:00:51. > :01:30.# Everything today is thoroughly modern
:01:31. > :01:35.# Everything today makes yesterday slow
:01:36. > :01:48.# Raise your skirts and bob your hair
:01:49. > :01:52.# Have you seen the way they kiss in the movies
:01:53. > :01:57.# Painting lips and pencil lining your brow
:01:58. > :02:04.# So beat the drums 'Cause here comes
:02:05. > :02:21.# They think is odd and Sodom and Gomorrah-ble!
:02:22. > :02:26.# Everything today is thoroughly modern
:02:27. > :02:31.# Everything today is starting to go
:02:32. > :03:25.# So beat the drums 'cause here comes thoroughly
:03:26. > :04:01.This is Strictly Come Dancing ? The Results.
:04:02. > :04:17.Hello and welcome to Strictly Come Dancing ? The Results!
:04:18. > :04:20.A huge thank you to our professional dancers for starting the show
:04:21. > :04:28.I got bin bags, a hole punch and ten bread rolls.
:04:29. > :04:43.Ten couples performed, but one couple will leave tonight.
:04:44. > :04:45.Your votes have been combined with the judges' scores,
:04:46. > :04:48.and the two couples with the lowest overall points will go head
:04:49. > :04:56.The final decision of who stays and who goes is down to the judges!
:04:57. > :05:13.And Craig Revel Horwood and Bruno Tonioli.
:05:14. > :05:25.Tonight, performing her new single How To Kiss A Boy, we have country
:05:26. > :05:29.And the judges will be taking a closer look at Saturday's dances
:05:30. > :05:33.Soon we'll find out which couples are through to next week
:05:34. > :05:35.and which two will be in the Dance Off.
:05:36. > :05:38.But first, here is every step, swivel, and samba roll
:05:39. > :05:56.It's week five, who will go this week? I'm very proud of is of making
:05:57. > :06:00.it this far. Every week, it becomes more terrifying. I didn't think I'd
:06:01. > :06:05.get beyond the first couple of weeks. The numbers are going down,
:06:06. > :06:13.it's extra pressure. Everyone is determined not to be in the Dance
:06:14. > :06:16.Off. We could be out. Everybody isn't safe, somebody has to go home
:06:17. > :06:21.at some point. It's heartbreaking when people have to go. I really
:06:22. > :06:25.want to get through next week. It would be amazing to get through to
:06:26. > :06:30.Hallowe'en, when all the bells and whistles come out. In five, ladies
:06:31. > :06:40.and gents. Good luck. I'm praying for fantastic dancing.
:06:41. > :06:51.It's showtime. It was quiet, it was calm and it was sophisticated. I
:06:52. > :06:57.have to say the energy and enthusiasm is unwatchable. It was
:06:58. > :07:01.all the air. Unfortunately, there were one or two little incidents
:07:02. > :07:07.along the way. I'm happy and I thought you did a wonderful
:07:08. > :07:11.charleston. At the very end you get tired and that crispness goes. I'm
:07:12. > :07:20.being really picky here, because I loved it. It was the hardest one.
:07:21. > :07:26.Full house, eight. Four of young, darling, after this. The girl had
:07:27. > :07:32.every single step you would expect. You are like a tornado, darling,
:07:33. > :07:37.going around the glitter ball. Good on you, young hearts run free. You
:07:38. > :07:44.were bouncing around like Jiminy Cricket. The texts were a bit wild,
:07:45. > :07:51.a bit high, but I loved it. For the first time I enjoyed every single
:07:52. > :07:56.Milli second of that. I have to say that was such a lovely surprise, you
:07:57. > :08:00.are so light on your feet. It could have been smoother, but well done. I
:08:01. > :08:13.don't want to upset Brendan, but your best dance. Eight. That was the
:08:14. > :08:17.antithesis of smooth stop plodding, pedestrian, I felt you were fighting
:08:18. > :08:21.one another all the way through. This is the trouble with
:08:22. > :08:26.hitchhiking. You always get dodgy lift. One thing is for sure, you're
:08:27. > :08:32.never going to join the Royal Ballet, I tell you that. Two. At
:08:33. > :08:38.least we showed people at the end what we could have done. Yes. The
:08:39. > :08:43.waltz looks very awkward and this dance did expose all the stuff that
:08:44. > :08:45.you really can't do. There will always be one dance that isn't
:08:46. > :08:52.yours. Sadly, this one is not your dance. Just enjoy it for what it is,
:08:53. > :08:57.don't get down on this, come back stronger. It really wasn't a good
:08:58. > :09:01.performance. For me, it's so frustrating. Mystic Leslie, I love
:09:02. > :09:07.your intensity, I love the way you acted. Unfortunately a lot of steps,
:09:08. > :09:10.you messed it up a little bit. This dance should be danced on one level
:09:11. > :09:14.and you were going up and down through the whole thing. I don't
:09:15. > :09:21.think this is a dance really for you. So frustrating. So annoying.
:09:22. > :09:26.APPLAUSE It was one classy rumba. You have
:09:27. > :09:30.all the ability to be top of the Leader Board. It was like watching
:09:31. > :09:37.Lesley Carroll and Gene Kellie in American in Paris. The sister Katie,
:09:38. > :09:42.very chic. I couldn't have asked for better comments. Nine. I'm so proud,
:09:43. > :09:48.that was awesome, I loved dancing with her. It was a masculine
:09:49. > :09:53.performance. You are consistently excellent dancer. I love, love, love
:09:54. > :10:03.watching you. I could watch you all night. Nine. It's calm, it's
:10:04. > :10:08.elegant. You were able to produce something which such control. It
:10:09. > :10:12.irresistible. You two look so good together. You are just incredible.
:10:13. > :10:22.Having the time of my life dancing with her. It was amazing.
:10:23. > :10:39.What a show and this is how the Leader Board looked at the end of
:10:40. > :10:48.Saturday's performances. At the top we have Ore and Joanne, followed by
:10:49. > :10:52.Danny and Oti. At the bottom, Ed and Katya, with 18. Your votes may have
:10:53. > :10:55.changed everything. Which two will face each other in the Dance Off?
:10:56. > :11:04.The results are in. In no particular order, the first
:11:05. > :11:15.couple safely through to next week is...
:11:16. > :11:25.Louise and Kevin. CHEERING AND APPLAUSE
:11:26. > :11:29.Thank you! Well done. Thank you. Thank you. Also back to dance again
:11:30. > :11:46.our... Cloudier and AJ.
:11:47. > :11:52.CHEERING AND APPLAUSE -- Claudia and AJ. So good, so
:11:53. > :12:05.happy. Thank you. Surviving for another week are...
:12:06. > :12:19.Ore and Joanne. CHEERING AND APPLAUSE
:12:20. > :12:29.O! The fourth couple returning next Saturday are...
:12:30. > :12:40.Judge Rinder and Oksana. CHEERING AND APPLAUSE
:12:41. > :12:52.And now the first couple into night's Dance Off is...
:12:53. > :13:00.It's Lesley and Anton. The rest of you will have to wait a little
:13:01. > :13:03.longer to find out if you through. Lesley and Anton, please come and
:13:04. > :13:12.join me. APPLAUSE
:13:13. > :13:21.Don't worry, don't worry. Come here, sweetheart. Oh, look at your lips
:13:22. > :13:25.cover your face, I'm so sorry. You must be disappointed. You find
:13:26. > :13:30.yourself in the Dance Off. Yes, a bit. Just strange. Of course, nobody
:13:31. > :13:35.wants to be here. Let's get some advice from the judges. Len, have
:13:36. > :13:42.you any words of encouragement ahead of the Dance Off? This was a full on
:13:43. > :13:46.proper tango. It had lovely staccato action and had a mood about it.
:13:47. > :13:50.Throughout the dance, which I think you spoke about, there was one or
:13:51. > :13:55.two little blunders. Now, what we've got to do is come back out, keep
:13:56. > :14:00.that mood, keep that aggressive feel, just iron out those couple of
:14:01. > :14:10.mistakes. Go on, girl. APPLAUSE
:14:11. > :14:17.Four couple safely through to the Halloween Special. All of a sudden
:14:18. > :14:21.it has got a very serious. All of you are just, like, I would like
:14:22. > :14:30.somebody to exhale in a minute! Louise, you got nine for your rumba.
:14:31. > :14:34.When you finish, do you think, it's OK, I'm safe? You can never feel
:14:35. > :14:41.safe, no matter what your score is. You want the public to enjoy it,
:14:42. > :14:45.that is what you are relying on. Ore, you are playing a grotesque
:14:46. > :14:53.shopkeeper next week? How happy are you? I'm ecstatic. It was such an
:14:54. > :14:59.emotional day. I have not stopped shaking since I finished that dance!
:15:00. > :15:03.Doing it with one of my best mates, just so over the moon to be doing it
:15:04. > :15:08.again. And I get to be grotesque next week. I can't wait! Not in a
:15:09. > :15:15.weird way. You know what is so sweet, the minute that Tess says
:15:16. > :15:23.your name, everybody goes like that, and you say, thank you, thank you.
:15:24. > :15:27.These are our teachers. Teachers are incredible, whatever teaching they
:15:28. > :15:30.have done. Somebody that invests all of their emotional and creative
:15:31. > :15:33.character, and they help you, and you just want to thank them at the
:15:34. > :15:41.end of it. It is their work that makes you look good. So moving! You
:15:42. > :15:47.are happy with him, aren't you? You are doing the American smooth next
:15:48. > :15:50.week, you are playing a witch, are you already thrilled about the fact
:15:51. > :15:55.that you through and will be for Halloween? I can't wait, I've never
:15:56. > :15:59.dressed up for Halloween, it will be pretty good. What is AJ playing?
:16:00. > :16:03.Frog! Makes total sense. Performing her new single
:16:04. > :16:07.How To Kiss A Boy, please # You've got no
:16:08. > :16:18.choice but to believe # Hope ain't necessary
:16:19. > :16:30.when you never had a doubt # You just know it will
:16:31. > :16:44.work out, don't you? Thank you to Leann Rimes
:16:45. > :20:12.and our brilliant professional thank you very much. My favourite
:20:13. > :20:16.entrance ever. This is when you dissect sections of Saturday night.
:20:17. > :20:27.Maybe you hadn't had time to talk about it? Please welcome Len's
:20:28. > :20:37.Lense. I would like to start with you and talk about Judge Rinder and
:20:38. > :20:44.his swivel. The toe heel swivel? That's good, swivelling? No, not
:20:45. > :20:48.swivelling. Now I have seen it in slow motion, I wish I hadn't seen
:20:49. > :20:54.that. What you are supposed to do, it is what it says. Toe, heel and
:20:55. > :21:00.then you cross. But you have to get the swivel. If you don't get that
:21:01. > :21:06.swivel, it's wrong. When I was a kid, I loved that step, when I first
:21:07. > :21:09.danced. I used to practice it in the hall. At the bottom of the banister
:21:10. > :21:19.was a big ball that are used to hold. Because you need something.
:21:20. > :21:26.Then I snapped it off. My mum went absolutely ballistic! Did she? Thank
:21:27. > :21:31.you so much for that information. That was like a gift to us all.
:21:32. > :21:39.Darcey, I would like to talk to you about Anastacia and Gorka. You
:21:40. > :21:44.mentioned the pendulum swing? Yes, she goes out to the side again. And
:21:45. > :21:53.again. And then out. It's lovely. The feet come together nicely.
:21:54. > :21:57.Great. Really neat. Can I ask you about Greg and Natalie? You gave him
:21:58. > :22:01.a really low score. He said he was pigeon toed. He is a gold medal
:22:02. > :22:07.winning Olympian. Extraordinary, he's never done this before. Looking
:22:08. > :22:11.at this clip, can you explain? The reason I gave him a low score is
:22:12. > :22:18.because of his feet. You can see he is very pigeon toed, flat-footed.
:22:19. > :22:24.It's not good. It's not great. Instead of standing, like this... Go
:22:25. > :22:33.on! He needs to be slightly turned out. He does that, when he walks.
:22:34. > :22:36.That's not great. Very smart shoes, if you don't mind me saying. Bruno,
:22:37. > :22:38.I would like to talk about Ed and Katya. You were worried about the
:22:39. > :22:55.huge lift, when it went a bit wrong. I thought she was going to bash her
:22:56. > :23:03.head, I was very worried. She could have bashed her head on the floor. A
:23:04. > :23:10.man, man, he caught her? It was very entertaining. Entertaining, but very
:23:11. > :23:20.dangerous. But he showed he could do it perfectly. Look at that. Calling
:23:21. > :23:25.that perfection, a brave attempt. He did it twice. Let's hear it for the
:23:26. > :23:33.judges. Thank you so much. One couple are already in the dance-off.
:23:34. > :23:35.Who will be joining them? Tess? Who is safe and who will be dancing for
:23:36. > :23:42.survival? It's time to find out. In no particular order, safely
:23:43. > :23:56.through to next week are... Back to dance again next Saturday
:23:57. > :25:04.are... That means Greg and Natalie and
:25:05. > :25:07.Daisy and Aljaz, one of you is safe and one is in the dance-off. The
:25:08. > :25:14.couple that will compete in the dance-off is...
:25:15. > :25:27.Daisy and Aljaz. So, Greg and Natalie, congratulations. You are
:25:28. > :25:37.through to next Saturday. Daisy and Aljaz, please come and join me.
:25:38. > :25:42.Goodness me. A huge gasp. You must be surprised to find yourself in the
:25:43. > :25:51.dance-off? Well, I love that dance, so it's OK. I'm happy to do it again
:25:52. > :25:56.and keep the energy up. Always looking on the bright side. You said
:25:57. > :26:00.Daisy had some timing issues, how should she improve that? My main
:26:01. > :26:04.point is stamina. You need to keep your energy going all the way to the
:26:05. > :26:11.end, so the last lift is fresh as the first time you do a swivel. You
:26:12. > :26:15.are a fantastic dancer. Obviously you should not be here. The great
:26:16. > :26:18.British public have voted and you are, and it is your time to turn
:26:19. > :26:27.their minds around. You are brilliant. Best of luck, sweetheart.
:26:28. > :26:31.We will see you later, in the dance-off. I am here with the rest
:26:32. > :26:38.of the couples, all completely relieved and over the moon. Ed, you
:26:39. > :26:43.are through. Halloween week, you are playing a mad scientist. How excited
:26:44. > :26:47.are you? It's amazing to be back with another chance, only because
:26:48. > :26:52.people have voted for us. Thanks for giving us a chance and we will try
:26:53. > :26:56.to do better next week. Greg, you did not like the cha-cha. Your face
:26:57. > :27:02.when there was the heartbeat music, and you were so surprised, sorry,
:27:03. > :27:07.I'm not doing that? It was not for me. We put in nowhere near as good a
:27:08. > :27:11.performance as some of the others. I really thought it was us in the
:27:12. > :27:14.dance-off. I can't thank people enough for keeping us in, we are
:27:15. > :27:20.loving what we are doing. Hopefully I can improve on what was a bad
:27:21. > :27:25.week. Anti-Semites. Anastacia, my favourite reaction, I think, ever?
:27:26. > :27:31.You kept screaming, and then you screamed again, sorry. -- Anastacia,
:27:32. > :27:43.you have my favourite reaction. Your best score and dance, through
:27:44. > :27:44.to next week? He did really well, stepping in for Brendan. So
:27:45. > :27:56.supportive, thank you, thank you. Danny, you are doing a foxtrot next
:27:57. > :28:04.week? Halloween week. You can put your clothes back on! Of course you
:28:05. > :28:30.can. As if dancing live is not scary enough, next week it is Halloween.
:28:31. > :28:40.Can you come here for a second? Really enjoying it. Why did you do
:28:41. > :29:09.that? Happy Halloween! That is Halloween
:29:10. > :29:13.week, next Saturday. Lesley and Anton, Daisy and Aljaz would both
:29:14. > :29:18.love to be there, but it comes down to this. It was a brilliant tango,
:29:19. > :29:25.is part of you excited about doing it again? It is rather nice to do it
:29:26. > :29:30.again. It is going to be good. This time it is going to be perfect? I'm
:29:31. > :29:37.going to try. And on, what would you like to say to your brilliant girl?
:29:38. > :29:41.Do what you do, you are amazing. If it was down to me, I would have put
:29:42. > :29:54.you into the final in the first week. Thank you so much, enormous
:29:55. > :29:58.luck. Lesley and Anton! Daisy and Aljaz, Halloween Special next week.
:29:59. > :30:04.How much do you want to be there? I would love to be there so much. It
:30:05. > :30:10.is down to the judges. Lesley is such a terrific dancer, I wish them
:30:11. > :30:14.all the best. You are a fantastic partnership, what words of
:30:15. > :30:18.encouragement the want to give? Really, from day one, she comes in
:30:19. > :30:22.every single week and there are some beautiful dancers. So proud and
:30:23. > :30:28.honoured to be her partner. You did a great job last night, and I can't
:30:29. > :30:31.wait to do it again. You guys are just too adorable! The judges will
:30:32. > :30:37.have to decide who stays and who goes.
:30:38. > :32:31.Lesley and Anton have done all they can to stay in the competition and
:32:32. > :32:32.are fighting for a place in next week's Hallowe'en special, now it's
:32:33. > :32:48.Daisy and Aljaz. week's Hallowe'en special, now it's
:32:49. > :34:32.Daisy and week's Hallowe'en special, now it's
:34:33. > :34:40.only one couple can return next week. Judges, it's time to decide
:34:41. > :34:43.who will -- who that will be. Based on the Dance Off alone I'm about to
:34:44. > :34:47.ask you the name of the couple you deserve to be saved and your reason
:34:48. > :34:52.for saving them. The couple with the most votes will stay in the
:34:53. > :34:59.competition. In the event of a tie, head Judge Len will have the casting
:35:00. > :35:04.vote. This is it. Craig, who are you going to save, and why? Well, I love
:35:05. > :35:10.both couples for completely different reasons, but for me
:35:11. > :35:15.tonight just for precision, for an improved performance in this
:35:16. > :35:21.particular Dance Off, and finishing on time, the couple I'd like to
:35:22. > :35:27.save, Daisy and Aljaz. Daisy and Aljaz, one vote for you. Darcey, who
:35:28. > :35:31.do you think deserves to stay in the competition, and why? Again, this is
:35:32. > :35:35.very difficult. I wouldn't want these two couples here at all and to
:35:36. > :35:39.choose between them is very difficult. But the couple I would
:35:40. > :35:44.like to save because of a cleanness and quality of their dance was Daisy
:35:45. > :35:47.and Aljaz. CHEERING AND APPLAUSE
:35:48. > :35:54.That is two votes for Daisy and Aljaz. Is -- with Bruno votes save
:35:55. > :35:59.you you are through to next week's Hallowe'en special. Bruno, who do
:36:00. > :36:01.you want to stay on Strictly Come Dancing and why? I is both of these
:36:02. > :36:07.girls for many different reasons, they are gorgeous, look at them, but
:36:08. > :36:10.I have to choose the stronger dance and every act is backed, technique
:36:11. > :36:17.and performance, and for that reason I'm choosing to save Daisy and
:36:18. > :36:23.Aljaz. We have to say goodbye to Lesley and Anton. Daisy and Aljaz,
:36:24. > :36:29.congratulations. We'll see you next Saturday. Len, it won't change the
:36:30. > :36:33.result but did you agree question might I disagree, I would have saved
:36:34. > :36:42.Daisy and Aljaz. Thank you very much. -- I did agree. I would have
:36:43. > :36:48.saved Daisy and Aljaz. Come over here, darling. We have absolutely
:36:49. > :36:54.loved watching you dance. You are a joy and inspiration to watch. No one
:36:55. > :36:58.wants you to leave, quite honestly. Come here, Anton, what's been your
:36:59. > :37:01.highlight? I don't know, I think learning a new dance every week has
:37:02. > :37:05.been lovely, working with him has been an absolute joy and we have
:37:06. > :37:08.laughed a lot. It's been just a lovely, lovely journey and it's come
:37:09. > :37:14.to an end and that's absolutely fine. We've loved it. What will you
:37:15. > :37:20.miss most is to mark him. Anton, what would you like to say the
:37:21. > :37:24.Lesley? I know you've got a fantastic relationship. I'd like to
:37:25. > :37:28.say thank you very much. You enriched my holes quickly experience
:37:29. > :37:34.this year. Dancing with you has been an absolute joy. -- new enriched my
:37:35. > :37:45.experience this year. It's down to you and you are an absolute joy. I
:37:46. > :37:48.love you dearly. Lovely, lovely words. We'll miss due next week, we
:37:49. > :37:56.have really enjoyed watching the pair of you. I'm going to send you
:37:57. > :37:58.off for your last dance. Oh, gosh, sorry!
:37:59. > :38:05.CHEERING AND APPLAUSE You can see the brilliant Lesley and
:38:06. > :38:10.Anton on it takes to when they joined Zoe at 6:30pm on BBC Two. You
:38:11. > :38:19.can head to bbc.co.uk/strictly for exclusive backstage gossip. For now,
:38:20. > :38:28.dancing about is the lovely and wonderful Lesley and Anton.
:38:29. > :39:12.MUSIC: "Right Back Where We Started From"
:39:13. > :39:27.I'm absolutely gutted to see Lesley go. I'm going to miss her more than
:39:28. > :39:32.I can articulate without getting upset. Being in the bottom two is
:39:33. > :39:37.really tough and to see Leslie Day was heartbreaking. The idea is
:39:38. > :39:42.bounce back. I need to be better. I'm enjoying every single second of
:39:43. > :39:46.this. I don't want it to end. I'm made up, actually. I was hoping to
:39:47. > :39:59.get through to Hallowe'en and now I am. We're doing the cha-cha-cha,
:40:00. > :40:00.which I'm not sure is going to be my dance but we