:00:09. > :00:19.Last week there were successes. Fantastic. And setbacks. Anastacia
:00:20. > :00:22.and Brendan cannot perform again. As we said goodbye to our first
:00:23. > :00:31.celebrity. The couple with the fewest number of viewer votes,
:00:32. > :00:36.Melvin and Jeannette. This weekly's Movie Week and the stars are lining
:00:37. > :00:40.up to tell us all about their latest blockbuster. Who was your
:00:41. > :00:48.inspiration? Elizabeth Taylor... Well, Liz. How did you prepare for
:00:49. > :00:54.the role? I did a lot of fishing. Spending quite a lot of time with my
:00:55. > :00:59.toy panda. I asked for a skinny try mocha Geno. I imagine myself as a
:01:00. > :01:11.monkey. Silly sausage, silly sausage. What can we expect? I wait
:01:12. > :01:59.I perform, I am. Oscars. Right, let's have a look at this...
:02:00. > :04:37.APPLAUSE CHEERING
:04:38. > :04:39.Lights, camera, action, it's Movie Week
:04:40. > :04:59.Hello and welcome to Strictly Come Dancing -
:05:00. > :05:06.A big thank you to our celebrities and professional dancers for that
:05:07. > :05:08.brilliant routine to some classic songs from
:05:09. > :05:20.As always, we're coming to you live from Elstree studios
:05:21. > :05:22.A place where many classic movies have been made.
:05:23. > :05:24.Star Wars, Indiana Jones and the Kings Speech.
:05:25. > :05:26.And tonight we'll be making a blockbuster
:05:27. > :05:29.of our own so expect action, drama and romance.
:05:30. > :05:31.In fact - there's only one thing missing.
:05:32. > :06:16.Now, unfortunately there will be no sequel for Melvin Odoom, who
:06:17. > :06:19.last week became our first celebrity to leave the competition.
:06:20. > :06:24.will be dancing for survival to some of the best known movie songs
:06:25. > :06:32.TV presenter and singer Louise Redknapp
:06:33. > :06:38.Star of Judge Rinder, Robert Rinder,
:06:39. > :06:46.Actress Lesley Joseph and her partner Anton du Beke.
:06:47. > :06:49.Olympic gymnast Claudia Fragapane and her partner AJ Pritchard.
:06:50. > :06:54.BBC sports presenter Ore Oduba and his partner Joanne Clifton.
:06:55. > :06:59.Model Daisy Lowe and her partner Aljaz Skorjanec.
:07:00. > :07:04.Actor and pop star Will Young and his partner Karen Clifton.
:07:05. > :07:06.From BBC breakfast, Naga Munchetty,
:07:07. > :07:10.World champion long jumper Greg Rutherford
:07:11. > :07:19.EastEnders star Tameka Empson and her partner Gorka Marquez.
:07:20. > :07:29.TV host Laura Whitmore and her partner Giovanni Pernice.
:07:30. > :07:34.Actor Danny Mac and his partner Oti Mabuse.
:07:35. > :07:51.Singer Anastacia and her partner Brendan Cole.
:07:52. > :07:53.APPLAUSE CHEERING
:07:54. > :08:03.What a line up - our stellar cast of 14 stars.
:08:04. > :08:06.They'd light up any red carpet and tonight they're all hoping
:08:07. > :08:12.Remember you will be able to vote for your favourite later tonight.
:08:13. > :08:15.Your votes will be added to the judges' scores to decide
:08:16. > :08:17.which two couples will face the Dance Off in tomorrow
:08:18. > :08:20.So let's get started - Opening the show tonight
:08:21. > :08:23.is is Daisy Lowe and her partner Aljaz Skorjanec.
:08:24. > :08:26.APPLAUSE CHEERING
:08:27. > :08:33.This week Daisy's doing a Quickstep to "A Spoonful
:08:34. > :08:36.of Sugar" from Mary Poppins - and if the last two weeks
:08:37. > :08:38.are anything to go by, this routine could be
:08:39. > :08:55.It was the first elimination week, how did you find Saturday night? I
:08:56. > :09:00.was so scared, but when I got to dancing I actually really enjoyed
:09:01. > :09:05.it. Got a little bone to pick with you. We did an illegal lift. Both
:09:06. > :09:12.feet came off the ground, that was the ground. He's right, we did it.
:09:13. > :09:19.This week Daisy at Aljaz are dancing the quick step to a song for Mary
:09:20. > :09:26.Poppins. I got you a present so we can get into character. Thank you.
:09:27. > :09:31.You're welcome, Mary Poppins. I hope your choreography is better than
:09:32. > :09:33.your Dick Van Dyke. It really messy... Lets see if this Mary
:09:34. > :09:44.Poppins thing really works. The quickstep as a dance is so fast,
:09:45. > :09:52.there are so many steps. I lost it completely. But it is really fun.
:09:53. > :09:54.Mary Poppins has magical powers. But for Daisy I want to take those
:09:55. > :10:01.magical powers and put them into dancing powers. Good... I'm good.
:10:02. > :10:06.I've had such a giggle learning the quickstep I hope it'll be all right
:10:07. > :10:09.on the night. It's going to be practically perfect every way.
:10:10. > :10:11.Dancing the Quickstep from the movie Mary Poppins,
:10:12. > :12:01.APPLAUSE CHEERING
:12:02. > :12:04.Yes! Well done, Daisy at Aljaz. You make the perfect Mary Poppins.
:12:05. > :12:06.While you two catch your breath let's
:12:07. > :12:08.welcome our fabulous live singers Hayley, Lance, Andrea,
:12:09. > :12:17.Tommy and of course Dave Arch and his brilliant orchestra.
:12:18. > :12:25.Well done, what an opener. Is Daisy proving to be consistent? She
:12:26. > :12:29.certainly is. I've got to say, you pulled a lot of stuff out of that
:12:30. > :12:37.bag and you pulled out all the stops on that quickstep. You really did.
:12:38. > :12:41.In the quickstep you look for three things, hold, posture, movement.
:12:42. > :12:45.Lovely hold, great posture, and gorgeous movement down the floor.
:12:46. > :12:57.Well done. CHEERING Round the whole floor. Bruno. I
:12:58. > :13:03.think Tess got it right earlier on. Supercalifragilisticexpialidocious
:13:04. > :13:05.Daisy! It had such a supreme elegance. It's like Mary Poppins
:13:06. > :13:13.that has been redesigned by Christian Dior. Beautiful to look
:13:14. > :13:19.at. And so light on your feet, like you were floating on air. It sent me
:13:20. > :13:23.on cloud nine. Wonderful. How about you, Craig? I thought the charleston
:13:24. > :13:29.section is needed to be a little more precise and delivered with a
:13:30. > :13:32.lighter touch, I thought they were a little bit heavy. BOOING
:13:33. > :13:37.. Your left shoulder was raised by millimetres, twice. I thought you
:13:38. > :13:44.followed Aljaz's lead brilliantly and you danced so well together.
:13:45. > :13:48.Wonderful to see. I love it when he ends on a positive. It was the
:13:49. > :13:53.neatest footwork I've seen. To be liked and dainty and have long
:13:54. > :13:58.limbs, when you are tall like you, it's not easy. It was incredibly
:13:59. > :14:02.impressive. One tiny correction, your upper body could be slightly
:14:03. > :14:04.more taut. More core strength. It'll only condiment your top line.
:14:05. > :14:08.Beautiful work. Practically perfect in every way. In
:14:09. > :14:28.every way. Thank you, Daisy. Come on, Mary. CHEERING
:14:29. > :14:34.Well done. You adored being Mary Poppins. I did, I really loved it.
:14:35. > :14:39.Darcey said incredibly impressive. You worked so hard to get that
:14:40. > :14:43.perfect footwork. Really hard. It's a really hard, fast routine,
:14:44. > :14:50.quickstep is always tough. To go out first. Brilliant. Well done, Mary.
:14:51. > :14:54.Scores are in. Ladies and Ferman, the judges have their scores. Craig
:14:55. > :15:06.Revel Horwood. Seven. Darcey Bussell. Eight. Len Goodman. Eight.
:15:07. > :15:11.Bruno Tonioli. Eight. Won more than last week. What's so cute is
:15:12. > :15:16.watching you when Craig gave you a seven. You were both like, that's
:15:17. > :15:20.fine. If you thought that routine was more fun than flying a kite you
:15:21. > :15:24.can vote for Daisy and Aljaz when voting opens at the end of the show.
:15:25. > :15:29.All of the details are on the screen now. Terms and conditions time.
:15:30. > :15:31.Calls cost... Old honours again, this is Movie Week, this is a job
:15:32. > :15:38.for voice-over man. Calls cost 15p plus any network
:15:39. > :15:41.access charge and please ask You can vote online for free
:15:42. > :15:44.at bbc.co.uk/strictly, where you will also find
:15:45. > :15:58.Terms and Conditions. Voting won't open until all our
:15:59. > :16:08.couples have danced. Your vote won't count
:16:09. > :16:11.and you may still be charged. No one wants to leave
:16:12. > :16:19.the competition, but with the lowest combined judges
:16:20. > :16:22.score and viewer votes Our next couple is Anastacia
:16:23. > :16:27.and Brendan Cole. After suffering
:16:28. > :16:37.an injury last week Anastacia was unable to perform
:16:38. > :16:39.in the dance-off. But we all know she's a real fighter
:16:40. > :16:42.and she's back this week - and raring to go, with
:16:43. > :16:58.a Viennese Waltz from Twilight. Last Saturday was so hard because I
:16:59. > :17:05.had injured myself. It was haphazard. We decided to
:17:06. > :17:12.change because of the injuries. I was disappointed. The pain was so
:17:13. > :17:15.bad and I was in the bottom two. Anastacia and Brendan cannot perform
:17:16. > :17:22.again. There will be no dance. The couple with the fewest number of
:17:23. > :17:25.votes will be leaving. I remember thinking, thank you for giving me
:17:26. > :17:33.this opportunity, universe. We are still here, so well done you.
:17:34. > :17:39.Anastacia has come to her specialist to find out how her injury will
:17:40. > :17:44.impact on her dancing. The verdict is better than I thought so I am
:17:45. > :17:48.going to continue. The couple head straight to the training room and
:17:49. > :17:56.get cracking on varied team. I want to focus on the soft Anastacia. We
:17:57. > :18:02.are doing a song from the Twilight movie. The sun itself melts me. I
:18:03. > :18:08.look forward to a beautiful dance which this one is. I am very excited
:18:09. > :18:14.about dancing to this on Saturday. CHEERING
:18:15. > :18:16.Dancing the Viennese Waltz from the Twilight movie,
:18:17. > :20:10.Anastacia, well done, darling. How are you? Good, very good. You look
:20:11. > :20:18.beautiful. That is what I call a love story, packed full of romance.
:20:19. > :20:25.And your first ballroom? My first ever. Ballroom is very beautiful.
:20:26. > :20:32.Lets see if Bruno agrees. It was very, very nice, my darling. Very
:20:33. > :20:36.sweet, it was very simple. Very correct. Brendan guided you
:20:37. > :20:42.beautifully. You have to be careful... It is the mint, I'm
:20:43. > :20:51.sorry. You have to make sure you don't lose your balance. You have to
:20:52. > :21:00.go out of the... Sorry, Len! You nearly had his eye out. Any moment
:21:01. > :21:03.of unsteadiness. Very proper. The shoulders were slightly up,
:21:04. > :21:09.especially through the pivots. Bruno was right, you were losing balance
:21:10. > :21:13.going into the turns. Out of turns, I was hoping it would be a little
:21:14. > :21:18.bit smoother. But I have to say, you have come back with an enormous
:21:19. > :21:26.sense of confidence, and I think that... Darcey, darling. It had a
:21:27. > :21:31.beautiful quality from beginning to end. I think people forget that the
:21:32. > :21:35.DNA use is very difficult. Constantly turning and having to
:21:36. > :21:39.find your focus and then do the transition and change, that is
:21:40. > :21:43.difficult to learn especially when you have lights flashing in your
:21:44. > :21:47.face. You have a beautiful neck and shoulders and I think you could work
:21:48. > :21:58.that and really indulge in your top line. But very nice, very nice. Len.
:21:59. > :22:06.It was quiet, understated and it had a class about it. I thought a lovely
:22:07. > :22:15.rotation. I am glad you're better and I am glad you are dancing
:22:16. > :22:20.better. Lovely! Feeling better and dancing better. Thank you,
:22:21. > :22:24.Anastacia. Go and get your schools, Anastacia and Brendan! Come on, up
:22:25. > :22:42.you come! Good girl, very well done. We have
:22:43. > :22:48.not seen this Anastacia. I haven't either. Was that a shock? It is very
:22:49. > :22:53.feminine. I know I am a girl but I did not really realise until today!
:22:54. > :23:02.You worked incredibly hard. It has been a very big week and we got
:23:03. > :23:05.really involved in the story of that which really helps, especially in
:23:06. > :23:06.Movie Week. People know at home what you are trying to be. Very well
:23:07. > :23:24.done, the scores R.N.. -- R.N.. Five more than last week,
:23:25. > :23:29.congratulations to both of you. If you liked that routine,
:23:30. > :23:31.you don't have to wait A Thousand Years to vote for them,
:23:32. > :23:35.but you do have to wait until voting opens at
:23:36. > :23:37.the end of the show. All the details are
:23:38. > :23:39.on your screen now. Don't forget, if you want to vote
:23:40. > :23:42.online you'll need to sign in I love saying that stuff. It is
:23:43. > :23:51.thrilling for me. Tests. Our next couple is Danny Mac
:23:52. > :23:54.and his partner Oti Mabuse. Last week, Danny's Viennese
:23:55. > :23:56.Waltz saw him joint top This week he's doing
:23:57. > :23:59.a Paso Doble as Zorro. But the question is -
:24:00. > :24:16.can this legendary outlaw, Saturday night was brilliant. I
:24:17. > :24:23.really, really enjoyed doing it. You are a fantastic dancer, you really
:24:24. > :24:27.are. Being joint top of the Leader Board is pretty incredible. We have
:24:28. > :24:34.made it through to week three, I cannot wait, let's smash it. This
:24:35. > :24:43.week we are doing the paso doble. The theme is really cool. I am going
:24:44. > :24:48.to be Zorro. Danny and Oti head to the armoury of Hampton Court Palace
:24:49. > :24:52.to learn some fencing skills. Today we are going to give you a taster of
:24:53. > :24:59.Olympic fencing. I will teach you how to hit, how to attack and then I
:25:00. > :25:04.will teach you how to defend. Perfect. Danny was actually really,
:25:05. > :25:15.really good at fencing. I took to it really well. Wreath let's see. I
:25:16. > :25:23.think Zorro would take you one. I started kind but in the end,
:25:24. > :25:26.obviously won. I feel totally ready for the paso doble. Let's just hope
:25:27. > :25:30.I'd then get zero. Dancing the Paso Doble
:25:31. > :25:33.from the movie The Mask of Zorro, MUSIC: The Train /
:25:34. > :27:36.El Sombrero Blanco Danny and Oti bringing the house
:27:37. > :27:41.down! I think they enjoyed it! Hopefully. Very humble. Any fans
:27:42. > :27:47.might be disappointed that now they get to see that lovely face. How
:27:48. > :27:51.much did you enjoy that? It was amazing. We work hard all week but
:27:52. > :27:57.the guys in make up and costume are smashing it. They have a busy week.
:27:58. > :28:05.Craig, Danny was joint top last week, has he done enough to keep the
:28:06. > :28:14.competition at bay? Timing, shaping, the lines were all excellent. It was
:28:15. > :28:21.a very strong, skilful virtuoso performance. Absolutely wonderful.
:28:22. > :28:27.Darcey? I have to say the body shaping was so impressive. For a guy
:28:28. > :28:32.to get the curves, the Tuck, I thought with the amount of moves, I
:28:33. > :28:40.thought it was going to be too much for you, but you were able to create
:28:41. > :28:47.a pause with every move. You were able to fix those positions. Four
:28:48. > :28:57.week three, this is amazing. I Len is grinning from ear to ear. Here he
:28:58. > :29:02.comes, the swashbuckling performance, a beautiful mix of
:29:03. > :29:06.artistry and power and coming you have pleased me, you have cheered me
:29:07. > :29:20.up. You did one of my favourite little steps. It was great. I have
:29:21. > :29:26.never seen him smile. Bruno? He is Danny Banderas, the sharpest blade
:29:27. > :29:33.in the land! Carlos Acosta when he comes down, what you did, was
:29:34. > :29:38.everything the paso doble should be, but one thing that I really see --
:29:39. > :29:45.rarely see is how much flamenco you put in, and it was interwoven so
:29:46. > :29:55.beautifully, it was just everything I like about paso doble. Ole! They
:29:56. > :30:11.thought that was just the ticket. Well done.
:30:12. > :30:19.Danny and O2. Craig has never used the word excellent in week three
:30:20. > :30:24.before. I thought Janette's head was going to shoot off her shoulders.
:30:25. > :30:38.How do you do that? I'm happy with that. So happy. Well done. Scores
:30:39. > :30:50.Irene. Craig Revel Horwood. Nine. Darcey Bussell. Nine. Len Goodman.
:30:51. > :30:56.Seven macro eight... Nine! Bruno Tonioli. Nine. CHEERING
:30:57. > :31:04.That is the highest score of this series by a long shot. Amazing. You
:31:05. > :31:10.know what? It makes the hard work worthwhile. Your fiance is here, so
:31:11. > :31:12.cute. Cheering me on, and my mum. Your mummy dressed as Zorro. Why I
:31:13. > :31:16.make up, it's perfect. If you dont want Danny to leave
:31:17. > :31:19.with Oti and get his coati, then vote for them when voting opens
:31:20. > :31:22.after all our couples have danced. All the details are
:31:23. > :31:24.on your screen now. Still to come, Mission Impossible,
:31:25. > :31:26.the Flintstones and Moulin Rouge. Right now it's Lesley Joseph
:31:27. > :31:31.and her partner Anton Du Beke. They're dancing a quickstep
:31:32. > :31:36.to a song from the film Easter Parade and they're taking
:31:37. > :31:38.on the roles made famous I know it's Movie Week guys,
:31:39. > :31:54.but you could have smartened You were marvellous Saturday night,
:31:55. > :32:00.did you enjoy it? I loved it them it was great, glad I got all the steps
:32:01. > :32:06.right. Your seat, GG, flirty, fun. Try to control that. Better marks
:32:07. > :32:10.than the week before. This week we're going to get more again. One
:32:11. > :32:14.of my favourite weeks, Movie Week, we've got a cracking movie, we are
:32:15. > :32:18.doing Easter Parade. And it's the quickstep. What I want to do this
:32:19. > :32:22.week is absolutely nail it. Posture wise. I know what I'm working on,
:32:23. > :32:28.and needs to work on his flexibility. He got it wrong. I got
:32:29. > :32:31.it different, I never get it wrong. Wanting Anton to stretch himself
:32:32. > :32:40.Lesley takes matters into her own hands with some yoga. Well, I'm
:32:41. > :32:45.here. Go and get changed. I am changed, I put my jacket on
:32:46. > :32:52.specially. I can't do yoga in a suit. You can't do yoga in a suit. I
:32:53. > :32:59.can. How did you get your legs like that? You didn't say stop, I just
:33:00. > :33:04.twisted. What are you doing? I think it's really helping. I was trying to
:33:05. > :33:09.get more flexibility into Anton. He is more flexible than I am. Let me
:33:10. > :33:14.show you some steps. Forward, step...
:33:15. > :33:16.Dancing the Quickstep from the movie Easter Parade,
:33:17. > :35:07.APPLAUSE CHEERING
:35:08. > :35:16.That's entertainment. I went wrong. You didn't. You once different. No
:35:17. > :35:20.wardrobe malfunctions to worry about. You're so fit, giving Anton a
:35:21. > :35:24.run for his money. Not now, my goodness stop you cover the entire
:35:25. > :35:29.floor. All that comedy, must have been in your element. We know she
:35:30. > :35:35.can act. Can she dance, can she breathe? After all that I would have
:35:36. > :35:46.thought you'd be on the floor out of it. You are fit! That was such a
:35:47. > :35:50.treat, Lesley, it was spirited, it was fabulously cheeky, the character
:35:51. > :35:54.came alive. You gave us this beautiful, you know, plenty of dance
:35:55. > :36:00.content all the way through. There was only times where you're
:36:01. > :36:03.travelling too much for you to keep up and that is where the technique
:36:04. > :36:08.gets loose. Maybe you're pushing her a bit, too. So many beautiful
:36:09. > :36:12.moments. I loved the quirky bits where you spring up. Such a gorgeous
:36:13. > :36:20.surprise, I loved it. Gorgeous surprise. Len. Lots of references to
:36:21. > :36:24.the film which I love, but you blended that with some proper
:36:25. > :36:31.quickstep content, which I thought was fantastic. I'm having all my
:36:32. > :36:37.joyful little steps tonight, you put a fish tail in, an old-fashioned
:36:38. > :36:41.step. I can't go into detail. Listen, you're a golden oldie from
:36:42. > :36:50.the silver screen and I thought you were great. Bruno. My darling,
:36:51. > :36:57.plenty of spring in your feet. She was going. It was going swimmingly.
:36:58. > :37:02.I loved the role-play, I loved all the quirky character you put in.
:37:03. > :37:08.What happened on that corner? Every time you went around that, you went
:37:09. > :37:16.wrong. I know. Apart from that, which I'm sure next time will be
:37:17. > :37:18.brilliant, it was wonderful. Craig. Sometimes I thought the footwork
:37:19. > :37:25.wasn't compact enough, losing efficiency. It was creating a little
:37:26. > :37:29.bit of gapping between you. The energy, got to say, and the
:37:30. > :37:33.characterisation, absolutely brilliant. I hope, darling, when I'm
:37:34. > :37:42.your age, 70, I can whirl around the floor like that. They know a hit
:37:43. > :37:46.when they see it. Thank you very much, Lesley, you're wonderful,
:37:47. > :37:50.Lesley and Anton. I'm so sorry I went wrong. You went different. I'm
:37:51. > :38:04.sorry, I knew it. CHEERING Brilliant. They loved it. As did
:38:05. > :38:08.you. I saw you and Zoe on it takes to talking about the love of the
:38:09. > :38:13.quickstep. It was magical the way you are talking about it. Why do you
:38:14. > :38:16.adore it so much? You fly across the floor when you get the steps right,
:38:17. > :38:22.you fly and floating his arms, it's lovely, I love it. You must have
:38:23. > :38:28.loved that Lennon said proper quickstep. Proper quickstep. With
:38:29. > :38:37.all the fun parts. -- you must have loved that Len said. I haven't had
:38:38. > :38:46.as much fun as I can remember. Craig Revel Horwood. Six. Darcey Bussell.
:38:47. > :38:51.Seven. Len Goodman. Seven. Bruno Tonioli. Seven. 27, your highest
:38:52. > :38:53.score yet. Fantastic. If you don't want to rain
:38:54. > :38:56.on their Easter Parade, all the details are on your screen
:38:57. > :38:59.now so you can vote for them when voting opens at the end
:39:00. > :39:01.of the show. There's still all of this to come
:39:02. > :39:12.on our Movie Special. Are you having a chat? Sorry.
:39:13. > :39:13.They've got the number, they've written it down. Still all of this
:39:14. > :39:22.to come on the movie special. I'm trying to approach this week
:39:23. > :39:25.with optimism and positivity but as oxer and will tell you it doesn't
:39:26. > :39:30.come naturally to me. What frustrates me with the way I learn,
:39:31. > :39:36.it falls out of my head like a sieve. It's a really fun dance. I'm
:39:37. > :39:41.doing it without shoes on and I love dancing barefoot. The American
:39:42. > :39:42.Smooth is effortless cool. And I don't do effortless and I don't do
:39:43. > :39:47.cool. Lots to look forward to. Now Daisy's finished her
:39:48. > :39:51.Mary Poppins' routine, she said Our next couple is Will Young
:39:52. > :40:02.and his partner Karen Clifton. They're dancing to the song Jai Ho
:40:03. > :40:05.from the film Slumdog Millionaire and this colourful salsa
:40:06. > :40:22.inspired by Bollywood - I confided but look what I got for
:40:23. > :40:32.you, test... -- I can't find it, but look what I got for you, Tess. Last
:40:33. > :40:35.Saturday I was a mixture of nervousness and then real
:40:36. > :40:39.excitement. I thought, this is amazing. I missed a bit of the
:40:40. > :40:46.choreography. I was disappointed. The side-by-side section you messed
:40:47. > :40:51.up entirely. Five. Five was definitely a shock, the only way is
:40:52. > :40:58.up from here. This week I'm doing a salsa with a Bollywood theme for
:40:59. > :41:02.Movie Week. Not only does he have to have all of the technical abilities
:41:03. > :41:08.for the salsa, but he also needs to remember all the details of
:41:09. > :41:13.Bollywood dance. Karen has organised a visitor today. Karen invited me
:41:14. > :41:19.here to incorporate the Bollywood aspect into their dance. Any tips
:41:20. > :41:23.you can give us? In Bollywood dance it is essential you extend your hand
:41:24. > :41:28.gestures and hand movements, show the gracing your fingers. Screwing
:41:29. > :41:32.the light bulbs. I've shown them a few steps, gone over a few of the
:41:33. > :41:38.hand gestures. They've done amazingly well, I'm so happy and I'm
:41:39. > :41:41.really rooting for Will. That was absolutely amazing! I've been really
:41:42. > :41:44.enjoying learning salsa this week, I hope I can bring a bit of Bollywood
:41:45. > :41:49.to Borehamwood this Saturday. Dancing the salsa from the movie
:41:50. > :41:51.Slumdog Millionaire, APPLAUSE
:41:52. > :43:43.CHEERING Jai Ho! A party here in Elstree.
:43:44. > :43:49.What a colourful routine. Fabulous. Did that get you in the party mood,
:43:50. > :43:54.Len? It certainly did. Listen, let me say straightaway, Will, I think
:43:55. > :43:59.you are a terrific dancer. Whatever you had to do you've come out and
:44:00. > :44:02.not only dancing great, your performance level is great. You've
:44:03. > :44:08.come here to Borehamwood to do Hollywood and we got Bollywood.
:44:09. > :44:16.Perfect. I only tell the truth everyone. For me, not enough salsa.
:44:17. > :44:19.I loved the dance, it was entertaining, it was fun, I enjoyed
:44:20. > :44:25.it, I thought your dancing was great. But it's a salsa and I would
:44:26. > :44:32.have liked a soupcon more of the salsa. I got about six or eight bars
:44:33. > :44:40.in the middle. There are 24 counts of eight of salsa into the routine.
:44:41. > :44:46.CHEERING Very nice of you to say that to me,
:44:47. > :44:52.but I must say, most of them I didn't recognise. They weren't.
:44:53. > :44:59.Probably my fault. You are the expert. Turn up, keep up and shut up
:45:00. > :45:04.is my other advice. It's only a joke, Will. It worked 15 years ago
:45:05. > :45:10.for me, I'll give it a go. He's a traditionalist, our Len. All I have
:45:11. > :45:17.to say is, hooray for Bollywood with a lovely salsa. I loved the flavour,
:45:18. > :45:20.it was exotic, uplifting, very very colourful, very joyful. And there
:45:21. > :45:30.was a lot of aspect of it that reminds me of contemporary thrown in
:45:31. > :45:34.there. I thought the whole thing was wonderful, actually. Craig. There
:45:35. > :45:39.was definitely enough salsa in there for me and I absolutely adored the
:45:40. > :45:46.mix. Very brave of you to even attempt that. You danced it really,
:45:47. > :45:51.really cleanly. The isolation in all the Red Bull stuff was absolutely
:45:52. > :45:59.brilliant. Well done. -- ripple stuff.
:46:00. > :46:04.What I noticed straightaway was how effortlessly you got Karen into
:46:05. > :46:10.those lifts. With the preparation that, I could not even see it. It
:46:11. > :46:19.was beautifully done. I loved the interesting mix of the two styles
:46:20. > :46:20.together. A big hit with the audience as well. It is well and
:46:21. > :46:38.Karen! So, Craig adored it and they thought
:46:39. > :46:43.it was great because you took an two dances and I know you love Darcey. I
:46:44. > :46:49.must say I love men as well and I did not want to come across as
:46:50. > :47:00.disrespectful cash back I really love Len as well stop he is the Don
:47:01. > :47:21.of ballroom. Thank you, the scores R.N..
:47:22. > :47:28.If you loved Will and Karen's salsa all the details are on your screen
:47:29. > :47:30.now, so you can vote for them when voting opens
:47:31. > :47:34.Still to come, Judge Rinder goes to Bedrock.
:47:35. > :47:41.Dancing next is Naga Munchetty and her partner Pasha Kovalev.
:47:42. > :47:43.Last week, Naga was challenged by her Cha Cha.
:47:44. > :47:47.This week she's doing a tango to a song from a Tom Cruise film
:47:48. > :47:49.and shes hoping that getting through to next week won't be
:47:50. > :48:05.How did you feel on Saturday? We were working on trying to feel the
:48:06. > :48:10.dance more than do the steps. Gutted about the judges' comments. All I
:48:11. > :48:18.want you to do is get the confidence. Nail the routine and
:48:19. > :48:24.then get the characters. This week it is Movie Week and we are going to
:48:25. > :48:35.be doing an amazing movie, Mission Impossible. All the Mission
:48:36. > :48:38.Impossibles. Do is fabulous. We are doing the tango. For us to nail it
:48:39. > :48:46.you have to think nothing but the tango. I want the music to follow
:48:47. > :48:53.you everywhere around. Night, Pasha, see you tomorrow. Everywhere I have
:48:54. > :48:58.gone, I have heard that theme tune to Mission Impossible. It is there
:48:59. > :49:04.when I am walking down the street, it is when I am in the supermarket.
:49:05. > :49:11.It is everywhere. It is following me around, I am sure. Pasha! I want you
:49:12. > :49:17.to practice as much as you can, it is for your own good. All this extra
:49:18. > :49:25.practice, I just hope it helps on Saturday night.
:49:26. > :49:28.Naga Munchetty and Pasha Kovalev, your mission is to dance the Tango.
:49:29. > :51:27.Come on over. Well done, the pair of you. I know it took longer than you
:51:28. > :51:37.expected to get out of that harness but you did a great job of catching
:51:38. > :51:45.up. And you look very foxy. I love the catsuit. Bruno, over to you. She
:51:46. > :51:50.definitely looks the part. She looks like a sultry, slinky, super spy.
:51:51. > :51:53.But sometimes you hit a couple of lines which are brilliant but then
:51:54. > :51:59.you seem to lose focus will stop you stumbled a little bit there. Then
:52:00. > :52:05.you go back on it and it looks great. Do you lose confidence? I
:52:06. > :52:09.wonder why. The potential is there. It seems like you are losing focus,
:52:10. > :52:15.do you know what I mean? Moment of brilliance and then link, what has
:52:16. > :52:20.gone wrong that? There she goes again. Keep confident in yourself,
:52:21. > :52:24.keep the strength going through the body all the way through believing
:52:25. > :52:31.in yourself because you have got it. Don't doubt it. I thought the
:52:32. > :52:37.footwork was very sloppy and careless and at times I thought a
:52:38. > :52:40.little bit hasty. It needed to be stronger and more extreme lines
:52:41. > :52:44.throughout. And you are not closing when you're meant to close and I
:52:45. > :52:48.think that through you off balance at times. But I have to say, I love
:52:49. > :52:58.the concept and I love the drama will stop Darcey? I think you really
:52:59. > :53:02.suit a moody spy. You have this lovely pout on your lips all the way
:53:03. > :53:07.through and the intent and drama was there from the beginning. But Bruno
:53:08. > :53:11.is right, it is the focus. I think it is with your eyes. It is very
:53:12. > :53:15.difficult when you flip around but if you can find something to focus
:53:16. > :53:20.on every time you flick back, even if it is at Pasha, when you can,
:53:21. > :53:29.that will help the balance. An incredibly difficult tango but such
:53:30. > :53:33.an improvement, really. Len? Let me say first of all, that is your best
:53:34. > :53:40.dance to date. That is the starting point. You have got to be as crisp
:53:41. > :53:47.as a Pringle when you are dancing the tango. It is sharp, right on the
:53:48. > :53:53.bottom. When you stop, you stop. A little bit was lacking and I think
:53:54. > :53:57.that you had the flexed knees which I was looking for, lovely. You got
:53:58. > :54:04.the hold nice and compact, lovely. I think you get nervous. What do I
:54:05. > :54:07.know? When it is all over and you look back, I think if anything is
:54:08. > :54:14.going to stop you, it is your nerves. You are better than you
:54:15. > :54:22.think you are and you have just got to come out and show us. Great
:54:23. > :54:33.advice. Take it on board. I will. Thank you, judges, off you go. No
:54:34. > :54:45.other and Pasha. -- Naga and Pasha. Look at you, no wood in on wires. Is
:54:46. > :54:50.Len right you don't feel confident? It is natural to feel nervous. It is
:54:51. > :54:56.something I have battled with. It is Mission Impossible! You are learning
:54:57. > :55:01.to dance but you are also learning to perform. The scores R.N.. -- the
:55:02. > :55:17.scores are in. That is your highest score yet. You
:55:18. > :55:23.must feel very proud. Very proud. If you enjoyed Naga
:55:24. > :55:25.and Pasha's tango all the details are on your screen
:55:26. > :55:28.now so you can vote for them when voting opens at the end
:55:29. > :55:30.of the show. Still to come, Ore is
:55:31. > :55:32.singing in the rain. Could be awkward, this is a
:55:33. > :55:35.dancing competition. Our next couple is Judge Rinder
:55:36. > :55:39.and his partner Oksana Platero. And for this dance Judge Rinder
:55:40. > :55:45.will be taking on the role of Fred, Yes, it's time to
:55:46. > :55:58.Meet The Flintstones. How did you feel about your
:55:59. > :56:04.performance last week? I really enjoyed it. This is the first
:56:05. > :56:09.routine where I relaxed into it and had fun. Next time you dance look at
:56:10. > :56:16.your face in the mirror, it is still quite annoying. Poor Craig. When
:56:17. > :56:24.this is finished I might take him to a happy farm. I will pull off more
:56:25. > :56:28.faces than we ever did. This week, Judge Rinder is dancing the
:56:29. > :56:35.charleston as Fred Flintstone. How did he master the character? I
:56:36. > :56:39.bought a beautiful portrait of one of the most profound characters of
:56:40. > :56:45.the 20th century. Sometimes Judge Rinder takes things just a little
:56:46. > :56:54.too seriously. Fred, I want to do justice on the night. Justice? What
:56:55. > :57:00.do you mean? I want to work out what is going on in that chiselled head
:57:01. > :57:11.of yours. You have just got to let go and enjoy your self,
:57:12. > :57:16.yabba-dabba-do! Yabba-dabba-do I have got it, hearing Fred speak to
:57:17. > :57:18.me will definitely help my dance on Saturday night.
:57:19. > :57:20.Dancing the Charleston from the movie The Flintstones,
:57:21. > :59:15.Oh, my oh my! You have rocked this studio, that is the shot. Last week
:59:16. > :59:24.Fred Astaire, this week Fred Flintstone. I missed a few steps but
:59:25. > :59:32.never mind! Hopefully nobody noticed. Craig, did you enjoyed that
:59:33. > :59:39.trip to bedrock? All those ghastly gawping facial expressions, darling,
:59:40. > :59:45.actually came into their own this week. You had a bit of a tight
:59:46. > :59:51.swivel, darling, on the left side and you missed time to the first
:59:52. > :59:56.charleston step. And also you misjudged the lift that sweeps
:59:57. > :00:02.around. You never actually stepped over the Lady's legs, sadly, but I
:00:03. > :00:11.love the energy. I loved the routine and I loved the handspring. Darcey?
:00:12. > :00:19.I love the crazy caveman as well. You are very cute as a caveman!
:00:20. > :00:25.Darcey, stop, stop! No, utterly charming. There were moments when
:00:26. > :00:28.you could do more swivel. Overall, you never fail to give us a fabulous
:00:29. > :00:39.performance. It is brilliant. Len. I'm going to give that a U
:00:40. > :00:44.certificate, you entertained, you made us all smile, but you made a
:00:45. > :00:48.few mistakes along the way. But I like your attitude. Because all of
:00:49. > :00:52.us are dancers and there's not one of us that hasn't gone out and made
:00:53. > :00:56.mistakes, and you have to say, well, it's one of those things. There were
:00:57. > :01:03.quite a few moments in there that were little bit anxious. I wouldn't
:01:04. > :01:10.worry about them, I think he's cute. He is cute, I love it. I'm so sorry,
:01:11. > :01:18.Oksana, the Strictly cares. Stand back. It was like watching Judge
:01:19. > :01:22.Neanderthals gone mental. He hammered that charleston so much
:01:23. > :01:27.that the timing went extinct. You have to keep timing my darling,
:01:28. > :01:31.performance is always good. If you lose timing you can cover it up and
:01:32. > :01:36.pick it up again. In the first half it was really out, you were making
:01:37. > :01:40.it up as you went along. But always funny and always great to watch.
:01:41. > :01:45.Always great to watch. That face was made for charleston. Judge Rinder
:01:46. > :02:00.and Oksana. We absolutely loved it, we didn't
:02:01. > :02:04.see one mistake. Darcey said utterly charming. She made you go a bit
:02:05. > :02:14.giddy. She did, I don't know what the caveman responds to it is.
:02:15. > :02:17.Darcey, Ugg. That'll do! The scores R.N..
:02:18. > :02:28.Ladies and gentlemen, the judges' scores R.N.. Craig Revel Horwood.
:02:29. > :02:36.Seven. Darcey Bussell. A cute eight. Len Goodman. Sorry, it's six. Bruno
:02:37. > :02:40.Tonioli. Six. Same score as last week. Strange scoring. Seven and
:02:41. > :02:43.eight, lovely. Let's focus on those. If you don't want this caveman
:02:44. > :02:46.to become extinct all the details are on your screen now so you can
:02:47. > :02:49.vote for them when voting opens They are pointing so you
:02:50. > :02:58.absolutely have the details. Still to come, Laura is wondering
:02:59. > :03:01.if she can do a dance Next up is Ore Oduba
:03:02. > :03:07.and his partner Joanne Clifton. This week Ore is dancing
:03:08. > :03:13.to Singing In The Rain and taking on the role
:03:14. > :03:16.made famous by Gene Kelly. Gene Kelly was a professional
:03:17. > :03:18.dancer with a lifetime's Ore is a sports presenter who's done
:03:19. > :03:33.a few weeks on Strictly. How cool was that Europe and the
:03:34. > :03:37.whole show? I absolutely loved it, it was a real pleasure. It was nerve
:03:38. > :03:41.wracking but it was amazing at the same time. Forget the fire
:03:42. > :03:48.extinguisher, you need to get out the water cannon to cool down after
:03:49. > :03:54.this. So saucy, you are. I'm very proud of you. Thanks, coach. The
:03:55. > :03:59.song we are dancing to for Movie Week is Singing in the Rain by the
:04:00. > :04:04.legendary Gene Kelly. How I'm going to be effortlessly cool I have no
:04:05. > :04:08.idea. I really need you to get dancing in the rain. I need to
:04:09. > :04:10.channel my inner Gene Kelly, this is impossible, we can't do it. Not to
:04:11. > :04:21.fear. Joe has an idea. Why are we here dressed like this?
:04:22. > :04:27.We are dancing to singing in the rain, I want you to practice dancing
:04:28. > :04:34.in the rain. But there is no rain. OK, that's cool. Something about
:04:35. > :04:41.dancing in water gives you this wanton abandon. It's been such fun
:04:42. > :04:45.bringing Ore to the Olympic Park he's such a laugh, he's up for
:04:46. > :04:49.anything. All we can do now is hope our Americans move goes down a storm
:04:50. > :04:52.on Saturday night. Twitch American Smooth.
:04:53. > :04:54.Dancing the American Smooth from the movie Singin' In The Rain,
:04:55. > :07:02.MUSIC: Singin' In The Rain wonderful. Standing ovation, Ore. Is
:07:03. > :07:09.that a little tear? No, it's just the rain. In your eyes. All of that
:07:10. > :07:13.umbrella choreography, the one-handed catch, brilliant. How was
:07:14. > :07:17.it a step into Gene Kelly's shoes? Pressure, lots of pressure.
:07:18. > :07:21.Incredible job, let's see if you gave the judges a glorious feeling.
:07:22. > :07:27.You certainly captured the sophistication of that dance. I
:07:28. > :07:36.yam... You took my breath away I have to say. Beautifully
:07:37. > :07:41.choreographed. I loved. Ore, your timing is brilliant. And the
:07:42. > :07:48.physical attributes you have are identical to Gene Kelly. It's
:07:49. > :07:53.perfect. Really. What I think is incredibly difficult, all of that
:07:54. > :07:57.physicality you put into it and then you are able to slow it down and
:07:58. > :08:03.control it at the very end, which is not easy. CHEERING
:08:04. > :08:12.That dance is your best danced so far.
:08:13. > :08:25.OK. Sorry. That's all right. Len. I have to agree regarding the routine,
:08:26. > :08:32.Jo, I thought the routine was fantastic. Ore you interpret it
:08:33. > :08:35.fantastically. When I heard it was Singing in the Rain, it's so
:08:36. > :08:39.difficult to give a dance like that, which everyone knows, to give it,
:08:40. > :08:44.you know, to justify it and give it a twist. But you did. And lots of
:08:45. > :08:52.Foxtrot references going through it. I'm astounded how good that was.
:08:53. > :09:02.I'm going to cry! Bruno. I think Gene Kelly himself would be proud
:09:03. > :09:08.because you took... What happened here, you took all the right
:09:09. > :09:12.references but then you gave your own personality, you shone through
:09:13. > :09:19.it. You weren't giving a parody of Gene Kelly, it was you all the time,
:09:20. > :09:22.dancing as well. Bringing your own character. Down to the twinkle in
:09:23. > :09:32.your eye, down to every little nuance. Credit to you for such
:09:33. > :09:39.splendid choreography. Critical acclaim from the judges. It's OK,
:09:40. > :09:47.I'm fine. Craig. I thought you were leaning over Jo... Shut up! You
:09:48. > :09:52.could have been on your toes more, especially on the stairs. I thought
:09:53. > :10:03.the routine was absolutely outstanding. A proper, proper
:10:04. > :10:06.showman. Thank you, judges, you dry off upstairs. And your little eyes,
:10:07. > :10:25.too. CHEERING
:10:26. > :10:29.Well done. Well done to you. I mean, Ore, I wanted to zoom down and
:10:30. > :10:32.cuddle you. It's a lot to take you're a sports presenter, you've
:10:33. > :10:36.never danced, and they haven't gushed like for years. Stop bashing.
:10:37. > :10:43.I didn't mean it like that. ! Gushing. It's an emotional week
:10:44. > :10:49.because I know how much Jo loves this song and style love dance. I
:10:50. > :10:56.wanted to make you proud. I think I did. You really did. Ladies and
:10:57. > :11:04.gentlemen, the judges have their score. Craig Revel Horwood. Eight.
:11:05. > :11:18.Darcey Bussell. A classy nine. Len Goodman. Nine! Bruno Tonioli. Nine.
:11:19. > :11:23.That is your highest score by miles. You're crying, Jo's Ryan. I might
:11:24. > :11:35.also... Are you over the moon? It's a big deal. -- Jo's crying. I love
:11:36. > :11:43.Tameka, Tameka's also crying. No, no, no. This is week three, guys,
:11:44. > :11:44.just imagine. If Singing In The Rain had
:11:45. > :11:47.you cheering on your sofa, and you want to see Ore and Joanne
:11:48. > :11:51.again next week, then vote for them. All the details are on your screen
:11:52. > :12:08.now and voting opens at the end It's the transformation of dances,
:12:09. > :12:15.there's nothing similar apart from keeping in time to the music. It's
:12:16. > :12:21.fiery, it's feisty. And it's very, very different from last week. We've
:12:22. > :12:25.been working a lot on technique. We need to be on point with these
:12:26. > :12:28.things. Sorry! I love doing routine that make you huff and puff, I
:12:29. > :12:34.haven't felt like that since the Olympics. The dream hasn't stopped
:12:35. > :12:39.for me yet. More costumes, more dances. With this dance I'm totally
:12:40. > :12:43.outside my comfort zone, this is way beyond what I was expecting.
:12:44. > :12:46.Especially Claudia's Bugsy Malone routine.
:12:47. > :12:48.They're using custard pies made with real cream.
:12:49. > :12:53.I'm hoping they'll have some spare we might be able to reach.
:12:54. > :13:14.Dancing next is Laura Whitmore and her partner Giovanni Pernice.
:13:15. > :13:16.Last week's waltz saw them riding high on the Leaderboard.
:13:17. > :13:21.And Laura was so happy she's been swinging from the rooftops all week.
:13:22. > :13:34.She hasn't come back down yet. Saturday night you were absolutely
:13:35. > :13:41.fantastic. Such sophistication, demure. And yet it had such a
:13:42. > :13:44.sizzling passionate intensity. Excellent. Absolutely gorgeous, that
:13:45. > :13:52.routine. Gorgeous! Every week I'm trying to learn a bit
:13:53. > :13:56.more, to improve on the first week was really nice. This week we are
:13:57. > :14:04.dancing a salsa. The song is from the movie Moulin Rouge. Salsa is
:14:05. > :14:13.very different to last week. Very fast. Lots of lists. And it hurts. I
:14:14. > :14:18.miss the wall. Hours salsa is not just about the I want a spectacular,
:14:19. > :14:25.spectacular beginning. What about flying? In order to fulfil
:14:26. > :14:29.Giovanni's vision, they had to the studio to practice their big
:14:30. > :14:34.entrance. It's high. Can we go higher? Before I even get the dance,
:14:35. > :14:39.I have to get down to their, unhook myself, get down the stairs. I'm not
:14:40. > :14:43.going to lie to you, I'm not feeling the most confident at the moment.
:14:44. > :14:46.I'm going to try and make it look as elegant as possible but in my head
:14:47. > :14:50.all I'm going to think is, please don't fall over.
:14:51. > :14:52.Dancing the salsa from the movie Moulin Rouge,
:14:53. > :16:54.Oh, my goodness! You reached new heights there, my love! That lift at
:16:55. > :17:00.the end, you must have been terrified. The first one, the last
:17:01. > :17:06.one, all of them. Did they turn the Moulin Rouge red-hot? It was a
:17:07. > :17:18.little bit on the raunchy side for me! What are you doing? It is not
:17:19. > :17:31.your turn yet, Bruno? Bruno does like the raunchy. And I am not a big
:17:32. > :17:39.punter for it. Give over. But what I like, first, let me say URA to refit
:17:40. > :17:45.dancer. -- you are a terrific dancer. You have come out and you're
:17:46. > :17:49.going for it and in going for that dance, I know the salsa is a fast
:17:50. > :17:52.dance but it has to have elements of finesse about it and they were
:17:53. > :17:57.lacking occasionally. You are going into the lists and the little
:17:58. > :18:05.moments, but as I said, you are a great dancer, you will be here for
:18:06. > :18:18.ages. Go on, Bruno, your turn! I am telling you, the showgirl has
:18:19. > :18:23.va-va-voom coming out of every pore! You bring the dead back to life!
:18:24. > :18:29.This was the hottest, sexiest, everything that I like. You look
:18:30. > :18:38.stunning, your energy was fantastic. I was gobsmacked! Craig? I thought
:18:39. > :18:43.you through little bit too much of everything into it and lost a little
:18:44. > :18:49.bit of control. It did look entirely natural on you at times. You need to
:18:50. > :18:55.knock out when you do the shoulder lift. I saw your body go down and
:18:56. > :19:04.then you remembered to lock out. But I loved the series of spins. Very
:19:05. > :19:09.impressive. Darcey? You meant business, you certainly did. You
:19:10. > :19:16.came on that floor and you sold it. You were popping isolations in every
:19:17. > :19:19.step. It was really impressive. But otherwise, there were moments of
:19:20. > :19:24.dysfunction. More the preparations to your lifts. They got to look
:19:25. > :19:29.rather ungainly. If you I am both out you will have a finished
:19:30. > :19:32.performance but not bad for week three. Not bad for week three. Well
:19:33. > :19:56.done, my love. Head up to Claudia. Laura, Giovanni! My favourite thing
:19:57. > :20:04.all through it was you saying I miss the waltz! Len said you were a
:20:05. > :20:09.terrific dancer. That means a lot. And it also means a lot to your mum.
:20:10. > :20:29.There she is! The scores are in. Nine! Give it to me! Well done,
:20:30. > :20:39.Giovanni. If you enjoyed seeing an Irish girl
:20:40. > :20:43.do a Cuban dance with an Italian man in a French nightclub,
:20:44. > :20:46.all the details are on your screen now so you can vote for them
:20:47. > :20:49.when voting opens at the end Still to come, Claudia and AJ
:20:50. > :20:52.are playing 13-year-old kids. Dancing next on our Movie Week
:20:53. > :20:57.special is Greg Rutherford Last week Greg was criticized
:20:58. > :21:03.by the judges for doing his tango Tonight he's doing an American
:21:04. > :21:07.Smooth and he's determined to have it tucked in,
:21:08. > :21:24.no ifs and definitely no butts. How did you feel about last week's
:21:25. > :21:32.show? The overriding comment was not about the dancing as such but about
:21:33. > :21:36.my bum. Your bum sticks out. You have got a big bump. In your
:21:37. > :21:43.ballroom, tuck it under. This week we will have to keep it under
:21:44. > :21:48.control. The dance this week is the American Smooth. I love the American
:21:49. > :21:54.Smooth. I love the elegance, the drive, the lifts. This week we have
:21:55. > :22:02.the best theme. It is Robin Herd, everything I do, I do it for you --
:22:03. > :22:16.robin hood. To get you into the mood, I have brought you this!
:22:17. > :22:21.Brilliant. How do I look? Perfect. Greg is such a natural archer. He is
:22:22. > :22:31.unbelievable. This hat is staying on. It is an incredible hat. I feel
:22:32. > :22:37.like I am Robin Hood. Tens across the board, I will settle for that. I
:22:38. > :22:39.hope I can hit some high scores on Saturday night.
:22:40. > :22:41.Dancing the American Smooth from the movie Robin Hood:
:22:42. > :22:50.Prince of Thieves, Greg Rutherford and Natalie Lowe.
:22:51. > :24:46.Beautiful! Beautiful American Smooth. They are on their feet in
:24:47. > :24:57.the studio. Everyone is all of a quiver. OK, Natalie? Is that a
:24:58. > :25:03.little tear. First dancing, now acting, he is a natural. Bruno, did
:25:04. > :25:08.that do it for you? For get about Prince Of Thieves, you are Prince
:25:09. > :25:13.Charming! The connection between you two tonight was absolutely wonderful
:25:14. > :25:19.to watch. I do it know how you taught him being a girl to lead so
:25:20. > :25:24.well. At no time I felt that you were actually pushing him, he was
:25:25. > :25:28.taking control of the situation, guiding you beautifully. It was just
:25:29. > :25:38.wonderful and your strength, I thought that last lift! But I have
:25:39. > :25:46.to say, I was so pleasantly surprised at how well you do, Greg.
:25:47. > :25:50.Beautiful. Craig? It lacked form at a little bit of swing and sway and
:25:51. > :25:58.that is the only thing that would have given it a little bit more
:25:59. > :26:03.style. But I have to say, you're storytelling throughout that, both
:26:04. > :26:10.of you, was gorgeous. An entrancing partnership. I love this
:26:11. > :26:15.partnership, I really do. Darcey? It was a beautiful smooth quality,
:26:16. > :26:22.every time you came in to hold, it was stunning. Even with all that
:26:23. > :26:26.leather run, I couldn't see your bottom or anything else. There is a
:26:27. > :26:32.lovely story being told all the way through. Even with those impressive
:26:33. > :26:36.lifts which were incredibly impressive, they just didn't have
:26:37. > :26:40.the same quality as the rest of the dance for me. I would have loved
:26:41. > :26:44.them not to have had that power and I think the quality would have been
:26:45. > :26:50.smoother all the way through. Both of you are very strong dancers, very
:26:51. > :26:55.athletic. You were like a rocket nearly. If you could just calm that
:26:56. > :27:02.down then you will have a great finished performance. But you up
:27:03. > :27:08.your game every week, you really do. Len? There was lovely chemistry, I
:27:09. > :27:13.love the air of romance. There was the right amount of stuff in hold
:27:14. > :27:20.and out of hold. I don't know if it is that doublet or liberty bodice
:27:21. > :27:26.but no sign of a bum! It was a ball side, well done! Ball fly! He has
:27:27. > :27:43.hit the target with the judges and the audience -- bulls eye.
:27:44. > :27:52.Your fellow dancers are all so proud of you. Did you enjoy that more than
:27:53. > :27:56.the tango? So much. This week has been incredible. Natalie has been so
:27:57. > :28:03.incredibly patient with me. Tuesday was not going well at all but we
:28:04. > :28:07.turned it around. Very well done. The scores are in. Ladies and
:28:08. > :28:22.gentlemen, the judges have their scores.
:28:23. > :28:26.You look so happy, Natalie, well done!
:28:27. > :28:29.If you enjoyed Greg playing an Archer, the Robin Hood variety,
:28:30. > :28:31.not one from Radio 4, then all the details
:28:32. > :28:34.are on your screen now so you can vote for them when voting opens
:28:35. > :28:39.If you want to vote online, don't forget to sign in or register
:28:40. > :28:45.Next up is Claudia Fragapane and her partner AJ Pritchard.
:28:46. > :28:48.They're doing a charleston to a song from Bugsy Malone, the movie famous
:28:49. > :29:04.I think I'll make myself scarce, this could get messy.
:29:05. > :29:12.Last Saturday was the waltz. It was amazing. I really enjoyed myself out
:29:13. > :29:20.there. Light of my life? You lit up this ballroom! I was a bit
:29:21. > :29:28.disappointed when I got a six from Craig. ... He will of the
:29:29. > :29:32.charleston. He can give us a ten. We have had some good charlestons on
:29:33. > :29:39.Strictly so far but ours will be the best. We have been working really
:29:40. > :29:44.hard in training but now it is time to have some fun. We are recreating
:29:45. > :29:47.a custard pie fight. Those kids in the film are so cheeky and you have
:29:48. > :30:04.to be super cheeky just like them! Hopefully Claudia has had fun
:30:05. > :30:10.throwing these pies in my face and hopefully the audience will enjoy it
:30:11. > :30:18.as much as this. Let's hope AJ does not take my pranks too seriously.
:30:19. > :30:26.AJ! Dancing the charleston from the movie Bugsy Malone, Claudia
:30:27. > :32:09.Fragapane and AJ Pritchard. CHEERING
:32:10. > :32:17.APPLAUSE .
:32:18. > :32:26.For AJ! Did you get a little bit, Darcey? Come here, my darling, can
:32:27. > :32:31.you see? For AJ, all that training, look how she repays you. Oh my
:32:32. > :32:37.goodness, you brought the house down here tonight. It was the nominal. I
:32:38. > :32:47.apologise. Are you all right, judges? You have tissues. He told me
:32:48. > :32:52.to hit it hard. It's his fault. There are more custard pies, Craig,
:32:53. > :32:59.it's your turn. Technically I have to say that was absolutely
:33:00. > :33:05.brilliant. CHEERING That is worth a custard pie in the
:33:06. > :33:18.face. Darcey. Even the speed didn't affect you, it was made for you.
:33:19. > :33:22.Absolutely outstanding. Len. What a marvellous combination, there was
:33:23. > :33:29.clever choreography, slick tricks, and slapstick. I think even the cake
:33:30. > :33:36.was made by Paul Hollywood. As we are at the movies. Well done. No
:33:37. > :33:42.soggy bottoms around here. You went off like a rocket. You're an amazing
:33:43. > :33:47.dancer. What I really love it, I'm seeing you act. You act beautifully.
:33:48. > :33:54.You really are a double threat, my darling. Love it. A blockbuster,
:33:55. > :33:55.outstanding. Thank you, judges. Get yourselves cleaned off, AJ. Well
:33:56. > :34:19.done. You look divine. She went for it.
:34:20. > :34:24.You were so cute, you said committee told me to do it fast. Let's take
:34:25. > :34:28.some of that. You must have been so happy with those comments as well.
:34:29. > :34:33.So happy, can't believe them, I've got such an incredible teacher. He's
:34:34. > :34:41.quite a hard task master, isn't it? Just wipe it on me. I'm washing it.
:34:42. > :34:54.It was fantastic. The scores are in. Craig Revel Horwood. Nine. Darcey
:34:55. > :35:04.Bussell. Nine. Len Goodman. Nine. And Bruno Tonioli. Nine. CHEERING
:35:05. > :35:08.APPLAUSE Well done for me you haven't got
:35:09. > :35:10.higher than a six from Craig, must feel fantastic. Joint top leader on
:35:11. > :35:13.the Leader Board. If you If you loved Claudia and AJ,
:35:14. > :35:16.all the details are on your screen now so you can vote for them
:35:17. > :35:26.when voting opens at look at you! Still to come, I'm only
:35:27. > :35:28.going to say this once, Ed Balls. Samba. Oh, yeah.
:35:29. > :35:32.Our next couple is Tameka Empson and her partner Gorka Marquez.
:35:33. > :35:34.As it's Movie Week all our celebrities are getting
:35:35. > :35:38.And that should be no problem for Tameka.
:35:39. > :35:47.She's already won an award for her acting this week.
:35:48. > :35:55.Last week with the charleston was great, the moment it started I just
:35:56. > :35:56.felt I was in a silent movie. I absolutely love your character, you
:35:57. > :36:07.just set the scene perfectly. I hated waiting for the result.
:36:08. > :36:14.Tameka and Gorka. That was such a relief. The dream still goes on.
:36:15. > :36:18.This week for Movie Week I will be performing the tango. It's fast,
:36:19. > :36:21.it's serious, and I'm going to have to really work at this one. Having
:36:22. > :36:24.been nominated for an inside soap award for her work on EastEnders,
:36:25. > :36:34.Tameka and Gorka hit the red carpet. This week is Movie Week and I've
:36:35. > :36:39.brought Gorka here to the Oscars of the soap world. It's time to present
:36:40. > :36:45.the award for funniest female. Quick stabbing her way to victory it is
:36:46. > :36:49.Tameka Empson from EastEnders. Thank you very much for this award, it
:36:50. > :36:55.means a lot. And of course, keep dancing! When I'm with Tameka it's
:36:56. > :37:00.amazing on the red carpet everyone was like, Tameka, Tameka. Crazy. I'm
:37:01. > :37:05.glad I won this award. Now I'm hoping this will motivate me
:37:06. > :37:09.Saturday night. LAUGHTER Thank you.
:37:10. > :37:11.Dancing the Tango from the movie Beverly Hills Cop,
:37:12. > :39:13.Tameka and Gorka. The heat was definitely an! You look good in
:39:14. > :39:18.uniform. Thank you. What you think Darcey? I have to say, you take the
:39:19. > :39:23.job seriously. The intent, the attack, the drama, the focus your
:39:24. > :39:28.eyes was great. I think you even felt scared, didn't you?
:39:29. > :39:33.Occasionally. There were only moment I would have loved it to be crisper,
:39:34. > :39:41.more clipped, each transition. Each change in the move. If you could get
:39:42. > :39:50.that crisper change and turn. Fix that top line. But really, as a
:39:51. > :39:55.whole, it was a great, great dams. You have plenty of attack and intent
:39:56. > :40:00.and focus. The thing that distracted for me was your past year. You've
:40:01. > :40:06.got to try and just left, lift up that rib cage. Lifted to shift it.
:40:07. > :40:15.Then... That's what you've got to do. Little bit over the top. But
:40:16. > :40:20.well done. No doubt who's in charge there. I've got a job to do, I'm
:40:21. > :40:24.going to do it. Nobody's going to stop me and I'm going to do it well.
:40:25. > :40:30.And that's what you did. I loved your commitment. You're like a
:40:31. > :40:34.laser-guided missile, nothing is going to stop you. I thought you
:40:35. > :40:39.were leading at times actually, she was taking over. I won't mind you
:40:40. > :40:44.looking after my street, nobody's going to mess around with that girl.
:40:45. > :40:48.I want you on my side. Just make sure the past year, you know,
:40:49. > :40:55.correct that, but I thought your performance was brilliant. Craig.
:40:56. > :41:00.Your hand position was changeable, largely due to your left elbow
:41:01. > :41:04.collapsing on occasion. You need to create more of a V shape but you
:41:05. > :41:08.covered the floor aggressively. That's a good point! Actually. I
:41:09. > :41:14.thought that part was wonderful, darling.
:41:15. > :41:41.Hello, hello, hello, hello. It was your favourite, was it? Do it, do
:41:42. > :41:45.it. You had so much fun with the charleston ULI, I don't want to be
:41:46. > :41:51.all serious. I know, it was a very hard week this week. You won an
:41:52. > :41:52.award. I won an award which is good. Thank you, thank you to those who
:41:53. > :42:05.voted. The scores are in. We'll be judges please reveal that
:42:06. > :42:09.score? Craig Revel Horwood. Six. Darcey Bussell. Seven. Len Goodman.
:42:10. > :42:15.Seven. Bruno Tonioli. Eight. If you think it would be criminal
:42:16. > :42:20.for Tameka to leave the competition all the details are on your screen
:42:21. > :42:23.now so you can vote for them when voting opens
:42:24. > :42:26.at the end of the show. Still to come, Louise
:42:27. > :42:28.is doing "fish dance". Next, hoping for rave reviews, Ed
:42:29. > :42:47.Balls and his partner Katya Jones. We saw a different
:42:48. > :42:49.side to Ed last week But after such a flamboyant
:42:50. > :42:53.routine will he be toning Not really ? he's painted his face
:42:54. > :43:09.green, he's wearing a yellow suit Can't wait! Things went brilliantly
:43:10. > :43:17.Saturday. We're a team and we were brilliant. You totally owned floor.
:43:18. > :43:21.# Because I want to be a cowboy #. That a site I don't think I ever
:43:22. > :43:29.want to see again. People are not stupid. You got a standing ovation.
:43:30. > :43:32.The public saved us this time but next week let's also try not be
:43:33. > :43:37.bottom of the Leader Board. That would great, wouldn't it? What are
:43:38. > :43:44.we doing next week? It's from the movie the mask. It is the samba. I
:43:45. > :43:49.don't really know what they samba even is. It's all about a man who
:43:50. > :43:56.finds a mask and when he put it on he becomes this wild character.
:43:57. > :44:04.Can't pull it off. When you wear this, you are not Ed Balls any more,
:44:05. > :44:11.you are the mass. -- you are The Mask. The Mask took over. Somebody
:44:12. > :44:21.stop me! I must say I was a bit traumatised. If Ed can put this much
:44:22. > :44:26.personality into his dance we'll be fine on Saturday night. Strictly!
:44:27. > :44:28.Dancing the samba from the movie The Mask,
:44:29. > :47:00.Oh, hello? Wreath you were smoking at that you sure work, Ed. Oh, my
:47:01. > :47:09.goodness me. Was that smoking, Len? What is great is the anticipation
:47:10. > :47:20.when you are coming out, what is going to happen. I have got to
:47:21. > :47:26.congratulate you. Because you haven't taken the easy option. You
:47:27. > :47:30.could easily, which we have seen before with the less talented
:47:31. > :47:36.dancers, the pro is doing everything but you have given it full routines
:47:37. > :47:41.with lots going on. And it is great to see you out there having a go.
:47:42. > :47:46.Ed, you are not the best dancer but you are definitely the most fun.
:47:47. > :47:55.CHEERING Bruno? I see the Green Party is
:47:56. > :48:01.having a resurgence, and based on that, I will join in. I mean, I am
:48:02. > :48:09.telling you, I was expecting some kind of samba dance. You could not
:48:10. > :48:17.have given more impact to that performance. All the Jim Carey
:48:18. > :48:26.phrases. That was complete lunacy and to give -- totally wonderful. I
:48:27. > :48:32.know it is crazy, but I like it! And we are all crazy. I cannot quite
:48:33. > :48:36.believe what I have just been witnessed to and I am sure the
:48:37. > :48:42.nation is with me on that, darling. I think somebody must have put
:48:43. > :48:52.something in my water. It was driven but the void, sadly, of any samba. I
:48:53. > :49:08.like that you relent wished any sort of technique associated with this
:49:09. > :49:18.dance. I thought my to Fuego was not that bad. And you started with a
:49:19. > :49:31.vault. What do you out of life? There you go! He is taking this very
:49:32. > :49:36.seriously, Ed. Darcey? 100% crazy, fabulous, I couldn't take my eyes
:49:37. > :49:40.off you. But you know what is great, you have definitely embodied the
:49:41. > :49:44.character and I want you to hold on to that for the rest of the
:49:45. > :49:49.competition. Fingers crossed. We love it. He has done it again, off
:49:50. > :50:07.you go to Claudia. Ed and Katya, we were screaming for
:50:08. > :50:13.you up here! Absolutely extraordinary. The best thing was
:50:14. > :50:19.your wife's face. She was going, I love him, this is happening. How are
:50:20. > :50:23.your kids taking this situation? It is definitely embarrassing but I
:50:24. > :50:33.have been saying all week, somebody stop me! I cannot speak! The scores
:50:34. > :50:43.are in. Ladies and gentlemen, the judges have their scores.
:50:44. > :51:00.Smoking! Seven. Bruno Tonioli. Piping! Seven. You see, it is
:51:01. > :51:07.fantastic. I can't stop staring at you. That politician in a suit,
:51:08. > :51:13.where has he gone. He has gone to party!
:51:14. > :51:16.If you want to keep Ed and Katya in the competition,
:51:17. > :51:19.all the details are on your screen now so you can vote
:51:20. > :51:22.for them when voting opens at the end of the show.
:51:23. > :51:30.Last week's Viennese Waltz saw her score 32
:51:31. > :51:34.What a feeling it must have been to be joint top of the Leaderboard.
:51:35. > :51:45.And coincidentally What A Feeling is what she's dancing to tonight.
:51:46. > :51:54.I was just so thrilled to bits about Saturday. Beautiful, absolutely
:51:55. > :52:04.beautiful. I am so proud of you. You danced really beautifully. I spotted
:52:05. > :52:12.the first fleckerl of the year. You are joint top of the Leader Board,
:52:13. > :52:17.very well done. This week, cha-cha-cha, Movie Week, we are
:52:18. > :52:24.doing Flashdance. I used to do the routine in my living room when I was
:52:25. > :52:29.12 years of age. It was my dream. Some girls like princesses. I liked
:52:30. > :52:35.a girl who was a welder who could really do some moves. We should put
:52:36. > :52:48.you in that situation. In my living room? Guess, I have got some
:52:49. > :52:56.legwarmers to help! Very proud of mum and Kevin's dancing. We think
:52:57. > :53:00.she will do well. That was fun. If I can just forget about the millions
:53:01. > :53:04.of people watching at home then I will be fine on Saturday night!
:53:05. > :53:07.Dancing the Cha Cha Cha from the movie Flashdance,
:53:08. > :55:09.What a show stopper. Come here. It from the movie Flashdance,
:55:10. > :55:21.What a show stopper. Come here. It is safe to say you past that
:55:22. > :55:27.audition. It was wonderful. Bruno? It was so good. It took me back to
:55:28. > :55:32.the 80s. I knew the steps. All the cha-cha-cha you put in was actually
:55:33. > :55:36.very good. You have such a wonderful foot placement. I love the way you
:55:37. > :55:43.caress the floor when you change position. So nice, so precise and it
:55:44. > :55:52.is good for us to see what you have got, my darling! You passed the
:55:53. > :55:56.audition and you were great! Great rhythm, great timing, you just need
:55:57. > :56:08.to watch your hip action which can be extended more. I loved the
:56:09. > :56:12.routine. Well done. Darcey? I think every time you are given a style you
:56:13. > :56:19.make the most of it and I love this because this really suits you. It is
:56:20. > :56:21.a great look, hang onto this one. You looked so much more confident
:56:22. > :56:31.and in control of it. I really enjoyed it. A beautiful smile was in
:56:32. > :56:36.place throughout. Was that a fitting finale for our movie night, Len?
:56:37. > :56:41.People there with the cha-cha-cha you have to be sharp, crisp and
:56:42. > :56:46.clean, but you have also got to show the rhythm. To get all those
:56:47. > :56:51.elements together is a tricky job but I must say you did. But may I
:56:52. > :57:00.also say, I have had a fantastic night with all of our couples. It
:57:01. > :57:04.has been fabulous! Thank you, Len. Thank you so much, judges. Go and
:57:05. > :57:19.get the party started. Thank you, Louise and Kevin!
:57:20. > :57:26.Well done to both of you. Was I right that you said earlier, I have
:57:27. > :57:33.forgotten? I forget all the time and panic and then I get out there and
:57:34. > :57:49.enjoy it. The scores are in. The judges have their scores.
:57:50. > :57:55.Are you happy. When you got that seven, you said, I'm sorry? You were
:57:56. > :57:58.fabulous. If you'd love these two to make it
:57:59. > :58:01.through to next week, all the details are on your screen
:58:02. > :58:04.now so you can vote for them when voting opens
:58:05. > :58:07.in a couple of minutes time. Everyone has made their movie week
:58:08. > :58:29.debut and it's time to look You can change all of that by
:58:30. > :58:33.picking up the phone or going online and voting for your favourite.
:58:34. > :58:35.And I can announce that the vote is now...
:58:36. > :58:38.Calls cost 15p plus any network access charge.
:58:39. > :58:40.Please get the bill payer's permission before you call.
:58:41. > :58:42.Or alternatively you can vote online for free
:58:43. > :58:44.at bbc.co.uk/strictly where you will also
:58:45. > :58:51.Please don't try to vote if you're watching On Demand.
:58:52. > :58:54.To help you decide, here's a reminder of
:58:55. > :58:58.tonight's performances and the all important vote information.