0:00:33 > 0:00:39Into the night. This week they're fighting for a place in Strictly's
0:00:39 > 0:00:48Wembley team and they're not holding back. Music maestro.
0:00:48 > 0:00:58I think I'm going to throw up. here to save the day. Get ready,
0:00:58 > 0:00:58
0:00:58 > 0:01:41Apology for the loss of subtitles for 43 seconds
0:01:42 > 0:01:51Live from Television Centre, please welcome your hosts, Bruce Forsyth
0:01:52 > 0:02:00
0:02:00 > 0:02:10APPLAUSE Oh, I like this. Beautiful. Thank
0:02:10 > 0:02:11
0:02:11 > 0:02:15you so much. If you're stopping sit down. Oh, good they're stopping.
0:02:15 > 0:02:20Right good evening, ladies, gentlemen and children. Welcome to
0:02:20 > 0:02:26Strictly Come Dancing. It's nice to see you, to see you... Nice! Have
0:02:26 > 0:02:28you had a good week? I've had a busy week. Promoting my album. I
0:02:28 > 0:02:33shouldn't have said that, never mind!
0:02:33 > 0:02:37LAUGHTER I've been on lots of show that's
0:02:37 > 0:02:42week. I was on The One Show with Alex. I was on the Chris Evans
0:02:42 > 0:02:47breakfast show. We had a lot of fun. I love that man. There's one
0:02:47 > 0:02:52programme I will not be doing. programme's that? How to look good
0:02:53 > 0:03:02naked. APPLAUSE
0:03:03 > 0:03:06
0:03:06 > 0:03:16No. If you're watching Gok Wan... I'm sorry, girlfriend, the answer's
0:03:16 > 0:03:16
0:03:16 > 0:03:21no! There we are. APPLAUSE
0:03:21 > 0:03:26Last week, Luini's exit sent shock waves through -- lulu's exit sent
0:03:26 > 0:03:31shock waves through the ballroom. It's going to be a big one next
0:03:31 > 0:03:36week. All of our couple will be dancing in front of more than 6,000
0:03:36 > 0:03:44people at Wembley Arena. That's right.
0:03:44 > 0:03:48It is the big one. I like the woo, that was good. We're loving the woo.
0:03:48 > 0:03:53Just the thought of Wembley brings plenty of pre-match nerves. Which
0:03:53 > 0:04:03of our remaining stars can handle the pressure. Shall we find out?
0:04:03 > 0:04:03
0:04:03 > 0:05:00Apology for the loss of subtitles for 43 seconds
0:05:00 > 0:05:06certainly will, my darling, let's Much excitement in the studio
0:05:06 > 0:05:12tonight. There they all are. CHEERING
0:05:12 > 0:05:16They're up for it this lot. somebody else come on? While I've
0:05:16 > 0:05:25got you all together, I'm sure you'd like to welcome back Len!
0:05:25 > 0:05:29APPLAUSE Welcome back Len. Thank you. Which
0:05:29 > 0:05:36of course, means Craig will no longer be head judge.
0:05:36 > 0:05:41CHEERING Do you know, I think that's the
0:05:41 > 0:05:44first time you've ever got a cheer. So enjoy it, wallow in it.
0:05:44 > 0:05:49Have a wallow. The eagle eyed amongst you will
0:05:49 > 0:05:54have noticed that Holly has a new partner in Brendan.
0:05:54 > 0:05:59Bit more about that later on. For now, it's business as usual as our
0:05:59 > 0:06:02stars will be performing, the judges scoring and the couples
0:06:02 > 0:06:06ranked on the leaderboard. scores will be combined with your
0:06:06 > 0:06:09votes and sadly, one couple's Wembley dreams will fade. That's
0:06:09 > 0:06:12right. If you're a digital viewer, press the red button for live
0:06:12 > 0:06:19commentary. We've got Karen Hardy and her host with the most is West
0:06:19 > 0:06:22End megastar, Michael Ball. Good luck to you both.
0:06:22 > 0:06:29Nice to have Michael. All right then, let's get down to business.
0:06:29 > 0:06:35Our first couple is Alex Jones and her partner, James.
0:06:35 > 0:06:41Where are they? Over there. Good luck. Right now, because of all
0:06:41 > 0:06:45their dance training and presenting The One Show, Alex is starting to
0:06:45 > 0:06:51feel very tired, which is only natural. She wanted an afternoon
0:06:51 > 0:06:55nap today and said "Bruce, will you come to my room and sing me a
0:06:55 > 0:07:02lullaby?" I said "What makes you think my singing will send you to
0:07:02 > 0:07:05sleep?" Shut up! Don't seat joke before I get there. She said "It
0:07:05 > 0:07:10worked with the audience last week." They didn't go to sleep,
0:07:10 > 0:07:16Alex! They didn't. They did not go to sleep. They were
0:07:16 > 0:07:26in a, they were in a state of utter bliss. And you can't prove
0:07:26 > 0:07:36otherwise. Right, here they are in training. Good luck to you all.
0:07:36 > 0:07:38
0:07:38 > 0:07:43It all started off swimmingly and then, da da da, the net of the
0:07:43 > 0:07:47dress got caught in my heel. carried on like a trooper.
0:07:47 > 0:07:51Admittedly there were a few steps which aren't exactly as I had
0:07:52 > 0:07:55choreographed. I actually didn't mind the end of our routine,
0:07:55 > 0:08:03because I think we'd done so well to get to that point. I loved that
0:08:03 > 0:08:08part. Extra point. We fell over live on the television. This week,
0:08:08 > 0:08:14we're dancing the jive. Quite fast, isn't it? Can't keep up with me.
0:08:14 > 0:08:19can. Can't. Can. I think we could market this into a DVD. Jive away
0:08:19 > 0:08:24your jelly. We're starting the DVD now. James thinks he's fitter than
0:08:24 > 0:08:28me. He should be, he is a professional dancer, but we'll see.
0:08:28 > 0:08:33# Let's get physical # I want to get physical
0:08:33 > 0:08:43# Let's get into physical # Let me hear your body talk #
0:08:43 > 0:08:47
0:08:47 > 0:08:57Here we go! Like dancing with a 64- year-old honestly. I'll push myself
0:08:57 > 0:09:04
0:09:04 > 0:09:14till I collapse. Dancing the jive, Alex Jones and
0:09:14 > 0:09:14
0:09:14 > 0:11:05Apology for the loss of subtitles for 43 seconds
0:11:05 > 0:11:10CHEERING AND APPLAUSE What about this! Give her the doll back. You
0:11:10 > 0:11:15were born to dance. You're really coming on. Whilst you get your
0:11:15 > 0:11:20breath back, it's a good time to welcome our fabulous singers, Dave
0:11:20 > 0:11:26Arch and his wonderful orchestra. APPLAUSE
0:11:26 > 0:11:31Not forgetting our judges! APPLAUSE
0:11:31 > 0:11:36If you've just switched on and thought Jennifer grey is looking a
0:11:36 > 0:11:40bit rough this week, she's not, it's just that Len's back. I can
0:11:40 > 0:11:49honestly say, Len, it wasn't the same without you. Thank you.
0:11:49 > 0:11:56APPLAUSE Let's all be honest. It was better.
0:11:56 > 0:12:01But not the same, you see. What do you think of this first offering?
0:12:01 > 0:12:07When the doll started I thought, here we go. But no you blossomed.
0:12:07 > 0:12:11You busted out all over the place. OK, the kicks could have been a bit
0:12:11 > 0:12:19sharper. You missed one of the little passes, but it was so full
0:12:19 > 0:12:24of verve and gusto, I thought it was terrific. Well done.
0:12:24 > 0:12:27You're doing wonders with this girl, I tell you. Alesha, what about you?
0:12:27 > 0:12:31Your energy is fantastic. You were going for it. Your confidence is
0:12:31 > 0:12:36growing. I can feel that. You need to refine some of your tests. Tiny
0:12:36 > 0:12:46things, point your toes, finish off your moves. Other than that an
0:12:46 > 0:12:47
0:12:47 > 0:12:53incredible opening to the show. You were a joy to watch. Bruno? Oh, yes.
0:12:53 > 0:12:57Bring on the fun Alex. You had the enthusiasm of a manic Cheerleader,
0:12:57 > 0:13:02backing the right side. You went for it bright, lively, the timing
0:13:02 > 0:13:09was G you missed the pass and went on the wrong foot. Yes you have to
0:13:09 > 0:13:15flick correctly. I'm telling you, I had so much fun with you.
0:13:15 > 0:13:25How about you, Craig? That effigy I have to say is remarkable likeness
0:13:25 > 0:13:28of James. It is! Getting on with the performance itself was
0:13:28 > 0:13:34extremely confident, which was brilliant. There is no real
0:13:34 > 0:13:39accuracy or precision in the steps and by pointing your feet on the
0:13:39 > 0:13:49kicks that would have helped delineate the line. Fair comment,
0:13:49 > 0:13:57but we loved you. Thank you, Bruce. Off you go.
0:13:57 > 0:14:01Yes! Come on. Alesha said an incredible opening to the show. She
0:14:01 > 0:14:06was right. Rewind six years ago, to the start of this, did you think
0:14:06 > 0:14:11you'd handle the pressure of this? James has done an incredible job.
0:14:11 > 0:14:18Six weeks ago I'm sorry. I knew what you meant. I didn't think I
0:14:18 > 0:14:21would be able to. Nor did I. It was nice to give it a good go. Len said
0:14:21 > 0:14:27you blossomed and were full of gusto. Looked like you enjoyed
0:14:27 > 0:14:31every second of that. We enjoyed this week. It's been a laugh.
0:14:31 > 0:14:41the doll? Hard to tell them apart. It's got more hair than me. Scores
0:14:41 > 0:14:58
0:14:58 > 0:15:0431 out of 40, congratulations. Really strong start. Job down their
0:15:04 > 0:15:11number and call later on if you want to see Alex dance at Wembley
0:15:11 > 0:15:15The couples with the lowest combined scores will be leaving the
0:15:15 > 0:15:21competition. If you want to go to Wembley, clap your hands. They're
0:15:21 > 0:15:26up for it. Now our next couple Robbie Savage
0:15:26 > 0:15:32and his partner, Ola. APPLAUSE
0:15:32 > 0:15:36Popular couple. Robbie is doing the American smooth and he's been
0:15:36 > 0:15:43wondering what sort of tails to wear. I said "You mean white tails
0:15:43 > 0:15:48or black tails?" He said no, "Pig tails or ponytails."
0:15:48 > 0:15:54APPLAUSE I think he was having a bad hair
0:15:54 > 0:16:04day. I thought that bit was funny, any way. Here they are in training,
0:16:04 > 0:16:04
0:16:04 > 0:16:09if you're going to be like that. I loved the dance. I love it. There
0:16:09 > 0:16:13was a tear in my eye at the end so I can't understand the comments.
0:16:13 > 0:16:18didn't really feel the connection. I would have liked to see that more.
0:16:18 > 0:16:23Devoid of any emotion. Why just negative comments? Robbie is always
0:16:23 > 0:16:29concentrating on the negative. He can't hear the positives. There's a
0:16:29 > 0:16:32lot of positives there. It was your most correct performance to date.
0:16:32 > 0:16:38I made my mum and wife cry on Saturday night. That's all that
0:16:38 > 0:16:44counts. The dream of getting to Wembley reminds me so much of when
0:16:44 > 0:16:54I was a kid. Savage beats one, a nutmeg. He's going to light up
0:16:54 > 0:16:55
0:16:55 > 0:17:01Wembley. Oh! Robbie? Robbie... are you? I'm your Fairy Godmother.
0:17:01 > 0:17:04I'm here to make your dreams come true. If you stop stealing mummy's
0:17:04 > 0:17:08hair straighters in and listen to everything your teacher says, you
0:17:08 > 0:17:13will make it to Wembley. Do you think I could score the winner in
0:17:13 > 0:17:21the FA Cup final? I mean you can dance at Wembley. You've got what
0:17:21 > 0:17:28it takes. Savage takes to the floor, the
0:17:28 > 0:17:37scores are in. It's a ten off Len. It's a ten from Alesha. A ten off
0:17:37 > 0:17:47Bruno. A ten off Craig - yes! Dancing the American smooth, Robbie
0:17:47 > 0:17:47
0:17:47 > 0:19:22Apology for the loss of subtitles for 43 seconds
0:19:22 > 0:19:28CHEERING AND APPLAUSE What about this pair? Wonderful. That was so
0:19:28 > 0:19:33beautiful. What a team. You're quite a team now. Alesha, what did
0:19:33 > 0:19:36you think? You really are a ballroom boy. Great use of steps.
0:19:36 > 0:19:39Great lifts, although they were a little erratic at times. You know
0:19:39 > 0:19:45what, you're continuing the success of last week. You're constantly
0:19:45 > 0:19:50moving in the right direction. Great job. All because of Ola. I
0:19:50 > 0:19:55blame Ola. Right now then Bruno? You are
0:19:55 > 0:20:00really becoming a Smooth Operator. I like the variety of steps, the
0:20:00 > 0:20:04way you went from slow to fast. Sometimes a bit rough still. But it
0:20:05 > 0:20:12goes with the territory with Savage. I love the way you can sway both
0:20:12 > 0:20:15ways. No! Because there were elements of Latin and ballroom
0:20:15 > 0:20:25combined in this American smooth, which I see very rarely. No, it's
0:20:25 > 0:20:31true, isn't it? Ola, it's true? Yes. You're right. Now then Craig?
0:20:32 > 0:20:35thought you had beautiful arm placement in the running promenades.
0:20:35 > 0:20:40I can see that you were working that beautifully. You have to be
0:20:40 > 0:20:45aware of other moments that your arms are out in second because your
0:20:46 > 0:20:50hands do this weird thing like this. So do watch that, my darling. I
0:20:50 > 0:20:57agree a lot of mix of style, which was fantastic. Great control in the
0:20:57 > 0:21:01lifts, brilliant. The step -touch moment was a bit awkward, I would
0:21:01 > 0:21:11have eliminated that, having watched you do it. But the whole
0:21:11 > 0:21:14routine was rather good. Wow, what happened? Len? Actually,
0:21:14 > 0:21:20Robbie, when he was doing those strange fingers was looking at you
0:21:20 > 0:21:24actually. LAUGHTER
0:21:24 > 0:21:27I wondered where you were at first, I didn't know you were on the
0:21:27 > 0:21:33naughty step. Once you got cracking, I tell you what, you're getting
0:21:33 > 0:21:43better and better. Well done to you. Absolutely. We all love you. Off
0:21:43 > 0:21:48
0:21:48 > 0:21:54you go and be proud. Look at that. Better and better.
0:21:54 > 0:21:58Bruno's Smooth Operator. Even Craig said rather good. Wow. Ola was
0:21:58 > 0:22:02fantastic. Fabulous choreography. We know you have strong
0:22:02 > 0:22:06footballer's legs but those arms were made for lifting. My feet
0:22:06 > 0:22:10weren't made for football, I wasn't very good at that. Playing at
0:22:10 > 0:22:20Wembley next week would be amazing, for Ola as well. Were you worried
0:22:20 > 0:22:37
0:22:37 > 0:22:44he was going to drop you. Yeah, no, 31 and a seven from Craig. You have
0:22:44 > 0:22:50to be happy with that. Very happy. Thank you.
0:22:50 > 0:22:55Call this number later in the show if you want to make Robbie's goal
0:22:55 > 0:22:58of dancing at Wembley come true. We know how much that would mean.
0:22:58 > 0:23:04Massively. Now the judges scores might not be enough to save your
0:23:04 > 0:23:07favourites. Pick up the phone to do your bit for our boys and girls.
0:23:07 > 0:23:15Now for our next couple, Audley Harrison and his partner, Natalie.
0:23:15 > 0:23:20APPLAUSE Another couple that you all love, I
0:23:20 > 0:23:24know. Audley is such a mountain of a man. I said, "I bet there's
0:23:24 > 0:23:29nothing in this world that scares you." He said, "Well I'm not keen
0:23:29 > 0:23:35on those four legged things with tails that swish round your
0:23:35 > 0:23:43ankles." I said "You mean rats?" He said, "No, I mean horses." Isn't
0:23:43 > 0:23:49that a stupid joke. That's stupid. Here they are in training.
0:23:49 > 0:23:52Last Saturday was amazing. I just want you to push it more, take
0:23:52 > 0:23:56ownership of the dance and feel confident leading Natalie around.
0:23:56 > 0:24:00You're getting there. You should be proud. That feels fantastic, when
0:24:00 > 0:24:04it mattered most we got a higher score and I danced to the best of
0:24:04 > 0:24:08my ability. That's what you do when you're under pressure, you put in a
0:24:08 > 0:24:12great performance. That is amazing. I was in the bottom two for the
0:24:12 > 0:24:17third time. I said, you know what, I'm down but not out. There's still
0:24:17 > 0:24:21a chance that I could stay in the show. That's how it panned out.
0:24:21 > 0:24:28Surviving again... Audley and Natalie.
0:24:28 > 0:24:36# I'm a survivor, keep on surviving. The cha-cha-cha is that Latin
0:24:36 > 0:24:40flavour. This is where I've got to go for it. Red light. Focused,
0:24:40 > 0:24:44ready to rumble. Come on, take charge, lead me. What I want Audley
0:24:44 > 0:24:48to do this week is lead, lead me. That's so weak. He has to lead.
0:24:48 > 0:24:54He's got no choice. We lead with our hands come on. Go.
0:24:54 > 0:24:59competition is getting very touch. If you're not improving technically,
0:24:59 > 0:25:03then why are you here? Amazing, again. This is a Latin dance.
0:25:03 > 0:25:11Saturday night we're going to be ready to light up the dance floor.
0:25:11 > 0:25:21Cha-cha-cha. It is hot in here, Dancing the cha-cha-cha, Audley
0:25:21 > 0:25:21
0:25:21 > 0:26:59Apology for the loss of subtitles for 43 seconds
0:26:59 > 0:27:05CHEERING AND APPLAUSE Audley, you amaze me every week. A real bit of
0:27:05 > 0:27:10rhythm there, for a big guy, you really move. Bruno? Audley, before
0:27:11 > 0:27:17I speak, I really, really like you, you know, but... Cha-cha-cha,
0:27:17 > 0:27:21timing, timing, timing, precision, precision, precision. There wasn't
0:27:21 > 0:27:25hardly any. I mean, the National Rail on a bank holiday has better
0:27:25 > 0:27:29timing. I know you're cool and relaxed and laid back. You know
0:27:29 > 0:27:35you're a great personality, yes. But at this stage, you should give
0:27:35 > 0:27:43us more impact on this Latin dances, you should hit it. Go for it,
0:27:43 > 0:27:50sharper, cleaner, finish it. I do like you, though, I like you a lot.
0:27:50 > 0:27:58Now then, Craig? I don't actually mean to be awful, but it was leaden,
0:27:58 > 0:28:02heavy, laboured. It was torpid and not your finest hour.
0:28:02 > 0:28:08There wasn't yours either. Len, what did you think? I've got the
0:28:08 > 0:28:16feeling the only way you're going to Wembley is on the Jubilee Line.
0:28:16 > 0:28:24Oh, well. Hold your horses... Listen, they're actually wrong,
0:28:24 > 0:28:28your timing was very, very good. You never went off the time. You
0:28:28 > 0:28:32had rhythm. It wasn't your best dance, but you did your best. I
0:28:32 > 0:28:37think that's very important that everyone comes out and gives it
0:28:37 > 0:28:41their best shot and that you did. Yes, taking that into consideration,
0:28:41 > 0:28:46the size of the man wha. About you Alesha? It's harsh what the judges
0:28:46 > 0:28:50are saying, but some of it is true. This dance exposed you. I know
0:28:50 > 0:28:54you're working hard and trying, I mend you for that. I don't think
0:28:54 > 0:29:03this particular dance suited you. Difficult dance, but don't listen
0:29:03 > 0:29:13to them. You're my favourite. APPLAUSE
0:29:13 > 0:29:21
0:29:21 > 0:29:25Come on up here. You bring the ballroom fight every week. Go on...
0:29:25 > 0:29:30You always manage to do the best performance on the night,
0:29:30 > 0:29:40congratulations for that. comments were harsh. Is it the
0:29:40 > 0:29:46Jubilee Line? Or the Met row poll tan? -- metropolitan. The ballroom
0:29:46 > 0:29:50hold is more suited to me. I gave it my best shot. I didn't get the
0:29:50 > 0:30:00routine wrong, but punching it, it was hard to get it. I gave it my
0:30:00 > 0:30:15
0:30:16 > 0:30:19best shot. That's what we love Where's Craig going with three says
0:30:19 > 0:30:24Audley. He'll be running out of the building by the time you get hold
0:30:24 > 0:30:28of him. Make a note of this number, and call later if you want Audley
0:30:28 > 0:30:32to step into the arena for another bout of dancing next week. Are you
0:30:32 > 0:30:36up for that? Definitely, 100%. Hopefully ballroom as well. Yeah,
0:30:36 > 0:30:41American smooth. All of our stars will need your
0:30:41 > 0:30:45votes. Now for our next couple, Harry Judd
0:30:45 > 0:30:51and his partner... CHEERING
0:30:51 > 0:30:56He's got a partner, Aliona! Can't stop it.
0:30:56 > 0:31:03Very popular man. And getting more popular every week. Now this week
0:31:03 > 0:31:09one of his fans got into his dressing room, puckered up and left
0:31:09 > 0:31:11a great big lipstick mark on his mirror. And if you do it again,
0:31:11 > 0:31:17Bruno... LAUGHTER
0:31:17 > 0:31:24You're going to be in trouble. I'm warning you. OK, here they are in
0:31:24 > 0:31:27training. On last week's show, I was so happy
0:31:27 > 0:31:32with my performance, because I'd had such a stressful week. It built
0:31:32 > 0:31:37up to that one moment. I thought it was absolutely fantastic. I think
0:31:37 > 0:31:41you're having fun. But I want you to kick it up a notch, really let
0:31:41 > 0:31:48go. The competition is getting harder and harder. I have to, each
0:31:48 > 0:31:55week, make it my goal to up my game. This week is the Argentine tango.
0:31:55 > 0:31:59Things were going smoothly until Tom and Danny dts came in dressed
0:31:59 > 0:32:04as gauchos. We have come to assist you with your Argentine tango.
0:32:04 > 0:32:13didn't really help. In fact, they.opposite. Show us what you've
0:32:13 > 0:32:19got. I feel sorry for her. We've doing some practise. I think we
0:32:19 > 0:32:27could do better. Music maestro. think we intimidated him a bit.
0:32:27 > 0:32:35really pulled it out of the bag. It's like black belt in karate. You
0:32:35 > 0:32:41only get a black tache when you have mastered the dance. McFab-U-
0:32:41 > 0:32:46lus. Don't worry if you can't get up to that standard by Saturday.
0:32:46 > 0:32:51Don't expect to be as good as you guys, but thanks for the help. I'll
0:32:51 > 0:32:57be thinking of Tom and Danny on Saturday night? No I won't.
0:32:57 > 0:33:07No help whatsoever. Dancing the Argentine tango, Harry Judd and
0:33:07 > 0:33:07
0:33:07 > 0:34:43Apology for the loss of subtitles for 43 seconds
0:34:44 > 0:34:53CHEERING AND APPLAUSE Our first standing ovation. Oh, yes. They are
0:34:54 > 0:34:56
0:34:56 > 0:35:00wild about Harry. Look at this! That says it all. What can I say?
0:35:00 > 0:35:06You're working so well together and all this, oh, I tell you, it was
0:35:06 > 0:35:11beautiful. OK Craig, what did you think? It had authority, dominance,
0:35:11 > 0:35:20command, control. It was filth and I loved it!
0:35:20 > 0:35:26APPLAUSE Craig, do you want one of your pill
0:35:26 > 0:35:29snlz I've had one, darling. pink one. Right OK. I do understand
0:35:29 > 0:35:36Craig and I understand the audience standing and everything else,
0:35:36 > 0:35:45because it was a very, very clever routine. But, for me, where was the
0:35:45 > 0:35:51intensity of it? I want to be... Look I know, the steps were great.
0:35:51 > 0:35:56But it's all about the mood of being transported to a club in
0:35:56 > 0:36:06Buenos Aries. I didn't feel that. I felt it was placed, clinical,
0:36:06 > 0:36:08
0:36:08 > 0:36:18neat... There was no passion you silly little thing.
0:36:18 > 0:36:24Wash your mouth out. I do apoll -- I do apologise to all and sun dri.
0:36:24 > 0:36:28Sorry. I think Len is jet lagged. It was intense, strong, sexy,
0:36:28 > 0:36:31passionate, incredible control. I've said to you before, you hold
0:36:32 > 0:36:41your body so well, and that's the strength of body you needed for
0:36:41 > 0:36:48that dance. You delivered it. Great job.
0:36:48 > 0:36:52I'll tell you what it was, it was moodier than a thunder storm in the
0:36:52 > 0:36:57pampas. I'm telling you that! It was strong, manly, with a mean
0:36:57 > 0:37:02streak, which is exactly what the Argentine tango should be about.
0:37:02 > 0:37:05You're hooks were absolutely, the ganch yoz is what they are called,
0:37:05 > 0:37:13perfect. You've never been stronger. You've never been more attractive.
0:37:13 > 0:37:23APPLAUSE I should get off quick. Guard him.
0:37:23 > 0:37:28
0:37:28 > 0:37:33Away you go. What about that, that was McFab-u-
0:37:33 > 0:37:39lus. Craig loved it. Bruno loved it even more. Craig and Len arguing
0:37:40 > 0:37:43over you. What's that like? It's fun to watch actually. I mean, as I
0:37:43 > 0:37:47always say everyone's entitled to their opinion. Tonight I felt the
0:37:47 > 0:37:53passion. I really enjoyed that. Probably my favourite so far.
0:37:53 > 0:37:56audience loved it. You had a standing ovation. Everyone's
0:37:56 > 0:38:00entight told their own opinion, I respect Len's opinion. But I am
0:38:01 > 0:38:03saying I did enjoy that. Three huge lifts. Good to see you putting
0:38:03 > 0:38:13those guns to good use, Aliona. Good work.
0:38:13 > 0:38:37
0:38:37 > 0:38:43It's raining tens! Congratulations. 37, two tens, your highest score.
0:38:43 > 0:38:49How does that feel? Amazing. Best moment by far. What do you think?
0:38:49 > 0:38:53The number to call later if you want our Harry to sizzle on the
0:38:53 > 0:38:56dance floor next Saturday. Next week, eight of our couples will
0:38:56 > 0:39:03dance at Wembley Arena. No-one wants to be left behind on the
0:39:03 > 0:39:09bench. Next up is Jason and his partner
0:39:09 > 0:39:13Kristina. CHEERING AND APPLAUSE I know you've
0:39:13 > 0:39:17been looking forward to them. Right, they're doing the Viennese waltz. I
0:39:17 > 0:39:24said to Jason, "You'll be the second most famous Australian ever
0:39:25 > 0:39:31to do the Viennese waltz." He asked who was the most famous. I said
0:39:31 > 0:39:34"Waltzing Matilda." Don't laugh. I met her! In fact, I danced with her.
0:39:34 > 0:39:41It was like dancing with an Australian rugby player with a
0:39:41 > 0:39:48frock on. Any way, talk about give us a twirl, here they are in
0:39:48 > 0:39:54training. I have to say the rumba I loved.
0:39:54 > 0:40:03There were -- was great stuff in that routine. I got a little bored.
0:40:03 > 0:40:10It waents there. -- It wasn't there. You win some, you lose some. I'm an
0:40:10 > 0:40:12Aussie. You fight back. Jason. Kristina, I'm ready for dancing.
0:40:13 > 0:40:20The Viennese waltz is far more difficult than I thought. I can see
0:40:20 > 0:40:23you going argh. No, I'm not. Swins will be a challenge. Quicker, no.
0:40:23 > 0:40:28I've lost you. Kristina has arranged something slightly strange
0:40:28 > 0:40:32in order to sort out my diziness. What is that? Come on Jason, enjoy
0:40:32 > 0:40:37the ride. I'm feeling like I'm trapped in a thing that's round and
0:40:37 > 0:40:44it's going to spin me right round, baby, right round. Do you want to
0:40:44 > 0:40:48go faster? Kristina, I think I'm going to throw up. It was good fun.
0:40:48 > 0:40:53Come on now, Jason. I am loving Strictly. I'm having such a great
0:40:53 > 0:41:01time. As long as my friends and family are enjoying watching me,
0:41:01 > 0:41:05I'm happy. I feel great. Jason, I've been watching you on the show
0:41:05 > 0:41:15and you look every bit as good as you did 23 years ago. You're doing
0:41:15 > 0:41:19
0:41:19 > 0:41:29fantastically well. Keep it up and Dancing the Viennese waltz, Jason
0:41:29 > 0:41:29
0:41:29 > 0:43:09Apology for the loss of subtitles for 43 seconds
0:43:09 > 0:43:15CHEERING AND APPLAUSE Lovely, lovely. Jason, Kristina, a lovely
0:43:15 > 0:43:19Viennese waltz. I tell you, Len start us off. Lovely foot work,
0:43:19 > 0:43:23lyrical movement. You attempted the fleckerl, a difficult step, that
0:43:23 > 0:43:28standing thing. You did that pretty good. I liked it a lot. I'm telling
0:43:28 > 0:43:34you, it was very, very good. Well done.
0:43:34 > 0:43:37All right then. Alesha, what did you think? A very dramatic Viennese
0:43:37 > 0:43:41waltz. Great movement around the floor and I love the connection
0:43:41 > 0:43:48between you both. You really danced together tonight. I love the fight
0:43:48 > 0:43:55in you, Jason. Good job. OK Bruno? That had such drive. You were back
0:43:55 > 0:43:59in the zone tonight, Jason. On it all the way through. You used some
0:43:59 > 0:44:04very intricate choreography to your advantage, everything had a meaning.
0:44:04 > 0:44:10You never, never lost of style. Well done.
0:44:10 > 0:44:15There you are. Can't argue with that. Now then, Craig finish us off.
0:44:15 > 0:44:20This dance could be a ten, but it's not because your arms are letting
0:44:20 > 0:44:24you down. You must work on them. The hands are still flat. The arms
0:44:24 > 0:44:27are wooden. You've got to extend from the shoulder to the elbow,
0:44:27 > 0:44:31through to the wrist and then to the end of the fingers. You have to
0:44:31 > 0:44:40have shaping. Without that, it's just going to look like it is and
0:44:40 > 0:44:45remain a poor ballroom. It's a shame.
0:44:45 > 0:44:55It was amazing. You're picking on his thumb. It's not perfect,
0:44:55 > 0:44:56
0:44:56 > 0:45:01darling. Just A Minute, children, children! CHILDREN!
0:45:01 > 0:45:04You said you're working on that. You're conscious of it. You're
0:45:04 > 0:45:14working on it. It's all going so well. We loved it.
0:45:14 > 0:45:21
0:45:21 > 0:45:25It's the spin doctor. Back in the zone said Bruno. Looks like you've
0:45:25 > 0:45:29got your mojo back. It felt like it was there. It felt like the
0:45:29 > 0:45:32character was there. I tried to float it and make it a lot softer
0:45:32 > 0:45:36than the dress run today. You know, sometimes it works and sometimes it
0:45:36 > 0:45:38doesn't. I think that's the nature of the competition. I think it
0:45:38 > 0:45:46worked. What do you think? APPLAUSE
0:45:46 > 0:45:51We try our best. As a seasoned performer, you are must relish the
0:45:51 > 0:45:54thought of Wembley. It's massive. I'm grateful we've got this far.
0:45:54 > 0:45:58There's such an incredible amount of talent here. True.
0:45:58 > 0:46:03LAUGHTER There is, even James is looking
0:46:03 > 0:46:07good tonight. Wembley is a massive thing. Thanks to the British public
0:46:07 > 0:46:17for voting for us and getting us that far. That's the most important
0:46:17 > 0:46:37
0:46:37 > 0:46:4234! Was there a discrepancy in the score there's? Just waiting to hear,
0:46:42 > 0:46:49we'll come back to you. Write down this number if Jason and Kristina
0:46:49 > 0:46:54get your vote, and call later if you want our waltzing aud -- Aussie
0:46:54 > 0:46:58to say "Hello Wembley". I am sure it will be something special.
0:46:58 > 0:47:03get there, it will be amazing. week, it is a Strictly first. We're
0:47:03 > 0:47:09moving to Wembley Arena. Yeah baby. Where our remaining stars have the
0:47:09 > 0:47:15pleasure of dancing live in front of more than 6,000 people. And
0:47:15 > 0:47:22they'll be following in the glitzy footsteps of legendary Wembley
0:47:22 > 0:47:26performers and one in particular springs to mind.
0:47:26 > 0:47:33They await the appearance now of a professional entertainer, Bruce
0:47:34 > 0:47:38Forsyth. He's been entertaining us for years. The man is a legend.
0:47:38 > 0:47:48Shouldn't he get his nighthood by now? True.
0:47:48 > 0:47:50
0:47:50 > 0:47:56Get ready for a Savage special. Twinkle toes.
0:47:56 > 0:48:01COMMENTATOR: Right in the corner. Didn't he do well.
0:48:01 > 0:48:08Who's that over there? Apparently some sort of entertainment legend
0:48:08 > 0:48:13over here. Really, he's no Rolf Harris.
0:48:13 > 0:48:21Nice one, Brucie. Nice one son. COMMENTATOR: Nice one Brucie, is
0:48:21 > 0:48:26the cry. Nice to see you, to see you... NICE! That Catchphrase will
0:48:26 > 0:48:33never catch on. Anybody here from Newcastle? Anybody here from
0:48:33 > 0:48:37Liverpool? What's Brucie doing here? He's probably here promoting
0:48:37 > 0:48:42his Wembley show next week. What that generation game? Nah,
0:48:42 > 0:48:46something to do with dancing. that dancing show on prime time BBC
0:48:46 > 0:48:50One on Saturday night. Which celebrity would sign up for that?
0:48:50 > 0:48:56Nice one Brucie, let's have another one.
0:48:56 > 0:49:03Isn't that great! Just to clarify, that was a nine from Bruno, giving
0:49:03 > 0:49:08Jason and Kristina an overall total of 35. Even better. What about that.
0:49:08 > 0:49:11I want to see my bit at Wembley again.
0:49:11 > 0:49:18Any way, remember, any way, didn't I do well at that?
0:49:18 > 0:49:24APPLAUSE Just A Minute, didn't I look young!
0:49:24 > 0:49:26And virile and strong. All right, all right. Our next couple tonight
0:49:26 > 0:49:35is Chelsee Healey and her partner, Pasha.
0:49:35 > 0:49:40APPLAUSE And they are doing the foxtrot. It
0:49:40 > 0:49:44mean that's Chelsee has to be a lady. She does a wonderful job.
0:49:44 > 0:49:50When I saw her this afternoon she was holding her little finger out
0:49:50 > 0:49:55at exactly the right angle while she was drinking a pint of stout.
0:49:56 > 0:50:03In one go. What a little lady, I mean, ladette. Any way, here they
0:50:03 > 0:50:07are in training. Since the first week, I've just
0:50:07 > 0:50:12realised how much work I've got to put in to pull off a dance on the
0:50:12 > 0:50:19night. You keep dancing like that and nobody's going to put you in
0:50:19 > 0:50:23the corner. Nine! To get all nines was a brilliant feeling. This
0:50:23 > 0:50:31foxtrot is fast, precise and above all, sophisticated. Everything that
0:50:31 > 0:50:36I'm not. Swan wings instead of chicken wings. Chelsee naturally
0:50:36 > 0:50:45bursts into a funky dance and when she laughs, she snorts a little bit.
0:50:45 > 0:50:52She's a little bit like Eliza Doolittle. We're trying to turn her
0:50:52 > 0:50:57into a real lady. It's posh in here. Repeat after me. The rain in Spain
0:50:57 > 0:51:07stays mainly on the plain. The rain in Spain stays mainly on the plain.
0:51:07 > 0:51:14
0:51:14 > 0:51:23Wonderful. Oh, brilliant. I'm still starving. Excuse me there young man,
0:51:23 > 0:51:33do you have any pie and mash? afraid not Madam. That's more like
0:51:33 > 0:51:43it. Come on Paddy Ashdown, tuck in. Dancing the foxtrot, Chelsee Healey
0:51:43 > 0:51:43
0:51:43 > 0:53:22Apology for the loss of subtitles for 43 seconds
0:53:22 > 0:53:26CHEERING AND APPLAUSE Lovely, Chelsee. That was beautiful. What a
0:53:26 > 0:53:32lovely long slide you did there, did you have a cushion underneath?
0:53:32 > 0:53:36No, but I've hurt my back. Only joking. Don't joke like that dear.
0:53:36 > 0:53:40Sorry. Alesha? Elegant, graceful. Wonderful arm placement as usual
0:53:40 > 0:53:45and great control. You're equally as strong in ballroom dancing as
0:53:45 > 0:53:51you are in Latin. That makes you the one to beat. Tonight, you truly
0:53:51 > 0:53:58are a lady. Absolutely stunning. There you go! The grace you have
0:53:58 > 0:54:02abeautiful. Bruno? Oh, yes, my fair Chelsee. You are a gorgeous little
0:54:02 > 0:54:07thing. And so sophisticated tonight. In your arms particularly. It
0:54:07 > 0:54:15really was like the soft wings of a dove. I adore you. You were
0:54:15 > 0:54:19gorgeous. Right how about you Craig? You are
0:54:19 > 0:54:25hopping on that last turn a bit, because you lost your centre, sadly,
0:54:25 > 0:54:32but you're starting to tick all my boxes. Well done.
0:54:32 > 0:54:35And your boxs are very hard to tick. They are indeed. Len? Well, you
0:54:35 > 0:54:41will also tick all my boxes if you work on your foot work a little bit
0:54:41 > 0:54:44more and try to just get the correct foot work. But I love
0:54:44 > 0:54:52watching you. I don't expect you to be able to dance with this much
0:54:52 > 0:54:57ease and elegance. Well done. Just A Minute. I'm giving you
0:54:57 > 0:55:07permission to go and have another pint of stout. Yes! Off you go.
0:55:07 > 0:55:14
0:55:14 > 0:55:19Pasha, well done. Sophisticated, have you ever been
0:55:19 > 0:55:26called that before? Never, no. you still in character? By gosh, I
0:55:26 > 0:55:30am. By gosh, you've changed. I've definitely not changed. From party
0:55:30 > 0:55:40girl to foxtrot lady. Where do you hide all that lovely energy. It's
0:55:40 > 0:55:59
0:55:59 > 0:56:03contained tonight. She's a Princess Possibly the best reaction to a ten
0:56:03 > 0:56:08we've ever had. Amazing, congratulations. Happy with that,
0:56:08 > 0:56:16safe to say. I am, very happy. nine from Craig, whoa, ticking his
0:56:16 > 0:56:19boxles. The number to ring later on if you want our northern light to
0:56:19 > 0:56:24brighten up Wembley Arena next week. Sound good? Very, very, very, very
0:56:24 > 0:56:28good. Still to come: Find out what
0:56:28 > 0:56:33happens when Holly dances a rumba with new partner, Brendan.
0:56:33 > 0:56:43Looking forward to that. Plus our Russell is rough and ready
0:56:43 > 0:56:43
0:56:43 > 0:56:48with his American smooth. I can't Lots to come. Next tonight is Anita
0:56:48 > 0:56:54Dobson and her partner, Robin. APPLAUSE
0:56:54 > 0:56:58She's lovely that Anita. And do you know, at 62, Anita is the oldest
0:56:58 > 0:57:03person left in this competition. I said to her, "What's it like
0:57:03 > 0:57:08spending so much time with young people half your age?" He said,
0:57:08 > 0:57:15"You should know. You're doing it now." Wasn't that hurtful? Why did
0:57:15 > 0:57:21she turn on me. Here they are in training.
0:57:21 > 0:57:25Last Saturday's show, I loved it. It was absolutely skit rating. --
0:57:25 > 0:57:32exhilirating. Now I see why you're a national treasure. I didn't
0:57:32 > 0:57:36realise I'd become one. I hope to be a global treasure one day. We're
0:57:36 > 0:57:41doing the Argentine tango, which is quite scary. I hate this bit.
0:57:41 > 0:57:46hate this. We need seduction, sensuality, intensity, which is
0:57:46 > 0:57:50going to be quite difficult because we're always about fun. We have
0:57:50 > 0:57:54trouble being serious and looking at each other. No more giggles this
0:57:54 > 0:58:00week. The laughter police are here. No smiling. It's all about the
0:58:00 > 0:58:10seriousness of the dance. So Anita, this is a test. There'll be no
0:58:10 > 0:58:19
0:58:19 > 0:58:28smiling in this room, OK? Tickle, No smiling.
0:58:28 > 0:58:30# Where you from, you sexy thing? # # We will, we will rock you #
0:58:30 > 0:58:40No laughing. LAUGHTER
0:58:40 > 0:58:42
0:58:42 > 0:58:52Now that is funny. Dancing the Argentine tango, Anita
0:58:52 > 0:58:52
0:58:52 > 1:00:24Apology for the loss of subtitles for 43 seconds
1:00:24 > 1:00:32CHEERING AND APPLAUSE I tell you what, what about that?! Look at
1:00:32 > 1:00:42this. Anita, look! Enjoy all this. And
1:00:42 > 1:00:48
1:00:48 > 1:00:57The story, don't tell me what the story was all about. It was there,
1:00:57 > 1:01:03the drama. Well Bruno? Oohhh, Anita, unleashes her basic instinct. All
1:01:03 > 1:01:08sexy mama, queen of drama, you can tango.
1:01:08 > 1:01:13And all that kicking and you missed him every time. You were going for
1:01:13 > 1:01:16it, but you missed. Craig? I didn't think you were entirely responding
1:01:16 > 1:01:20to Robin's lead and that's what needs to happen in this dance.
1:01:20 > 1:01:25There needs to be a lot more cross and throw away to every single
1:01:25 > 1:01:32gauncho you do. I love the spinning you do. It's amazing. I thought the
1:01:32 > 1:01:37routine was absolutely fantastic. Great choreography, but the drama
1:01:37 > 1:01:40in the whole thing was electrifying. Len? It smouldered. You know what I
1:01:40 > 1:01:46mean, I liked the feeling of the dance. I liked the little touch
1:01:46 > 1:01:49that's came. Robin look as way, come back here, you. And for me,
1:01:49 > 1:01:53that's what Argentine tango is about, it's about creating a mood
1:01:53 > 1:02:00and an atmosphere. I felt you got that.
1:02:00 > 1:02:03Yes, you certainly did. Alesha, were you moved? You totally drew me
1:02:03 > 1:02:11into the story. And you look sensational. I just want to say
1:02:11 > 1:02:15that. You still need to work on strengthening your body, overall I
1:02:15 > 1:02:20loved the drama. The intensity and the mood you created, good job.
1:02:20 > 1:02:30You are a revelation. Robin, well done with this fine lady. Off you
1:02:30 > 1:02:32
1:02:32 > 1:02:39go. Be very proud. Yes, Anita, we salute you up here!
1:02:39 > 1:02:42Yes indeed. Queen of drama, you sexa mama said Bruno. So much
1:02:42 > 1:02:47Argentine attitude. The serious tango we have found a dance that
1:02:47 > 1:02:57wipes the smile off your face. indeed. There it is, the Strictly
1:02:57 > 1:03:11
1:03:11 > 1:03:17smile. We loved it. The scores are 33! That's a great score. The smile
1:03:17 > 1:03:22is back in place. Call when lines open later if you want Anita and
1:03:22 > 1:03:26her million dollar smile to light up the dance floor next Saturday.
1:03:26 > 1:03:34At bbc.co.uk/Strictly keep up do- to-date with the back stage
1:03:34 > 1:03:38ballroom and updates and exclusive gossip. We're also on Twitter. Time
1:03:38 > 1:03:42for the next couple, Holly Valance and her partner, for this week,
1:03:42 > 1:03:50Brendan Cole. CHEERING
1:03:50 > 1:03:54Now, due to Artem's injury, which I'm sure you've all heard about,
1:03:54 > 1:03:58Brendan has gallantly stepped in to take his place. It's been such an
1:03:58 > 1:04:06eventful week, to say the least. Forget all the rumours, here's
1:04:07 > 1:04:10exactly what happened. Last week, we almost didn't make it
1:04:10 > 1:04:16on stage because Artem had been pretty seriously injured. He hurt
1:04:16 > 1:04:20his back. I said to myself, all of that work will go to nothing if I'm
1:04:21 > 1:04:26not going to perform that night. The doctor told me that if you
1:04:26 > 1:04:31maintain the pain level, you can do it. I wasn't surprised by how well
1:04:31 > 1:04:37he handled it I. I knew he would go and be all Russian about it and
1:04:37 > 1:04:41dance all out. Things went fantastically. Second ain't bad.
1:04:41 > 1:04:49Because of Artem's injury, I was a bit of a damsel in distress this
1:04:49 > 1:04:55week. Oh, Artem. But luckily any knight in shining armour arrived.
1:04:55 > 1:05:02Fear not Princess Holly. I'm here to save the day. Fancy coming and
1:05:02 > 1:05:06dantsing with me? Brendan! Holly is adjusting OK to a new partner. It's
1:05:06 > 1:05:11a weird situation. You get so close to your partner, then all of a
1:05:11 > 1:05:16sudden, in comes the new guy. Brendan Cole's got my hand. Just
1:05:16 > 1:05:21what you've always wanted. Artem is doing the choreography. Even though
1:05:21 > 1:05:25I'm in the chair most of the time, I cannot just sit down. I should be
1:05:25 > 1:05:32doing nothing, but I can't help it. This has been a really tough week,
1:05:32 > 1:05:42but the show must go on and thanks to Brendan, it can.
1:05:42 > 1:05:42
1:05:42 > 1:07:21Apology for the loss of subtitles for 43 seconds
1:07:21 > 1:07:25Dancing the rumba, Holly Valance CHEERING AND APPLAUSE Well done
1:07:25 > 1:07:32both of you. How about that. That was wonderful.
1:07:32 > 1:07:36A wonderful mood. Craig, will you start us off? I thought we'd got
1:07:36 > 1:07:45rid of you, Brendan. Actually, I'm quite pleased you're back, because
1:07:45 > 1:07:49I am loving this new partnership. It's really, really good. Amazing.
1:07:49 > 1:07:53Len? It was all very nice and precise. I would like you to get a
1:07:53 > 1:07:59little bit more emotionally involved in the dances. You know,
1:07:59 > 1:08:09it just lacked that. Just get a bit more togetherness going on. Alesha?
1:08:09 > 1:08:09
1:08:09 > 1:08:13And look up. Not you. Considering you've had to change partners this
1:08:13 > 1:08:17week, you have done exceptionally well. I cannot imagine that what
1:08:17 > 1:08:21that must have felt like. Well done to you Brendan. All the basic steps
1:08:21 > 1:08:25were there. I did feel the emotion. The only thing I would say, I think
1:08:25 > 1:08:30there's so much more to come from you, and I look forward to seeing
1:08:30 > 1:08:37You move beautifully. Your body's so sinnuous. You have sex within
1:08:37 > 1:08:45you. Len is right, I could see more outward, but this routine was very,
1:08:45 > 1:08:55very good. Very, very good. I did put myself forward. Away you go. It
1:08:55 > 1:09:01
1:09:01 > 1:09:06was wonderful! Come on. We have Artem here. Were you proud
1:09:06 > 1:09:09of Holly's performance? Absolutely, 100%. It was awesome.
1:09:09 > 1:09:15professional partners for the price of one. Can't be bad. I a very
1:09:15 > 1:09:25lucky girl. Craig is loving this new partnership. Really well done.
1:09:25 > 1:09:38
1:09:38 > 1:09:42We wish you a speedy recovery. 34 out of 40. That's a top score.
1:09:42 > 1:09:47Everyone else had nine weeks to get to know their partner. How many
1:09:47 > 1:09:50days did you have? Five, four? cannot tell you how fantastic the
1:09:50 > 1:09:56week has been. This girl is a gem. Well done Artem. That must have
1:09:57 > 1:10:00been hard. Well done. Call later when phone lines open if you don't
1:10:00 > 1:10:07want Holly to leave right now and you want her back for more next
1:10:07 > 1:10:11week. One more performance to come. Have we saved the best till last?
1:10:11 > 1:10:15OK, our final couple is Russell Grant and his partner, Flavia.
1:10:15 > 1:10:23APPLAUSE There we are. Everybody loves this
1:10:23 > 1:10:28man. Over the past few weeks, Russell has been told he needs to
1:10:28 > 1:10:33be more macho. More masculine. I said "What dance are you doing
1:10:33 > 1:10:43tonight?" He said, "The American smooth. That's macho and very
1:10:43 > 1:10:44
1:10:44 > 1:10:52masculine. What song are you dancing to? He said, "I Am What I
1:10:52 > 1:10:57Here they are in training. Going out there to sit on a horned bull
1:10:57 > 1:11:07was just fantastic. It had all the ingredients of fun
1:11:07 > 1:11:13and we just loved it. Deplted and fabulous at the same time, I --
1:11:14 > 1:11:17demeanted and fabulous at the same time. I loved it. You could give me
1:11:18 > 1:11:26whatever scores you want and I would still dance. I try my best,
1:11:26 > 1:11:30but I'm always going to be Mr Show business. Astonishing. This week's
1:11:30 > 1:11:34number is so me, it makes me feel like bursting into song.
1:11:34 > 1:11:40# I am what I am # I don't want praise
1:11:40 > 1:11:47# I don't want pity # I get this urge that comes all over
1:11:47 > 1:11:52me. I don't know what it is. Is it called musicality? It's showbiz.
1:11:52 > 1:11:57# So what if I love each feather and each bangle #
1:11:57 > 1:12:00Because he loves the song so much, he wants to sing along. Obviously,
1:12:00 > 1:12:10he doesn't concentrate on what his feet are doing. I need to do that
1:12:10 > 1:12:10
1:12:10 > 1:12:19again. Russell, are you finished yet? I'm sorry guys, but we have a
1:12:19 > 1:12:29show to put on on Saturday. Rehearsals, come on.
1:12:29 > 1:12:29
1:12:29 > 1:14:16Apology for the loss of subtitles for 43 seconds
1:14:16 > 1:14:26Dancing the American smooth, CHEERING AND APPLAUSE What about it.
1:14:26 > 1:14:28
1:14:29 > 1:14:33Come back here. Well done again. That was fantastic.
1:14:33 > 1:14:37I don't know how you manage not to overdo it.
1:14:37 > 1:14:40LAUGHTER Any way, Len? Well, I am what I am.
1:14:40 > 1:14:45You are what you are. And that was what that was.
1:14:45 > 1:14:53LAUGHTER You came out from that screen like
1:14:53 > 1:14:58a giant ferero roche. It made me laugh honestly. Well done. Alesha?
1:14:58 > 1:15:02That certainly was the dance of two halves. The first half, a good mix
1:15:02 > 1:15:08of steps and the second half a snapshot of your imagination. It
1:15:08 > 1:15:14looks like a fun place to be. couldn't wait to get out of that
1:15:14 > 1:15:21closet, could you? APPLAUSE
1:15:21 > 1:15:31You literally exploded out of it like, you really are your own
1:15:31 > 1:15:34
1:15:34 > 1:15:42special creation. Craig? Immortal, darling.
1:15:42 > 1:15:46APPLAUSE Is that it? It was sensational,
1:15:46 > 1:15:56both of you. Well done. What a week of laughs you must have had.
1:15:56 > 1:16:11
1:16:11 > 1:16:17Off you go. One word "wow". Look at this. Safe
1:16:17 > 1:16:21to say they loved it. Relove you Russell. Thank you, darling.
1:16:21 > 1:16:25Immortal darling, said Craig. It was absolutely brilliant. When you
1:16:25 > 1:16:28started this series, you had two goals: One to get to the Hallowe'en
1:16:28 > 1:16:32show and the other to get to Wembley. One down, one to go.
1:16:32 > 1:16:42well if I get to Wembley, I've got a big entrance.
1:16:42 > 1:17:08
1:17:08 > 1:17:12Have you? Another one. How you I'm transfixed by your golden eyes.
1:17:12 > 1:17:16Call shortly, if you want our show stopper Russell to dance at Wembley
1:17:16 > 1:17:24next Saturday. Would you be looking forward to the roar of over 6,000
1:17:24 > 1:17:29people? I thought you said roar of over 60. Any age will do me. That's
1:17:29 > 1:17:39it. All of our couples have pulled out all the stops, once again, with
1:17:39 > 1:17:46
1:17:46 > 1:17:56their fabulous routines. Let's have You can change all that. You have
1:17:56 > 1:18:03
1:18:03 > 1:18:07the power because the phone lines Lines close at 8.45pm. Voting
1:18:07 > 1:18:11details can be found at bbc.co.uk/strictly. To help you
1:18:12 > 1:18:21decide, here's a reminder of tonight's cracking routines and the
1:18:22 > 1:18:22
1:18:22 > 1:20:51Apology for the loss of subtitles for 43 seconds
1:20:51 > 1:20:55That's. You've all been marvellous. I hope you'll agree that our nine
1:20:55 > 1:21:00stars have done some something here that they should all be proud of.
1:21:00 > 1:21:05Sadly the couple with the lowest combined score will not be on the
1:21:05 > 1:21:09bus going to Wembley. They'll be leaving the competition. Make sure
1:21:09 > 1:21:13you pick up the phone. Your votes can change everything. Your stars
1:21:13 > 1:21:19need you. In the results show tomorrow at 7.25pm, Tess and