:00:08. > :00:13.Last week Strictly brought a ballroom blitz to Blackpool.
:00:14. > :00:24.Everybody rose to the occasion. Fantastic! Spectacular. Mark
:00:25. > :00:29.survived the dance-off for a second time. But Bond girl Fiona lost her
:00:30. > :00:34.licence to thrill. This week, the competition is taking its toll.
:00:35. > :00:50.Everybody is prepared to do anything to get ahead.
:00:51. > :01:45.Will the celebrities' scheming pay off on the dance floor tonight?
:01:46. > :01:56.APPLAUSE AND CHEERING Live from the Strictly ballroom,
:01:57. > :02:00.this is Strictly Come Dancing! Please welcome your hosts, Sir Bruce
:02:01. > :02:19.Forsyth and Tess Daly. A new routine! Look at that. Did you
:02:20. > :02:24.see that? Well done, darling. Lovely. And in white, what a vision
:02:25. > :02:27.you are. A vision! Good evening, ladies and gentlemen, and children,
:02:28. > :02:33.welcome to Strictly Come Dancing. It's nice to see you, to see you...
:02:34. > :02:36.Nice! They're good. Nice to see you, Bruce. I have warmed this lot up.
:02:37. > :02:42.You have indeed. Warmed up and ready. You are looking pleased with
:02:43. > :02:50.yourself. I am pleased with myself. I have been asked to be the new
:02:51. > :02:55.voice on a sat-nav. Why did they ask you? What do you mean? Because I am
:02:56. > :03:00.perfect for it, that's why. When the driver gets in the car they hear me
:03:01. > :03:09.say, nice to see you, to see you... Nice! Not as many as that in the
:03:10. > :03:16.car! And if the speed is too low I say, higher. If the speed is too
:03:17. > :03:21.high I say... Lower! You see, if they reach their final destination
:03:22. > :03:29.without getting lost I say, didn't you do well!
:03:30. > :03:37.APPLAUSE They were good! We will keep you. I
:03:38. > :03:42.didn't rehearse. Did I? No! Last week we took the Strictly ballroom
:03:43. > :03:49.to Blackpool for our most spectacular show yet. But we had to
:03:50. > :03:55.leave one couple behind in the Tower Ballroom. Yes, poor Fiona and Anton
:03:56. > :03:58.lost out to Mark and Iveta in the dance-off. That still leaves eight
:03:59. > :04:03.couples fighting to get one step closer to the final. That's right.
:04:04. > :04:08.With four weeks to go it's all to dance for. Shall we get them out,
:04:09. > :04:14.Bruce? I can't see anything against it. I am feeling very strong
:04:15. > :04:17.tonight. I can see that. Clearly! It's time to meet the stars of our
:04:18. > :04:28.show. Pop star Sophie Ellis-Bextor and her
:04:29. > :04:31.partner Brendan Cole. Star of stage and screen Mark Benton and his
:04:32. > :04:35.partner Iveta Lukosiute. BBC Breakfast presenter Susanna Reid
:04:36. > :04:40.and her partner Kevin Clifton. England rugby hero Ben Cohen and his
:04:41. > :04:42.partner Kristina Rihanoff. Coronation Street star Natalie
:04:43. > :04:46.Gumede and her partner Artem Chigvintsev.
:04:47. > :04:49.Model and TV presenter Abbey Clancy and her partner Aljaz Skornajec.
:04:50. > :04:52.From Hollyoaks, Ashley Taylor Dawson and his partner Ola Jordan.
:04:53. > :05:10.And Casualty star Patrick Robinson and his partner Anya Garnis.
:05:11. > :05:19.APPLAUSE AND CHEERING There's going to be a few spaces
:05:20. > :05:23.now. But there they all are. Celebrities and dancers, we know how
:05:24. > :05:31.hard you work on the show, but be honest, it's better than being in
:05:32. > :05:39.the jungle eating insects. That's true. Good luck, Vincent! Yes. Very
:05:40. > :05:42.good luck to Vincent. APPLAUSE
:05:43. > :05:45.For this lot it's no time to take things easy. If they want to make it
:05:46. > :05:49.through to next week's musical special they're going to have to
:05:50. > :05:58.dance their little hearts out. They're dancing for our judges'
:05:59. > :06:03.points and your votes at home. They'll meet plenty... Did I say
:06:04. > :06:17.that? Clearly. Oh, good. Did anybody hear it? They'll need plenty of
:06:18. > :06:22.votes to avoid the dance-off... LAUGHTER
:06:23. > :06:26.Shut up! APPLAUSE.
:06:27. > :06:31.Sues's done that a few times. To avoid the dance-off in tomorrow's
:06:32. > :06:34.results show. The stakes are high but so is the standard of dancing.
:06:35. > :06:44.Who has the pleasure of going first tonight? First couple tonight is
:06:45. > :06:52.Susanna Reid and her partner, Kevin. They're hot to trot tonight, Bruce.
:06:53. > :06:56.Susanna told me she's the first Breakfast television presenter to
:06:57. > :07:02.have ever scored 39 points. I said, actually, that's not true. Fiona
:07:03. > :07:12.Phillips got 39 points, you see, if you add up all the points for the
:07:13. > :07:18.four weeks she was here, that's 39 points. It's a funny joke! I thought
:07:19. > :07:33.they'd all gone. Here they are in training. Good luck.
:07:34. > :07:35.Saturday night that paso on the Blackpool Tower floor I don't think
:07:36. > :07:41.I will have a moment like that again. I have said to Kevin I am not
:07:42. > :07:45.a 10 sort of person, so I can't really believe it. It was like an
:07:46. > :07:50.out of body experience. I will never forget that. Thank you. Lying on the
:07:51. > :08:00.floor at the end of the dance I just felt people's reaction. My heart was
:08:01. > :08:04.fit to burst. It was incredible. This week we are dancing
:08:05. > :08:10.cha-cha-cha. I can't do it. You have to nail the walks. I can't do it!
:08:11. > :08:15.Who invented cha-cha walks? I want to see them now. I can run more than
:08:16. > :08:18.26 miles in one go. That's impressive. I find walking so
:08:19. > :08:24.challenging. I have noticed that. I have a plan. We are here for this.
:08:25. > :08:28.You sort of walk like you just got off your horse. It's a little, you
:08:29. > :08:34.know, tricky to get on. Can you get on now? Yeah. One in front of the
:08:35. > :08:38.other. That's called walking. So much better. Actually genuinely
:08:39. > :08:42.good. These are the best cha-cha walks you have done all day. All
:08:43. > :08:50.right, let's see you get off then. I thought I would try something like
:08:51. > :08:54.this. There we go. Time to get back to training, I think. My feet have
:08:55. > :08:58.barely touched the ground. But I am hoping that my new technique will
:08:59. > :09:04.leave the judges beaming on Saturday.
:09:05. > :09:21.Dancing the cha-cha-cha, Susanna Reid and Kevin Clifton.
:09:22. > :10:58.APPLAUSE AND CHEERING What about that!
:10:59. > :11:04.Oh, Susanna! I never knew you could shimmy like that. You like it, as
:11:05. > :11:09.well. I don't usually require that on the Breakfast sofa. By the way,
:11:10. > :11:16.let's welcome our judges. APPLAUSE AND CHEERING
:11:17. > :11:19.They all had a few drinks after the show in Blackpool. Bruno went out
:11:20. > :11:22.with the professional dancers because he gets on well with them.
:11:23. > :11:26.Len went out with the male celebrities because he gets on well
:11:27. > :11:30.with them. Darcey went out with the female celebrities because she gets
:11:31. > :11:43.on with them. And Craig had room service. And he saw Match of the
:11:44. > :11:47.Day! Can you imagine that? Len, what did you think of that? May I just
:11:48. > :11:53.say before that, not only to you Susanna, but all our couples, that
:11:54. > :11:57.we are getting down now to the nitty gritty, not far to go. The standard
:11:58. > :12:01.is high and the competition close. Things that we overlooked a little
:12:02. > :12:06.bit in the past, we are going to be really picking up on. We want to see
:12:07. > :12:10.the best get through to the final and move on. Having said that,
:12:11. > :12:13.that's what I am looking for. I am really going to be picking up
:12:14. > :12:17.everything. I thought the timing was good. I like the mix of steps. Your
:12:18. > :12:21.problem in this dance was your leg action. You didn't get that
:12:22. > :12:26.straightening leg. It wasn't sharp and crisp and because of that you
:12:27. > :12:39.lost hip action. It was acceptable, but... BOOING It wasn't exceptional,
:12:40. > :12:44.it was good enough, I guess. But got to be much crisper in future. I
:12:45. > :12:58.think we have a message there. Bruno. Susanna, you house trained -
:12:59. > :13:04.I wouldn't expect anything else. Your performances fly off the shelf
:13:05. > :13:07.like mince pies at Christmas. Tonight, Len was right. There is a
:13:08. > :13:13.distinctive hip action that has to happen in the cha-cha. It wasn't as
:13:14. > :13:17.pronounced as it could have been. The performances are always up there
:13:18. > :13:26.but next time really get the hips going because it's so important.
:13:27. > :13:29.Otherwise, great fun. You were never keen on doing the cha-cha, were you?
:13:30. > :13:35.I have to say, cha-cha and I have found it hard to make friends. It's
:13:36. > :13:39.been a difficult one for you. Craig. I liked the vampy beginning, that
:13:40. > :13:44.got off to a great start. Timing as Len said very good. Always you
:13:45. > :13:52.supply personality which I love. For me it did not pop, it did not zing
:13:53. > :13:55.and you need to think about almost hyperextending your body, you have
:13:56. > :13:59.to go a lot further. I could see you were trying hard to straighten your
:14:00. > :14:07.legs and get hip action but for me it was all a little bit mumsy,
:14:08. > :14:12.darling. Stop it, Bruno, behave! Darcey, finish us off. The boys are
:14:13. > :14:15.right, it's a shame. It's that technique and getting a quicker
:14:16. > :14:22.straighter leg as much as you can. You know, it's a difficult dance and
:14:23. > :14:27.it wasn't yours tonight. It's a shame that the glamour of Blackpool
:14:28. > :14:35.Ballroom is over and we have to get, as the boys said, more picky. But
:14:36. > :14:39.you still give 100%. It's lovely. Straighten your legs, that's what
:14:40. > :14:41.they all said. But don't do it going up the stairs! It was lovely. Don't
:14:42. > :15:00.worry about it. Come here you. I have a bone to pick
:15:01. > :15:05.with Craig, he said you were mumsy. As a mother, I would say anything
:15:06. > :15:10.but mumsy. There's nothing wrong with being mumsy when you have three
:15:11. > :15:16.boys. Nothing at all. I would say one sassy hot mamma tonight. I
:15:17. > :15:19.didn't know that about the 39 points, Breakfast presenters. Well
:15:20. > :15:26.you are on a high after last week. I don't think so today. I get the
:15:27. > :15:31.impression! After that it must be a confidence boost after the high last
:15:32. > :15:34.week. It was. Last weekend was phenomenal. Yeah, brilliant. With
:15:35. > :15:39.the cha-cha I knew there was no chance of matching that. I am glad I
:15:40. > :15:40.have gone out and done it and it was great fun. It was. The scores are
:15:41. > :16:04.in. Sassy 31 points. It's not all bad
:16:05. > :16:12.news. You know what I am really happy with 31. That's amazing. What
:16:13. > :16:15.do you think? If you want to throw these Hound Dogs a bone, then vote
:16:16. > :16:29.for them: Voting won't open until all our
:16:30. > :16:34.couples have danced. Please don't call now, if you do, your vote won't
:16:35. > :16:37.count and you may be charged. All our couples need your votes, nobody
:16:38. > :16:44.is safe without you. Back to you, Bruce.
:16:45. > :16:52.Now our next couple, Ashley and his partner Ola. Very popular couple.
:16:53. > :16:58.His name is Ashley Taylor Dawson. It's one of those celebrities with
:16:59. > :17:06.three names. Ashley told me it sounds dignified and sophisticated
:17:07. > :17:17.to have three names. I said who told you that? He said, Anton Du Beke.
:17:18. > :17:23.Poor Anton. I do miss him, I don't know why, but I do miss him. Here
:17:24. > :17:26.they are in training. Performing at Blackpool was
:17:27. > :17:34.something very special. The standing ovation was incredible. It was like
:17:35. > :17:39.wow! I could not take my eyes off you. It was a great score but I need
:17:40. > :17:48.to break into 10, everybody else is doing it. I am very proud, very
:17:49. > :17:52.happy. This week I am dancing the waltz. Why are you not looking at
:17:53. > :17:57.me? You put me off. He has to be gliding across the floor this week.
:17:58. > :18:01.Stop it! What are the key parts of the waltz? Rise and fall. Heel
:18:02. > :18:07.leads. Lovely posture. You have got to be light on your feet. I have got
:18:08. > :18:18.a little plan. Are we here to watch sharks swimming? No, we are here to
:18:19. > :18:22.do it with them. What? Looking good. Zip me up. We are going to go in
:18:23. > :18:29.that water and I want you to feel how to be weightless. I am thinking
:18:30. > :18:38.I am going to leave him in there by himself.
:18:39. > :18:46.It was incredible doing down there dancing with Ola. The arms were
:18:47. > :18:49.really good. Craig will be proud. Thank you. Being under the water did
:18:50. > :18:54.help me feel weightless and I understand now what Ola is on about.
:18:55. > :18:59.I like it in there, can't hear a word you say! Can I get one for
:19:00. > :19:01.dance training? Dancing the waltz, Ashley Taylor
:19:02. > :20:56.Dawson and Ola Jordan. APPLAUSE AND CHEERING
:20:57. > :21:04.Wonderful. Absolutely wonderful. That was great. Well done. And what
:21:05. > :21:10.a routine and the rise and fall and the feel, I don't know what they're
:21:11. > :21:14.going to say, but I thought it was great. Bruno. Beautifully handled. I
:21:15. > :21:18.am so impressed. The music and the timing in that song was so
:21:19. > :21:24.difficult. The phrasing was incredibly difficult. You could
:21:25. > :21:29.hardly have a down beat and yet you glided through with incredible
:21:30. > :21:34.poise, ease of movement, elegant. You set the mood so well. I thought
:21:35. > :21:43.it was a wonderful, wonderful waltz. Great. You danced with the music.
:21:44. > :21:47.And your posture, oh! Craig. You coped well as Bruno said with the
:21:48. > :21:51.cross phrasing because it's difficult music. Your expression
:21:52. > :21:57.throughout was very, very good. However, your head is driving me
:21:58. > :22:02.absolutely mad, darling. It keeps inclining to the right. It's
:22:03. > :22:07.particularly noticeable, darling, through the sounding spin. You have
:22:08. > :22:11.to sort that out. Oh, really? I never noticed that. I was away in
:22:12. > :22:20.the emotion of the whole thing. Darcey, darling. It was so slick,
:22:21. > :22:24.ashy. -- Ashley. The control, and you really rose to the occasion. It
:22:25. > :22:31.wasn't easy. You glided effortlessly across that dance floor. Well done.
:22:32. > :22:38.For me, I think it was one of your best dances. Craig's right, when you
:22:39. > :22:45.tense up on a turn you do a little tilt. When you are going to turn,
:22:46. > :22:50.just relax. You just get a little tense. Ashley, well done. Really
:22:51. > :22:59.good. The rise and fall, I have never seen it better on this show.
:23:00. > :23:06.Len. Well, you are like your initials ATD - attention to detail.
:23:07. > :23:10.Footwork was good. I loved that chassis you did early on. It had
:23:11. > :23:18.light and shade. As the music built you went into it. I thought you did
:23:19. > :23:22.a terrific job. The waltz is not an easy dance. It's a big dance. Big
:23:23. > :23:27.flowing movement. The head thing is a little thing you have to work on a
:23:28. > :23:35.tad. But, overall, I am telling you, that was terrific. What did I tell
:23:36. > :23:44.you? Go on, off you go. It was wonderful!
:23:45. > :23:50.APPLAUSE AND CHEERING Ashley! Craig hates your head. I
:23:51. > :23:56.know, I hate my head now, as well. I am sick of my head! It's a lovely
:23:57. > :24:00.head. It is lovely. I will shop for a new one, see what happens. Darcey
:24:01. > :24:06.thinks it's one of your best dances. That's high praise. Are you gagging
:24:07. > :24:10.for your first 10? It would be rude to say I wasn't, I am. Four weeks
:24:11. > :24:16.from the final, it's getting closer. Would you say the atmosphere back
:24:17. > :24:20.stage has changed? There's been a lot of time today you are told to be
:24:21. > :24:24.here and there, there's too much time to think. It's getting more
:24:25. > :24:43.competitive. Bring on the competition. The scores are in.
:24:44. > :24:53.No 10 but a great score. I am very happy. Teacher is happy. A wonderful
:24:54. > :24:59.waltz. The number to call when lines open is:
:25:00. > :25:08.Or you can vote online. He is keeping this head! Loads more to
:25:09. > :25:17.come, Sophie and Brendan are giving us a romantic rumba and can our
:25:18. > :25:20.Latin King Patrick pull off the perfect Viennese waltz? Time will
:25:21. > :25:28.tell. Next up is Natalie and her partner
:25:29. > :25:33.Artem. Such good couples. This week in training they visited a local
:25:34. > :25:38.school. Because of the war I didn't go to school very much at all. It
:25:39. > :25:42.really was. Most of my time was spent entertaining the troops. They
:25:43. > :25:52.used to drop me behind enemy lines to tell jokes to the Germans. I did
:25:53. > :26:03.my bit, don't you worry! Here they are in training.
:26:04. > :26:10.The audience in Blackpool gave us so much energy. It was spine-chilling.
:26:11. > :26:14.Spectacular. Wasn't expecting to get 39. I cannot be more happy. I have
:26:15. > :26:26.been humbled by people's response to what we have done and for people
:26:27. > :26:35.to... Appreciate it... This week we are dancing the tango.
:26:36. > :26:38.We do a lot of this. Blackpool was awesome. One of the special moments
:26:39. > :26:44.was the massive group number we did. You see the little kids dancing and
:26:45. > :26:48.it was quite special. They showed up all the contestants. I thought we
:26:49. > :26:52.could go to a school and show them what we have been up to. It's a
:26:53. > :26:55.chance to give back and show how brilliant dancing can be. Looking
:26:56. > :26:58.forward to meeting the kids. Maybe some of them are going to be
:26:59. > :27:09.futurely Strictly professionals. Somebody might show you up. Let's
:27:10. > :27:14.hope not! Hi! Does anybody want to see some dancing? I was blown away.
:27:15. > :27:20.I couldn't believe it, I thought it was a dream. She looked so
:27:21. > :27:28.beautiful. I wish I could be her. I am going to grab you here. And lift
:27:29. > :27:31.you up! We give them a 10! Today has been a joy and just seeing the way
:27:32. > :27:37.the kids engage with dancing will give me that extra boost for
:27:38. > :27:47.Saturday night. Dancing the tango, Natalie Gumede
:27:48. > :29:37.and Artem Chigvintsev. APPLAUSE AND CHEERING
:29:38. > :29:41.Oh, wonderful. Are you all right? Oh, dear. Good job that didn't
:29:42. > :29:47.happen when you were doing it. I was trying to be a lady. A standing
:29:48. > :29:53.occasion from a few here. While you get your breath back. , it's a good
:29:54. > :29:58.time to welcome our singers and Dave Arch and his wonderful, wonderful
:29:59. > :30:02.orchestra! And our wonderful singers and orchestra. Great. I think we
:30:03. > :30:07.start off with you, Craig. I am going to be really picky. Your left
:30:08. > :30:11.hand, my darling, was facing up, instead of palm to the floor.
:30:12. > :30:14.Sometimes got into the correct position but mainly it was in the
:30:15. > :30:19.wrong position. You need to sort that out. You hopped around in one
:30:20. > :30:22.of those pivot steps, I don't know whether it was to do with the dress
:30:23. > :30:27.or something, but that was a bit of a disaster. The whole thing lacked a
:30:28. > :30:38.little bit of drama. What? Are you out of your mind? Lacked a bit of
:30:39. > :30:45.drama? Sorry, it's getting crazy. Darcey. Ignore Craig. I love that
:30:46. > :30:49.classic tango. The intensity when you were fixed in that hold was
:30:50. > :30:53.beautiful. There was only one thing for me, if you could overexaggerate
:30:54. > :30:59.and push away further from the waist in your top line from Artem, that
:31:00. > :31:06.would be the only thing and it would be perfection. It was beautiful. It
:31:07. > :31:10.was very dramatic. Len. You look like my favourite Quality Street,
:31:11. > :31:14.and I have to say that was a quality performance. My only criticism in
:31:15. > :31:20.the links sometimes you lowered your head a little bit but again that's
:31:21. > :31:28.being... He has told me already. Told me every day. But fabulous,
:31:29. > :31:35.well done. Bruno. For me you set off like the tango express! Destination,
:31:36. > :31:41.the final! We are going to take you there with great style. For me it
:31:42. > :31:45.was fabulous! There we are. Say no more. Get off before he changes his
:31:46. > :31:54.mind. Off you go. Well done, Natalie. Good luck. Artem, that was
:31:55. > :32:04.wonderful. Up the stairs you go! APPLAUSE AND CHEERING
:32:05. > :32:10.Yes, truly a quality performance. Nothing to do with the dress. The
:32:11. > :32:13.dress was... The quality's a bit downhill. You always get the most
:32:14. > :32:16.amazing response from the audience. First standing ovation of the
:32:17. > :32:20.evening. How does it feel to get that reaction from them? It's
:32:21. > :32:23.absolutely mind-blowing. You cannot really take it in when the dance is
:32:24. > :32:25.finished but we are so grateful for the support. Thank you. Feels good I
:32:26. > :33:00.bet. The scores are in. A 10. Well, do you agree with our
:33:01. > :33:05.judges? They might be riding high with the
:33:06. > :33:08.judges but they still need your votes like everybody else. Time now
:33:09. > :33:20.for more dancing. Back to my main man, Bruce.
:33:21. > :33:25.Our next couple is Mark and Iveta. Last week Mark wanted to get his
:33:26. > :33:31.palm read by a fortune teller. I went to one, as well. She looked at
:33:32. > :33:34.my right hand and looked up here. And right here, around the back of
:33:35. > :33:43.me and right down the other arm. I said, what are you doing? She said,
:33:44. > :33:48.looking at your lifeline. APPLAUSE
:33:49. > :33:58.She said, it goes on forever. I said, I do hope so! Here they are in
:33:59. > :34:02.training. Before the show last week I was really excited. It's such a
:34:03. > :34:06.wonderful place that ballroom that I was really looking forward to the
:34:07. > :34:10.dance. Big, brash and fabulous to watch. Len gets what I am about,
:34:11. > :34:14.which is trying to entertain people. We got 8s, which was brilliant. I
:34:15. > :34:18.had a feeling we were going to be in the dance-off. It was the second
:34:19. > :34:23.time in the bottom it wasn't as scary as the first one. The dance
:34:24. > :34:30.went well. I thought it was the end when Craig saved Fiona. As the
:34:31. > :34:35.results went on Len decided to save us, I thought it was our last dance
:34:36. > :34:39.so I was thrilled. This week we are going to do a foxtrot. Mark has been
:34:40. > :34:48.criticised for his lack of technique. Don't you think that...
:34:49. > :34:54.Don't give up on me now. I won't. Mark is working so hard even when he
:34:55. > :34:59.is not in the training room. Here I am trying to brush up on a bit of
:35:00. > :35:03.ballroom. Foxtrot, here we come. He hardly gets to spend any time with
:35:04. > :35:09.his family. I had a brilliant surprise today. My amazing wife
:35:10. > :35:12.Sarah came to see us. I am here to support Mark and show him how proud
:35:13. > :35:16.we are of him. We have been together nearly 23 years and he has always
:35:17. > :35:20.been a shy person. For him it was always about letting people see the
:35:21. > :35:23.real him. What you see with Mark is what you get, which is joy and just
:35:24. > :35:30.pure genuine character and that's what I love about him. Our foxtrot
:35:31. > :35:37.is a happy dance. I want to dedicate it to Sarah because she's been there
:35:38. > :35:52.for us every step of the way. Dancing the foxtrot, Mark Benton and
:35:53. > :37:28.Iveta Lukosiute. APPLAUSE AND CHEERING
:37:29. > :37:37.Well, you made it a beautiful night! That was so joyful. So lovely. Well
:37:38. > :37:40.done. Right, Darcey, what do you think? Mark, you always make me
:37:41. > :37:45.smile in everything, I love it. You were charming. You obviously got out
:37:46. > :37:49.of bed on the right side today, it was beautiful. Your top line has
:37:50. > :37:52.improved so much. You create a beautiful shape there. It's only
:37:53. > :37:58.technical, I would have loved to have seen more flow and more travel
:37:59. > :38:08.across the dance floor. But I loved that performance. OK. Len. For me
:38:09. > :38:16.you have been trained, but never tamed. There's always little chey
:38:17. > :38:23.moments I like, little touches. It makes me smile. You were like a
:38:24. > :38:31.Dalek really, you moved smoothly but there was no - you got to get swing.
:38:32. > :38:42.It's Dr Who tonight. You got that! You got to get more swing. But
:38:43. > :38:50.always fun to watch. It was joyful. Bruno. Rise and shine, you bring the
:38:51. > :38:54.sun on Strictly really. Side to side it was theatrical. It stopped a
:38:55. > :39:00.little bit on hold. It's hard to lead a foxtrot, it's difficult. But
:39:01. > :39:06.always jolly and pleasant. A lovely move. OK, Craig. All the main points
:39:07. > :39:14.were missing, the flow, movement, swing, sway. And too much side by
:39:15. > :39:21.side. Is that all you have to say! I got off lightly! Yeah, he ran out of
:39:22. > :39:37.breath. It was beautiful. We all loved it. Off you go up the stairs.
:39:38. > :39:43.APPLAUSE AND CHEERING Come here, Mark. Up to safety. Craig
:39:44. > :39:48.wasn't keen. He wasn't. But Len said always fun to watch. You have been
:39:49. > :39:55.in the dance-off now twice in a row. Yeah. What would it mean to avoid it
:39:56. > :40:00.this week? To? Avoid it. I am looking forward to it! Don't say
:40:01. > :40:05.that, Mark. You really want to be there again? No, we don't. OK, good.
:40:06. > :40:11.Definitely not. I am glad we cleared that up. Iveta, mark's come a long
:40:12. > :40:17.way and improved a lot. Has he got more to give? He does. He has a lot
:40:18. > :40:19.more to give. A lot more. Right? Listen to the lady. The scores are
:40:20. > :40:42.in. 28 from the judges. Yes. Well, it's
:40:43. > :40:50.a beautiful day, but did you think that was a beautiful foxtrot? Then
:40:51. > :40:57.get out of bed and call: Or you can vote online later.
:40:58. > :41:06.Still to dance, Abbey and Aljaz prove they've got the love in their
:41:07. > :41:11.powerful paso and will Big Ben bring out the big guns for the Charleston?
:41:12. > :41:17.Check out Kristina, never mind Ben! Who is next, Bruce?
:41:18. > :41:23.Our next couple is Sophie and her partner, Brendan. Now they will be
:41:24. > :41:28.doing the rumba and it's going to be set in the most romantic city in the
:41:29. > :41:32.world, Venice. My wife said it's the most romantic city she's ever been
:41:33. > :41:47.to. I will have to go with her next time. What's wrong with that? Oh, I
:41:48. > :41:51.see, yes. Here they are in training. Blackpool was a really special thing
:41:52. > :41:56.for me. Before I came out I thought this is once in a lifetime, so I
:41:57. > :41:59.want to get out there and have a lovely quickstep around that floor.
:42:00. > :42:04.I kind of feel Sophie really stepped up on the performance level and I
:42:05. > :42:08.think Sophie danced marvellously. Len was the person I really hoped
:42:09. > :42:15.would like it because Len knows his ballroom. Shut up, close the door!
:42:16. > :42:20.It was spot on. If he is picking up on that, that's brilliant. It's not
:42:21. > :42:24.the easiest thing, but it is a lovely thing. If they are getting a
:42:25. > :42:28.sense of how much I love it, then that's great.
:42:29. > :42:32.This week I am dancing the rumba. Rumba is kind of the one is like on
:42:33. > :42:37.the horizon as a potential dance that you are slightly intimidated by
:42:38. > :42:42.because it's the sexy one. People generally think of rumba as a sexy
:42:43. > :42:47.dance but for me it's more about the emotion. Your day job is singing and
:42:48. > :42:52.that's what we need. You are trying to tell a story so the emotion is
:42:53. > :42:56.important. We are taking a trip to the studio. With rumba probably more
:42:57. > :43:04.than any of the other dances you do it's very emowingal -- emotional,
:43:05. > :43:09.it's romantic. I normally have words to help articulate that, it will be
:43:10. > :43:14.nice to remind myself of how I connect with what I am doing. Sophie
:43:15. > :43:18.is singing and the passion and love for what she's doing is sensational.
:43:19. > :43:21.It's been lovely showing Brendan what I do for a change. I hope it
:43:22. > :43:27.works for me on Saturday night and helps me to do an even more
:43:28. > :43:37.passionate rumba. Dancing the rumba, sroe fee Ellis
:43:38. > :43:46.Becks -- Sophie Ellis Bextor and Brendan Cole.
:43:47. > :45:14.MUSIC: Will You Still Love Me Tomorrow?
:45:15. > :45:31.APPLAUSE AND CHEERING A standing ovation, a big one! A big
:45:32. > :45:40.standing ovation. Well done. Oh, Sophie! You are so thrilled. That
:45:41. > :45:42.was so... It was beautiful. I was expecting you to melt into the
:45:43. > :45:48.floor. Oh, dear. Control yourself. Right, Len. Well, it was a very,
:45:49. > :45:52.very pretty dance. Good lines. I love some of the shapes, the
:45:53. > :45:56.transitions were pretty good. It's what I have said before, it just
:45:57. > :46:04.lacked a little bit of flair here and there. Didn't have enough
:46:05. > :46:09.chemistry for me. BOOING. Brendan, your choreography gave it the flair.
:46:10. > :46:17.OK. I totally agree with Len. I think it was so pretty. It was
:46:18. > :46:28.almost balletic. It has a wonderful classical feel to it. I like my
:46:29. > :46:35.rumba a bit raunchier People think rumba is about sex, let's say. This
:46:36. > :46:48.is about... It's about intimacy and a beautiful story. It was upmarket.
:46:49. > :46:56.I did like the double spin. You handled that very nicely. But I have
:46:57. > :47:01.to agree, I found it a bit cold. Rubbish! Moments you smiled and that
:47:02. > :47:10.came away from your face as soon as you did a turn without spotting. It
:47:11. > :47:16.was in and out for me. It's difficult, because I think maybe
:47:17. > :47:23.with you you have to overexaggerate. Your eyes are down quite a lot. I
:47:24. > :47:27.missed the intensity and sensuality between you. I just wanted that
:47:28. > :47:31.intense eye focus within you both. It looks a little shy, that's all.
:47:32. > :47:38.But you create beautiful lines with your body and shape. The lines were
:47:39. > :47:47.lovely. And you are beautiful. What about the standing ovation? Don't
:47:48. > :47:59.forget that. Thank you. APPLAUSE AND CHEERING
:48:00. > :48:04.We could feel the chemistry up here. OK. It was beautiful. Well, it felt
:48:05. > :48:11.intimate to me. I only really saw Brendan in the room which is what I
:48:12. > :48:14.was hoping for with that. Bruno wanted a raunchier rumba. Your
:48:15. > :48:19.husband was on his feet cheering you on. He was. It was good enough for
:48:20. > :48:23.him. I saw him and it was brilliant. I don't know, it's confusing. You
:48:24. > :48:28.are great mates, aren't you? We tell stories out there. It's about
:48:29. > :48:35.creating a piece of choreography that you can touch with and I don't
:48:36. > :48:38.know, I don't want to give filthy dirty rumbas. I just want to do a
:48:39. > :48:47.lovely clean beautiful classic rumba. This girl delivered that.
:48:48. > :48:51.Sorry if I have offended anybody. Bad boy Brendan might be making a
:48:52. > :48:55.re-appearance! When my husband said it in training he said it was the
:48:56. > :48:59.sort of rumba he felt happy with me doing. The scores are in, we loved
:49:00. > :49:22.it! 31 for that rumba. Brendan is not
:49:23. > :49:26.impressed I am a little over the whole, we need more performance,
:49:27. > :49:29.that was a performance and a proper rumba performance. We are in your
:49:30. > :49:32.corner, Brendan! We agree. If you want this pair to still love you
:49:33. > :49:39.tomorrow, then you need to vote for them.
:49:40. > :49:44.Or you can vote online. The vote won't start until the dancing stops.
:49:45. > :49:47.Hold your horses for now. Because we have three more couples ready to
:49:48. > :49:54.burn up the dance floor. Who is next?
:49:55. > :50:00.Next couple is... Oh, get ready, especially ladies. It's Big Ben
:50:01. > :50:05.time! Of course with his lovely partner, Kristina. For their routine
:50:06. > :50:10.Ben will be a weightlifter. I tried to be a weightlifter once, I grabbed
:50:11. > :50:17.the bar and I lifted it up with all my might and I finally got it above
:50:18. > :50:20.my head and then I dropped it. The instructor said, that was very good.
:50:21. > :50:29.Now let's see what you can do with some weights on. So I walked away
:50:30. > :50:40.and left him lying there! Right, here they are in training.
:50:41. > :50:44.Arriving in the Blackpool Tower Ballroom was spectacular. I loved
:50:45. > :50:47.every moment and I have to say I loved it and it was an honour and
:50:48. > :50:54.probably something I will only do once in my lifetime. Ben did his
:50:55. > :51:01.best, the lifts were incredible. It was a magical night. Big Ben is
:51:02. > :51:09.back. It was lovely to get recognition for what you do from the
:51:10. > :51:15.judges. I am improving every week. Kick, kick. This week is the
:51:16. > :51:21.Charleston. The toughest thing for Ben will be to be animated. I will
:51:22. > :51:27.find it difficult to do these faces and be an actor. I will embrace it
:51:28. > :51:33.as much as I can. Show me some facial expresses. We have to get
:51:34. > :51:44.help on that one. We have Richard, a mime artist, come in today to do
:51:45. > :51:49.help. Picking an apple, eating it, being hungry, beg pregnant at one --
:51:50. > :51:54.being pregnant at one stage. Sometimes you need to be bigger to
:51:55. > :52:00.tell a story, exaggerate the motions. You get a 10 from Len. And
:52:01. > :52:04.a three from Craig. I really enjoyed working with Richard today. It puts
:52:05. > :52:10.a perspective on things. Hopefully I can get this face and the footwork
:52:11. > :52:20.right for this weekend's dance. Dancing the Charleston, Ben Cohen
:52:21. > :54:12.and Kristina Rihanoff. APPLAUSE AND CHEERING
:54:13. > :54:18.A standing ovation! All right, Ben. Are you happy? Thank
:54:19. > :54:22.you very much everybody. When you think back all those weeks, oh, you
:54:23. > :54:28.are a dancer, you really are. Bruno. The strongest man on earth! Imagine
:54:29. > :54:33.Charles Atlas doing the Charleston or was it Arnold? I am not sure. The
:54:34. > :54:38.Charleston is quite hard because you have to be light on your feet. It
:54:39. > :54:43.has to be extremely sharp and tight, especially on the feet. Your timing
:54:44. > :54:47.was good. The feet and the swivel action could be a little bit
:54:48. > :54:51.sharper. I think for a guy of your size it is wonderful what you are
:54:52. > :54:58.doing. Incredible. I take my hat off to
:54:59. > :55:03.you. Craig. It wasn't the most electrifying Charleston I think I
:55:04. > :55:12.have ever seen, that's for sure. It's been incredibly hard for me and
:55:13. > :55:17.I really did enjoy it. My heart bleeds for you, darling! A good
:55:18. > :55:21.amount of swivel but no cross whatsoever. You lacked any sort of
:55:22. > :55:29.freedom of movement and that's what this is about, quirkiness. Darcey.
:55:30. > :55:36.Well, I have to say all that story-telling really worked. And you
:55:37. > :55:39.are always upping the dance content each week, you are putting more in
:55:40. > :55:43.there which is brilliant. It's strange, it looks careful on you,
:55:44. > :55:46.that's the only thing. I think it's your concentration. You are really
:55:47. > :55:51.concentrating and it's the only thing you have to try and hide. And
:55:52. > :55:59.the attack into those lifts was brilliant. The improvement over all
:56:00. > :56:03.these weeks is amazing. Len. You are a Time Lord, it was on time
:56:04. > :56:07.throughout that dance. I liked the swivel action in that bit of
:56:08. > :56:13.Charleston. The lifts were great, it did lack a bit of freedom in the
:56:14. > :56:17.movement as Craig said, I never agree with Craig, but there you are!
:56:18. > :56:26.It needed more going on, but very good. No mistakes. You did a good
:56:27. > :56:38.job. Well done. Off you go.
:56:39. > :56:46.APPLAUSE AND CHEERING Strong man Ben, show us your guns!
:56:47. > :56:52.Look at Kristina's. They were real weights by the way. Very heavy. The
:56:53. > :56:57.audience went wild for your performance. Did you enjoy it? I
:56:58. > :57:02.loved it. It's been a good week. It was a dance you could really let go.
:57:03. > :57:07.It was out of my comfort zone completely. I enjoyed it. Every
:57:08. > :57:09.woman watching is wondering how it feels to be lifted that high by Ben,
:57:10. > :57:31.impressive. The scores are in. Well, those scores certainly do not
:57:32. > :57:42.reflect the audience reaction in here tonight. What do you think? Did
:57:43. > :57:45.our strongman Ben's Charleston lift your spirits?
:57:46. > :57:50.It's been an incredible night. There's even more going on behind
:57:51. > :57:54.the scenes. You can get all the gossip on Facebook or Twitter or
:57:55. > :57:57.head to the website. Two more couples left. You wowed us all. Who
:57:58. > :58:03.is next? Our next couple is Abbey and her
:58:04. > :58:09.partner Aljaz. That quickstep they did last week was fantastic. Abbey
:58:10. > :58:13.is, let me remind you, is married to the footballer Peter Crouch. He is
:58:14. > :58:17.6'7". He was at Blackpool with her last week and he went for a paddle
:58:18. > :58:31.in the sea. But only up to his knees. I said, how far did he get?
:58:32. > :58:35.She said, Ireland. Silly joke! But I hope funny. Here they nr training.
:58:36. > :58:42.-- here they are in training. Dancing in Blackpool was
:58:43. > :58:49.breath-takingly beautiful. To perform there was amazing. I was so
:58:50. > :58:54.proud, proudest teacher ever. To get three 10s, I was just over the moon.
:58:55. > :58:58.Just could not believe it. I am actually shocked at how much I am
:58:59. > :59:04.loving Strictly. I am obsessed. I am so excited that my journey on
:59:05. > :59:10.Strictly can continue. This week we have the paso doble. I am really
:59:11. > :59:32.struggling and it's starting to frustrate me. Paso walk. I have been
:59:33. > :59:36.doing it in the kitchen, the bathroom before bed. He erce if I do
:59:37. > :59:38.my homework he is going to give me a surprise. That was much better. I
:59:39. > :59:46.can see you have been doing your homework. I am really happy. The
:59:47. > :59:53.surprise was a message from her nana. She's 96, the Queen of our
:59:54. > :00:06.family. This is nana. I am over the moon the way everything has gone
:00:07. > :00:10.with you. You are A1 in my heart. It's given me more determination to
:00:11. > :00:16.go out on Saturday and do an amazing paso. Dancing the paso doble, Abbey
:00:17. > :02:07.Clancy and Aljaz Skornajec. APPLAUSE AND CHEERING
:02:08. > :02:16.Oh, yes, here we go again. That was lovely. Don't look like that, your
:02:17. > :02:23.nana loved it. Look at them all! That was great. Really good. OK.
:02:24. > :02:27.Nana loved it, I am sure. Craig. Your free arm was a little loose at
:02:28. > :02:33.times and just overshooting the lines, that's only on occasion. A
:02:34. > :02:38.little bit more body tension and resistance would have been great. A
:02:39. > :02:45.little bit cutesy, but I loved the dance. Good. Happy ending. Darcey.
:02:46. > :02:50.Well, that was a very difficult paso. Aljaz, you gave her a lot to
:02:51. > :02:54.think about. I would have liked a harder, stronger woman from you.
:02:55. > :02:57.There was drama in your face and I did see that. You did create some
:02:58. > :03:02.very nice shapes, one very impressive back bend over Aljaz's
:03:03. > :03:05.arm. It was beautiful. I just wanted a bit more. I wanted to see
:03:06. > :03:11.something different from you. Something more dramatic. Oh, dear.
:03:12. > :03:16.OK. Len. I love the shapes, I like the choreography, twist, turns,
:03:17. > :03:21.things I like to see. More me, on occasions, you lost a bit of
:03:22. > :03:26.control. I was slipping everywhere. There you are, it is what it is. I
:03:27. > :03:31.enjoyed the dance, I would have liked to have seen it a little bit
:03:32. > :03:34.cleaner. All right. Abbey, you should be proud of yourself. I tell
:03:35. > :03:38.you, some of the things you did tonight from a non-dancer were
:03:39. > :03:44.incredibly beautiful. You played it in a wonderful seductive way. It
:03:45. > :03:48.ended with a kiss, instead of a kill. You were working incredibly
:03:49. > :03:53.hard and I think what happened is because of the few slips you lost
:03:54. > :03:57.control, but you shouldn't put yourself down, Abbey. Really, you
:03:58. > :04:02.have achieved a lot in this competition. Don't put yourself
:04:03. > :04:19.down. And nana loved it! Give her my love. Off you go then.
:04:20. > :04:23.APPLAUSE AND CHEERING Bruno pointed out you have achieved
:04:24. > :04:27.a lot in the nine weeks of the competition. Four weeks away from
:04:28. > :04:32.the final, how much do you want to stay and thereby? I just -- and be
:04:33. > :04:37.there? I don't want it to end, I am having the time of my life. She
:04:38. > :04:57.doesn't want to leave. Aljaz, there are no words. The scores.
:04:58. > :05:03.32. Not your highest score, not bad. The judges are getting tougher. Are
:05:04. > :05:08.you happy? I am happy. I loved that dance. Did my best. You have been
:05:09. > :05:13.practising the walk all night, the fierce walk. If you got the love and
:05:14. > :05:20.want to see them through to next week then call:
:05:21. > :05:23.Or you can vote online. It's nearly time to cast your votes, but not
:05:24. > :05:26.until our final couple has performed. Who is last to take to
:05:27. > :05:32.the floor, Bruce? Right, our final couple this evening
:05:33. > :05:39.is Patrick and his partner, Anya. They were so wonderful last week.
:05:40. > :05:44.The dance last week was beautiful. Dr Who will be starting soon. I have
:05:45. > :05:48.been told to hurry up a bit. It's a great show tonight. Evidently it
:05:49. > :05:55.features all the doctors, I wish I had been in it, just think of all
:05:56. > :06:00.the doctor, doctor jokes, I could have done. I have a few here. Doctor
:06:01. > :06:12.it hurts when I do this. Don't do it. Doctor, when I drink a cup of
:06:13. > :06:17.tea I get a stabbing pain in the eye. Well, take the spoon out.
:06:18. > :06:23.Doctor, I have a strawberry in my ear. Don't worry, I have a cream for
:06:24. > :06:32.that. Forget it, mustn't keep the doctor waiting! Here is Patrick and
:06:33. > :06:37.Anya in their training. Dancing on the Blackpool floor was
:06:38. > :06:42.quite incredible. The pressure was on, it was an amazing show. The
:06:43. > :06:46.audience were really up for it. There was a slight hiccup. I got
:06:47. > :06:51.caught in my skirt. It's disappointing. I felt I was letting
:06:52. > :07:00.him down. Thank you for being there. We are a team! You came out and
:07:01. > :07:03.whammed it! It was great. It was an unbelievable feeling. It was a
:07:04. > :07:09.moment to remember. Next one is going to be even better.
:07:10. > :07:14.Viennese waltz has to be soft, flowing, elegant and romantic. In my
:07:15. > :07:19.opinion it's one of the most romantic dances. Patrick needs to
:07:20. > :07:24.reflect on all his romantic roles hey -- he has done in the past and
:07:25. > :07:27.bring that to our Viennese waltz. You need to bring that leading man.
:07:28. > :07:31.There's been many leading roles I have played which have been
:07:32. > :07:37.romantic. But the one that encapsulates this piece is Romeo. He
:07:38. > :07:41.is passionate and romantic. Going back on stage to get a little taste
:07:42. > :07:51.of that will help me in terms of the Viennese waltz. If you want more, go
:07:52. > :07:56.up to that first balcony. I get to be Juliet? See how she leans her
:07:57. > :08:03.cheek up on her hand. Oh, that I might touch that cheek. That's what
:08:04. > :08:08.we need for our Viennese waltz. Got the steps, got the role. Hopefully I
:08:09. > :08:12.can bring everything together on Saturday night.
:08:13. > :08:25.Dancing the Viennese waltz, Patrick Robinson and Anya Garnis.
:08:26. > :10:03.APPLAUSE AND CHEERING Wonderful. Absolutely wonderful.
:10:04. > :10:08.What grace and form you have there. Well done both of you. Darcey, start
:10:09. > :10:12.us off, dear. The Viennese waltz is such a hard dance. Constantly
:10:13. > :10:16.rotating and that was very difficult. Especially with those
:10:17. > :10:21.drags and that swivel at the end. You put a lot in there. It's a shame
:10:22. > :10:26.you don't look as comfortable and the shoulders went up on that
:10:27. > :10:30.standing spin in the top line. For me I expect so much from you now,
:10:31. > :10:35.and I am going to be picky because I want to see you here in four weeks'
:10:36. > :10:43.time. OK, pull it out next time, please. Len. The bad and the ugly I
:10:44. > :10:47.am going to say. Good movement, nice sway. Bad standing spins, both of
:10:48. > :10:53.them, I thought. I didn't like the ending thing. That was ugly. On the
:10:54. > :10:56.floor and then the splits. It was all rushed. Listen, it's not your
:10:57. > :11:01.best, but it's certainly not your worst. It's somewhere in the middle.
:11:02. > :11:05.Well, don't feel bad about that. Bruno. You were rising very well for
:11:06. > :11:10.a while and then the shame is at the end you crash landed. You actually
:11:11. > :11:14.put a lot into it. You were very, very - hold your shape and your
:11:15. > :11:19.frame. But I am with Len, that ending really, it was such a shame.
:11:20. > :11:23.It messed up the whole effect. I wasn't in a dream any more. But I am
:11:24. > :11:35.sure you will come back and will redeem yourself. Otherwise, it was
:11:36. > :11:42.good. Craig. You never disappoint rhythmically. Your head position is
:11:43. > :11:46.bothering me. Unfortunately, Anya's feet came off the floor and it
:11:47. > :11:52.became a lift at the end, sadly. I think all our judges - you are being
:11:53. > :11:56.more critical now because we are facing the fatal four weeks. OK, but
:11:57. > :12:11.it was great. We loved it. Off you go then.
:12:12. > :12:17.APPLAUSE AND CHEERING Well done. The professionals were
:12:18. > :12:23.shouting at the judges. I didn't hear Craig's last comment there.
:12:24. > :12:30.What came off... Your feet, apparently. Ola was disagreeing with
:12:31. > :12:35.that. Anya's feet, just to clear it up. Craig, come up and talk to us!
:12:36. > :12:39.The judges are tough across the board tonight. Craig said in the
:12:40. > :12:43.past you are the best male dancer in the competition. Is that a lot to
:12:44. > :12:49.live up to? I don't think about that. You are the King of Latin,
:12:50. > :12:55.safe to say. It depends on different opinions, if Anya is happy and the
:12:56. > :13:00.crowd, I have done a good job. It was beautiful. Darcey says she wants
:13:01. > :13:04.to see you in four weeks' time in the final. Can Patrick take you
:13:05. > :13:06.there? Absolutely. I am looking forward to it. She said it. The
:13:07. > :13:34.scores are in. Happy with that? Yeah. OK, you can
:13:35. > :13:41.ca or vote online if you want to see what Patrick and Anya can pull out
:13:42. > :13:45.of the hat for the musicals special. Voting will open in a few moments.
:13:46. > :14:04.First, let's look at the leaderboard.
:14:05. > :14:08.Remember, you can change all of that. You can pick up the phone or
:14:09. > :14:18.go online and vote for your favourite. Why wait? The voting is
:14:19. > :14:26.now open! They're easily pleased.
:14:27. > :14:32.You can vote online for free. You will also find full terms and
:14:33. > :14:37.continues. Lines will close at 8.15pm tonight. It's getting tougher
:14:38. > :14:39.to choose. They're all so good. Here is a reminder of their performances
:14:40. > :17:11.and those numbers you will need. Gorgeous dancing tonight, Bruce.
:17:12. > :17:15.Voting closes at 8.15pm this evening. Didn't they all do well?
:17:16. > :17:18.It's been another incredible night of ballroom, but unfortunately one
:17:19. > :17:22.of these eight couples will not be treading the boards in our special
:17:23. > :17:26.show featuring musicals next week. Sad, but true. Your votes are going
:17:27. > :17:29.to be added to the scores to determine which two couples will be
:17:30. > :17:37.in the dance-off in tomorrow night's results show. We will also have an
:17:38. > :17:47.incredible performance from Il Divo. We don't want to miss that! That's
:17:48. > :17:54.7.25pm tomorrow night. Stay tonight for The Day of The Doctor. It's on
:17:55. > :17:58.straight after us If they're short of time, I have plenty left! In the
:17:59. > :18:00.meantime,