:00:19. > :00:29.Last week on Strictly Come Dancing. Some impressed. Wow! Absolutely
:00:29. > :00:39.corking. For others the claws were well and truly out. You were
:00:39. > :00:43.wriggling around like a slug in salt actually. And we said goodbye to our
:00:43. > :00:57.first couple. This week, romance is in the air. It's love week. Which of
:00:57. > :01:00.our remaining couples halls what it takes to win yourer heart? -- win
:01:00. > :04:32.your heart? CHEERING AND APPLAUSE
:04:32. > :04:37.Live from the Strictly ballroom. It's a night of love songs on
:04:37. > :04:45.Strictly Come Dancing. Please welcome your hosts, Sir Bruce
:04:45. > :04:57.Forsyth and Tess Daly. APPLAUSE
:04:57. > :05:08.What a lovely crowd. A great crowd tonight. Please, please sit down.
:05:08. > :05:09.That's lovely. Good evening, ladies and gentleman and children, it's
:05:09. > :05:14.That's lovely. Good evening, ladies nice to see you, to see you... Nice!
:05:14. > :05:20.What a lovely audience. Aren't they. You're so much better than last
:05:20. > :05:24.week. I was watching. It's really nice to see you, Brucie. Welcome to
:05:24. > :05:27.Strictly Come Dancing. I love a good wedding. What a fantastic way to
:05:27. > :05:31.start the show tonight. A wonderful start. It's all about love tonight.
:05:31. > :05:36.Love, yes and I'm glad you mention that, because I have a confession to
:05:36. > :05:41.make. Yes, I enjoyed a holiday romance last summer. What? No. I'm
:05:41. > :05:46.shocked. I know, everybody is going to be shocked, but it's true. For
:05:46. > :05:52.three glorious weeks I enjoyed a steamy, saucy holiday romance. What
:05:52. > :05:57.happened when you finished your holiday romance? I took the book
:05:57. > :06:03.back to the library. LAUGHTER
:06:03. > :06:15.And I paid the fine! Good. Last week we said a fond farewell to our first
:06:15. > :06:20.celebrity, Tony Jacklin's under par performance saw him make his way out
:06:20. > :06:27.of the competition. Yes, it was a shame. I know. Len was upset about
:06:27. > :06:32.that as well. On this Strictly night of love we can expect lots of
:06:32. > :06:39.excitement, joy, tears and even some rejection - sounds familiar. Shall
:06:39. > :06:45.we see what our gorgeous gang have in store on this romantic evening?
:06:45. > :06:51.Yes, come into my arms. Was that romantic. Not half.
:06:51. > :07:00.Because it's time to meet - that will be slinky - the stars of our
:07:00. > :07:03.show. Pop Princess, Sophie Ellis-Bextor and her partner,
:07:03. > :07:08.Brendan Cole. Star of stage and screen, Mark Benton and his partner,
:07:08. > :07:12.Iveta Lukosiute. BBC Breakfast presenter, Susanna Reid and her
:07:12. > :07:18.partner Kevin Clifton. England rugby hero, Ben Cohen, and his partner,
:07:18. > :07:22.Kristina Rihanoff. Coronation star, Natalie Gumede, and her partner,
:07:22. > :07:31.Artem Chigvintsev. Fashion designer, Julien Macdonald and his partner,
:07:31. > :07:36.Anya Garnis. Vanessa Feltz and James Jordan. Model and TV presenter,
:07:36. > :07:39.Abbey Clancy and her partner, Aljaz Skorjanec. From Hollyoaks, Ashley
:07:39. > :07:45.Taylor Dawson and his partner, Ola Jordan. Star of Dragon's Den,
:07:45. > :07:52.Deborah Meaden, and her partner, Robin Windsor. Patrick Robinson and
:07:52. > :07:55.his partner, Anya Garnis. Countdown presenter Rachel Riley and her
:07:55. > :08:00.partner, Pasha Kovalev. TV chef and Hairy Biker, Dave Myers and his
:08:00. > :08:01.partner, Karen Hauer. And finally, Bond girl and author, Fiona
:08:01. > :08:03.partner, Karen Hauer. And finally, Fullerton and her partner, Anton Du
:08:03. > :08:24.Beke. CHEERING AND APPLAUSE
:08:24. > :08:28.There they all are and I know all of you at home and all of our dancers
:08:28. > :08:34.here are surprised to see me back this week. I would like to explain.
:08:34. > :08:43.I had the flu. I hadn't been voted out. Never. Our fabulous 14 look
:08:43. > :08:48.ready. They're ready to dance some of the greatest ever love songs.
:08:48. > :09:00.Shall we get started? Our first couple this evening is Abbey Clancy
:09:00. > :09:04.and her partner, Aljaz Skorjanec. APPLAUSE
:09:05. > :09:11.For Abbey's dance she's going to take us back to the 1960s. I loved
:09:11. > :09:20.the 60s. I was a huge fan of the mini skirt. Why not, if you've got
:09:20. > :09:27.legs like mine? APPLAUSE
:09:27. > :09:33.Higher, higher. We hay. Those -- Behave. Those pills are working.
:09:33. > :09:38.Here they are in training, good luck to everyone.
:09:38. > :09:43.Last Saturday was a real nervewracking one for me. To go out
:09:43. > :09:48.and dance knowing millions of people are watching at home, it's
:09:48. > :09:53.terrifying. What's important for me is to know that I've done my best.
:09:53. > :09:57.Last Saturday I didn't do my best. You can dance. You're a good dancer,
:09:57. > :10:05.you are. I thought the judges were really, really generous with their
:10:05. > :10:10.scores. I was really, really happy. This week it's love week. Obviously,
:10:11. > :10:18.I'm from Liverpool. I love my city. So I thought it would be a great
:10:19. > :10:27.idea to take Aljaz there. I showed him some famous sites, the Liver
:10:27. > :10:34.bird, the Liverpool docks. # Ferry cross the Mersey #
:10:34. > :10:40.The cabin club where the Beatles performed. Me and my family were
:10:40. > :10:46.trying to teach him some Liverpool Lynningo. They do though don't they
:10:46. > :10:49.though. It was so nice taking Aljaz to Liverpool. I'm so excited for
:10:49. > :10:57.Saturday night now and I hope I can make my city proud.
:10:57. > :11:07.Dancing the jive, Abbey Clancy and Aljaz Skorjanec.
:11:07. > :12:47.CHEERING AND APPLAUSE That was wonderful. Oh, Abbey and
:12:47. > :13:00.Aljaz, that was so wonderful. Look at them all here. We all loved it.
:13:00. > :13:06.OK. Of course, we have our judges. Let's welcome our judges.
:13:06. > :13:11.APPLAUSE As I've still got a little bit of
:13:11. > :13:25.the flu, you know, but the show must go on. I've got myself a hot toddy,
:13:25. > :13:29.it's... Is it here? Yeah, fine. Your recipe. Half lemon and half
:13:29. > :13:38.whisky, OK? Cheers. Good luck for the show.
:13:38. > :13:45.And Craig, thanks for the flowers. It's the nicest wreath I've ever
:13:45. > :13:49.seen. Len, what about this couple? It was
:13:49. > :13:54.a bit like a Beatles medley, there was a lot of please, please me and a
:13:54. > :13:57.little bit of help near the end. I've got to say overall, I thought
:13:57. > :14:00.your energy, your enthusiasm, the way you attacked the dance was
:14:00. > :14:06.great. Your technique sometimes needs a little bit of help, the toe
:14:06. > :14:07.heel swivels, you could have had a bit more swivel. Sometimes your legs
:14:07. > :14:11.were a little bit loose. It started bit more swivel. Sometimes your legs
:14:11. > :14:21.off great, loving pumping action. You lost it a bit here and then. But
:14:21. > :14:29.overall - good job. Lovely. Bruno? Oh, groovy Abbey, you
:14:29. > :14:36.can work that look, baby. Oh, she was giving it all that. A photo
:14:36. > :14:40.shoot for Mary Quant. Like the best pout in the business. Oh, yeah, give
:14:40. > :14:44.it to me. It's good. I love what people come out here and give all
:14:44. > :14:49.they have. Len is right, the legs, kicks and flicks have to be sharper,
:14:49. > :14:52.stronger and sometimes, when your hand is free it flies about a bit,
:14:52. > :15:02.but it's good keeping it on the dress because you can work that,
:15:02. > :15:09.work it well. All good. Craig? You were sat for an awfully long time on
:15:09. > :15:15.Penny Lane there. Your timing, when you did start to dance, your timing
:15:15. > :15:19.was out at the beginning. The drunken sailor sections I thought
:15:19. > :15:23.were slightly laboured and getting behind the beat. Unlike Len, I
:15:23. > :15:32.thought you lacked a bit of attack and could have given a bit more. No,
:15:32. > :15:41.she had attack. Come on Craig. It's only my opinion. She had attack, the
:15:41. > :15:48.girl work so hard. APPLAUSE
:15:49. > :15:54.Anything to add? From last week, the attack was brilliant. You do have to
:15:54. > :15:57.work harder when you're tall in the jive especially because you have to
:15:57. > :16:00.get over, get down on the kicks and flicks because you're a little bit
:16:00. > :16:03.upright, that's just about a strong core. That's because you have such
:16:03. > :16:08.long limbs. But the energy an the story and the style was lovely. Well
:16:08. > :16:20.done. Are you happy? Yes. Away you go.
:16:20. > :16:28.APPLAUSE Come on my darling. We're feeling
:16:28. > :16:33.the love up here tonight. Oh, yes! Right, good job with that jive said
:16:33. > :16:38.Len. Do you feel like you've done your home town of Liverpool proud? I
:16:38. > :16:47.hope so. I'm sweating. I think she did, safe to say. Aljaz have you
:16:47. > :16:51.been working on your Scouse accent? I have. "They do though don't they
:16:51. > :17:10.though. Needs a little bit of work, unlike that jive. The scores are in:
:17:10. > :17:22.28 out of 40, fair score? One more time. They do though, don't they
:17:22. > :17:40.though? Voting lines don't open until all
:17:40. > :17:45.our couples have danced. Please don't call now. If you do your vote
:17:45. > :17:51.won't count and you may be charged. Love is in the air and so is fear in
:17:51. > :17:57.the dance off. Vote for your favourites. Kisses to camera.
:17:57. > :18:05.Now our next couple, Patrick Robinson and his partner, Anya
:18:05. > :18:15.Garnis. Now, in this dance Patrick is trying
:18:16. > :18:22.to would -- woo Anya away from the -- from Vegas. Will I be able to do
:18:22. > :18:24.it? I said, "It depends, is it Las Vegas or Johnny Vegas? He's a right
:18:24. > :18:39.handful. Here they are in training. I felt that all the hard work last
:18:39. > :18:47.week paid off. Fantastic attack. Your timing is impeccable. I was
:18:47. > :18:50.very proud of Patrick. You won't be beating it for ages. You'll be
:18:50. > :19:01.hanging around. You are one to watch. The dance this week is the
:19:01. > :19:05.foxtrot. It's to Let There Be Love. I know you're excited about this
:19:05. > :19:11.week. Very excited because it just reminds me of Sunday mornings and my
:19:11. > :19:15.dad used to play Nat King Cole. It still has fond memories for me. It
:19:15. > :19:19.was glorious to hear that kind of stuff. It always help when you love
:19:19. > :19:24.the song and I feel that Patrick will show a different side of him.
:19:24. > :19:29.Frame and energy and I want you to shine from within. Anya's
:19:29. > :19:34.choreography is beautiful. I see a happy Patrick. So beautiful.
:19:34. > :19:38.My dad most live spends time in Jamaica now. I think my dad would be
:19:38. > :19:46.proud to see my dancing to Nat King Cole. It would be a joy to dance and
:19:46. > :19:52.do a really good job on Saturday. Dancing the foxtrot, Patrick
:19:52. > :21:20.Robinson and Anya Garnis. MUSIC: Let There Be Love.
:21:20. > :21:34.CHEERING AND APPLAUSE Lovely, absolutely lovely. One of my
:21:34. > :21:38.favourite songs. You did sung a good job of it. That was great. Now then,
:21:38. > :21:44.whilst you two get your breath back, it's a good time to welcome our
:21:44. > :21:47.fabulous singers, Dave Arch and his fabulous orchestra.
:21:47. > :21:54.There they are. APPLAUSE
:21:54. > :21:59.Thank you. Now then, Bruno, what did you think? That was a correct,
:21:59. > :22:02.proper and distinguished kind of love, accept -- except when you got
:22:02. > :22:06.your feet in a twist down there. You messed it up a bit. There are
:22:06. > :22:10.moments of dash, and moments that were a bit restrained. You have to
:22:10. > :22:14.drive through the dance all the way through. If you make a mistake, it
:22:14. > :22:19.doesn't matter, keep going. Keep the flow. I would like to have seen a
:22:19. > :22:21.little bit more movement around the floor. I think you need to start
:22:21. > :22:31.thinking about adding swing and sway. You have some gapping issues,
:22:31. > :22:37.but you are style, you really are. APPLAUSE
:22:37. > :22:43.You chose the right word. Darcey? Yeah, you have. You brought panache
:22:43. > :22:46.and class to this. I wasn't expecting that at all. The timing
:22:46. > :22:50.and phrasing is very nice. It is a bit neat and tidy. I would like you
:22:50. > :22:53.to take a couple more risks and not be so safe, then you would travel
:22:53. > :22:58.more, you know drive through that, as Bruno said. Very nice, very nice
:22:58. > :23:05.connect between you, the eye contact. Ive liked it a lot. --
:23:05. > :23:08.contact. I liked it a lot. What about Len? The foxtrot is a very,
:23:08. > :23:15.very difficult dance. I thought it had an eels Andrew -- ease and
:23:15. > :23:21.elegance about it. You've got style with a smile. Lovely. Well done.
:23:21. > :23:31.That's what it's all about. Away you go. Well done, Patrick and Anya.
:23:31. > :23:38.APPLAUSE Come on over, you foxy trotters.
:23:39. > :23:43.Come to the love den. Style with a smile, says it all really. You were
:23:43. > :23:46.Come to the love den. Style with a channelling gene Kelly down. There
:23:46. > :23:53.Yeah, I would love to recreate anything that he does. Little bit of
:23:53. > :23:57.magic. Your dad is a big Nat King Cole fan. I loved that. Three weeks
:23:57. > :24:03.in, are you loving the whole Strictly experience, it's loving
:24:03. > :24:27.you? Absolutely. Just need to do more. The scores are in:
:24:27. > :24:34.Well done. Due enjoy that? -- did you enjoy that? Then the numbers to
:24:34. > :24:55.call: More fabulous dancing to come with
:24:55. > :25:00.Mark and Iveta. Next couple is Dave Myers and his partner, Karen Hauer.
:25:00. > :25:07.APPLAUSE He's very popular. Right, now
:25:07. > :25:12.they're doing the Spanish paso doble. Please, please, give them a
:25:12. > :25:16.chance. We were chatting earlier and Dave asked me if I liked Spanish
:25:16. > :25:23.food. I said I love it, Spanish food, I love it. Seville with its
:25:23. > :25:27.paella, Madrid with Tapas and Benidorm with its egg and chips.
:25:27. > :25:34.LAUGHTER It's true! Here they are in
:25:34. > :25:37.training. Last Saturday I think it was a vast
:25:37. > :25:42.improvement on the first week. I love you, you no ethat. You have
:25:42. > :25:48.beautiful long arms. Buff they get a bit -- but they get a bit paddly.
:25:48. > :25:54.Mum used to say I had arms like a monkey. Tonight, Dave Myers and
:25:55. > :26:01.Karen Hauer doing the paso doble. I think this is my signature dance.
:26:01. > :26:11.You have to intimidate me. There's nothing fun about a doble face. I've
:26:11. > :26:15.never seen a matta door the -- matador the way Dave does it. I need
:26:15. > :26:19.you to find the passion. I have got passion. I have a passion for
:26:19. > :26:21.motorcycles and the open road. Come on, the sun is shining, a bit of
:26:21. > :26:30.leather. I persuaded her to get on the bike,
:26:30. > :26:35.blow the cobwebs away and she can have a go in my world. I hope Karen
:26:35. > :26:42.loved the motorbike and our little excursion as much as I did. I'm not
:26:42. > :26:50.that sure, though! Let's just hope that I can rev
:26:50. > :26:55.myself up and put as much passion as I -- into the paso doble as I do my
:26:55. > :26:59.bike. Dancing the paso doble, Dave Myers
:26:59. > :27:03.and Karen Hauer. CHEERING AND APPLAUSE
:27:03. > :29:05.Ole! Look at them. Dave, look. You've
:29:05. > :29:17.done it again. You've done it again.
:29:17. > :29:22.CHEERING I love the bull. The gallop was
:29:22. > :29:30.good. It's meant to be an antelope, Bruce.
:29:30. > :29:38.Right, who do we start with, Craig? Lock at the face, oh, dear. It's
:29:38. > :29:46.like a bulldog eating pickles. LAUGHTER
:29:46. > :30:00.What did you think, we know what you think by your look, can you put that
:30:00. > :30:04.into words? One word: Dreadful. BOOING
:30:04. > :30:11.All right, Darcey? You had a very strong attitude. Maybe not a
:30:11. > :30:22.matador, but it didn't follow through into the shaping.
:30:22. > :30:37.LAUGHTER You've got to tone up and create...
:30:37. > :30:43.He's got it. I've got ten pence. The conviction I love. I nearly cried,
:30:43. > :30:48.but the conviction... I enjoyed that Darcey. But Bruno is the only one
:30:48. > :30:54.that's allowed to stand up. It was nice. I liked it. Well, it was like
:30:54. > :31:00.being waxed. It was painful while it's happening, and lovely when it's
:31:00. > :31:04.over, really. Wafting the tea towel at the beginning. You're not the
:31:04. > :31:13.judges' champion maybe, but what's better, you're the people's
:31:13. > :31:17.champion. APPLAUSE
:31:17. > :31:20.They loved it. The whole crowd. We've seen it all. This tops
:31:20. > :31:27.They loved it. The whole crowd. everything I've ever seen. But
:31:27. > :31:31.darling your face. Number nose, you looked like you were smelling bad
:31:31. > :31:36.cheese. Then like you had toffee stuck in your teeth. As for the
:31:36. > :31:45.dance, it's beyond description. Thank you. Thank you. Do what you
:31:45. > :31:50.said at dress rehearsal. Gentlemen, some people have different ways of
:31:50. > :31:57.showing love. And that was one of them.
:31:57. > :32:01.APPLAUSE There's different kinds of love
:32:01. > :32:05.Craig. Thank you for the flowers. I'm glad you're better. It was so
:32:05. > :32:06.lovely. I can't influence the judges, but I can influence the
:32:06. > :32:29.audience, thank you Karen and Dave! APPLAUSE
:32:29. > :32:35.Oh, thank goodnesser, the smile is -- thank goodness. The smile is
:32:35. > :32:40.back. Let's have the paso face. It's arrogance, dominance with, you know,
:32:40. > :32:44.it's all attitude. That's my dance, Tess. It is your dance. I'm not
:32:44. > :32:48.arguing. And neither are they. You loved it, didn't you audience?
:32:49. > :32:52.CHEERING Quite possibly the longest standing
:32:52. > :32:56.ovation we've ever had, ever. You are definitely the people's
:32:56. > :33:00.champion. What a mighty matador. You were second to bottom last week. You
:33:00. > :33:07.wanted to impress the judges this week. I've done everything I can.
:33:07. > :33:10.And then some. You have a daringly low cut shirt tonight. That's
:33:10. > :33:30.conviction for you. The scores are in.
:33:30. > :33:40.16, tough scores from the judges. Are you the people's champion
:33:40. > :33:51.tonight? If Dave and Karen rock your world... I think I need your votes.
:33:51. > :33:55.Call: He's right. Or get yourself online to vote for free. Maybe Dave
:33:55. > :34:02.will do that. What is that by the way? What? That. I won't do that.
:34:02. > :34:07.Oh, that? I'd do anything for love. Would you? Yes, I'd tear down trees,
:34:07. > :34:13.cross oceans, the whack. Thanks. Still to come: Ben and
:34:13. > :34:19.Kristina will get really romantic with the rumba and can Sophie
:34:19. > :34:23.Ellis-Bextor's samba live up to last week's charleston. Ive need a sit
:34:23. > :34:27.down, what about you Dave? No, I'm all right.
:34:27. > :34:32.Back to you Bruce. I love the bull gallop. Any way, our
:34:32. > :34:42.next couple is Fiona Fullerton and her partner, Anton Du Beke. Last
:34:42. > :34:48.week, they had a hiccup with their cha-which-had, this week --
:34:48. > :34:52.cha-cha-cha, this week it's an elegant waltz. Here they are in
:34:52. > :34:57.training. I think the performance went quite
:34:57. > :35:02.well until the very ebbed. I stepped onto the wrong leg, that completely
:35:02. > :35:11.threw out the choreography. You were very good until the point you kicked
:35:12. > :35:15.Anton in the shin. Craig was unbelievably generous. I like
:35:15. > :35:20.watching you dance. If I could just get the steps right. T.ive took on
:35:20. > :35:25.board what Bruno said to me. You can play the part, but you cannot go
:35:25. > :35:30.wrong any more. He's right. I can't afford to go wrong again. Love, it's
:35:30. > :35:37.about family, children, your husband, the people that you hold
:35:37. > :35:41.dear. I've been told by a small bird that it's your birthday this week. I
:35:41. > :35:45.know she's a bit sad to be away from her family. Her husband is going to
:35:45. > :35:52.come in with a cake as a surprise. A birthday wouldn't be a birthday
:35:52. > :36:02.without a cake. Happy birthday, my darling. You need somebody to love
:36:02. > :36:06.and to be loved. It's such a lovely surprise to see my husband, the best
:36:06. > :36:09.birth Dale present ever would be to -- birthday present ever would be to
:36:09. > :36:16.get through to another week. I'm having such a wonderful time.
:36:16. > :36:22.Dancing the waltz, Fiona Fullerton and Anton Du Beke.
:36:22. > :38:15.very nice. Fiona Andrew ton, that was -- Fiona and Anton, that was
:38:15. > :38:19.wonderful. Are you pleased? Yes. Darcey? Oh, you have turned into
:38:19. > :38:24.Grace Kelly. You danced with ease and elegance. There weren't so many
:38:24. > :38:27.nerves there. I would only say one thing is to open up the shoulders,
:38:28. > :38:35.then you give yourself to create more ability to use your neck and
:38:35. > :38:39.it's just the upper, lift out of the waist and the ribs and you'll create
:38:39. > :38:46.so much better. But it's very beautiful and you looked much more
:38:46. > :38:53.comfortable. Well done. So thrilled for you. Well, you're
:38:53. > :38:59.playing snakes and ladders. Last week you went down the snake, but
:38:59. > :39:06.this week, back up the ladder! Well done.
:39:06. > :39:11.Bruno? Nice and classy, Princess Fiona, that's the way to go. Your
:39:11. > :39:15.turns are better, your balance is better, you are starting to extend
:39:15. > :39:19.some lovely lines. At times I can still see you losing slightly focus,
:39:19. > :39:22.don't do that, because you've got it within you. Because when you do it
:39:22. > :39:31.right, especially the last turn into the lovely drop at the end, it's
:39:31. > :39:37.beautiful. So you can do it. Very nice. And Craig? Your chest
:39:37. > :39:41.needs to be higher to give you a nicer top line. You overbalanced at
:39:41. > :39:46.one stage, but you managed to catch up. It's true. Timing was slightly
:39:46. > :39:51.out, but I thought the whole thing was extremely elegant and
:39:51. > :39:55.beautifully done. Did you have a nice birthday
:39:55. > :40:01.yesterday? Yes, thank you, I had a lovely birthday. My wife's birthday
:40:01. > :40:06.today. I'll be home for supper, darling. No, but it's live. Thank
:40:06. > :40:15.you so much, Anton and Fiona. # Happy birthday to you
:40:15. > :40:25.# Happy birthday dear Fiona # Happy birthday to you #
:40:25. > :40:29.Was that the best belated birthday present, getting it all right? It
:40:29. > :40:34.was fantastic. It was an amazing feeling. I loved it. That's what you
:40:34. > :40:38.wanted to do and you didn't go wrong. Even Craig loved it and a
:40:38. > :41:01.Christmas present all rolled into one. The scores are in:
:41:01. > :41:08.A great score, with the king of the waltz, happy belated birthday. Thank
:41:08. > :41:16.you, that's the most wonderful present.
:41:16. > :41:25.Vote to keep Fiona in. Who's next to dance on our night of love?
:41:25. > :41:34.Next up is Rachel Riley and her partner, Pasha Kovalev.
:41:34. > :41:38.Now then, Rachel's show Countdown has a lot of word games on it. She
:41:38. > :41:42.asked if I was good at English. I said, "Yes, I was always good at
:41:42. > :41:50.English, but I'm even better now. In fact, my English is lots weller than
:41:50. > :41:53.anyone else what did do it. Innit? " That surprised you! Here they are in
:41:53. > :42:04.training. I knew I wasn't going to be amazing
:42:04. > :42:08.at the salsa. But I tried my hardest. I went out to have fun and
:42:08. > :42:12.that's what I did. I thought some of the comments were mean. You were
:42:12. > :42:16.wriggling around like a slug in salt. I'm not going to acknowledge
:42:16. > :42:20.that comment. It was like watching a gorgeous rag doll. I really do need
:42:20. > :42:25.to work on my strength. There is lots of sugar but not a lot of
:42:25. > :42:28.spice. Which is my personality. Ive need to focus -- I need to focus the
:42:28. > :42:33.movements, the sharpness and the SAS. I've always -- sass. I've
:42:34. > :42:38.always loved Strictly Come Dancing, but a better time to show my love
:42:38. > :42:41.than this week. The glamour, music, the dance, the movement, the
:42:41. > :42:45.characters. I love Strictly Come Dancing so much that I had my 21
:42:45. > :42:49.birthday party as a Strictly theme. Dancing so much that I had my 21
:42:49. > :42:55.We had our sequins and false eye lashes. To be here to make
:42:55. > :42:59.custom-made dresses, 21-year-old me is dancing for joy. My wedding first
:42:59. > :43:03.dance we had a Strictly routine. Pasha would have told me off because
:43:03. > :43:09.I was the one in the driving scene. In this room, Pasha is definitely
:43:09. > :43:13.the boss. This time you didn't get it. I've loved Strictly Come Dancing
:43:13. > :43:19.for so long, I hope this week's cha cha cha doesn't leave me broken
:43:19. > :43:21.hearted. Dancing the cha cha cha, Rachel
:43:22. > :45:11.Riley and Pasha Kovalev. CHEERING AND APPLAUSE
:45:11. > :45:17.Well done, Rachel. Lovely. Listen to that. Pasha, that was really lovely.
:45:17. > :45:22.Great feel to it. Len? You got your old hips going there, lovely. Like a
:45:22. > :45:24.bionic bum working away. Occasionally you lose a bit of
:45:24. > :45:31.control. It goes a little bit unstable. But overall, I thought you
:45:31. > :45:37.did good leg action, nice feet, cube an breaks -- Cuban breaks were going
:45:37. > :45:42.right on time. Well done. Does that make you feel good? Yes. Lovely.
:45:42. > :45:48.Bruno? Well, well, well, my little Rachel is starting to feel the
:45:48. > :45:54.tingle. You have done well tonight. You're starting to use your assets
:45:54. > :45:58.to your advantage. It's true! She was much stronger. You have to have
:45:58. > :46:02.confidence in yourself. Don't doubt yourself. Because it's all there.
:46:02. > :46:05.It's all there and when you do it, Len is right, when you do it right,
:46:05. > :46:10.it looks good. You're still, at times, a little bit automan. But
:46:10. > :46:14.you're moving in the right direction. You should have faith in
:46:14. > :46:21.yourself. Thank you. Keep doing the good work. Counting the beats.
:46:21. > :46:27.Everything is in beats. Craig? The look of concentration on your face
:46:27. > :46:33.was startling. If only you were smiling that would have brightened
:46:33. > :46:36.the entire thing up. The move on the stairs, don't lower your knee, it
:46:36. > :46:41.needs to be in the same place. You were plonking your body down in a
:46:41. > :46:45.very, placing yourself very heavily in all the finishes. You need to
:46:45. > :46:48.work on your finishes, but your free arm placement that we've been
:46:48. > :46:57.banging on about is much, much better.
:46:57. > :47:01.Craig, it is improving. Darcey? You have really take continue on board
:47:01. > :47:07.from last week, your focus, your arms are cleaner and precise, the
:47:07. > :47:14.choreographic finishes are there, well done. Overall, your confidence
:47:14. > :47:20.through the whole peace -- piece was fabulous. Go on, off you go. It was
:47:20. > :47:30.lovely. APPLAUSE
:47:30. > :47:35.Better than last week. Much more than last week. After the salsa I
:47:35. > :47:38.was crestfallen, but I than last week. After the salsa I
:47:38. > :47:43.enjoyed that. It looked like you enjoyed yourself. Bruno said have
:47:43. > :47:47.faith in yourself. You don't have a performance background. Is it tough
:47:47. > :47:51.going out there live? I'm normally like a happy, bubbly person so to go
:47:52. > :47:54.out and be serious and sultry is quite a challenge. But he's been
:47:54. > :47:55.out and be serious and sultry is teaching me some stuff. He's a good
:47:55. > :48:27.teacher. The scores are in: They're back. She's been putting in
:48:27. > :48:31.the work. Call to vote: Or vote for free online. Voting opens later.
:48:31. > :48:36.We've still got a whole lot of love tonight. And a lot of dancing. We
:48:36. > :48:43.have Deborah quickstepping across the floor and Julien proving that
:48:43. > :48:50.everybody needs somebody to love. Our next couple is Mark Benton and
:48:50. > :48:58.his partner, Iveta Lukosiute. Yes, now then, Mark has recently
:48:58. > :49:01.been starring in that hit musical Hairspray, where he had to dress as
:49:01. > :49:05.a woman. I said, "What's it like having to get dressed like a woman
:49:05. > :49:14.every night of the week? He said, "It's a drag." What's wrong with
:49:14. > :49:18.that? Seven! Here they are in training.
:49:19. > :49:24.When you start the dance, it goes really quickly until the very end
:49:24. > :49:28.and everyone cheers and just like tunnel vision in a way. Dancing is a
:49:28. > :49:32.joy and for me, you make me feel good. I loved it. His comments are
:49:32. > :49:39.so lovely and it means so much that someone as talented and experienced
:49:39. > :49:45.as him says that. Now it's love week this week. I wish someone would tell
:49:45. > :49:49.Iveta. Don't walk into my space. You see that, "Don't walk into my space.
:49:49. > :49:52.I will crush you." I started thinking about love and what comes
:49:52. > :49:57.to mind is a family. I have a delightful wife and three wonderful
:49:57. > :50:00.children. My children range from 15 to eight. That's the great thing
:50:01. > :50:06.about Strictly. They can all watch it and enjoy it. Is anyone coming to
:50:06. > :50:10.watch? My son Archie and my wife Sarah. Oh, wow. Finally I get to
:50:10. > :50:16.meet him because I met all your children. And he's got a suit. That
:50:16. > :50:20.is brilliant. He is hand HM and good -- is he as handsome and good
:50:20. > :50:25.looking as you are? Much more so. Ive thought he would be embarrassed
:50:25. > :50:30.by my dancing on television. Kids say stuff at school and he tells
:50:30. > :50:34.them to shut up. Good on you son. I'm looking forward to see you. I
:50:34. > :50:36.think the kids are proud of me. It makes it all worthwhile really,
:50:36. > :50:40.because they're the most important people.
:50:40. > :50:50.Dancing the American smooth, Mark Benton and Iveta Lukosiute.
:50:50. > :52:37.CHEERING AND APPLAUSE Very lovely. What a bit of show
:52:37. > :52:43.business, real bit of show business. Well done both of you. Bruno? And
:52:43. > :52:50.they lived happily ever after. Ive tell you, you can -- I tell you, you
:52:50. > :52:53.can tell a story. It was mimed to perfection. I could read every
:52:53. > :52:57.moment. Let's go into this journey together. You played it beautifully.
:52:57. > :53:01.It is an American smooth, there were a couple of rough passages,
:53:01. > :53:10.especially from one section to the other. Watch your turns, but a story
:53:10. > :53:17.telling was, it was perfect. Hold on, Craig? Yes, you definitely are a
:53:17. > :53:22.fantastic story teller. However, you really have got to work on your
:53:22. > :53:28.hands. They are absolutely ruining the line. It's only a small thing,
:53:28. > :53:31.but it's a very large part, it's the finish. That's what will give you
:53:31. > :53:37.much better points from the judges, I promise you. Tells a lot of
:53:37. > :53:42.things, the hands. Darcey? I did miss the glamour and flair of the
:53:43. > :53:44.American smooth, but as they said, you tell a story very well. But
:53:44. > :53:50.being, you know you dance a little you tell a story very well. But
:53:50. > :53:54.small for such a tall gentleman. Use your height and extend and travel.
:53:55. > :53:59.That would be the only thing I didn't approve of. Generally, you
:53:59. > :54:06.know, you have this lovely woman and you supported her so well in that
:54:06. > :54:15.promenade. Keep that up. Keep working on that technique down
:54:15. > :54:20.below. Very nice partner. Len? It's madness really, isn't it? That was a
:54:20. > :54:27.joke because of that track was from Madness. Oh, so smart. Where does it
:54:27. > :54:31.come from? I don't know. You capture the essence of every dance. Every
:54:31. > :54:35.dance has got a character to it, American smooth, you have to be
:54:35. > :54:41.glidy, Latin, crisp. You get that straight away. I'm not saying the
:54:41. > :54:46.dancing is top notch, fantastic, but what I love - watching you, you get
:54:46. > :54:51.it. That's great. You get the character. The character is there.
:54:51. > :55:04.Who looks at the feet in I way? Away you go. Work on the hands.
:55:04. > :55:12.APPLAUSE It must be love. Mark, we can always
:55:12. > :55:18.APPLAUSE count on you to tell a story, after
:55:18. > :55:22.last week's crazy salsa, this week, the American smooth. More glamorous.
:55:22. > :55:27.We enjoyed it. Very much. It was good for you? Absolutely. Your son
:55:27. > :55:33.is in the audience. He's here, my wonderful boy. In his new suit. He
:55:33. > :55:37.looks proud. There he is. He's embarrassed now. He's shy now.
:55:37. > :56:05.Scores are in: To vote call: Don't forget, can you
:56:05. > :56:09.vote online, but only after all our couples have danced. That deserves a
:56:09. > :56:15.kiss. If you think Mark and Iveta in the dance-off is utter matness --
:56:15. > :56:20.madness they will need your votes. Next up Ben Cohen and his partner,
:56:21. > :56:27.Kristina Rihanoff. Another popular couple. Now, let me explain to you,
:56:27. > :56:31.Ben suffers from a 50% loss of hearing and I asked him how it
:56:31. > :56:36.affected him on the show. He told me, "It's a disadvantage when it
:56:36. > :56:37.comes to hearing the music, but it definitely is an advantage when
:56:37. > :56:43.you're doing your jokes." I'm not definitely is an advantage when
:56:43. > :56:50.reading that! Why should I read that. No, here they are in training.
:56:50. > :56:58.What was going through my head - don't mess it up. Oh, you have a
:56:58. > :57:03.little. I'd gone stone faced. From then on I was thinking, smile. You
:57:03. > :57:07.smiled once and then it lit up and then you looked terrified. I have to
:57:07. > :57:12.sort my nerves out. You look magnificent butch you don't move
:57:12. > :57:23.much. I've got to relax. This is the main thing, better than last week.
:57:23. > :57:27.For me my family are my everything. I've been busy with Strictly. I
:57:27. > :57:32.haven't spent much time at home. I'm missing Abbey and my girls. We miss
:57:32. > :57:37.daddy while he's dancing. Ben as a husband and a dad he ticks all the
:57:37. > :57:42.boxes. He does the cooking, he cleans. He's perfect. Who loves you?
:57:42. > :57:46.Daddy, mummy. Good night. Being at home with the girls is very
:57:46. > :57:50.important to me. They've been watching the show. They just repeat
:57:50. > :57:55.mine and Kristina's dance. I can join in and have a bit of fun with
:57:55. > :58:01.them. They are my biggest critics. Do you reckon daddy looks like
:58:01. > :58:03.Stonehenge? No. Do you know what Stonehenge is? No. I love being at
:58:03. > :58:12.home with Abs and the girls. We Stonehenge is? No. I love being at
:58:12. > :58:14.daddy, we love you! Dancing the rumba, Ben Cohen and Kristina
:58:14. > :59:52.Rihanoff. CHEERING AND APPLAUSE
:59:52. > :00:05.Oh, look, they're on their feet. I didn't see that Ben, Kristina, look
:00:05. > :00:12.what you've done. Ben, you dropped your lollipop. Oh,
:00:12. > :00:17.it's yours, sorry. You've got a certain way with you. I tell you
:00:17. > :00:26.what, I think it's coming all together. Do you like it? Don't! All
:00:26. > :00:30.the women on your side, don't do that for goodness sake. Craig, start
:00:31. > :00:36.us off. I want to love you too my darling.
:00:36. > :00:50.I'm willing you to do well and dance well. And you know what, you did.
:00:51. > :01:00.APPLAUSE You're not Stonehenge this week.
:01:00. > :01:07.You're not Stonehenge. You were marvellous.
:01:07. > :01:15.Darcey, dear? Yes, I wanted to see connection. You gave it to me. Well
:01:15. > :01:18.done. You loosened up. You created a true intensity between that dance,
:01:18. > :01:24.between both of you, fabulous. There's no nerves. They've
:01:24. > :01:30.disappeared. Well done. And I saw areas of fluidity. And even a little
:01:30. > :01:39.hip rotation there. Keep that up. I want to see it next
:01:39. > :01:46.week as well. Don't go and kiss her for God's
:01:46. > :01:53.sake. It's nice it see a big, butch bloke being gentle. Lovely
:01:53. > :01:58.partnering. I thought you needed a bit more hips going on on occasions,
:01:58. > :02:07.buff I thought you -- but I thought you showed your feminine side out
:02:07. > :02:13.there. Bruno? I'd love to see more of that
:02:13. > :02:19.side as well. Any time, any time! That was really a touchy, Fehily
:02:19. > :02:24.kind of love -- feely kind of love, hands everywhere. It was like a
:02:24. > :02:28.series of erotic freezes, one more interesting than the other. Which
:02:28. > :02:30.way are you going with this? Whichever way you're going, keep
:02:30. > :02:35.going, because you're going well. You're not going any farther! Get
:02:35. > :02:40.off before they all start. Well done indeed Ben and Kristina!
:02:40. > :02:47.APPLAUSE Wow. We can all feel the love after
:02:47. > :02:52.APPLAUSE that one. That was one romantic
:02:52. > :02:57.rumba, in a Strictly first, you made Craig blush. I don't thip that's
:02:57. > :03:03.happened before. Quite tough getting in touch with your feminine side.
:03:03. > :03:07.Well, it's interesting. You did a great job. Your little girls are so
:03:07. > :03:11.gorgeous. I know, bless them. Are they up watching? They will be, I
:03:11. > :03:13.love you two very much. Little darlings. I'm getting a tear now.
:03:13. > :03:43.The scores are in: Yes! All right call to vote: Or you
:03:43. > :03:47.can vote online later, if you want Ben and Kristina to keep dancing.
:03:47. > :03:53.Now don't forget, as well as voting online, you can get all the gossip
:03:53. > :04:02.on Facebook, Twitter or on our website. If ballroom is the food of
:04:02. > :04:16.love, we'll dance on with all this: Got to look like dancing. That's
:04:16. > :04:21.your right. I can't bear it. Brutal. I'm out of my depth here. When I
:04:21. > :04:32.hear the rhythm I can't stop dancing. Samba is horrible. This
:04:32. > :04:36.dance is going to kill me. Look at me.
:04:36. > :04:47.Lovely. Now, for our next couple, it's Sophie Ellis-Bextor and her
:04:47. > :04:53.partner, Brendan Cole. Remember their dance last week? Oh!
:04:53. > :04:57.Sowive said, "Just because I'm a singer, you're not going to try and
:04:57. > :05:01.sing, are you? I said, "Of course not." Now tell me more about your
:05:01. > :05:12.big hit, Murder on the Dance Floor. Now then, was the murderer sent down
:05:12. > :05:16.for life? Is the name of the game... APPLAUSE
:05:16. > :05:18.Sorry, Sophie. I couldn't stop myself. Any way, here they are in
:05:18. > :05:26.training. Saturday night was a bit of a dream
:05:26. > :05:30.moment for me, to have all the stars aligned, really felt lick a lovely
:05:30. > :05:33.moment. -- like a lovely moment. I can't believe it was me. It was
:05:33. > :05:40.really special getting such lovely feed back from the judges. Wow!
:05:40. > :05:44.Great routine, beautifully done. It's a tricky one to enjoy getting
:05:44. > :05:49.36 points and also not worry about the fact that might be the only time
:05:49. > :05:53.that happens. It wouldn't have been half as special if my husband hadn't
:05:53. > :05:56.been there to enjoy it with me because we have to share in it. It's
:05:56. > :06:02.really important. This week it's a samba. We are dancing to Lionel
:06:02. > :06:07.Richie. It was the first dance at my wedding, this song. Hello guys. It
:06:07. > :06:13.was nice that Richard came into training. We did a little routine
:06:13. > :06:18.when we got married. We had a choreographer actually. Did you do
:06:18. > :06:23.that? Definitely did the guns. I saw them dancing, it was nothing like
:06:23. > :06:26.our wed das -- wedding dance. It's a different dynamic dancing to your
:06:26. > :06:37.wedding dance with another man. It makes me so proud. I'm so in love
:06:37. > :06:41.with my wife right now. Oh, Sir! Can you do this without touching my
:06:41. > :06:44.wife? I love Richard and knowing he's behind me, means everything to
:06:44. > :06:47.me. Dancing the samba, Sophie
:06:47. > :08:40.Ellis-Bextor and Brendan Cole. CHEERING AND APPLAUSE
:08:40. > :08:49.Well done, yes. Look at this. They all loved it.
:08:49. > :08:54.You want to do it again, right? No, you can't. Sophie and Brendan, once
:08:54. > :08:57.again a lovely samba. Your dance content is fabulous and great
:08:57. > :09:02.choreography, all the way through. You bring quite a cool kind of party
:09:02. > :09:08.vibe. I might have liked to have seen a fun, wild, carnival vibe, but
:09:08. > :09:13.you still have it. You really do. I would only say one thing, you
:09:13. > :09:18.overextend your arms in the running promenades, it's a little out there.
:09:18. > :09:21.Just bring it in. Buff you have brilliant isolation, especially the
:09:21. > :09:27.ones against Brendan. They were very nice. That was nice! We practised
:09:27. > :09:35.that a lot. # You have such natural timing and
:09:35. > :09:41.musicality and that shows so easily. You're going to go so far because of
:09:41. > :09:48.that. You've got it all there. With a good teacher too. Len? It lacked a
:09:48. > :09:52.little toning on occasion, but having said that, I loved the back
:09:52. > :09:56.rocks into the little, then you went into another favourite, which look
:09:56. > :10:00.at it, there we go, go on boys and girls. That's another one of my
:10:00. > :10:03.favourites. Natural roll and so full of all my greatest hits. It was
:10:03. > :10:19.lovely. Well done. Bruno? What you did was a
:10:19. > :10:25.sophisticated samba, a samba from an uptown girl, chic yet sexy. You did
:10:25. > :10:31.it all without breaking a sweat and looked good at it. Without breaking
:10:31. > :10:35.a sweat. She has that cool look about her. Craig? I thought you
:10:35. > :10:37.could have done with a little more double bounce action but I really
:10:37. > :10:42.could have done with a little more loved it. You even attempted a
:10:42. > :10:47.difficult move. Fabulous. A cleaner finish would have been great, but
:10:47. > :10:54.well done. ?ment -- well done. Off you go, be happy.
:10:54. > :11:07.APPLAUSE I could have watched that all night
:11:07. > :11:11.long. The audience another standing ovation. I was so nervous before
:11:12. > :11:15.that. I was scaring Brendan a little. Last week calm as anything.
:11:15. > :11:19.What was more nervewracking the first dance at your wedding or the
:11:19. > :11:24.Strictly ballroom? Definitely this one. It was so much more complif
:11:24. > :11:25.Kated. -- Complicated. Your husband was watching and he seemed happy.
:11:25. > :11:54.The scores are in: Really happy about that. One of the
:11:54. > :12:04.coolest sambas we have ever seen. She makes it look cool. To vote
:12:04. > :12:06.call: Or vote online. Voting doesn't start until the dancing stops. It's
:12:06. > :12:12.call: Or vote online. Voting doesn't a night of love tonight. Still to
:12:12. > :12:16.come: Susanna and Kevin - can they get romantic and Ashley and Ola with
:12:16. > :12:26.a saucy samba. Our next couple is Julien Macdonald
:12:26. > :12:32.and his partner, Janette Manrara. Now then, Julien and Janette have
:12:32. > :12:34.been described as a pair of pocket rockets. They are like rockets,
:12:34. > :12:40.she's small and explosive. And he rockets. They are like rockets,
:12:40. > :12:48.lives on another planet. Any way, here they are in training.
:12:48. > :12:54.The tango was a hard dance to have mastered. I'm relieved to have
:12:55. > :12:59.finished it. If tango is a plant, it's a cactus. You're more of an
:12:59. > :13:03.orchid. I am an orchid. I knew I would be in the bottom two. The
:13:03. > :13:08.worst thing is doing the dance again. I was like, will I get it
:13:08. > :13:13.wrong? Will I be bad? Will I be worse? I would like to see staying
:13:13. > :13:19.Julien and Janette. We made it through. I didn't want to go home. I
:13:19. > :13:24.have struggled with the jive. I've been so billsy in training, I hardly
:13:24. > :13:31.get -- busy in training, I hardly get to see the love of my life.
:13:31. > :13:32.# And they call it puppy love # #. I love is there's lots of tricks,
:13:32. > :13:42.buff he does a high five. Are you I love is there's lots of tricks,
:13:42. > :13:48.going to dance with us today? Jake's jive techniques are better than
:13:48. > :13:55.mine. He's very light on his feet. Jive is about being lifted and up.
:13:55. > :14:00.Julien needs to put a spring in his step. I've brought in trampolines. I
:14:00. > :14:05.was so excited. I got a sense of being light on my feet. Jake has
:14:06. > :14:09.inspired me to do a great jive on Saturday night.
:14:09. > :14:16.Dancing the jive, Julien Macdonald and Janette Manrara.
:14:16. > :15:49.MUSIC: Everybody Needs Somebody To Love
:15:49. > :16:04.CHEERING AND APPLAUSE Yes, how about that? You've been
:16:05. > :16:14.working hard. I've been dancing in my sleep. I can see that. Len? I
:16:14. > :16:18.really enjoyed it, because you had that wild, devil may care attitude.
:16:18. > :16:23.You just came out. You said, well, this is it. What happens is what
:16:23. > :16:28.happens. I'm telling you, as far as I'm concerned, that's your best
:16:28. > :16:38.dance to date. Thank you, Len! Now then. It was a
:16:38. > :16:43.criminal attack on the jive. Full of whacky attitude. You went for it. I
:16:43. > :16:46.tell you, I enjoyed it as well, but if you stay in the competition, you
:16:46. > :16:49.really have to focus on time. Because you keep going on and off
:16:49. > :16:53.really have to focus on time. it, on and off it. You have to stay
:16:53. > :16:58.on it all the way through, because if that isn't there, everything else
:16:58. > :17:07.falls apart. The energy was great. Thank you so much! Craig? Yes, I can
:17:07. > :17:13.say, that the energy was great, but it was a bit like a three-year-old,
:17:13. > :17:23.darling at a dance resital after ten bags of sweets. It had lots of
:17:23. > :17:27.energy, which I loved. What did you say? I said it's love weekend, I've
:17:27. > :17:35.asked Craig to love me especially tonight.
:17:35. > :17:39.Oh, what a shame, darling. Right, Darcey? You've certainly
:17:39. > :17:43.brought the energy and love into your jive, as the boys have said. I
:17:43. > :17:48.would just love you to point those feet and make that crisper kick and
:17:48. > :17:53.flick. But that was the only thing that would polish your performance.
:17:53. > :17:55.Nice energy, well done. Lovely moves. Come on, be proud. Off you
:17:55. > :18:14.go. APPLAUSE
:18:14. > :18:19.Best dance yet! I'm so happy, I've worked so hard. I'm dancing in my
:18:20. > :18:24.sleep. Dancing when I eat and dancing wherever I go. I've seen a
:18:24. > :18:29.change in his work ethic, big time. He's upped his game. Was it being in
:18:29. > :18:33.the dance-off, did that make you real aisles you want to stay in the
:18:33. > :18:36.competition? I love the show so much. I find it incredibly
:18:36. > :18:38.difficult, but I'm trying my best. We see that, honey. Great energy.
:18:38. > :19:05.The scores are in: Better than last week. Improvement,
:19:05. > :19:15.that's what we're about on this show. If Julien got you jiving call:
:19:15. > :19:20.Don't forget you can vote online if you like. Remember, you can't vote
:19:20. > :19:25.until everybody's danced and there's plenty more dancing and romancing to
:19:25. > :19:38.come. Yes, our next couple is Susanna Reid
:19:38. > :19:39.and her partner, Kevin from Grimsby. APPLAUSE
:19:39. > :19:46.Susanna impressed the judges from day one. Can she impress them again
:19:47. > :19:51.tonight with her Rhone yees waltz? -- Viennese waltz? Here they are in
:19:51. > :20:00.training. The tango was fierce. As soon as we
:20:00. > :20:03.started dancing, in my head I went, you have one-and-a-half minutes to
:20:03. > :20:08.enjoy this because you are never going to dance this ever again. I
:20:08. > :20:15.think you put the go in tango. Can I dance with you next week? Yeah, all
:20:15. > :20:21.right. It's love week. We are dancing the Viennese waltz.
:20:21. > :20:26.Obviously the love of my life is my family. Kevin and I share a passion.
:20:26. > :20:32.You're goi to be substituted if you keep going back to the leave back. A
:20:32. > :20:39.mutual love of football. Susanna is a fan of complas. -- Crystal Palace.
:20:39. > :20:43.He's always encouraging me to glide across the floor It's really
:20:43. > :20:49.important. We can't cut it short. We need more space.
:20:49. > :20:53.You wouldn't think there was any connection between football and the
:20:53. > :20:58.Viennese waltz. But on the football pitch, you can glide and that, I
:20:58. > :21:03.think, can inspire our dance. Is she going to dive into the box? No.
:21:03. > :21:05.Kevin was clever at showing how we could move around using all this
:21:05. > :21:11.space. It's inspired me. Dancing the Viennese waltz Susanna
:21:11. > :23:03.Reid and Kevin Clifton. CHEERING AND APPLAUSE
:23:03. > :23:13.Oh, Susanna, look! Enjoy it. You don't get that on the news desk.
:23:13. > :23:15.That's lovely. A lovely dance, beautifully performed. Such a
:23:15. > :23:19.feeling to that. Bruno, what did you think? Yeah, you're so lovely and
:23:19. > :23:23.versatile. Just watching you makes you happy. You have a natural feel
:23:23. > :23:28.for the dance. You just naturally go with it. Lovely movement, lovely
:23:28. > :23:32.flow. You have that in both ballroom and Latin. So it's so good to see. I
:23:32. > :23:41.think you're going to go very, very far, my darling.
:23:41. > :23:46.What did you think Craig? Chin up. Left shoulder down, darling. Also,
:23:46. > :23:54.you need to really when you put your arm out, the shoulder ins gats the
:23:54. > :24:05.move, then you -- inter-Bates the move -- anstigates the move. I'm
:24:05. > :24:10.only trying to make it better for you. You made a difficult dance very
:24:10. > :24:13.easy. You made it look easy. Darcey? Your technique is very good with
:24:13. > :24:19.your foot work. Only at the beginning, because you have lovely
:24:19. > :24:24.extensions, but at the beginning, instead of doing this use your
:24:24. > :24:32.shoulders and your upper body so you get more stretch. She's up again.
:24:32. > :24:35.It's only in your top line, that's the only thing letting you down.
:24:35. > :24:43.Every week you get better and better. You're right.
:24:43. > :24:47.It is a difficult dance. Isn't it Len? It is a difficult dance. I must
:24:47. > :24:55.say. I'm telling you what, this is love week and I'm in love with that
:24:55. > :25:02.Viennese waltz. Beautiful rotation, lovely fluidity of movement. You
:25:02. > :25:09.attempted the fleckle. It was the best I've seen tonight.
:25:09. > :25:13.Are you all right? Shall I carry you up the stairs? No, you can. Away you
:25:13. > :25:18.go, Susanna and Kevin! APPLAUSE
:25:18. > :25:28.Yes, Miss Thing made it look easy. APPLAUSE
:25:28. > :25:33.Love week, Len is in love with your waltz. I think I'm in love with Len.
:25:33. > :25:39.It's a mutual love-in. The audience love you. They were on your feet.
:25:39. > :25:43.You have a lot of fun in training, was it tough channelling the
:25:43. > :25:46.romance. Yeah, every time I told her to look in my eyes, she started
:25:46. > :25:50.laughing. I thought it would be about rejection, not love. It's easy
:25:50. > :25:55.to be in love with Kevin for two minutes because... For two minutes!
:25:55. > :25:59.Just two minutes. He's such a lovely money and a boutiful dancer. He's
:25:59. > :26:01.adorable. And so are you, a beautiful dancer. The scores are in:
:26:01. > :26:28.If for Yes! Susanna is having a moment.
:26:28. > :26:34.That was two 9s. Maeg. -- amazing. That's because Kevin is brilliant at
:26:34. > :26:43.dancing. For two minutes though! LAUGHTER
:26:43. > :26:54.Susian aand -- Susanna and Kevin would love your votes. Yes, call or
:26:54. > :26:58.vote online. Plenty more love to give. Let's get
:26:58. > :27:04.back on the floor. Our next couple is Radio 2 DJ,
:27:04. > :27:13.Vanessa Feltz and her partner, James Jordan.
:27:13. > :27:18.Now then, I was listening to Vanessa while I was having a bath this
:27:18. > :27:21.morning. Has she got into my house, I'll never know.
:27:21. > :27:24.LAUGHTER Let alone in the bathroom, where
:27:24. > :27:32.does it stop? Here they are in training.
:27:32. > :27:39.Last Saturday night, the performance felt just wonderful. I felt as if I
:27:39. > :27:47.was floating. It was almost like watching a scene in a beautiful
:27:47. > :27:51.musical. Yet being the star of it yourself. You're connected. You're
:27:51. > :27:56.involved. You feel the music. As someone who has never danced, I was
:27:56. > :27:59.involved. You feel the music. As really chuffed. I'm going to be
:27:59. > :28:04.perfectly honest, I'm delightly concerned about the tango. Sorry.
:28:04. > :28:10.perfectly honest, I'm delightly This dance is jolly fast. What,
:28:10. > :28:14.what, what? Side, close? I'm in the sure I can even, I'm not joking,
:28:14. > :28:17.move that fast. I was just in the middle of training with James,
:28:17. > :28:23.trying to do this tango and I really wasn't getting head nor tail of the
:28:23. > :28:32.whole thing, suddenly then my fiance appeared. Oh, look who's here! You
:28:32. > :28:37.sweet head! You're doing so well. On Saturday night I was so proud of
:28:37. > :28:41.you. I wanted to do Strictly because Ben is such a fantastic dancer. And
:28:41. > :28:45.it would be heavenly, the best feeling in the world to dance
:28:45. > :28:54.beautifully with the man I really love. Dancing the tango Vanessa
:28:54. > :30:42.Feltz and James Jordan. CHEERING AND APPLAUSE
:30:42. > :30:48.Oh, you stomp around the floor there. You've been getting it.
:30:49. > :30:52.Craig, what did you think? Your left hand, you've got a broken wrist on
:30:52. > :30:56.that. You need to straighten that out. Your head position needs to be
:30:56. > :31:02.to the left when it needs to be. It lacked a little focus for me and
:31:02. > :31:10.sharpness. Your head at times didn't look like it belonged actually. And
:31:10. > :31:16.you messed up the first Corus -- chorus as well. At the beginning,
:31:16. > :31:19.couldn't even catch him. He was down the Finchley Road. I've made
:31:19. > :31:25.enormous progress to keep up with this dude, honestly.
:31:25. > :31:30.Quite right. Give him a bit of stick back. I did like the fire in your --
:31:30. > :31:33.in you. You gave that attack straight away. You went for it. But
:31:34. > :31:38.the only thing is you're not, it's not about liking the smell of your
:31:38. > :31:43.man. You're not meant to like the smell of him. You're meant to keep
:31:43. > :31:48.your head to the left. He doesn't smell. Scrupulously clean. It's
:31:48. > :31:53.about keeping your head away. That's the only thing that lets you down,
:31:53. > :31:56.the direction of your head. Find it hard, keeping your head away from
:31:57. > :32:01.me. I'm sure every woman agrees. Len? I thought there was a lot of
:32:01. > :32:05.content into that routine. James, you didn't take the easy option and
:32:05. > :32:07.just do a little bit of mincing about. The overall feeling of it
:32:07. > :32:12.just do a little bit of mincing a bit lick a decalf coffee, it --
:32:12. > :32:18.decaf coffee, it looks OK, but it lacks a bit of bite. Overall, well
:32:18. > :32:24.done James, and lovely, Vanessa. You really had a go there. Bruno?
:32:24. > :32:28.You did the disdainful, broken-hearted woman very well. You
:32:28. > :32:32.were going at it like a battle axe at the beginning. "Don't mess with
:32:32. > :32:36.my man." You were good at it. You messed up your foot work and what
:32:36. > :32:40.happens sometimes, you just stop driving the dance, darling. You
:32:40. > :32:43.know, you do it all up here, and then you do a bit by number. You
:32:43. > :32:50.have to keep going. You started well, keep going.
:32:50. > :33:10.APPLAUSE That was a fierce and passionate
:33:10. > :33:16.tango. You can't say she didn't sell it. She gave it everything. It a lot
:33:16. > :33:20.of character. A lot of content. I'm glad Len commented on that. Excite
:33:20. > :33:25.the mixed -- despite the mixed comments, are you loving the
:33:25. > :33:29.ballroom? Even if I look outside on the outside, on the inside it's
:33:29. > :33:32.fantastic. That's the shame TV all. You look far from awful. You're
:33:32. > :33:48.giving it your all. The scores are in:
:33:48. > :33:54.Better towards the end. It's relative. It's from where you start
:33:54. > :33:57.and where you finish up. Strictly is about someone that you take that's
:33:57. > :34:00.never danced before and you're improving. I'm proud of you. So
:34:00. > :34:10.whatever the judges say, I'm proud of you. Thank you.
:34:10. > :34:15.Well done. Call or vote online later if you think that Vanessa and James
:34:16. > :34:20.deserve to dance again next week. Lick a candle-lit dinner for two,
:34:20. > :34:24.we've had the first two courses, a few glasses of bubbly and now
:34:25. > :34:30.dessert as our final three couples dish up their dances.
:34:30. > :34:39.Next is the couple, Ashley Taylor Dawson and his partner, Ola Jordan.
:34:39. > :34:44.Now then, tonight, they are doing the samba. It's the party dance.
:34:44. > :34:47.Ashley is going to be the host and Ola will just drop in. You'll see
:34:47. > :34:53.what I mean. Here they are in training.
:34:53. > :35:02.After the first week I wanted to go out there and just enjoy it a little
:35:02. > :35:09.bit more, which I think I did. So impressive. You are going to go far.
:35:09. > :35:12.Darcey gave me a nine. That's amazing. I couldn't believe it.
:35:12. > :35:16.Thank you Darcey. Getting positive feed back from the judges has
:35:16. > :35:23.boosted my confidence. Hopefully, in E week, I can -- next week, I can
:35:23. > :35:36.improve again. My next dance is the samba. It's also my new nightmare.
:35:36. > :35:44.Samba is hips, hip action. It's like someone has had his hip replaced.
:35:44. > :35:48.Ola brought in lovely props today. I really think she's brought them in
:35:48. > :35:51.to stand there looking pretty herself. I haven't been able to
:35:52. > :35:55.spend much time with my family at the moment. Today I've invited them
:35:55. > :36:00.to training so I can get to see them. It really hit home what this
:36:00. > :36:02.week is about - it's love week. I love you more. I love you more. I
:36:02. > :36:05.want to go out there on Saturday love you more. I love you more. I
:36:05. > :36:17.night and hopefully I will make them proud. Who's the better dancer, Ola
:36:17. > :36:23.or daddy? Daddy. Dancing the samba, Ashley Taylor Dawson and Ola Jordan.
:36:23. > :38:18.CHEERING AND APPLAUSE Ashley, look! I tried to stop them,
:38:18. > :38:23.but it was there. You haven't been very well, how are
:38:23. > :38:26.you feeling? You're all right now. You lost a day. Absolutely
:38:26. > :38:34.marvellous. That was great. Darcey, dear? I liked it. Especially the
:38:34. > :38:38.percussion part, your rhythm, you kept that all the way through, and
:38:38. > :38:43.that's not easy. It was only one thing, you have to lift up your eye
:38:43. > :38:44.level. Just rails the chin and -- raise the chin and you'll have
:38:44. > :38:48.better finished lines. Very nice, raise the chin and you'll have
:38:48. > :38:54.just maybe do up the shirt next week and I won't be distracted. Puts you
:38:54. > :38:59.just maybe do up the shirt next week off, yes. Len? The voltas were a
:39:00. > :39:04.little bit heavy here and there, but the bottom line is, you've coped
:39:04. > :39:10.well with a very difficult dance. Well done.
:39:10. > :39:15.And on the beat all the time. Oh, yes, you're going to get plenty of
:39:15. > :39:21.love after this dance, you dream boat from Brazil. Let's ehope. Let's
:39:21. > :39:26.go all the way. You got your feet wrong at the corner, you just went
:39:26. > :39:33.on the wrong foot, other-wise Len is right, you did a great job.
:39:34. > :39:45.Marvellous. Craig? Hip rolls were absolute filth and I loved it! Watch
:39:45. > :39:52.your mouth. I've never heard him say that before. Off you go.
:39:52. > :40:04.APPLAUSE Love is in the air. Closing his
:40:04. > :40:09.shirt as he comes upstairs. Len said you coped well and you're the
:40:09. > :40:16.highest scoring male celebrity last week. I justed -- just wanted to get
:40:16. > :40:18.the dance right. It was all over the place. We didn't notice. The scores
:40:18. > :40:43.are in. Great score. All that and he has a
:40:43. > :40:47.week old baby. Respect to you. Well done. If that dance made you think
:40:47. > :40:53.love is in the air, everywhere you look around, call: Or go online.
:40:53. > :40:56.Voting will be open at the end of look around, call: Or go online.
:40:57. > :41:02.the show. You'll get to have your say very soon indeed. Now it's a
:41:02. > :41:06.night of love here, close the shirt. We're distracted. It's a night of
:41:06. > :41:19.love here and Ola, we hear that you are celebrating today, ten years of
:41:19. > :41:21.marriage. Yes! Congratulations. I believe we've got a photo of the big
:41:21. > :41:39.day. Brendan has a little something for
:41:39. > :41:44.you. Excuse me guys. APPLAUSE
:41:44. > :41:48.James and Ola, happy 10th wedding anniversary. From all of us. Thank
:41:48. > :41:53.you guys. We will all have a piece of that.
:41:54. > :41:58.Congratulations James and Ola. Beautiful. That was lovely.
:41:58. > :42:04.Unexpected but lovely. Our next couple is Natalie Gumede and her
:42:04. > :42:08.partner, Artem Chigvintsev. They are doing the rumba, the dance
:42:08. > :42:10.partner, Artem Chigvintsev. of love. I was chatting to Natalie
:42:10. > :42:13.partner, Artem Chigvintsev. about love and I said, "When I was a
:42:13. > :42:21.young man, whenever I kissed a woman, I kept my eyes open." She
:42:21. > :42:24.said, "Why? I said, "I just couldn't believe there was a woman there."
:42:24. > :42:39.Here they are in training. From the last two shows I'm learning
:42:39. > :42:43.how much I love to dance. It's just magic. It's a dance and as a
:42:43. > :42:46.performance, absolutely corking. To get great comments from the judges
:42:47. > :42:52.is really encouraging, because it means we're on the right track. We
:42:52. > :43:01.weren't expecting nines in week two at all. We were absolutely thrilled.
:43:01. > :43:05.This week we're dancing the rumba for love week. I'd say the big loves
:43:05. > :43:09.in my life are my family and friends. I haven't had much time to
:43:09. > :43:16.see them, so I invited Artem round to get to know them a little better
:43:16. > :43:24.too. I was really looking forward to it, then I realised It's the girls
:43:24. > :43:34.night! In onesies? We got in our onesies. We watched movies. He loved
:43:34. > :43:41.it. There was a little chance for a rumba. We got to practice. We've had
:43:41. > :43:47.our fun and it's time to work hard and hopefully, enjoy Saturday night.
:43:47. > :43:55.Dancing the rumba Natalie Gumede and Artem Chigvintsev.
:43:55. > :45:46.CHEERING AND APPLAUSE Yes, no surprise at all. Real
:45:46. > :45:51.connoisseurs. Look at them. May I say, lovely to see you so graceful
:45:51. > :46:06.and being so pleasant. It is beautiful. Len? That was fabulous.
:46:06. > :46:21.Bruno? Expressive, meaningful, beauty in perpetual motion. Oh,
:46:21. > :46:25.well. Craig? Love, love, love! And Darcey rgs darling? You speak with
:46:25. > :46:32.the whole of your body. It's beautiful. And especially that end.
:46:32. > :46:38.I loved that and smooth onto the ground. Brilliant.
:46:38. > :46:41.I was just going to say that. Absolutely beautiful. It's lovely to
:46:41. > :46:43.see you like this. Off you go. What a job you're doing, Artem.
:46:43. > :46:59.Away you go. APPLAUSE
:46:59. > :47:02.Wow! Wow! . That's what I call romantic. Three weeks in a row,
:47:02. > :47:08.three incredible dances. Is there anything you can't do? Dance with my
:47:08. > :47:13.hair down, I don't think. I can't see. It didn't stop you. Artem, you
:47:13. > :47:17.look like you're welling up. Maybe a little. Terminator is about to cry.
:47:17. > :47:19.That's a first. Go and pop your onesie on and you'll
:47:19. > :47:48.be fine. The scores are in. An incredible score for an
:47:48. > :48:00.incredible dance. Really great. They keep going upwards. To call: Or vote
:48:00. > :48:04.online if you think Natalie's rumba reeked of romance and you want to
:48:04. > :48:09.see what they can pull out of the bag next week. Someone's growling
:48:09. > :48:15.behind me. Get those fingers flexed and ready. Voting opens soon. Who's
:48:15. > :48:18.having the last dance of the night. Ignore them!
:48:18. > :48:25.To our final couple tonight, Deborah Meaden and her partner, Robin
:48:25. > :48:29.Windsor. Now then, after her routine last
:48:30. > :48:36.week, Deborah said she didn't think Craig liked her dance. She said he
:48:36. > :48:40.just sat there, stony faced, expressionless and never once raised
:48:40. > :48:49.a smile. I said, that's nothing do with your dance, it's the botox.
:48:49. > :48:51.Is he smiling? We wouldn't know if he's smiling or not would we. Any
:48:51. > :49:04.way, here they are in training. I loved the cha cha cha. Dragon
:49:04. > :49:08.versus drag queen darling, be careful. I don't know what Craig
:49:08. > :49:12.meant. I presume he was talking about himself. You must straighten
:49:12. > :49:16.your legs. It made it look stompy, unfortunately. Craig is right, I was
:49:16. > :49:24.a bit stompy. Ive know I can do better. I can always do better. It's
:49:24. > :49:31.love week and what two better people to be dancing around the ballroom
:49:31. > :49:37.floor than me and my wonderful Deborah. To me love isn't just about
:49:37. > :49:42.the slow seductive music, it's about the joy of life. Robin has taken me
:49:42. > :49:50.into this world of Strictly and all the glitz and glamour and I'm
:49:50. > :49:56.showing him the other loves of my life, horses. He'd rather just stand
:49:57. > :50:02.there. I think I might be a country boy after all. I adore Robin. I love
:50:02. > :50:07.the stuff we're doing together. My son is about a love of life, love of
:50:07. > :50:11.horses. We have to pick that up. What -- with what? My hands? With
:50:11. > :50:17.brooms. To find something you love so much so late, I wish I'd found it
:50:17. > :50:19.earlier. Dancing the quickstep, Deborah
:50:19. > :52:13.Meaden and Robin Windsor. CHEERING AND APPLAUSE
:52:13. > :52:20.Deborah, look at that! Look what a dragon can do.
:52:20. > :52:23.Isn't that wonderful to see them all standing up for you. You did such a
:52:23. > :52:29.Isn't that wonderful to see them all great job. Bruno? The dragon is
:52:30. > :52:34.turning into a butterfly. You can fly if you want to, my darling. You
:52:34. > :52:38.were more light footed than ever. Just one thing, be very careful,
:52:38. > :52:49.you're losing your neck. Don't turn into a tortoise by the end. So much
:52:49. > :52:54.better. Craig? You put a smile on my face, darling. I really enjoyed
:52:54. > :53:00.that. Lovely. Darcey? It was fast and
:53:00. > :53:03.furious and you didn't end up in Robin's chest, which I thought you
:53:03. > :53:07.might because you do have to fix that frame, so we don't get bounce
:53:07. > :53:15.in the top line. I love the pleasure you get from dancing. It's fabulous.
:53:15. > :53:22.She loves it. And Len? Your best dance to date, my lovely.
:53:22. > :53:26.You love it don't you? You're enjoying it. Go and enjoy it, run up
:53:26. > :53:40.those stairs and enjoy your marks. APPLAUSE
:53:40. > :53:44.What a way to end the show with a standing ovation and you put a smile
:53:44. > :53:49.on Craig's face. You're not expecting me to talk, are you? Don't
:53:49. > :53:54.talk, just take in air rapidly. You must be so proud of her. Totally, we
:53:54. > :54:00.worked so hard this week. Deborah is improving is much. I'm so, so, so
:54:00. > :54:05.proud. He does a bit too. Yes he does. You covered every square inch
:54:05. > :54:11.of that floor, incredible. It feels like it. Did it feel good? I loved
:54:11. > :54:16.it. I'm loving dancing. How different is this to your real life
:54:16. > :54:20.in the boardroom? What life? I've lost that, that life's gone. This is
:54:20. > :54:44.your new life. Dancing is your life. The scores are in.
:54:44. > :54:55.Come on! Your votes can lift Deborah and Robin higher and higher, call:
:54:55. > :54:58.Or you can vote online if you want to see this pair dancing again. Your
:54:58. > :55:02.votes make the difference between our couples having a successful
:55:02. > :55:08.relationship in the ballroom or a dance divorce in the Results Show.
:55:08. > :55:11.We don't want that. No! All our couples have danced. They've faced
:55:11. > :55:30.the judges, let's lack at the leaderboard:
:55:30. > :55:34.Remember, you can make or break their hearts by picking up the phone
:55:34. > :55:38.or going online and voting for your their hearts by picking up the phone
:55:38. > :55:51.favourite. Do it now, because voting is open! Calls cost 15 p from a BT
:55:52. > :55:56.land line. Other networks may vary. Please ask the bill payer's
:55:56. > :56:04.permission. You'll find full terms and conditions online,
:56:04. > :00:19.bbc.co.uk/strct strictly. High standard of dancing tonight.
:00:19. > :00:24.Very high. Thank you, didn't you all do well? However, one of our 14
:00:24. > :00:30.celebrities is heading to the heart break hotel. They muff leave the
:00:30. > :00:36.competition -- they must leave the competition. It will be you who
:00:36. > :00:39.makes the difference. If you don't want to say goodbye to your
:00:39. > :00:44.favourites, pick up the phone or go online and have your say. The
:00:44. > :00:50.romance has to end some time. Tomorrow night two of our couples
:00:50. > :00:57.will have to face the dreaded dance-off. Sad. Join me and Claudia
:00:57. > :01:02.at 7. 20pm to find out which of our stars has danced the last dance.
:01:02. > :01:05.Stay with BBC One for all the action in Atlantis. In the meantime, watch
:01:05. > :01:07.and learn. Keep dancing!