:00:00. > :00:11.This programme contains repetitive flashing images.
:00:12. > :00:22.15 began. Brilliant. Right on the money, money! Now only four remain.
:00:23. > :00:34.Months of punishing training has come to this. In their final week,
:00:35. > :00:40.with three dances, the celebrities have never been under more pressure.
:00:41. > :00:51.Feel grateful, optimistic, joyful, nervous! Two days before the grand
:00:52. > :00:58.final, how are your nerves? I am in love with the show, I think it is
:00:59. > :01:04.awesome. I have taken a break from training here at Downing Street. The
:01:05. > :01:14.tension is on, presumably. Friday morning on BBC Radio 1... I cannot
:01:15. > :01:18.believe we are at the final! Really excited to go out and just give it
:01:19. > :01:25.everything, it is our last shot, and we just want to enjoy ourselves. All
:01:26. > :01:30.of our hard work has come to this moment. I cannot believe this is it,
:01:31. > :01:36.I am ready. Tonight is the night, got to get out there and got to make
:01:37. > :01:38.it perfect. Who has got what it takes to be the champion of Strictly
:01:39. > :02:26.2015? Led the battle commence. Finalists, take your positions,
:02:27. > :05:06.thank you! Please welcome your finalists,
:05:07. > :05:26.Georgia, Jay, Katie, Andy Kellie! -- and.
:05:27. > :05:36.Live from the BBC, this is Strictly Come Dancing,
:05:37. > :05:44.Please welcome your hosts, Tess Daly...
:05:45. > :06:06.Hello and welcome to Strictly Come Dancing,
:06:07. > :06:15.Thank you to our professional dancers and finalists
:06:16. > :06:18.That's what you call access all areas.
:06:19. > :06:20.Back in September, 15 celebrities entered the ballroom
:06:21. > :06:26.135 dances later, only four remain,
:06:27. > :06:33.and tonight one will be crowned Strictly Come Dancing champion 2015!
:06:34. > :06:39.CHEERING AND APPLAUSE That is right!
:06:40. > :06:41.So get set for a dramatic double bill of dance,
:06:42. > :06:44.as our couples battle it out in the ballroom one last time.
:06:45. > :06:47.And if our four finalists aren't exciting enough for you,
:06:48. > :06:50.we also have these four, please welcome the judges.
:06:51. > :07:22.but those scores are for guidance only.
:07:23. > :07:26.which couple will take home the Glitterball trophy.
:07:27. > :07:32.ready to give it their all to win your votes.
:07:33. > :07:36.So please welcome our Strictly stars!
:07:37. > :07:43.EastEnders actress Kellie Bright and her partner, Kevin Clifton.
:07:44. > :07:45.BBC Proms and Radio 3 presenter Katie Derham
:07:46. > :07:51.Actress Georgia May Foote and her partner, Giovanni Pernice.
:07:52. > :07:54.And finally from the Wanted, pop star Jay McGuiness
:07:55. > :08:12.CHEERING AND APPLAUSE Well!
:08:13. > :08:14.There they all are, our fabulous final four.
:08:15. > :08:15.All of them have topped the leaderboard,
:08:16. > :08:18.and any one of them could be our winner.
:08:19. > :08:19.First tonight, our couples will perform a dance
:08:20. > :08:24.that the judges think they can improve on.
:08:25. > :08:29.we'll open the vote so you can start choosing your winner.
:08:30. > :08:32.Then it's time for the most breathtaking dances
:08:33. > :08:35.of the competition, when our finalists will attempt
:08:36. > :08:38.to wow us with their spectacular showdances!
:08:39. > :08:42.we're back for our live results show at nine,
:08:43. > :08:45.when the couple with the lowest number of votes
:08:46. > :08:50.leaving the remaining three to dance their favourite routine
:08:51. > :08:53.Our first finalist dancing tonight for your votes
:08:54. > :08:58.is Jay McGuiness and his partner, Aliona Vilani.
:08:59. > :09:05.The dance the judges have chosen for Jay
:09:06. > :09:10.After making a few mistakes first time round,
:09:11. > :09:22.just how much he's learnt in these last nine weeks.
:09:23. > :09:29.Last Saturday night, two really different dances, one was really
:09:30. > :09:33.romantic, simply beautiful. Obviously, my technique isn't
:09:34. > :09:39.perfect. You have to close your feet! I felt really grateful for the
:09:40. > :09:44.scores. The second was completely different, each Elstone was so fun.
:09:45. > :09:49.That was brilliant! I just hope that we go out with a bang, whatever
:09:50. > :09:56.happens. Congratulations on making the final. The dance we have picked
:09:57. > :10:02.for you is the quickstep. Let's do it. You off like a thoroughbred,
:10:03. > :10:06.your footwork was stupendous until then the stake. Your beach were
:10:07. > :10:12.doing more than your brain could handle. Do you feel a bit of nerves
:10:13. > :10:16.about doing the quickstep again? There will always be nervous,
:10:17. > :10:20.because of how it went, I hope I can do it cleanly. This was your lowest
:10:21. > :10:25.score of the whole series, it is about nailing the technique, head to
:10:26. > :10:32.the left, that is what you need to do. Got it. Good lad. You are an
:10:33. > :10:37.outstanding dancer, and we cannot wait to see this quickstep at its
:10:38. > :10:41.absolute best. It is the final, no rooms for any mistakes, we will go
:10:42. > :10:47.over and over until it is ingrained, and at this time around in press the
:10:48. > :10:51.judges. This is the dance that will have the most concentration, I don't
:10:52. > :10:56.want to put a foot wrong. I think they will be expecting a lot, it
:10:57. > :11:01.will have to be technically perfect, so no mistakes, hopefully it will go
:11:02. > :11:04.the way it could have gone. CHEERING AND APPLAUSE
:11:05. > :11:07.Dancing the quickstep, Jay McGuiness and Aliona Vilani.
:11:08. > :13:10.and I think every generation will have loved that.
:13:11. > :13:18.Jay, what's the atmosphere in here like tonight?
:13:19. > :13:27.It is absolutely electric, it is making my feet shake!
:13:28. > :13:29.Whilst you take it all in, please welcome our brilliant
:13:30. > :13:31.singers, Chris, Hayley, Lance, Andrea, Tommy,
:13:32. > :13:38.and, of course, Dave Arch and his orchestra.
:13:39. > :13:45.Len, he didn't want to put a foot wrong. I didn't want into either,
:13:46. > :13:52.but unfortunately, there was a couple of... I am not going to lie
:13:53. > :13:57.and say there wasn't! Watch it back tonight when you get home, everyone.
:13:58. > :14:01.You know, I must say, it was quick, it was slick, it was a vast
:14:02. > :14:06.improvement on the last time round. APPLAUSE
:14:07. > :14:17.A couple of incidents here and there, but great job, well done.
:14:18. > :14:29.Bruno? You to our like the God of To speed, Burmese, did you go wrong,
:14:30. > :14:32.Aliona? Was it you? I think it is because the confidence was
:14:33. > :14:34.incredible. You really are twinkle toes out there.
:14:35. > :14:39.APPLAUSE When you get it right, it is
:14:40. > :14:45.stupendous, but because the quality is so high, tiny little stumble can
:14:46. > :14:48.spoil the overall effect. But when it comes to ability, you are in
:14:49. > :15:06.credible, you really are. APPLAUSE
:15:07. > :15:10.Craig? It wasn't perfect. You did dance around the floor with great
:15:11. > :15:13.ease. Your thumb was down throughout which I loved. You are a lovely
:15:14. > :15:17.dancer and a joy to watch, you really are.
:15:18. > :15:21.APPLAUSE Darcey, Jay is the only male
:15:22. > :15:26.celebrity left in the final, the only finalist who hasn't been in the
:15:27. > :15:29.dance-off. How did he do? For me, top grade in complexity.
:15:30. > :15:32.APPLAUSE It's so true, you are under so much
:15:33. > :15:37.pressure tonight. The nerves in this room and it's just the public as
:15:38. > :15:45.well, they are like this. I am feeling it so much but I have to say
:15:46. > :15:49.it was divine. You were in charge of the pivots with Aliona, you led her
:15:50. > :15:55.beautifully, even with the tiny mistakes, it was fantastic.
:15:56. > :15:59.CHEERING AND APPLAUSE. A couple of tiny mistakes but
:16:00. > :16:04.overall great comments. It's the show dance next. We are all looking
:16:05. > :16:07.forward to that. Let's hear it for Jay and Aliona.
:16:08. > :16:22.CHEERING AND APPLAUSE. Very, very well done. Nerve-racking
:16:23. > :16:25.going first? It was actually. Nomplly I light because you can just
:16:26. > :16:30.watch and enjoy but that wasn't the case today. It was nerve-racking.
:16:31. > :16:35.Was Was it scary doing the dance that you got the lowest score for,
:16:36. > :16:41.did you ask for something else that you got like 900 in? ! No, actually
:16:42. > :16:45.when we messed up on the show day I said right away I want to be in the
:16:46. > :16:50.dance-off to do it again. I said you are crazy. I I wanted people to see
:16:51. > :17:15.how amazing he dances it. That is a mark-up of 11 so you must
:17:16. > :17:18.be very, very happy. That was really good. Very well done.
:17:19. > :17:21.If you think Jay is the best dancer of his generation,
:17:22. > :17:30.or vote online when the vote opens later.
:17:31. > :17:33.It's time for the terms and conditions.
:17:34. > :17:36.Tonight is too important for me to read these out.
:17:37. > :17:39.We've tried to jazz them up, we've had some fun,
:17:40. > :17:53.I give you the legend, the show-stopper, Mary Berry.
:17:54. > :17:58.Calls cost 15p plus your network's access charge.
:17:59. > :18:03.Please ask the bill payer's permission.
:18:04. > :18:07.To vote online, visit bbc.co.uk/strictly,
:18:08. > :18:14.where you'll also find terms and conditions.
:18:15. > :18:19.until all our four couples have performed their first dance.
:18:20. > :18:26.your vote won't count and you may be charged.
:18:27. > :18:34.for who you want to win Strictly Come Dancing.
:18:35. > :18:48.Our next finalist to take to the floor is Georgia May Foote
:18:49. > :18:56.For their judges' pick they're doing their rumba from movie week,
:18:57. > :18:59.and after scoring 27 for it first time round,
:19:00. > :19:09.they're hoping this sequel will be even better than the original.
:19:10. > :19:15.On Saturday night, I felt under pressure. I just did my absolute
:19:16. > :19:28.best. I threw all my energy into it. I could watch you dance all night.
:19:29. > :19:32.We've made the final. What! ? Congratulations on making it to the
:19:33. > :19:36.final, Georgia and Giovanni. The dance we have chosen for you to
:19:37. > :19:41.dance to again is the rumba. What do you feel about it? I would love to
:19:42. > :19:44.do it again. I'm looking forward to seeing how you have progressed. What
:19:45. > :19:51.would you suggest I can do in the dance to get a higher score? Just
:19:52. > :19:57.work on the essential hip action. The first time you did it there was
:19:58. > :20:03.controversy. Two outs and a forward doesn't constitute a rumba. Do it as
:20:04. > :20:10.you did it, just put in a little bit more fundamental basic choreography
:20:11. > :20:15.and then Whoa-hoa. Wonderful chemistry. It gives me goose bumps,
:20:16. > :20:19.when you do it right you're absolutely stunning. Thank you. Get
:20:20. > :20:24.to work darlings, good luck. Thank you. Doing the rumba is good for us,
:20:25. > :20:28.it's a chance for us to redeem ourselves and do it better than last
:20:29. > :20:34.time. The rumba's actually a really difficult dance. It does worry me a
:20:35. > :20:41.little bit. We need to change our routine and put some basic rumba in.
:20:42. > :20:46.A lot is riding on this performance. It's the one the judges want to see
:20:47. > :20:48.the most improvement in. This dance has to be perfect.
:20:49. > :21:10.Dancing the rumba, Georgia May Foote and Giovanni Pernice.
:21:11. > :22:55.you've certainly left the audience shaken and stirred.
:22:56. > :23:08.Oh, again, totally smitten by the sex kitten! She was so stretching
:23:09. > :23:17.and bending, she was made of spandex! I love that bendy, extended
:23:18. > :23:21.line, much more confident. There was a little issue with balance though.
:23:22. > :23:25.At the end, yes. Bless you, my darling. But I thought the dance
:23:26. > :23:30.overall was improved because you added so much to it, your confidence
:23:31. > :23:33.was there, you were very, very sexy, very, very into it and it was very
:23:34. > :23:41.well done except for that little thing at the end. Yes. The drama.
:23:42. > :23:45.Craig, did you get that hip action you wanted? I did as a
:23:46. > :23:49.matter-of-fact. You were using the hips beautifully. I loved the
:23:50. > :23:53.dramatic sense of it, I thought the intensity was very, very good. I
:23:54. > :23:58.loved the choreography in that particular number. Backbend
:23:59. > :24:01.absolutely delicious, darling, sophisticated, which I absolutely
:24:02. > :24:05.love, full of control except for that moment at the end. I know,
:24:06. > :24:08.argh... I shouldn't worry about that, it was beautiful. It was
:24:09. > :24:13.beautiful. He's not worried about it! That's a good sign. Darcey? To
:24:14. > :24:17.think you did that in week three, you have grown into this beautiful
:24:18. > :24:21.sensual lady and you delivered all the goods with all the control. You
:24:22. > :24:25.know what they are complaining about, because you whipped so fast
:24:26. > :24:30.that lovely turn, it didn't bother me at all because the tension was
:24:31. > :24:34.there and you grabbed her and Giovanni, did you not! ? It was
:24:35. > :24:42.beautiful. Well done. CHEERING AND APPLAUSE.
:24:43. > :24:47.Len, was there enough content? You couldn't get more. It's so hand to
:24:48. > :24:52.hand, spiralling in, yes, lovely, lots of content which is what I
:24:53. > :24:58.asked for. Maybe a bit of an aggressive way. The proof is in the
:24:59. > :25:07.pudding though and that was so, so much better. I don't know about 007,
:25:08. > :25:10.00-heaven, well done. Oh, thank you. Looks like you listened to
:25:11. > :25:11.everything they said to you last time.
:25:12. > :25:14.Go and get your scores and then get ready for your showdance.
:25:15. > :25:30.Very well done. Do you know who I have to mention. I have a new
:25:31. > :25:35.favourite person in my life and it's your mum. Gosh, she was crying
:25:36. > :25:40.before I came on. She has not stopped crying. Look at her. You are
:25:41. > :25:45.her baby and you've done so extraordinarily well. Thank you.
:25:46. > :25:48.Giovanni, you must be relieved because Len said 00-heaven, he
:25:49. > :25:50.didn't say that the first time, quite the opposite. He didn't.
:25:51. > :26:14.Well done. Nine more than first time around. Well done.
:26:15. > :26:16.If you thought this Bond girl was on the Moneypenny,
:26:17. > :26:20.call 6225209 from your mobile, 09015 225209 from your landline
:26:21. > :26:24.or vote online when it opens later in the show.
:26:25. > :26:28.And for all the behind-the-scenes news and gossip from our final
:26:29. > :26:31.show, go to Facebook, Twitter or our website.
:26:32. > :26:39.Next up is Kellie Bright and her partner, Kevin Clifton.
:26:40. > :26:43.The judges have chosen a tango, which was Kellie's very first dance
:26:44. > :26:46.of the series, in fact, it was the dance that kicked off
:26:47. > :26:59.Let's see just how far she has come in those 13 weeks.
:27:00. > :27:07.Last Saturday was completely bonkers. I was struggling to find
:27:08. > :27:11.anything I didn't like. Loved it. Truly loved it. All the Hollywood
:27:12. > :27:14.quality we want. From two dance-offs to topping the leaderboard in the
:27:15. > :27:24.semi-final. That's just what dreams are made of. Well, congratulations
:27:25. > :27:30.on making the final. Now, the dance we've picked for you is the tango!
:27:31. > :27:38.How do you feel about that? I really am happy about that. I love the fact
:27:39. > :27:43.that you went for the sharp stacato and you have to link everything
:27:44. > :27:49.together. It was your first dance and it was sharp and clean but you
:27:50. > :27:53.have come so far you have developed. Tidy up the wonderful links and
:27:54. > :27:58.moves. You have all the ingredients now at your disposal to blow our
:27:59. > :28:01.minds. We want to see the sharp, fiery Kellie coming out. Get fire in
:28:02. > :28:08.your belly, Kellie and come out and wow us! OK. A couple of weeks ago, I
:28:09. > :28:13.watched the tango for the first time since we'd done it. When I watched
:28:14. > :28:17.it I was like, I love it and I wanted another go and now I've got
:28:18. > :28:21.it. We got 27 points for our tango in week one. I would like to think
:28:22. > :28:25.we can get a few more points than that this time. I want to see what
:28:26. > :28:33.Kellie's learnt throughout the series. Week one she was like, I
:28:34. > :28:36.thought ballroom dancing was like this. Clean and sharp. Looking
:28:37. > :28:41.forward to doing it again. Got it! Dancing the tango,
:28:42. > :30:48.Kellie Bright and Kevin Clifton. Come on over! Soak that up,
:30:49. > :30:55.brilliant reaction! You two have got such an amazing connection... That
:30:56. > :31:02.got everyone... They are shouting ten upstairs! You have worked so
:31:03. > :31:11.hard, did it pay off? It most certainly has, it really has, the
:31:12. > :31:15.character -- characterisation was phenomenal, absolutely brilliant,
:31:16. > :31:22.sharp, as you wanted it, clean, there couldn't be any more dynamic,
:31:23. > :31:31.it was truly fab-u-lous, darling! Fab-u-lous! It is funny, but I loved
:31:32. > :31:38.it before, the weird mix with the 1960s style, it worked, my gosh. The
:31:39. > :31:44.difference, your top line is yummy, baby! The amount of attack you gave
:31:45. > :31:52.it, that was outstanding. APPLAUSE
:31:53. > :31:56.Len, did you say that? I saw more than just a bit of fire,
:31:57. > :32:05.oh yes, excuse the pun, but you ironed out all the kinks! Let me
:32:06. > :32:10.tell you something, that was brilliant. That is it.
:32:11. > :32:15.APPLAUSE Three out of four, can we make it a
:32:16. > :32:23.Dave Bulthuis, Bruno? That is how you rocked a tango! Honestly, I like
:32:24. > :32:27.to see things that are different, imaginative, creative. You never
:32:28. > :32:34.cease to surprise me, you have taken a different slant, totally
:32:35. > :32:37.unexpected, and yet the dance was exactly what the tango should be,
:32:38. > :32:43.exactly! APPLAUSE
:32:44. > :32:48.Great achievement! It is all about changing perceptions and continuing
:32:49. > :32:55.tradition, and you do exactly that, great confidence. Great start for
:32:56. > :33:02.your first dance of the final, one down, one to go, off you go, Devon
:33:03. > :33:09.and Kellie, brilliant! -- Kevin. Thank you!
:33:10. > :33:16.CHEERING By the way, I have to mention, how
:33:17. > :33:26.lovely to have the gang are back together! The best thing about today
:33:27. > :33:32.is having everybody here. It feels like how it should be. I know! You
:33:33. > :33:40.first did that in week one, which was 700 years ago. Did it come back
:33:41. > :33:46.naturally? No! No, it didn't. It is a long time ago, we have done a lot
:33:47. > :33:50.of dances between them. These scores are in.
:33:51. > :33:52.The judges have their scores. Craig Revel Horwood.
:33:53. > :34:33.Listen... The first of the series, your first ten ever from Craig Revel
:34:34. > :34:35.Horwood. Thank you, Kellie! You are speechless. I feel like I have just
:34:36. > :34:37.won the competition! If that routine really
:34:38. > :34:40.got you going, call 6225201 from your mobile,
:34:41. > :34:44.09015 225201 from your landline, or vote online free of charge
:34:45. > :34:48.when the vote opens shortly. Still to come, Jay dances to a song
:34:49. > :34:51.called I Can't Feel My Face. or he's had an injection
:34:52. > :34:55.at the dentist. Finally Craig gets his ten had,
:34:56. > :35:07.better late than never! Dancing the final judges'
:35:08. > :35:09.pick tonight are Katie Derham and her
:35:10. > :35:11.partner, Anton Du Beke. When they first did this quickstep,
:35:12. > :35:16.they scored sixes and sevens. and sixes and sevens
:35:17. > :35:19.just won't cut it tonight. Can Katie do it?
:35:20. > :35:35.Let's find out. Saturday night, the first was the
:35:36. > :35:39.Charleston. I cannot see that getting into the final. It was like
:35:40. > :35:44.having a bucket of cold water poured on you. The upside is that we at
:35:45. > :35:50.least had a second chance. I wasn't surprised that we were in the
:35:51. > :35:56.dance-off. So that is what it feels like! I am in the final, and I am
:35:57. > :36:00.thrilled to bits. Katie, Anton, congratulations on making it to the
:36:01. > :36:07.final. I have got to ask, how does it feel? I am waiting for you to go,
:36:08. > :36:11.just kidding! The dance we have chosen is the quickstep. First time
:36:12. > :36:19.around, you could not keep up with the footwork. When you dance at that
:36:20. > :36:24.speed, you can lose control. I might get it right this time, it is nice
:36:25. > :36:31.to have another chance! It is the final, no room for mistakes. It will
:36:32. > :36:35.be practice. Katie struggled with the choreography, she couldn't keep
:36:36. > :36:39.up. Because she is a little bit more experienced, maybe this time she
:36:40. > :36:43.will. If you end all the mistakes that happened, and there were not
:36:44. > :36:48.that many, I think he will do a wonderful job. Well done! I'm
:36:49. > :36:51.excited to get back into the training room, because I loved the
:36:52. > :36:58.routine, I am glad we have got a chance to do it again. That is a
:36:59. > :37:01.surprise, I didn't think they would go for quickstep. I am not
:37:02. > :37:05.surprised, I think they want to give us a chance to get it right. Last
:37:06. > :37:09.time we got 26, I hope we can improve it by at least ten.
:37:10. > :37:12.Perfection has to be our aim, no room for any mistakes at all.
:37:13. > :37:17.Dancing the quickstep, Katie Derham and Anton du Beke.
:37:18. > :39:02.Dancing with hats, canes and Anton Du Beke,
:39:03. > :39:04.you can't get more ballroom than that.
:39:05. > :39:08.Darcey, was that streets ahead this time around?
:39:09. > :39:15.Oh, gosh, gosh, you know, you never fail to be this beautiful, classy
:39:16. > :39:18.lady that we are now seeing every time you come out and the dance
:39:19. > :39:22.floor, and you delivered from the beginning. I could feel the pressure
:39:23. > :39:27.it you were under, it was extraordinary. You got its nearly
:39:28. > :39:33.all the way through just until the very end. I thought you were like,
:39:34. > :39:38.Anton, help me! Keep me together! But, really, you did a great job,
:39:39. > :39:45.because this is hard. You know it is hard. That suits you, it really
:39:46. > :39:51.does. Well, more or less, there was a couple of places where she
:39:52. > :39:58.looked... Why do you pick on the old guy?! But you moved so fast, you
:39:59. > :40:03.could have ended up on 43rd Street! It was really fast, for long, flat
:40:04. > :40:11.out, and I just loved your posture and your upper body when you were
:40:12. > :40:20.dancing. So elegant! Bruno? Presentation, bodywork, upholstery,
:40:21. > :40:23.always so lush, and even the suspension tonight was better! You
:40:24. > :40:28.always hit a few bumps here and there, but when you hit a bump, you
:40:29. > :40:31.coped with it better tonight, you did, you manage to continue and get
:40:32. > :40:39.there at the end, so credit to you for that. Thank you. Have they prove
:40:40. > :40:43.themselves worthy finalists? You were struggling a little bit with
:40:44. > :40:47.the hat at the beginning, that offsets the whole thing, you need to
:40:48. > :40:52.get your proper management together, darling. You were a little bit out
:40:53. > :40:56.of time. You let the floor at one stage completely and jumped into one
:40:57. > :41:00.of these sections. I have to say this, I just have to say this, it
:41:01. > :41:06.was a major improvement on the last time you did it. Thank you, that is
:41:07. > :41:11.what we want, it is not down to the judges tonight. Wait until next
:41:12. > :41:15.week, there will be an even bigger improvement! Time to go and get your
:41:16. > :41:23.scores. Get ready for your showdance, Katie and Anton.
:41:24. > :41:41.Oh! Katie and Anton! Now, they said vast improvement. Was it nerve
:41:42. > :41:46.wracking when they chose that one? I remember last time, you made
:41:47. > :41:51.mistakes. I love it, I love the hat and cane, but me and hats are not
:41:52. > :41:56.friends, that I just love doing it again, so thank you. Well done, I
:41:57. > :42:02.preferred your choreography, I have got to be honest with you! Perhaps I
:42:03. > :42:03.should have been up to speed. The scores are in.
:42:04. > :42:23.Eight! Eight! Eight! Five more than last time exactly,...
:42:24. > :42:24.If Katie and Anton are your champions,
:42:25. > :42:27.call 6225205 from your mobile, 09015 225205 from your landline,
:42:28. > :42:31.or vote online when the vote opens in just a moment.
:42:32. > :42:33.So we've reached the halfway point of tonight's first show,
:42:34. > :42:53.let's take a look where our couples stand on the leaderboard.
:42:54. > :43:03.but tonight you get the final say and the vote is now open.
:43:04. > :43:10.Calls cost 15p plus your network's access charge.
:43:11. > :43:12.Please get the bill payer's permission before you call.
:43:13. > :43:15.Or alternatively you can vote online for free at bbc.co.uk/strictly,
:43:16. > :43:20.where you will also find full terms and conditions.
:43:21. > :43:22.Voting will be frozen at 8:30 tonight,
:43:23. > :43:25.so please don't try to vote if you are watching on demand.
:43:26. > :43:27.In our live results show at nine, the couple
:43:28. > :43:29.with the fewest votes will leave the competition.
:43:30. > :43:32.All votes for the remaining three couples will be carried over
:43:33. > :43:35.They're doing something behind me, aren't they?
:43:36. > :43:58.Here's a reminder of the dances so far.
:43:59. > :45:05.The four finalists have performed the judge's pick, now it's time for
:45:06. > :45:10.the show dances. This is where the rule book gets thrown away and the
:45:11. > :45:15.couples can perform any style of dance with trick, lifts and show off
:45:16. > :45:21.their skills and win your votes. First are Jay and Aliona!
:45:22. > :45:27.There have been moments where Jay's taken our breath away from that jive
:45:28. > :45:30.to last week's charleston. So we've got Why?d You Only Call Me When
:45:31. > :45:35.You?re High? Hopes that his show dance could be something very
:45:36. > :45:39.special. The second dance of the evening will
:45:40. > :45:42.be the show dance. Here is the master plan. A combo of different
:45:43. > :45:48.pieces from all the dances throughout the series. So it
:45:49. > :45:52.includes a bit of rumba, foxtrot, Argentine tango, Charles stone,
:45:53. > :45:57.tango and a bit of jive. Can you remember all those? We'll see. Every
:45:58. > :46:02.bit I'm doing is modified to make it bigger or more showy. Being put
:46:03. > :46:07.together from all the different dances is quite confusing so as I go
:46:08. > :46:14.through, my body takes me off into something else. Jive messes with
:46:15. > :46:20.Jay's mind. I'm pushing him as hard as I've done with this choreography.
:46:21. > :46:23.As time goes on, I'm feeling more and more confused and scared.
:46:24. > :46:26.Aliona's worked so hard making this dance and we've put in so many hour
:46:27. > :46:32.this is beak just to make it perfect and I just hope it pays off. I want
:46:33. > :46:38.to do it just one more time. I just want to say how absolutely proud I
:46:39. > :46:43.am since day one, how amazing every moment that we've had was. I've
:46:44. > :46:47.loved learning every single dance and, no matter how they go on the
:46:48. > :46:51.day, everyone is so special to me. I could haven't had anyone better to
:46:52. > :46:56.teach me. You are amazing, I want this dance to be the best it can be
:46:57. > :47:00.but I want it to look as good as it feels. Hopefully they'll love it. We
:47:01. > :47:08.have enjoyed every second of what we've had. Thanks a million.
:47:09. > :48:58.Dancing their show dance, Jay McGuinness and Aliona Vilani.
:48:59. > :49:35.That was so brave. No harness and all your greatest moves in one
:49:36. > :49:37.routine. Very, very, very good. Len, there's a lot resting
:49:38. > :49:47.on that show dance. It was like a trip down memory lane,
:49:48. > :49:54.like Jay and Aliona's greatest hits. I would have liked a built more show
:49:55. > :49:59.in the show dance, personally. That's my opinion. You know, it was
:50:00. > :50:04.lovely and the dances you did were great, the bit of rumba, a little
:50:05. > :50:06.bit of foxtrot and tango, they were great, it's a show dance, I wanted
:50:07. > :50:20.it more exciting for me. I think I got wrong-footed. When you
:50:21. > :50:26.started it was oh my God this is going to be Spainer man, super hero
:50:27. > :50:29.extravaganza, but you have a very good pick 'n' mix of ballroom and
:50:30. > :50:39.Latin, all different flavours and colours. Very well put together,
:50:40. > :50:42.very, very well danced. When you pitch something, you present
:50:43. > :50:46.something, the image, the first image stays in your mind and when I
:50:47. > :50:51.say, when is he going to fly again, is he going to take off, you know
:50:52. > :50:55.what I mean, that is purely a conceptual thing but when it comes
:50:56. > :50:59.to dancing, you always deliver. Always delivers. And so smoothly.
:51:00. > :51:00.Even smoothed your hair at the end. Craig, could you feel your face
:51:01. > :51:11.cracking into a smile? No, I was disappointed, I really
:51:12. > :51:16.was, you are capable of so much more and I thought it was a cop out to do
:51:17. > :51:20.a compilation, to be honest. I wish it ended like the opening and
:51:21. > :51:24.spiralled back up but it felt for me like there wasn't a build or any
:51:25. > :51:28.particular climax, yes you danced brilliantly all the little bits but
:51:29. > :51:45.for me it wasn't as Len says a show dance. Darcey? The way you delivered
:51:46. > :51:49.all the moves was spectacular and it's true, we are, being the last
:51:50. > :51:53.man in this competition, I especially have very high expect
:51:54. > :51:58.aces of you and I think we wanted a little surprise and even though it
:51:59. > :52:03.was seamless, and it certainly was, you just needed to go out with a
:52:04. > :52:08.bang - that's it really. I did love the entrance and I think the boys
:52:09. > :52:12.are right, we needed to finish with that. It's construction, you know
:52:13. > :52:15.and taste as well and you are a fantastic dancer. We are not saying
:52:16. > :52:19.that you can't dance, you know. CHEERING AND APPLAUSE.
:52:20. > :52:24.It's how you pitch something, you know, you started with the finale,
:52:25. > :52:27.if you would have constructed it the other way around, it's like when you
:52:28. > :52:32.watch a movie, the way you cut it is how it's perceived by the audience.
:52:33. > :52:36.I'll take all the blame because... No, you shouldn't, my darling. Well,
:52:37. > :52:40.the audience loved it. That's a given without doubt. They've done
:52:41. > :52:43.all they can for now but will it be enough to save them from the first
:52:44. > :52:52.elimination? That depends on your votes. Let's hear it for Jay and
:52:53. > :53:05.Aliona! Go on darling, off you go. CHEERING AND APPLAUSE.
:53:06. > :53:10.Everybody else in here went completely nuts and I hope that you
:53:11. > :53:14.know that. What was also so lovely was that you gave us little bits
:53:15. > :53:20.like the jigsaw of every dance you've done. The numbers are on the
:53:21. > :53:26.screen, you can vote for your finalists now. The numbers were on
:53:27. > :53:30.the screen. It was made more difficult and St Peter's Basilica
:53:31. > :53:37.intricate, they were all difference to what we've danced before --
:53:38. > :53:43.difficult and very intricate. I wouldn't have wanted it any
:53:44. > :53:56.different. Time to get the scores from the judges.
:53:57. > :54:05.Still to come, Kellie Remember dances to Ding-Dong Daddy.
:54:06. > :54:07.I'm not sure I've heard it before, but it does ring a bell.
:54:08. > :54:12.Next hoping to impress are Georgia May Foote
:54:13. > :54:19.Their showdance is innovative and incredibly challenging.
:54:20. > :54:22.In one sense it's very traditional, in that Giovanni is leading,
:54:23. > :54:32.but it's the way he's leading that is truly inspired.
:54:33. > :54:39.The good thing about the show dance is that there are no rules. This
:54:40. > :54:44.dance is completely dangerous. To, no... I'll get a splinter. There's
:54:45. > :54:47.something a bit special in this dance. There is a small thing in the
:54:48. > :54:53.beginning that will be a little bit different. I won't say what. Our
:54:54. > :54:58.little secret in this dance is definitely a risk. It could go
:54:59. > :55:04.wrong. I have to put all my trust in Giovanni and that's something I've
:55:05. > :55:08.learnt throughout this competition. To think this could be our last ever
:55:09. > :55:15.dance on Strictly, what a dance to go out on. I want on Saturday to
:55:16. > :55:19.arrive there and make you proud. You've brought out something in me
:55:20. > :55:27.that I never knew existed and I will be forever grateful to you for that.
:55:28. > :55:31.You are my little sister and I want on Saturday night you to show to all
:55:32. > :55:37.the public what you are and who you are. You became an amazing dancer.
:55:38. > :55:54.You can win the show. Thank you. Thank you. Thank you for a great
:55:55. > :56:02.time. I don't want it to end. Dancing their showdance, Georgia May
:56:03. > :58:18.Foote and Giovanni Pernice. Come on over! They are just lost in
:58:19. > :58:25.the moment there. We were lost with you, that was so enchanting.
:58:26. > :58:31.Gorgeous. You are so good, you're dancing blind folded. I know. Bruno,
:58:32. > :58:35.did that show how much trust there is? Yes, you took me from 50 shades
:58:36. > :58:41.of green to magical world of ballroom. I loved the seamless
:58:42. > :58:45.fusion of tango, the Viennese waltz, very difficult to do. Careful with
:58:46. > :58:49.that shoulder, darling! When you do your spins, you know, I told you
:58:50. > :58:53.before, but I loved the chemistry and the intensity, I loved the
:58:54. > :59:00.story-telling and you're really pretty beautiful with it all. Isn't
:59:01. > :59:05.she gorgeous! ? Craig, did that bring a tear to your eye? Oddly
:59:06. > :59:13.enough, no. Funny that! I enjoyed the dance of three sections, of
:59:14. > :59:17.course, loved the tango stuff, the Viennese stuff, specifically the
:59:18. > :59:24.blind-fold section I thought was absolutely wonderful. Wasn't it? So
:59:25. > :59:27.difficult doing that, sliding down his back and not knowing where the
:59:28. > :59:28.floor is, you handled that with great ease and passion. Fantastic,
:59:29. > :59:33.well done. Darcey, the audience
:59:34. > :59:44.were moved, were you? It was such a wonderful, wonderful
:59:45. > :59:48.start. It was lyrical, smooth, the shapes you were creating, and then
:59:49. > :59:51.he picked you up and spun you off your feet, my goodness, very
:59:52. > :59:54.impressive how you suddenly got him to hold then took off straightaway
:59:55. > :59:58.after being that dizzy which is not easy. That's why the shoulders came
:59:59. > :00:04.up as you were spinning, I think. Yes. The emotion and intent all the
:00:05. > :00:07.way through carried on and well done for that. Thank you so much.
:00:08. > :00:17.CHEERING AND APPLAUSE. CHEERING AND APPLAUSE.
:00:18. > :00:22.They are right, great intensity, I loved the fusion of the two dances,
:00:23. > :00:28.the opening was great, very poignant, it was a great dance and
:00:29. > :00:32.you are a lovely ballroom dancer. That is what the judges thought, but
:00:33. > :00:35.tonight it is all down to you at home and your votes. Off you go and
:00:36. > :00:37.get your score. Thank you! The information
:00:38. > :00:41.for all our finalists so you can vote for your
:00:42. > :00:54.favourite to win right now. Well done, such an emotional dancer,
:00:55. > :00:58.how are you feeling? That meant a lot, because when they took the
:00:59. > :01:02.blindfold off, it was like opening my eyes to everything I have
:01:03. > :01:10.learned, what he has taught me, and I have learned so much. And all she
:01:11. > :01:12.wanted to do was make you proud. She did, absolutely, thank you very
:01:13. > :01:16.much. Sorry about the shoulder! Nine! Nine! Nine! Nine! Happy with
:01:17. > :01:33.that? If you don't want that
:01:34. > :01:36.to be their last dance, then make sure you vote
:01:37. > :01:38.by calling or going online. Still to come, for Katie's
:01:39. > :01:40.showdance, our set designers recreated Rome, and oddly enough
:01:41. > :01:43.it was built in a day. It's time to welcome back
:01:44. > :01:48.Kellie Bright Their showdance is a high-energy
:01:49. > :01:59.Lindy hop set on a 1920s train, and if she doesn't run out of steam,
:02:00. > :02:17.this could be Kellie's ticket Showdance for the final. We
:02:18. > :02:25.basically get to do whatever we want. So I am thinking for long,
:02:26. > :02:35.high-energy tricks, kicks, Lindy hop style. We can pull this off. My
:02:36. > :02:44.goodness! I reckon it is going to be epic, what Steve say? Well, of
:02:45. > :02:50.course, I am in! -- what do you say? The showdance is exhausting, it is a
:02:51. > :02:53.really full on routine. I have fallen on my bum about three times
:02:54. > :03:03.today, nearly fallen on my head a few times. I am sure it is just
:03:04. > :03:09.because I am tired. Oh, boy! The best thing has been how much you
:03:10. > :03:15.have made me laugh. Without a doubt! More than anything, you have helped
:03:16. > :03:19.me grow as a performer. I think that is an amazing thing. It has been one
:03:20. > :03:24.of the best things I have ever done. I do want to say thank you, I really
:03:25. > :03:36.mean that. Our showdance is about going for it,
:03:37. > :03:39.so if we are going to go out, I want to go out with a bang. That is the
:03:40. > :03:41.end! Dancing their showdance,
:03:42. > :03:46.Kellie Bright and Kevin Clifton. MUSIC: "Ding-Dong Daddy
:03:47. > :06:02.of the D-Car Line" The audience are going wild! It
:06:03. > :06:05.didn't stop once! Oh! That was amazing.
:06:06. > :06:21.CHEERING AND APPLAUSE Oh! No wonder you collapsed, you
:06:22. > :06:26.must be exhausted after that! It is like I do not need her any more! I
:06:27. > :06:38.cannot believe how much energy you have got, you are amazing. Were they
:06:39. > :06:41.on the right track? A-ma-zing! CHEERING AND APPLAUSE
:06:42. > :06:49.Darcey, was that good enough to take them through to the final? It was
:06:50. > :06:54.extraordinary, oh my! You brought everything you could do that dance,
:06:55. > :06:59.you stretched yourself and you kept the control, you are a cheeky star,
:07:00. > :07:10.Kellie, you really are. Thank you! Len? If Kevin is the daddy, you are
:07:11. > :07:14.the belle of the ball. People, listen to me, that is a showdance!
:07:15. > :07:23.That is a showdance! CHEERING AND APPLAUSE
:07:24. > :07:28.Bruno? That was an exhilarating, show stopping, dazzling turn of a
:07:29. > :07:31.dance. You brought the A game right at the right time, that is how a
:07:32. > :07:36.champion wins. CHEERING AND APPLAUSE
:07:37. > :07:40.That is how a champion wins, says Bruno, we will be back for one final
:07:41. > :07:45.dance, off you go, if you have got any energy left! Get at the stairs,
:07:46. > :07:50.that was brilliant, Kellie and Kevin!
:07:51. > :07:52.The vote is still open, and the information
:07:53. > :07:54.for all four finalists is on the screen -
:07:55. > :07:59.you can keep voting until we freeze the vote later.
:08:00. > :08:12.Tele-! Delhi! At this point in the competition, you don't turn to your
:08:13. > :08:17.partner and say, teach me something completely new! But you did! You
:08:18. > :08:21.have loved this so much, it has been one of the best experiences of my
:08:22. > :08:25.life, and I love this man, and I just love dancing with him, and I
:08:26. > :08:32.thought, I have got to use the opportunity to learn something else.
:08:33. > :08:42.The scores are in. The scores are in, Craig Revel Horwood... Ten!
:08:43. > :08:54.Darcey Bussell. Ten! Len Goodman. It is ten from me! Bruno Tonioli. Ten!
:08:55. > :09:02.CHEERING AND APPLAUSE Well done, they could not be...
:09:03. > :09:04.Look, stop it! Remember, those scores
:09:05. > :09:06.are just a guide tonight. Kellie and Kevin need your
:09:07. > :09:09.votes to get their hands We have to say goodbye to one
:09:10. > :09:13.of our couples at the start of our second show this
:09:14. > :09:15.evening, live at nine. We just have one more
:09:16. > :09:17.couple left to dance. Yes, our final couple
:09:18. > :09:20.to perform their showdance is Katie Derham and her
:09:21. > :09:23.partner, Anton Du Beke. Their dramatic routine
:09:24. > :09:30.involves stirring music, passion, bravery and strength,
:09:31. > :09:33.so what better setting for it than the spectacular
:09:34. > :09:49.Colosseum of ancient Rome? The second dance this evening is our
:09:50. > :09:56.showdance. It is not going to be low-key or subtle or modest! It is
:09:57. > :10:01.going to be huge. We are choosing all sorts of our favourite moves.
:10:02. > :10:05.Over and wow! Quite a lot of me being chucked around. We are looking
:10:06. > :10:16.for something dramatic, lifts and throws. What are the rules, kid?! I
:10:17. > :10:22.say, there are no rules. Are you hurt? I am all right. She has heard
:10:23. > :10:28.her ribs. The only thing is hurting when you press on that. I only seem
:10:29. > :10:33.to be feeling increasing amounts of aches and pains. Try it and see how
:10:34. > :10:37.it feels. My body wants me to lie down in a dark room for about a
:10:38. > :10:42.month, but that isn't going to happen this week. Anton really has
:10:43. > :10:46.been amazing, and he has been a really good friend. I will miss him
:10:47. > :10:55.very much. Well done, you. Did you ever think we would make the final?
:10:56. > :10:58.Seriously? No. I hope, of course. I cannot tell you how much it means to
:10:59. > :11:04.me, I am very pleased. I cannot imagine having danced with anybody
:11:05. > :11:08.else. Thank you very much. I have enjoyed it very much. The
:11:09. > :11:12.Glitterball is inside, it is important that we pull the showdance
:11:13. > :11:13.and impress everyone at home, this is about staying in the final three
:11:14. > :11:16.or not. Dancing their showdance,
:11:17. > :11:20.Katie Derham and Anton du Beke. They are on their feet! What an epic
:11:21. > :13:24.performance! Well done! Darcey, did that showdance
:13:25. > :13:43.show off Katie's skills? Oh, the tension on the dance floor
:13:44. > :13:47.was amazing, I so enjoyed the top, how you rolled out into that
:13:48. > :13:53.shoulder press, carried that all the way down, I saw the intensity. With
:13:54. > :13:57.music like that, that is so strong, that can carry you all the way
:13:58. > :14:01.through, it can always work as a disadvantage, because you have got
:14:02. > :14:06.to come up to that level, and it is very difficult. I felt a little
:14:07. > :14:11.tension of nerves, that is the only thing, unsure of the transitions.
:14:12. > :14:12.Understandably, but you kept your boys, and you kept your elegance.
:14:13. > :14:17.CHEERING AND APPLAUSE did that have enough
:14:18. > :14:27.content for you? there was plenty going on, I loved
:14:28. > :14:38.all the staff, and the drop, and I never knew! -- stuff. This music is
:14:39. > :14:48.so dramatic and dominance that the music really overpowers the dance.
:14:49. > :14:54.No! Move on. You're going to make him grumpy, Bruno. It was a story,
:14:55. > :14:59.the goddess of fire and thunder, precisely over the fall of the Roman
:15:00. > :15:02.Empire! All conquering and dominating at the beginning, and
:15:03. > :15:07.then a few stumbles at the end, but without stumbles there wouldn't be
:15:08. > :15:12.any drama, so it kind of carried the story beautifully, and they made a
:15:13. > :15:15.very valid point. When you take these classic tracks, there is
:15:16. > :15:19.something about the phrasing that is so hard to do. I mean, you have done
:15:20. > :15:25.these things in ballet, we have all done it, it is so uneven, and you
:15:26. > :15:31.have to be so on it, you have to be so precise, almost anticipate the
:15:32. > :15:33.conductor. You almost have to see the conductor, she has done it. You
:15:34. > :15:45.are taking a great challenge and you gave it a good go! Thank you.
:15:46. > :15:49.Craig, that's the last of our showdances, how did she do?
:15:50. > :15:58.I don't want to end on anything negative but... Don't then. Compared
:15:59. > :16:06.to the rest, it was rigid, stiff. That's what we were going for, stiff
:16:07. > :16:15.rigid. We wanted a jump, catch and... Shhh... You don't possession
:16:16. > :16:18.a level of skill the others do in this competition but you can rest in
:16:19. > :16:23.the fact that you've done yourself proud because you have put yourself
:16:24. > :16:29.into it 100% and tried to drive that dance home so I'm very personally
:16:30. > :16:33.proud of you. Thank you very much, I really appreciate that. It's a fair
:16:34. > :16:37.point. We wanted something dramatic and I think we did it. Mistakes, we
:16:38. > :16:44.wanted some of them. We wanted a jump. It was exciting for me.
:16:45. > :16:46.You could be doing your favourite dance later on,
:16:47. > :16:49.but you've got to make it through to the final three first.
:16:50. > :16:59.The information you need to vote for your favourite
:17:00. > :17:15.We thought it was glorious. I was enjoying myself whizzing around
:17:16. > :17:17.there. Lovely. That's very important.
:17:18. > :17:34.I thought they were in. Can we chat longer? Yes. Did you enjoy it that
:17:35. > :17:38.much? Yes, I wanted it to last longer. We were super excited. The
:17:39. > :17:53.judges scores are now in. If you want Katie to lift
:17:54. > :18:01.the trophy, then make sure you vote Remember, only three
:18:02. > :18:05.of our finalists will dance again in our second
:18:06. > :18:08.live show later tonight, and that decision
:18:09. > :18:10.is down to you alone. So all of our couples have
:18:11. > :18:12.performed two routines, but where does that leave
:18:13. > :18:23.them on the leaderboard? But don't forget tonight,
:18:24. > :18:26.that's a guide only. Calls cost 15p plus your
:18:27. > :18:32.network's access charge. Please get the bill
:18:33. > :18:35.payer's permission before you call. The vote will be frozen
:18:36. > :18:37.at 8:30 tonight. Then, at the start of tonight's
:18:38. > :18:39.live results show at nine, Lines will then reopen,
:18:40. > :18:44.and your votes for the remaining three couples will be
:18:45. > :18:45.carried forward. Voting details
:18:46. > :18:48.are at bbc.co.uk/strictly, Here's a reminder of
:18:49. > :18:56.all tonight's dances. MUSIC: "Ding-Dong Daddy
:18:57. > :20:42.of the D-Car Line" There's even more dancing
:20:43. > :21:11.to come later tonight. Only one couple can win
:21:12. > :21:15.the competition, and no-one wants to say goodbye when they're this
:21:16. > :21:28.close to the Glitterball trophy. Don't touch it! Don't even look at
:21:29. > :21:33.it! Being part of this show's been
:21:34. > :21:37.life-changing. My main hope was that I wouldn't be the first one out.
:21:38. > :21:41.Then I thought it would be fun to get to Halloween. Then you think
:21:42. > :21:46.maybe Blackpool. To have got all this way is baffling actually. At
:21:47. > :21:51.the beginning, I thought this is something that might be a lot of fun
:21:52. > :21:55.every day. To be here right now, I wish I could tell me on week one
:21:56. > :22:00.that it would happen. I really didn't think we'd get to the final,
:22:01. > :22:04.I really didn't. It's definitely an emotional experience. My life before
:22:05. > :22:10.and after Strictly are two different things. God, I'd do it again in a
:22:11. > :22:12.heartbeat. In a heartbeat I would. I think I've got a friend for life
:22:13. > :22:17.there with Giovanni, it's incredible. For me to lift that
:22:18. > :22:22.trophy would mean everything. I want to do it for Giovanni as well. It
:22:23. > :22:26.would be the perfect end to a perfect experience. I would love to
:22:27. > :22:31.win Strictly because Kevin Clifton's never won it and I would love him to
:22:32. > :22:35.win it. I never thought I could win it and the fact that it's literally
:22:36. > :22:39.there if we did win, it would be the most amazing story. It's only a
:22:40. > :22:43.small part of your life and it means so much, it's something I'll never
:22:44. > :22:49.forget. To win it... That would just be the cherry on top of the cake.
:22:50. > :22:56.Remember, they all want to take home the glitterball, but it's down to
:22:57. > :23:02.you to choose who you want to win Strictly Come Dancing 2015. The vote
:23:03. > :23:06.will be frozen at 8. 30 so pick up the phone or go online as you don't
:23:07. > :23:11.have long to choose your winner. Back at 9 when one couple with leave
:23:12. > :23:14.the ballroom. The remaining three finalists have one last chance to
:23:15. > :23:18.impress when they perform their favourite dance of the series. The
:23:19. > :23:26.cast of 2015 will be taking to the floor for a very special routine.
:23:27. > :23:30.It's not to be missed. Plus music from the brilliant Ellie Goulding,
:23:31. > :23:34.oh yes! Remember, there is no results show tomorrow, it will be
:23:35. > :23:37.right here tonight, live at 9 o'clock and then we'll find out who
:23:38. > :23:43.will be lifting the glitterball trophy. See you back here very
:23:44. > :23:52.shortly. In the meantime, keep dancing!
:23:53. > :23:58.I want today's futurism for tomorrow.
:23:59. > :24:08.I want Hollywood glamour and feathers and sequins
:24:09. > :24:12.I want it to be mystical, spiritual...