:00:10. > :00:17.Last week, ten celebrities took to the floor for our dancing delight.
:00:18. > :00:22.Some shopping, like the stars above. Yet you are an incredible dancer.
:00:23. > :00:29.While others were in for a shocking surprise. In the end we said goodbye
:00:30. > :00:39.to Mystic Leslie, just one week short of our strictly Spookstacular.
:00:40. > :00:45.It was all Hallows Eve and all through the land something strange
:00:46. > :00:53.had come to land. Brendan, I thought you were feeling better this week?
:00:54. > :00:58.Could you get me a cup of tea, please? Daisy, come on, we have work
:00:59. > :01:02.to do. Did you get dressed in the dark this morning? That's not like
:01:03. > :01:13.you, Giovanni. You could have at least shaved for me today. Stop
:01:14. > :01:21.slipping, I want to rehearse. As the mood takes on a glittery sheen, this
:01:22. > :02:04.is Strictly Hallowe'en. Now, that's scary!
:02:05. > :04:46.MUSIC: You Spin Me Round (Like A Record).
:04:47. > :04:54.Live from the BBC, this is the Strictly Come
:04:55. > :05:17.Hello and welcome to Strictly Come Dancing -
:05:18. > :05:19.The Halloween Special! Thanks to our professional dancers,
:05:20. > :05:22.celebrities and judges for a fantastic routine to the track
:05:23. > :05:24.You Spin Me Round, which was co-written and originally
:05:25. > :05:27.performed by Pete Burns, who sadly passed away
:05:28. > :05:31.earlier this week. We send our love out
:05:32. > :05:34.to his family and friends. Last week Lesley and Anton lost out
:05:35. > :05:38.to Daisy and Aljaz in the Dance Off and sadly Lesley left
:05:39. > :05:40.the competition. Tonight, our remaining ten couples
:05:41. > :05:43.are hoping to thrill you all and watching
:05:44. > :05:45.them - very closely - will be our frightening foursome.
:05:46. > :06:19.Our creepy couples have been lurking backstage.
:06:20. > :06:21.It's time to bring them out from the shadows and into
:06:22. > :06:30.So please welcome our Strictly stars.
:06:31. > :06:32.TV presenter and singer Louise Redknapp and her
:06:33. > :06:39.Star of Judge Rinder, Robert Rinder, and his partner Oksana Platero.
:06:40. > :06:44.Olympic gymnast Claudia Fragapane and her partner AJ Pritchard.
:06:45. > :06:48.BBC sports presenter Ore Oduba and his partner Joanne Clifton.
:06:49. > :06:53.Model Daisy Lowe and her partner Aljaz Skorjanec.
:06:54. > :06:55.World champion long jumper Greg Rutherford and his
:06:56. > :07:00.Former Shadow Chancellor, Ed Balls and his
:07:01. > :07:08.TV host Laura Whitmore and her partner Giovanni Pernice.
:07:09. > :07:12.Actor Danny Mac and his partner Oti Mabuse.
:07:13. > :07:18.Singer Anastacia and her partner Brendan Cole.
:07:19. > :07:38.Amongst them a couple of bats, a mad scientist and a wicked witch -
:07:39. > :07:41.all hoping to work their magic on the dance floor tonight.
:07:42. > :07:44.You will be able to vote for your favourite later on.
:07:45. > :07:46.Your votes will be added to the judges' scores to decide
:07:47. > :07:49.which two couples will face the Dance Off in tomorrow
:07:50. > :07:53.It will then be down to the judges alone to decide who
:07:54. > :07:55.stays and who goes. And hoping to send a shiver
:07:56. > :08:03.down your spine first is Louise Redknapp and her
:08:04. > :08:08.partner Kevin Clifton. Their Halloween routine
:08:09. > :08:14.playing super villain Harley Quinn from Batman.
:08:15. > :08:17.It's a fun dance full of comedy, so who better for her to dance it
:08:18. > :08:32.Last Saturday is the most I've been proud of you on Strictly so far. I
:08:33. > :08:36.was really scared of the rumba but ended up being pleasantly surprised.
:08:37. > :08:41.We got a great score, 33, but there were comments from the judges. You
:08:42. > :08:47.are on a plateau, something has to happen to give you that extra boost.
:08:48. > :08:51.This is the week that I really need to grow some guts. For Hallowe'en,
:08:52. > :08:58.Kevin and Louise are becoming Batman's nemesis, the Joker, and his
:08:59. > :09:01.side quick, Harley Quinn. This week we have the charleston. This is a
:09:02. > :09:06.chance for us to show the crazy side of Louise. In order to bring out the
:09:07. > :09:11.silly side of Louise's character, Kevin is taking his role as a joke
:09:12. > :09:18.at a little too literally. Why did the ghost play football? I don't
:09:19. > :09:23.know. He liked scoring ghouls. Why didn't he like Strictly Come Dancing
:09:24. > :09:30.Jamaat he'd didn't have a body to dance with. I think Kevin has the
:09:31. > :09:34.wrong end of the stick. The Joker is a bad guy and the only bad thing
:09:35. > :09:51.about Kevin is his jokes! What do you call a fat pumpkin? I don't
:09:52. > :09:57.know. The plumpkin. I hope our dancing is more than a treat than
:09:58. > :09:58.Kevin's chokes on Saturday night. Dancing that charleston, Louise
:09:59. > :11:50.Redknapp and Kevin "Cobweb" Clifton. The dancing duo. No wonder you are
:11:51. > :11:55.smiling, that was wonderful. What lifts. Before we chat to the judges,
:11:56. > :11:58.let's say hello to our freakishly good live singers.
:11:59. > :12:01.Hayley, Lance, Andrea, Tommy and of course Count Dave Arch
:12:02. > :12:12.I can hear them panting from here. You were keen to push yourself even
:12:13. > :12:18.harder after last week's comments from the judges. Did she pushed
:12:19. > :12:26.herself harder? 100%, so animated, honestly. It was a comic book... I
:12:27. > :12:31.thought the routine was bat Dandy! You were Marvel and there was more
:12:32. > :12:43.fun than be no! It was absolutely spot on. And from this Joker to
:12:44. > :12:47.another, Bruno. Oh, yes, bang, wallop, the charleston as pop art.
:12:48. > :12:50.It was like watching Toni Basil in the master trickster stepping in and
:12:51. > :12:56.out over Roy Lichtenstein painting, you don't see that in the Tate
:12:57. > :13:02.Modern, but you see it on Strictly. Unusual. I wasn't expecting that at
:13:03. > :13:06.all, actually, that's why I found it very interesting, these different
:13:07. > :13:11.ideas put into that dance and done so well, wonderful.
:13:12. > :13:16.CHEERING AND APPLAUSE Craig? I felt it was a little bit
:13:17. > :13:20.too controlled, if I'm being absolutely honest. But I have to
:13:21. > :13:25.commend you on the details clean lines that you showed there, the
:13:26. > :13:31.side-by-side kick session was absolutely amazing. I loved the time
:13:32. > :13:39.step tap you inserted, that was cute and full of personality. Well done.
:13:40. > :13:45.CHEERING Darcey. Thank you, Louise, a
:13:46. > :13:48.dazzling charleston. The details, carefree, you have pulled out the
:13:49. > :13:56.stops and thank you, because it paid off. Brilliant, brilliant. It paid
:13:57. > :14:00.off. Thanks to our very own Joker, it's Louise and Kevin.
:14:01. > :14:16.APPLAUSE What the judges said to you, we want
:14:17. > :14:19.more, and they said we got more, and I have to say what was so sweet, in
:14:20. > :14:24.the judges' comments, Lerner said something lovely and there was a
:14:25. > :14:31.shot of your husband going, come on! You must be so happy because what do
:14:32. > :14:36.they want from me? I know, I wanted to do what they asked of me, Kevin
:14:37. > :14:41.worked so hard with me all week. It's hard in the rehearsal room but,
:14:42. > :14:45.when I get there, I try. She has worked so hard this week purely
:14:46. > :14:51.because of the comments last week. Well done. The scores are in. Ladies
:14:52. > :14:59.and gentlemen, the judges have the scores. Craig Revel Horwood. Eight.
:15:00. > :15:11.Darcey Bussell. Nine. Len Goodman. Nine. And Bruno Tonioli. Nine.
:15:12. > :15:20.You are so polite. Next to you, Kevin is like, yes! Well done. You
:15:21. > :15:25.must be so happy. If you would like to see Louise and Kevin back next
:15:26. > :15:31.week, the details are on your screen now. You can vote for them when
:15:32. > :15:37.voting opens at the end of the show. PHONE RINGS
:15:38. > :15:48.I've been waiting outside. Excellent news. Guys, the pizza is here.
:15:49. > :15:50.Please ask the bill payer's permission. Nobody else is
:15:51. > :16:05.listening. Don't vote yet because your vote
:16:06. > :16:12.won't count and you may still be charged. Tuck in. Our next couple in
:16:13. > :16:20.the haunted ballroom is Judge Rinder and his partner, Oksana Platero.
:16:21. > :16:25.With the help of Oksana Platero Judge Rinder has-been 's deadly
:16:26. > :16:28.improving the weeks. Tonight, they are doing a paso doble as
:16:29. > :16:36.butterflies and judge is hoping this routine will give him a chance to
:16:37. > :16:41.spread his wings. How do you feel about last week? Amazing. I can't
:16:42. > :16:48.say the dance was brilliant, but just the fun. It's what I wanted to
:16:49. > :16:53.achieve. Getting eight from Len means the world to me. I felt that
:16:54. > :16:58.showed we were getting better, and I love it. This week we are doing a
:16:59. > :17:06.paso doble and you are going to be a moth, like a manly butterfly. Isn't
:17:07. > :17:10.that an oxymoron? For inspiration, Oksana has taken Judge Rinder to a
:17:11. > :17:18.butterfly and moth sanctuary. It's magical. You've got the bloom
:17:19. > :17:25.author. Red lace them. The largest moth in the world. The wingspan can
:17:26. > :17:32.reach... On this one looks like you. As soon as we came in he started
:17:33. > :17:38.acting strange. She is scary at times but she wants the best. Hello,
:17:39. > :17:43.how are you? What? No, I'm dancing the paso doble this week. My
:17:44. > :17:49.character is a paso doble like moth full of smouldering to rubber --
:17:50. > :17:54.smouldering terror. I am king of the butterflies. Enjoyed myself in this
:17:55. > :17:56.incredible butterfly and moth paradise. I feel I can now truly
:17:57. > :18:09.inhabit the character. Dancing the petrifying paso doble,
:18:10. > :18:17.Judge Rinder and Oksana Platero the poisonous.
:18:18. > :20:08.I think the audience enjoyed as much as I did. Great drama from you. I
:20:09. > :20:14.had so much fun. Was I supposed to? I was trying to be butch and
:20:15. > :20:20.channelling my inner Craig. You were the richest butterfly I've ever
:20:21. > :20:24.seen. Was he born to dance? Want to dazzle in his own unique way. I
:20:25. > :20:32.think you were channelling Natalie Portman in Black Swan when she goes
:20:33. > :20:38.berserk. It has to be perfect! In fact, there was a lots of paso
:20:39. > :20:42.You are losing your shape at times. Maybe it is the wings getting in the
:20:43. > :20:48.way. You had to retain the shaping. But plenty of task -- plenty of paso
:20:49. > :20:57.doble, and the dragging, darling, folk, you can drag. We know that
:20:58. > :21:06.Judge always entertains, but is he continuing to improve? The result
:21:07. > :21:13.was very Silence Of The Lambs. A bit gruesome. But I mean that in a good
:21:14. > :21:19.way. Your doubles need a bit of work. They need to be into the
:21:20. > :21:23.ground. But it is your darkest, strongest that I've seen you, which
:21:24. > :21:32.is fantastic. I thought the shaping was rather good. I love the knee,
:21:33. > :21:38.brilliant. A bit haphazard at times, but I liked it very much. He liked
:21:39. > :21:47.it very much. Praise from Craig. Darcey. The paso doble is probably
:21:48. > :21:49.the most theatrical dance, and you definitely gave your all. The
:21:50. > :21:55.aggression, I haven't seen it in you. Valiant. There were moments
:21:56. > :22:05.where you did a little cloud with your lips. If you can control your
:22:06. > :22:11.mouth a bit more. -- a little pout. Stop but I love the power you gave
:22:12. > :22:17.to those lunges. They were stretched out and dramatic and you were coming
:22:18. > :22:28.to the end. I will never get bored watching you, I know this. Now, Len
:22:29. > :22:33.you gave him an eight last week. How did he do tonight? Iron you deserved
:22:34. > :22:38.it last week because you came out and danced. Tonight, you were not
:22:39. > :22:41.flitting about like a moth in a flame, you came out with and
:22:42. > :22:49.aggression. Your posture was good. The knee walks, I used to do those
:22:50. > :22:53.35 years ago and I have got a new knee. In 25 years, you will probably
:22:54. > :23:02.need an operation. You work that last week, you have come out again,
:23:03. > :23:03.strong, powerful and meaningful. Well done. -- you were good last
:23:04. > :23:23.week. You must have loved those comments.
:23:24. > :23:29.You really care what they say. I want to get better each week. I care
:23:30. > :23:33.what judges say. But its Oksana Platero birthday today. Happy
:23:34. > :23:40.birthday! I know that you care what they say, so fingers crossed. You
:23:41. > :23:45.haven't gone down yet in your score. Not yet, but as it is Oksana's
:23:46. > :23:51.birthday, we hoped they'd be generous. Judges, please reveal your
:23:52. > :24:06.scores. Craig Revel Horwood. Eight. Darcey Bussel. Eight. Len Goodman.
:24:07. > :24:11.Eight. Bruno Tonioli. Eight. That is your highest score. You look
:24:12. > :24:20.emotional. We broke the 13 barrier! On her birthday! Did I mention it is
:24:21. > :24:24.her birthday? If you don't want these to butterflies to be released
:24:25. > :24:30.back into the wild, the details are on your screen. Still to come,
:24:31. > :24:37.Anastacia is a bat and so is Brendan. They eat butterflies in the
:24:38. > :24:46.wild so if I were you I'd scarper. Next, Claudia Fragapane E and her
:24:47. > :24:50.partner, AJ Pritchard. A Halloween American Smooth, Claudia will be a
:24:51. > :24:54.teenage witch and she will be turning a frog into Prince AJ. If
:24:55. > :25:03.that goes well, she is hoping to turn the judges Laurie panels into
:25:04. > :25:08.ten. I enjoyed the weekend. Fantastic dancing, a brilliant
:25:09. > :25:17.endeavour. So pleased we got 32. It was incredible. Since we have won
:25:18. > :25:22.it, have I got any better? I feel so much more confident. 100%. You are
:25:23. > :25:28.starting to enjoy the dance on the night. It's refreshing for me to see
:25:29. > :25:35.how far you have come. With Halloween coinciding with Claudia's
:25:36. > :25:39.birthday, AJ has got her a present. Will it spell success? That has got
:25:40. > :25:45.all of the Strictly spells that will help you with every dance. Let's
:25:46. > :25:50.start with that. With more glitter and sequins in your American Smooth,
:25:51. > :25:58.let's hope your head doesn't move. This feels weird! Your head is
:25:59. > :26:03.backwards! It could be a trick or a treat. We don't want two left feet.
:26:04. > :26:11.My feet don't feel right. That's because they are left! What are we
:26:12. > :26:15.going to do? By making our feet a bit faster, hopefully on Halloween
:26:16. > :26:25.Craig doesn't think it's a disaster. AJ, something is happening to my
:26:26. > :26:31.feet! Help! Claudia, comeback! Shall we stick to training? I think so!
:26:32. > :26:37.Dancing the American Smooth, Claudia Fragapane and AJ pumpkin precharge.
:26:38. > :28:32.-- AJ pumpkin Pritchard. Claudia and AJ. Wow! They were
:28:33. > :28:39.spellbinding. Gosh. Magical. Did she cast a spell over you lot? I thought
:28:40. > :28:45.the footwork was very good. You maintained body contact a lot. I
:28:46. > :28:53.liked the frame, the lifts were fluid and dramatic. It was dynamic.
:28:54. > :28:58.Well done. Darcey. Beautifully smooth dismounts from every lift. To
:28:59. > :29:02.be able to take those transitions and iron them out. You had a dress
:29:03. > :29:07.malfunction on the last but you kept your head up. Every time you come
:29:08. > :29:19.out of a old, keep your eye level up. I noticed you are looking at the
:29:20. > :29:23.floor. But spectacular. Well done. It was spellbinding. Lovely flow.
:29:24. > :29:28.What I like, sometimes people do lifts and they do these great big
:29:29. > :29:33.lifts but they get on my wick a bit, because they are nothing to do with
:29:34. > :29:39.it. Your lifts complemented the movement and the fluidity of the
:29:40. > :29:43.dance, which was lovely. AJ, I was so pleased that you had the
:29:44. > :29:48.confidence to give Claudia a three step, which is a step I never see.
:29:49. > :30:01.People cheat and just do a chassis. Your footwork was brilliant. It was
:30:02. > :30:06.a top-notch performance. Oh, my little witch. There is nothing nasty
:30:07. > :30:11.about you. Actually, it's all goodness. What a wonderful dance.
:30:12. > :30:15.They have said all the major points, but there is something else.
:30:16. > :30:18.Sometimes you tend to be a bit angular, because of your gymnastic
:30:19. > :30:24.training. Tonight, you were as lyrical and beautiful and rounded as
:30:25. > :30:29.you should be. So maintained that. It makes all the difference. I know
:30:30. > :30:33.you worked a lot on that. The fluidity of movement, the extension
:30:34. > :30:38.of the arms, that's the way to go. Well done. You must be happy with
:30:39. > :30:53.that. Well done. Claudia and AJ! That's amazing!
:30:54. > :31:01.CHEERING AND APPLAUSE Well done, Claudia, your gymnast
:31:02. > :31:08.coaches are here in the audience and they were so proud, the rods were
:31:09. > :31:12.colliding and -- the worlds were colliding and they have supported
:31:13. > :31:17.you so much. I'm achieving loads because of them. Such a lovely thing
:31:18. > :31:22.to say. You wanted to show the judges you were smooth and it was
:31:23. > :31:31.perfect. The scores are in. The judges' scores are in. Craig Revel
:31:32. > :31:42.Horwood. Nine. Darcey Bussell. Nine. Len Goodman. Nine. Bruno Tonioli.
:31:43. > :31:47.Nine. Well done! CHEERING AND APPLAUSE
:31:48. > :31:51.Very well done. If you loved Claudia and AJ and want to see them back
:31:52. > :31:55.next week, all the details are on your screen now, so you can vote for
:31:56. > :32:01.them when voting ends at the end of the show. -- when voting opens at
:32:02. > :32:08.the end of the show. Still to come, Danny is a hideous creature.
:32:09. > :32:13.Our next dancers are Anastacia and her partner, Brendan Cole. Last week
:32:14. > :32:20.Brendan was ill soap Gorka Marquez kindly stepped in. Brendan is back
:32:21. > :32:25.tonight and they are dancing to a fast-paced meatloaf song, as a pair
:32:26. > :32:31.of bats. They'll be going at it like a bat out of hell. Watching the
:32:32. > :32:35.dance was difficult to do, I was so chuffed with what you have done. And
:32:36. > :32:40.how you both danced together. I was very, very proud. Thank you. It was
:32:41. > :32:46.one of the magical ones of the night. Thank you. It was one lovely
:32:47. > :32:51.dance, well done. I was trying to get the best scores because I wanted
:32:52. > :32:57.you back. We are going to smash 30 this week. The pressure is on. This
:32:58. > :33:02.week, Anastacia has to transform into what bat for her jive. To the
:33:03. > :33:09.Batcave, there's not a moment to lose. Today, I got to training and
:33:10. > :33:12.Brendan had a few surprises for me. Training is vitally important, this
:33:13. > :33:20.week we are bats. Night-vision is crucial. Let's do this. That's very
:33:21. > :33:24.dark. Stand on your left foot. No, no! I think I heard him, I'm not
:33:25. > :33:31.quite sure. Bats have supersonic hearing. I want to see those legs.
:33:32. > :33:36.With Strictly it's important to have downtime and you have to hang around
:33:37. > :33:40.now and then. I'm really getting the hang of this, I love it. I think the
:33:41. > :33:44.most exciting part for me was the fact we were dancing on the ceiling.
:33:45. > :33:48.All this bat training has really got me into character and I hope I'm not
:33:49. > :33:58.going to be winging it. On Saturday night. Dancing that jive, Anastacia
:33:59. > :35:47.and Brendan "Cold Hearted" Cole. CHEERING AND APPLAUSE
:35:48. > :35:52.Oh, very good! Come on over. That was frighteningly fast and you have
:35:53. > :36:00.the stamina to deliver. Yes. Not even out of breath. Welcome back,
:36:01. > :36:05.Brendan, so glad you are better. So Darcey, my our bats be flying up the
:36:06. > :36:08.Leader Board? You certainly turned on the energy. You have the
:36:09. > :36:13.confidence from last week, which is brilliant, because it was a strong,
:36:14. > :36:17.dynamic character and you used the choreography to come that very nice,
:36:18. > :36:22.Brendan. It needs to follow through straight to the technique as well. I
:36:23. > :36:25.would love to have seen in the kickball change, in the bald change,
:36:26. > :36:29.you are on the balls of your feet and you lift the knees up, it was
:36:30. > :36:35.just a bit flat-footed for me but generally come as a whole, I really
:36:36. > :36:41.am president performance. Very good, from Darcey. Len? There was some
:36:42. > :36:45.tasty bits in there, but there's always things you're not really sure
:36:46. > :36:48.about and I thought you came out and you gave it a performance which is
:36:49. > :36:54.great, but Darcey is right, the little clicks you do come more from
:36:55. > :36:59.the knee and they were a little bit loose, but you came out, you sold
:37:00. > :37:04.it, you were having fun and that is what the jive is about. Well done.
:37:05. > :37:09.Bruno? Talk about embracing the character. Totally batty on the
:37:10. > :37:17.borderline bonkers! I mean, I love the fact you went into Tina Turner
:37:18. > :37:22.for a moment. Whatever works, you are going to do it. I love that, I
:37:23. > :37:29.love when somebody gives all they've got, but they are right, the jive is
:37:30. > :37:32.all on the sharpness of the kicks and the slick, very quick
:37:33. > :37:39.retraction, the pump action, it has to bleed pin sharp and you really --
:37:40. > :37:44.it has to be pin sharp and that is one thing we look at, it is very
:37:45. > :37:51.important for this dance. But performance wise, a treat. Thank
:37:52. > :37:59.you. Was at a trade -- treat for you, Craig? No, it was flat-footed,
:38:00. > :38:04.laboured, leading to come a torpid, it lacked any... Sluggish? She had
:38:05. > :38:12.speed! I'm only being honest, darling. It had a lovely smile. I
:38:13. > :38:16.love your outfit. Thank you. Thank you, judges. We all loved it. Thank
:38:17. > :38:28.you, Anastasia and Brendan. CHEERING AND APPLAUSE
:38:29. > :38:41.We loved it up here, it's so lovely to have you back. You two worked so
:38:42. > :38:47.hard this week on the kicks and the flicks. It was a good, strong dance,
:38:48. > :38:53.we loved it in training. Hair, make-up, costume, unbelievable!
:38:54. > :38:58.APPLAUSE This is all done by hand, this is
:38:59. > :39:07.not put on each and every moment is done by hand. It took me hours.
:39:08. > :39:13.The scores are in. Will the judges Parisse -- please reveal the scores?
:39:14. > :39:28.Craig Revel Horwood. Four. Darcey Bussell. Seven. Len Goodman. Seven.
:39:29. > :39:33.Bruno Tonioli. Seven. I know, you didn't like the four. If you would
:39:34. > :39:37.like to keep Anastasia and Brendan in the competition, all the details
:39:38. > :39:41.are on your screen now, so you can vote for them when voting opens at
:39:42. > :39:46.the end of the show. Still to come, Laura is in a baggy Grim Reaper's
:39:47. > :39:54.cloak, she couldn't get one in the right size. -- scythe. Our next
:39:55. > :40:00.creepy couple is Danny Mac and his partner, Oti Mabuse. They are going
:40:01. > :40:02.to be a Hallowe'en couple getting married, I don't know what the
:40:03. > :40:07.wedding will be like but looking at the State of them I think the hen
:40:08. > :40:14.and stag dos must have been pretty good! Sorry! I was in two minds
:40:15. > :40:19.about the rumba, I wanted to do it because I love a challenge, turns
:40:20. > :40:25.out it went so well. It was a masculine performance. I could watch
:40:26. > :40:31.you all night. I couldn't believe the score. You knocked it out of the
:40:32. > :40:36.park, I'm so proud of you, Danny Mac. It's Hallowe'en week will stop
:40:37. > :40:45.we are dancing the foxtrot to take me to church. -- to Take Me To
:40:46. > :40:50.Church. Great song. You have to be cool, calm and collected. Oti has
:40:51. > :40:56.some spooky surprises in store for Danny. Meet me at the church.
:40:57. > :41:01.Because it's Hallowe'en I thought I'd play a few tricks on Danny.
:41:02. > :41:07.What's this? Something doesn't feel quite right. I don't know what on
:41:08. > :41:15.earth is going on. I swear I've seen those cobwebs, there's bats, I don't
:41:16. > :41:23.know where Oti is. I can hear music. I hope it's Oti. If anyone ever find
:41:24. > :41:30.this video... Tell Craig I was sorry I was never good enough for a ten.
:41:31. > :41:35.Oti? Is that you? Danny, where have you been? We need to practice. I
:41:36. > :41:44.have had all the scares I can handle for this week, so I hope there are
:41:45. > :41:47.no frights on the night. Dancing the frightful foxtrot, Danny Mac and Oti
:41:48. > :43:39."Monster" Mabuse. CHEERING AND APPLAUSE
:43:40. > :43:45.So sorry, so sorry. Oh, come over, darling, you just raised the roof.
:43:46. > :43:51.All right? Are you whispering something in her ear? Sorry. Sorry?
:43:52. > :43:57.It didn't go to plan. I'm sure we'll hear about it. She's got you on that
:43:58. > :44:03.shortly do already. That was the cause of it. You two are brilliant
:44:04. > :44:06.together, what do you think, Len? I was bewitched, bothered and
:44:07. > :44:13.bewildered, bewitched by the performance, bothered by the amount
:44:14. > :44:18.of mistakes there were, it's so hard, you have to be in line then
:44:19. > :44:23.you have to go outside of your partner, and I was bewildered by the
:44:24. > :44:27.elastic appendage! I didn't quite get that at all. However, in having
:44:28. > :44:32.said that you got sway going in there which is so hard to do.
:44:33. > :44:36.Listen, we all make mistakes, there were a couple in there but I'm sure
:44:37. > :44:39.you'll be back and it will all be forgotten. Well done.
:44:40. > :44:45.APPLAUSE Carried on, that's amazing. Bruno.
:44:46. > :44:49.You went for the hauntingly Gothic, almost operatic high drama and a few
:44:50. > :44:54.dramas on the footwork as well! You pushed the boundaries on the
:44:55. > :44:59.concept, which I is, the puppet on a string. It's very, very difficult,
:45:00. > :45:04.but usually you don't do any mistakes. It happens to anyone. You
:45:05. > :45:08.did a couple of foot faults, you stepped on her! But actually what
:45:09. > :45:15.you did right was very, very good. So you know, just move over next
:45:16. > :45:20.time, and do better. Craig? Really sad, that could have been ten,
:45:21. > :45:24.actually, because I loved the concept, I liked the modern
:45:25. > :45:31.theatrical nurse to it, I the appendage, that you were bothered
:45:32. > :45:36.by, I thought it was great. It's just a real shape -- shame it all
:45:37. > :45:39.went horribly wrong. Darcey? I think it's because you really stretched
:45:40. > :45:44.yourself and the choreography was really interesting. I loved you made
:45:45. > :45:49.it very difficult working with that, having to loop your arm underneath,
:45:50. > :45:53.it came out again, I mean really, I give it to you. It was impressive.
:45:54. > :45:57.It is a shame when you don't get the balance books I think it was because
:45:58. > :46:02.you were overly shut -- stretching with long, gliding moves and you got
:46:03. > :46:09.off balance but I have to say it was terrific. Even with those mistakes.
:46:10. > :46:18.It's a live show, it happens. Off you go. Enjoy your honeymoon.
:46:19. > :46:32.Oh, I'm so sorry. You were so looking forward to doing the
:46:33. > :46:39.foxtrot. I know that training has been amazing, and he was holding
:46:40. > :46:43.onto you. What happened? At least Oti managed to pull me back into
:46:44. > :46:51.position. At least we got to the end. Thank you. Well done. You did
:46:52. > :46:56.brilliantly. Scores are in. Be judges have their scores. Craig
:46:57. > :47:12.Revel Horwood. Seven. Darcey Bussel. Eight. Len Goodman. Seven. Bruno
:47:13. > :47:22.Tonioli. Eight. 30, still good. It's your lowest score. Not bad for a
:47:23. > :47:26.lowest score. It's really not. If you enjoyed this couple staying till
:47:27. > :47:30.death do us part and, by the look of them, that could be any time soon,
:47:31. > :47:40.extraordinary make-up. There is still lots more to come.
:47:41. > :47:46.The charleston is all about swivel. You've got to make sure your feet do
:47:47. > :47:52.a swivelling motion. That's too fast, it's weird. I knew it was
:47:53. > :47:57.going to be for long but I wasn't prepared for how demanding it is. It
:47:58. > :48:02.takes over your life. This week I've got a much better feeling and I hope
:48:03. > :48:07.I can hold the position is well and looked strong and have a good dance.
:48:08. > :48:11.At the beginning, I said I didn't want to do any lacking but, to my
:48:12. > :48:17.surprise, I quite like it. -- any lacking. Be paso doble is energetic.
:48:18. > :48:32.When I get it right, it is the best. Looking forward to all that,
:48:33. > :48:35.especially Ed's routine is a mad scientist. I borrowed his science
:48:36. > :48:42.lab to make myself an elixir of youth. Wouldn't hurt to knock if you
:48:43. > :48:47.years. Excuse me while I give it a go. OK, our next couple is Laura
:48:48. > :48:52.Whitmore her partner, Giovanni Pernice. After missing last week's
:48:53. > :48:56.show due to an ankle injury, Laura is back and ready to go with a
:48:57. > :49:00.Halloween tango to die for. How are you getting on with that elixir of
:49:01. > :49:22.youth? Not as well as I'd hoped... Missed you best Saturday. I missed
:49:23. > :49:29.being there. Laura has injured ankle. I was watching at home and
:49:30. > :49:34.not part of it. It was horrible. As devastated as I was, you have to
:49:35. > :49:40.move on. Is a new week and a new dance you are feeling good.
:49:41. > :49:45.Terrifying tango training starts well but then something weird
:49:46. > :49:49.happened. Just another day. I was just polishing of my tango steps and
:49:50. > :49:56.all of a sudden it felt like there was something in the room. Something
:49:57. > :50:03.watching us. I spotted it out of the corner of my eye. It was a dark
:50:04. > :50:14.presence. Laura, come with me. Joe was so scared. I was strangely drawn
:50:15. > :50:18.to him. He was hypnotic. Dance moves -- his dance moves were not from
:50:19. > :50:29.this world. It was clear it was some sort of Demon. A fun Demon. It was
:50:30. > :50:38.so great and I went -- I was so brave and I went to rescue Laura.
:50:39. > :50:42.OK, enough. And it was Anton. I couldn't stay away. I wanted a
:50:43. > :50:56.chance to dance again. Can you blame me? I love Halloween. Dancing be
:50:57. > :51:03.terrifying tango, Laura Whitmore and Giovanni "Poltergeist" Pernice.
:51:04. > :52:43.Plenty of passion. How does it feel to be back? It's great. I love
:52:44. > :52:49.dance. Lovely having you back. Bruno, you are Laura's biggest fan.
:52:50. > :52:55.Were you tantalised? You are jolly enough to lead me to damnation. You
:52:56. > :53:02.are the sexiest ghouls I have ever seen. A spookily good tango. You've
:53:03. > :53:05.got the looks of a winner. That was so sharp, right on it, precise
:53:06. > :53:11.musicality. And you managed to put in a little tease. O'Connor I love
:53:12. > :53:23.those things. With the shoulders. You were on fire! Oh, I love those
:53:24. > :53:26.things. Your left hand was bothering me because the thumb should be just
:53:27. > :53:34.in his pit. You started in a nice way but then it started closing in
:53:35. > :53:47.and becoming very odd. A small thing for an extremely amazing...
:53:48. > :53:49.CHEERING Laura, the attack, the focus, the determination, it's great
:53:50. > :53:56.to see you on this dance floor. I really enjoyed the mix of those
:53:57. > :54:01.sharp, snapping hips but then the quality of the feminine that you
:54:02. > :54:08.were able to give at the same time was really, really nice. I think it
:54:09. > :54:17.was your best dance. Darcey thinks it was your best dance. Look at Len.
:54:18. > :54:28.Zebedee do.! There was plenty of zip and hardly any doodah. Your footwork
:54:29. > :54:32.could have been better but sharp and full of passion and chemistry. Your
:54:33. > :54:39.best dance, no question. Darcey is right. Well done, Laura. Laura and
:54:40. > :55:02.Giovanni! Well done. I thought you might burst
:55:03. > :55:07.into tears. Noted at this stage. What a way to come back because I
:55:08. > :55:13.know you have been in terrible pain. I think the pain helps. You kind of
:55:14. > :55:24.channel eight just I love doing that dance. -- you glad of channel it. I
:55:25. > :55:30.love doing that dance. How did she do? Really well. Well done. Really
:55:31. > :55:41.good. The judges have their scores. Craig Revel Horwood. Nine. Reed
:55:42. > :55:55.Darcey Bussel. Nine. Len Goodman. Nine. And Bruno Tonioli. Nine. 36!
:55:56. > :56:03.Can you believe it? You are joint top of the Leader Board. There is
:56:04. > :56:08.always more tears. If you would like to see Laura and Giovanni back next
:56:09. > :56:13.week, all the information you need is on your screen. Don't really cry.
:56:14. > :56:20.I want you to be happy. Voting opens at the end of the show. Well done.
:56:21. > :56:26.Still to come, Olympian Greg jumps out of his skin, which I believe is
:56:27. > :56:34.a new personal best. Next is Ore Oduba and Joanne Clifton. For their
:56:35. > :56:39.Halloween charleston, they'll be the grotesque owners of a sweet shop and
:56:40. > :56:41.they've actually got real sweet and I managed to get some gobstoppers
:56:42. > :56:54.for Craig. Open wide... I was so nervous before that dance.
:56:55. > :57:02.I've never been that nervous. He worked so hard and all that work
:57:03. > :57:17.really paid off. You are an incredible dancer. That meant so
:57:18. > :57:23.much. 36?! That was amazing. It's Halloween week and we are dancing be
:57:24. > :57:27.charleston. These steps are so fast and intricate. You have to
:57:28. > :57:35.concentrate. My Halloween nightmare has already begun... Begun... When
:57:36. > :57:44.you think of Halloween, what's the first thing that comes to mind?
:57:45. > :57:51.Ghosts. Another one? Monsters. Pumpkins! That as well. Joanne
:57:52. > :57:55.brought me to one of the UK's biggest pumpkin farms to get me in
:57:56. > :58:04.the mood. We had a pumpkin farming competition. I definitely won. There
:58:05. > :58:12.we go. Wow, that is like looking into a mirror. We have had a
:58:13. > :58:18.spooktacular day at the pumpkin farm. Here's hoping we can carve up
:58:19. > :58:22.a great routine on Saturday. Dancing a chilling charleston, Ore Oduba and
:58:23. > :00:13.Joanne "Cackling" Clifton. What a charleston! , way from the
:00:14. > :00:24.sweeties will stop no offence, but you two look hideous. We dressed up
:00:25. > :00:29.for the occasion. Right then, still eating marshmallows? Don't worry.
:00:30. > :00:33.Sweets in his hair, what's going on? Top of the Leader Board the last two
:00:34. > :00:37.weeks, how did they do, Craig? It's your supporting leg that is the
:00:38. > :00:43.problem in this charleston and it's mainly to do with swivelling. Your
:00:44. > :00:48.left foot occasionally swivels, your right foot never swivels. The first
:00:49. > :00:51.thing that you should do, even if it's all day when you are learning a
:00:52. > :00:59.charleston, is really only concentrate on that one thing, then
:01:00. > :01:03.start, and I'm surprised it wasn't there because I'm expecting a lot
:01:04. > :01:05.more from this particular charleston, particularly without
:01:06. > :01:11.swivels, then it's not a charleston, so you have shot yourself in the
:01:12. > :01:14.foot, so to speak. However, the placement of the dance is always
:01:15. > :01:19.very good, technically I think it's very good in that way, and your
:01:20. > :01:24.timing is always very good, except when you missed the lift and as soon
:01:25. > :01:30.as you got back into charleston Basic, you were completely out of
:01:31. > :01:35.time. It was... Oh! It was out of time. It wasn't perfect, was it?
:01:36. > :01:37.Your characterisation was absolutely brilliant.
:01:38. > :01:45.APPLAUSE Positive in the end. Ore, it really
:01:46. > :01:50.wasn't that bad, don't listen to him. It was sweet, cheeky, neat, a
:01:51. > :01:55.great routine overall. CHEERING
:01:56. > :02:00.There was one moment when you got out of Cink-macro, that -- out of
:02:01. > :02:04.sync, the two of you, you recovered quickly, but I did find it's like
:02:05. > :02:08.you have springs built into your shoes or something. There's this
:02:09. > :02:14.natural, it's wonderful actually to watch, I saw that in the jive, but
:02:15. > :02:17.really you just don't tire at all. You made everything looked very
:02:18. > :02:23.easy, so well done. APPLAUSE
:02:24. > :02:31.He's broken sweat and that beer. Len? There was plenty of creeks and
:02:32. > :02:36.I was amazed, especially at the early stages at the intricacy of
:02:37. > :02:45.some of those steps, and they were right on point, together. I can't
:02:46. > :02:50.agree with Craig about the Chaston. OK, you could have put more
:02:51. > :02:53.charleston in, but the charleston I thought was terrific. OK, you're
:02:54. > :02:57.tempted a lift over there, that little fling over the shoulder which
:02:58. > :03:03.went a little bit dodgy, and you lost synchronicity for a bit, but
:03:04. > :03:09.overall there was a terrific routine and I thought it was great.
:03:10. > :03:15.APPLAUSE Bruno, what do you think? You are
:03:16. > :03:20.the cuddly monster I have ever seen! You're like a werewolf on a sugar
:03:21. > :03:25.high. With enough energy to sell it back to the National Grid, I tell
:03:26. > :03:29.you. What you put on that dance both creatively and in effort is
:03:30. > :03:35.fantastic. Actually, it was perfectly in sync, until the mishap
:03:36. > :03:41.with lift but the new carried on spend the delay. -- you carried on
:03:42. > :03:46.splendidly. You're a fantastic dancer, with a fantastic dance.
:03:47. > :03:52.Thank you, we end on a high judges' comments. Ore and Joanne.
:03:53. > :04:10.CHEERING AND APPLAUSE No, no, no, are you disappointed? A
:04:11. > :04:15.little bit, yes, I've never missed that lift in the whole time we
:04:16. > :04:20.rehearsed it. I had a mind blank and the whole time I didn't want to drop
:04:21. > :04:26.her, thankfully not on her face but I'm sorry, I'm sorry. You did well,
:04:27. > :04:32.don't be down, I promise, the scores are in. Ladies and gentlemen, the
:04:33. > :04:41.judges have the scores. Craig Revel Horwood. Six. Darcey Bussell. Eight.
:04:42. > :04:51.Len Goodman. Nine. Bruno Tonioli. Nine. So you got two nines, a proper
:04:52. > :04:55.pick and mix score situation. There's so much left in the beard if
:04:56. > :05:00.she wants any more! If you would like to see Ore and Joanne back next
:05:01. > :05:04.week, all the details are on your screen now so you can vote for them
:05:05. > :05:09.when voting opens at the end of the show. Still to come, Daisy dances a
:05:10. > :05:14.paso doble and Ed takes on the cha-cha. Tess. Ewan-macro dancing
:05:15. > :05:20.next is Greg Rutherford and his partner, Natalie Rowe. Greg is
:05:21. > :05:24.playing the part of an Edwardian gentleman who finds the ghost of his
:05:25. > :05:33.long lost love, but will he be able to capture the spirit of the rumba?
:05:34. > :05:36.Last Saturday night obviously it wasn't the perfect performance. How
:05:37. > :05:40.did you feel? It's more disappointment than anything else. I
:05:41. > :05:45.wanted it to be good and then it was horrendous. Ed looked very stiff,
:05:46. > :05:51.the walks looked awkward. The dance did expose all the stuff you really
:05:52. > :05:57.can't do, sadly. Don't get down, come back stronger. I'm incredibly
:05:58. > :06:02.thankful to be given the opportunity to dance again. I hope I can perform
:06:03. > :06:05.a lot better than I did last week. This week, they are dancing a
:06:06. > :06:10.haunting rumba and Natalie wants Greg to play a ghostly ghoul in the
:06:11. > :06:15.routine. Greg, where better to train than this old spooky house. Very
:06:16. > :06:19.spooky, I can't wait to get inside and see what it's like. I need you
:06:20. > :06:28.to get into the spirit of being a ghost, so try and think like a
:06:29. > :06:31.ghost. No. At first I thought she's obviously lost the plot here. Try
:06:32. > :06:39.one more time. But after awhile I turned into a ghost. Are you OK? You
:06:40. > :06:42.are looking a bit. I am feeling light on my feet. It was so much
:06:43. > :06:47.fun, I walked through walls and scared her a bit. Sorry, I couldn't
:06:48. > :06:51.help myself. What could be better on Hallowe'en week? This isn't working,
:06:52. > :06:56.we are having too much fun. I will have to be the ghost in this dance.
:06:57. > :07:00.Back to practice. Hopefully we can use this Blue Peter goings-on from
:07:01. > :07:06.this haunted Mansion and put them into our rumba on Saturday night. --
:07:07. > :07:09.ghostly goings-on. Dancing the rumba, Greg Rutherford and Natalie
:07:10. > :09:09."Loathsome" Lowe. Oh, you just gave the audience goose
:09:10. > :09:13.bumps! And that acting, brilliant, Oscar worthy. The rumba has been
:09:14. > :09:17.your favourite dance so far, hasn't it crush Maggie it has, everyone was
:09:18. > :09:21.saying you will hate it but Natalie said, stick with it and I have loved
:09:22. > :09:27.this week. I can't explain it. It's been really brilliant. She's been so
:09:28. > :09:32.incredible. Quite incredible. Darcey, you wanted him to come back
:09:33. > :09:36.stronger this week. Did he? I can definitely see you gain some
:09:37. > :09:39.confidence, as you said, you have enjoyed this process because this is
:09:40. > :09:43.another very difficult dance for the man and this was a fast, furious
:09:44. > :09:48.rumba, quite different to what I was expecting. It was passionate, you
:09:49. > :09:52.had plenty of drama, and you produced some really nice long lines
:09:53. > :09:58.and especially that deep lunch, when you were holding Natalie was lovely.
:09:59. > :10:01.I would have loved to have seen more rumba dans content, it would have
:10:02. > :10:07.been nice to see that, but what you produced and how the intensity
:10:08. > :10:14.between you was very nice. But yeah, I loved how you presented it. During
:10:15. > :10:19.APPLAUSE Len? There's no doubting your
:10:20. > :10:24.commitment. You come out and you come out every week 100%, giving it
:10:25. > :10:28.everything. I don't think I have but I think others have mentioned
:10:29. > :10:36.sometimes your toes are turned in and I can see you've worked on that,
:10:37. > :10:44.your toe was out. You can see improvement there. I would have
:10:45. > :10:48.liked... Dancing is a balance between performance and technique.
:10:49. > :10:53.Sometimes you get too much technique and it lacks performance. This one,
:10:54. > :10:57.full of performance, I'd have liked a little bit more hip action and a
:10:58. > :11:04.bit more technique but great to watch, well done. Always great to
:11:05. > :11:09.watch, Bruno? You definitely embraced the dramatic persona, the
:11:10. > :11:13.tormented lost soul, it was like Heathcliff and Cathy reunited, the
:11:14. > :11:20.Wuthering Heights for the last dance. Oh, my God, I love seeing
:11:21. > :11:25.that, I really do, coming out of your shell as a performer. Great!
:11:26. > :11:37.Just a little bit of DW 40 on the hips and it will do the trick.
:11:38. > :11:42.Craig? Natalie, I felt you were protecting Greg with this dance with
:11:43. > :11:46.wild, show stopping positions, and lines that will make the audience
:11:47. > :11:54.applaud and everything. I don't feel like can judge this dance as the
:11:55. > :11:58.rumba. I can judge it probably is a showdown dance or a contemporary
:11:59. > :12:01.dance that is passionate and engaging, but sadly, for me, it
:12:02. > :12:08.wasn't anything I think to do with rumba. If you had done this dance in
:12:09. > :12:13.a showdowns week then it would have been a ten, you know. I absolutely
:12:14. > :12:17.loved the dance but I feel like I can't judge it properly. So tends
:12:18. > :12:22.that are never going to happen for him. Don't spoil it, it was his
:12:23. > :12:23.favourite dance. We loved it, ladies and gentlemen, didn't we?
:12:24. > :12:44.CHEERING AND APPLAUSE We loved, no, no, why are you sad?
:12:45. > :12:48.Because of what Craig said. Don't be so stupid. You've worked so hard
:12:49. > :12:51.this week and to do all those things you do there, you are brilliant and
:12:52. > :12:58.I'm so proud of you and you are amazing. Darling, you didn't, you
:12:59. > :13:01.absolutely didn't, it was much more exciting than a normal rumba is what
:13:02. > :13:04.I would have said. LAUGHTER
:13:05. > :13:09.They are very boring, did I say that out loud? You are fantastic and you
:13:10. > :13:13.must be so happy about the seat because you worked so hard on that.
:13:14. > :13:18.I put a lawful lot into that, we have tried incredibly hard. -- I put
:13:19. > :13:21.an awful lot into that. I've never done anything like that in my life
:13:22. > :13:26.and to take on a character and do something, I really have enjoyed
:13:27. > :13:30.that. You are brilliant, Greg. APPLAUSE
:13:31. > :13:35.Well done, honestly, don't worry. Don't listen to the first one,
:13:36. > :13:42.maybe! The scores are in. The judges' scores are in. Craig Revel
:13:43. > :13:50.Horwood. Four. Darcey Bussell. Seven. Len Goodman. Seven. And Bruno
:13:51. > :13:55.Tonioli. Eight. APPLAUSE
:13:56. > :14:01.That's more than last week, OK? Well done both of you. Can we all cuddle
:14:02. > :14:05.Natalie, if you wouldn't mind? If you enjoyed Greg and Natalie's rumba
:14:06. > :14:09.and want to see them through to next week, the details are on the screen
:14:10. > :14:13.and you can vote when voting opens at the end of the show. Still to
:14:14. > :14:19.come, Ed tries a very dangerous experiment. I do hope it's not
:14:20. > :14:26.another lift. Are you OK? Next up is Daisy Lowe and her
:14:27. > :14:30.partner, Ali Oscar and marriage. -- Aljaz Scorjanec. She's hoping with
:14:31. > :14:32.Hallowe'en paso doble sat on the Day of the Dead will bring her dancing
:14:33. > :14:46.career back to life. Daisy and Aljaz. Last week was my
:14:47. > :14:51.last -- worst fears realised. You should not be here. The great
:14:52. > :14:58.British public have voted. Turn their minds around. Being in the
:14:59. > :15:03.bottom two made me realise I really want to be here. I'm just so
:15:04. > :15:10.grateful I get to be there to dance for another week. This week we're
:15:11. > :15:16.doing a paso doble. I love the spirit of it so much, but it's
:15:17. > :15:22.really hard. No, not very good at that. I'm just terrified of being in
:15:23. > :15:27.the bottom two again. Last weekend was really scary. Last weekend has
:15:28. > :15:32.been playing on my mind so, as it's Halloween, I'm going to get Aljaz
:15:33. > :15:37.out of the training room and have some fun. Our theme is day of the
:15:38. > :15:40.dead and will be wearing make up so I thought I'd go to the best make up
:15:41. > :15:47.artist in town, and she's having a party. I've brought you to my little
:15:48. > :15:52.sister, Becky. I don't think that Aljaz was expecting what I had in
:15:53. > :15:59.store for him. My sister makes me so happy. I feel like myself again. If
:16:00. > :16:07.our dance is half as good as our make up, we're ill -- we're in for a
:16:08. > :16:10.real treat. Dancing feet petrifying paso doble, Daisy Lowe and Aljaz
:16:11. > :16:19."Scary" Skorjanec. MUSIC: Don't Let Me Be
:16:20. > :18:09.Misunderstood. Come on, Daisy. Lovely to see that
:18:10. > :18:16.fighting spirit. Are you all right? Yes? I don't like missing out. I
:18:17. > :18:23.know you've been a bit down this week. A little bit. Challenging, but
:18:24. > :18:30.you came back strong. Did they bring the dog alive? Oh, yes. You did the
:18:31. > :18:38.twist turns, which I have seen a lot, but I had never seen any girl
:18:39. > :18:41.be able to put those turns in with the heel, because of the speed. You
:18:42. > :18:48.captured it. It was a bit hit and miss. Sometimes, I was like, go one,
:18:49. > :18:51.Daisy, because you were four of aggression, then you'd get to
:18:52. > :18:56.another bit and it would loosen up a bit. It lacked a bit of authority.
:18:57. > :19:05.Overall, a very accomplished paso doble. Well done. Bruno, has she
:19:06. > :19:10.done enough to avoid the dance-off? I'm sure there is plenty of life
:19:11. > :19:17.left in this fascinating creature. What I love about it is the detail.
:19:18. > :19:21.So much flamenco. Apart from what Len said, it's something we look
:19:22. > :19:26.for. I love to see it. True flavour of Spain. Of course, the ladies
:19:27. > :19:32.sometimes has to be a bit coquettish and teasing, and I love that. Hair
:19:33. > :19:39.and make up, I have to say... Day of the dead celebrations in Mexico
:19:40. > :19:44.City. It is mesmerising. The choreography was great, you look
:19:45. > :19:50.fantastic and I adored the dance. Yes. Craig. I loved the amount of
:19:51. > :19:55.detail in the arms and hands. You've gone to a lot of trouble. You are
:19:56. > :20:01.not always leading with the rest, but that is small. A bit more
:20:02. > :20:11.hyperextension, I think, to create a broader Spanish line, but I loved
:20:12. > :20:16.the dance. Yes, Aljaz! I have to say, bringing something else to your
:20:17. > :20:22.performance now. It's lovely to see that dramatic, strong Daisy. I would
:20:23. > :20:25.only say that I could see a bit more exaggeration in the body shapes.
:20:26. > :20:29.When you are told, you have to make a bit more effort to create bad
:20:30. > :20:35.shape, because I could see you side on all the way through. But still
:20:36. > :20:51.really nice. Treats from the judges. Well done, Daisy and Aljaz!
:20:52. > :20:56.Go on! Very well done. I know it's horrible, dance-off, and all week
:20:57. > :21:00.you are like, I just want to try. You trained so hard. You are the
:21:01. > :21:06.most smiley creature on earth and to have to do that and be all stern...
:21:07. > :21:14.It was quite difficult! I looked really when I smiled today. Ladies
:21:15. > :21:24.and gentlemen, the scores. Craig Revel Horwood. Eight. Darcey Bussel.
:21:25. > :21:35.Eight. Len Goodman. Eight. Bruno Tonioli. Nine. Well done. Happy,
:21:36. > :21:40.Aljaz? I'm happy. I don't look happy, but I am. Witch if you
:21:41. > :21:45.thought that was brilliant, will be details are on your screen so you
:21:46. > :21:50.can vote for Daisy and Aljaz when voting opens later. To vote online,
:21:51. > :21:55.you'll need to sign in or register if you haven't already. We have got
:21:56. > :22:00.one couple left to dance. Our final frightening couple is Ed
:22:01. > :22:08.Balls and his partner, Katya Jones. For their Halloween cha-cha, they
:22:09. > :22:12.are going to be mad scientists. Never mind mad, if Craig gives them
:22:13. > :22:18.two for the third row -- third week running, they'll be livid. I enjoyed
:22:19. > :22:22.doing an American Smooth foxtrot. The only thing any body will
:22:23. > :22:29.remember is the fact that our dramatic lift didn't quite work out.
:22:30. > :22:33.# You raise me up... I thought you were going to drop
:22:34. > :22:36.her! The main reason you didn't want to be in the dance-off was because
:22:37. > :22:45.you didn't want to do the lift again. But we did better. We can't
:22:46. > :22:54.play safe. For Halloween, Ed is doing a chilling cha-cha-cha. Ed has
:22:55. > :23:00.been acting a bit strange this week. He's been locking himself away for
:23:01. > :23:06.hours and hours. If my calculations are correct, this should work. He
:23:07. > :23:14.told me he's got a great idea how we can get the highest scores this
:23:15. > :23:19.week. It's working! It's hopeless, darling. You thought there were
:23:20. > :23:28.dance steps in my dance! One of the best I've ever seen. Thank you. Ed,
:23:29. > :23:39.you are fabulous... Fabulous... Fabulous... No! The only way to get
:23:40. > :23:48.highest scores from Craig is to get back to the training room. Dancing
:23:49. > :23:55.the cha-cha-cha argh, Ed Balls and Katya "Jeepers" Jones.
:23:56. > :25:50.We did it! O'Connor Ed! Look at this!
:25:51. > :26:00.You look fantastic. Oh, well done. He never plays it safe, does he?
:26:01. > :26:10.Thank you. From a mad scientist to a mad judge. Let's see. Toxic,
:26:11. > :26:19.addictive, horribly fabulous! You went for those like a jackhammer.
:26:20. > :26:31.You went from kind of mincing to baldly to triumphant. -- to ballsy.
:26:32. > :26:35.I have to say, it was a triumph. Tell me you are not going to be
:26:36. > :26:45.reaching for that two paddle again, Craig. It won't be a two that's for
:26:46. > :26:48.sure, darling. It was moving spasmodically, darling.
:26:49. > :26:54.Convulsively. I didn't know where it was going to go next. It was like
:26:55. > :27:07.some terrible washing machine on the spin cycle. I've never seen anything
:27:08. > :27:18.so bizarre. He's smiling. Made you happy, didn't he? It was on time.
:27:19. > :27:27.Craig. I've never seen him laugh like that. Darcey. Iron I have to
:27:28. > :27:32.admit, I'm so pleased you were here. -- I have to admit, I'm so pleased
:27:33. > :27:38.you were there. I might be mad, but I absolutely loved that. You were on
:27:39. > :27:44.time, the attitude, the confidence, you delivered quite a lot of
:27:45. > :28:00.cha-cha, actually. But not a lot of straight leg. It felt straight to
:28:01. > :28:04.me! Len. How about the supernatural. It wasn't super and it wasn't all
:28:05. > :28:14.that natural, but it was so much fun. Wasn't it. Lots and lots of
:28:15. > :28:18.cha-cha. They were a bit funny, but nice, strong pressure through your
:28:19. > :28:30.feet in that Cuban break. You kept right on time. Your best dance.
:28:31. > :28:34.CHEERING Your best dance, cha-cha. Fingers crossed. Off you go, Ed and
:28:35. > :28:54.catchier. -- catchier. I hope you had... You seem to have
:28:55. > :29:00.broken Craig. He was smiling and laughing. Did you think it would be
:29:01. > :29:06.this good? I love Latin. I still love it. Even if Craig gives us two.
:29:07. > :29:23.The judges have their scores. Craig Revel Horwood. Four. Darcey Bussel.
:29:24. > :29:27.Seven. Len Goodman. Seven. And Bruno Tonioli. It's probably never going
:29:28. > :29:35.to happen again. Eight. CHEERING
:29:36. > :29:45.Well done, Ed. If you don't want these scientists to leave, you need
:29:46. > :29:51.to vote for Ed and Katya. The vote will open in a few moments. All our
:29:52. > :29:55.couples have done all that they can to impress the judges at you at home
:29:56. > :30:01.so, before we open the boat, let's take a look at the Leader Board. At
:30:02. > :30:11.the top, Claudio and AJ and Laura and Giovanni both have 36.
:30:12. > :30:15.You can go online and vote for your favourite. I can announce that the
:30:16. > :30:27.vote is now open. You need the bill payer's position.
:30:28. > :30:37.You can vote online for free. It doesn't work if I can't read it!
:30:38. > :30:38.You'll find full terms and conditions. Please don't try to vote
:30:39. > :30:49.if you are watching on demand. To vote for Louise and Kevin, vote
:30:50. > :31:13.online or call... To vote for Judge Rinder and
:31:14. > :31:23.Oksana... We've had spine chilling
:31:24. > :33:49.charlestons, a terrifying tango Remember voting closes at 8.45pm
:33:50. > :33:52.tonight, so you don't have much All of our spooky celebrities
:33:53. > :33:56.are relying on your support even scarier on tomorrow
:33:57. > :34:01.night's Result Show, as the two couples with the lowest
:34:02. > :34:03.combined judges' score and viewer