:01:02. > :03:53.APPLAUSE Ladies and gentlemen, please welcome
:03:54. > :04:14.your hosts Tess daily and -- Daly and Claudia Winkleman. That's one
:04:15. > :04:19.way to beat the trafficy. Quite. What an amazing opening number. We
:04:20. > :04:24.have got a brilliant Hallowe'en results show for you. But for one of
:04:25. > :04:30.our couples the Strictly spell will be broken and they must say a
:04:31. > :04:36.grewsome goodbye tonight. That's right. Your votes have been combined
:04:37. > :04:43.and the two couples with the lowest scores will face the most
:04:44. > :04:46.frightening thing this Hallowe'en, the dance-off. The decision lies
:04:47. > :04:56.with the judges. Please welcome the dark Lords and lady of the dance,
:04:57. > :05:05.Craig, Darcy, Len and Bruno. Also on the show, madness will be here. The
:05:06. > :05:14.judges and I will scrutinise Saturday's performances with lens's
:05:15. > :05:19.lens. -- lens's lens Len's Lens. Here is a look at the magic that
:05:20. > :05:27.swept through the ballroom on Saturday night. It's time for
:05:28. > :05:37.Strictly. Come on. It's Hallowe'en week, so I'm going to be playing a
:05:38. > :05:47.few pranks on a few contestants. I get wait to get out there. I'm a
:05:48. > :05:52.ghoul. Almost ready. Going down. I'm going to jump and try to get someone
:05:53. > :06:02.to come over to the microwave and out you come. We're going to find
:06:03. > :06:08.out now who is frightening and who's frightful. I feel really anxious for
:06:09. > :06:13.everybody. Do you want to go dancing? Yes. Five minutes and we're
:06:14. > :06:20.live. I think something bad might happen. I'm just walking the
:06:21. > :06:28.tightrope. Hi. I'm doing the jive. You'll get the full. 6.30. Keep it
:06:29. > :06:40.lean. I've just won first prize in a Danny Baker look-alike competition.
:06:41. > :06:49.Two minutes until we go. Follow the yellow brick road. I'm a lady. Show
:06:50. > :06:59.time. The nerves are here. Let's get the show on the road. Look at this
:07:00. > :07:12.girl. Counting to air in ten, nine, eight, seven, six, five, four,
:07:13. > :07:18.three, two, one. Zero. On air. If you're in the dance-off tonight I'm
:07:19. > :07:30.going to pickle my walnuts. Patrick, that was fast. Two nines. You know
:07:31. > :07:34.what I mean. Hallowe'en at Doris Day's house. I thought the whole
:07:35. > :07:41.dance was too dance and well behaved. I thought it was a proper
:07:42. > :07:50.Charlston. Fantastic. I loved doing that. I was slightly distracted.
:07:51. > :07:56.There were no fireworks. It was an explosion. A nine from Len! Yes!
:07:57. > :08:02.Yes. Thank you, thank you, thank you. You need to come out with more
:08:03. > :08:07.confidence. Get out there and attack it. It's annoying, because it was
:08:08. > :08:15.better in dress run. Your knees are bent. It's a real shame. I hope I
:08:16. > :08:31.get a chance to dance again. This was magic. You are fab-u-lus. The
:08:32. > :08:35.conviction and attack is all there. Long on performance, but short on
:08:36. > :08:44.technique. I'm sorry. We loved it. We loved the pass doBle. -- paso
:08:45. > :08:57.doble. Welcome back, darling, into the competition. Yes! Your best
:08:58. > :09:02.dance yet. I can't believe I got two eights. I'm really attracted to the
:09:03. > :09:17.evil Ashley. Dark and mysterious, I really loved it. Come on. Come on.
:09:18. > :09:27.You are amazing. You've got me and I tell you, you're here to stay. We
:09:28. > :09:34.got 35. High five. High five. It was a little like the weather, grey and
:09:35. > :09:44.a little bit dismal. I like a trier. I want you to come out and try. I
:09:45. > :09:58.might be doing it again. Plenty of tricks and treats. Well done. Your
:09:59. > :10:03.energy level is incredible. Spooktacula. Hallowe'en night,
:10:04. > :10:08.absolutely fabulous. First tens in the series for Natalie. Poor old
:10:09. > :10:20.Dave, great entertainment, but not such a great dancer. What an amazing
:10:21. > :10:26.night. 11 couples have danced to keep their place in the competition,
:10:27. > :10:33.but who will go bump in the night and into the dance-off? I have the
:10:34. > :10:58.results. In no particular order the first couple safely through to next
:10:59. > :11:19.week is... Patrick and Anya. Also back are... Sophie and Brendan.
:11:20. > :11:34.Thank you very much, everybody. Fantastic. Well done. Surviving here
:11:35. > :12:12.again next week are... Fiona and Anton. Thank you. Also returning
:12:13. > :12:26.are... Ben and Kristina. Now, the first couple who must fight for
:12:27. > :12:34.survival in the dance-off is... Abbey and Aljaz. Please come and
:12:35. > :12:48.join me. For the rest of you, you'll have to wait a little longer to
:12:49. > :12:53.discover your fate. Come on my darling, stand here. So, Abbey and
:12:54. > :12:57.Aljaz are the first couple in the dance-off. Big shock here, Craig,
:12:58. > :13:02.it's safe to say. You said one, impressive. How can they further
:13:03. > :13:05.improve and get through? Well, to do exactly what they did before. I
:13:06. > :13:10.thought you both danced magnificently and I really cannot
:13:11. > :13:15.quite believe that the audience at home have put you in this position.
:13:16. > :13:21.Certainly, not the judges. So I can only stress to people at home to
:13:22. > :13:29.start judging with informed choices, because clearly you are fantastic
:13:30. > :13:34.and I really would love to see you go further. Nobody is safe without
:13:35. > :13:39.the audience vote. You do get very nervous before you dance. How will
:13:40. > :13:43.you cope? Oh, God, I'm going to have to do me best and see what happens.
:13:44. > :13:48.Do what you did the first time around. Thank you both very much.
:13:49. > :13:51.APPLAUSE I am here with the saved couples.
:13:52. > :13:56.They've all survived Hallowe'en week. You must be relieved. Sophie,
:13:57. > :14:01.I think you're in shock? Everyone here is slightly in shock. Very much
:14:02. > :14:05.so. Abbey's a beautiful dancer and I screwed up my dance so I felt I
:14:06. > :14:10.should be doing it again. Patrick you did brilliantly. How amazing was
:14:11. > :14:16.your week? The dance was fantastic. Are you over the moon? Brilliantly
:14:17. > :14:21.choreography from Anya. I wanted to try to do it justice and get out
:14:22. > :14:27.there. I loved it. That was the key. That hand is eerie. Fiona and Anton,
:14:28. > :14:33.that is my favourite reaction in the 900 years I've been watching you do
:14:34. > :14:39.this. You didn't even go yippee, you said, "I'm sorry, go again." You
:14:40. > :14:45.were convinced? I was convinced. I'm very, very relieved. Good, because
:14:46. > :14:50.the judges weren't over the moonment Len was. Ben, well done. Your
:14:51. > :14:53.highest score. Let's have applause for Ben.
:14:54. > :15:01.APPLAUSE Are you happy? Ecstatic. We put in a
:15:02. > :15:07.lot of hard work in and to get that was really great and happy. Up next,
:15:08. > :15:11.a track that is out of this world, performing their single it's Madness
:15:12. > :15:43.with LA spBS Luna. -- La Luna. Of all the places I remember from
:15:44. > :15:48.the moment I was born # From bat see to Birmingham
:15:49. > :15:56.# Memories forlorn # It's just fate not nostalgia
:15:57. > :16:06.blowing gently on the breeze # I sit among the evergreen of all I
:16:07. > :16:12.have seen # The raise are breaking through
:16:13. > :16:19.# And out come the twinkling stars shining down on you
:16:20. > :16:28.# Well I'm in and out the window # My mind a wandering star
:16:29. > :16:32.# So many chances I put right over the bar
:16:33. > :16:37.# Easy, you make a daily break # Long way ahead
:16:38. > :16:47.# You don't even know where # But the places you remember you'll
:16:48. > :17:13.always still be there # Always still be be there...
:17:14. > :17:20.# The rays are breaking through # Yeah, out come the the stars
:17:21. > :17:27.shining down on you # There's children singing songs out
:17:28. > :17:33.in the street below # Squeezing the last drops of fading
:17:34. > :17:37.light, before it's time to go # Easy, the kids make the daily
:17:38. > :17:42.bread # I'm in your head
:17:43. > :17:45.# You don't even know where # But the places you remember will
:17:46. > :19:08.always still be there shining up for you... #
:19:09. > :19:11.APPLAUSE Welcome the judges. Thank you so
:19:12. > :19:16.much for coming up here. We can't do this alone. We had to do it without
:19:17. > :19:30.Craig last week. I have my crutch now, darling. Look how glamorous it
:19:31. > :19:31.is. We have to be joined by the masterful Len's Lens. This is what
:19:32. > :19:44.we look at the details. We noticed one of you in particular
:19:45. > :19:52.had the time of their lives. Have a look at this. Look at this. Len
:19:53. > :20:02.Goodman, you loved it, didn't you? It's about the only dance I can do
:20:03. > :20:06.any more! So adorable. What hasn't made you happy, you've noticed there
:20:07. > :20:11.have been quite a few illegal lifts. Some examples. Talk us through it.
:20:12. > :20:18.Why is this? The thing is, there are about four of the couples that were
:20:19. > :20:24.doing lifts. And I've been lenient about it and let it go, but the
:20:25. > :20:28.trouble with the pros if you let it go they'll try more and more you
:20:29. > :20:32.know it's a lift-fest. I'm warning them, I realise that the lifts are
:20:33. > :20:39.going on and if you're not allowed to do them in certain dances cut
:20:40. > :20:43.them out, otherwise I'll be grumpy. My favourite bit, you were smiling
:20:44. > :20:54.and then this happened. Have a look. He comes right up to you. Like,
:20:55. > :21:00.thank you very much. Let me talk about Sophie's knees, because you
:21:01. > :21:09.said they were bendy. Here's a clip. I would just love them to straighten
:21:10. > :21:16.and pull up the knee. It's just all a bit soft. You wanted a boot, like
:21:17. > :21:21.you're going to dislocate it. Yep. She's got the most beautiful legs.
:21:22. > :21:27.Absolutely, let me talk about you two giving the tens. First tens in
:21:28. > :21:37.Strictly 2013. You were very pleased with yourselves. Let's look. You
:21:38. > :21:40.feel it. It comes from within. The performance was just outstanding.
:21:41. > :21:47.We'll talk about this. We have a clip here. Was it faultless? For me,
:21:48. > :21:52.it just touched all the points. Look at that. Look at the expression.
:21:53. > :21:57.Look at the quality of movement. I couldn't fault it. Absolutely
:21:58. > :22:01.beautiful. Craig, looking at that, did you think you were silly and
:22:02. > :22:05.should have given it a ten? No, she wobbled at one stage. Obviously you
:22:06. > :22:10.were blinking at the time, Bruno. Craig, we'll talk about Rachel. It
:22:11. > :22:17.was her best score. We'll have a reminder. What was so great about
:22:18. > :22:21.it? The transitions into lifts are very difficult to get the elevation.
:22:22. > :22:26.I gave her a four last week, which was not good. So, this week it was a
:22:27. > :22:29.seven and it was worth it. I thought she did really well to come back
:22:30. > :22:34.into the competition and had the confidence to get up there and do a
:22:35. > :22:42.great job. Final clip, I have to tell you I've never been more
:22:43. > :22:50.scared. Look at this. I couldn't even look down. I was so scared. I
:22:51. > :23:07.must just say and reiterate what Brendan said, the make-up and
:23:08. > :23:10.costumes, come on. APPLAUSE
:23:11. > :23:15.Go to the website for treats like this one. Come on. Who is not in
:23:16. > :23:20.love with Mark? Anyone? Four couples have escaped the horror of the
:23:21. > :23:27.dance-off but who could be in for a fright? Over to you, Tess. The rest
:23:28. > :23:35.of our couples are frozen to the spot. It's time to reveal all. In no
:23:36. > :25:17.particular order, safely through to next week are...
:25:18. > :25:23.We apologise for the temporary loss of subtitles. The couple who will
:25:24. > :25:49.compete in the dance-off tonight is... Rachel and Pasha. Come on
:25:50. > :25:54.over. I'm sorry that we meet again. Len, you said this is Rachel's best
:25:55. > :25:59.dance to date. Are you surprised to see her here and what does she need
:26:00. > :26:05.to change? I am, because it was, without doubt, your best dance. I
:26:06. > :26:13.know how hard you have worked. And the hours you've put in. You've done
:26:14. > :26:19.so much for the show and it's absolutely not deserved. What can I
:26:20. > :26:26.tell you? Just come out, enjoy the experience and focus and trust in
:26:27. > :26:31.the passion of Pasha. Go on. You have been here before and you know
:26:32. > :26:35.what to expect. What are you feeling right now? I love this competition.
:26:36. > :26:39.I've loved it so much and loved dancing with Pasha. Abbey is a
:26:40. > :26:43.beautiful dancer, so there could be my last dance, so I've got to enjoy
:26:44. > :26:52.it and soak it all up. Don't talk yourself out of it yet. Thank you
:26:53. > :26:57.very much. I'm here with our saved couples. You must all be incredibly
:26:58. > :27:03.relieved to have avoided the red light? There is a feeling of relief.
:27:04. > :27:07.Mark, your entrance, extraordinary. My favourite thing is when you came
:27:08. > :27:11.up and said, "I loved it." You looked like you were having the time
:27:12. > :27:17.of your life. Ashley, congratulations. The judges loved
:27:18. > :27:25.it, but they want more polish. You have nine jobs, 17 children, and...
:27:26. > :27:29.It was all part of the character, so they were wrong with the character.
:27:30. > :27:36.I'm meant to look like that. We all are. Like small tortoises. You may
:27:37. > :27:44.think our couples can relax. But it's not the case. There's always
:27:45. > :28:11.someone watching. It's awkward! No, I'm still here. Someone is watching
:28:12. > :28:26.me. Oh, what's this? Who's there? I'm always watching! Zoe is on every
:28:27. > :28:31.night on BBC Two at 6.30pm. Abbey and Rachel, you are about to face
:28:32. > :28:36.the dance-off. Abbey, are you in shock or did you think this might
:28:37. > :28:41.happen? I just think - it's just made me realise how much I don't
:28:42. > :28:46.want to leave and I don't want to be in it for Rachel because she is my
:28:47. > :28:55.best friend as well. Listen, have a brilliant dance. Good luck. You are
:28:56. > :29:04.so cute. Good luck. Good luck. Please go and get into position.
:29:05. > :29:08.Rachel and Pasha, you have been here before. And I know you didn't like
:29:09. > :29:13.it the first time. The judges said it was your best dance, so will you
:29:14. > :29:17.give it more? I'll enjoy it. I said to Abbey, I think she can win the
:29:18. > :29:21.competition, because it was beautiful, so I'm loving it and I
:29:22. > :29:26.can go out there and enjoy it and give my all, which is what I've done
:29:27. > :29:30.every week. We'll enjoy this one. It's never easy to say goodbye to
:29:31. > :29:34.anyone in the competition, but for one couple, the end is near. Dancing
:29:35. > :29:45.to save their place, it's Abbey and Aljaz.
:29:46. > :31:28.MUSIC. Stay by Shakespeare's Sister.
:31:29. > :31:32.APPLAUSE Double, double, toil and trouble.
:31:33. > :31:37.Someone must leave the Strictly bubble. Abbey and Aljaz have done
:31:38. > :31:39.all they can and now dancing for survival, give it up for Rachel and
:31:40. > :31:48.Pasha. MUSIC: I Put A Spell On You by
:31:49. > :33:40.Screamin' Jay Hawkins APPLAUSE
:33:41. > :33:44.What about that? Really well done. We'll find out which of you will be
:33:45. > :33:54.back to dance again next week. Judges, it's time to decide. We're
:33:55. > :33:57.about to ask each of you the fame of the couple who you think should be
:33:58. > :34:01.deserved. The couple with the most votes will stay, meaning the other
:34:02. > :34:06.couple is out. In the event of the tie, head judge, Len, you will have
:34:07. > :34:13.the casting vote. Abbey and Aljaz and Rachel and Pasha, this is it.
:34:14. > :34:27.Craig, who would you like to save? I would like to save Abbey and Aljaz.
:34:28. > :34:31.Daccey, Darcey, who do you think should stay in the competition? Both
:34:32. > :34:38.couples performed better, it's very difficult, but the couple I have to
:34:39. > :34:43.say is Abbey and Aljaz. Two votes. Broen know, if you vote to -- Bruno,
:34:44. > :34:47.if you vote to save them, then they're through to next week. Who do
:34:48. > :34:51.you want to stay? It's very difficult, because you both did
:34:52. > :34:55.very, very well, but I would like for Abbey and Aljaz to stay.
:34:56. > :35:01.APPLAUSE It means we will have to say goodbye
:35:02. > :35:04.to Rachel and Pasha. Abbey and Aljaz, congratulations, you're
:35:05. > :35:09.through to next Saturday. Len, I know it makes no difference, but
:35:10. > :35:16.would you agree? I would have saved Abbey and Aljaz. Thank you very
:35:17. > :35:20.much. APPLAUSE
:35:21. > :35:24.Rachel, I know you so enjoyed it and we watched you grow as a dancer.
:35:25. > :35:31.Have you enjoyed the whole experience? I haven't cried until
:35:32. > :35:36.now. I've made some amazing friends. I really enjoyed tonight. I really
:35:37. > :35:40.enjoyed yesterday's dance. I'm really pleased to go out on a high.
:35:41. > :35:45.Abbey is just gorgeous and gorgeous dancer and girl, so no shame in
:35:46. > :35:50.going out to her, but I've loved it from the make-up to the hair and to
:35:51. > :35:57.the whole thing. Everyone. The audience. Thank you very much. You
:35:58. > :36:01.are going out on a high. I haven't mentioned this one. Is there
:36:02. > :36:05.anything you want to say to Rachel? We started from zero and look where
:36:06. > :36:09.you are now. It was amazing to work you and I'm sorry it has to finish
:36:10. > :36:12.this way. He's the nicest person in the world. He couldn't have looked
:36:13. > :36:16.after me better. It's been an absolute pleasure. Thank you both so
:36:17. > :36:25.much. It's been a pleasure for us all. Off you go and enjoy that last
:36:26. > :36:32.dance. Thank you so much. They've been an amazing couple. We are so
:36:33. > :36:36.sad so see them go. Rachel and Pasha will join Zoe on BBC Two. Bruce is
:36:37. > :36:41.off next week, so join Claudia and myself at 6.30pm, when the ten
:36:42. > :36:42.talented couples will be back with a bang. Dancing us out this weaning,
:36:43. > :36:55.it's Rachel and Pasha. -- out this evening, it's Rachel and
:36:56. > :36:58.Pasha.