:00:11. > :00:17.Blackpool is the week that everyone aims for, making it that far would
:00:18. > :00:21.be a huge achievement. I don't want to miss out. If I get a good score
:00:22. > :00:27.this week it could be my ticket and I'm so close. It is so important
:00:28. > :00:31.that we get through this week so we can get a Blackpool. I know that I
:00:32. > :00:37.will have to fight for my place in the competition. I can't afford to
:00:38. > :00:45.make any mistakes. I really want to get to the Tower ballroom. I do feel
:00:46. > :00:50.massive pressure. I am hoping for some kind of breakthrough to get a
:00:51. > :01:41.Blackpool. This would be the most devastating week to leave.
:01:42. > :01:46.Live from the BBC, this is Strictly Come Dancing!
:01:47. > :02:18.Hello and welcome to a night of ballroom brilliance -
:02:19. > :02:25.Nine couples remain and the pressure is really on, because next week
:02:26. > :02:29.Strictly is live from Blackpool - and everyone wants to be there.
:02:30. > :02:32.Last weekend there was a real cliffhanger moment
:02:33. > :02:34.as EastEnder Kellie Bright unexpectedly found herself in the
:02:35. > :02:50.Kellie survived and Carol and Pasha were voted out. No one wants to find
:02:51. > :02:53.themselves in that position so this week more than ever they must
:02:54. > :02:56.impress these four. Please welcome the judges.
:02:57. > :03:24.Our nine couples are all backstage, they're itching to get out here
:03:25. > :03:30....our Strictly stars!
:03:31. > :03:34.EastEnders actress Kellie Bright, and her partner, Kevin Clifton.
:03:35. > :03:42.TV presenter Anita Rani, and her partner, Gleb Savchenko.
:03:43. > :03:44.BBC Proms and Radio 3 presenter Katie Derham,
:03:45. > :03:47.Star of Call The Midwife, Helen George,
:03:48. > :03:54.Actress Georgia May Foote, and her partner, Giovanni Pernice.
:03:55. > :03:56.BBC broadcaster and journalist Jeremy Vine,
:03:57. > :04:02.Singer and Loose Women star, Jamelia, and her partner,
:04:03. > :04:09.Pop star and TV personality Peter Andre, and his partner,
:04:10. > :04:13.And finally from the Wanted, popstar Jay McGuiness,
:04:14. > :04:36.There they all are, and after this weekend, eight will be heading
:04:37. > :04:41.So your votes are more important than ever -
:04:42. > :04:44.they'll be added to our judges' scores to decide which two couples
:04:45. > :04:49.Dancing first tonight is Anita Rani, and her partner Gleb Savchenko.
:04:50. > :05:01.This week, Anita starts off her routine by going
:05:02. > :05:13.And as she's dancing the Quickstep, I'm guessing it'll be speed dating.
:05:14. > :05:25.The jive was classic Gleb, fast and furious, why would he make it
:05:26. > :05:31.simple? You were on fire. It was your best yet. We could have done
:05:32. > :05:36.better. We are over the halfway mark and I don't know what my limits are.
:05:37. > :05:41.Between us we are testing my limits and going for it. This week and I'm
:05:42. > :05:49.back in my ballroom shoes doing the quickstep. Turn straightaway. It is
:05:50. > :05:53.not like this. It is a quickstep, lots of footwork. It is really fast
:05:54. > :05:59.and involved and it's really difficult. We have a simple option
:06:00. > :06:05.or do you want the difficult one? Yes, I have to try it before we go
:06:06. > :06:11.for the easy option. I know the crowd gets frustrated with me. -- I
:06:12. > :06:16.know that Gleb gets frustrated. He has a very Russian manner, very
:06:17. > :06:21.direct. I am only tough with Anita because I know that she can do it. I
:06:22. > :06:25.am just thinking about the quickstep and I feel as though I can't
:06:26. > :06:31.remember any of it. I would love it if Gleb turned around and went, you
:06:32. > :06:35.and what, good job. That is all I need. Just that and maybe a smile!
:06:36. > :06:38.Dancing the Quickstep, Anita Rani and Gleb Savchenko.
:06:39. > :08:41.CHEERING I think they like it here. Listen to
:08:42. > :08:47.that! Wow. Did she get her good job? Yes! And you did it in style. Well
:08:48. > :08:50.done. We will hear from the judges in a moment but let's welcome the
:08:51. > :09:05.live singers. Is an eater becoming an all-rounder?
:09:06. > :09:14.She has become an all-rounder. That was a good job. -- is Anita. The key
:09:15. > :09:19.to ballroom his hold, posture and movement, you have got that but the
:09:20. > :09:25.footwork could have been sharper. BOOING
:09:26. > :09:34.That is good advice. I liked it. CHEERING
:09:35. > :09:37.Bruneau, will that have them on a fast-track to Blackpool? I have a
:09:38. > :09:45.feeling that Blackpool is calling your name. Very pleasing indeed. It
:09:46. > :09:50.had a wonderful sense of the good old-fashioned ways. It was
:09:51. > :09:55.traditional. Nice, easy, bright and breezy. A lovely Saturday afternoon
:09:56. > :10:07.in the park with Gleb, who wouldn't like that? Indeed. Craig? You can
:10:08. > :10:12.hold your turn by bringing your feet together when they should be. Also
:10:13. > :10:16.there was a small amount of gap, but it was very small. The timing was
:10:17. > :10:22.excellent throughout. It was fantastic movement around the floor.
:10:23. > :10:26.Well done. It is wonderful how consistent you are, week after week
:10:27. > :10:33.you come out and you sell it and it's wonderful. I thought it was fun
:10:34. > :10:37.and light, and only when it becomes very fast, always thinking about
:10:38. > :10:45.finishing each step before moving onto the next and then the footwork
:10:46. > :10:51.will be cleaner. That a beautiful jetee. Your footwork was cleaner
:10:52. > :10:55.than his. Well done. Well done. Off you go. Let's hear it for Anita.
:10:56. > :11:09.CHEERING Very well done. Even if the judges
:11:10. > :11:16.said there was a bit of a gap, it is good advice. Any advice that they
:11:17. > :11:23.can tell me I will take on board and keep working. You at a consistent
:11:24. > :11:28.all-rounder. Are you proud of her, Gleb Jamaat I'm so proud of her! --
:11:29. > :11:39.are you proud of her bus we work well together. Thank you.
:11:40. > :11:44.Who would have thought I would do a quickstep ever in my life? The
:11:45. > :12:07.judges scores are in. Are you happy with that? It was
:12:08. > :12:12.still consistent. Absolutely wonderful.
:12:13. > :12:15.If you want to see Gleb hunted down
:12:16. > :12:18.by Blackpool hen parties, then call 6 22 52 03 from your
:12:19. > :12:21.mobile, 09015 22 52 03 from your landline, or you can vote for free
:12:22. > :12:28.It's time for the terms and conditions.
:12:29. > :12:33.Kevin - I hear you're going to be dancing with a boom box later -
:12:34. > :12:40.Calls cost 15p plus your network's access charge.
:12:41. > :12:41.Please ask the bill payer's permission.
:12:42. > :12:43.To vote online visit bbc.co.uk/strictly
:12:44. > :12:47.where you'll also find terms and conditions.
:12:48. > :12:49.This is genuinely not what I was expecting!
:12:50. > :12:51.Voting won't open until all our couples have danced.
:12:52. > :12:55.Not only that, but your vote won't count and you may still be charged.
:12:56. > :13:02.Dancing next for a place in Blackpool, it's Jay McGuiness and
:13:03. > :13:12.After last week's Argentine Tango, Craig criticised Jay
:13:13. > :13:18.It was a fair point, but perhaps a bit rich coming from someone who's
:13:19. > :13:36.Saturday night, I would not say that I felt confident but I felt
:13:37. > :13:44.connected and it felt great. Jade danced beautifully. You want to see
:13:45. > :13:49.a bit of emotion coming out. I want to see this fire coming out. That is
:13:50. > :13:55.all that is missing. I want you to do it. The only thing that will make
:13:56. > :14:02.us all happy is if I do it. This week we will do our best to perform
:14:03. > :14:06.at our best and hopefully the judges will see the meaning. To practice
:14:07. > :14:13.this we will do a bit of a preview in the courtyard. Brilliant! I have
:14:14. > :14:20.asked a couple of people to come down. I can hear more than a couple.
:14:21. > :14:23.Some of the students at the Royal Academy of dance, they know what
:14:24. > :14:32.they are looking for. Are you ready? ! Aliona asked them to look out for
:14:33. > :14:36.the story and the emotion we are trying to convey, I wanted to see
:14:37. > :14:41.how other people felt watching it. It was really emotional. I feel like
:14:42. > :14:47.he was telling the story. He will get a ten! Performing in front of
:14:48. > :14:48.that audience has helped me to express that emotion in front of
:14:49. > :14:51.everyone on Saturday night. Dancing the Foxtrot,
:14:52. > :16:53.Jay McGuiness and Aliona Vilani. CHEERING AND APPLAUSE
:16:54. > :16:59.Come on over. Come on! What are you two chatting about? Come on over.
:17:00. > :17:05.That's intense. They are on their street in the studio. Smiling now I
:17:06. > :17:10.love that smile! You were having a little con club there, won't you?
:17:11. > :17:15.Bruno, does it make you smile? You are so endearing, especially the
:17:16. > :17:24.beginning, the touchy-feely contemporary introduction. But it
:17:25. > :17:27.was, you know? You have exquisite lyrical arms, especially in the
:17:28. > :17:31.side-by-side, and you were placing everything so well but there was
:17:32. > :17:36.that little but, it happened at the wrong time, because it was going
:17:37. > :17:45.swimmingly well. But don't be discouraged, it was fantastic.
:17:46. > :17:49.CHEERING AND APPLAUSE Will it take them to the Tower
:17:50. > :17:57.ballroom? Well, I found the whole thing a little bland. It started
:17:58. > :18:02.emotionally, but as soon as you begin to dance properly, and you are
:18:03. > :18:07.a brilliant dancer, the face goes dead. You've got to do something
:18:08. > :18:11.about that. Also, the thumb was up, you missed hands at the end, the
:18:12. > :18:19.trip, it wasn't a good evening feel. Sorry. Darcey, do you disagree
:18:20. > :18:23.with Craig? Very much. She's angry! Be bobbing there is such a story
:18:24. > :18:27.being told now. Finally I could see you breathing from within. There was
:18:28. > :18:30.purpose with your moves. We are going to get details because we are
:18:31. > :18:40.at this time of the competition and we want to be because your technique
:18:41. > :18:45.is outstanding. Thank you. Soap there's tiny moments, when you are
:18:46. > :18:48.even choreography, beautiful choreography as well, Aliona, the
:18:49. > :18:52.feeling I could see you breathing at the beginning, when you place your
:18:53. > :18:56.head, think of why you are placing your head on her chest. It's a
:18:57. > :19:01.breath, and you want to be there. Don't just go... , do you know what
:19:02. > :19:05.I mean? There was so many brilliant moments, I could see you telling
:19:06. > :19:08.that story. I'm getting nitty-gritty now. There was a silly hick up
:19:09. > :19:17.there, but otherwise beautiful. CHEERING AND APPLAUSE
:19:18. > :19:21.You challenged her to show more emotion? Did you see it? Certain
:19:22. > :19:25.dances I want to see more expression. This was a beautiful,
:19:26. > :19:35.poignant foxtrot. OK, I don't need it to be grinning Cheshire cat and
:19:36. > :19:41.to be honest, there was a record out, we own the night and until that
:19:42. > :19:49.trip, you owned the night. That was a fantastic, beautiful footwork, you
:19:50. > :19:55.even got swing, you got sway going. I've not been that disappointed... I
:19:56. > :19:59.can't talk about it but anyway, a great job, Jay, well done.
:20:00. > :20:03.CHEERING AND APPLAUSE I don't want you beating yourself up
:20:04. > :20:09.but it happens, it's live television, OK? It's live
:20:10. > :20:25.television. Jay and Aliona. CHEERING AND APPLAUSE
:20:26. > :20:31.They had an argument there, Aliona, beautiful techniques, you did it
:20:32. > :20:36.gorgeously, Craig wanted more. How did you find it? I did feel it, I
:20:37. > :20:42.want to make it apparent when I dance and speak to you, I know that
:20:43. > :20:47.I'm bad at speaking to you, sorry! I really am feeling it, I do want to
:20:48. > :20:51.show it, it's just we'll see if I can engage the face muscles more.
:20:52. > :20:57.All right, very well done. You did great, honestly. Shall we just
:20:58. > :21:05.mention, Anthony, it's his first night, he sang that beautifully.
:21:06. > :21:11.Well done, mate. Top song. The scores are in.
:21:12. > :21:29.It's time to get the scores from the judges.
:21:30. > :21:41.Anything you want to say? All good. If you are a big fan of Jake... --
:21:42. > :21:44.if you're a big fan of Jake, and I've got to be honest, it's one of
:21:45. > :21:50.my favourite letters of the alphabet, please call.
:21:51. > :21:53.Still to come, Helen is performing with some blue material.
:21:54. > :21:55.Could be a long piece of fabric, could be a dirty limerick.
:21:56. > :21:58.Our next couple is Jamelia and her partner Tristan MacManus.
:21:59. > :22:02.This week Jamelia has been busy with her day job
:22:03. > :22:06.She's put that to one side for tonight's Samba and she's hoping
:22:07. > :22:23.I was quite calm before the show. You've worked on the footwork, I can
:22:24. > :22:26.see that. Halfway through the routine I tripped up on the guitar.
:22:27. > :22:32.When stuff like that happens it cannot queue off your game. If we go
:22:33. > :22:35.through this week it means we are going to go to Blackpool and I'm
:22:36. > :22:41.going to make everything I can to make that happen. We have samba this
:22:42. > :22:44.week, it's going pretty good. I was thinking, two Munson and you still
:22:45. > :22:50.haven't come into work with me. The Loose Women would love to meet you.
:22:51. > :22:53.What Tristan doesn't know is he won't just be watching from the
:22:54. > :23:00.sidelines. What would you think about coming on the show? Don't be
:23:01. > :23:09.scared. I'd love to. They will love you. I am getting my make-up on and
:23:10. > :23:14.have to be on the show. Q, Jamelia. What are you dancing question mark
:23:15. > :23:20.the samba. How are you feeling about the summer? It's hard but you have
:23:21. > :23:27.to enjoy yourself. Thank you very much. Thanks for having me on. A
:23:28. > :23:33.pleasure. It's fantastic, having the support of the other ladies. Good
:23:34. > :23:35.luck for Saturday. I'm hoping I'm going to do them proud on Saturday
:23:36. > :23:38.night. Dancing the Samba,
:23:39. > :25:30.Jamelia and Tristan MacManus. CHEERING AND APPLAUSE
:25:31. > :25:37.you two, come here. Well done, darling. Thank you, Tess. Islands
:25:38. > :25:46.the dorsals as well. Lovely samba, respect from you? Oh, yes, the party
:25:47. > :25:51.atmosphere. I like to go to a party. You got everybody going but
:25:52. > :25:54.what happens is I like that, I like the energy, but you have to be
:25:55. > :26:00.careful at this stage because when you go to much it becomes a bit
:26:01. > :26:05.wilder and you wait, get into the wrong place, you are missing a few
:26:06. > :26:09.steps. That cannot happen anymore, my darling. Keep that energy and
:26:10. > :26:17.keep that effort, but you have to be more precise and clean. Yes? Yes.
:26:18. > :26:21.APPLAUSE I thought your hands throughout were
:26:22. > :26:26.particularly unattractive, especially on the promenade runs
:26:27. > :26:30.they were either facing up or facing in weird angles. You need to sort
:26:31. > :26:34.the end of your lines out, otherwise it leaves the wrong impression. I
:26:35. > :26:38.thought you were dancing with bent knees throughout. I didn't see one
:26:39. > :26:44.straight leg anywhere. You need to get up on the balls of your feet a
:26:45. > :26:54.lot more, and there was a necessary grinding throughout. Most
:26:55. > :26:59.unpleasant. Keep grinding, darling! Darcey, can you we'd be more
:27:00. > :27:04.positive? I think your isolations in the upper body were very phenomenal,
:27:05. > :27:07.right from the very beginning. You kept that going all the way
:27:08. > :27:12.through, we didn't lose that at all and it was a lovely story you
:27:13. > :27:17.created. From the very beginning. The relationship between you was
:27:18. > :27:21.very important, I need that. It is true, if you could place the arm and
:27:22. > :27:24.I think it's only because your weight is back a bit, we suddenly
:27:25. > :27:28.got this in the running promenades and if you come forward, place them
:27:29. > :27:34.forward, so these in the corner of your eyes. Otherwise, it was a fab
:27:35. > :27:41.dance. You were having a great time. CHEERING AND APPLAUSE
:27:42. > :27:48.Were you having a great time? The gyrating was excellent, yes! You
:27:49. > :27:56.lost a bit of the hit action on the voltas, your legs were a bit heavy,
:27:57. > :28:00.I don't mean... You have to stretch through and get the lightness going
:28:01. > :28:04.through your legs. However, for energy, exuberance and getting out
:28:05. > :28:12.there and giving it a go, top notch. Yes!
:28:13. > :28:20.CHEERING AND APPLAUSE Take the prom Queen, off you go.
:28:21. > :28:34.Jamelia! Thank you, thank you. CHEERING AND APPLAUSE
:28:35. > :28:39.Darcey says upper body isolations are phenomenal. I hearing anything
:28:40. > :28:44.positive. The judges don't know what they're talking about, I just need
:28:45. > :28:50.to apply it. You tried really hard and you are happy to be back in
:28:51. > :28:54.Latin? Of course, I a lot in. And you love Blackpool. Your favourite
:28:55. > :28:58.place in the world? I took my girls, it was their first English
:28:59. > :29:05.seaside to date and they loved it. We'd like to go back. The scores are
:29:06. > :29:24.in. Iwan ladies and gentlemen, the judges have their scores.
:29:25. > :29:26.If you want to give Jamelia a real reason to party,
:29:27. > :29:30.call 6 22 52 11 from your mobile, 09015 22 52 11 from your landline or
:29:31. > :29:33.vote online later to keep Jamelia and Tristan in the competition.
:29:34. > :29:37.Still to come, Katie and Anton do battle with a Latin routine.
:29:38. > :29:46.Our next couple is Helen George and her partner Aljaz Skorjanec.
:29:47. > :29:55.Last week their Rumba was arguably one of the best this series.
:29:56. > :29:59.I say "arguably" because that's exactly what the judges did - argue.
:30:00. > :30:03.But this week, Helen's hoping her dramatic Tango
:30:04. > :30:22.Last Saturday it was such a beautiful song, so romantic. It
:30:23. > :30:31.wasn't too Len's taste. It lacked content. I thought it was brilliant.
:30:32. > :30:41.Thank you. This week we are doing the tango. It's very fast and quick.
:30:42. > :30:47.But I really like the stance. All of the changes of Sheikh need to be
:30:48. > :30:53.sharp. Tango is very staccato. -- changes of shape. It will be
:30:54. > :31:02.challenging for Helen the car she is very graceful. We have to go down
:31:03. > :31:10.the main side. Tango face! I will be cross looking. I think that is the
:31:11. > :31:17.key. Helen was a bit overwhelmed with all of the shape changing. It
:31:18. > :31:22.is a lot to get into the song. I think she is slowly getting used to
:31:23. > :31:26.it. Everybody wants to get through to Blackpool and there is no room
:31:27. > :31:32.for getting a single step wrong. We are doing it 100%. Is that right?
:31:33. > :31:34.Dancing the Tango, Helen George and Aljaz Skorjanec.
:31:35. > :33:30.Yes! That was a fierce tango. Like that dress it was red hot. Your
:33:31. > :33:38.Latin skills came in handy, you looked properly cross! Did it have
:33:39. > :33:42.enough drama for you? I think the effect that you both had, firstly,
:33:43. > :33:53.choreographed beautifully. I loved that. CHEERING
:33:54. > :33:58.Really, the amount of drama was perfection. You did not lose it. And
:33:59. > :34:03.also the crispness and sharpness of every transition I loved. You
:34:04. > :34:06.sustained it all the way throughout. What you find difficult is just
:34:07. > :34:11.keeping down, keeping your knees bent and really getting into the
:34:12. > :34:18.ground, but it worked. You did it. You really did. I really loved what
:34:19. > :34:27.you brought to the dance. In the tango, that was special. Thank you
:34:28. > :34:33.so much. Len you wanted more content, did you get it? I got loads
:34:34. > :34:38.of it! Loads of snap, crackle and pop. Your head sometimes gets too
:34:39. > :34:45.far over. I know what he is saying, keep it to the left and then it goes
:34:46. > :34:51.to far. Sometimes when you turn you lose the centre and it goes a bit
:34:52. > :34:57.wobbly. However, it was such a great tango, well done to both of you.
:34:58. > :35:03.What do you think? That was a beautifully tailored high fashion
:35:04. > :35:09.tango. Slick, slinky, polished, you looked like a supermodel in a
:35:10. > :35:19.Valentino dress. Kate Moss would have loved it. Thanks, Bruno. Enough
:35:20. > :35:23.to get them up the M1? I thought it needed to be a bit lower, softer in
:35:24. > :35:28.the knees, and balance issues largely due to where you are placing
:35:29. > :35:34.your centre. You are placing it on a bit of a diagonal. It propels you in
:35:35. > :35:38.the wrong direction sometimes. But I think you work really well as a
:35:39. > :35:43.couple against that particular track because it's not easy. I thought the
:35:44. > :35:49.lines were extremely powerful. CHEERING
:35:50. > :35:51.No arguments tonight! A little headshaking from Darcy. Well done.
:35:52. > :36:10.Off you go. CHEERING
:36:11. > :36:13.Oh, well done, darling. They said it was choreographed beautifully and of
:36:14. > :36:17.course Darcy is your hero and you said it was a special dance. It was
:36:18. > :36:23.hard because you laugh a lot and have fun in training. He tries to
:36:24. > :36:27.make me do a serious face and I burst out laughing! It felt
:36:28. > :36:30.ridiculous in rehearsals. That is one word for it.
:36:31. > :36:53.34, up on last week. Yes, and lovely comments as well.
:36:54. > :36:56.If you enjoyed the most dramatic story set on a riverbank since Ratty
:36:57. > :37:00.met Badger, then call 6 22 52 07 from your mobile, 09015 22 52 07
:37:01. > :37:03.from your landline, or vote online when the vote opens later.
:37:04. > :37:06.All our couples need your votes to stay in the ballroom
:37:07. > :37:13.Our next couple is Katie Derham and her partner Anton Du Beke.
:37:14. > :37:32.It is the dance of love, which is appropriate because if there is one
:37:33. > :37:38.thing Katie would like to do it is nailed this Latin routine. I really
:37:39. > :37:43.enjoyed Saturday night. A bit of a dream country to do a Broadway
:37:44. > :37:49.number. When you dance at that speed you can lose control but it was a
:37:50. > :37:57.fantastic performance. I was really proud of Katie. She should be proud
:37:58. > :38:03.of herself and I am thrilled. This week we are dancing the Rumba which
:38:04. > :38:07.is the dance of love, I love Anton but I love my husband more so I will
:38:08. > :38:11.take time out to spend time with him. The tango was amazing and the
:38:12. > :38:18.Viennese waltz. The quickstep was almost great. John is genuinely so
:38:19. > :38:22.supportive of everything I am doing. It is difficult not to play through
:38:23. > :38:26.mistakes in your head, just focus on the brilliant things you have done
:38:27. > :38:31.so that you enjoy everything. Knowing that I have that support
:38:32. > :38:40.behind me is fantastic. Do you want to come along and see it? I do. It
:38:41. > :38:44.was lovely to see John. Shall we show you some of the Rumba? I think
:38:45. > :38:50.they dance really well together. John has learned a few of the steps
:38:51. > :38:54.as well. I am dreaming of the day that I see my husband dancing the
:38:55. > :38:56.Rumba with Anton du Beke! I hope I can go out on Saturday and do them
:38:57. > :38:59.proud. Dancing the Rumba,
:39:00. > :41:03.Katie Derham and Anton Du Beke. They are on their feet in the
:41:04. > :41:12.studio. Enjoy that! The dance of love. They enjoyed it too. You have
:41:13. > :41:18.never looked more beautiful than you do in that dress. Thank you. You
:41:19. > :41:30.have been critical of other Rumba Boyle but what did you think of
:41:31. > :41:37.that? You put in the Aida. Some say Rumba, I say fantastic. -- other
:41:38. > :41:42.Rumbas. APPLAUSE You said that Katie had bags of
:41:43. > :41:49.potential last week, did it come through tonight? Look at her. From
:41:50. > :41:53.the beginning, the Shirley Bassey moment, totally on it. You give me
:41:54. > :42:06.palpitations because it is always hit and miss, is she going to do
:42:07. > :42:10.it? Tonight it was a hit! CHEERING Your husband is very proud watching
:42:11. > :42:19.over there. Craig, do you agree? It was a little melodramatic. Really,
:42:20. > :42:23.coming from you, darling? ! I would prefer that to nothing. It was
:42:24. > :42:31.pushed forward in places as well. It spoiled the line. The walks were not
:42:32. > :42:40.quite there. So nearly brilliant. Your foot came off the floor as well
:42:41. > :42:46.but you know what,... Completely lost control on that. I absolutely
:42:47. > :42:53.loved the performance. CHEERING Darcy? Katie, that was a classy love
:42:54. > :42:59.story that you created. It is hard in the Rumba as Len. It is very
:43:00. > :43:05.sensual and sweaty and everything, but this wasn't. I would have liked
:43:06. > :43:11.more eye contact between you and there was some very special moments,
:43:12. > :43:16.you were really understanding what we wanted from a dance and your
:43:17. > :43:19.finishing... It is very hard at the end when your concentration goes but
:43:20. > :43:25.you actually did it tonight! Well done. The judges are happy and you
:43:26. > :43:32.have to be happy with those comments. I have surprised myself, I
:43:33. > :43:39.really loved this dance. I love this dance. It is the happiest I have
:43:40. > :43:40.been on any dance ever. Off you go and we will get your scores. Katie
:43:41. > :43:59.and Anton! My goodness! CHEERING Your faces were great but I have
:44:00. > :44:05.dementia in your husband whose face was... He was in the film. -- I have
:44:06. > :44:08.to mention your husband. Your husband John is here to give you
:44:09. > :44:16.support. CHEERING You wanted it to be a grown-up
:44:17. > :44:20.Rumba, exactly what they said? I hoped that they would appreciate it,
:44:21. > :44:28.we did not want to get all grinding and sweaty. We would put in proper
:44:29. > :44:31.steps and all of the bits like the Aida. Stop talking, Anton! If you
:44:32. > :44:59.wouldn't mind. The scores are in. That is the highest ever rumba score
:45:00. > :45:02.on the series. It's your highest score together, of a Latin dance.
:45:03. > :45:05.Thank you. If you think that romantic Rumba
:45:06. > :45:08.should lead to a weekend in Blackpool, call 6 22 52 05
:45:09. > :45:11.from your mobile, 09015 22 52 05 from your landline or vote online
:45:12. > :45:14.when the vote opens later. Five couples have danced
:45:15. > :45:32.but there's all this still to come. Kevin is rehearsing a Facebook act
:45:33. > :45:37.today. My money is the fresh Prince from Grimsby. We have our ups and
:45:38. > :45:40.downs in training. The ups are getting longer than the downs. I'm
:45:41. > :45:45.beginning to learn the routine quicker, which is so vital. This
:45:46. > :45:49.week, we have a prop we dance with for most of the routine and it's a
:45:50. > :45:54.hat and me and this hat are not friends... At all. This Viennese
:45:55. > :45:59.waltz is so graceful, I want to perform it, not just get the steps
:46:00. > :46:01.right, I want to really just... It will be great.
:46:02. > :46:03.They're all desperate to get to Blackpool.
:46:04. > :46:06.Do you know, there's a game viewers play where they have to take
:46:07. > :46:08.a sip of their tea, or coffee, or whatever they're drinking,
:46:09. > :46:15.That's odd because we haven't mentioned Blackpool much tonight.
:46:16. > :46:18.We've hardly mentioned Blackpool at all.
:46:19. > :46:22.Up next and dancing for a place in Blackpool, it's Kellie Bright
:46:23. > :46:31.For their Samba this week they're going back to the '90s, so,
:46:32. > :46:34.to get Kellie in the right frame of mind, and cheer her up
:46:35. > :46:37.after being in the Dance Off, Kevin took the girl from Albert
:46:38. > :46:55.Nice. I loved our walls. Full of charm, full of grace. You know how
:46:56. > :47:00.to please Lens-macro. Everyone could see how I felt when my name was
:47:01. > :47:05.called out. We bob and it was my first Dance Off. It's really hard to
:47:06. > :47:10.pull yourself through that experience. Being in the Dance Off
:47:11. > :47:13.makes as prime candidates for leaving the show next. I really
:47:14. > :47:20.don't want to be in the Dance Off this week. We have to come back
:47:21. > :47:23.fighting. The theme for this week's dances 90s hip-hop. Kevin said he
:47:24. > :47:30.would visit me in my dressing room today, but I've no idea what he's
:47:31. > :47:36.got planned. What are you wearing? Get in here, come on. Kevin turned
:47:37. > :47:39.up in 90s skate. He had this 90s stuff with him to get me in the mood
:47:40. > :47:43.for Saturday night and it wasn't really working, until he showed me
:47:44. > :47:49.some old footage of something I'd done in the 90s. It's tipping down
:47:50. > :47:55.out there! He helped me go right back there. Help! Oh dear. He had
:47:56. > :48:00.this really embarrassing article. This is what I want for our samba
:48:01. > :48:03.this week. I'm completely bonkers! All joking aside, it's got to be our
:48:04. > :48:09.best dance. Dancing the Samba,
:48:10. > :49:54.Kellie Bright and Kevin Clifton. CHEERING AND APPLAUSE
:49:55. > :50:07.What about that then? Listen to the crowd! We are all doing that now!
:50:08. > :50:16.Never mind shake the room, you brought the house down. Wow. Those
:50:17. > :50:21.abs are a ten from me! Impressive. Can you feel it? I can dig the
:50:22. > :50:27.vibe. The samba has gone street cred! How appropriate it is, because
:50:28. > :50:34.in fact Sambo actually was born in the streets of Brazil, and the blend
:50:35. > :50:39.of hip-hop, I thought it would never work, but you did it and it works
:50:40. > :50:45.beautifully. It was so well blended. The timing was good, it was
:50:46. > :50:49.exciting, all it needed was a Banksy mural, then you could have got the
:50:50. > :50:56.Tate Gallery! Very good, I really did enjoy it. He enjoyed it. Bruno,
:50:57. > :51:01.was it enough to keep, sorry, Craig, was enough to keep them out of the
:51:02. > :51:04.Dance Off this week? It was a very odd music choice for this particular
:51:05. > :51:12.dance, completely not my thing whatsoever. I was thinking, do I
:51:13. > :51:15.love this, or do I hated? And... I decided... In the end, that I would
:51:16. > :51:22.love it. CHEERING AND APPLAUSE
:51:23. > :51:27.And I've got to say, you were shaking that Darcey Bussell,
:51:28. > :51:33.darling, for all it was worth. It was a thing of beauty when you were
:51:34. > :51:39.shaking that! Darcey. You give such an assured performance. It really
:51:40. > :51:44.is, the energy, the flowing, the attacks, it never fades, and that is
:51:45. > :51:49.very exciting. I personally, the mix for me didn't work, I don't know, I
:51:50. > :51:54.think it's just technically because you get a bit back on the street and
:51:55. > :52:03.the samba wants forward, so it was a weird constant changing. But...
:52:04. > :52:09.Changing, but... Open your mind! Open your mind! I'm trying!
:52:10. > :52:13.CHEERING AND APPLAUSE But you know, weirdly, I so enjoyed
:52:14. > :52:19.it even though that was odd moments. It was very enjoyable.
:52:20. > :52:25.CHEERING AND APPLAUSE Did you enjoy it? The trouble is, I
:52:26. > :52:36.a cup of tea in a world of skinny lot Is. -- lattes. Two things I
:52:37. > :52:42.really don't like his babies crying and hip hop! You were on the back
:52:43. > :52:47.foot a bit before we started. The samba you did do was terrific, and I
:52:48. > :52:49.admire your nerve and your guts, to come out, try something different
:52:50. > :52:58.and give it a go. CHEERING AND APPLAUSE
:52:59. > :52:59.We love different. The room was jumping, go upstairs and shake
:53:00. > :53:18.Claudia's room. Come on. CHEERING AND APPLAUSE
:53:19. > :53:21.They loved it so much. It might be the greatest thing ever. We were
:53:22. > :53:28.standing, screaming. Well done, Kevin. Even though Kane-macro --
:53:29. > :53:33.even though Len says he's a cup of tea in a world of lattes, it was
:53:34. > :53:39.blamed. Craig Revel Horwood used the word love, strange. He didn't know
:53:40. > :53:41.which way he would go. One never does. The scores are in. It's time
:53:42. > :54:07.to get the scores from the judges. it feels lovely, right? Yes, it
:54:08. > :54:12.does. If you don't want to see Kellie in
:54:13. > :54:16.the Dance Off with that giant boom box, and to be honest, we can't
:54:17. > :54:19.afford the 7,000 batteries it takes, then call 6 22 52 01 from your
:54:20. > :54:22.mobile, 09015 22 52 01 from your landline or vote online
:54:23. > :54:34.when the vote opens later. Tess. Still to come, Jeremy has got a huge
:54:35. > :54:37.diamond. He is a minor, underground, apparently.
:54:38. > :54:39.Our next couple is Peter Andre and his partner Janette Manrara.
:54:40. > :54:43.They're dancing the Viennese Waltz to the song "You're My World" made
:54:44. > :54:47.And who better to help Peter out in training than the people who are
:54:48. > :55:05.Last week, I actually did get quite emotional. Fantastic. I don't think
:55:06. > :55:10.it could have gone any better. Night I nearly mistook you for a
:55:11. > :55:18.professional. As a huge condiment. To get 38 out of 40, overall, I
:55:19. > :55:23.would cherish that moment for ever. Relax, relax, you see? This week, we
:55:24. > :55:27.are doing the Viennese waltz to Cilla Black's you are my world.
:55:28. > :55:32.Obviously, Cilla Black is a legend and I hope we will do her proud. I
:55:33. > :55:36.want that joy and love that you feel for your kids to really come out in
:55:37. > :55:40.your dancing, so if they are here in the room with us and watching us, I
:55:41. > :55:49.think it will really help you feel the routine. Beautifully. Beautiful.
:55:50. > :55:56.Hello, how are you? Do you guys want to see what we've been up to this
:55:57. > :56:02.week? Yes! Do you guys want to... Come on, let's give it a try. Oh,
:56:03. > :56:09.what? Junior was holding his positioning. I was like... What?
:56:10. > :56:14.Please, judges, give my dad would scores. Only if he does well though.
:56:15. > :56:16.I hope I can make them proud and get good comments from them, as well as
:56:17. > :56:18.the judges. Dancing the Viennese Waltz,
:56:19. > :58:18.Peter Andre and Janette Manrara. Listen to that! Couldn't be more
:58:19. > :58:23.different than last week's dances. You can turn your hand to anything.
:58:24. > :58:26.You topped the Leader Board last week. What do you think tonight
:58:27. > :58:30.question mark you danced it very well but it was a bit too frenetic
:58:31. > :58:35.for me. I could see the effort in every gear change, and I felt like
:58:36. > :58:38.you were coming in and out of hold a little bit too much. I would have
:58:39. > :58:44.liked to see you in the hold a little bit more and see that wash
:58:45. > :58:46.around the floor you are capable of. But I did love it. I absolutely
:58:47. > :58:52.loved it. APPLAUSE
:58:53. > :58:57.Darcey, did you? For me, it was flowing with emotion. It was flowing
:58:58. > :59:01.with energy and you were stretching, those large, stretched out movements
:59:02. > :59:06.though. You really filled the dance. It's very difficult when there are
:59:07. > :59:10.many rotations like that. There were elements, especially with the smoke
:59:11. > :59:14.and everything, of a piece of Disney magic happening. Obviously for your
:59:15. > :59:21.kids. Those only moments where you're right shoulder just in that
:59:22. > :59:25.standing spin, just comes into it and you do a little tilt, but we are
:59:26. > :59:29.being really pernickety here, because we are at this stage and I
:59:30. > :59:35.want you at Blackpool and you're going to be at Blackpool.
:59:36. > :59:41.CHEERING AND APPLAUSE Lens-macro gave you a standing
:59:42. > :59:45.ovation. Where you equally impressed -- last week, Lens-macro gave you a
:59:46. > :59:53.standing ovation. We were impressed tonight? It was good, but I can't,
:59:54. > :59:57.you understand? The charleston and things, they are driven by the flare
:59:58. > :00:01.off the dance. This has a lot of technique and I'm saying you had
:00:02. > :00:06.flown, you have musicality, you didn't dance careful, you had spirit
:00:07. > :00:11.and went for it. It had a bit of an American Smooth look to me, my
:00:12. > :00:16.little peanut. Oh, yes. I would have liked a little bit more in hold, but
:00:17. > :00:26.what I saw I enjoyed. Thank you very much. Bruno? It was like watching a
:00:27. > :00:30.sea, in Cinderella. It was just wonderful, it was magic. I thought
:00:31. > :00:35.you were involved in a dance more than I've ever seen you. Your
:00:36. > :00:39.partnership was John at was absolutely flawless. -- your
:00:40. > :00:45.partnership with Janette was flawless. I love the embellishments.
:00:46. > :00:50.It may not be traditional, but I found it extremely effective. Thank
:00:51. > :00:57.you very much. Thank you, judges for those comments. Claudia will help
:00:58. > :01:01.you with your scores. Off you go, Peter and Janette. Well done.
:01:02. > :01:18.Peter, hard to come back from last week, that was quite grown-up. They
:01:19. > :01:22.loved it. It is great to do something completely different and
:01:23. > :01:27.we threw ourselves into it. She was very gracious and very lovely. More
:01:28. > :01:30.involved than they had ever seen you, and that is a good thing? They
:01:31. > :01:57.loved it! Are you happy? After last week, are
:01:58. > :02:00.you happy with that? Look at that dress. I'm just mentioning it.
:02:01. > :02:03.If you want to see Janette with a donkey next week - no offence,
:02:04. > :02:07.Peter - then call 6 22 52 12 from your mobile, 09015 22 52 12
:02:08. > :02:13.from your landline, or vote online when the vote opens later.
:02:14. > :02:17.Plus, there's lots more information and backstage gossip on Facebook,
:02:18. > :02:25.Our next couple is Georgia May Foote and her partner Giovanni Pernice.
:02:26. > :02:33.Last week's shock in the Dance Off has left all
:02:34. > :02:36.our stars feeling nervous, not least Georgia, who is desperate
:02:37. > :02:39.Although i'm sure she wouldn't mind passing it
:02:40. > :02:56.Last week I really enjoyed the samba. I made a mistake, though. The
:02:57. > :02:59.fact that the judges still gave me eight, nine, nine, nine, had I done
:03:00. > :03:07.it perfect it would have been up there. This time we are doing the
:03:08. > :03:13.Charleston from the Chicago finale. Chicago is my favourite film ever!
:03:14. > :03:18.We have been trying different lifts. We tried a cartwheel and Giovanni
:03:19. > :03:24.hit me in the back of the head. I thought I had broken my neck! Any
:03:25. > :03:28.lift is dangerous, you could hurt yourself and be out of the
:03:29. > :03:35.competition and it is not very nice. It has been a difficult week for
:03:36. > :03:42.Georgia. I got her a small surprise. Ruthie Henshaw has played Roxie in
:03:43. > :03:47.Broadway and the West End. Roxie is in control and in charge and she
:03:48. > :03:55.just loves showbiz! Connect with that passion. With July to see it? I
:03:56. > :03:59.would! I think the routine is fabulous. I really think they have
:04:00. > :04:01.got a great chance at bowling over the audience and hopefully the
:04:02. > :04:07.judges. Wow! CHEERING Dancing the Charleston, Georgia
:04:08. > :06:09.May Foote and Giovanni Pernice. Absolutely brilliant! Hats off to
:06:10. > :06:16.you two. Amazing. You are really coming out of your shell. The
:06:17. > :06:27.nominal. -- that was the nominal. Never mind Chicago, will it get them
:06:28. > :06:33.to Blackpool? Wow! That was tight, clean, brilliant steps, packed
:06:34. > :06:38.full. It took my breath away especially when you did that flip.
:06:39. > :06:42.So brave. To take risks like that and also at the end to do those
:06:43. > :06:46.turns one after another. I would forgive you for falling back on
:06:47. > :06:56.those because it was brilliant. CHEERING
:06:57. > :07:00.Len, was that your kind of Charleston? You put the girl in
:07:01. > :07:08.Chicago. I will give you a bit of advice. Take a code to Blackpool
:07:09. > :07:20.because it gets very cold. -- take a coat. That was razzle-dazzle. I am
:07:21. > :07:25.sure that everybody in the UK was impressed, and you were in
:07:26. > :07:30.character, dancing amazingly. What I have seen over the past few weeks,
:07:31. > :07:34.and I really mean it, you have grown not just as a dancer but as a
:07:35. > :07:41.performer, you are becoming a better actress as well as a better dancer.
:07:42. > :07:58.I am so proud. APPLAUSE Bruno is proud. Craig? Three
:07:59. > :08:00.letters, L-U-V the we will -- three letters, L-U-V. We will go with
:08:01. > :08:13.that. CHEERING
:08:14. > :08:16.I have never seen you happier! You joined Strictly Come Dancing just to
:08:17. > :08:23.do the Charleston and that is your favourite film, and favourite
:08:24. > :08:32.musical. I am so honoured to be able to do it. The scores are not in yet.
:08:33. > :08:38.I am so sorry. You enjoyed it, too? Of course. You did great. That was
:08:39. > :09:17.seamless. The scores are in now! That is the highest score of the
:09:18. > :09:22.series! Well done! Are you all right? The highest score of the
:09:23. > :09:25.series. Thank you so much! You have been working very hard.
:09:26. > :09:27.If you want to see what a sophisticated Italian makes of
:09:28. > :09:31.Blackpool, call 6 22 52 09 from your mobile, 09015 22 52 09 from your
:09:32. > :09:34.landline, or vote online free of charge when the vote opens later.
:09:35. > :09:44.My wig almost came off then! It is sweaty! After that everyone is
:09:45. > :09:45.sweating! Remember nobody is safe and everyone
:09:46. > :09:50.wants to make it to Blackpool. There's just one
:09:51. > :09:50.couple left to dance. Last to dance tonight is Jeremy Vine
:09:51. > :09:55.and his partner Karen Clifton. In last week's unforgettable
:09:56. > :09:58.Tango, Jeremy was riding a horse If he gets his Quickstep right
:09:59. > :10:18.tonight, next week he could be It is starting to get very
:10:19. > :10:24.pressured. What a glorious disaster! We like glorious, it is a positive
:10:25. > :10:28.word. It has just got real. It is week eight and four Jeremy and Karen
:10:29. > :10:35.it means the quickstep. We are doing the quickstep to going underground
:10:36. > :10:43.by the Jam. This week we are minors and I will take you to a place to
:10:44. > :10:47.help with our characters. Welcome to Crossrail, let's go underground.
:10:48. > :10:56.There is so much going on. A bit like our dances. How many men are
:10:57. > :10:59.there on this site? 250. This is the biggest construction project in
:11:00. > :11:06.Europe. It is amazing. It is like seeing into the future. What an
:11:07. > :11:11.amazing dance floor. Let's go! There are 26 miles of tunnels and it means
:11:12. > :11:19.there are 26 miles of quickstep for Jeremy! If that does not help my
:11:20. > :11:22.stamina I don't know what will! I am suddenly thinking about Blackpool.
:11:23. > :11:28.Which one of these goes to Blackpool?
:11:29. > :11:30.Dancing the Quickstep, Jeremy Vine and Karen Clifton.
:11:31. > :13:25.Come on over if you can get out! That is a bit high. Well done. It is
:13:26. > :13:30.nice to see you trying so hard and how much you enjoyed it. We were
:13:31. > :13:42.enjoying it with you. It is an amazing song. Did you enjoy it?
:13:43. > :13:45.There were a few minor mistakes! I don't know who's going home tonight
:13:46. > :13:49.and who won't make it to Blackpool but what I know is that if you're
:13:50. > :13:57.not that there will be a lot of fun and a lot of entertainment missed.
:13:58. > :14:01.Jeremy, there is no question that you will be digging deep down into
:14:02. > :14:08.the reserves. You have not quite struck gold yet. A few times you got
:14:09. > :14:11.stuck in the mud! But it was a very good effort and I have to really
:14:12. > :14:16.admire your determination and resilience because you do give
:14:17. > :14:25.everything you've got out there. It is not perfect, but I appreciate
:14:26. > :14:28.that. It didn't exactly fly around the ballroom floor like I was
:14:29. > :14:34.imagining it was going to be. It was like being at the National dressage
:14:35. > :14:40.Championships! The pony club would have been proud at least! BOOING
:14:41. > :14:47.I missed that last comment? That is probably just as well, my dear!
:14:48. > :14:51.Let's gloss over that! Moving on... For me it was a bit steady but I can
:14:52. > :14:56.imagine how difficult it is for you and how hard you have worked,
:14:57. > :15:00.because with your long legs and moving fast it is difficult and you
:15:01. > :15:05.were light on your feet. I would only say that you worked very hard
:15:06. > :15:09.on your top line and I can see that you are working hard to keep it
:15:10. > :15:14.still, but maybe you were working too hard. Try to use your back more
:15:15. > :15:17.instead of trying to lift the elbow, think of your shoulders and your
:15:18. > :15:24.muscles helping you to hold the top line instead of fixing like this. It
:15:25. > :15:26.was a little bit hard. But it was a great improvement. Well done.
:15:27. > :15:41.APPLAUSE Thank you, Darcy. We love you! Off
:15:42. > :15:55.you go to Claudia. Thank you. Thank you. You close this show in a cart!
:15:56. > :16:00.What ambition. It showed real determination. There were so nice,
:16:01. > :16:06.it meant so much, thank you. If you make it to Blackpool, what will you
:16:07. > :16:11.be doing? If, long shot, I will be lowered from a electric guitar with
:16:12. > :16:18.pyrotechnics from both ends! Of the guitar! You are welcome. The scores
:16:19. > :16:23.are in. Aiders and gentlemen, the judges
:16:24. > :16:34.have their scores. -- ladies and gentlemen.
:16:35. > :16:41.the same as last week, 21. It's the kind of progress. Thank you. We are
:16:42. > :16:43.learning. If you enjoyed Jeremy in that cart -
:16:44. > :16:47.and by the way, that's how we're all getting up to Blackpool next
:16:48. > :16:51.week - then call 6 22 52 10 from your mobile, 09015 22 52 10 from
:16:52. > :16:54.your landline, or vote online for Let's take a look
:16:55. > :17:03.at the Leader Board. Georgia and Giovanni are at the top
:17:04. > :17:18.with magnificent 39. At the bottom of the Leader Board,
:17:19. > :17:21.we saw Jeremy and Karen, with 21. You can change all of that by
:17:22. > :17:25.picking up the phone, or going online to vote. I'm not sure if we
:17:26. > :17:31.have mentioned it but everyone wants to get to... Blackpool! Drink up so
:17:32. > :17:43.your votes are more important than ever. Voting is now open.
:17:44. > :17:50.The vote closes at 8:35pm tonight. Please don't vote if you are
:17:51. > :17:54.watching OnDemand. Here is a reminder of tonight's performances
:17:55. > :20:26.and I don't want to see all the information you need, thank you.
:20:27. > :20:32.Voting closes at 8:35pm tonight so you don't have long to choose
:20:33. > :20:37.Our nine couples have danced their hearts out and can do no more.
:20:38. > :20:41.It's now down to you to decide who you want to see again next week.
:20:42. > :20:43.The Blackpool Tower Ballroom is within touching distance, and
:20:44. > :20:47.But sadly, one of our couples must leave the competition in our Results
:20:48. > :20:52.votes will make the difference between who stays in Strictly
:20:53. > :20:54.and who goes home, so please pick up the phone or go online.
:20:55. > :20:57.Also on tomorrow night's Results Show, we have a very special
:20:58. > :21:01.routine from our professional dancers, plus a performance from The
:21:02. > :21:15.and we have years and years. Please make sure you join is in the
:21:16. > :21:21.Ballroom tomorrow night at 7:20pm. Is it true the security guard tried
:21:22. > :21:46.to stop you coming in here? The story of my life! Ask any of my
:21:47. > :21:47.friends. "It's me, Adele!"