:00:16. > :00:24.Last weekend, the nation sunk its teeth into a Hallowe'en spook
:00:24. > :00:34.tacular. And from the shadows came a witch, a bat - Lots of tricks and
:00:34. > :00:44.quite a few treats. Not forgetting a devil in disguise. Once again we
:00:44. > :00:46.
:00:46. > :00:52.were be witched. It was the final nail in the vamp's coffin. This
:00:52. > :01:00.week, expect fire works. Burning ballroom questions must be answered.
:01:00. > :01:04.Do you trust me? Who will provide the gun powder? Who will lose the
:01:04. > :01:14.plot? And who is sitting in Len's chair?
:01:14. > :01:16.
:01:16. > :01:26.4 Light the fuse, stand well back... It promises to the dynamite.
:01:26. > :01:26.
:01:26. > :02:09.Apology for the loss of subtitles for 43 seconds
:02:09. > :02:19.From Television Centre, please welcome your hosts, Sir bruce
:02:19. > :02:36.
:02:36. > :02:42.What a great crowd! Thank you. Hold on, hold on, don't
:02:42. > :02:47.just stand there, sit down! Good evening ladies, gentlemen and
:02:47. > :02:52.children. Welcome to Strictly Come Dancing it's nice to see you, to
:02:52. > :02:59.see you....AUDIENCE: Nice. And it's nice to see you as ever. Are you
:02:59. > :03:05.looking forward to Bonfire Night? No, they've asked me to light the
:03:05. > :03:13.fire works. Don't laugh. Are you scared of the explosions? Nigh no.
:03:13. > :03:21.What then? Well, they say, "Light the blue touch paper then retire!"
:03:22. > :03:30.What are you laughing at? I've said so many times, so many times I'm
:03:30. > :03:39.not going to retire. I'm going to keep going until I'm found out.
:03:39. > :03:44.Quite right too. Our ten remaining couples are ready to light up this
:03:44. > :03:51.dance floor with explosive routines. But sadly, the fifth couple will
:03:51. > :04:01.have to leave the competition. Which will shine brightest tonight.
:04:01. > :04:01.
:04:01. > :04:09.Shall we light the...the fuse! You'll never puff a candle out.
:04:09. > :04:15.It's all right lit. Any way, it ace time to meet the stars of our show.
:04:15. > :04:25.Astrologer to the stars, Russell Grant and his partner, Flavia
:04:25. > :04:26.
:04:26. > :04:32.Cacace. Singing legend Lulu and her partner Brendan Cole. Waterloo
:04:32. > :04:39.Road's chelsee Healey and her partner Pasha Kovalev, Holly
:04:39. > :04:47.Valance and her partner Artem Chigvintsev, actress and leading
:04:47. > :04:56.lady, Anita Dobson and her partner Robin Windsor. Premier ship's
:04:56. > :05:03.footballer, Robbie Savage and his partner, Ola Jordan.
:05:03. > :05:13.And finally star of stage and screen, Jason Donovan and his part
:05:13. > :05:14.
:05:14. > :05:21.er in Kristina Rihanoff. There they all are!
:05:21. > :05:25.There they all are. By the way, than you for all the money today. I
:05:25. > :05:34.wasn't actually collecting penny for the Guy, I just dozed off in my
:05:34. > :05:41.chair and they started throwing money in my lap! Mind you, I didn't
:05:41. > :05:46.do badly. I made �34 and one Australian dollar. Thanks a bunch,
:05:46. > :05:52.Holly. Tonight our sparkling stars are
:05:52. > :06:00.going to be dancing to impress our judges who will be scoring and then
:06:00. > :06:10.they will be ranked on the leader board. Snu but one couple will be
:06:10. > :06:10.
:06:10. > :06:15.going up in smoke. And Karen Hardy is joined by Martin
:06:15. > :06:25.in the Red button box. Our first couple is Lulu and her
:06:25. > :06:29.
:06:29. > :06:33.partner Brendan. After the show tonight, Lulu has
:06:33. > :06:40.organised a Bonfire Night party for us all. She's in charge of
:06:40. > :06:45.everything, the music, the drinks, the food and she said, "Are you
:06:45. > :06:52.coming Bruce? And I said yes, but will there be a potato in a jacket?
:06:52. > :07:02.And she said, "Oh, yes, Craig has been invited." I didn't mean it, I
:07:02. > :07:02.
:07:02. > :07:06.just read it. Here they are in training.
:07:06. > :07:16.Hallowe'en week was the best Hallowe'en I have ever had in my
:07:16. > :07:18.
:07:18. > :07:23.whole life. As soon as I took off.... Ooooh,
:07:23. > :07:28.everyone's eyes are on you and you'd better get this right. Lots
:07:28. > :07:38.of tricks and quite a few treats. thought the concept was absolutely
:07:38. > :07:44.
:07:44. > :07:48.great. I loved that exit. I loved Highest score so far - come on!
:07:48. > :07:54.The tango is so complicated. have to get your face out there,
:07:54. > :07:58.even though it hurts you for the entire time. I'm going to film
:07:58. > :08:02.Brendan doing all the steps and pictures at home. That's my
:08:02. > :08:07.homework. It's pretty hard not having my
:08:07. > :08:17.partner here to dance with, but I have a pretty good replacement.
:08:17. > :08:19.
:08:19. > :08:24.Let's tango! Do you think I'm doing a good job?
:08:24. > :08:28.Do you want this cup of tea, Brendan? Suit yourself. Last week's
:08:28. > :08:36.points were great and I'd love it to go up this week. What are you
:08:36. > :08:46.looking at! Dancing the tango, Lulu and Brendan
:08:46. > :08:46.
:08:46. > :10:28.Apology for the loss of subtitles for 43 seconds
:10:28. > :10:38.Cole. CHEERS AND APPLAUSE
:10:38. > :10:39.
:10:39. > :10:47.Wonderful, wonderful. Did you like it? I always hover
:10:47. > :10:52.there. Are you going to do that to Oh, lovely. Why should Craig - his
:10:52. > :10:58.luck always changes. I get nothing standing here. Any way, whilst you
:10:58. > :11:04.take a breather and stop kissing me, it's a good time to welcome our
:11:04. > :11:09.fabulous singers, Dave Arch and his wonderful, wonderful orchestra.
:11:09. > :11:16.And, of course, not forgetting our judges. Welcome, welcome, judges. I
:11:16. > :11:26.Now, as Len's on holiday for the week, our guest judge is the star
:11:26. > :11:27.
:11:27. > :11:33.of the film Dirty Dancing, Jennifer Gray.
:11:33. > :11:43.Welcome to Britain. And in the words of the wonderful film, Dirty
:11:43. > :11:46.
:11:46. > :11:53.Dancing, I'd just like to say I hope you have the time of your life.
:11:53. > :11:58.Oh yes, I've been a dirty dancer since I was 60. I can almost attest
:11:58. > :12:04.to that. You're getting a bit cheeky all of a sudden!
:12:04. > :12:11.Welcome, welcome, welcome. I think we're going to start with you,
:12:11. > :12:17.Jennifer. What did you think of that offering? Well, how gorgeous
:12:17. > :12:23.are you? That was phenomenal. I've been looking so forward to seeing
:12:23. > :12:29.you dance and I was not disappointed. And I have just one
:12:29. > :12:35.question; I don't know what they're putting in your porridge, but I
:12:35. > :12:45.want some. I loved it. Obviously there were little slip-ups, but I
:12:45. > :12:46.
:12:46. > :12:53.just loved everything about you. And aleavia, my lovely. - aleavia.
:12:53. > :12:58.Lulu, there's always a little mishap about you, we expect it. But
:12:58. > :13:03.it doesn't throw you. We commend you to that. But half way through
:13:03. > :13:08.the routine you lost that upper strength and I want you to maintain
:13:08. > :13:16.it throughout the whole dance. But you are improving and it was
:13:16. > :13:22.wonderful to watch. Thank you very much. Now then, Bruno. Lulu, you
:13:22. > :13:29.drive me crazy! You started so well, the Queen and mean with the heart
:13:29. > :13:35.of stone, look like he smelled. But then what happened? Oh, gone. And
:13:35. > :13:38.then the frame went. He was dragging you around at the end.
:13:38. > :13:44.You've got to keep your performance going all the way through, because
:13:44. > :13:54.you are able to do it. You did it last week. But this week,
:13:54. > :14:03.somehow....I Have to rehearse more. More hours.
:14:03. > :14:13.Sorry, what was that? Sorry, Bruce, carry on. In Len's absence, by the
:14:13. > :14:14.
:14:14. > :14:24.way, Craig, you are tonight's Head Judge! Sorry about that e Brendan
:14:24. > :14:27.
:14:27. > :14:35.Well, the head and the placement for me was very, very poor. You
:14:35. > :14:42.were looking down an awful lot. I'm sure Brendan has told you about
:14:42. > :14:48.that. And the frame. You keep miming, which is driving me mad.
:14:48. > :14:55.I sometimes say the words. Yes, you need to stop that. But I thought
:14:56. > :15:02.you had a lovely moment up on the bridge, a beautiful ronay, and I
:15:03. > :15:10.loved the routine. Hold on. I'd just like to say on
:15:10. > :15:20.behalf of all the dancers and the celebs it's an absolute honour to
:15:20. > :15:25.
:15:25. > :15:30.have Jennifer on the panel tonight. Yes, Brendan. Well done, Lulu,
:15:30. > :15:36.kicking off our fire works night in style. A few wobbles there. Yes,
:15:36. > :15:43.but it was fun. I enjoyed it. Jennifer loved everything about it.
:15:44. > :15:53.She's coming on leaps and bounds, your girl.. She's getting there.
:15:54. > :16:09.
:16:09. > :16:16.And kissing Craig. It seemed to We'll go with that. Kiss Craig
:16:17. > :16:23.harder next time! What do you think? Call this number:
:16:23. > :16:30.When the phone lines open later on, if you want Lulu to re-light her
:16:30. > :16:40.bonfire next week. How does that sound? It really makes me want to
:16:40. > :16:49.
:16:49. > :16:58.somehow! # Wayyy-yaaaa-a. Fire work night tonight, Lulu has
:16:58. > :17:05.set it all off. Back to you, Bruce Our next couple is Audley Harrison
:17:05. > :17:13.and his partner, Natalie. What a nice guy he is. Audley was
:17:13. > :17:19.telling me that he hates fire work night. I said why? He said, "The
:17:19. > :17:26.rockets get right up my nose." I said" it's your own fault, you
:17:27. > :17:32.shouldn't be so tall !" what a stupid joke! Here they are in
:17:32. > :17:38.training. Last week, I really let my hair down and let myself go.
:17:38. > :17:44.did make a gallant effort, my love. You're completely and utterly
:17:44. > :17:48.unsuited for this dance, but a lovely smile. He's cruising for a
:17:48. > :17:55.bruising. It's the second time I've been in the bottom two. So I take
:17:56. > :18:02.it on the chin like a man. This week, we are doing the Viennese
:18:02. > :18:08.waltz, and OMG it's a tough dance. Viennese waltz is about changing
:18:08. > :18:15.momentum and direction quickly. We have to get him on his feet.
:18:15. > :18:22.judges are coming down tough. And there are strong dancers and strong
:18:22. > :18:31.performers and I really need to get my technique up. I've been idea.
:18:31. > :18:41.What? Let's go old school. We're both competitive and want to
:18:41. > :18:43.
:18:43. > :18:53.do well. One, two, three, two, two, three. I think you're ready.
:18:53. > :18:55.
:18:55. > :19:05.Let's dance! Dancing the Viennese waltz, Audley
:19:05. > :19:05.
:19:05. > :20:47.Apology for the loss of subtitles for 43 seconds
:20:47. > :20:54.MUSIC: "I'm With You" What about that!
:20:54. > :21:00.Wonderful! You definitely have a certain grace about you. When he
:21:00. > :21:05.moves his arms, it's beautiful. Alesha, start us off. Audley, I
:21:05. > :21:10.much prefer you in ballroom dancing. You had such nice control and
:21:10. > :21:17.everything was carefully placed without being contrived. But I want
:21:17. > :21:24.you to take ownership of the dance and be confident in leading Natalie,
:21:24. > :21:29.you're so charming and really endearing. You should be proud.
:21:29. > :21:34.I had no idea you could be so delicate and careful and caring.
:21:34. > :21:39.You treated her like a Princeess, like a precious china doll. You
:21:39. > :21:47.loved every moment to be with her. But you have to be careful. The
:21:47. > :21:52.drive, there's a continuous drive through the dance so you must never
:21:52. > :21:57.stop the movement. At times you stopped the dance and it looked a
:21:57. > :22:03.little bit like you were walking, but overall, a very, very nice
:22:03. > :22:10.dance. Now Craig? When you do step, turn,
:22:10. > :22:17.step, you need to spot with her head. Your hands still need shaping,
:22:17. > :22:23.but I can see you've been working on it. And your head is doing some
:22:23. > :22:33.training things, as is the tongue! I couldn't watch your foot work
:22:33. > :22:40.because her tongue kept hang out of your head!
:22:40. > :22:49.The point is, Natalie didn't tread on it. Carry on? Oh, no, darling,
:22:49. > :22:59.it could take all night. Jennifer, finish us off if you will. Well, I
:22:59. > :22:59.
:22:59. > :23:06.thought it was Audely enchanting. And it was great considering you
:23:06. > :23:12.have a size 16 shoe. 17. But I think you could use a little more
:23:12. > :23:20.fire and be a little more dynamic. Take charge of the dance and be the
:23:20. > :23:30.master of it. But he does have a certain grace? Oh, yes.
:23:30. > :23:32.
:23:32. > :23:39.We all loved it. Everybody loved Beautiful choreography. Audley, you
:23:39. > :23:46.brought the A game tonight. Yes. Enchanting and endearing. Have you
:23:46. > :23:52.ever been called "delicate" before? No! Some mixed comments from the
:23:52. > :23:58.judges, but it won't wipe the smile off your face? ONo, Definitely,
:23:59. > :24:08.that was the best we've danced that dance. I loved it. And we can't see
:24:09. > :24:27.
:24:27. > :24:32.An eight, there. That's our highest score to date. Is it? Yes. Good man,
:24:32. > :24:38.Audley! All right, make a note of this
:24:38. > :24:43.number: Call later on if you want to keep
:24:43. > :24:48.Audley clear of the bottom two. You don't want that fight on your hands,
:24:49. > :24:54.do you? No. The judges' scores may not be enough to save your
:24:54. > :25:01.favourite alone. Don't leave it to chance. Now our next couple, Harry
:25:01. > :25:05.Judd and his partner, Aliona. Oh, you're wild about Harry. Well, last
:25:05. > :25:11.week, Harry impressed the judges with his terrifying tango. Can he
:25:11. > :25:19.do the same this week with a sexy samba? Nigh let's find out. Here
:25:19. > :25:24.they are in training. There was a lot to be learned about
:25:24. > :25:29.last week, but I felt the judges' comments were fair. I'm from the
:25:29. > :25:35.world of ballroom dancing and I want to see more than eight bars in
:25:35. > :25:42.hold. Art is subjective and for me, you were the king and Queen again
:25:42. > :25:47.tonight. She looks at me and said, "Next
:25:47. > :25:53.week could be quite challenging. Samba, from what Aliona has told me
:25:53. > :25:59.it has to be sexy in the hip action. It will be interesting to see if ki
:25:59. > :26:05.pull it off. It's really hard to make it look comfortable. What I
:26:06. > :26:11.expect from you in the samba is a lot of hip action.
:26:11. > :26:18.Are you listening? Yeah, yeah. Sorry, bounce. It's not enough just
:26:18. > :26:28.to have the bounce. Are you listening to me? Yes. Samba is a
:26:28. > :26:32.
:26:32. > :26:37.sexy dance. Harry! Yes. I have the perfect
:26:37. > :26:47.thing to get you into the mood for samba. Awesome.
:26:47. > :26:52.
:26:52. > :27:02.Come on. This is so not what I had Dancing the samba, Harry Judd and
:27:02. > :27:02.
:27:02. > :28:48.Apology for the loss of subtitles for 43 seconds
:28:48. > :28:53.Look at this, Harry! What about it! That was great. Well
:28:53. > :29:01.done. The pair of you, that was really something.
:29:01. > :29:11.Absolutely wonderful. You certainly got this lot up. Bruno? Harry! That
:29:11. > :29:13.
:29:13. > :29:18.was a samba full of pecksappeal and intriguing glimpses of what your
:29:18. > :29:24.hips can do. But because you're so good, I have to opponent out that
:29:24. > :29:32.it has to be full of abandonment, the samba. Your bounces were full
:29:32. > :29:39.of push, instead of let it happen. You're a very good dancer, but this
:29:39. > :29:45.one was slightly forced. You have to let it flow out of your body.
:29:45. > :29:52.Out of your body, not my body. much flow have you got in your
:29:52. > :29:57.body? Plenty, Bruce. Too much. Just relax, if possible. Craig, what did
:29:57. > :30:03.you think? Well, the shirt was a slight distraction, I've got to be
:30:03. > :30:08.honest! But I did notice, however, your
:30:08. > :30:17.bounce action was almost non- existant and a little awkward, only
:30:17. > :30:24.on the voltas, but you mastered everything else. I thought it was
:30:24. > :30:31.absolutely fantastic. Well done, Craig. Thank out.
:30:31. > :30:37.Jennifer, what did you think? Harry. You don't mind if I call you
:30:37. > :30:42.Harry, do you. Well, if my husband wasn't so attractive and here in
:30:42. > :30:47.the studio audience tonight, I might have found that vaguey
:30:47. > :30:54.exciting! And I wouldn't mind to see you let go a little more.
:30:54. > :30:59.Really? What did you think, Alesha? I'm not sure Latin comes as easy to
:30:59. > :31:04.you as ballroom dancing. You definitely look more comfortable in
:31:04. > :31:09.hold. I think you're having fun, but I want to see you really
:31:09. > :31:17.capture the spirit of the dance. Kick it up a notch, don't be afraid
:31:17. > :31:27.and really go for it. I'd just like to warn Harry, don't
:31:27. > :31:37.
:31:37. > :31:44.Yes, Harry, a standing ovation. And dirty dancing in front of Jennifer
:31:44. > :31:49.Gray. How was that? It was fun. I must admit I was very nervous for
:31:49. > :31:54.me. But you're a drummer, you have rhythm, why do you found it so
:31:54. > :32:04.tough? It's the bouncing and the hips, but I got through it and
:32:04. > :32:18.
:32:18. > :32:24.that's thanks to Aliona. She's It's still a great score. Yes,
:32:24. > :32:30.thank you. No tens from Alesha this week. She said, "Kick it up a
:32:30. > :32:35.notch." Absolutely. I'll do that. Remember to call if you thought
:32:35. > :32:42.Harry's samba was scintillating and you want him back for more. Next
:32:42. > :32:50.week, all our couples will need your votes. Our next couple are
:32:50. > :32:58.Anita Dobson and her partner, Robin. Anita is doing the Charleston. It's
:32:58. > :33:04.a dance from the 1920s. What a decade that was. The Wall Street
:33:04. > :33:09.crash. Prohibition, and the General Strike. But the 1920s weren't all
:33:09. > :33:18.bad. It saw the birth of jazz, the birth of television and the birth
:33:18. > :33:26.of Bruce Forsyth! Oh, I just love a happy ending!
:33:26. > :33:32.Here they are in training. Last Saturday I was very nervous
:33:32. > :33:38.because this has been the hardest dance to date. She was the most
:33:38. > :33:45.nervous I've ever seen Anita. I got mind my little gravestone I
:33:45. > :33:51.was OK. Acting ten. I've had 50 years of standing like an actress,
:33:51. > :33:56.and now I suddenly have to stand like an L shape. But I'll get there.
:33:56. > :34:04.We are doing the Charleston, which is hots of hands and legs and
:34:04. > :34:12.jumping around. Gangsters, molls. might look like a gangster, but the
:34:12. > :34:22.similarity ends there. You could be a gangster. Dancers!, I'm
:34:22. > :34:23.
:34:23. > :34:33.surrounded by namby-pamby dancers. If I didn't dance you wouldn't give
:34:33. > :34:47.
:34:47. > :34:57.I think we should just stoic the regular Charleston, don't you?
:34:57. > :34:58.
:34:58. > :36:54.Apology for the loss of subtitles for 43 seconds
:36:54. > :37:03.Dancing the Charleston, Anita Oh, Anita, look at this!
:37:03. > :37:10.Wonderful, absolutely great. Thank you, all. It was like being
:37:11. > :37:15.born again. That was so exciting. Craig? You lost a little bit of
:37:16. > :37:23.swivel and you were a little bit behind, but you really brought the
:37:23. > :37:29.dance to life. I loved it. Jennifer? Well, now I see why
:37:29. > :37:34.you're a national treasure. You was beautiful, great spirit. You could
:37:34. > :37:39.point the toes a little bit more, but it was beautiful. Alesha?
:37:39. > :37:46.did lose timing on occasions but it was light, cute, fun and you
:37:46. > :37:50.totally captured the spirit of the dance and I personally think you're
:37:50. > :37:56.achieving what you set out to do in this competition, you're turning
:37:56. > :38:01.into a dancer. Anita, characterisation, perfect, jazz,
:38:01. > :38:05.booze and fun galore. But a couple of mistakes, and you lost the
:38:05. > :38:15.timing of the hands a few times, that's it! That's all! It was
:38:15. > :38:15.
:38:15. > :38:25.wonderful. Off you go. Be proud.
:38:25. > :38:27.
:38:27. > :38:32.Yes, Anita, Anita! It's safe to say, blonds do have more fun. Yes, they
:38:32. > :38:40.do. You're an inspiration, where do you get your energy from? I love it.
:38:40. > :38:44.You're like a teenager. Alesha said, "You are transforming into a
:38:44. > :38:54.dancer." That's the best thing anybody could have said to me, I
:38:54. > :39:07.
:39:07. > :39:13.just love it. There you are.
:39:13. > :39:18.Call this number later on if you thought Anita, our national
:39:18. > :39:24.treasure, had rhythm and you'd like to see her shake her thing next
:39:24. > :39:30.Saturday. None of our dancers want this to
:39:30. > :39:38.finish just yet. Back to Bruce. Next up is Jason Donovan and his
:39:38. > :39:44.partner, Kristina. A very popular young man sneefplt now they're
:39:44. > :39:49.doing the rumba, and it's Jason's first romantic dance and to help
:39:49. > :39:56.his confidence, he needs to know if there are any ladies in the
:39:56. > :40:04.audience who would like to get a bit romantic with him? LOTS OF
:40:04. > :40:11.SCREAMS AND SHOUTS I'm sorry, Jason, not one! But I did ask. Here they
:40:11. > :40:18.are in training. Last Saturday was an incredible
:40:18. > :40:28.evening. Alesha's ten. What can I say?! She'll be happy with me.
:40:28. > :40:28.
:40:28. > :40:33.I am. This week we're doing a rumba, the dance of love. That's always
:40:33. > :40:41.interesting when I mention that at home because the kids look at me
:40:41. > :40:45.and go, "Oh, daddy ." I want a more romantic side from you. Think of
:40:45. > :40:55.your first date, or something like this. Well, it's been a while since
:40:55. > :41:00.
:41:00. > :41:10.I had one of thoughs, but... Jason, you are a bad, bad man.
:41:10. > :41:11.
:41:11. > :41:21.Ladies. Oh. Kristina. Oh, Jason. Oh, you smell overpowering. Why, thank
:41:21. > :41:25.
:41:25. > :41:33.you. This Cologne is one quarter spice, three quarters grrrrrr. Miss
:41:33. > :41:43.Rihanoff, you look delicious, dance with me.
:41:43. > :41:43.
:41:43. > :43:36.Apology for the loss of subtitles for 43 seconds
:43:36. > :43:43.Dancing the rumba, Jason Donovan Wonderful, wonderful!
:43:43. > :43:51.That was like a bit of poetry. Jennifer, will you start us off.
:43:51. > :43:56.love that song and I love what you did with it, you just killed me
:43:56. > :44:02.softly with that rumba, my friend, but I think you need to dig deeper
:44:02. > :44:06.and connect more to your sexy, beautiful partner. I want to feel
:44:06. > :44:12.more tension and lust and wow! That's it.
:44:12. > :44:17.All right, I think that's enough. You got me going there for a moment.
:44:17. > :44:25.Alesha? The rumba is such a difficult dance, and I appreciate
:44:25. > :44:31.that, and I commend you for getting through it, but please forgive me,
:44:31. > :44:37.I got a little bit bored throughout it. But I think it was contrived.
:44:37. > :44:47.You're doing all your teacher told you to do, but it lacked that
:44:47. > :44:53.
:44:53. > :45:02.little bit of spark and drive. Don't forget, Joe Calzzgi!
:45:02. > :45:06.Jason, it did feel contrived. Do I look at her? The whole thing didn't
:45:06. > :45:13.gel compared to your unusual standards. I thought it was just a
:45:13. > :45:18.little bit too serious and earnest, if I'm honest. And it did expose
:45:18. > :45:26.you. Latin fingers, too many sharp stops. Just not working through the
:45:26. > :45:36.four and the one. It's a hard dance. Don't worry about it. I'm not
:45:36. > :45:42.
:45:42. > :45:47.worried. Thank you so much for all your comments. Very valid points.
:45:47. > :45:53.Well, Jason, you were the love panther, but the judges were a
:45:53. > :45:57.little bit catty there. Yeah, it's a hard balance to find the
:45:57. > :46:02.character within and being precise with the dance moves. I think
:46:02. > :46:09.that's probably the key to the rumba, but I enjoyed the dance, I
:46:09. > :46:14.have to say, and it seemed to sit with me in a really nice place as
:46:15. > :46:20.shape. Alesha wanted more romance, is there more to give? I think
:46:20. > :46:26.there is. But this was a different style. You seemed a little bit
:46:26. > :46:32.nervous? Not as bad as the last few weeks. No, no, definitely not. I'm
:46:32. > :46:42.a bit dry in the mouth at the moment. Let's see if the scores
:46:42. > :46:58.
:46:58. > :47:02.28 out of 406789 Not your strongest score. I think,
:47:02. > :47:06.as always, they're very fair comments and it's hard when you're
:47:06. > :47:11.involved in a dance to look on the outside. But I do take the comments
:47:11. > :47:17.on board and we'll dig deeper if we're here next week. If you want
:47:17. > :47:23.to see him dig deeper, write this number down and call later if you
:47:23. > :47:29.want Jason back here giving it some on the dance floor next week. Still
:47:29. > :47:34.to come, Russell and Robbie. And our gorgeous girls, Chelsee and
:47:34. > :47:43.Holly. Our next couple tonight is Alex
:47:43. > :47:50.Jones and her partner James. Another popular couple. James told
:47:50. > :47:59.me that after the show this evening he's organised a nice romantic
:47:59. > :48:09.Bonfire Night party just for him and Alex! AUDIENCE: Ooh! I said,
:48:09. > :48:10.
:48:10. > :48:15."That's nice, when will the fire works start?" he said, "What Ola
:48:15. > :48:21.finds out!" Here they are in training.
:48:21. > :48:26.On the whole, James and I were really pleased with last week's
:48:26. > :48:34.dance. It was the complete antithesis of last week and I
:48:34. > :48:39.almost found it erotic. You've upped your game.
:48:39. > :48:45.The quickstep is probably the hardest dance we've done so far.
:48:45. > :48:53.Don't talk to me at all this week, I'm just going to hammer you.
:48:53. > :49:01.are a dillion steps in a minute. It's challenging and tiring.
:49:01. > :49:06.Hence... Quickstep. Not slow step. I'm going to push you harder and
:49:06. > :49:09.harder every single day. You thought it was tough today? Wait
:49:09. > :49:17.until tomorrow. Dancing with the devil.
:49:17. > :49:25.You're here tot for the quickstep. James has had an opportunity to
:49:25. > :49:32.unleash his inner Sergeant. Go, go, go! Move!
:49:32. > :49:42.I always knew he was firey, but this morning, he he's really gone
:49:42. > :49:50.
:49:50. > :50:00.for it. You have one more challenge, Dancing the quickstep, Alex Jones
:50:00. > :50:20.
:50:20. > :50:30.MUSIC: Don't don'ts If It Ain't Got MUSIC: "It Don't Mean A Thing If It
:50:30. > :50:30.
:50:30. > :51:46.Apology for the loss of subtitles for 43 seconds
:51:46. > :51:53.Up to that fall, your improvement in the last three weeks has been
:51:53. > :51:57.incredible. Alesha? I loved that part of the
:51:57. > :52:03.routine! Extra point. I know there were a few mistakes and you lost
:52:03. > :52:08.your frame at the end, but it was classy, sophisticated. It really
:52:08. > :52:14.suited you. When you're tired, keep working, keep pushing because you
:52:14. > :52:23.are going from strength to strength. The girl were Wales, you're doing
:52:23. > :52:28.good! Alex, you started out in sparkling form and I had frizles
:52:28. > :52:33.running down my spine. But you messed up your foot work a couple
:52:33. > :52:37.of times but it doesn't matter because overall I thought it was
:52:37. > :52:45.great. And Craig? Some small timing issues
:52:45. > :52:49.and that was largely due to your heel caught in the dress, and I
:52:49. > :52:57.thought you dealt with that amazingly well. You really packed a
:52:57. > :53:03.punch in that dance and it was full of personality. Thank you.
:53:03. > :53:13.And Jennifer? Yes, Alex, your quickstep was like a fine champagne,
:53:13. > :53:24.
:53:24. > :53:29.it was bubbly, ef vesant and it made me feel great. Well done.
:53:29. > :53:37.What are you like, you lot. What happened? Did you get your heel
:53:37. > :53:45.caught in the dress. It was ashame. And we both went over. It was
:53:45. > :53:55.supposed to be like that. It looks like James's boot camp worked.
:53:55. > :54:14.
:54:14. > :54:22.not going back next week. To boot 31 out of 40 and you made Jennifer
:54:22. > :54:28.Gray giddy. Joo that wasn't me? it was definitely Alex. Phone this
:54:28. > :54:36.number if you want Alex to take to the floor again. Oh, yes.
:54:36. > :54:40.Next tonight it's Robbie Savage and his partner, Ola.
:54:40. > :54:44.Another popular couple. They are doing the waltz. This is a dance
:54:44. > :54:51.packed with rise and fall. Robbie has no problem at all with the rise
:54:51. > :55:01.but every time it comes to the fall he rolls around, he's in agony
:55:01. > :55:01.
:55:01. > :55:07.looking for a penalty! Old habits die hard. Here they are in training.
:55:07. > :55:12.Last week, when I danced the paso I was in my element. I loved it. I
:55:12. > :55:18.loved the beginning with the cape and the spinning of Ola. I loved
:55:18. > :55:28.everything about it it's a shame the judges didn't feel the same way.
:55:28. > :55:33.I would have liked a bit more savage. Your hands were like soup
:55:33. > :55:40.ladles. After everything I threw at it I was genuinely surprised by the
:55:40. > :55:48.comments. And the four, what does he want from me? Strictly has taken
:55:48. > :55:54.over my life. I played football for years and years, but everybody just
:55:54. > :56:02.talks about dancing. That's Robbie. You do know what I did before
:56:02. > :56:07.dancing? Oh, yes, you were a famous hairdresser. I can't go to the gym
:56:07. > :56:15.without somebody mentioning dancing. Keep dancing!
:56:15. > :56:22.Here, mate, let me give you a hand with that. Thanks. I want you to
:56:22. > :56:27.know you're an inspiration. Thanks mate. Yes, I want to be a
:56:27. > :56:36.professional dancer now. But I'm a football. He gives it all that, but
:56:36. > :56:46.he is a dancer now. Dancing the waltz, Robbie Savage
:56:46. > :56:46.
:56:46. > :58:33.Apology for the loss of subtitles for 43 seconds
:58:33. > :58:39.Lovely, well done. It's a shame about that little tip at the end.
:58:39. > :58:46.Yes. Very controlled, very poised, slightly heart broken. That was the
:58:46. > :58:54.part, wasn't it. You're most correct performance to date. You
:58:54. > :59:00.need to put much more phrasing into the roles.
:59:00. > :59:06.Craig. Fantastic rise and fall, but, for me, devoid of any emotion. I
:59:06. > :59:12.think you could at least have smiled once through it and you were
:59:12. > :59:17.very tense and angry as well. that's what love is. It's tense.
:59:17. > :59:23.Jennifer? That's what I love about this competition, it gives someone
:59:23. > :59:28.like you, who has natural grace and athleticism, and it gives you a
:59:28. > :59:35.chance to bring all of that to the drans floor and transform into a
:59:35. > :59:45.dancer. And it's very exciting to watch. That said, I would like to
:59:45. > :59:48.
:59:48. > :59:55.see you loosen up and have more chem street - chepls tree with this
:59:55. > :00:02.beautiful sexy woman in your arms. I didn't see that I did. Sorry.
:00:02. > :00:12.Alesha. I thought you danced it very well, Robbie. And although I
:00:12. > :00:12.
:00:12. > :00:19.could feel a little bit of tension where you were concentrating, I did
:00:19. > :00:29.see the emotion. T he was all full of love and that's why he was all
:00:29. > :00:36.pent up. Here he is. Give us a smile, Robbie,
:00:36. > :00:42.I'm missing it. There! So, Craig wanted a smile,
:00:42. > :00:47.but it was part of the story. it was.
:00:47. > :00:57.I'm not looking forward to the scores. They're probably going to
:00:57. > :00:58.
:00:58. > :01:03.be bad. Would you want Robbie to romance you, ladies? Yes. Six weeks
:01:03. > :01:08.ago would you have thought you would say, "I love dancing." Well,
:01:08. > :01:13.six weeks ago, to have performed in front of millions of people, it
:01:13. > :01:23.would be unbelievele. He's very nervous. He can hardly talk.
:01:23. > :01:36.
:01:36. > :01:41.29 out of 40. Come on, Robbie, I'm missing the teeth. There they can.
:01:41. > :01:50.Call this number later in the show if you want Robbie to give extra
:01:50. > :02:00.time next week. How much would that mean, Robbie? Yeah, I love it.
:02:00. > :02:05.And you can go to our web site for all the latest gossip. Time for our
:02:05. > :02:13.next couple, Russell Grant and his partner, Flavia.
:02:13. > :02:19.What a popular pair! Now, Russell and Flavia are massive fans of
:02:19. > :02:28.Jennifer Gray's film, Dirty Dancing and as a tribute they wanted to
:02:28. > :02:34.copy the iblgonic dearthy dance -- oip the iconic Dirty Dancing lift.
:02:34. > :02:40.Well, like you, I was worried so I telephoned Russell and asked, "How
:02:40. > :02:48.is it going?" and he said, "Not very well, Flavia keeps dropping
:02:48. > :02:53.me." Here they are in training.
:02:53. > :02:58.Last week, the pressure of being first on to the dance floor took
:02:58. > :03:05.its toll on Russell. I did not quite feel in the groove and I
:03:05. > :03:12.think that's due to the fact that you're working on an empty tank.
:03:12. > :03:17.Unfortunately, you went wrong quite a lot. The timing was out.
:03:17. > :03:27.But you still got the Hallowe'en party started. The music of Kylie
:03:27. > :03:28.
:03:28. > :03:37.Minogue, and dancing of Russell Grant, what more do we want? Kylie
:03:37. > :03:42.men yoing actually tweeted me. It made my night. The paso doble is
:03:42. > :03:46.not a natural dance for Russell. It's very dramatic and all about
:03:46. > :03:56.the attack. I have a surprise for him, which I think he's going to
:03:56. > :03:57.
:03:57. > :04:07.love in more ways than one. Get in there!
:04:07. > :04:08.
:04:08. > :04:14.I'm running! He scores!
:04:14. > :04:24.I've turned rather good at this. I think I've learnt now, I know how
:04:24. > :04:24.
:04:24. > :06:02.Apology for the loss of subtitles for 43 seconds
:06:02. > :06:10.Dancing the paso doble, Russell MUSIC: "Carmen" You've done it
:06:10. > :06:15.again, look at this! Oh, you've done it a gene, the pair
:06:16. > :06:22.of you. Wonderful. The wonderful thing is you really
:06:22. > :06:29.look as if you know what you're doing. Thank you. I don't really.
:06:29. > :06:39.Craig? Craig's face! I'm not laughing, honestly.
:06:39. > :06:47.
:06:47. > :06:52.Astonishing! Is that it? He's lost for words.
:06:52. > :06:56.Jennifer? Well, I'm looking at your stars, Russell and if you keep
:06:56. > :07:03.entertaining everyone like that, you'll be here for a while.
:07:03. > :07:08.I think you're right. Alesha? enough of the strength and drive I
:07:08. > :07:13.usually like to A paso, but I always love your interpretation of
:07:13. > :07:18.the dance, Russell. I laufrd and smiled with you the whole - laughed
:07:18. > :07:23.and smiled with you the whole way. It was brilliant.
:07:23. > :07:29.You really loved riding that bull you didn't want to go off, but once
:07:29. > :07:37.you started it was good. It was a proper paso. It was Benny Hill's
:07:37. > :07:42.version of the paso, but everything was there, the steps and the hands
:07:42. > :07:52.that do dishes. I loved it! Everybody loved it. They all loved
:07:52. > :08:06.
:08:06. > :08:11.Oh, Russell, you do not let us down, do you my darling. I hope not.
:08:11. > :08:18.Every single person in the studio had a huge smile on their face. And
:08:18. > :08:25.Craig had one word, astonishing. I'm happy with that. Macho, how did
:08:25. > :08:35.you find that? Well, I want to thank the rugby club for all they
:08:35. > :08:36.
:08:36. > :08:41.did. Thank you, boys, you taught me how to do the paso. And Bruno
:08:41. > :08:51.called it demented but fabulous. loved that.
:08:51. > :08:59.
:08:59. > :09:04.24 out of 40. He's got Kylie's backing now. Has he got yours? If
:09:04. > :09:09.so, call this number later on if you loved the passion in Russell's
:09:09. > :09:14.paso and you want to see him struting his stuff again next week.
:09:14. > :09:21.Why wouldn't you? Tomorrow night in our results show,
:09:21. > :09:30.sadly two of our dancers will be in danger and it's getting harder to
:09:30. > :09:36.say goodbye. Our next couple is Chelsee Healey
:09:36. > :09:44.and her partner, Pasha. Chelsee is one of those people who is always
:09:44. > :09:51.on her mobile phone. I said to her earlier, "Can I use your mobile?"
:09:51. > :09:58.and she said, "Of course, do you want to twitter, look at a couple
:09:58. > :10:03.of e-mails, or Apps or use the internet?" and said, "I just want
:10:03. > :10:09.to make a phone call." Here they are in training.. Last
:10:10. > :10:14.week's performance, I had a little bit of a wardrobe function. I was
:10:14. > :10:20.so upset at the time, but looking back on it, I know the first part
:10:20. > :10:26.of the dance went really well. She's a wicked little dancer.
:10:26. > :10:32.have to forget about what happened. A brand new week. This week it's a
:10:32. > :10:38.Charleston. It's very high energy, so we need to make sure all our
:10:38. > :10:44.hands and arm positions are precise. The feeling is, it's like polishing
:10:44. > :10:49.a mirror. It's all about the hands, hands, hands. It's time to turn to
:10:49. > :10:59.the tried and tested form of teaching. Put this on and meet me
:10:59. > :11:02.
:11:02. > :11:12.in the car park. Left hand wax on, right hand, wax off. Get to work!
:11:12. > :11:17.4 Paint the fence. Oh, come on, Pasha, I've done
:11:17. > :11:27.everything you wanted me to do. I've painted the fence, washed the
:11:27. > :11:40.
:11:40. > :11:50.car and picturesed. Show me wax on, Dancing the Charleston, Chelsee
:11:50. > :11:50.
:11:50. > :13:26.Apology for the loss of subtitles for 43 seconds
:13:26. > :13:35.Oh, look. That's all for you, darling. Well
:13:35. > :13:40.done, you've had a good week. Jennifer, if you will start us off.
:13:40. > :13:45.Chelsee, you're the baby in the competition, well, from one baby to
:13:45. > :13:54.another, you keep dancing like that and nobody's going to put you in
:13:54. > :14:01.the corner. Well put, Jennifer, lovely. And you
:14:01. > :14:06.Alesha? This dance really, really suits you, your timing is great
:14:06. > :14:16.apart from one or two places and it was a really high-energy dance.
:14:16. > :14:19.
:14:19. > :14:24.Stunning. Chelsee the fabulous flapper,
:14:24. > :14:34.driving to the limit. And the choreography was excellent.
:14:34. > :14:35.
:14:35. > :14:45.Craig? Synchronisity was excellent, apart from where the costume came
:14:45. > :14:56.
:14:56. > :15:01.off, and that was the only time you Oh, wow! Jennifer Gray said,
:15:01. > :15:07."Nobody's going to put baby in the corner" the quote of the series.
:15:07. > :15:13.You put in more training this time, do you think it paid off? It looked
:15:13. > :15:21.like it. Yes. I always think I can do better, but I tried the best.
:15:22. > :15:29.You got a standing ovation. I know. We're half way through the
:15:29. > :15:39.competition now, Pasha do you think chelgsee can be a contender? -
:15:39. > :15:48.
:15:48. > :15:53.Chelsee can be a contender? That is a big score! Safe to say
:15:53. > :16:01.you're happy about that? I'm so happy.
:16:01. > :16:08.Let's see the wax on wax off one more time. Wax on, wax off. That's
:16:08. > :16:13.lovely. The number to ring is this if you enjoyed our Chelsee's
:16:13. > :16:19.Charleston and you want our flapper back having a right good time next
:16:19. > :16:26.week. This is unmiserable. Back to Bruce. Time now for our last couple,
:16:26. > :16:31.Holly Valance, and her partner Artem.
:16:31. > :16:38.Another very popular couple. Last week, Holly and Artem took on the
:16:38. > :16:47.role of a pair of love-struck swans when they danced to Swan Lake.
:16:47. > :16:51.Remember, the music was beautiful. They were so elegant. Half way
:16:51. > :16:58.through, there was a lovely old couple over there, sitting there,
:16:58. > :17:05.and they started throwing bread. Here they are in training. Not the
:17:06. > :17:09.old couple - Holly and Artem. Last week's American smooth was
:17:09. > :17:14.fantastic. You were magnificent, Holly. This shows you're a real
:17:14. > :17:22.contender in this competition. Getting our highest score yet of 35
:17:22. > :17:28.was the icing on the cake. The jive. This week we're doing the
:17:28. > :17:32.jive, one of the fastest dances you'll ever do. I'm a bit of a
:17:32. > :17:37.sloth. I don't move very fast. I can't do it that fast. This is the
:17:37. > :17:47.level of the music and this is the level of Holly. I find the speed of
:17:47. > :17:50.
:17:50. > :17:55.the jive really hard. So I have aged a little mission to help. The
:17:55. > :18:00.jive's a really fast dance. I don't know if it necessarily suits me,
:18:00. > :18:10.but I think this is going to help me get in the mood. Let's
:18:10. > :18:18.
:18:19. > :18:25.This is fun! That knocked my socks off!
:18:25. > :18:35.Now the jive will seem slow. Yes, it will seem like a slow waltz at
:18:35. > :18:42.
:18:42. > :18:52.the moment. You're going down. Dancing the jive, Holly Valance and
:18:52. > :18:52.
:18:52. > :20:32.Apology for the loss of subtitles for 43 seconds
:20:32. > :20:42.Look at this, Holly, you've done it. Shame about the braces. I nearly
:20:42. > :20:42.
:20:42. > :20:48.rushed on to fix it, but I thought I'd better not. Alesha? Hony, you
:20:48. > :20:56.looked exhausted through that. It was a cool and sophisticated jive.
:20:56. > :21:01.And that suits your personality. I liked it a lot. Bruno? It was a
:21:01. > :21:07.jive with a twist and a swagger. An element of rock and swing into it.
:21:07. > :21:12.Very creative, very, very different, very, very cool, the girl's on top!
:21:12. > :21:17.I liked it a lot. That's what I liked about it, you
:21:17. > :21:24.were very cool. Craig? I absolutely loved that concept, I thought it
:21:24. > :21:34.was brilliant. And finally, Holly, some energy from you. You're
:21:34. > :21:39.normally very laid back, Australian. We need to see a lot more of that!
:21:39. > :21:45.Jennifer? That was not a traditional jive and you took a lot
:21:45. > :21:55.of chances with it and I think it really paid off I was really
:21:55. > :22:04.
:22:04. > :22:11.thrilled to see it. Oh, Artem has had a bad leg.
:22:11. > :22:17.How hot was that, what a finale. Artem had an jury this afternoon
:22:17. > :22:22.and he's limping. I don't know how you do it, the show must go on.
:22:22. > :22:27.He's been incredible. We had to alter it a little bit. There was
:22:27. > :22:35.littlely smoke coming off your feet, Holly. It's still coming off. I
:22:35. > :22:43.need a lie down. How did it feel? That was awesome, it was so quick.
:22:43. > :22:52.It was the funest dance so far and his choreography is so cool. Do you
:22:52. > :23:02.reckon be your mate, David Walliams liked it? Apaid him off before he
:23:02. > :23:08.
:23:08. > :23:14.came! A great score from the judges. Are
:23:14. > :23:20.you happy with that? Yes. What can we expect next week if you're still
:23:20. > :23:24.in the competition? Something really slow! But not too laid back
:23:24. > :23:32.and Australian? No, it's a blood pressure thing!
:23:32. > :23:35.Make a note of this number and call if you don't want our ballroom
:23:35. > :23:45.Belle to run away from the competition. You don't want that,
:23:45. > :23:56.
:23:56. > :24:06.Holly? Absolutely not. Let's look Now, remember, you can, of course,
:24:06. > :24:08.
:24:08. > :24:14.change all that, because the phone lines are now open!
:24:14. > :24:20.The lines will close at 8.15 tonight. A little bit earlier.
:24:20. > :24:23.Voting details can be found on the website. And here's a reminder of
:24:23. > :24:33.all of tonight's routines and the all-important numbers. What a
:24:33. > :24:33.
:24:33. > :27:12.Apology for the loss of subtitles for 43 seconds
:27:12. > :27:18.Well, what a night. What a night. I hope you agree that our stars gave
:27:18. > :27:22.us a perfect night of ballroom. But sadly, one couple with the lowest
:27:22. > :27:29.combined scores will leave the competition. That's right. Make
:27:29. > :27:39.sure you pick up the phone because your votes can change everything.
:27:39. > :27:41.