:00:09. > :00:14.Last weekend in the ballroom, dreams really did come true.
:00:14. > :00:19.But for some, their world was turned upside down. Not much good
:00:19. > :00:25.on her feed. Perhaps she's better on her head. Others had their nose
:00:25. > :00:32.put out of joint. Sexless, cold and stiff. Whispering sweet nothings
:00:32. > :00:40.and the shout of. Ten! First class. Our favourite comedian left us with
:00:40. > :00:46.his last impression. Nice to see you, to see you... NICE! Tonight,
:00:46. > :00:50.it's the monster's ballroom. It's a Hallowe'en spectacular. Who'll keep
:00:50. > :00:55.their wits about them? I ain't afraid of no ghosts. And who will
:00:55. > :01:05.turn into quivering wrecks? It's time to turn up the lights and hold
:01:05. > :01:05.
:01:05. > :01:45.Apology for the loss of subtitles for 40 seconds
:01:46. > :01:49.on tight. It's fright night on Live from Television Centre,
:01:49. > :01:59.Hallowe'en special, it's Strictly Come Dancing. Please welcome your
:01:59. > :01:59.
:01:59. > :03:11.Apology for the loss of subtitles for 40 seconds
:03:11. > :03:21.Live from Television Centre, please welcome your hosts... Bruce Forsyth
:03:21. > :03:35.
:03:35. > :03:39.The dress will allow no more. a state. Any way, good evening
:03:39. > :03:45.ladies and gentleman and children. It's Hallowe'en and the time of
:03:45. > :03:51.year, I didn't expect that! The time of year when the living dead
:03:51. > :03:57.rise from their grave, stalk to the earth and say "nice to see you, to
:03:58. > :04:02.see you... NICE! "Aren't you good. It's nice to see you Brucie. It is
:04:02. > :04:10.Hallowe'en. Hope you're not scared. I am a bit scared. This week, I had
:04:10. > :04:15.the biggest fright of my life. It was dark and stormy. THUNDER CLAPS
:04:15. > :04:22.I was alone in the house, when there was a knock at the door.
:04:22. > :04:26.I got up to open the door. CREEKING NOISE
:04:26. > :04:36.That was me getting up. LAUGHTER
:04:36. > :04:37.
:04:37. > :04:41.Then I opened the door. CREEKING Who was there? A tall man in a
:04:41. > :04:46.cloak. He said Forsyth, face the facts, it's time to pass over to
:04:46. > :04:53.the other side. What a horrible thing to say! I know, I've told him
:04:53. > :05:01.before, I'm not going back to ITV! APPLAUSE
:05:01. > :05:05.Thank you. I don't care what Simon says. I don't care what he says.
:05:05. > :05:10.Tonight, in the ballroom, we're in for a monster treat. Oh, yes.
:05:10. > :05:14.our 11 stars give us more thrills and chill that's you can shake a
:05:14. > :05:19.wooden stake at. That was difficult to say, wasn't it? Tonight was not
:05:19. > :05:23.for the faint hearted. One couple will face the unthinkable terror of
:05:23. > :05:29.being eliminated from the competition. I can hear teeth
:05:29. > :05:39.chattering, nerves jangling. Shall we unleash them? Yes, consider them
:05:39. > :05:39.
:05:39. > :06:46.Apology for the loss of subtitles for 40 seconds
:06:46. > :06:52.unleashed. It's time to meet the CHEERING AND APPLAUSE There they
:06:52. > :06:56.all are, looking like zombies and the undead. I trust you've all
:06:56. > :07:02.recovered from last week? Goodness gracious. Robbie hurt his nose.
:07:02. > :07:07.Aneat -- and needed an ice back. Russell hurt his knee and needed an
:07:07. > :07:13.ice pack. When Alex wore that sexy cat suit, I needed an ice pack. We
:07:13. > :07:23.had to put Len in the fridge, didn't we? Exactly. Where's Craig?
:07:23. > :07:44.
:07:44. > :07:54.THUNDER CLAP SINISTER LAUGHING
:07:54. > :07:57.
:07:57. > :08:02.The traffic was a complete and APPLAUSE
:08:02. > :08:05.Where would you like to us stick the broom stick? And the first one
:08:06. > :08:10.who tells him, will go straight through to next week. No vote off,
:08:10. > :08:14.nothing, straight through. Tonight, it is bone chilling
:08:14. > :08:24.ballroom all the way. Our stars will be dancing, the judges scoring
:08:24. > :08:27.
:08:27. > :08:32.and the crumbs will be ranked on the leaderboard. Those score --
:08:32. > :08:42.dancers will be ranked on the leaderboard. We also have West End
:08:42. > :08:47.star Adam Garcia with us. Just press the red button.
:08:47. > :08:53.first couple is Russell Grant and his partner, Flavia.
:08:53. > :08:57.APPLAUSE Russell is doing the samba. He was
:08:57. > :09:02.going to copy a great star from the past, Carmen Miranda, you remember
:09:02. > :09:08.the lady who used to dance with a bowl of fruit on her head? Apples,
:09:08. > :09:15.bananas and grapes and Russell said, "No pears?" I said "Certainly not,
:09:15. > :09:22.you don't get anything for a pair!" How soon they forget. We'll do that
:09:22. > :09:32.again. You don't get anything for a pair! Any way, here they are, good
:09:32. > :09:39.
:09:39. > :09:44.Last week's performance I actually really enjoyed. In 90 seconds it
:09:45. > :09:53.told the most amazing nocturnal drama. That's what it was. It was a
:09:53. > :10:03.nightmare. From Shreeping Beauty to night terror. It all went on in
:10:03. > :10:07.
:10:07. > :10:11.your mind. He got it. It was brilliant! What nobody knew at that
:10:11. > :10:16.time is I was having trouble with my legs. But this Hallowe'en,
:10:16. > :10:23.nothing's going to stop me from dancing the samba.
:10:23. > :10:29.When we first started training here, I heard my name being called. Due
:10:29. > :10:36.hear that? I heard some kind of baby cry. It's up there. I looked
:10:36. > :10:42.up and I saw this presence. Look, see? There's a vibration here that
:10:42. > :10:48.definitely requires psychic investigation. Russell thinks this
:10:48. > :10:58.place is haunted. I ain't afraid of no ghost. I'm not going to let him
:10:58. > :11:05.
:11:05. > :11:15.down. What is going on? Got you! I knew
:11:15. > :11:15.
:11:15. > :13:11.Apology for the loss of subtitles for 40 seconds
:13:11. > :13:21.it was Flavia all the time. Are you CHEERING AND APPLAUSE What a pair
:13:21. > :13:21.
:13:22. > :13:26.you! You she devil. Any way, whilst you two get your breath back, it's
:13:26. > :13:29.a good time to welcome our fabulous singers, Dave Arch and his
:13:29. > :13:34.wonderful orchestra. APPLAUSE
:13:34. > :13:39.Not forgetting our judges. Welcome all of you.
:13:40. > :13:44.Now if anyone is watching, is worried that we broke health and
:13:44. > :13:48.safety regulations because we flew Craig into the studio ain broom
:13:48. > :13:53.stick, let me assure you, he did have a safety harness... Round his
:13:53. > :13:57.neck. LAUGHTER
:13:57. > :14:00.Even Craig liked that one. Len, what did you think of that? I think
:14:00. > :14:05.when you came through that flame, you caught your bum alight because
:14:05. > :14:09.you really started dancing. I tell you, there was a few mistakes wents
:14:09. > :14:19.on unfortunately, I tell you, don't worry about the X Factor, you have
:14:19. > :14:21.
:14:21. > :14:25.the feel-good factor. Thank you Len. Now Alesha, my love.
:14:25. > :14:29.The music of Kylie and Russell Grant, what more do we want on
:14:29. > :14:34.Strictly Come Dancing? You have a great bounce action. The samba
:14:34. > :14:39.suits you. I know you've had some trouble with your knee, my darling,
:14:39. > :14:49.but you got the Hallowe'en party started. Well done. And now Bruno?
:14:49. > :14:53.Russell, you've turned hell no a camp hefpb -- heaven. You went
:14:53. > :14:58.wrong quite a few times because, you know why, you tried to put the
:14:58. > :15:08.content in. It went wrong quite a lot. But the fun of it was great.
:15:08. > :15:13.The fun was there. Well done. OK, finish us off, Craig? You are one
:15:13. > :15:20.wig away darling from being Mystic Meg. There's so much clap on there.
:15:20. > :15:24.The dancing sadly let you down this evening. The timing was out. Your
:15:24. > :15:30.kick ball changes are all messed up. You have a great double bounce
:15:30. > :15:34.action. That was good. That's not too bad. I'd settle for that if I
:15:34. > :15:44.was you. Wonderful. What a start to the show. Thank you both.
:15:44. > :15:54.
:15:54. > :15:57.You cuddly little devil you. Kicking off the Hallowe'en special,
:15:57. > :16:06.dancing the samba in front of 11 million people, how did that feel?
:16:06. > :16:11.I love the samba, but I did a lot of steps that I shouldn't have done.
:16:11. > :16:17.Sshhh. They didn't notice. judges did, darling. They're not
:16:17. > :16:22.daft. The audience didn't. I love the samba and I love Flavia.
:16:22. > :16:27.got the feel good factor. You've had knee trouble. It didn't show.
:16:27. > :16:32.No, I've got it strapped up. I have a harness like most of the people
:16:32. > :16:42.in the show tonight! I might be wheeled on in the future. No I'm
:16:42. > :17:02.
:17:02. > :17:08.A four from Craig, how do you feel about that snfrplts he's right. I
:17:08. > :17:14.got too much wrong to warrant more than a four. He's right. I take -D
:17:14. > :17:24.I'll take over 20. 22 is good. That was my first house in Wembley.
:17:24. > :17:35.
:17:35. > :17:38.a sign. OK. Who are you going to The couple with the lowest combined
:17:38. > :17:44.judges scores and your votes will leave the competition. We're off.
:17:44. > :17:51.Everyone's in high spirits tonight. Over to you, Bruce.
:17:51. > :17:56.Now, for our next couple, Chelsee Healey and her partner Pasha.
:17:56. > :18:01.APPLAUSE After finishing on top of the
:18:01. > :18:08.leaderboard last week, with her quickstep, can Chelsee stay there
:18:08. > :18:13.with her tango? Let's find out. Here they are in training.
:18:13. > :18:20.How are you feeling? Nervous. Every week I'm scared before we go on.
:18:20. > :18:26.The nerves were worth it last week. First class. Know thagt judges
:18:26. > :18:32.enjoyed the performance, it was a bit of a confidence boost. To be
:18:32. > :18:39.given such amazing scores, I was over the moon. I'm going to take it
:18:39. > :18:49.week by week and try our hardest. Yes, dance by dance, week by week...
:18:49. > :18:52.
:18:53. > :18:57.This week we're dancing a spine tingling tango. It's a very
:18:57. > :19:02.passionate dance. You should be precise but seductive. Oh, no I'm
:19:02. > :19:06.not into that. It doesn't suit me. I'm not seductive or sexy. I'm out
:19:06. > :19:10.of my comfort zone. We did really well last week. We cannot be
:19:10. > :19:17.complacent. So we're going to a local school to see some truly
:19:17. > :19:24.scary critics. Here we go. Hello! I had so much fun today
:19:24. > :19:28.meeting the children. They were so nice. Everybody go inside. Scary
:19:28. > :19:33.scream, come on. It was scarier dancing in front of the children
:19:33. > :19:38.than in front of the judges. The children don't care what they say.
:19:38. > :19:44.That routine was a horror show was ghastly, darling. I'm going to
:19:44. > :19:54.give it a spooky... Seven! If I can face them, I'm sure I can face the
:19:54. > :19:54.
:19:54. > :21:51.Apology for the loss of subtitles for 40 seconds
:21:51. > :21:56.What's the matter? Are you all right darling, what's happened? You
:21:56. > :22:06.messed up a few steps? Just a dress malfunction. Oh, dear. Anything I
:22:06. > :22:07.
:22:07. > :22:10.can do, don't worry. You're good. Alesha, start us off. Don't worry
:22:10. > :22:16.darlingment Chelsee, don't worry. Please, you know.
:22:17. > :22:21.Don't worry at all. Let me tell you, Chelsee, you have nothing to cry
:22:21. > :22:26.about my darling. You covered that so well. You should be proud of
:22:26. > :22:30.yourself. It didn't stract from the dance at all. You maintained your
:22:30. > :22:35.standard from last week. That was clean, sharp, full of attack.
:22:35. > :22:39.Come on, smile. I want a smile. Chelsee, when you leave this floor,
:22:39. > :22:45.you need to have a smile on your face because this partnership is
:22:45. > :22:49.working. It certainly is. You are contenders. It's good. Chelsee my
:22:49. > :22:56.darling, I tell you one thing, this wicked little witch is a wicked
:22:56. > :23:00.little dancer! You started very, very well. Obviously, you know,
:23:00. > :23:03.live shows little incidents happened. Because of that you lost
:23:03. > :23:07.your footing. But you just did a great dance. You're a great dancer.
:23:07. > :23:11.You have great musicality. You have a great feel for performance. Don't
:23:11. > :23:17.worry about it. It happens to everybody. It happens to everybody.
:23:17. > :23:22.Don't worry, sweet heart. What you did, was good.
:23:22. > :23:25.Now then Craig? I would have liked to have seen a little bit more
:23:25. > :23:29.grounded. You sometimes lost flexed knees. Your legs were a bit
:23:29. > :23:33.straight. You were a bit too on your toes throughout the routine.
:23:33. > :23:37.You coped with the wardrobe malfunction quite well. Though it
:23:37. > :23:41.did throw you and that's why it was a bit of a mess towards the end.
:23:41. > :23:50.But it was feisty, fiery and everything we expected.
:23:50. > :23:55.Oh, thank you Craig. Even Craig! Now then, Len, will you finish us
:23:56. > :23:59.off? You were like a Lancashire hot pot. Out you came, all satisfying
:23:59. > :24:03.and delicious. I thought, honestly, I thought it was a good dance. You
:24:03. > :24:10.did it very well. Yes, it could have been a bit sharper near the
:24:10. > :24:20.end, but overall it was fabulous. Well done to the pair of you.
:24:20. > :24:32.
:24:32. > :24:35.Well done. Off you go. Be proud. Can I just reassure you we saw
:24:36. > :24:39.absolutely nothing. Oh, thank God for that. Bless her. You did such a
:24:39. > :24:44.brilliant dance. You were amazing. The audience love today and the
:24:44. > :24:48.judges loved it. We all loved it. APPLAUSE
:24:48. > :24:52.Pasha, Bruno says she's a wicked little dancer, are you proud of
:24:52. > :25:00.your Chelsea? Very proud and the way she handled it all. It shows
:25:00. > :25:05.one more time that she's great. Alesha said you have upped your
:25:05. > :25:10.game loost week. Topped the leader -- last week. Topped the loord
:25:10. > :25:20.board last week. Can you do it again?
:25:20. > :25:37.
:25:37. > :25:40.A great score. I'm made up. She's made up. All right. Call later if
:25:40. > :25:44.you don't want Chelsee axed from the competition and you want to see
:25:44. > :25:50.her dancing again next week. The judges score as loan may not be
:25:50. > :25:53.enough to save your favourites. Our bogey men boys, the ghoulish girls,
:25:53. > :26:02.they need your votes. Now for the next couple, Audley
:26:02. > :26:07.Harrison and his partner, Natalie. APPLAUSE
:26:07. > :26:12.Audley came up to my earlier today and said, "Bruce, I've seen so many
:26:12. > :26:16.ghosts and dead people today. I think I might be a medium." I said
:26:16. > :26:25."Audley, we know you've lost weight, but you're definitely an extra
:26:25. > :26:33.large". I'm a medium. He's an extra large. Right, here they are, I like
:26:33. > :26:36.that one! Here they are in training. My performance last Saturday was
:26:36. > :26:41.the best that I've danced the foxtrot. I'm telling you this, I'm
:26:41. > :26:45.sitting here giving you a standing ovation. Well done. To hear the
:26:45. > :26:55.judges' comments, positive and uplifting, it touched me. As I've
:26:55. > :26:57.
:26:57. > :27:01.been older I'm more in touch with my velnerblt. -- Vulnerplt. Every
:27:01. > :27:09.week I turn up and put in a better performance than the one before.
:27:09. > :27:13.Next week jive. Game on. I can't believe it's your birthday today.
:27:13. > :27:18.Even though it's my birthday, I have not been slacking. I'm working
:27:18. > :27:23.extra hard. They will pick awe part, if you're messy, especially in jive.
:27:23. > :27:28.I think the energy side will suit Audley. But the dance is on the
:27:28. > :27:33.toes. It's not going to be natural. I never get surprised. Today for my
:27:33. > :27:38.4040th my wife and daughter came in and gave me a birthday cake. Happy
:27:38. > :27:42.birthday daddy. It's been four weeks since I've seen my wife and
:27:42. > :27:47.daughter. It feels great to have them here. Let's see what you've
:27:47. > :27:57.got. I like seeing my daddy dance because I like twirlg and my daddy
:27:57. > :27:57.
:27:57. > :29:51.Apology for the loss of subtitles for 40 seconds
:29:51. > :29:54.is the best. CHEERING AND APPLAUSE Well done
:29:54. > :30:00.Audley and Natalie. Wasn't that great.
:30:00. > :30:06.Absolutely wonderful. Your little girl will love to see that. She'll
:30:06. > :30:11.be very proud of her daddy. Bruno? I tell you, you really got into the
:30:11. > :30:16.spirit of things, big smile, great personality, terrible footwork. All
:30:16. > :30:19.the kicks an the flicks were thrown away. It was cool and casual, but I
:30:19. > :30:23.mean the jive is all about the sharpness. It has to be sharp,
:30:23. > :30:28.precise, the feet have to be pointed. It has to be compact. It's
:30:28. > :30:32.a very hard dance to do, for anybody, let alone somebody that is
:30:32. > :30:42.like -- is built like a great big oak. It's hard. You did your best.
:30:42. > :30:43.
:30:43. > :30:47.He certainly did. Craig, what is on your mind?
:30:47. > :30:52.did make a gallant effort, my love. You're completely and utterly
:30:52. > :31:00.physically unsuited for this dance. It was heavy, flat footed,. It was
:31:00. > :31:07.cumbersome. Lovely smile, though. You have a beautiful smile. And he
:31:07. > :31:12.got out there and had a go, which is what we love about it. Indeed.
:31:12. > :31:16.All right Len? I don't get these two. It had rhythm, good timing. I
:31:16. > :31:21.know it's not the easiest dance for a big guy. You never went wrong.
:31:21. > :31:31.You kept on the dance the whole way through. I'm not going to be
:31:31. > :31:33.
:31:33. > :31:38.disappointed. I commend you, well Craig, I won't let anything happen
:31:38. > :31:41.to you. Alesha? I loved the concept and
:31:42. > :31:45.idea of the dance this week. I think Craig and Bruno are right. It
:31:45. > :31:48.needed to be more bouncy and light. The kicks and flicks weren't quite
:31:49. > :31:52.there for me. It's great to see you going for it. I had a smile
:31:52. > :31:55.throughout, but I think this dance was a bit out of your comfort zone
:31:55. > :32:05.this week. I think you'd agree with that. A marvellous effort. We thank
:32:05. > :32:12.
:32:12. > :32:16.you. Natalie, great job. Come on! Yes, come on up here Audley. That
:32:16. > :32:20.was so much fun. That looks like so much fun. What a way to end your
:32:21. > :32:25.birthday week. As Bruno said it's a tough dance for a man of your size.
:32:25. > :32:30.Flicks and kicks. Lots of them. Suited to a shorter person
:32:30. > :32:34.definitely. I enjoyed it. I went for it. Back to America this week.
:32:34. > :32:39.You've had very little training time. He did well. Lovely smile
:32:39. > :32:43.again, that Craig loves so much. We love that. Craig's going to get
:32:43. > :32:48.this. Give him a smile. He hasn't scored
:32:48. > :32:58.me yet, has he? I love you Craig. I love you. Quite a conversation
:32:58. > :33:13.
:33:13. > :33:16.going on between Audley and Craig. Is Craig still getting that magic
:33:16. > :33:21.smile after that? Yeah, but he might get the left hook behind it.
:33:21. > :33:25.That will be for you. A Hallowe'en hook. Do you think your wife and
:33:25. > :33:31.little girl is proud of daddy? Definitely. I'm doing my best.
:33:31. > :33:34.go Audley. Make a note of this number: Call later, if you think
:33:34. > :33:41.Audley's jive packs a punch and you want to see him dancing next
:33:41. > :33:47.Saturday. Plenty more blood curdling ballroom
:33:47. > :33:53.on the way, miss it at your peril. Now for our next couple, Alex Jones
:33:53. > :34:02.and her partner, James. APPLAUSE
:34:02. > :34:07.A popular couple. Alex says she had been chatting to Craig earlier. He
:34:07. > :34:09.was explaining all about male witches. I said, that's typical
:34:09. > :34:15.Craig, he's always talking a lot of warlocks.
:34:16. > :34:25.LAUGHTER Think about it... I'll wait. Right,
:34:25. > :34:29.here they are in training. After we danced, I thought it had
:34:29. > :34:34.gone OK. Then we got in front of the judges and... The only way to
:34:34. > :34:38.grow is take risks. Push it next time. Sexless, cold and stiff.
:34:38. > :34:44.Craig's comments were really hard to deal with. I'm going to come
:34:44. > :34:50.back again next week and just put this one to bed. OK get out of the
:34:50. > :34:54.cat suit and move on. I bet James has put that there just to scare me.
:34:54. > :34:59.It's Hallowe'en week and we are dancing the paso doble. Keep your
:34:59. > :35:03.chin up otherwise you look like that. Alesha's comments last week
:35:03. > :35:08.were more or less that we need to be more adventurous. Come with me.
:35:08. > :35:13.Where are we going? That's not what I expected. What did you expect?
:35:13. > :35:18.don't want to come down that. supposed to take risks. It's
:35:18. > :35:28.Hallowe'en, we might as well do it in style. How do you do that?
:35:28. > :35:30.
:35:31. > :35:35.powers. Have fun, babes. Wait! Oh, I think I might be sick. Here I go.
:35:35. > :35:42.Oh! Here she goes. James, you better join in. Wherever you feel
:35:42. > :35:47.ready. James, don't let me hang in here. Then this one comes like
:35:47. > :35:53.flippin Spider-man. A little lift. No, oh, James. I hope I didn't make
:35:53. > :35:57.too much of a fuss. But it's a lot higher than it looked. Can we go
:35:57. > :36:07.back to the paso doble now? If you want anger, you'll get it after
:36:07. > :36:07.
:36:07. > :37:58.Apology for the loss of subtitles for 40 seconds
:37:58. > :38:08.CHEERING AND APPLAUSE Up you get, Alex! What's going on here? Look at
:38:08. > :38:14.
:38:14. > :38:22.this. What an ovation. Well done. Look! Are you glad it's over?
:38:22. > :38:25.little bit. Right, Craig start us off. I quite liked the idea of
:38:25. > :38:30.Dracula chasing innocent virgin blood and I think you played that
:38:30. > :38:35.extremely well. APPLAUSE
:38:35. > :38:40.In fact, it was the complete antithesis of last week. I almost
:38:40. > :38:50.found it erotic, darling. That probably says a lot more about
:38:50. > :38:50.
:38:50. > :38:54.me than you actually. We're glad to hear it. Len? I was
:38:54. > :38:58.expecting like a hammer house of horrors. I was totally wrong. I
:38:58. > :39:03.liked the confidence that you did that first section on your own.
:39:03. > :39:08.Then when James joined in, you had intensity. It was dramatic. You had
:39:08. > :39:14.attack. A little bit too much frock wafting for me. But apart from that,
:39:14. > :39:19.it was terrific. Well done. Lovely, Alex. Don't worry darling. You're
:39:19. > :39:23.lovely. Alesha? You had a knock last week, but you've picked
:39:23. > :39:28.yourself up and you're back on form. I absolutely loved the beginning.
:39:28. > :39:30.You took a risk, out there on your own and it worked. The whole thing
:39:30. > :39:37.was atmospheric, the drama was brilliant. You've had a
:39:37. > :39:47.breakthrough this week, you really have. You've upped your game.
:39:47. > :39:48.
:39:48. > :39:52.And Bruno? Alex, haunting, voluptuous with a hint of madness.
:39:52. > :39:55.Your strength from last week has improved so much. You're linking
:39:55. > :39:58.the lines. Your assertive. You're in character. That's the way to
:39:58. > :40:08.proceed. Well done. What a lovely night for you. Off
:40:08. > :40:12.
:40:12. > :40:18.you go. Well done Alex. Thank you. That's
:40:18. > :40:22.what I call a dance resurrection. You own won Craig over, he said
:40:22. > :40:27."almost erotic". There was room for improvement after last week. Alesha
:40:27. > :40:36.said back on form, a breakthrough. Did you feel that? I enjoyed it a
:40:36. > :40:41.bit more this time. I mean, I think I looked scared... Look at James.
:40:41. > :40:44.guess she finds it easier to be aggressive with me rather than
:40:44. > :40:54.romantic. I don't understand why. Can you smile for us? Thank you.
:40:54. > :41:13.
:41:13. > :41:17.Even Dracula is happy. Brilliant score. Call later in the show, if
:41:17. > :41:22.you think Alex should bring the ballroom back to life again next
:41:22. > :41:26.weekend. Don't bite her! All our 11 stars have been training all week
:41:26. > :41:32.from dawn till dusk. But one couple will be leaving this weekend. They
:41:32. > :41:37.need your votes. Next up is Holly Valance and her
:41:37. > :41:44.partner, Artem. APPLAUSE
:41:44. > :41:50.Another popular lady. How about this, they're dancing the American
:41:50. > :41:55.smooth to Swan Lake by Tchaikovsky. Holly is a fan of the great
:41:55. > :42:00.composers and said to me, "Bruce, if Beethoven was alive today, he
:42:00. > :42:06.would have loved listening to you entertain." Wasn't that nice! Base
:42:06. > :42:11.ofb, hang on a -- Beethoven, hang on, he was deaf, wasn't he? Deaf as
:42:11. > :42:17.a post! For goodness sake, I'll get you for that. Here they are in
:42:17. > :42:21.training. Last week I danced the Viennese
:42:21. > :42:25.waltz. It was really pretty. I didn't feel like I got a feeling
:42:25. > :42:32.out of doing it. A bit bump I I thought. I watched myself and just
:42:32. > :42:35.think it looks like a dog's breakfast.
:42:35. > :42:40.We're always missing something every week. We're not making it
:42:40. > :42:45.perfect. You can be amazing. You have to focus and give it even more.
:42:45. > :42:49.Holly is giving what she think sz 100%. But I don't think Holly
:42:49. > :42:53.understands how good she can be. This week is Hallowe'en week. I'm
:42:53. > :42:57.dancing the American smooth to Swan Lake.
:42:58. > :43:00.Hallowe'en is my absolute favourite holiday of the year. Are you
:43:00. > :43:08.kidding me? We've been training really hard. We're going to take a
:43:08. > :43:18.bit of a break. We're going to go to a theme park.
:43:18. > :43:20.
:43:20. > :43:24.We've got nothing to fear. What are you doing to me? Why are you here?
:43:24. > :43:34.SCREAMING You go first. I can't handle this.
:43:34. > :43:36.
:43:36. > :43:43.Oh, my God. Where's Artem? This is ridiculous.
:43:43. > :43:50.We have training to get to. anyone finds this footage, I didn't
:43:50. > :44:00.make it. Kara I love you. Sorry I didn't make it to rehearsals.
:44:00. > :44:00.
:44:00. > :45:42.Apology for the loss of subtitles for 40 seconds
:45:42. > :45:48.What is wrong with you. I thought CHEERING AND APPLAUSE Well done
:45:49. > :45:54.Holly and Artem. Well done, indeed.
:45:54. > :46:03.Listen to that and look at this. Enjoy it. Look.
:46:03. > :46:06.Absolutely lovely. Are you pleased? I know the clocks go back later
:46:06. > :46:11.tonight, to be honest I'd like them to go back right now and let's see
:46:11. > :46:16.it again. I thought it was terrific. I really did. Could have done with
:46:16. > :46:23.a little bit more in hold for me, Artem. You know I'm a bit finicy in
:46:23. > :46:27.that respect. What a number. It was terrific. Well done. What a number.
:46:27. > :46:31.Beautiful music. Alesha? You both look incredible. This is my
:46:31. > :46:35.favourite concept so far. I have to say, you create some beautiful
:46:35. > :46:38.lines and shapes. There was nothing about it conventional. It was
:46:38. > :46:42.original. You were magnificent Holly. I have to tell you, for me,
:46:42. > :46:46.this is the dance that shows you're a real contender in this
:46:46. > :46:51.competition now. Another breakthrough. Yeah. Lovely.
:46:51. > :46:56.Now then, Bruno? When I heard that you were going to attempt Swan Lake,
:46:56. > :47:01.the music is so difficult, I thought, she's gone barmyi. She's
:47:01. > :47:07.lost the plot. But you've succeeded. You produced a performance of great
:47:07. > :47:17.style, great artistry. As she said, your top lines were just exquisite.
:47:17. > :47:17.
:47:17. > :47:23.Beautiful. What about that? And you haven't heard from Craig yet.
:47:23. > :47:33.high risk and perilous concept, to not have a dress on, to cover up
:47:33. > :47:39.
:47:39. > :47:44.the legs, particularly in foxtrot The music was wonderful. Dave and
:47:44. > :47:52.the orchestra! Off you go. Be proud my darling. And Artem, well done
:47:52. > :47:57.indeed. APPLAUSE
:47:57. > :48:01.Wow! The haunting, fabulous routine. Bruno said it was high risk, but
:48:01. > :48:04.high quality. We loved it. You got a standing ovation in the studio.
:48:04. > :48:08.It's amazing. It's been my favourite dance so far. I loved it.
:48:08. > :48:17.I think it was the audience's favourite dance. How many times due
:48:17. > :48:21.go round? Six. Do you need a sick bucket? I'm OK. Alesha says you're
:48:21. > :48:24.a contender now. You started out so strong in the competition, second
:48:25. > :48:34.week one. How much do you want to be back at the top? So, so much. We
:48:35. > :48:49.
:48:49. > :48:57.worked so hard this week. 35 out of 40! All that hard work
:48:57. > :49:00.paid off. Best score of the night so far. What a routine. Call later
:49:01. > :49:06.if you want Holly to swan into next week and dance again. How much
:49:06. > :49:11.would that mean to you? Please call! She wants to be here. Still
:49:11. > :49:17.to come, we unleash more creatures of the night. We have Anita, Robbie,
:49:17. > :49:24.Jason, Harry and it will come as no surprise that Lulu is as batty as
:49:24. > :49:27.ever. It's enough to give you goose bumps.
:49:27. > :49:35.Right our next couple tonight is Nancy Dell'Olio and her partner,
:49:35. > :49:40.Anton. What about these two! They're
:49:40. > :49:43.dancing the rumba and for this dance Nancy has to pretend she's
:49:43. > :49:47.completely in love with Anton. LAUGHTER
:49:47. > :49:57.I said well Anton can definitely give you some tips on that... He's
:49:57. > :49:57.
:49:57. > :50:05.been in love with himself for years. APPLAUSE
:50:05. > :50:09.Who else does? Maybe his mother. Here they are in training.
:50:09. > :50:14.Last Saturday, I was bitterly disappointed with myself. This time
:50:14. > :50:17.particularly because I knew I could do much better. It was one of those,
:50:18. > :50:22.it started off on the wrong foot. It's a shame because it could have
:50:22. > :50:26.been good. I know you messed up after the dip thing really badly.
:50:26. > :50:32.You still went off time. She's not much good on her feet. Perhaps
:50:32. > :50:37.she's better on her head. # Shot down in a blaze of glory #
:50:37. > :50:41.What can you do. It's Saturday night syndrome. That was suppose --
:50:42. > :50:45.we're so close to being good. week is Hallowe'en and we're
:50:45. > :50:51.dancing the rumba. It is essentially the dance of love.
:50:52. > :50:58.about just a kiss? I don't want a kiss. Nancy said we need a coffin.
:50:58. > :51:08.It has to be sparkly, Strictly. I got her a coffin.
:51:08. > :51:12.Delivery for Nancy Dell'Olio. she grateful? What is this?
:51:12. > :51:16.It's so horrible, disgusting to see this. I'm not going to rehearse
:51:16. > :51:19.today. I'm not going there. You're joking. Have a look inside. You
:51:19. > :51:23.might like it. It's luxury. Look at that, spiders and everything.
:51:23. > :51:26.You're going to love it. I knew that you were a nightmare, but this
:51:26. > :51:36.is the end. You never know how it's going to go
:51:36. > :51:36.
:51:36. > :51:46.on the live show. I'm not going to perform in that kofpb. -- coffin. I
:51:46. > :51:46.
:51:46. > :53:33.Apology for the loss of subtitles for 40 seconds
:53:33. > :53:37.want crystal all over, glamorous. CHEERING AND APPLAUSE What a story!
:53:37. > :53:42.Get him out of there. I left a sandwich in there when I was having
:53:42. > :53:49.a nap this afternoon. All right Anton? What happened?
:53:49. > :53:54.What's the mat sner Don't talk to me about the boa again. I told you,
:53:54. > :54:00.no boa. She's a boa constrictor this one. Did you enjoy that?
:54:00. > :54:06.I do enjoy. It was difficult, at the start getting out of the coffin.
:54:06. > :54:15.I suggest it, but when I saw the coffin in rehearsal studio, I said,
:54:15. > :54:20.I must be crazy. We saw that. Alesha darling? Nancy, I think
:54:20. > :54:23.you're a sexy woman and you know how to work it. But you're a
:54:23. > :54:29.walking disaster. Sorry Craig stealing your word. Your legs are
:54:29. > :54:35.so far apart and that's not very feminine. No, I'm being serious.
:54:35. > :54:39.It's very ploddy and just the lift, it's so unflattering. You both
:54:39. > :54:42.should have stayed in the coffin, but having said that, I'm sure the
:54:43. > :54:49.viewers at home will love it. I didn't like it.
:54:50. > :54:55.Don't go any further. Right. Bueno? Oh, napbs -- Bruno? Nancy, emerging
:54:55. > :55:00.from the coffin, looking like the Queen of the night but you danced
:55:00. > :55:04.like the walking dead. It was like walking Bond Street, designer gear.
:55:04. > :55:09.I said many times, have you to listen to the music. If you don't
:55:10. > :55:14.listen to the music all your steps are gangling all over the place.
:55:14. > :55:18.You're a beautiful woman. Concentrate, focus on the music.
:55:18. > :55:25.Feel it in your body. Use it with the music, my darling. Because this
:55:25. > :55:32.is like a big plonky number. Oh, dear. I'm very surprised.
:55:32. > :55:39.Craig? Don't let him start as well. Haven't we had enough. Come on.
:55:39. > :55:43.Craig has to have his say. He must? Dance horriblus darling. You see, I
:55:43. > :55:51.told you. The moment you stepped out of that sarcophagus, darling,
:55:51. > :55:55.was the moment it all went horribly wrong. Anton I'm getting bored of
:55:55. > :56:05.that lift now, can we change it please, if you're here next week.
:56:05. > :56:06.
:56:06. > :56:12.It was not my idea. It was also illegal. If you're here next week,
:56:12. > :56:18.if you're here next week... You do the choreography OK? Is that fair?
:56:18. > :56:25.You do it Nancy darling. Len? was interesting listening to you
:56:25. > :56:31.all chat ago way. The rumba, the dance of love. There were moments
:56:31. > :56:35.of Mills and Boon and moments of meals on wheels. It was a mixture.
:56:35. > :56:45.You did a few basic steps. It waents all bad. I didn't mind it
:56:45. > :56:49.really. -- It wasn't all bad. I didn't mind it really. Nancy, don't
:56:49. > :56:59.take it to heart. You do the choreography. He's keeping you back.
:56:59. > :57:08.
:57:08. > :57:13.Off you go. That was a rumba with a difference.
:57:13. > :57:20.Was there a part of you athat wanted to nail the coffin lid shut
:57:20. > :57:27.with Anton in it? What a night this has turned out to be. I will never
:57:27. > :57:32.paint the skreeling again I tell you. Look at the state of it. --
:57:32. > :57:35.ceiling. Len said moments of Mills & Boon and moments of meals on
:57:35. > :57:40.wheels, what's all that about? don't know. Are we going to throw
:57:40. > :57:48.the boa in the coffin? No, we're going to use it next week. Do we
:57:48. > :57:58.have a problem with the boa? No. The scores are in. You think it's
:57:58. > :58:15.
:58:15. > :58:19.Ouch, 14 out of 40. What do you think? Write down this number and
:58:19. > :58:23.call later if you thought Nancy's rumba was spookily good and you'd
:58:23. > :58:27.like to see her dance next week. think I'm looking a bit under the
:58:27. > :58:31.weather myself. You're not yourself. None of our stars want their
:58:31. > :58:37.ballroom dreams buried. But without your votes your favourite will be
:58:37. > :58:43.in grave danger. Can we get a costume to put a zip in that? We're
:58:43. > :58:49.about to delve into the twilight zone. I want to be like Artem. Look
:58:49. > :58:54.at that, cor. I think we're ready. Next tonight, there's another show
:58:54. > :58:59.going on up there. Next tonight is Harry Judd and his partner Aliona.
:58:59. > :59:03.CHEERING Oh, popular! What a popular young
:59:03. > :59:09.man. He's doing so well. Harry told me
:59:09. > :59:15.for this dance he will take on the role of a vampire and Aliona will
:59:15. > :59:18.scare him off with lots of cloves of garlic. He wanted my opinion. I
:59:18. > :59:26.said "Personally I prefer Aliona dancing with no cloves...
:59:26. > :59:28.$$TRANSMIT" of garlic! Who's working that autocue, hey? It
:59:28. > :59:32.should have come up after the vampire.
:59:32. > :59:39.Made me look a fool. You understand don't you? Of course you do. Here
:59:39. > :59:44.they are in training. Last Saturday the dance wents
:59:44. > :59:48.really well, but it did cause a few arguments. I didn't get it. I
:59:48. > :59:52.didn't get that bit. Actually you're wrong. How can you possibly
:59:52. > :59:56.say that? It was amazing to get the first ten. I can't expect that
:59:56. > :00:04.every week. But I've got to keep doing my best. That could become
:00:04. > :00:09.our thing, but we need to practice -- practise it. Better. This week
:00:09. > :00:14.it's Hallowe'en week. We are dancing the tango. The song we're
:00:14. > :00:19.dancing to is called Psycho Killer, which is pretty intense. More angry.
:00:19. > :00:24.Aliona seems to think I have a dark side. Harry's dark side wasn't
:00:24. > :00:33.coming out as easily as I hoped. Soy cooked up an old family -- so I
:00:34. > :00:42.cooked up an old family recipe. Where are we? The scariest place in
:00:42. > :00:52.the UK. Come on. This must be bringing out your dark side...
:00:52. > :00:53.
:00:53. > :00:59.Harry? Harry, where are you? It's not funny any more. Where are you?!
:00:59. > :01:09.My Princess of darkness, let's tango.
:01:09. > :01:09.
:01:09. > :03:05.Apology for the loss of subtitles for 40 seconds
:03:05. > :03:12.You do have a dark side. I like it. CHEERING AND APPLAUSE You cannot
:03:12. > :03:20.stop it. They love Harry! I tell you, look at them. Enjoy this,
:03:20. > :03:25.Harry and Aliona. That is beautiful. Well done.
:03:25. > :03:31.They're just wild about Harry... I tell you. You're away there son.
:03:32. > :03:36.Bruno start us off. Intense, hypnotic, erotic, I can feel your
:03:36. > :03:45.power getting stronger and stronger. You can bite as much as you like,
:03:45. > :03:49.as long as you keep dancing like this. It was great.
:03:49. > :03:53.Craig? Full of intent. Full of purpose. Full of aggression. I
:03:53. > :03:57.thought, I loved the story telling. That was fantastic. I'd like to
:03:57. > :04:00.have seen a bit more in hold, however. But the tango that you did
:04:00. > :04:10.do, I thought you did very, very well.
:04:10. > :04:14.
:04:14. > :04:18.And Len? You see, Harry, please don't think I have a downer on you
:04:18. > :04:22.or Aliona, because I haven't. Honestly. You see, I watch a tango,
:04:23. > :04:26.I want to see more than eight bars in hold. Now I thought it was a
:04:26. > :04:31.terrific number. It was sharp, all that stuff on the chair was
:04:31. > :04:36.together. It was very, very crisp and enjoyable. But you know, I'm
:04:36. > :04:43.from a world different to our other judges. I'm from the world of
:04:43. > :04:47.ballroom dancing. This is a tango and I want to see...
:04:47. > :04:53.I do not lie. I want to see more than eight bars in the tango hold.
:04:53. > :05:00.What's annoying, when you are in hold, you are fantastic.
:05:00. > :05:04.APPLAUSE Worth thinking about that. And
:05:04. > :05:12.Alesha? I do agree with Len a bit. It's by no means a criticism
:05:12. > :05:17.because you played it so well. Har ery, you're too cool for school.
:05:17. > :05:24.Art is subjective and for me you created a beautiful piece of dance.
:05:24. > :05:27.The quing and queen of tango tonight. -- King and queen of tango
:05:27. > :05:34.tonight. Well done. We're just wild about Harry.
:05:34. > :05:38.APPLAUSE Yes the king and queen of tango are
:05:38. > :05:44.in the house. Craig says full of intent and aggression. Where have
:05:44. > :05:51.you been hiding that tark side? Aliona brought it out in me this
:05:51. > :05:56.week. Chablg the aggression. being really hard core in training.
:05:56. > :06:01.Is it scary leading a rofegsal? Very scary. It's frightening enough
:06:01. > :06:07.being out there to start with. And it's hard to talk with these teeth
:06:07. > :06:17.in as well. Your band mates are here again. Do you reckon they
:06:17. > :06:34.
:06:34. > :06:39.could cut it? Not a chance. 34 out of 40. Another ten. The
:06:39. > :06:46.second of the competition. You owned it.
:06:46. > :06:49.Amazing. Thank you. The number to call later : If our Harry's
:06:49. > :06:55.terrifying tango thrilled you and you want to see him dance again
:06:55. > :07:01.next Saturday. At bbc.co.uk/strictly you can keep up
:07:01. > :07:07.to date with everything ballroom. And follow us on Twitter as well.
:07:07. > :07:12.Time for our next couple, Robbie Savage and his partner, Ola.
:07:12. > :07:15.Another popular couple, so many popular couples this year. During
:07:16. > :07:20.his dance last week, Robbie slid on his knees towards the camera, over
:07:20. > :07:23.there actually, slid right the way across and didn't stop in time. The
:07:23. > :07:25.impact almost broke his nose. After the show, we called for an
:07:25. > :07:30.ambulance. They took him straight to the hairdressers.
:07:30. > :07:33.LAUGHTER It's true. I'm telling you the
:07:33. > :07:38.truth. Well he wanted to have his hair
:07:38. > :07:41.done before he went to hospital. When I go to the doctors I always
:07:41. > :07:50.wear a clean vest. Here they are... LAUGHTER
:07:50. > :07:57.Here they are in training. Last week, Robbie really got into
:07:57. > :08:07.his dance. He was the love man. We're love men, hey! You loved it.
:08:07. > :08:07.
:08:07. > :08:13.The people loved it. I loved it. Give it to me Ola! Last Saturday I
:08:13. > :08:17.hurt my nose, too much enthusiasm. I was supposed to stop before the
:08:17. > :08:23.camera. Overshot it, straight into the camera. Bang, nose... Really
:08:23. > :08:32.sore. Because it's Hallowe'en week, you have to face your worst
:08:32. > :08:40.nightmare. Which is what? You don't know what it is. The make-under.
:08:40. > :08:45.Make-under, what's that? Let the make-under begin.
:08:45. > :08:49.# Sexy, everything about you's so sexy
:08:49. > :08:53.# You don't even know what you've got... #
:08:53. > :09:03.Perfect. Now come with me and I'll show you a surprise.
:09:03. > :09:04.
:09:04. > :09:10.Open your eyes. Wow. I am ugly.
:09:10. > :09:13.# UGLY, you ain't got no alibi, you ugly. #
:09:13. > :09:23.I've faced my worst fears today. Can you imagine looking at me all
:09:23. > :09:23.
:09:23. > :11:25.Apology for the loss of subtitles for 40 seconds
:11:25. > :11:29.CHEERING AND APPLAUSE What about Absolutely, Robbie, well done.
:11:29. > :11:34.Craig, oh, dear... You didn't know where to look for the best.
:11:34. > :11:41.LAUGHTER Oh, we're going to start off with
:11:41. > :11:46.you as well. We really could have done without all the hip thrusts
:11:46. > :11:51.and particularly the end one in my face, darling. Technically it
:11:51. > :11:55.needed a bit more drive. There needed a lot more arch in it. I
:11:55. > :11:59.felt that you had to load a bit more. Your hands were on occasion
:11:59. > :12:01.like soup ladles, darling. Apart from all that, I suppose, it was
:12:01. > :12:03.amazing. LAUGHTER
:12:03. > :12:08.APPLAUSE Good.
:12:08. > :12:08.Good. What
:12:08. > :12:09.Good. What a
:12:09. > :12:12.Good. What a jump
:12:12. > :12:18.Good. What a jump to get up there. You look here, the way he jumped on
:12:18. > :12:23.the top, it's fantastic. Len? was a little bit disconcerting when
:12:23. > :12:28.you kept thrusting your wobbly bits all offer the shop. I saw the
:12:28. > :12:32.Robbie, but I would have liked a bit more savage. You didn't give it
:12:32. > :12:38.as much as I expected. You're a ballroom boy, not so much a Latin
:12:38. > :12:43.guy. You've got to work on getting the Latin to the same standard that
:12:43. > :12:49.your ballroom dancing is. It was good. Especially when you jumped up.
:12:49. > :12:54.Len, we all jumped that. We really D Alesha? I say keep thrusting. Put
:12:54. > :12:58.it in every dance, honestly. It just works. It was a bit erratic at
:12:58. > :13:01.times. The cape work was brilliant. I disagree with the boys. I thought
:13:01. > :13:06.you had real purpose and intent throughout. You really went for it,
:13:06. > :13:14.well done. You're right Alesha.. The cape was
:13:14. > :13:20.excellent. I forgot about that. Bruno? Yes, Rob, that was bad gone
:13:20. > :13:26.mental. The forward thrust with that scared the hell out of me. Go
:13:26. > :13:33.for it if you've got it, isn't it? You know what you're good at now.
:13:33. > :13:38.We all know what he's good at. like the bit about artistry...
:13:38. > :13:42.it. Don't say any more. Bruno is lost for words. Thank goodness.
:13:42. > :13:52.I've waited for this day. It was wonderful. Off you go, the pair of
:13:52. > :13:53.
:13:53. > :13:58.you. Ola and Robbie! APPLAUSE
:13:58. > :14:06.Who's bad?! Standing ovation in the studio. You nearly took Craig's eye
:14:06. > :14:13.out... With your knee! My nose. got stuck into that paso. Did it
:14:13. > :14:18.feel good? Loved every minute of it. We loved it too. Yeah, come on.
:14:18. > :14:28.wanted more savage is there more to give? Hopefully. We got a whole lot
:14:28. > :14:48.
:14:48. > :14:52.26, and keep thrusting. All right Robbie. Call this number: Call
:14:52. > :14:57.later if you thought Robbie paso was bad, in a good way and you'd
:14:57. > :15:00.like a replay. Tonight has been a white knuckle ride. None of our
:15:00. > :15:04.stars want this week to be the final destination. They'll all need
:15:04. > :15:11.your votes. Wasn't that brilliant. Back to you Bruce.
:15:11. > :15:18.Our next couple is Anita Dobson and her partner, Robin.
:15:18. > :15:23.So many lovely couples in this show. Anita, she's done dramatic scenes
:15:23. > :15:26.on television, dramatic scenes in theatre, even dramatic scenes in
:15:26. > :15:29.Shakespeare. That's the last thing we need this week, another drama
:15:30. > :15:39.queen. Don't want to mention any names,
:15:39. > :15:46.but follow my eyes. Here they are in training.
:15:46. > :15:50.Last week I wasn't really feeling the -- that I was improving at the
:15:50. > :15:56.rate I wanted to. I needed a confidence boost. That's what I got.
:15:56. > :16:01.It was sophisticated, classy and you are a consummate pro. After the
:16:01. > :16:07.comments, when I saw an eight come up from Craig, I was so thrilled
:16:07. > :16:11.and shocked. Then when four eights came up, I was ecstatic. You can't
:16:11. > :16:18.quite believe you're getting eights? No, thank you. I'm so happy.
:16:18. > :16:23.I've improved. This week is Hallowe'en week and we are dancing
:16:23. > :16:28.the terrifying tango. I love it, but it's very scary. My challenge
:16:28. > :16:38.this week is to find the character of the devil woman. I'm working
:16:38. > :16:39.
:16:40. > :16:45.really hard to release the devil in me. I really shouldn't, oh, go on
:16:45. > :16:48.skhrats -- Go on! Go for it. Yeah. Nothing scares me about Anita.
:16:48. > :16:55.Though this week is Hallowe'en week and I'm seeing there's a devil
:16:55. > :17:00.inside. I want you to draw a big circle, all the way around. We go
:17:00. > :17:04.again. Are you paying attention, Anita? Yes, of course I am. I've
:17:04. > :17:12.tried really hard all week to get this character right. I hope on the
:17:12. > :17:22.night I can really bring out the devil in me.
:17:22. > :17:23.
:17:23. > :19:17.Apology for the loss of subtitles for 40 seconds
:19:17. > :19:22.CHEERING AND APPLAUSE How about that, Anita, that was, hey! Please
:19:22. > :19:28.don't, you scared me. It was definitely the Queen Vic landlady
:19:28. > :19:32.there for a moment. I really liked it. There was a lot of tango
:19:32. > :19:35.content. You got into hold and went into the dance. You lost a step
:19:35. > :19:42.they called the chase. You lost your timing on that. You know where
:19:42. > :19:46.I mean, don't you? I do. probably don't. But Robin does.
:19:46. > :19:53.Your posture is the weakest thing. You are too vertical. Yeah, it's
:19:53. > :19:57.hard to do. I really enjoyed it. I know that to do a proper tango is
:19:57. > :20:00.far more gruelling and time constraining than just standing
:20:00. > :20:08.side by side and mincing around. So well done.
:20:08. > :20:12.Well done indeed. Alesha? You're a fantastic actress. I loved the
:20:12. > :20:16.drama. You were quite scary out there. She is. You need to spend a
:20:16. > :20:20.bit of time perfecting your hold. Once you master that, it will get
:20:20. > :20:29.you to the next level. Apart from that, you're brilliant. Well done.
:20:29. > :20:32.I never knew you could play so evil. Watch it. Don't trust the scarlet
:20:33. > :20:35.woman with the devil inside. You portray every aspect of your
:20:35. > :20:39.character with every step. It's great to watch. She is right. You
:20:39. > :20:41.have to work on the frame. That will help you a lot to give the
:20:41. > :20:50.correct lines in the dance. Otherwise very good.
:20:50. > :20:53.Absolutely. And Craig? Acting ten, top line three. You need to meet
:20:53. > :20:56.the top line in the middle somewhere. Absolutely, I loved the
:20:56. > :21:03.routine though. I really, really did.
:21:03. > :21:13.Lovely, well done both of you. Anita, off you go then and Robin.
:21:13. > :21:21.
:21:21. > :21:29.Breathe, breathe. How are the nerve that's week? Ooohhhh... I know
:21:29. > :21:37.you're very nervous. I said "Not as nervous as last week?" She said
:21:37. > :21:47."More nervous." Alesha loved the drama. What do people shout in the
:21:47. > :22:07.
:22:07. > :22:11.street, is it still Angie? They go Another great score. OK, call later
:22:11. > :22:15.if you think Anita's tango was devilishly good and you'd love to
:22:15. > :22:18.see her back in the ballroom for more. Remember all of our couples
:22:18. > :22:23.need your votes. One couple will be leaving in tomorrow night's results
:22:23. > :22:29.show. Time now for our next couple Lulu
:22:29. > :22:35.and her partner, Brendan. APPLAUSE
:22:35. > :22:44.Now she was riding high last week with the samba. But can she take
:22:44. > :22:49.off with the paso doble? Let's find out. Here they are in training.
:22:49. > :22:53.Last week Lulu was determined to break the curse of the samba.
:22:53. > :23:01.the one dance I always get kicked out of Strictly on. Ti, was a bit
:23:01. > :23:06.repetitious. Brendan took that to heart a bit. Repetitive in what way.
:23:06. > :23:10.We had promenade runs, whisks, walks, locks... It's hard not to
:23:10. > :23:17.take it personally. I would have liked a little bit more content.
:23:17. > :23:27.You're telling me there's a lack of content? Six. Come on, it wasn't
:23:27. > :23:29.
:23:29. > :23:34.In my routine I'm channelling a bat from hell.
:23:34. > :23:40.# Like a bat out of hell... # After last week Lulu wanted more
:23:40. > :23:44.excitement. Can I wear a big bat dress. I hope I'm bringing that
:23:44. > :23:49.everything I've thrown at her. quite a lot to think about.
:23:49. > :23:58.wants a challenge, I think I've given her a challenge. Pull tight.
:23:58. > :24:03.I'm going to learn how to fly. Oh, no, it feels really horrible.
:24:03. > :24:08.That's more like it. I don't know if I'm going to be terrified or
:24:08. > :24:18.just have the best time. It is time to fly. I'm going for the first -
:24:18. > :24:18.
:24:18. > :26:19.Apology for the loss of subtitles for 40 seconds
:26:19. > :26:24.terrified. Nice one Lu. Fantastic. CHEERING AND APPLAUSE Come back
:26:24. > :26:30.here! Brendan, well done, the pair of you.
:26:30. > :26:38.I tell you, absolutely... APPLAUSE
:26:38. > :26:42.Here they are. Look at this Lulu! CHEERING AND APPLAUSE Absolutely. A
:26:42. > :26:50.standing ovation. Well done. You are brave.
:26:50. > :26:56.You really are. Made Craig lock a bit silly, didn't it? -- look.
:26:56. > :26:59.Bruno? I tell you, you handled all those tricks with great panache.
:26:59. > :27:02.Another thing, you didn't go wrong tonight. I counted all the way
:27:02. > :27:07.through, I thought, oh, she's going to lose it. She's going to lose it.
:27:07. > :27:13.You didn't lose it! You did it well. You were strong and you were
:27:13. > :27:17.powerful. All right then. Let's see what Craig thought. I'm quite
:27:17. > :27:20.partial to a bit of flying myself actually.
:27:20. > :27:25.I thought the concept was absolutely great, Brendan,
:27:25. > :27:31.fantastic work. I loved that exit. Really theatrical. Just when you're
:27:31. > :27:35.in hold, I felt it was a battle for spremcy. I felt like you were just
:27:35. > :27:39.trying to, you were always catching up to Brendan. That's the paso
:27:39. > :27:46.doble, that's the idea. The fight and the cape. Not running and
:27:46. > :27:56.trying to catch up, Bruno. Oh, God. I loved it. All right, Len is
:27:56. > :28:00.looking pen sieve. Lots of tricks and quite a few treats. Now you
:28:00. > :28:05.know what the problem is, you're a little bit soft in the body. And
:28:05. > :28:09.Brendan is trying to lead you in the chassis capes and you're too
:28:09. > :28:19.willowy. He can't use it. It's all about reaction and action. That was
:28:19. > :28:19.
:28:19. > :28:23.missing. But what entertainment, I loved it! Exactly. And Alesha.
:28:23. > :28:27.amazing entrance. I love your determination. It was a really
:28:27. > :28:31.brave attempt. You should be proud this week. You did a good job.
:28:31. > :28:35.Really, really good job. And you're still my favourite. I'm still your
:28:36. > :28:45.favourite? Go on. And Brendan as well. Off you go!
:28:46. > :28:50.
:28:50. > :28:58.You took off there. I was flying. You were. Did you enjoy the view?
:28:58. > :29:02.loved it up there. We all want a go now. Can I just say, wardrobe, the
:29:02. > :29:06.flyers, the crew getting on and off, they've done a phenomenal job.
:29:06. > :29:13.APPLAUSE Pulled out all the stops tonight.
:29:13. > :29:18.Fair point. ( Lulu, Bruno said you didn't go wrong. How much of a
:29:18. > :29:22.relief was that? I prayed all week for that, just to hear Bruno say
:29:22. > :29:32.those words. Your prayers were answered. Craig loved it. Let's
:29:32. > :29:46.
:29:46. > :29:52.hope your prayers are answered when 29! You're flying high Lulu, well
:29:52. > :29:56.done. We'll take it. Call when the phone lines open later if you want
:29:56. > :30:02.Lulu to take the highway back to the ballroom next week. We've got
:30:02. > :30:05.one more treat to enjoy and what a treat.
:30:05. > :30:12.Finally tonight it's Jason Donovan and his partner Kristina.
:30:12. > :30:16.CHEERING A popular young man. Very popular.
:30:16. > :30:22.Now Jason told me today that he once saw a ghost during a trip to
:30:22. > :30:26.London. I said "Oh, whereabouts?" He said the bloody tower. I said
:30:26. > :30:33.all right, I only bloomin' asked. It's hard to believe he's
:30:33. > :30:38.Australian sometimes. Any way, here they are in training.
:30:38. > :30:43.Last Saturday, I think the comments were justified. You tried to make a
:30:44. > :30:48.big meal out of this paso. And you got indigestion. Did I find it
:30:48. > :30:52.difficult? Yes. Does it stress me out? Yes. You've got to enjoy each
:30:52. > :30:57.week because this week might be my last week.
:30:57. > :31:01.This week we're dancing the quickstep. My fault. It's quick and
:31:01. > :31:11.it's tough. I need a break. I need five minutes, babe. Babe, do you
:31:11. > :31:13.
:31:13. > :31:20.mind if I have five minutes? Jason... Jason, I'm the ghost of
:31:20. > :31:30.Strictly past. I have words of wisdom for you. It is not necessary
:31:30. > :31:31.
:31:31. > :31:35.to show your chest hair. OK. You're not Crocodile Dundee. Jason? Jason.
:31:35. > :31:44.Katya. I'm the ghost of Strictly present. I bring even wiser words
:31:44. > :31:50.of wisdom. Dance every dance as if it were your last. I should know.
:31:50. > :31:57.OK Katya. Jason, hey Jason... I'm the ghost of Strictly yet to come,
:31:57. > :32:04.Kristina deserves to have a fighter this year otherwise you'll have me
:32:04. > :32:13.to answer to. Oh, yes Sir. Jason, wake up. You look like you've seen
:32:13. > :32:23.a ghost. Funny you should say that. Hey Joe, are you all right? Oh, God.
:32:23. > :32:23.
:32:23. > :34:03.Apology for the loss of subtitles for 40 seconds
:34:03. > :34:07.APPLAUSE How about them! Kristina and Jason,
:34:07. > :34:16.look at that. You should be very proud. A
:34:16. > :34:26.beautiful number. What a finish to the show. It's absolutely wonderful.
:34:26. > :34:27.
:34:27. > :34:33.Wonderful. All right then, now then, Craig? Stone the flamin crows mate.
:34:33. > :34:42.Terrible accent, I've really lost it. I thought that was absolutely
:34:42. > :34:47.fab-u-lus! However... Oh. There were a couple of mistakes.
:34:47. > :34:51.spotted it yeah. It would have been perfect are otherwise. So what, you
:34:51. > :34:55.made a tiny mistake. Some of them have had a tango and they haven't
:34:55. > :35:00.even done a tango. He's done a little mistake and you're picking
:35:00. > :35:05.on him. Let me reiterate what Brendan said, the make up, the hair,
:35:05. > :35:08.the costume people, the production has been fantastic and as far as
:35:08. > :35:14.I'm concerned, you have been fantastic as well. Last week you
:35:14. > :35:18.took a dip. You're back! Well done. CHEERING
:35:18. > :35:22.Back where you belong. You're right the production has been wonderful
:35:22. > :35:26.tonight. Alesha? It was so cute. You were charming throughout. It
:35:26. > :35:31.was interesting, brilliant routine. Well done Jason.
:35:31. > :35:38.Loved the number. Choice of number was marvellous. Kristina, you did a
:35:38. > :35:42.good job. Bruno? Bewitchingly brilliant and slightly barmyi. I
:35:42. > :35:47.liked that you put in great concept, great choreography, you're back on
:35:47. > :35:57.track. Well I can't add to it. Off you go.
:35:57. > :35:58.
:35:58. > :36:02.Go on. Climb those stairs or fly up. Yes. Here he is. The king of the
:36:02. > :36:06.quickstep. Len says you're back, that must feel good. There were a
:36:06. > :36:10.few mistakes there, but I have to say I had a chat to Harry before
:36:10. > :36:14.about counting and I really sort of got that stuck in my head. I think
:36:14. > :36:19.it helped me out a lot. Centre. There was a bit of a wrong
:36:20. > :36:25.direction in my spin I think. But that's life, noi. Nobody noticed.
:36:25. > :36:30.That's the longest standing ovation so far this series. He's a
:36:30. > :36:34.perfectist. May we see the nose wiggle one more time. That deserves
:36:34. > :36:38.a score all by itself. Will you be trick or treating this weekend?
:36:38. > :36:42.With the kids, yeah on Monday. Once I relax from the quickstep, I think.
:36:43. > :36:46.You might want to keep the make up on. Yes! I have to say, I look
:36:46. > :36:49.rather scary. And that's a good thing. If you're still in the
:36:49. > :36:55.competition, what treat have you got in store next weekend? Next
:36:55. > :36:59.week is the rumba. Are we allowed to say that? I think we are. That's
:36:59. > :37:09.scary. Is it scary! We'll get there. I look forward to it. The scores
:37:09. > :37:24.
:37:24. > :37:31.37 out of 40! Congratulations. That's our biggest score of the
:37:31. > :37:37.series. Thank you so much. Wow. Really well done. The number to
:37:37. > :37:41.call for Jason and Kristina: When lines open shortly, if Jason's
:37:41. > :37:48.performance bewitched you and you want him back next week. How does
:37:48. > :37:51.that sound to you? Yes. I'm speechless. Thank you. All our
:37:51. > :38:01.couples have brought us bone rattling ballroom to die for. Have
:38:01. > :38:11.
:38:11. > :38:21.you had fun? Yes! We've loved it. Remember, you could change all that.
:38:21. > :38:30.
:38:30. > :38:33.Lines close at 8.45pm. Voting details can be found at
:38:33. > :38:38.bbc.co.uk/strictly. Russell is kissing everybody. He's just
:38:38. > :38:48.spreading the love. To help you decide who gets your vote, here's a
:38:48. > :38:48.
:38:48. > :42:08.Apology for the loss of subtitles for 40 seconds
:42:08. > :42:13.reminder of tonight's gruesome Well I hope you'll agree that our
:42:14. > :42:16.Hallowe'en special has been a scream. Sadly for a couple with the
:42:16. > :42:20.lowest combined score will get the chop from the competition. Make
:42:20. > :42:24.sure you pick up the phone. Your votes can and do change everything.
:42:24. > :42:28.Nobody in this competition is safe without you. Your stars need you.
:42:28. > :42:34.Yes. In the results show tomorrow at 7.25pm, Tess and Claudia will
:42:34. > :42:39.say goodbye to our fourth couple. I'll be back in the ballroom at