:00:10. > :00:18.Last week, the temperature reached boiling point in the ballroom
:00:19. > :00:27.cauldron. Fabulous! While some dances were cooked to perfection...
:00:28. > :00:31.Others frankly were inedible. A dreadful salsa. In the end, chef
:00:32. > :00:36.Ainsley reached his sell by date. This week, it's Halloween and so
:00:37. > :00:40.far, no female celebrity has left the competition, and the three guys
:00:41. > :00:45.left are not giving in without a fight. Every week so far, one of the
:00:46. > :00:53.guys has gone. We need to put a stop to this. The girls will not be able
:00:54. > :00:59.to dance if they are terrified. This week is Halloween. We have to give
:01:00. > :01:05.it our all. What was that? Act, is it me or is it getting cold in here?
:01:06. > :01:11.Well, I survived the dance-off... Our! They are watching me, aren't
:01:12. > :01:24.they? What is going on? Leave me alone! Aaagh! That is a bit creepy,
:01:25. > :02:09.actually. Live from the BBC,
:02:10. > :04:56.this is the Strictly Come Dancing Hello and welcome to
:04:57. > :05:21.Strictly Come Dancing. Huge thanks to our celebrities
:05:22. > :05:28.and professional dancers Last week, Jamelia and Tristan faced
:05:29. > :05:36.Ainsley and Natalie in the dreaded Dance Off, and sadly, it was our
:05:37. > :05:40.celebrity chef who got the chop. Tonight, the rest
:05:41. > :05:43.of our cast are hoping to work their They're like one big, happy,
:05:44. > :06:23.dysfunctional family. They're so excited
:06:24. > :06:26.about our Halloween Special, EastEnders actress, Kellie Bright
:06:27. > :06:38.and her partner Kevin Clifton. TV presenter, Anita Rani
:06:39. > :06:44.and her partner Gleb Savchenko. From BBC Proms
:06:45. > :06:47.and Radio 3 presenter, Katie Derham Star of Call The Midwife,
:06:48. > :06:52.Helen George and her partner Actress Georgia May Foote
:06:53. > :07:03.and her partner Giovanni Pernice. BBC broadcaster and
:07:04. > :07:04.journalist Jeremy Vine Singer and Loose Women Star, Jamelia
:07:05. > :07:10.and her partner Tristan MacManus. Singer and TV personality
:07:11. > :07:13.Peter Andre and his partner BBC weather reporter, Carol Kirkwood
:07:14. > :07:22.and her partner Pasha Kovalev. From The Wanted,
:07:23. > :07:23.popstar Jay McGuiness And sports anchor Kirsty Gallacher
:07:24. > :07:46.and her partner Brendan Cole. Just look at our gruesome gang
:07:47. > :07:50.of guys and ghouls. But after losing four guys in a row,
:07:51. > :07:53.will the ghouls rule tonight? The two couples with the lowest
:07:54. > :07:56.combined scores from the judges and viewer votes will find themselves
:07:57. > :08:00.in the Dance Off tomorrow night. It will then be
:08:01. > :08:03.down to the judges to decide who is First tonight is Katie Derham
:08:04. > :08:09.and her partner Anton Du Beke. They're dancing a paso doble to
:08:10. > :08:18.the song Phantom Of The Opera, Not only is it her favourite song
:08:19. > :08:23.from her all-time favourite show, but it means for the whole routine,
:08:24. > :08:39.Anton has to wear a mask. I enjoyed Saturday night. It had
:08:40. > :08:44.basically gone according to plan, I thought. There was absolutely no
:08:45. > :08:53.figure rate. A dreadful salsa, sorry. We are just delighted to
:08:54. > :08:58.still be dancing this week. As it is Halloween, Anton has invited Katie
:08:59. > :09:03.to train at his mansion. I am going to put the kettle on. And he has a
:09:04. > :09:13.trick up his sleeve to scare her into dancing her best. I am one of
:09:14. > :09:24.the ghost of Anton's Strictly asked. Ann? Lovely to meet you, Katie.
:09:25. > :09:29.Happy Halloween, Katie. Judy? One month or two? One month, please.
:09:30. > :09:34.Survive Halloween. It may not be easy, because that was when Nancy
:09:35. > :09:46.left the competition. And most important of all, Anton loves
:09:47. > :09:56.Victoria sponge. Don't let us down. Well, the tea is made, but I've got
:09:57. > :09:59.a lovely... Victoria sponge! Thank you, ladies. A pleasure, Anton.
:10:00. > :10:03.Dancing the petrifying Paso Doble, Katie Derham and Anton
:10:04. > :11:57.That wasn't short on drama, that's for sure.
:11:58. > :12:01.How did that feel? Nice to see you smile again.
:12:02. > :12:03.Before we hear from our judges, let's welcome
:12:04. > :12:06.our devilishly good live singers, Hayley, Andrea, Lance and Tommy.
:12:07. > :12:17.And of course, the demonic Dave Arch and his orchestra.
:12:18. > :12:23.Let's took to lend first. Lennon, you haven't been the biggest fan of
:12:24. > :12:30.Katie's Latin in the past. Has her past I changed your mind? Well, the
:12:31. > :12:35.problem is, you're like an English rose. And paso doble is like a
:12:36. > :12:40.cactus. It's sharp and aggressive and spiky. It doesn't really suit
:12:41. > :12:49.your personality. It was a bit scary. I got the willies at one time
:12:50. > :12:56.when I thought you would use the wrong foot, but you kept on going.
:12:57. > :13:02.It wasn't great, Kate. I wish it was. What do you want me to do? He
:13:03. > :13:06.is right. The Phantom Of The Opera is big. You have to be a primadonna
:13:07. > :13:15.out there. You have to dominate the whole proceedings. It was a bit like
:13:16. > :13:21.a doormat. Your feet were very insecure at times, and you cannot be
:13:22. > :13:24.insecure with the paso doble. Everything has to be punched out to
:13:25. > :13:33.the full. Then again, you have another chance. Build on that.
:13:34. > :13:39.Craig's eye thought it was very stiff, and also very awkward. There
:13:40. > :13:44.were balance issues throughout. You need to power through the floor a
:13:45. > :13:51.lot more. Your foot came off the floor twice in that bin, so I regard
:13:52. > :13:55.that as they lift -- in that spin. I was let you get away with the two
:13:56. > :14:01.assisted jumps at the end, but it wasn't great. Darcey? Well, you look
:14:02. > :14:10.the part. You look absolutely stunning. I think to have strength
:14:11. > :14:14.in your performance, use those eyes. You have beautiful eyes. Really
:14:15. > :14:20.focused, have intent in them. Every time you change direction, find your
:14:21. > :14:36.corner and focus on your partner as well. Make him even more scary. Than
:14:37. > :14:40.he already is! There is a good improvement already with your Latin,
:14:41. > :14:47.so you are working in the right direction. Thank you very much for
:14:48. > :14:55.kicking off our show. We all loved it. Off you go.
:14:56. > :15:14.You must have been, where you quite shocked at those comments? Everyone
:15:15. > :15:20.gave you a standing ovation, you opened the show, you have got a mask
:15:21. > :15:25.on. The audience down there stood and cheered. It was lovely. Thank
:15:26. > :15:32.you. CHEERING AND APPLAUSE
:15:33. > :15:39.Firstly, they have got their opinions but I think the masses will
:15:40. > :15:44.agree, they know what they are talking about. Are you OK because I
:15:45. > :15:48.was looking at Len's face as he said it was not great? I had hoped that
:15:49. > :15:56.they would like it. I thought it could have gone better. You were
:15:57. > :15:59.great. I loved it! The scores are in. Ladies and gentlemen, the judges
:16:00. > :16:04.have their scores. Craig Revel Horwood. Darcey Bussell. Len
:16:05. > :16:20.Goodman. And Bruno Tonioli. Can I just say, that was rubbish,
:16:21. > :16:24.but what is really exciting, all being well is that we have got the
:16:25. > :16:30.quickstep next week. I can't wait for that. They are going to love it.
:16:31. > :16:34.They told us so. We will love it, I reckon we will get 42 points!
:16:35. > :16:37.To vote for Katie and Anton, call 6 22 52 05 from your mobile,
:16:38. > :16:42.09015 22 52 05 from your landline or vote online when it opens later.
:16:43. > :16:45.It's time for the all important terms and conditions.
:16:46. > :16:53.I know it's hard to tell but he's genuinely excited.
:16:54. > :16:55.Calls cost 15p plus your network's access charge.
:16:56. > :16:59.Please ask the bill payers permission.
:17:00. > :17:02.To vote online visit bbc.co.uk/strictly
:17:03. > :17:05.where you can register for your BBD iD and you'll also find terms
:17:06. > :17:08.Voting won't open until all our couples have danced.
:17:09. > :17:11.Not only that, your vote won't count and you may still be charged.
:17:12. > :17:19.Our next couple is Kirsty Gallacher and her partner Brendan Cole.
:17:20. > :17:21.In their Halloween dance, Kirsty becomes a vampire
:17:22. > :17:27.All series, he's been so supportive, but tonight he's turned
:17:28. > :17:44.Last Saturday was just incredible. I was so pleased with the judges'
:17:45. > :17:53.comments. You pulled it off, big-time! Kirsty Gallacher really
:17:54. > :17:56.beautifully and I was proud of her. -- danced really beautifully. It
:17:57. > :18:02.gave me the feeling that I could do it. I'm not ready to go. This week,
:18:03. > :18:10.Kirsty is dancing a charleston with a vampire theme. Can we train at
:18:11. > :18:16.night? I would prefer it. What is the cake? The paso doble was last
:18:17. > :18:20.week. I'm a pitch chilly. Kirsty is behaving strangely. You've got a
:18:21. > :18:24.great neck. I've never noticed before. Good. It's getting there but
:18:25. > :18:31.we need to do more than nights. Let's get here first thing in the
:18:32. > :18:41.morning. Morning? Kirsty, where are you? Brendan, I'm trying to sleep!
:18:42. > :18:48.Leave me alone! We need to train, let's go. It's too bright, Brendan!
:18:49. > :18:53.It's too bright! Kirsty? Won there's no way I can do the job done like
:18:54. > :18:56.this. Luckily we start after dark on Saturday and if she can keep her
:18:57. > :18:58.feet in the ground and not get into much of a flap, we will do a very
:18:59. > :19:01.good charleston. Dancing a chilling Charleston,
:19:02. > :20:53.Kirsty Gallacher and Brendan CHEERING AND APPLAUSE
:20:54. > :20:59.You really got stuck into that Charleston! Are you OK? OK, Bruno,
:21:00. > :21:08.what did you think? You made mincemeat out of that! What a mess.
:21:09. > :21:12.I'm sorry! You went wrong, you really went wrong, you are trying to
:21:13. > :21:16.cover it up and it did not happen. You just saved it by the skin of
:21:17. > :21:20.your teeth. It is one of those things that happens, apart from the
:21:21. > :21:25.timing, that when you are doing it at the beginning, could have been
:21:26. > :21:29.sharper, in the feet a little bit more and your toes. You can't dance
:21:30. > :21:33.the charleston on flippers. You have to move your toes. There was a major
:21:34. > :21:41.accident that spoiled the whole thing. What can I say? These things
:21:42. > :21:47.happen. Hopefully if you are back... I was trying to get a grasp of it
:21:48. > :21:51.and slipped. You recovered well. She did not go to pieces, she recovered
:21:52. > :21:54.and we got back into it which shows she is improving and getting better
:21:55. > :22:00.because most people would fall apart and walked offstage but not this
:22:01. > :22:04.girl. It takes a pro to carry on. Craig? Those things happen to
:22:05. > :22:09.professionals. That is a point come EU have to be able to recover and
:22:10. > :22:13.get on with it. -- that is the point, you have to be able to
:22:14. > :22:16.recover. I was getting very excited at the beginning but as soon as you
:22:17. > :22:21.came onto the floor, you lost all sense of the swing. The kicks were
:22:22. > :22:24.horribly out of time at the beginning, and you caught up in the
:22:25. > :22:30.end but I don't know what you were trying to do? Was it a wrong grip?
:22:31. > :22:38.It was the one hand and then we could not get it up. Just bad luck,
:22:39. > :22:41.really. These things happen. Darcey? You have no fear, and it is
:22:42. > :22:46.incredible how you throw yourself into the lifts anyway. It is true
:22:47. > :22:50.that professionals make mistakes. I know that maybe you could have had
:22:51. > :22:55.more dance content and things but he went for it and are very oppressive
:22:56. > :22:59.cartwheel at the end! -- you went for it. After you were exhausted at
:23:00. > :23:02.the end. Don't be too hard on yourself because I know you are
:23:03. > :23:07.trying really hard and you can see it. It's not going wrong and making
:23:08. > :23:14.mistakes, it is how you cope with them and I thought you coped very
:23:15. > :23:19.well. APPLAUSE You are like snakes and ladders.
:23:20. > :23:23.Last week, flying up the ladder, this week, you have gone a bit down
:23:24. > :23:28.the snake. You have not seen the rest yet. They are all going down!
:23:29. > :23:34.Then we have great hope. But well done. APPLAUSE
:23:35. > :23:37.Thank you, judges, fair comment, pat yourself on the back and fly up
:23:38. > :23:51.there. Well done, guys, Kirsty and Brendan! CHEERING AND APPLAUSE
:23:52. > :23:58.It is an exasperating because we did a great run earlier! If you get one
:23:59. > :24:05.thing wrong... But Len said you came back brilliantly. I was very
:24:06. > :24:09.appreciative. We all make mistakes and you coped really well. It's a
:24:10. > :24:12.difficult dance, I love the charleston, it's really fun. A week
:24:13. > :24:16.is not that long to do it and I love it to watch but doing lifts, doing
:24:17. > :24:20.the charleston and coming out... Darcey said your lifts were very
:24:21. > :24:26.impressive. Can we mention how brilliant Lisa and Vicky are, the
:24:27. > :24:29.head of the costume department? APPLAUSE
:24:30. > :24:33.I'm looking at you and I can't believe. What these guys do, I wish
:24:34. > :24:37.you knew at them, from morning to night, they have worked without
:24:38. > :24:42.hardly a break and look at the result, phenomenal across-the-board.
:24:43. > :24:44.Best show on telly! I just had to mention the work they do. The scores
:24:45. > :25:04.are in. Oh my gosh, that is really bad! That
:25:05. > :25:12.is your lowest score. That is a dive bomb from last week. All right then!
:25:13. > :25:18.If you love Kirsty and Brendan, vote for them.
:25:19. > :25:21.Still to come, Anita is a fairy and Gleb is a King.
:25:22. > :25:31.Our next couple is Jeremy Vine and his partner Karen Clifton.
:25:32. > :25:40.Last week, Bruno said Jeremy's routine was lifeless
:25:41. > :25:42.and he accused him of dancing like a zombie.
:25:43. > :25:45.Jeremy said he would never, ever dance like a zombie again.
:25:46. > :25:51.Bruno, it's Halloween and guess what he's dancing as?
:25:52. > :26:05.I enjoy the warts but I'm sorry that not all the judges did. You have a
:26:06. > :26:09.grin like a zombie. I can't apologise was mine. May be because
:26:10. > :26:13.next week is Halloween, you're trying to get into character. I'm
:26:14. > :26:17.hoping there will be some kind of lightning strike and we will break
:26:18. > :26:21.through. With Bruno's zombie criticism is winning his ears,
:26:22. > :26:26.Jeremy Stravius hard. He's in such high spirits, such energy, I'm
:26:27. > :26:32.loving it. Day two, and still not a zombie insight. Rod hey, Karen.
:26:33. > :26:42.Jeremy Lopez looking a bit tired. Or is there? There's definitely
:26:43. > :26:46.something odd going on. I'm sorry, it happened again. Day three of
:26:47. > :26:53.rehearsals, and he is dancing all jolting and weird and it's really
:26:54. > :26:54.scaring me. It is the last day of training and there's definitely
:26:55. > :27:02.something wrong with Jeremy. He's not been himself. I got you some
:27:03. > :27:11.tea. I think it will make you feel better. Your back! I feel great. I
:27:12. > :27:17.was tired from the training. What can I say? Shall we get on with it?
:27:18. > :27:23.Dancing the scary Salsa, Jeremy Vine and Karen "Cackling" Clifton.
:27:24. > :29:24.CHEERING AND APPLAUSE Thank you! Listen to the crowd! I
:29:25. > :29:27.can honestly say, nobody gets into the spirit of things quite like you,
:29:28. > :29:34.Jeremy Aicardi LAUGHTER And we all love you for it, we
:29:35. > :29:40.really do. -- Jeremy! . The last four weeks, someone has scored you a
:29:41. > :29:44.paltry three. Please tell me, please tell me you were more impressed this
:29:45. > :29:52.week, Craig. Well, the problem is really began when you began to
:29:53. > :29:55.dance, actually. No rotation in the hips, position to position, you are
:29:56. > :30:00.meant to move with ease and that did not happen at all. There was no
:30:01. > :30:04.continuous flow. It was jagged and stilted but I have to say, I do have
:30:05. > :30:12.to say this, dressed as a zombie, that actually worked very, very
:30:13. > :30:13.well. APPLAUSE I particularly like all the Thriller
:30:14. > :30:26.stuff. Your characterisation was
:30:27. > :30:30.spectacular. It really suit you, and you were actually quite nimble. I
:30:31. > :30:34.could see you were on the balls of your feet, and your timing has
:30:35. > :30:38.improved. So you were in sync. Admittedly, the hips weren't really
:30:39. > :30:43.working, but luckily, I was distracted by the whole... Body! But
:30:44. > :30:47.if you just keep working on softening of those knees, it will
:30:48. > :30:51.help your technique. You have those long legs, you just have to get into
:30:52. > :30:58.the ground a bit more. Good improvement, well done. Len, Jeremy
:30:59. > :31:02.has been at the bottom of the leaderboard. Might he climb up after
:31:03. > :31:09.that performance? I think he could, you know. Don't get carried away.
:31:10. > :31:14.Halloween is all about the supernatural. Well, it wasn't super
:31:15. > :31:18.and it weren't very natural. However, there is an awkward charm
:31:19. > :31:25.about the way you dance, and I just liked watching it. Bruno, did you
:31:26. > :31:34.like this zombie? It really tickled me. It was fun from the master of
:31:35. > :31:39.dance horror. You have got the serial killer thriller's moves! I
:31:40. > :31:50.know the salsa is dead and buried. But actually, I really enjoyed it.
:31:51. > :31:53.We all enjoyed it, that's for sure. Now moonwalk up to Claudia. It is
:31:54. > :32:15.Jeremy and Karen! Jeremy Vine, I heard Radio 2 just
:32:16. > :32:19.imploded. I wish I had seen Ken Bruce's face. You enjoyed it, didn't
:32:20. > :32:24.you? Well, it was such an iconic video. I was 17 in 1982 and Karen
:32:25. > :32:31.was born that yet, so it is a special year for us both. I love the
:32:32. > :32:34.song. We will take on board what the judges say. We are constantly trying
:32:35. > :32:41.to improve. How much would you to get more than three? Oh so much! The
:32:42. > :33:19.scores are in. Can I just say how much I love you
:33:20. > :33:20.two. Getting a 4 from Craig. That was a bigger reaction than some
:33:21. > :33:22.people getting 40! If you thought they were dead good
:33:23. > :33:28.and indeed, You are currently top of the
:33:29. > :33:47.leaderboard. Still to come, Georgia has
:33:48. > :33:54.a genuine Ghostbusters machine. All right, then, it's a Henry
:33:55. > :33:56.the Hoover covered with glitter. Our next couple is Anita Rani
:33:57. > :34:00.and her partner Gleb Savchenko. Anita seems to be one
:34:01. > :34:07.of those people who just gets better and better every week, no matter
:34:08. > :34:11.what dance we throw at her. Tonight, she's performing a Waltz
:34:12. > :34:13.as the powerful winged fairy But can she take her performance
:34:14. > :34:30.level to new heights? Saturday, I performed the tango, and
:34:31. > :34:37.we got our best results yet. You're like a panther stalking all the
:34:38. > :34:44.time, full of menace. Wow, if you say so! 32! Thank you very much. I'm
:34:45. > :34:49.amazed. So this week, we are doing the waltz. OK, that is romantic and
:34:50. > :34:54.dreamy. How do we make it Halloween? You have to learn how to fly? The
:34:55. > :34:58.beginning require something dramatic. I am going to fly in as
:34:59. > :35:03.Maleficent before I lose my wings and performed the waltz. But we have
:35:04. > :35:08.not been able to practice the flying yet. So I need to get that harness
:35:09. > :35:12.on and give it a go. Well, wait no longer, because it is time to hang
:35:13. > :35:17.around at the studio. You are in professional hands. Apparently, I am
:35:18. > :35:23.going up seven or eight metres. That is very high. FYI, I'm not relaxed.
:35:24. > :35:30.I'm also terrified. Wings, engage. Fly! I don't know how it looks from
:35:31. > :35:35.below, but up there, it's pretty scary. I'm currently eight metres
:35:36. > :35:39.high, attached to two bits of wire. You look amazing. The dance is
:35:40. > :35:43.hauntingly beautiful. When in your life do you get to fly and waltz?
:35:44. > :35:56.Dancing the wicked Waltz, Anita Rani and Gleb "Spooky" Savchenko.
:35:57. > :37:53.The audience are on their feet! That was magnificent, Maleficent.
:37:54. > :37:57.Incredible. Flying and waltzing. And growing horns. Darcey, Anita has
:37:58. > :38:01.performed consistently well, did she again tonight? That was one of the
:38:02. > :38:08.most dramatic waltz as I have ever seen. You never fail to give your
:38:09. > :38:13.all on and I love that from you. It is so passionate, and that is so
:38:14. > :38:17.important that when you come onto that dance floor, you just go for
:38:18. > :38:20.it, and you really did. The only thing you have to watch, when you
:38:21. > :38:27.are playing such a powerful character, don't get spiky, because
:38:28. > :38:33.it still has to look effortless and graceful. But it was an enjoyable
:38:34. > :38:37.performance. There were a couple of little parts where you just caught
:38:38. > :38:49.the floor and became a bit jerky, but a very nice show. Len? I don't
:38:50. > :38:58.want to be glib, Gleb, but I didn't know what was going on most of the
:38:59. > :39:02.time. I didn't understand the story. There is probably a film, and I
:39:03. > :39:12.haven't seen it. If you prick me, I bleed. The waltz was fabulous. Thank
:39:13. > :39:16.God you kept your head to the left. With those horns, you would have had
:39:17. > :39:26.his eye out! It was beautiful, well done. Bruno. Magnificent
:39:27. > :39:30.Maleficent. Bewitching your prints. Your characterisation was brilliant.
:39:31. > :39:33.I don't know what it was, but some of the time, especially when you
:39:34. > :39:41.were doing the underarm turns, you kind of stopped the flow. What the
:39:42. > :39:45.horns? If you do the sweeping movement, it can never stop or be
:39:46. > :39:52.jagged. But you really immersed yourself in the character, and I
:39:53. > :39:56.could read the story. Well done. Craig, are you going to clip her
:39:57. > :40:02.wings? It lacked grace and flow, sadly. I liked the storytelling, I
:40:03. > :40:07.can't agree with Len. The storytelling was the better part. It
:40:08. > :40:11.needed to be a lot more lyrical for me to really work. It's a shame,
:40:12. > :40:18.because I know you are capable of it. I loved the contemporary end as
:40:19. > :40:35.well. Thank you, judges. Fly up to Claudia. Anita and Gleb! Anita, I'm
:40:36. > :40:44.surprised. We thought it was beautiful. Amazing choreography.
:40:45. > :40:47.It's fine, I'm learning. And these way about 50 kilos. You look
:40:48. > :41:12.fantastic. The scores are in. When you two get your scores, if you
:41:13. > :41:21.50 get six, you don't go, what you just go, OK, thank you very much.
:41:22. > :41:24.If you enjoyed watching our fairy dance, call.
:41:25. > :41:31.And on top of that, we've dressed him up as a wolf.
:41:32. > :41:37.Dancing next is Jamelia and her partner Tristan MacManus.
:41:38. > :41:43.They're doing a jive set in a haunted house.
:41:44. > :41:46.It's a house where terrifying, evil creatures dwell.
:41:47. > :41:58.So thank you very much for letting us borrow it, Craig.
:41:59. > :42:08.I expected to hear my name for the dance off. I do find it upsetting
:42:09. > :42:15.because people didn't vote for me. That is how I feel. To me, it's all
:42:16. > :42:25.about progression. You pay attention to what the judges said and apply it
:42:26. > :42:32.to the next dance. This week, our dive is fun -- jive is fun, so I
:42:33. > :42:36.have a surprise for you. You always have surprises! The best thing about
:42:37. > :42:47.Halloween is scary movies, and me and you are going to make one. I
:42:48. > :42:50.love being silly. It was so much fun being in control of Tristan for
:42:51. > :42:57.once. There was a massive spider, and the only way to get rid of it is
:42:58. > :43:04.to scream like a girl. Aaagh! I made him scream like a girl! That was
:43:05. > :43:09.good. It's right behind you! Back, evil aliens! Our movie making really
:43:10. > :43:13.got me into the Halloween spirit, so I am hoping to bring the character
:43:14. > :43:16.and fun to the dance floor on the night.
:43:17. > :43:23.Dancing the jinxed Jive, Jamelia and Tristan "Morbid" MacManus.
:43:24. > :45:11.CHEERING AND APPLAUSE You can raise the roof on this
:45:12. > :45:17.wanted house! What a bone jangling jive, so entertaining! Did it get
:45:18. > :45:21.you rocking, Len? Of course it did. It was a bit rocky but it was not a
:45:22. > :45:27.horror. The difference between near the good is practice and this was a
:45:28. > :45:31.little bit, for me, underrehearsed. Your legs could have been a bit
:45:32. > :45:36.straighter, the kicks could have been a bit sharper. But you came out
:45:37. > :45:43.full of energy and full on. Well done. APPLAUSE
:45:44. > :45:47.Bruno? Yes, give yourself over to absolute pleasure! I know you want
:45:48. > :45:52.to let yourself go, let your hair down. You had a sense of fun and
:45:53. > :45:58.your timing was not too bad. Your flicks, you have to point your
:45:59. > :46:02.feet! Otherwise all the steps look the same, a bit shuffling. You have
:46:03. > :46:09.to sort out your footwork but great fun and great energy. Thank you.
:46:10. > :46:18.Cregg? It was a bit flat-footed and your feet are not looking the most
:46:19. > :46:20.attractive. A bit more side to side just to be a comparison but
:46:21. > :46:27.fantastic energy and great storytelling. APPLAUSE
:46:28. > :46:34.Darcey, was that jive enough to save her from the dance-off this week? I
:46:35. > :46:38.believe so. The energy and the speed you need, that was a fast but the
:46:39. > :46:41.thing is, you tire and its notices, and the boys said, it is being able
:46:42. > :46:45.to finish the move and getting on the balls of your feet and it will
:46:46. > :46:53.only help your technique but I have to say, incredibly enjoyable. We
:46:54. > :47:05.loved it, lots of tricks and go up there and give Claudia a fright.
:47:06. > :47:14.Jamelia and Dresden! -- Tristan. CHEERING AND APPLAUSE
:47:15. > :47:17.You did great! You did great. I know you find it difficult, being in the
:47:18. > :47:24.Dance Off but how much does it make you feel better? It's fantastic, I
:47:25. > :47:30.set it the other day, he's like a cheerleader by my side all the time.
:47:31. > :47:34.I really enjoyed it the night. It was fantastic, and the judges said
:47:35. > :47:36.it had great energy. We wondered what they would say! The scores are
:47:37. > :47:57.in. APPLAUSE
:47:58. > :47:59.Happy with that? Delighted. It is stamina, we are taking it one thing
:48:00. > :48:02.at a time and getting better, like everyone. Very happy. There's the
:48:03. > :48:03.smile! If you don't want
:48:04. > :48:06.the credits to come up on their Rocky Horror Picture Show,
:48:07. > :48:09.call 6 22 52 11 from your mobile, There are six couples left to dance
:48:10. > :48:27.and all of this still to come. Now we are doing the American
:48:28. > :48:34.Smooth, we've got opportunities to fly. When I was doing the paso
:48:35. > :48:40.doble, I wanted to do a slow one! The tango is so sharp and twisty and
:48:41. > :48:44.I'm a bit stiff and full of bruises at the moment. Even though it is the
:48:45. > :48:49.foxtrot, I want to look like I'm gliding, not trotting. There's a bit
:48:50. > :48:54.of the dance-wear Pasha swings me between his feet. It made me blush!
:48:55. > :48:57.In my head, I'm moving my hips but they are not moving. I'm hoping I
:48:58. > :49:02.don't freak out in the performance, although it is Halloween!
:49:03. > :49:04.I'm really looking forward to Kellie and Kevin's routine, dancing to
:49:05. > :49:23.Next up is Jay McGuiness and his dance partner Aliona Vilani.
:49:24. > :49:30.They're doing an American Smooth dressed as Little Red Riding Hood
:49:31. > :49:36.And after Jay's return to form last week, at the end of this routine we
:49:37. > :49:44.might just be saying "My, what big scores you've got".
:49:45. > :49:50.The paso doble was very strong and I felt like I looked strong during it
:49:51. > :49:54.but you don't really know how it looks until you get told afterwards.
:49:55. > :49:58.You are the opposite of Samson, you have had your hair cut and gone from
:49:59. > :50:02.strength. Trying to get into character does not come naturally to
:50:03. > :50:07.me so I'm going to work on it a lot this week to be present in the
:50:08. > :50:12.arena, if I can. This week, Jay and Aliona are dancing and American
:50:13. > :50:15.Smooth with a little red riding hood seem so Jay is getting story time.
:50:16. > :50:24.Once upon a time, there was a brave and handsome knight called Jay. He
:50:25. > :50:27.sounds pretty cool. Everyday, Jay would look up at the castle where
:50:28. > :50:32.Princess Aliona lived and gazed upon her entrancing beauty. One day come
:50:33. > :50:38.he spotted Princess Aliona being chased by a big bad Wolf. In a
:50:39. > :50:44.flash, he drew out his sword and scared the wolf away. Begone!
:50:45. > :50:49.Princess Aliona was so grateful to him, she promised he could have her
:50:50. > :50:54.hand at the Strictly ball but only if he danced dutifully. For five
:50:55. > :51:01.magical nights, she perfected his footwork, mastered his footwork and
:51:02. > :51:06.even taught him how to lift for the first time. What happens next? We
:51:07. > :51:08.will have to wait until Saturday night to find out!
:51:09. > :51:11.APPLAUSE Dancing the ahahahahrrrrrrrhhhaaa
:51:12. > :53:07.American Smooth, Jay McGuinness CHEERING AND APPLAUSE
:53:08. > :53:14.A fairy tale American Smooth! Look around! I think they enjoyed it in
:53:15. > :53:22.the audience. Brilliant make up, fantastic! Thanks to the costume and
:53:23. > :53:26.make-up department. It's phenomenal! And your first lifts, impressive.
:53:27. > :53:30.Bruno, did the warts have you panting for more? The thing about
:53:31. > :53:37.this wolf is that he is so well trained, he could make best in show
:53:38. > :53:41.at Crufts. But I love your lines, the elegance of the lines are just
:53:42. > :53:47.beautiful. CHEERING AND APPLAUSE So well placed. The movement is
:53:48. > :53:53.great. It is wonderful, really wonderful. Effortless as well. From
:53:54. > :53:58.the big bad wolf to the big bad judge, Craig. I really love the
:53:59. > :54:03.lines also. Your feet are absolutely beautiful. You point your feet so
:54:04. > :54:06.beautifully, great timing, great control. I would like to have seen a
:54:07. > :54:13.bit more characterisation but he made up for it at the very end.
:54:14. > :54:17.Great face! A bit more of that would have been good but I loved it.
:54:18. > :54:22.APPLAUSE Darcey? It was smooth and stylish
:54:23. > :54:27.and I loved the turning lifts you did. Every time you dismounted, you
:54:28. > :54:33.are controlled. They were very impressive. Again, for me, it is
:54:34. > :54:37.about character. You are a good dancer but you can't rely on the
:54:38. > :54:40.costume. You have to go for it more and sell it more, for me and then it
:54:41. > :54:45.would be a more rounded performance but you are exceptional and I like
:54:46. > :54:53.you very much. APPLAUSE Do you like it very much? I do! Hold
:54:54. > :54:57.my gaze. You got your heels and toes a bit in a pickle but I appreciate
:54:58. > :55:03.the fact that you really tried to work on it. Well done for that.
:55:04. > :55:06.There was no stressing or messing. It was a lovely routine. And very
:55:07. > :55:13.well done. APPLAUSE So well done. I how links excess
:55:14. > :55:16.from this lot! We thought it was incredible. Head on up to Claudia,
:55:17. > :55:18.and other good job from Jay and Aliona, how about that? CHEERING AND
:55:19. > :55:35.APPLAUSE Jay, what a dance, amazing. Look at
:55:36. > :55:38.you! Extraordinary. What did you think when they said they wanted
:55:39. > :55:45.more? How could there be any more wolfish nets? Push it out a bit.
:55:46. > :55:51.There was also face painting and my costume but I have to keep pushing.
:55:52. > :55:56.And your first lifts as well. Look at that. I'm bruised! There's always
:55:57. > :56:11.a downside. The judges' scores are in.
:56:12. > :56:17.CHEERING AND APPLAUSE That is more than last week. One
:56:18. > :56:20.more than last week. Very well done. If you're thinking, "My, what big
:56:21. > :56:24.fingers I've got", well, they're Vote for them on 6 22 52 14
:56:25. > :56:31.from your mobile, 09015 22 52 14 from your landline or
:56:32. > :56:34.you can vote for free online Still to come,
:56:35. > :56:39.Carol and Frankenstein get married. Our next couple is Kellie Bright and
:56:40. > :56:48.her dance partner, Kevin Clifton. Last week's fast-paced Jive saw them
:56:49. > :56:55.race to joint first Tonight, they're doing a Paso Doble
:56:56. > :56:59.as Harry Potter and Hermione. But can they enchant the judges,
:57:00. > :57:16.and have another spell at the top It's always the same on a Saturday
:57:17. > :57:23.night. I just feel like, "please just let this one be right". Oh, my
:57:24. > :57:29.goodness! Something is blowing my tiny mind. Owing to a hectic filming
:57:30. > :57:32.schedule this week, Kellie has asked Kevin to pop down so they can
:57:33. > :57:39.rehearse their Harry Potter themed paso doble in costume. What have you
:57:40. > :57:42.come as? She'd said I should be in costume onset. I was going to be in
:57:43. > :57:50.costume but you are not opposed to me. Well I'm here now. Agree it is a
:57:51. > :57:54.strong potter. Today we are filming Mick and Linda's wedding for
:57:55. > :57:58.Eastenders. I heard you do a really good impression of me. So there I
:57:59. > :58:06.was, doing an inversion of Danny Dyer to Danny Dyer. Very manly!
:58:07. > :58:13.Dressed as a wizard. I did not quite know who to give my attention to. At
:58:14. > :58:18.least we got some practice in onset in front of everyone in Eastenders.
:58:19. > :58:19.Good luck, do what you do, you are brilliant. I'm going to crack on
:58:20. > :58:30.with the piano. Dancing the poisonous Paso Doble,
:58:31. > :58:32.Kellie Bright and Kevin CHEERING AND APPLAUSE.
:58:33. > :00:41.. The audience are going wild! You
:00:42. > :00:50.through yourself into that. And they are standing upstairs. I loved the
:00:51. > :00:54.table choreography as well. Craig, did they cast a spell on you? I was
:00:55. > :00:59.a bit concerned about the whole concept of it, but as a matter of
:01:00. > :01:06.fact, it did work. I wasn't expecting it to. It was a little
:01:07. > :01:12.like a drunken romp through Seville, though, darling, dancing on the
:01:13. > :01:16.table and stuff. I would like to see more of a Spanish line. That was all
:01:17. > :01:26.that was missing, but you are wonderful dancer. Darcey, did they
:01:27. > :01:30.make child's play of that paso? You are fuelled with energy. Kellie,
:01:31. > :01:37.every time you make an appearance, we know about it. It's fabulous. For
:01:38. > :01:43.me, it was those flamenco arms. I needed more Spanish-style. And in
:01:44. > :01:50.hold, you just have to relax that top line. You get a little tense. I
:01:51. > :02:01.think you get carried away. On your own, oh, my gosh, fabulous. Sorry,
:02:02. > :02:09.Kevin! She's great on her own(!). You took off like a Nimbus 2000! A
:02:10. > :02:13.little bit on the table, maybe it restricted what you could do,
:02:14. > :02:15.actually. All the stuff around the floor, I love. School's out, but you
:02:16. > :02:35.won't be. Bruno? Expertly -- you were probably banshees! He
:02:36. > :02:40.has the energy. Again, that was fantastic. Because of the amount of
:02:41. > :02:45.energy that you unleashed, we have lost the finesse of the dance. It is
:02:46. > :02:49.a balance of the two, but don't be discouraged, because you are a
:02:50. > :02:59.fantastic dancer and it was a fantastic performance. We all loved
:03:00. > :03:13.it. You throw everything at every dance you do. Off you go. Kellie and
:03:14. > :03:21.Kevin! Expelliarmus! You're not Harry Potter any more! Harry
:03:22. > :03:28.Potter! I just want to explain to the group, you have been working up
:03:29. > :03:34.at 4am? 4:30am. Oh, so a lion. Because you have been doing
:03:35. > :03:38.EastEnders. And just got married. Tess and I just bring you something
:03:39. > :03:42.special, but you have been training is well liked at night. How have you
:03:43. > :03:48.done it? I don't know, really. It has been a tough week. I don't mind
:03:49. > :03:52.the hours. The one thing I will say, though - the hardest bit is that I
:03:53. > :03:57.miss my family. And I miss my little boy. I know he has been largest day
:03:58. > :04:04.out and watch this. So, Freddie, I will see you tomorrow for a big hug.
:04:05. > :04:24.Can't wait, love you! The scores are in.
:04:25. > :04:26.Much lower than last week. That is OK.
:04:27. > :04:36.If you loved Kellie and Kevin, then call:
:04:37. > :04:40.Still to come, Peter does a Foxtrot as a ghost and is worried
:04:41. > :04:53.Our next couple is Carol Kirkwood and her partner, Pasha Kovalev.
:04:54. > :04:57.For their Rumba, Carol is the Bride of Frankenstein and Pasha is
:04:58. > :05:00.the monster she's created out of different body parts.
:05:01. > :05:11.I just hope she hasn't given him two left feet!
:05:12. > :05:23.I think the highlight of my weekend was Bryan Adams! Oh, my goodness. It
:05:24. > :05:27.is no secret that I have a crush. I think Isgrove 21 is good for us.
:05:28. > :05:36.Some would say that is terrible. I was like, yeah, 21! I would love it
:05:37. > :05:41.to be 41. I don't think they do 41. This week, we are doing wrong before
:05:42. > :05:47.Halloween week. Pasha, you are early. And who is this? This is
:05:48. > :05:53.Pashenstein. I made him last night. Gorgeous, is only? Anyway, we have
:05:54. > :05:59.to start training. Open to the side... Hang on, I've got a text.
:06:00. > :06:09.Carroll, are you serious? Something is wrong with her. It is so hard
:06:10. > :06:13.when you really like two people and you can only choose one. I just keep
:06:14. > :06:19.catching Pashenstein's eye, and there is something about him. What
:06:20. > :06:23.is going on? I can't keep this any more from you, Pasha. I want
:06:24. > :06:30.Pashenstein to be my partner. That is ridiculous. You are amazing!
:06:31. > :06:38.Carol Kirkwood and Pasha "Quivering" Kovalev.
:06:39. > :08:33.Well done. Carol and the Pashenstein! Basi, has Pashenstein
:08:34. > :08:36.made a dancer out of his bride? Now, this is more T-shirts talking to
:08:37. > :08:41.you, Carol. This is going to be tough. The rumba should be fluid,
:08:42. > :08:46.caressing, sensual moves and sadly, there weren't many of those on that
:08:47. > :08:58.dance floor. I'm sorry, this just isn't your dance. Len? Carol, I like
:08:59. > :09:04.that you have kept a sunny disposition, however Frosty the
:09:05. > :09:07.judges are. Pasha, and you ever mentioned to Carol that you mustn't
:09:08. > :09:15.step forward on the heel during the time you have been training this
:09:16. > :09:20.week? It's my fault. It is forbidden. You cannot walk on your
:09:21. > :09:28.heels. It is all ball flat. That was the nail in the coffin for me, the
:09:29. > :09:34.footwork. Bruno? Miss Frankenstein, your rumba is grounds for divorce.
:09:35. > :09:37.For irreconcilable differences to dance, darling. But look on the
:09:38. > :09:42.bright side, no more stitching and you get to keep the frock. You can
:09:43. > :09:50.use that again! They said it all. Craig? Well, it wasn't sexy and it
:09:51. > :09:57.certainly wasn't seductive, darling. It was more like watching a barn
:09:58. > :10:02.dance. Ignore him, he's in a bad mood. He got no sweets when he went
:10:03. > :10:05.triple treating. Take your bride upstairs. Don't forget to carry her
:10:06. > :10:23.over the upstairs. Don't forget to carry her
:10:24. > :10:26.Carol! You smiled through all of those comments, and unlike almost
:10:27. > :10:31.every other human being on the planet, you love doing the rumba. It
:10:32. > :10:35.was good fun, actually. I love everything Pasha does. All his
:10:36. > :10:40.routines are amazing. She is so much in character, she lost her voice. We
:10:41. > :10:44.should say it is not because you are emotional, you have a sore throat.
:10:45. > :10:50.And you take the blame for the heel on the floor? We put it together
:10:51. > :10:57.very fast -- she put me together very fast, so... I am not perfect.
:10:58. > :10:58.Len mentioned your sunny disposition. Isn't she the
:10:59. > :11:23.sweetest? The scores are in. Oh, my goodness. It is not 40.
:11:24. > :11:30.However, it might be more interesting than 40. If you turned
:11:31. > :11:31.it the other way round, it would be 31.
:11:32. > :11:35.If you thought Carol dancing with a man made up of other people's body
:11:36. > :11:46.parts was the most romantic thing you've ever seen, then call:
:11:47. > :11:48.Plus, there's lots more on Facebook, Twitter and
:11:49. > :11:59.Next up is is Georgia May Foote and her partner, Giovanni Pernice.
:12:00. > :12:02.They're dancing a Tango while being bombarded by spirits,
:12:03. > :12:06.Luckily, as far as team GG is concerned,
:12:07. > :12:21.It was scary stepping out on the dance floor last week, because we
:12:22. > :12:24.were first to dance. Everybody has tried that dirty dancing lift. I
:12:25. > :12:33.think that was the best it ever went. I am about that! We got a 31
:12:34. > :12:39.again, which is amazing. Each week, hopefully we will stay the same or
:12:40. > :12:44.go up. This week, we are going to dance tango to Ghostbusters. I am
:12:45. > :12:52.not scared of ghosts. I love ghosts, vampires, Dracula. He will not stop
:12:53. > :12:58.talking about Halloween, and now he has just wandered off to go and buy
:12:59. > :13:07.loads of Halloween stuff. You look well good X on, we need to practice.
:13:08. > :13:10.I don't like it when you don't talk. We should do this every week. You
:13:11. > :13:16.can't just take the dress, you have to give it back, you know what I
:13:17. > :13:20.mean? At least you're listening. Giovanni has got so into character
:13:21. > :13:28.that he hasn't said a word all day. I'm so sorry, too much traffic. If
:13:29. > :13:33.you're there, then who's... ? Aaagh! Saturday night, we will be fine on
:13:34. > :13:37.as long as George isn't too scared of Halloween. -- Georgia.
:13:38. > :13:39.Dancing the terrifying Tango, Georgia May Foote and Giovanni
:13:40. > :15:41.CHEERING AND APPLAUSE Oh, yes! Wow, you just put the super
:15:42. > :15:46.into supernatural! What a response on the audience! Thank you! They are
:15:47. > :15:49.standing up! White-matter they are on their beat. It looked like you
:15:50. > :15:58.were busting all the right moves to me. I hope so. Was she, Len? She was
:15:59. > :16:05.indeed. I'm going to W the Queen of Halloween. -- to call you the Queen
:16:06. > :16:10.of Halloween. The story did not get in the way of the dance. It was
:16:11. > :16:19.fabulous. APPLAUSE Fabulous! Bruno? What have we got
:16:20. > :16:23.here, the tango-busters. You got straight into it, plenty of content,
:16:24. > :16:28.all the footwork was great and you maintain the speed. You never
:16:29. > :16:31.slackened. Sometimes, when the music is so fast, it is difficult to
:16:32. > :16:37.maintain them are meant. You did it with such gusto. It was good to see.
:16:38. > :16:43.APPLAUSE Now, you are afraid of a ghost but
:16:44. > :16:53.you might be afraid of Craig. Sharp, staccato, Ice-T, -- feisty,
:16:54. > :16:58.incandescent. She is shaking! Darcey? That was one powerful
:16:59. > :17:05.performance. I have to say, it was sharp, exact, beautiful work and
:17:06. > :17:12.really, really impressive. You were glued together. I loved it. We all
:17:13. > :17:14.loved it. Go and see if there's something strange in Claudia's
:17:15. > :17:29.neighbourhood, Georgia and Giovanni! CHEERING AND APPLAUSE
:17:30. > :17:35.You did it! That's amazing! I thought you were going to cry. I
:17:36. > :17:38.think I am. I'm having a moment. I'm shaking so much. Congratulations,
:17:39. > :17:41.you're per season and the choreography, when they say content,
:17:42. > :17:45.it means you're a genius. Every single week, he has pulled an
:17:46. > :17:50.amazing routine out of the bag. They have been hard but they have been
:17:51. > :18:01.amazing. Thank you very much! I saw in the week that he pushes you hard.
:18:02. > :18:04.You couldn't move your neck. I've had a cold all week, could not move
:18:05. > :18:05.my neck or back but the amazing video sorted me out. Very well done.
:18:06. > :18:26.The scores are in. CHEERING AND APPLAUSE
:18:27. > :18:29.OK, I have two pieces of information. That is your highest
:18:30. > :18:34.score and it's top of the Leader Board! Thank you! It is no longer
:18:35. > :18:35.Jeremy. If you liked that routine,
:18:36. > :18:39.who you gonna call? Well it's actually 6 22 52 09
:18:40. > :18:45.from your mobile, 09015 22 52 09 from your landline or vote online
:18:46. > :18:52.for free when voting opens later. Still to come, Helen
:18:53. > :18:57.and Aljaz dance in ancient Egypt. They don't think it's
:18:58. > :18:58.their strongest dance, But first
:18:59. > :19:09.and hoping to give them a run for their money, it's Peter Andre
:19:10. > :19:12.and his partner Janette Manrara. They're dancing a Foxtrot and
:19:13. > :19:17.during training, they fancied a bit of fresh air, so
:19:18. > :19:20.Janette organized a camping trip. But when Peter went down to the
:19:21. > :19:34.woods, he was in for a big surprise. Saturday was great. I remember
:19:35. > :19:41.thinking "this is so beautiful, such a great song". It is 150,000% harder
:19:42. > :19:49.than I thought it would be but I love the experience and what I'm
:19:50. > :19:52.doing. You get better every day! Because we are doing a ghostly
:19:53. > :19:57.foxtrot, I really want to take Peter camping tonight so he can get into
:19:58. > :20:03.the spirit. Do you get scared easily? No! We came here during the
:20:04. > :20:07.daytime and pitch the ten so we did not have to do it in the dark. How
:20:08. > :20:14.is this going to help me with my steps? Get cosy and I will go and
:20:15. > :20:23.get some firewood. This is not so bad. Peace and quiet. LAUGHTER
:20:24. > :20:25.If anyone finds this video, tell Craig I forgive him for his
:20:26. > :20:40.comments! You! Apropos what? I'm just watching
:20:41. > :20:45.our Movie Week dance will stop look! Remember when we did that thing with
:20:46. > :20:48.a ferret. That was so funny. Where are you going?
:20:49. > :20:51.Dancing the fangtastic Foxtrot, Peter Andre and Janette
:20:52. > :22:46.CHEERING AND APPLAUSE Peter and Janette, they loved it in
:22:47. > :22:52.the studio. Well done. You are so consistent, you guys. Ready on.
:22:53. > :22:56.Bruno, did it give you chills? Oh, Peter, you chilled me to the bone!
:22:57. > :23:02.You have such a potential to thrill as well. I'm going to be a bit hard
:23:03. > :23:06.on you to night because, no, it is all done with love, it is because of
:23:07. > :23:09.the potential. What you have, like all performers that have been around
:23:10. > :23:14.for a very long time, they tend to go into a safety zone. You perform
:23:15. > :23:23.everything the same way. You are so used to doing your pop star thing
:23:24. > :23:28.and... Yeah! In certain dances, you have to become another character.
:23:29. > :23:32.But I can always see that Peter wanting to emerge because you have
:23:33. > :23:35.the ability, like this one, for example, there is a floating,
:23:36. > :23:39.gliding quality that you have to maintain all the time. Don't repeat
:23:40. > :23:44.yourself. Don't become the person you were the week before, if you
:23:45. > :23:48.know what I mean. Yes. You have to become a new character, like playing
:23:49. > :23:51.any part in a film. Every dance is very specific. You can do it. I'm
:23:52. > :23:58.saying it because you have the ability. But you plateau and you do
:23:59. > :24:03.the same thing every week. Sorry! Stuff to work on. Craig? Your
:24:04. > :24:08.shoulders were sometimes coming up, not as much as normally, though. I
:24:09. > :24:10.would like it to have been a bit smoother, particularly around the
:24:11. > :24:17.edges, if you know what I mean, a bit jolting, which is what we are
:24:18. > :24:20.getting at. The slows should drive and the quicks should coast and I
:24:21. > :24:25.felt you were popping up in your rise and fall too much. Absolutely
:24:26. > :24:31.right. That is the difference between a warts and foxtrot. But a
:24:32. > :24:36.very, very -- between a waltz and they foxtrot. But a very, very good
:24:37. > :24:40.job. Did it get your spine tingling? What you always do it that you are
:24:41. > :24:46.such a natural performer and it is lovely to see the dance floor, live
:24:47. > :24:49.when you dance together. -- come alive. I can see you are working
:24:50. > :24:53.really hard at keeping the floor contact with your feet, gliding and
:24:54. > :24:59.really working at it and I could see it all away round. You did not fail
:25:00. > :25:03.there, for me. It is your shoulders and the topline! You only take the
:25:04. > :25:06.feeling, as soon as you come into the rise and you are changing
:25:07. > :25:15.direction or transitioning, you just come up and that is all it is but a
:25:16. > :25:20.very nice performance, still. Len? I'm all... Little things, little
:25:21. > :25:27.things please me. I loved your footwork... Janette worked on that!
:25:28. > :25:31.Especially going back, drawing off from the heel. Regarding your
:25:32. > :25:43.shoulder, I think maybe your right hand is eight had to hide. OK. And
:25:44. > :25:47.also to horizontal. -- a tad Tuwai. If it was a bit more diagonal, it
:25:48. > :25:52.would give you a better right elbow and maybe smooth out your right
:25:53. > :25:55.shoulder. They must have been worried upstairs because I did not
:25:56. > :26:00.know what to give it. It was so close to something else but it has
:26:01. > :26:04.become what it is. Well done. CHEERING AND APPLAUSE
:26:05. > :26:08.Can I just say, genuinely, whenever I see the judges individually, I
:26:09. > :26:13.always tell them how grateful I am. For me, performing is for life. It
:26:14. > :26:16.is not for 23 months. What I am learning is invaluable and I'm
:26:17. > :26:21.loving it, really loving it. Thank you! What a gent and we are loving
:26:22. > :26:24.you as well. Off you go. Peter and Janette!
:26:25. > :26:39.RADIO: CHEERING AND APPLAUSE
:26:40. > :26:45.Well done. Foxtrot, a famously difficult and your first foxtrot, I
:26:46. > :26:51.believe. And she is foxy! OK, I'll leave it there. The audience loved
:26:52. > :26:55.it and you take the comments on board. I do. It is one of those
:26:56. > :26:57.things where these guys, I will say it again, they are masters of their
:26:58. > :27:17.craft. They are! The scores are in. CHEERING AND APPLAUSE
:27:18. > :27:24.Excellent. Good! If you want this couple to remain
:27:25. > :27:27.in high spirits, call 6 22 52 12 from your mobile, 09015 22 52 12
:27:28. > :27:31.from your landline or go online Our final couple tonight is
:27:32. > :27:41.Helen George and her partner, As you've probably guessed,
:27:42. > :27:49.their dance will have Helen stars in Call the Midwife
:27:50. > :28:07.so she knows all about mummies. Last week was brilliant. Fabulous!
:28:08. > :28:16.We did not expect to be top of the Leader Board. 35, now we can go even
:28:17. > :28:24.higher. This week we're doing a samba to Take Your Mamma. We are
:28:25. > :28:34.going to be dressed as mummies so I decided to wind Aljaz up with some
:28:35. > :28:42.of my always supply. Matt Green I don't need a bandage. I think that
:28:43. > :28:48.is slightly overboard. You sure it's necessary? I'm completely fine,
:28:49. > :28:53.she's just making a fuss. I think you are taking this way overboard.
:28:54. > :29:01.I'm a TV nurse, I know. Three, four, five. I'm sorry! When Helen started
:29:02. > :29:04.pulling bandages out of her bag, I knew she was not up to any good. I
:29:05. > :29:11.honestly think you need just a little. How am I supposed to do a
:29:12. > :29:15.samba like this? There we go! Helen has been winding me up all week and
:29:16. > :29:23.I really hope that she makes this mummy proud on Saturday night.
:29:24. > :29:24.Dancing the spellbinding Samba, Helen George
:29:25. > :31:12.CHEERING AND APPLAUSE. .
:31:13. > :31:28.Come here! You make one hot mama, Lady! And I am loving those hips.
:31:29. > :31:33.You really got them moving. Did we end on a Halloween high, Craig?
:31:34. > :31:42.Well, I really loved the opening scenario. Fantastic choreography,
:31:43. > :31:49.trying to marry the stilted nature of a mummy zombie dance and the
:31:50. > :31:54.bounce action is difficult. You nearly got there with the bounce
:31:55. > :32:01.action, darling. But the whole routine was spectacular. Darcey, you
:32:02. > :32:07.wanted her to get down with the hips more. I was impressed. You have
:32:08. > :32:13.really come out of your box. It is a new Helen! You really looked
:32:14. > :32:18.natural. It is such a hard technique to create that double bounce. There
:32:19. > :32:24.were so many moments where you just caught it, but very impressive
:32:25. > :32:28.performance. Len, joint top last week. What do you think tonight?
:32:29. > :32:34.Well, I wouldn't be shocked if she was up there tonight, because you
:32:35. > :32:43.have delivered again, the midwife. Oh, yes! I don't know what happened,
:32:44. > :32:51.but you had a terrible moment. I had a bit of a trip. That was
:32:52. > :33:02.choreographed. Oh, shut up! You are a yummy mummy. Oh, yes, she is. And
:33:03. > :33:07.more than that, Mamma Mia, here we go again! My, my, how can I resist
:33:08. > :33:15.you? You bring the dead back to life! Very inventive, beautiful.
:33:16. > :33:21.Thank you, judges. They loved it. Take your mummy upstairs. Hallen and
:33:22. > :33:40.Aljaz! -- Helen. How difficult did you find that? The
:33:41. > :33:46.double bounce is difficult. I thought that was a basketball
:33:47. > :33:49.thing. It was difficult. I feel quite English in these dances, I
:33:50. > :33:56.don't feel very Brazilian and free, but hopefully, the Raffles started.
:33:57. > :34:00.You look Brazilian. Have you ever done anything this bonkers and
:34:01. > :34:06.brilliant in your life? Just as a mummy, is it your first? Yeah. I
:34:07. > :34:08.rarely dress as a mummy at home. I just got an insight into Aljaz's
:34:09. > :34:28.life. The scores are in. If you like mummies who party,
:34:29. > :34:32.although in my experience, it usually gets messy
:34:33. > :34:44.after a couple of G, call You don't have long to wait,
:34:45. > :34:48.as it opens shortly. Let's take a look
:34:49. > :35:11.at the leaderboard. Remember, you can change all that
:35:12. > :35:13.by picking up Boys and girls, get
:35:14. > :35:19.your party hats on - Bob, you too. Calls cost 15p plus
:35:20. > :35:28.your network's access charge. Please ask
:35:29. > :35:35.the bill payer's permission. The vote closes
:35:36. > :35:36.at 8.40 tonight. Please don't vote
:35:37. > :35:39.if you're watching on demand. To help you decide, here's a
:35:40. > :35:41.reminder of tonight's performances What a night it's been -
:35:42. > :38:58.Halloween did not disappoint. We've had Terrifying Tangos, Wicked
:38:59. > :39:01.Waltzes and Chilling Charlestons. The standard of dance was so high,
:39:02. > :39:03.it was scary. That's 8.40,
:39:04. > :39:09.so you don't have much longer to On tomorrow night's result show, the
:39:10. > :39:13.two couples with the lowest combined judges' score and viewer vote will
:39:14. > :39:20.face each other in the Dance Off. Right now, there are eight
:39:21. > :39:23.ladies and only three men left. One couple must leave the
:39:24. > :39:25.competition and nobody wants to go. Also, on tomorrow's show, performing
:39:26. > :39:28.his new song, Demons, the brilliant James Morrison will be here, plus,
:39:29. > :39:31.our professional dancers have a chess-themed group routine so good,
:39:32. > :39:34.it'll send a shiver down your spine. So join us at 7.15 tomorrow night,
:39:35. > :39:37.when we'll find out the fifth couple 227 Lears and I cannot
:39:38. > :40:00.remember the first line. I cannot remember the first line
:40:01. > :40:06.in 100,000 performances. I've always thought
:40:07. > :40:11.he was indestructible... The whole world's struggling
:40:12. > :40:16.for survival, so why can't you? My hands, they're shaking. If you
:40:17. > :40:21.haven't the strength, no-one has.