
:23:04. > :23:10.thankfully the gods of dance smiled down on us. Everything worked out.
:23:10. > :23:14.Amazing. I thought the lifts were spectacular and you really went for
:23:14. > :23:21.it and they weren't easy so fantastic. Good to be in the top
:23:21. > :23:27.half. It is important we keep upping the game. This week
:23:27. > :23:37.Hallowe'en, I am dancing the salsa to Superstition. I will be playing
:23:37. > :23:37.
:23:37. > :23:42.a wizard and Kristina my cat, purrrfect. A few problems with
:23:43. > :23:48.lifts. I slipped off his hands and ended up on the floor banging my
:23:48. > :23:53.step. One wrong step and it all goes...
:23:53. > :23:57.I am doing everything I can to make sure luck is on my side. I have
:23:57. > :24:05.been skipping over cracks in the pavement. I have been dodging
:24:05. > :24:14.ladders. I have even been avoiding Black Cats crossing my path. Hello
:24:14. > :24:24.partner. My journey to work was weird, all these bad luck. We can't
:24:24. > :24:24.
:24:24. > :26:17.Apology for the loss of subtitles for 163 seconds
:26:17. > :26:24.Dancing the salsa, Colin Salmon and You are quite a team, you two. You
:26:24. > :26:29.are developing so well, both of you. You need to concentrate more on
:26:29. > :26:33.your foot work, the foot work for me was a bit haphazard, wasn't
:26:33. > :26:38.landing either one way or the other and I was nervous when you were
:26:38. > :26:43.going into lifts. Looked a bit messy, very flat-footed all the way
:26:43. > :26:53.through, but the positive side is you do have that disco groove going
:26:53. > :26:54.
:26:54. > :26:59.on, which is really lovely to watch. For me, I liked the long arms and I
:26:59. > :27:03.liked the added hand movements, you get these clicks in occasionally.
:27:03. > :27:12.Maybe it wasn't a dirty salsa but it was definitely a saucy salsa
:27:12. > :27:17.this time. Colin you are getting there. It had a lovely rhythm going
:27:18. > :27:26.throughout and I was very encouraged, but it wasn't just a
:27:26. > :27:32.little mistake, there was a major incident, it was still up there, it
:27:33. > :27:42.was just, if it was one thing, but this was a serious... I liked it
:27:43. > :27:50.
:27:51. > :27:54.though Colin. They all loved it as Did we miss something that Len was
:27:54. > :27:59.talking about? You missed nothing at all. We did miss it, let's
:27:59. > :28:05.forget about it. You promised us last week you were going to get
:28:05. > :28:11.dirty, you delivered is saucy salsa s that your thing? I like clubbing.
:28:11. > :28:15.We were clubbing with you Colin. Those lifts were very technical,
:28:15. > :28:20.very ambitious. Kristina is pushing you hard. She works as hard as
:28:20. > :28:25.anybody I have ever met in my life. I feel right to aspire to her.
:28:25. > :28:34.are the master of the lift. It is time to get the scores from the
:28:34. > :28:42.judges. Craig Revel Horwood... Darcey Bussell...
:28:42. > :28:52.Len Goodman... Bruno Tonioli...
:28:52. > :29:01.
:29:01. > :29:11.24. What do you think, did Colin Who is the next couple?
:29:11. > :29:15.Our next couple is Louis Smith and his partner Flavia Cacace. A very
:29:15. > :29:20.popular couple here. There was a bit of a crisis back stage earlier.
:29:20. > :29:24.The celebs were organising some apple bobbing. I love all that.
:29:24. > :29:34.Louis Smith asked me what sort of apple I would like. I said I really
:29:34. > :29:36.
:29:36. > :29:42.fancy a Granny Smith. Louis Smith Granny Smith. He punched me on the
:29:42. > :29:52.nose and missed and hit me on the chin. That will teach him. Here
:29:52. > :29:55.
:29:55. > :30:03.The comments from Bruno are priceless. You can stretch those
:30:03. > :30:10.legs! Taking off. I think you are great. We got to the end of the
:30:10. > :30:20.routine and I was thinking please don't mess it up. It was scary.
:30:20. > :30:20.
:30:20. > :30:25.When I was up there it was pure relief. It was fantastic.
:30:25. > :30:35.Strictly does Hallowe'en, I am going to be dancing to Disturbia. I
:30:35. > :30:45.need a break. You can have a break in 28 hours when this dance is over.
:30:45. > :30:56.
:30:56. > :31:00.Flavia, hello? Where is everybody? Flavia? Flavia? Is that you Flavia?
:31:00. > :31:05.I had a horrible dream, 28 hours had passed, I missed the live show
:31:05. > :31:13.and you were a zombie. You poor thing, let's do some dancing to
:31:13. > :31:23.make you feel better. Dancing the Tango, Louis Smith and
:31:23. > :31:23.
:31:23. > :33:12.Apology for the loss of subtitles for 163 seconds
:33:12. > :33:22.CHEERING AND APPLAUSE A bit of acting there. Those eyes.
:33:22. > :33:24.
:33:24. > :33:32.Those are scary eyes. Craig, start us off. I loved it!
:33:32. > :33:37.However, one thing bothered me and that's your thumb, darling. At
:33:37. > :33:46.Flavia's back it is sticking up like that, get it down. He was
:33:46. > :33:52.looking at you and saying is it all right? Darcey. Lewis, spookily good,
:33:52. > :33:56.a wonderful beginning, a great end, but even a more fabulous middle.
:33:56. > :34:03.It's like two different people you were playing there. Just watch it
:34:03. > :34:12.in the kicks, you mustn't have a higher leg than your girl. No, no,
:34:12. > :34:17.no but the best Tango of the night. A good point. Len. I know the
:34:17. > :34:21.clocks go back tonight but I wish they could go back right now and I
:34:21. > :34:28.could have another look at that, because it was fabulous. What a
:34:28. > :34:34.lovely thing to say. I always say lovely things. That really was a
:34:34. > :34:40.Tango with a bite. I'm telling you, seemless transitions from character
:34:40. > :34:46.into dance. We had an amazing execution, really, the first killer
:34:46. > :34:50.tango of the season. Flavia, I know you are a lot to do with that, you
:34:50. > :35:00.have a wonderful partner there, it was marvellous, come on, we all
:35:00. > :35:11.
:35:11. > :35:16.That was properly spooky, just the eyes alone. Sorry. It worked, do
:35:16. > :35:21.not apologise. He is a friendly zombie. You smashed it last week
:35:21. > :35:25.and again tonight. How did that feel? It felt really good. Very
:35:25. > :35:30.nervous, the spookiness of Hallowe'en. But we did well. Joined
:35:30. > :35:35.us a few weeks ago, you are not an actor, are you finding that inner
:35:35. > :35:41.actor now? I think so, I think with the romantic side I struggle, but
:35:41. > :35:49.this is an act I can let go with. Are you worried his high kick is
:35:49. > :35:59.higher than yours? We worked on matching it. Worp working on her
:35:59. > :36:23.
:36:23. > :36:33.CHEERING AND APPLAUSE Our first nines. Highest score of
:36:33. > :36:45.
:36:45. > :36:53.the night. Three nines ladies and Not long to wait now, only one more
:36:53. > :36:58.petrifying performance to go. Amazing.
:36:59. > :37:06.Now the final couple tonight is Kimberly Walsh and her partner
:37:06. > :37:15.Pasha Kovalev. I wonder what spooky shenanigans they have in store for
:37:15. > :37:19.us. Here they are in training. Saturday night was amazing. I loved
:37:19. > :37:27.the whole Hollywood theme and threw myself into it. We were determined
:37:27. > :37:33.to make a better performance for Len to be happy. Good news from
:37:33. > :37:39.goodman. It meant a lot we had shown him we had improved, stepped
:37:39. > :37:44.up a bit and were making progress, mission accome accomplished. It was
:37:44. > :37:48.my favourite week so far and we got our best score. Last week we had to
:37:48. > :37:55.get happy, but this week is Hallowe'en week, so I have to get
:37:55. > :38:02.scared. We are dancing a Paso Doble to Hungry Like The Wolf. I am
:38:02. > :38:07.supposed to be a very, very scary wolf. I think Pasha is more like a
:38:07. > :38:17.puppy dog than a wolf. You really need to get scared. It's time to
:38:17. > :38:28.
:38:28. > :38:38.Kimberly, rats. They're cute. Just like you. That is so lame. There's
:38:38. > :38:42.
:38:42. > :38:52.nothing you can do to scare me. Dancing the Paso Doble, Kimberly
:38:52. > :38:52.
:38:52. > :40:43.Apology for the loss of subtitles for 163 seconds
:40:43. > :40:48.Well done, both of you. It was great. Red Riding Hood and you
:40:48. > :40:54.nasty wolf. Darcey. I think the first thing that hit me
:40:54. > :41:00.straightaway is the eyes, the intensity, the scared beautiful Red
:41:00. > :41:10.Riding Hood, sold it for me all the way through. But I enjoyed the kick
:41:10. > :41:12.
:41:12. > :41:18.with your leg, great attack. But generally, very, very nice. It was
:41:18. > :41:22.a very, very competent performance as far as I was concerned. I would
:41:22. > :41:26.have liked just a taed more aggression here and there. At the
:41:26. > :41:33.beginning, it was as though you were popping off to Sainsbury's, I
:41:33. > :41:43.wanted more scary early on, but once you got into the dance, lovely,
:41:43. > :41:44.
:41:44. > :41:49.lovely shaping. Well done. Who is not afraid of the big bad wolf. Not
:41:49. > :41:54.her. It was a bit like twilight at times. There was a bit of red
:41:54. > :42:00.hiding hood and twilight, love and hate, attraction, beauty and the
:42:01. > :42:09.beast, your lines were excellent. The extension was beautiful. Very,
:42:09. > :42:17.very well done. Lovely lines. Craig. I have got to agree, it was fiery,
:42:17. > :42:27.punchy, fantastic shaping, I really, really loved it. Looks good. Do I
:42:27. > :42:41.
:42:41. > :42:47.Sexy Red Riding Hood. I am quite afraid of the big bad wolf that is
:42:47. > :42:53.Pasha. I'm not, look at him. I am scary. She is not afraid. I have
:42:53. > :42:58.been scared all day, stay behind the sofa please. Good couple of
:42:58. > :43:02.weeks, do you feel you have found your Strictly stride. I am working
:43:02. > :43:07.really hard, putting as many hours in as possible and things are
:43:07. > :43:15.starting to sink in. I am really enjoying it. That was a sexy Paso
:43:15. > :43:19.Doble. With Girls Aloud, so does it come easy to you, something you do
:43:19. > :43:26.in your day job? I wasn't really thinking about being sexy, I was
:43:26. > :43:36.trying to go with the whole theme of the song. Being scared. Scores
:43:36. > :43:57.
:43:58. > :44:07.31. His claws are falling off. It's in the cauldron. That is your
:44:08. > :44:17.
:44:17. > :44:21.O Get your witches fingers ready toe dial because the lines are open
:44:22. > :44:31.in a few moments. All our dancers have done their work. Let's look at
:44:32. > :44:40.
:44:40. > :44:50.Of course, that is only half the story. You can save your favourites
:44:50. > :44:52.
:44:52. > :45:02.from the terror of the dance-off. The lines will close at 8.45
:45:02. > :45:07.
:45:07. > :45:17.Here is reminder of tonight's performances and the all-important
:45:17. > :45:17.
:45:17. > :48:42.Apology for the loss of subtitles for 163 seconds
:48:42. > :48:45.Thank you all for a great show. What a night. It was very
:48:45. > :48:48.frightening, but fang-tastic. our stars need your votes if they
:48:48. > :48:52.are going to stay in the competition. Lines close at the
:48:52. > :48:55.stroke of 8.45 tonight. Get dialling. Those votes will be
:48:55. > :49:00.combined with the judges scores to find out who will be in the bottom
:49:00. > :49:05.two. Tomorrow night the two creepy crumbs with the lowest scores will
:49:05. > :49:13.face each other in the dance-off. Then one couple will vannish