:01:03. > :01:13.It's a spooky Hallowe'en special. It's Strictly Come Dancing: the
:01:13. > :01:29.
:01:29. > :01:32.Results. # I'm just an average man with an
:01:32. > :01:35.average life # I work from 9.00 to 5.00
:01:35. > :01:39.# Hey, hell # I pay the price
:01:39. > :01:43.# All I want to do # Is be left alone
:01:43. > :01:46.# But why do # I always feel like
:01:46. > :01:49.# I'm in the Twilight Zone # I always feel like somebody's
:01:49. > :01:52.watching me # And I have no privacy
:01:52. > :02:00.# I always feel like # Somebody's watching me
:02:00. > :02:04.# Tell me, is it just a dream? # When I come home at night
:02:04. > :02:09.# I close the toor real tight # People call me on the phone
:02:09. > :02:15.# I'm trying to avoid # But can the people on TV see me?
:02:15. > :02:17.# Or am I just paranoid? # I always feel like somebody's
:02:17. > :02:21.watching me # And I have no privacy
:02:21. > :02:31.# Whoa, Whoa, Whoa # I always feel like
:02:31. > :03:00.
:03:00. > :03:04.# Somebody's watching me # I don't know anymore. Are the
:03:04. > :03:07.neighbours watching me # Well, is the mailman watching me?
:03:07. > :03:12.# Tell me - # And I don't feel safe anymore
:03:12. > :03:14.# What a mess # I wonder who is watching me now
:03:14. > :03:18.# The IRS? # I always feel like
:03:18. > :03:23.# Somebody's watching me # And I have no privacy
:03:23. > :03:25.# Whoa, Whoa, Whoa shot I always feel like somebody's watching me
:03:25. > :03:35.# Tell me # Is it just a dream?
:03:35. > :03:44.
:03:44. > :03:49.Hang on a minute. This is not right. That's better. Back where you
:03:49. > :03:52.belong. So a spooky start to Sunday's Strictly Hallowe'en
:03:52. > :03:56.results. Your scores have been combined with the judge's, and
:03:56. > :04:01.tonight, Hallowe'en will claim its next victim.
:04:01. > :04:05.(Evil laugh) But first, let's say hello to the people who make the
:04:05. > :04:09.Addams Family look positively normal. It's our judges.
:04:09. > :04:14.APPLAUSE There they go. Is the broomstick in
:04:14. > :04:18.for an MOT tonight, Craig? absolutely. I am getting one built
:04:18. > :04:23.especially for my home. It's in the garage, darling. Absolutely. We'll
:04:23. > :04:27.hear for them in a little while, but first, let's see what tricks or
:04:27. > :04:33.treats are in store tonight with our Claudia. Thank you. It's treats
:04:33. > :04:38.all around tonight. We have a special performance from the
:04:39. > :04:46.devilishly handsome boy band The Wanted, plus, more spell-binding
:04:46. > :04:56.slow-mo from Len's lens. First, though, let's hop onboard the ghost
:04:56. > :04:58.
:04:58. > :05:08.train - choo-choo - destination, Saturday night.
:05:08. > :05:12.
:05:12. > :05:18.(Playing: Theme song to the Addams It was a marvellous evening, magic
:05:18. > :05:26.- magic. I am saying magic. There you are. Don't worry about the X
:05:27. > :05:30.Factor. You've got the feel-good factor. You have turned Hayleigh
:05:30. > :05:35.Mason into camp heaven. Unfortunately, you went wrong one
:05:35. > :05:40.too many times. I feel I could have done it much, much better. Onwards
:05:40. > :05:45.and upwards, they say. You coped with the wardrobe malfunction well,
:05:45. > :05:52.though it did throw you. That's why it was a bit of a mess towards the
:05:52. > :05:58.end. It's OK. You have nothing to cry about, my darling. You covered
:05:58. > :06:07.that so well. You should be proud of yourself. You handled that well.
:06:07. > :06:11.It's all right. No. That was fun, fun, fun. You're completely and
:06:11. > :06:18.utterly physically unsuited for this, I am afraid. The judges were
:06:18. > :06:23.tough on me this week. Great smile, personality, terrible footwork. If
:06:23. > :06:30.you look down at my feet, you ain't going to be happy! Five! I think
:06:30. > :06:35.you played that extremely well. Woo-hoo! Haunting, voluptuous with
:06:35. > :06:44.a hint of madness. Give me a kiss.
:06:44. > :06:51.LAUGHTER When I heard Holly was going to do
:06:51. > :07:01.Swan Lake, I thought this was going to be a disastrous. But what a
:07:01. > :07:02.
:07:02. > :07:08.number. It was terrific. Nine. is my favourite Hallowe'en so far.
:07:08. > :07:12.I have to be honest - you're a walking disaster. I am getting a
:07:12. > :07:20.little bit bored of that lift now. It was not my idea. Oh! I think it
:07:20. > :07:28.is fair - they are too hot, definitely. Four! You're too cool
:07:28. > :07:36.for school. I can't say I agree with you. I agree. He is without
:07:36. > :07:40.doubt, one of the best male-born dancers I have seen, ever!
:07:40. > :07:46.# Bad! # You really, really went for it, so well done. I felt like
:07:46. > :07:51.you had to lead a little bit more. Your hands were on occasion like
:07:51. > :07:58.soup ladles, darling. Four. He's not marking it right in my opinion.
:07:59. > :08:06.It's not a four. Come on, baby. Don't be upset. I am. Gutted.
:08:06. > :08:14.# She's just a devil woman! # Fantastic actress, Anita. You were
:08:14. > :08:20.quite scary out there. I never knew you could play so evil. She's going
:08:20. > :08:26.to get you at the end! Love it, love it, love it.
:08:26. > :08:32.# Highway to hell # I'm quite partial to the flying
:08:32. > :08:36.myself, actually. What Lulu lacked in technique she truly made up for
:08:36. > :08:41.in entertainment. I am proud of what we did tonight. It was fun.
:08:41. > :08:44.There's a new moon out tonight, and I flew right through it.
:08:44. > :08:53.# You wish # You wish #
:08:53. > :09:03.I thought that was absolutely fab- u-lous. Last week you took a dip.
:09:03. > :09:05.
:09:05. > :09:09.You're back. Well done. Woo-hoo! Nine. Nine. Nine. 10. 10! Yeah!
:09:10. > :09:19.had the good, the bad and the ugly, and I loved it - what fun. What
:09:19. > :09:29.enjoyment. Who will survive Hallowe'en's horrors, and who faces
:09:29. > :09:38.
:09:38. > :09:48.couple safe tonight is: Lulu and Brendan.
:09:48. > :10:13.
:10:13. > :10:23.James. Well done. Back in the ballroom next Saturday are: Jason
:10:23. > :10:55.
:10:55. > :11:05.and Kristina. show are: Chelsee and Pasha.
:11:05. > :11:07.
:11:07. > :11:17.And now in the bottom two tonight and in danger of leaving the
:11:17. > :11:21.
:11:21. > :11:26.competition are: Audley and Natalie. The rest of you
:11:26. > :11:31.will have to wait to discover your fate.
:11:31. > :11:36.Len, the jive is a tough dance for big guys. I mean, you said that
:11:36. > :11:40.Audley had rhythm. He had timing are you disappointed to see him in
:11:40. > :11:46.the bottom two? I am disappointed, but I had a feeling he might be
:11:46. > :11:51.because he's got size 17 feet. He's 6'6" or whatever, and the jive is
:11:51. > :11:54.all about being compact and sharp and fast. You know, it's a shame
:11:54. > :11:57.because this competition quite often is about getting the wrong
:11:57. > :12:02.dance at the wrong week, and I think that's what happened for
:12:02. > :12:07.Audley. Last week his foxtrot I thought was beautiful, and he's had
:12:07. > :12:11.to do a jive which didn't suit him, and I am sorry, but I had a feeling
:12:11. > :12:16.it may be. Thank you very much. Will he live to fight another day?
:12:16. > :12:21.Over to you, Claudia. Thank you very much, Tess. I have five safe,
:12:21. > :12:27.joyful couples. There is joy in the room. Alex, congratulations. Last
:12:27. > :12:34.week, grumpy Craig, sexless. This week he found it erotic. Are you
:12:34. > :12:43.delighted or ever so slightly alarmed? No, delighted. He said
:12:43. > :12:49.that. I was just worried it was going to come to an end. We dusted
:12:49. > :12:55.ourselves off. It was a break- through week he said. Do you feel
:12:55. > :13:01.like that? Yeah. Your eyelashs are amazing. You flew. How do you feel?
:13:01. > :13:05.You must be still on cloud nine. am still flying. They said the
:13:05. > :13:10.choreography was brilliant. They loved it. Brendan did a great job,
:13:10. > :13:17.and I loved flying. You were so brilliant, and then you were in
:13:17. > :13:21.tears. I wanted to jump through the telly. I feel a bit daft now.
:13:21. > :13:24.be silly. Did you think there had been a gift? What do you think
:13:24. > :13:32.happened? I don't want to say gift. Do you know what, it has been
:13:32. > :13:34.really hard this week. I was a bit nervous about coming on. OK. Well,
:13:35. > :13:39.you were absolutely brilliant, absolutely brilliant, and you're
:13:39. > :13:44.going to love this. There is something to sink your fans into
:13:44. > :13:49.now. They're Britain's hottest boy band who in one year have taken the
:13:49. > :13:59.world by storm. Here with their exclusive performance of their
:13:59. > :14:13.
:14:13. > :14:16.brand new single Lightning, please welcome The Wanted.
:14:16. > :14:18.# You're in control # Pressing pause on my heartbeat
:14:18. > :14:21.# Someone stole all the air # So I can't speak
:14:21. > :14:23.# Now I know # The chase is on
:14:23. > :14:27.# I feel as though # My time has come
:14:27. > :14:31.# How many times do I fly through your head space?
:14:31. > :14:41.# Now it's speeding away from the safe place
:14:41. > :14:43.# Yeah, your skin # Your touch
:14:43. > :14:46.# The kiss # You rush too much
:14:46. > :14:49.# And here it comes # When your lips touch mine
:14:49. > :14:52.# It's the kiss of life # I know
:14:53. > :14:56.# I know that it's a little bit frightening
:14:56. > :15:04.# We might as well be playing with lightning.
:15:04. > :15:07.# We touch like # Like it's out first time
:15:07. > :15:11.# Oh, oh # I know it's a light frightening
:15:11. > :15:16.# We might as well be playing with lightning now
:15:16. > :15:20.# Oh, oh # Just you and me and the coats in
:15:20. > :15:22.the back room # Learning things they don't teach
:15:22. > :15:27.in the classroom # Now you're here
:15:27. > :15:31.# I feel the fear # Now everything is oh, so clear
:15:31. > :15:35.# I have been addicted to you since the first hit
:15:35. > :15:40.# Out of control like a surge of electric
:15:40. > :15:48.# Yeah, your skin, your touch # The kiss
:15:48. > :15:52.# The rush so much # And here it comes
:15:52. > :15:54.# When your lips touch mine # It's the kiss of life
:15:54. > :15:57.# I know it's a little bit frightening
:15:57. > :16:02.# We might as well be playing with lightning
:16:02. > :16:06.# We touch like # Like it's our first time
:16:06. > :16:12.# Oh, oh # I know it's a little bit
:16:12. > :16:14.frightening # We might as well be playing with
:16:14. > :16:22.lightning # Now...
:16:22. > :16:31.# Oh, oh # Oh, oh oh, oh
:16:31. > :16:33.# Oh, oh # Your skin
:16:33. > :16:35.# The touch # The kiss
:16:35. > :16:36.# Too much # Your skin
:16:37. > :16:38.# The touch # The kiss
:16:39. > :16:42.# The rush # Your skin
:16:42. > :16:49.# The touch # The kiss too much
:16:49. > :16:51.# The rush # When your lips touch mine
:16:51. > :16:54.# It's the kiss of life # I know
:16:54. > :16:59.# I know that it's a little bit frightening
:16:59. > :17:09.# We might as well be playing with lightning
:17:09. > :17:10.
:17:10. > :17:13.# We touch like # Like it's our first time
:17:13. > :17:16.# Oh, oh # I know it's a little bit
:17:16. > :17:17.frightening # We might as well be playing with
:17:17. > :17:27.lightning now # Oh, oh #
:17:27. > :17:34.Amazing. Now it's time to please welcome the judges.
:17:34. > :17:40.APPLAUSE Now, of course, we could not do
:17:40. > :17:45.this section alone. We need to be joined by... Len's lens.
:17:45. > :17:50.(Evil laugh) Right? Scary. This is where we look
:17:50. > :17:55.at the real details. Look how beautifuls that, and you can
:17:55. > :18:00.dissect certain movements. First off, we've got a surprise clip for
:18:00. > :18:07.you, Len, because Kristina put a spell on Jason. She put a spell on
:18:07. > :18:11.you. You're going to love this. Here we go. Look. Look. I was
:18:11. > :18:15.practising - I was practising that Bewitched, and I wasn't sure I
:18:15. > :18:19.could wiggle my nose and then go wiggle, wiggle, wiggle, then
:18:19. > :18:23.whatever the score was. I couldn't do it. Can I just say something -
:18:24. > :18:29.we have all had a little practising. You did it for 14 seconds. Yeah,
:18:29. > :18:34.well, I am a perfectionist. I thought, this is ridiculous. I've
:18:34. > :18:38.got quite a big bugle. This will work. Unfortunately, no. I had to
:18:38. > :18:43.give up. Alex and James, you loved them. Let's just have a look at
:18:43. > :18:48.this clip in slow-mo. Here she is - so beautiful. Do you know what I
:18:48. > :18:52.like? Last week she got a bit of a hammering, and I'm sure she has
:18:52. > :18:56.come back this week - her nerves were a little bit jangled, but she
:18:57. > :19:06.had the confidence to come out and perform on her own. That's one of
:19:06. > :19:16.the keys. You have to risk it if you want the biscuit. Full on Kate
:19:16. > :19:16.
:19:16. > :19:21.Bush - Ka-ba-bush - ya-ya. It was like Kate Bush was here. It's
:19:21. > :19:25.uncanny. We have a surprise clip for you because always this believe
:19:25. > :19:32.face, serene, adorable, just smiling, willing them on, then this.
:19:32. > :19:39.Hold on. Here we go. LAUGHTER
:19:39. > :19:43.A trick, and then a treat! Let's talk about holly and Artem. You
:19:43. > :19:47.loved them. The audience went nuts. Here is the clip. They do this
:19:47. > :19:51.amazing spin. Talk us through it. What I loved about it is it wasn't
:19:51. > :19:56.conventional. It was really unique, and I think Holly stepped up her
:19:57. > :20:00.game this week. Artem is so clever. It was my favourite concept. What
:20:00. > :20:05.was lovely is it was really effortless. There was no straining
:20:05. > :20:10.in his face. It just flowed. It was lovely. I don't want to be
:20:10. > :20:17.pernickety, but why didn't that get a ten? Not enough content for me -
:20:17. > :20:21.not enough foxtrot. I loved the spin. I just felt like it went on
:20:21. > :20:25.too long. There were some ballet-ic steps that were cleverly put
:20:25. > :20:29.together. It's stunning, what he did, but because there is some
:20:29. > :20:34.attitude - purely from a ballet point of view, they weren't quite
:20:34. > :20:40.there, but overall... I had to ask. I was at home shouting ten to
:20:40. > :20:45.myself! Craig, we have a fantastic clip of you. This is the brilliant
:20:45. > :20:55.Robbie Savage jumping on your desk. Your face and Len's face were
:20:55. > :20:55.
:20:55. > :21:05.fantastic. Look at you, Craig. LAUGHTER
:21:05. > :21:06.
:21:06. > :21:13.Len loves it. Oh, look. LAUGHTER
:21:13. > :21:17.Bruno, let me talk to you about the musical performances - Audley on
:21:17. > :21:23.the piano, then Russell playing the bong oh, I believe. Let's have a
:21:23. > :21:28.look. Both of them doing it with gusto. Going for it - the belly
:21:28. > :21:35.bong oh - give it to me, honey! They were not the best dancers, but
:21:35. > :21:41.they got the spirit of it. Look at him! I was born this way - go for
:21:41. > :21:45.it! The thing I have to say overall - everybody really had wonderful
:21:45. > :21:49.concepts. They may not have been technically perfect, some of them,
:21:49. > :21:55.but overall, they all really embraced the spirit of the night on
:21:55. > :21:59.Saturday. It was brilliant. The dancers, the celebrities - they did
:21:59. > :22:03.a fantastic - I have enjoyed it enormously. Obviously, we have to
:22:03. > :22:07.score. We have to do our job, but as a member of the public, I
:22:07. > :22:11.thought they were stunning, all of them, regardless of the scores.
:22:11. > :22:16.Everyone is totally agreeing with you. We can never end this item.
:22:16. > :22:26.Even if we do this in four years' time, I'm still going to show him.
:22:26. > :22:26.
:22:27. > :22:33.Look at him move that tail. That's the best costume I have ever seen.
:22:33. > :22:37.There it is. Look at that face. Somewhere between Hell Boy and Hell
:22:37. > :22:43.Girl. He was brilliant. Guys, thank you very much. Let's hear it for
:22:43. > :22:49.Now the dreaded red light is about to be switched on again, but who
:22:49. > :22:59.will be under it? Back to you, Tess. Thanks, Claudia. Five couples left,
:22:59. > :23:02.
:23:02. > :23:12.but who's safe, and who is in In no particular order surviving
:23:12. > :23:32.
:23:32. > :23:42.Dancing again next Saturday are: Russell and Flavio. Thank you.
:23:42. > :23:55.
:23:55. > :24:02.Thank you. Safe for another week are: Harry and Aliona Vilani.
:24:02. > :24:05.So that means Robbie and Ola and Nancy and Anton, one of you is safe,
:24:05. > :24:15.one in the bottom two. I can reveal the couple in the bottom two
:24:15. > :24:17.
:24:17. > :24:19.tonight is: Nancy and Anton. So Robbie and Ola,
:24:19. > :24:25.congratulations. You're through to next Saturday.
:24:25. > :24:29.APPLAUSE So Bruno, this is Nancy's third
:24:29. > :24:34.time in the bottom two. Do you think it's her time to go? Well,
:24:34. > :24:38.listen - there is one thing I have to explain - she's been in the
:24:38. > :24:42.bottom two three times, saved by the nation three times. I do
:24:42. > :24:45.understand the appeal. In a perverse way somebody so beautiful
:24:45. > :24:49.but yet so clueless on the dancefloor makes this almost like
:24:49. > :24:51.must-see television. I want to see her again. Can she get any worse? I
:24:51. > :24:56.have no idea. LAUGHTER
:24:56. > :25:03.No, but it still is wonderful to see because she goes for it - badly
:25:03. > :25:09.- but she goes for it! Will it be a case of third time unlucky? We'll
:25:09. > :25:13.have to see. Over to you, Claudia. Thank you, Tess. Here with a
:25:13. > :25:23.bewitching American smooth guaranteeed to make your toes tap
:25:23. > :25:23.
:25:23. > :28:06.Apology for the loss of subtitles for 162 seconds
:28:06. > :28:10.and spine a tingle, please welcome two couples are here. I am so sorry,
:28:10. > :28:14.Audley. The judges said the jive is just a very difficult dance. If you
:28:14. > :28:17.stay another week, have you got better dances in you, do you think?
:28:17. > :28:24.Definitely. I think the ballroom dances are more suitable to me, but
:28:24. > :28:29.I tried, but - I gave it my all, but that dance is a real tough
:28:29. > :28:33.dance to master especially someone my size and my small feet. Yes,
:28:33. > :28:39.let's not mention the feet ever again. Nancy, we keep meeting like
:28:39. > :28:49.this. Yes. Is the rumba the final nail in the coffin, do you think? I
:28:49. > :28:49.
:28:49. > :28:57.feel bad asking - but I had to. ask. No. OK. Fantastic! You enjoyed
:28:57. > :29:01.it, though? To be in a coffin? dance. I do enjoy it, but I need to
:29:01. > :29:04.watch it again because I think definitely the judge is being too
:29:04. > :29:13.mean to us definitely, but I definitely will watch it and see.
:29:13. > :29:18.OK. All right. If I enjoy it, I did. Brilliant. And with that, we are
:29:18. > :29:22.done. Either Audley or Nancy are about to bid goodbye to Strictly.
:29:22. > :29:31.Here's what we'll miss. It is already my third time in the bottom
:29:31. > :29:35.two. You never want to surrender. The thing is nothing make you more
:29:35. > :29:42.happy when people are laughing with you. I can't ask for more. I want
:29:42. > :29:47.to keep going. I still have a lot of energies to carry on. The best
:29:47. > :29:52.thing about being part of Strictly is that I get to dance every single
:29:52. > :29:56.day. Wow. It doesn't even feel like I'm working. I'm having so much fun.
:29:56. > :30:06.I've danced. I am losing weight. But there's a lot more to come from
:30:06. > :30:13.
:30:13. > :30:23.Audley Harrison. Twinkle toes is competition for good - the moment
:30:23. > :30:27.
:30:27. > :30:31.of truth. Audley, Craig said heavy, flat-footed and cumbersome. Nancy,
:30:31. > :30:41.Alesha said you should have stayed in the coffin. But did the public
:30:41. > :30:45.
:30:45. > :30:55.agree? I can now reveal that the couple leaving tonight is: Nancy
:30:55. > :30:57.
:30:57. > :31:02.and Anton. It's OK. That means Audley and Natalie, we'll see you
:31:02. > :31:08.next week. Nancy and Anton, please come and join me. As we said
:31:08. > :31:11.earlier, never a dull moment. What will you miss most about Strictly?
:31:11. > :31:17.Let me think about it! LAUGHTER
:31:17. > :31:25.I will miss many moments, of course. It has been so a full-on experience
:31:25. > :31:30.that we - sorry. Give it to me. Wardrobe malfunction - we don't
:31:30. > :31:36.need anymore! Exactly. It's another one. Well, of course it's difficult
:31:36. > :31:43.to say now, but of course I'll miss a lot. It was a lot of fun, and I
:31:43. > :31:47.learned dancing - partly, even though the judges don't agree.
:31:47. > :31:52.Anton, what would you like to say to Nancy? I tell you what I'm going
:31:52. > :31:58.to miss the most. I'm just going to miss Nancy. I'm going to miss you.
:31:58. > :32:08.You are a superstar. You are absolutely lovely. Thank you very
:32:08. > :32:08.
:32:08. > :32:14.much, Anton. I have had the most lovely time. Off you go. I'm so
:32:14. > :32:19.sorry. Ladies and gentlemen, Nancy and Anton. Before we go, it's a sad
:32:19. > :32:23.goodbye to another couple. It Takes Two is at 6.30 on BBC Two. If you
:32:23. > :32:28.can't wait until then for your next ballroom fix, head to our website.
:32:28. > :32:35.We'll be back at 6.25pm next Saturday. Len won't be here next