0:00:01 > 0:00:06This week on Strictly, with six couples remaining, and the
0:00:07 > 0:00:09competition tougher than it's ever been, as the workload intensified
0:00:10 > 0:00:13its all about the steps, the technique, and the flower. One
0:00:14 > 0:00:20celebrity, one professional, one training room. Were going to stay
0:00:21 > 0:00:25here for as many hours as is needed. There will be no room for error. The
0:00:26 > 0:00:32toughest week yet. One dance was hard enough, but now we've got to
0:00:33 > 0:00:37learn two. No looking back. I hope this training pays off. And the one
0:00:38 > 0:00:43celebrity, nope strictly future. Anyone could be going home. It's
0:00:44 > 0:01:30terrifying. We have to get it right. Nobody is safe.
0:01:31 > 0:01:34Live from the BBC, this is Strictly Come Dancing!
0:01:35 > 0:02:06It's Saturday night and we're live from the Strictly ballroom!
0:02:07 > 0:02:09We've just about recovered from last week's Blackpool special, where
0:02:10 > 0:02:13sadly it was fifth time unlucky for Jamelia and Tristan and their
0:02:14 > 0:02:20We're now left with seven celebrities who have had seven days
0:02:21 > 0:02:22not only to learn a brand new routine,
0:02:23 > 0:02:26but also to prepare themselves for tonight's Quickstepathon!
0:02:27 > 0:02:29Yes, seven couples, 28 elbows, legs and hands, all flying around
0:02:30 > 0:02:38And with so much ballroom business to get through we need the help
0:02:39 > 0:02:44of our awesome foursome - please welcome the Judges!
0:02:45 > 0:03:19Our couples are all backstage and with double the dances, they're
0:03:20 > 0:03:33EastEnders actress Kellie Bright, and her partner Kevin Clifton.
0:03:34 > 0:03:38TV presenter Anita Rani, and her partner Gleb Savchenko.
0:03:39 > 0:03:40From BBC Proms and Radio 3, presenter Katie Derham,
0:03:41 > 0:03:45Star of Call The Midwife, Helen George,
0:03:46 > 0:03:51Actress Georgia May Foote, and her partner Giovanni Pernice.
0:03:52 > 0:03:54Singer and TV personality Peter Andre,
0:03:55 > 0:04:00And finally from the Wanted, pop star Jay McGuiness,
0:04:01 > 0:04:20There they all are - our sensational seven.
0:04:21 > 0:04:23All of them have been in the top two of the leaderboard, all of
0:04:24 > 0:04:34Dancing first tonight is Kellie Bright and her partner
0:04:35 > 0:04:41Last week Kellie scored her first ten.
0:04:42 > 0:04:44Tonight, they're dancing a salsa to a classic
0:04:45 > 0:04:47from the Jackson 5, and they're really hoping the Judges will say
0:04:48 > 0:05:03Blackpool was honestly one of the best nights ever. I loved it so
0:05:04 > 0:05:11much. You might have noticed! Tight, clean, I loved it.
0:05:12 > 0:05:14CHEERING AND APPLAUSE Honestly, the utter amazement that
0:05:15 > 0:05:20we get to stay each week is just brilliant.
0:05:21 > 0:05:28This week, Kevin Clifton and I are doing a salsa. We've got the
0:05:29 > 0:05:33quickstep to prepare as well, so I don't know how we're going to make
0:05:34 > 0:05:39it work. I'm nearly 40, and throwing myself around like a teenager! Every
0:05:40 > 0:05:43muscle hurts, all down the top of my back is on fire. The hardest routine
0:05:44 > 0:05:50I've ever done. Great, just finished a full day of training. My body
0:05:51 > 0:05:57feels broken. I'm now already on my way to rehearsal. I haven't stopped
0:05:58 > 0:06:01thinking about the routine and the lifts. There's a drop that we do
0:06:02 > 0:06:05which I don't think there's ever been done before on strictly. I've
0:06:06 > 0:06:10never seen anything like it. If we get this even a millimetre wrong,
0:06:11 > 0:06:16she could end up with a broken nose, like that. I'm worried about the
0:06:17 > 0:06:21lifts. If we pull it off, it will be amazing. That's the case with the
0:06:22 > 0:06:29whole routine, if we don't, it will be awful.
0:06:30 > 0:06:31Dancing the Salsa, Kellie Bright and Kevin
0:06:32 > 0:08:21CHEERING AND APPLAUSE Oh, yes! I know you are so pleased
0:08:22 > 0:08:28with yourself! You survived those lifts! I'm so relieved. That was
0:08:29 > 0:08:32absolutely brilliant. Before we hear from the judges, get your breath
0:08:33 > 0:08:38back. That's welcome our brilliant lights thing is, Hayley, Patrick,
0:08:39 > 0:08:41Andrea, Tommy, and of course the live orchestra.
0:08:42 > 0:08:44Len, pressure is on tonight, they've had to master two dances.
0:08:45 > 0:09:01I'm going to put it into text talks, G, R, eight. Now you were like two
0:09:02 > 0:09:07sizzling sausages on a barred the queue, hot, rhythm, your bomb was
0:09:08 > 0:09:11bionic, coming out of your special lift was a bit wobbly but other than
0:09:12 > 0:09:17that I saw nothing but fabulous. CHEERING AND APPLAUSE
0:09:18 > 0:09:25And the bionic bottom! You scored them ten last week, how did that
0:09:26 > 0:09:27compare? The first of the magnificent seven has started
0:09:28 > 0:09:33beautifully, this evening. It could not have started better. You were
0:09:34 > 0:09:37flying, you are like two courting fireflies, all over the place,
0:09:38 > 0:09:40extremely fast, extremely difficult, all the steps you put in, I don't
0:09:41 > 0:09:46know how you managed to deliver them. Just a tiny tiny dismount,
0:09:47 > 0:09:54overall though, great. CHEERING AND APPLAUSE
0:09:55 > 0:10:00Very good. Craig. I quite liked the Joan Collins stroppy opening,
0:10:01 > 0:10:04throwing the drink over them, great hits, fantastic energy, you always
0:10:05 > 0:10:10bring that to the States, which I absolutely love. It did lose a bit
0:10:11 > 0:10:16of ability in and out of the lifts, but apart from that, absolutely
0:10:17 > 0:10:21great. Those lifts are so daring. Darcey, what did you think? It's
0:10:22 > 0:10:24true what the boys were saying about the lifts, they are difficult and
0:10:25 > 0:10:29it's another skill to have. You asked at such a strong dancer and
0:10:30 > 0:10:34you are putting too much effort into it. Get him to do all the work! It's
0:10:35 > 0:10:38funny, because you are strong and I continue going for it and you throw
0:10:39 > 0:10:42him and it's such a thing to have experienced but I have to say you
0:10:43 > 0:10:46pulled off the rest of the dance. I loved how you flirted with him until
0:10:47 > 0:10:50the end, very nice. CHEERING AND APPLAUSE
0:10:51 > 0:10:54Unanimous from the judges, what a strong start. Take your bionic
0:10:55 > 0:10:56bottom upstairs, carry on the party, Claudia, off you go.
0:10:57 > 0:11:12CHEERING AND APPLAUSE I didn't fall over! You said this
0:11:13 > 0:11:15could either go either really well or terribly wrong committee said it
0:11:16 > 0:11:20is the hardest dance you've ever done. All credit to Kellie, it's not
0:11:21 > 0:11:23very often we get through this whole routine without going wrong and I
0:11:24 > 0:11:28kept saying, shall we simplify the bit and Kellie said no, I really
0:11:29 > 0:11:33want to do it and get it right she blogs about it. You must have loved
0:11:34 > 0:11:44the judges' comments, sizzling sausages. Bionic bum and sizzling
0:11:45 > 0:11:48sausages! This has been our most exhausting routine yet, I've never
0:11:49 > 0:11:53done lifts before so trying to find a lift that works for us, we changed
0:11:54 > 0:12:00it halfway through the week, but I loved it. The scores are end.
0:12:01 > 0:12:22You must be over the moon? Three less than last week and also I could
0:12:23 > 0:12:27see you when you got the eights, I'm happy with that. If you enjoyed
0:12:28 > 0:12:28seeing them argue over a text message, let's be honest, we have
0:12:29 > 0:12:42all done it. Call: Later, we have the Quickstepathon
0:12:43 > 0:12:46which involves all the couples dancing at the same time. It's time
0:12:47 > 0:13:11for a TV first, this is the terms and conditions athon.
0:13:12 > 0:13:17Voting won't open until after the Quickstepathon. Your vote won't
0:13:18 > 0:13:24count and you may still be charged. Thank you. Tests. -- test.
0:13:25 > 0:13:27Our next couple is Katie Derham and her partner Anton Du Beke.
0:13:28 > 0:13:30They're doing the Argentine tango.
0:13:31 > 0:13:33It's a dance where a lot of attention is on the legs.
0:13:34 > 0:13:36Mind you, with legs like Katie's, whenever she dances, there's lot
0:13:37 > 0:13:50Dancing the Argentine tango, Katie Derham and Anton Du Beke.
0:13:51 > 0:13:57Dancing with Anton was pretty special. It was your best dance.
0:13:58 > 0:14:02That's nearly 40 four stop I'm going to call it 40, because I don't know
0:14:03 > 0:14:06what's that like. It was fantastic to get a score like that in
0:14:07 > 0:14:11Blackpool, doing a dance I loved. Job done. Step and step. The
0:14:12 > 0:14:15Argentine tango, there's a lot of impressive kicks and flicks and
0:14:16 > 0:14:19sliding the feet up and down your legs, his legs. So far I've been
0:14:20 > 0:14:26mostly kicking myself. This time I was doing a scissor kick and scissor
0:14:27 > 0:14:31kicked my foot. It looks like it's done. Made me sore. I have been
0:14:32 > 0:14:36putting the hours in nobody said it would be a walk in the park. We have
0:14:37 > 0:14:41to find as much time as we can rehearsals. That's it, we've had our
0:14:42 > 0:14:46training for today. Anton, I have to get this right. I'm sorry. Next time
0:14:47 > 0:14:50we do this, we will be in the studio. Scary. I can practice at
0:14:51 > 0:14:58home and I will, no question about that. It always feels so much more
0:14:59 > 0:15:02real rehearsing in this studio. Now I just want I hope that on Saturday
0:15:03 > 0:15:05night we can do a really great job in front of the audience.
0:15:06 > 0:15:09Dancing the Argentine tango, Katie Derham and Anton Du Beke.
0:15:10 > 0:17:05CHEERING AND APPLAUSE Gorgeous. Putting those
0:17:06 > 0:17:16legs to good use. Bruno, did that ignite your passion? Drop dead
0:17:17 > 0:17:22gorgeous. A high-class court San, with an irresistible appeal in the
0:17:23 > 0:17:26body of evidence. You can't afford it Anton. She's going to run rings
0:17:27 > 0:17:30around you. The lines you've done tonight are some of the best you've
0:17:31 > 0:17:36ever done. Really. But you've got the legs for it. Beautifully
0:17:37 > 0:17:40choreographed routine. It showed off your best quality, your legs. A
0:17:41 > 0:17:44couple of things, just the hooks, a bit sharper. It's like kicking
0:17:45 > 0:17:47somebody in the bum, it has to have that action and retraction. That's
0:17:48 > 0:17:57the only thing I could see that could be improved upon.
0:17:58 > 0:18:01Craig? Yes, he's I ring about the ganchos they need to bounce off
0:18:02 > 0:18:06Anton's inner thighs. You need to explore that a bit more. You can
0:18:07 > 0:18:11afford to... Erm...... Turn your foot out in lunges just a fraction.
0:18:12 > 0:18:16They're a bit turned in. You were reacting a little late to Anton's
0:18:17 > 0:18:22leads, which would just make you go up. You wobbled out of that spin as
0:18:23 > 0:18:25well. You lost your balance and picking your feet up too much. Apart
0:18:26 > 0:18:31from that, darling, it was wonderful.
0:18:32 > 0:18:34Ended on a high. Darcey could these lovely legs take Katie to the
0:18:35 > 0:18:38quarter finals? I think so definitely. You are very beautiful.
0:18:39 > 0:18:42It's the impact you make as soon as you come on the dance floor. The
0:18:43 > 0:18:47difficulty and complexity of this dance is how hard it is for,
0:18:48 > 0:18:52especially the woman, to be able to feel in control and I did feel that
0:18:53 > 0:18:55the clarity is still missing, you know? You know what it is, it's
0:18:56 > 0:19:00trying to exaggerate the still moments. So after you've done a
0:19:01 > 0:19:04flick, I don't need to still shaking. That's when I feel unsure.
0:19:05 > 0:19:07The improvement you made, the intent and work, I can see, has gone in.
0:19:08 > 0:19:14Well done E -- well done. Len, last week, you
0:19:15 > 0:19:19said that Katie had her best dance yet. How did this compare? Well,
0:19:20 > 0:19:24there's no doubt about it, it was a fantastic dance. The amount of work
0:19:25 > 0:19:28that went into that and the cleverness of the choreography and
0:19:29 > 0:19:33the foot work was wonderful. What, for me, was lacking a little bit, it
0:19:34 > 0:19:47lacked, on occasions, a little bit of compact. It was a little bit
0:19:48 > 0:19:52open. I wasn't really transported to the quayside at Argentina. I nearly
0:19:53 > 0:19:57brought a hard hat in tonight and I wish I had now! Overall, a great
0:19:58 > 0:20:01job. Well done. Overall great comments from all four
0:20:02 > 0:20:03judges. Thank you judges. Walk those legs up to Claudia. Well done, Katie
0:20:04 > 0:20:17and Anton! APPLAUSE
0:20:18 > 0:20:25Absolutely nuts for it up here. Hola. You wanted to be part of this
0:20:26 > 0:20:28whole thing so you could do the Argentine tango. Fact. Was it
0:20:29 > 0:20:32everything you wanted it to be? I loved it. This is such a beautiful,
0:20:33 > 0:20:39dramatic dance. We've had a great week learning it. I loved performing
0:20:40 > 0:20:42it. Bruno says the best line he's seen you provide in the competition.
0:20:43 > 0:20:48That's a very nice thing to hear. Excellent lines. Anton, did you ever
0:20:49 > 0:20:53think you would stay in long enough to do an Argentine tango? Oh, aren't
0:20:54 > 0:21:13you just... We're all surprised. The scores are in:
0:21:14 > 0:21:22That's a good score. Not quite as high as last week, but still...
0:21:23 > 0:21:30Thafrz OK. That's OK. If you were hooked by Katie's leg wraps, please
0:21:31 > 0:21:37call: or vote online when the vote opens later. I know you're reading
0:21:38 > 0:21:42and all that. Lots of 30s. Yeah, you're happy? He's over the moon.
0:21:43 > 0:21:45Still to come Peter Andre gets out his cupcakes. Don't worry, that
0:21:46 > 0:21:46isn't code. Our next couple is Helen George
0:21:47 > 0:21:49and her partner Aljaz Skorjanec. They're doing a Viennese waltz, and
0:21:50 > 0:21:56Helen is playing the part of a woman Don't tell me Aljaz is still up
0:21:57 > 0:22:15in Blackpool. Last Saturday's show was incredible.
0:22:16 > 0:22:19It was our most theatrical dance. It needed to be messed up a little bit.
0:22:20 > 0:22:24I'm a little bit embarrassed that I got emotional. I wanted them to
0:22:25 > 0:22:28enjoy the dance. But there are worse things that can happen. This week,
0:22:29 > 0:22:31we're doing a beautiful Viennese waltz. The judges are definitely
0:22:32 > 0:22:43going to be looking for perfection. I think we have a lot of work to do.
0:22:44 > 0:22:47No pressure. No pressure. Don't change your posture for a
0:22:48 > 0:22:54second. Sometimes I have off days, but today is an off day. We're
0:22:55 > 0:23:00struggling a bit. It's very traditional. Natural turns. Keep
0:23:01 > 0:23:06this shoulder down. Reverse turns. Wow, I've forgotten it all. The
0:23:07 > 0:23:09Viennese waltz is not as easy as I thought. I've lost my confidence a
0:23:10 > 0:23:13bit. Talk me through it before we do it. I keep tripping up. I've been
0:23:14 > 0:23:17putting too much pressure on myself. It's the pressure of wanting to do a
0:23:18 > 0:23:22good job for Aljaz. You don't want to put that person down. I can see
0:23:23 > 0:23:25his face getting disappointed when I'm not doing the hold. It's the
0:23:26 > 0:23:31worst thing in the world. I'm going to go out there on Saturday night,
0:23:32 > 0:23:32having worked hard all work and do well for Aljaz and impress the
0:23:33 > 0:23:36judges and the audience. Dancing the Viennese waltz,
0:23:37 > 0:25:31Helen George and Aljaz Skorjanec. CHEERING AND
0:25:32 > 0:25:38APPLAUSE Exquisite! Beautiful. Thank you. Goose bumps then. Thank you.
0:25:39 > 0:25:42Gorgeous. That looking perfect from where I was standing. Let's ask the
0:25:43 > 0:25:48experts. Craig, you were critical last week. Was this week better?
0:25:49 > 0:25:51Yeah, a lot better actually. Beautiful rotation around the floor.
0:25:52 > 0:25:56Lovely movement across the floor. The story telling, I have to say,
0:25:57 > 0:26:00was absolutely excellent - in and out of hold. Normally when you go
0:26:01 > 0:26:08back in hold the story's lost. You maintained it all the way through.
0:26:09 > 0:26:11It was absolutely gorgeous. Darcey, you look enraptured
0:26:12 > 0:26:18throughout that. It was like being in your dream. I have to say, you
0:26:19 > 0:26:27are such a treasure to watch. Together, that close to perfection.
0:26:28 > 0:26:32The details, the feeling, the gliding, how you use the floor. You
0:26:33 > 0:26:40know, the story did not stop for me, thank you. I loved it.
0:26:41 > 0:26:48Len, you're smiling. Tickle my bum and call me Donald. Honestly!
0:26:49 > 0:26:57Dancing is a marriage between music and movement. This was a match made
0:26:58 > 0:27:03in heaven. Wofrl. -- wonderful. Bruno, make it a full house. I'm
0:27:04 > 0:27:08charmed to the core with this dance. Everything came together perfectly.
0:27:09 > 0:27:13The sweeping movement, but above all, it's the lightness of the foot
0:27:14 > 0:27:17work, it really looked weightless, as if you were dancing on a cloud.
0:27:18 > 0:27:20It just had a quality that you've never actually achieved this season.
0:27:21 > 0:28:14This is your breakthrough dance, my darling.
0:28:15 > 0:28:25I wanted him to be proud, of course. This was beautiful. You haven't had
0:28:26 > 0:28:32a ten yet. Would you like one? Well, you know, it would be nice. Let's
0:28:33 > 0:28:39see, the scores are in. The judges have their scores.
0:28:40 > 0:29:09You wait for one and three,! That's joint top of the series. Oh, my
0:29:10 > 0:29:13goodness, that's amazing. Thank you so much. If you don't want to see
0:29:14 > 0:29:17Helen in tomorrow night's Dance Off, which will be straight after you see
0:29:18 > 0:29:28that gramophone on the antiques road show, please call:
0:29:29 > 0:29:38You are shaking. In a good way! Three couples have danced, but we
0:29:39 > 0:29:43still have all of this to come. At this point I feel what the tango is.
0:29:44 > 0:29:50I don't necessarily do it all the time but I'm finally getting the
0:29:51 > 0:29:54vibe. What did I do, what did I do? We're trying to get an American
0:29:55 > 0:30:01Smooth, it's still a bit of an Aussie rough. All I can think is I
0:30:02 > 0:30:08looked like a sausage, rolling down his leg like a sausage roll. Two,
0:30:09 > 0:30:12three and four. When I'm learning I have to pretend to Gleb that I know
0:30:13 > 0:30:17what I'm doing even though I haven't got a clue.
0:30:18 > 0:30:20CHEERING AND APPLAUSE I'm looking forward to the
0:30:21 > 0:30:27Quickstepathon, it's going to be really exciting. I know how to make
0:30:28 > 0:30:31it even more exciting, Tess. How? Marbles.
0:30:32 > 0:30:34Our next couple is Jay McGuiness and his partner Aliona Vilani.
0:30:35 > 0:30:37Their routine tonight is full of drama and intensity, and at this
0:30:38 > 0:30:40stage of the competition, nothing less than 100% commitment will do.
0:30:41 > 0:30:49It's time for Jay to put the "go" into "tango".
0:30:50 > 0:31:00Don't worry, Jay, we will clearly is up for your! Claudia, behave! Last
0:31:01 > 0:31:07Saturday our salsa performance was Cuba seemed and it went pretty well.
0:31:08 > 0:31:13# the way you make me feel #. Finally, we are seeing some facial
0:31:14 > 0:31:18expression. It's setting a precedent as opposed to being a blip. Your
0:31:19 > 0:31:23natural hit action, the isolation was all there there, it was
0:31:24 > 0:31:30fantastic. You go over the technique with a fine tooth comb, so that is
0:31:31 > 0:31:34like gold. This week, we are doing the tango to Prince's when doves
0:31:35 > 0:31:38cry. Isle of Dogs the song so much. I'm excited to see what the end
0:31:39 > 0:31:44result is going to look like -- I love the song so much. Every week is
0:31:45 > 0:31:49the Fayoum process, the way I teach Jay. I'd try to figure out how I
0:31:50 > 0:31:54want things to look. When it's formed, she will show me my moves
0:31:55 > 0:32:01and I will copy all the things she's doing. But worse! And then, she will
0:32:02 > 0:32:04work on placement. Because inevitably, everything is in the
0:32:05 > 0:32:10wrong place. Then with music, dancing is better. I'm absolutely
0:32:11 > 0:32:13love learning the tango this week, now I hope all the jigsaw pieces
0:32:14 > 0:32:16come together nicely and I perform well this Saturday night.
0:32:17 > 0:32:21Dancing the Tango, Jay McGuiness and Aliona Vilani.
0:32:22 > 0:34:21What about that, ladies and gentlemen? What a reaction!
0:34:22 > 0:34:31Listen to that! I think they liked it. The intensity between these two
0:34:32 > 0:34:36is like nobody else was in the room. Loved it. Darcey, takes two
0:34:37 > 0:34:47the tango. What do you think of their relationship on the floor? Oh,
0:34:48 > 0:34:50my, I... She's overcome, she has no words. You know, there was
0:34:51 > 0:34:55something, you were just working as one. You know, the music... The
0:34:56 > 0:35:02music, how you were using that music how you both hearing it, it was
0:35:03 > 0:35:07superb. I mean, just the delivery of the steps.
0:35:08 > 0:35:11CHEERING AND APPLAUSE The position, it was all there. But
0:35:12 > 0:35:14what I really liked is how modern the use of the choreography, the
0:35:15 > 0:35:28approach you gave, that intensity was all there. That was my favourite
0:35:29 > 0:35:37dance. Lennon? -- Lens-macro? UMIST missed more two of your leads. I do
0:35:38 > 0:35:40look at the feet. You were like a chest master, you plotted your way
0:35:41 > 0:35:45around that floor. Every move carefully placed -- chess master.
0:35:46 > 0:35:54That was a mango of eight tango, delicious. He loved it. Bruno, you
0:35:55 > 0:36:00are a very passionate guy. Did it get your blood pumping? It's boiling
0:36:01 > 0:36:05over with delight! Is Jay a match show on a mission? So strong, so
0:36:06 > 0:36:09compelling, so focused, but there's one thing you do which is
0:36:10 > 0:36:13incredible. You have the ability of splitting the musical beat right in
0:36:14 > 0:36:18the centre. You never under, you are never over, you are always on it,
0:36:19 > 0:36:22and you do it your body in a way that I find brilliant. I love to see
0:36:23 > 0:36:30that. That is what makes a great dancer. It just thrills me, to seize
0:36:31 > 0:36:35the way doodads. Were you thrilled with his tango face, Craig? You hear
0:36:36 > 0:36:40the music and that's what I adore about you and it's true, Bruno, you
0:36:41 > 0:36:45hear it, you were clean, its sharp, its staccato, I wasn't too fond of
0:36:46 > 0:36:49the hitch kick you did but that's personal taste, personal takes. But
0:36:50 > 0:36:55I absolutely adored it. CHEERING AND APPLAUSE
0:36:56 > 0:36:59They all adored it, so did we. Brilliant, brilliant, off you go.
0:37:00 > 0:37:11Jay and Aliona, let's hear it. CHEERING AND APPLAUSE
0:37:12 > 0:37:17Congratulations, the judges were saying the way you listened to the
0:37:18 > 0:37:21music because Aliona, as a choreographer, you don't let him
0:37:22 > 0:37:26listen to the music for the first two days of training, is that true?
0:37:27 > 0:37:32The first day, then we go into the music very much. Did you enjoy
0:37:33 > 0:37:35that? That song was awesome. The choreography was hard but I loved
0:37:36 > 0:37:39every second. I'm lost for words. The scores are in. The scores are
0:37:40 > 0:38:04in. 38, that is the highest score, you
0:38:05 > 0:38:10were... Are you happy? So happy, yes. If you enjoyed that routine and
0:38:11 > 0:38:17don't want these two does the cry, call:
0:38:18 > 0:38:24Still to come, three words, Anita, Gleb, Rumba. I know, and a fourth
0:38:25 > 0:38:27word, Tess. Our next couple is Peter Andre
0:38:28 > 0:38:29and his partner Janette Manrara. They're doing an American
0:38:30 > 0:38:32smooth, set in a bakery. They're even going to have lots
0:38:33 > 0:38:53of real yummy cup cakes Let's make no mistake. I deserved to
0:38:54 > 0:38:57be in the bottom two. Peter and Janette. You go out there, you do
0:38:58 > 0:39:01it, you enjoy the performance, but we've got to understand that there
0:39:02 > 0:39:05are highs and lows. Peter and Janette to stay on strictly. It's
0:39:06 > 0:39:11BNR eye-opener for me, you never know what's going to happen now. I
0:39:12 > 0:39:15know we had a rough week at Blackpool, but this week, we're
0:39:16 > 0:39:20doing and American Smooth. It's hard to do a week like that but I'm still
0:39:21 > 0:39:26here, so yes, American Smooth sounds good. It's set in a bakery and I
0:39:27 > 0:39:32thought the lift your spirits, cupcakes. You can only have it if
0:39:33 > 0:39:36you work hard in rehearsal. Promise. So I did lose a bit of confidence
0:39:37 > 0:39:43after the weekend. I'm just having this mental block. I have to push
0:39:44 > 0:39:48you. Of course. Don't stress. I'm trying to snap out of it, just a
0:39:49 > 0:39:56matter of me believing it. He's working hard this week. I can do
0:39:57 > 0:40:01this. Much better, you see? We need a fight attitude about him so he
0:40:02 > 0:40:05stays in the competition. If I hold my posture and do the lifts
0:40:06 > 0:40:10correctly, if I get the quickstep correct... That was so smooth, you
0:40:11 > 0:40:12can do this. Then I will be really happy.
0:40:13 > 0:40:17Dancing the American smooth, Peter Andre and Janette Manrara.
0:40:18 > 0:42:13CHEERING AND APPLAUSE So you did! Thank you. Get it off
0:42:14 > 0:42:17your nose! Well done, my darling. I think I'll give it a miss, thanks.
0:42:18 > 0:42:24You two looked good enough to eat. Thank you, Janette, she's been so
0:42:25 > 0:42:30good to me this week. You two are great partnership. Len, did it leave
0:42:31 > 0:42:35you hungry for more? Two things Peter, that the ladies love,
0:42:36 > 0:42:40cupcakes and Peter. What I love about your dancing, it was joyful.
0:42:41 > 0:42:43It made you feel good. The music was great, your performance was really
0:42:44 > 0:42:51good, especially out of hole. In hold, it got a bit crunchy but I
0:42:52 > 0:42:59just enjoyed watching the pair rock you dance, so well done for that.
0:43:00 > 0:43:05Thank you. He always gives 110%, Peter. Did it show tonight? Of
0:43:06 > 0:43:08course, it was so sweet, I got a sugar rush. You were like two kids
0:43:09 > 0:43:13in a candy store and you always interpret. You have a knack of
0:43:14 > 0:43:17interpreting the theme that has been given to you, after our comments in
0:43:18 > 0:43:20the first few weeks. Now, you are really embracing that which is good.
0:43:21 > 0:43:25It's called American Smooth. It requires with all of that playacting
0:43:26 > 0:43:31to maintain smoothness throughout, not just side-by-side. As Len said
0:43:32 > 0:43:35everything has to flow, especially in hold. Don't start getting
0:43:36 > 0:43:40overexcited because then what happens, all of this part goes off a
0:43:41 > 0:43:46little bit. That is my comment. Otherwise, the performance was
0:43:47 > 0:43:50great. Craig? I wouldn't like to have seen -- I would like to have
0:43:51 > 0:43:54seen longer lines, particularly in small details. When you are putting
0:43:55 > 0:43:58the cupcake down, you don't throw it, you have to dance that moment.
0:43:59 > 0:44:05You have to dance it through, you can't just throw it on the table. He
0:44:06 > 0:44:11didn't throw it! Then take bigger steps, darling! A little swing, a
0:44:12 > 0:44:15little sway in hold, but you know what, Peter, I love your
0:44:16 > 0:44:20performance. Your performance skills are absolutely brilliant.
0:44:21 > 0:44:25CHEERING AND APPLAUSE Darcey, Dance Off last week, was he
0:44:26 > 0:44:30better this week? It certainly was. I know how difficult it is to come
0:44:31 > 0:44:34out of a Dance Off and have that confidence to get back on and you
0:44:35 > 0:44:39can see you have worked very hard and you have worked in very hard.
0:44:40 > 0:44:43Well done. Your charm, the storytelling, it was sweet, it was
0:44:44 > 0:44:47lovely, it carried all the way through. There was a very impressive
0:44:48 > 0:44:56one-handed lift aren't you held it here. All of those things, always
0:44:57 > 0:44:59added details, I saw that. It looked careful in places. That would be the
0:45:00 > 0:45:04only thing. I thought you were holding back. You are normally more
0:45:05 > 0:45:09natural and relaxed but you were a bit careful, but still a very
0:45:10 > 0:45:11impressive performance. Off you go, thank you so much, Peter. And Jenas.
0:45:12 > 0:45:27CHEERING AND APPLAUSE Thank you very much. Cream has gone.
0:45:28 > 0:45:33I know you were nervous about the lifts. I'm not going to lie, this is
0:45:34 > 0:45:37the most nervous I've ever been, ever! I've been shaking all day. She
0:45:38 > 0:45:43said just snap out of it. I'm still nervous. Yeah, you know, I needed to
0:45:44 > 0:45:48work hard. I needed to work hard. He needs a cuddle. You pushed him hard.
0:45:49 > 0:45:52It's a delicate line with us pros. We want to encourage them to be the
0:45:53 > 0:45:56best they can be and push them but still stay positive and happy about
0:45:57 > 0:46:00it. I think we got there this week. You worked so hard. I'm so proud of
0:46:01 > 0:46:19you. Thank you. Thank you. The scores are in:
0:46:20 > 0:46:2731, yeah? Higher than last week. Now if you want our baker -- if you
0:46:28 > 0:46:35don't want our baker to be whisked out of the competition, please call:
0:46:36 > 0:46:41or vote online when the vote opens later. It's the yeast you can do!
0:46:42 > 0:46:45Still to come - Georgia and Giovanni are rockers. That's the musical
0:46:46 > 0:46:47sort. Not a pair of comfortable chairs.
0:46:48 > 0:46:52Our next couple is Anita Rani and her partner Gleb Savchenko.
0:46:53 > 0:46:57This week they're doing a rumba, the dance of love.
0:46:58 > 0:47:00And, as Gleb is such a hard taskmaster,
0:47:01 > 0:47:03he made Anita practise all the romantic moves again and again
0:47:04 > 0:47:19Performing my paso on Saturday was like an out of body experience.
0:47:20 > 0:47:23Performing in that place was so awesome. The reaction I got, that
0:47:24 > 0:47:29standing ovation that seemed to go on for ages. A ten from Darcey! I'm
0:47:30 > 0:47:32totally overwhelmed. There are only seven couples left in the
0:47:33 > 0:47:39competition. Everybody is good. The pressure is definitely on. This week
0:47:40 > 0:47:45is rumba. It's difficult because it's really different to the paso. I
0:47:46 > 0:47:49have to be sensual, sexual. It's the dance of love. No, make it pretty,
0:47:50 > 0:47:54not ugly I need to find that person in me. It's very exposing. A little
0:47:55 > 0:48:00bit more relaxed, not so tight. I need to get over that.
0:48:01 > 0:48:05The rumba is the hottest dance of all the dances. She just needs to
0:48:06 > 0:48:11let it go. I'm thinking about the arms. I whole dance is not
0:48:12 > 0:48:14comfortable for me at the moment. It's OK.
0:48:15 > 0:48:18I don't really see myself as that kind of woman.
0:48:19 > 0:48:25Do I move my hips or my knee? What's happening here? You have to not just
0:48:26 > 0:48:28do steps, but start feeling. I don't understand what my body's meant to
0:48:29 > 0:48:30be doing. On the dance floor Saturday night I need to bring that
0:48:31 > 0:48:34sexy, passionate woman to the rumba. Dancing the rumba,
0:48:35 > 0:50:29Anita Rani and Gleb Savchenko. CHEERING AND
0:50:30 > 0:50:30APPLAUSE Getting hot in here. Wow. I bet the viewers...
0:50:31 > 0:50:45CHEERING I bet the viewers TV dinners just
0:50:46 > 0:50:48fell right off that laps, that was so passionate. I didn't know where
0:50:49 > 0:50:55to look. Gorgeous. Bruno, did you fall in love? It was a true tale of
0:50:56 > 0:51:01endless love, unfolding in front of my eyes. So soft, so rounded and you
0:51:02 > 0:51:05use your body in a way, I felt you were speaking to each other with
0:51:06 > 0:51:09every single move. I have to point out one thing, at the beginning of
0:51:10 > 0:51:14this competition, you were always so angular, all that is gone, by magic.
0:51:15 > 0:51:19It really is. Just one tiny thing, a couple of
0:51:20 > 0:51:22times you put a pronounced -- you could have pronounced a little bit
0:51:23 > 0:51:30of hip action. Maybe it was the dress, but it was beautiful though.
0:51:31 > 0:51:35As if by magic. Craig, were you moved? I have to go opposite Bruno
0:51:36 > 0:51:40there. I felt it was a little bit spiky for my liking. I felt like a
0:51:41 > 0:51:45little bit too much attack. I must have been looking at a different
0:51:46 > 0:51:49dance, obviously. I have to say I do love the contemporary feel of this
0:51:50 > 0:51:52dance. I love what you've done with it, Gleb. A bit more pressure on the
0:51:53 > 0:51:56ball of your foot to the floor would have made and a straighter leg would
0:51:57 > 0:52:00have created more of the hip action that we look for in this. But you
0:52:01 > 0:52:08have turned into a really fine actress, I've got to say. Darcey,
0:52:09 > 0:52:13the rumba is notoriously difficult to pull off. It's very exposing. How
0:52:14 > 0:52:19did Anita do? It's very difficult. For me, that was a very pollish
0:52:20 > 0:52:22performance. Your -- polished performance, your focus, your
0:52:23 > 0:52:26intent. I believe in you. When you come out you're describing an the
0:52:27 > 0:52:34feeling you're trying to get hold of. He is working you well. He
0:52:35 > 0:52:37really S sorry, in a nice way! There was maybe, maybe there were little
0:52:38 > 0:52:41things missing technically. As the boys were saying, you know the
0:52:42 > 0:52:44pressure along the feet, more resistance, maybe the lines could be
0:52:45 > 0:52:48slightly more turned out. Slightly turned in on a lot of things but I
0:52:49 > 0:52:58really enjoyed it. Thank you. So did we. Len? I didn't enjoy it. I
0:52:59 > 0:53:04can only tell the truth. You know, I don't come here just to blabber on.
0:53:05 > 0:53:08Rumba is a story of a developing romance. Now, first of all, you did
0:53:09 > 0:53:14a lift. And you're not supposed to. There you go. That I think, well...
0:53:15 > 0:53:21He did a lift, what do you want me to say - he didn't do a lift? I'm
0:53:22 > 0:53:25sorry everyone. What's all that through the legs business, throwing
0:53:26 > 0:53:29her through your legs? Where's all the basic rumba. You went out to
0:53:30 > 0:53:37fan, but then you let her go and she wafted along. I'm sorry to - you
0:53:38 > 0:53:45know I'm a fan. Last week... It's fine, it's good. BOO. I'm a senior
0:53:46 > 0:53:49citizen. Respect your elders. Sorry, it wasn't my cup of tea.
0:53:50 > 0:53:55He's a traditionalist. Thank you very much judges. We all loved it.
0:53:56 > 0:53:59It was hot. Claudia's upstairs with a bucket of water to cool down.
0:54:00 > 0:54:08Anita and Gleb! APPLAUSE
0:54:09 > 0:54:14Honestly, did you hear Jay shouting "amazing" all the pros up there
0:54:15 > 0:54:19saying it was the best rumba. It's sad that Len didn't like it. It's
0:54:20 > 0:54:23fine. It's absolutely fine. We knew, even with the choreography, he knew
0:54:24 > 0:54:27he was taking a risk. I enjoyed it. The lyrics of that song are perfect.
0:54:28 > 0:54:30I feel like I'm fiebding a -- finding a voice I never knew I had.
0:54:31 > 0:54:51Thanks, thanks, mate. Well done. The scores are in:
0:54:52 > 0:55:01I thought it was brilliant - nine! A strange split in the judges.
0:55:02 > 0:55:03Everyone in this room adored it. If you liked that routine, first
0:55:04 > 0:55:15recreate it in your kitchen and then call: or you can vote for free
0:55:16 > 0:55:20online when the vote opens later. For all the behind-the-scenes news
0:55:21 > 0:55:23and gossip go to Facebook, Twitter or our website. Gleb, am I correct
0:55:24 > 0:55:33in saying you just did the box splits? I tried to.
0:55:34 > 0:55:37Shall I try again? Why not, sure. Merry Christmas everyone.
0:55:38 > 0:55:41Couch. -- ouch. Our final couple to take to
0:55:42 > 0:55:44the floor before the Quickstepathon begins is Georgia May Foote
0:55:45 > 0:55:46and her partner Giovanni Pernice. For
0:55:47 > 0:55:48the last two weeks they've scored Tonight they're doing a paso doble
0:55:49 > 0:55:54to "The Final Countdown", and in the countdown to our final, they're
0:55:55 > 0:56:06desperate to be on top again. Last weekend was amazing. Not only
0:56:07 > 0:56:11did we dance in the Tower Ballroom, but I was wearing my great grandma's
0:56:12 > 0:56:14jewellery that Shh... She used to dance in. My actual grandma was
0:56:15 > 0:56:23there. You can't get much better than that. Pure ballroom bliss.
0:56:24 > 0:56:30Fantastic. We got two tens, 38. Top of the leaderboard. It was just
0:56:31 > 0:56:34amazing. This week we are doing paso doble. What's the song.
0:56:35 > 0:56:38# It's the final count down... # Great title, as it is the final
0:56:39 > 0:56:44count down. If we get through this week, we've made it to the quarter
0:56:45 > 0:56:48finals. Show me your paso face. It's a difficult dance because you need
0:56:49 > 0:56:53to be really bad boy and girl. That's the character I've got to
0:56:54 > 0:56:59find. It's hard when you're still learning the dance. I'm Italian. I
0:57:00 > 0:57:06can't be without passion. The only anger I can find at the moment is
0:57:07 > 0:57:09when Giovanni frustrates me. We're like brother and sister. We fall out
0:57:10 > 0:57:13and then make friends. We have to put that fire into the paso doble.
0:57:14 > 0:57:17This week the competition becomes so strong. I know I've got to go out
0:57:18 > 0:57:18there and fight. What better dance to go out and fight with than the
0:57:19 > 0:57:22paso doble. Dancing the paso doble,
0:57:23 > 0:59:26Georgia May Foote CHEERING AND
0:59:27 > 0:59:33APPLAUSE Come on. A fiery, full-on paso. You got the place rocking.
0:59:34 > 0:59:36CHEERING Well done, brilliant! They're stamping their feet
0:59:37 > 0:59:42upstairs. A modern spin on a traditional dance. Craig, what due
0:59:43 > 0:59:44think? I missed a little bit of the full Spanish line, what I mean is
0:59:45 > 0:59:50getting your shoulders back, that's all. What a dynamic routine.
0:59:51 > 0:59:54Fantastic. Darcey, did that rock you? There was
0:59:55 > 0:59:58plenty of drama, plent yip of energy. -- plenty of energy. I
0:59:59 > 1:00:03believe you take too much strength in the shoulders. It's hard to hold
1:00:04 > 1:00:06those down and not show the power. You get a little soft in the arms. I
1:00:07 > 1:00:09think you're supple in the shoulders. You can fix the lines a
1:00:10 > 1:00:16bit more, and we'll get a better performance. But fabulous energy.
1:00:17 > 1:00:20Len? I thought you were brave to start alone. It was a bit too much
1:00:21 > 1:00:25dress wafting for me on occasion. But as they said, it was die flappic
1:00:26 > 1:00:28and full of energy. In fact, to a point, it got a little bit too
1:00:29 > 1:00:32aggressive for me. I'd have liked it, sometimes a little bit less is
1:00:33 > 1:00:39more. But lovely performance. Great way to end this part.
1:00:40 > 1:00:44Bruno, do you agree? Georgia, the little pocket rocket rocked the paso
1:00:45 > 1:00:48doble. She was like Mad Max. Because of all of that, you did Laos a
1:00:49 > 1:00:51couple of Spanish lines because you tense in the shoulder. If you tense
1:00:52 > 1:00:59on the shoulder, then this becomes this. Careful. Otherwise you rock,
1:01:00 > 1:01:03kid! You rocked us too. Rock on up to Claudia. Well done, beautiful job
1:01:04 > 1:01:15Georgia and Giovanni! APPLAUSE
1:01:16 > 1:01:26Well done, absolutely fantastic. Cheers. Did you love it? Yes, I
1:01:27 > 1:01:40loved it. The scores are in. The judges' scores are in.
1:01:41 > 1:01:48APPLAUSE Very well done. Do your paso face.
1:01:49 > 1:01:53Now do your quickstep face. Oh, good. If you don't want these rock
1:01:54 > 1:02:04stars to organise a farewell tour, please call:
1:02:05 > 1:02:12Off you go, you have about 14 seconds to get ready. Do it fast.
1:02:13 > 1:02:13For all of us. While they get changed in record time, let's see
1:02:14 > 1:02:29how the Leader Board looks. At the top, Helen and Aljaz, down at
1:02:30 > 1:02:33the bottom, Peter and Janette and Anita and Gleb.
1:02:34 > 1:02:36But with an extra seven marks up for grabs in the Quickstepathon,
1:02:37 > 1:02:39It's probably the toughest "athon" we've ever had -
1:02:40 > 1:02:42and that's just pronouncing it - but how exactly does it work,
1:02:43 > 1:02:58it's back. The chance to see all of our couples on the floor at the same
1:02:59 > 1:03:04time, like a good old proper dancing competition. This year, all of our
1:03:05 > 1:03:08couples are doing a quickstep. So hold on to your feeds! This is going
1:03:09 > 1:03:15to be fast! But there are some rules. Rules one, there will be
1:03:16 > 1:03:18seven couples competing in our Quickstepathon. The couples have
1:03:19 > 1:03:26already drawn their starting positions out of a hat. Everything
1:03:27 > 1:03:30fair and square. Rule two, all the couples must stay on the dance floor
1:03:31 > 1:03:36for the whole time and they've got to stay in hold. If any of our
1:03:37 > 1:03:40couples break hold or do lifts, they'll be automatically
1:03:41 > 1:03:44disqualified. I'll be watching! Here is rule three, make sure you nail
1:03:45 > 1:03:49that technique. They will be penalised if we see any bad hold on
1:03:50 > 1:03:56any bad footwork, or bad floor craft. Now rule four, couples must
1:03:57 > 1:04:02be careful not to break the rules regarding line of dance. They have
1:04:03 > 1:04:05to keep going round that floor anticlockwise and no bashing,
1:04:06 > 1:04:11pushing or shoving. It's going to be fast and if they start bumping into
1:04:12 > 1:04:15each other, I'm going to be furious. Rule number five, the weakest couple
1:04:16 > 1:04:20in the opinion of the judges will get one mark. However, the strongest
1:04:21 > 1:04:24couple will get seven. These marks will be combined with their
1:04:25 > 1:04:31individual dances and that has the potential to turn the Leader Board
1:04:32 > 1:04:37upside down. So get ready, it's time to get that quickstep on.
1:04:38 > 1:04:43So whoever comes first in the Quickstepathon will get
1:04:44 > 1:04:45an extra seven marks, whoever comes second will get
1:04:46 > 1:04:49an extra six marks, and so on, until the bottom couple will receive
1:04:50 > 1:04:52just one extra mark, and those will be added to their existing scores.
1:04:53 > 1:05:03Len, this really could mean the difference between the Dance Off
1:05:04 > 1:05:10This is like a ballroom competition. What advice do you have
1:05:11 > 1:05:12for our couples? In a normal ballroom competition the couples
1:05:13 > 1:05:18come on the floor at the same time, so you get I direct comparison. This
1:05:19 > 1:05:22one is not much cop, or this one. So you can actually see every thing. We
1:05:23 > 1:05:28are fortunate, we have the best seats in the house and there won't
1:05:29 > 1:05:32be any ties, so we will get that all clear and it's going to be like an
1:05:33 > 1:05:38F1 Grand Prix the music. There are going to be -- they are going to be
1:05:39 > 1:05:44moving around that floor, all in the same direction, anticlockwise, no
1:05:45 > 1:05:49bumping, keep dancing. The time for talk is over. The time for dancing
1:05:50 > 1:05:50is that now. That's welcome our seven couples back onto the dance
1:05:51 > 1:05:54floor. Please welcome all the couples to
1:05:55 > 1:08:02the floor for the Quickstepathon. Yes! That was brilliant! It was
1:08:03 > 1:08:10like... More fun. More fun. Happy. Let's see what the judges thought.
1:08:11 > 1:08:14Our first Quickstepathon, they are still conferring. We are conferring,
1:08:15 > 1:08:20we have to consider so many things. The variety of steps, how they hold
1:08:21 > 1:08:24the frame, how if there is any mistake, if they keep the timing, if
1:08:25 > 1:08:28they are smooth, there are moments it should never be jagged, it should
1:08:29 > 1:08:31flow all the time. There are so many points to be taken into
1:08:32 > 1:08:37consideration. We cannot rush this. It has to be done correctly. I don't
1:08:38 > 1:08:42want to rush you too much, but love... We are live! Craig, while
1:08:43 > 1:08:48you are scoring can I just asked you? You can, darling. Thank you so
1:08:49 > 1:08:52much. You are adorable. How brilliantly do you think our couples
1:08:53 > 1:08:57have done? I think they've done an amazing job. When you consider when
1:08:58 > 1:09:01we first saw them. APPLAUSE
1:09:02 > 1:09:04I know I'm particularly hard on them but they've done such an incredible
1:09:05 > 1:09:07job. I don't think I could actually go through what they are going
1:09:08 > 1:09:13through. I really couldn't. I'm much safer... Particularly difficult in
1:09:14 > 1:09:19this particular instance for the celebrity men to actually glide the
1:09:20 > 1:09:26floor, because they are not used to what we call... Cornering people,
1:09:27 > 1:09:32getting out, well done. Head judge Len, starting in seventh place could
1:09:33 > 1:09:36you please reveal the results of the Quickstepathon. In seventh place is
1:09:37 > 1:09:48Peter and Janette. APPLAUSE
1:09:49 > 1:10:02Six is Kellie and Kevin. This is Dave and Aliona. Fourth is Anita and
1:10:03 > 1:10:09Gleb. Third is Katie and Anton. Second is Georgia and Giovanni.
1:10:10 > 1:10:18APPLAUSE Which means our winners are Helen
1:10:19 > 1:10:26and Aljaz. IQ very much to the judges -- thank you very much. You
1:10:27 > 1:10:29have an extra seven marks, congratulations to you both.
1:10:30 > 1:10:36Commiserations to Peter and Janette, who finished last and receive just
1:10:37 > 1:10:41one extra mark. I'm so sorry. Darcey, why did our winners
1:10:42 > 1:10:45impressed you the most? It's all about being light and spirited. You
1:10:46 > 1:10:50have to have no gapping. There should be no bounds. It has to be
1:10:51 > 1:10:55calm and composed on top, while it's crazy underneath. It also not to be
1:10:56 > 1:11:00affected by anybody else. And they did that. They kept their cool. They
1:11:01 > 1:11:04did, wonderfully. Craig, just because we need to know, why did
1:11:05 > 1:11:08Peter and Janette impress you the least? It's largely due to the fact
1:11:09 > 1:11:13he had the lead actually for the first time and its floor craft,
1:11:14 > 1:11:16which takes years and years of practice. That's why it's a bit
1:11:17 > 1:11:24difficult for the celebrity men. But they all did really, really well.
1:11:25 > 1:11:29Yes, they did. Thank you. Let's have a look at
1:11:30 > 1:11:37at the top are Helen and Aljaz, with 46 points. Down at the bottom, Peter
1:11:38 > 1:11:42and Janette, with a score of 32. It's not just about the judges'
1:11:43 > 1:11:46scores, you can change everything by picking up the phone or going online
1:11:47 > 1:11:51to vote for your favourites. The voting is now, I need help, judges,
1:11:52 > 1:11:54audience, everyone at home. The vote lines are now three, two, one, open.
1:11:55 > 1:11:55CHEERING audience, everyone at home. The vote
1:11:56 > 1:12:14lines are now three, two, one, open. CHEERING AND APPLAUSE
1:12:15 > 1:12:21the vote closes at 8:30pm. Don't vote if you are watching OnDemand.
1:12:22 > 1:12:23And to help you decide, here's a reminder
1:12:24 > 1:14:27of tonight's performances and the all-important vote information.
1:14:28 > 1:14:34What a busy night of ballroom brilliance. Vote for your favourites
1:14:35 > 1:14:39bid for 8:30pm tonight. The votes will be combined with the judges'
1:14:40 > 1:14:42scores and the couple with the overall lowest will those -- will
1:14:43 > 1:14:46dampen tomorrow night's show. Only six couples will make it
1:14:47 > 1:14:48through to next week, It could be one
1:14:49 > 1:14:52of the closest quarter finals ever Also tomorrow, if you like your boy
1:14:53 > 1:14:57bands a bit classy, you're in luck Plus, you might have seen him
1:14:58 > 1:15:01performing with Queen - And our professional dancers will
1:15:02 > 1:15:05get you in a spin, with an incredible group performance
1:15:06 > 1:15:07set in a laundrette. So for all of that,
1:15:08 > 1:15:12make sure you tune in at 7.20pm