0:00:40 > 0:00:50This is Strictly Come Dancing The Results. Welcome our professional
0:00:50 > 0:00:50
0:00:50 > 0:02:56Apology for the loss of subtitles for 126 seconds
0:02:56 > 0:02:59CHEERING AND APPLAUSE Wow, what a lively start to our Strictly Sunday
0:02:59 > 0:03:03Results Show. Thank you very much. Now we're warmed up and ready. So
0:03:03 > 0:03:08Saturday night saw our nine couples deliver a ballroom box of delights
0:03:08 > 0:03:13in a bid to stay in the competition. Who'll be on the dance floor next
0:03:13 > 0:03:16week? And who'll be watching from their sofa? We're going to find out
0:03:16 > 0:03:20very soon. First let's say hello to the people who have to be cruel to
0:03:20 > 0:03:24be kind. For Craig, that's the perk of the job. It's our judges, Craig,
0:03:24 > 0:03:28Len, Alesha and Bruno! APPLAUSE
0:03:28 > 0:03:34What a lovely line up. Before we hear from them, let's see what else
0:03:34 > 0:03:43is on the show tonight. Hello Claudia!
0:03:43 > 0:03:50Thank you Tess. A stunning dance from Robin and Kristina. Plus he's
0:03:50 > 0:03:54the rock star of the classical world Andre Rieu is here. Here's a
0:03:54 > 0:04:04little of what happened during and after Saturday's show. What a great
0:04:04 > 0:04:08night. Yeah I'm anxious. I feel nervous.
0:04:08 > 0:04:16Touch-ups. Nervous. You realise we're about to go live in two
0:04:16 > 0:04:24minutes? Alex started us off with that jive and she really went for
0:04:24 > 0:04:29it. I had so much fun with you. Jived my little legs off.
0:04:29 > 0:04:31Incredible opening to the show. You were a joy to watch tonight. He's
0:04:31 > 0:04:41got potential to be better than you, this boy.
0:04:41 > 0:04:44I thought that the routine was rather good. Yay! You're getting
0:04:44 > 0:04:47better and better. So well done to you. That was the biggest dance of
0:04:47 > 0:04:57my life tonight. Hopefully it's enough to get to Wembley. You can
0:04:57 > 0:04:59
0:04:59 > 0:05:04only do your best. I'm afraid to say not your finest hour. Go for it,
0:05:04 > 0:05:10sharper, cleaner, finish it. Three. Maybe that's why the publish --
0:05:10 > 0:05:14public is saving me. Craig has never given me a decent score.
0:05:14 > 0:05:21Somebody has to be the worst and tonight it was Audley. It was filth
0:05:21 > 0:05:27and I love today! Where was the intensity of it? I think Len is jet
0:05:27 > 0:05:37lagged. We agree with Alesha. enjoyed it, but a little bit more
0:05:37 > 0:05:41sizzle. Get in there. Best night so far, by a long way.
0:05:41 > 0:05:47Jason's Viennese waltz I thought was really good. You were back in
0:05:47 > 0:05:52the zone tonight, Jason. This dance could be a ten, but it's not,
0:05:52 > 0:06:00because your arms are letting you down. We're here for the long haul.
0:06:00 > 0:06:04We ain't sprinters. We're long distance runners. You're equally as
0:06:04 > 0:06:09strong in your ballroom dancing as in the Latin, which makes you the
0:06:09 > 0:06:17one to beat. You are truly a lady. I need to be sophisticated and lady
0:06:17 > 0:06:24like. Hard work. You cheeky. I'm made up. Shell see has a
0:06:24 > 0:06:28naturalness about her. She just comes out and does it.
0:06:28 > 0:06:32Anita unleashes her basic instinct. For me that's what Argentine
0:06:32 > 0:06:36tango's about. It's about creating a mood and an atmosphere. I felt
0:06:36 > 0:06:46you got that. The intensity was there. You almost frightened me a
0:06:46 > 0:06:46
0:06:46 > 0:06:53little bit. Nine. We got three nines! This routine was very, very
0:06:53 > 0:06:58good. Good job. He's been amazing. Considering you've had to change
0:06:58 > 0:07:03partners this week, you have done exceptionally done. Couldn't be
0:07:03 > 0:07:07prouder. It's one of the best weeks I've had on Strictly. Really.
0:07:07 > 0:07:12nervous about Wembley. That is proper scary. But I want to say
0:07:12 > 0:07:22I've played Wembley. You really are your own special creation. What he
0:07:22 > 0:07:22
0:07:22 > 0:07:26lacks in technique, he makes up for 100%. They're wonderful. Robbie,
0:07:26 > 0:07:32you're wonderful. Because he has a wonderful time, we all have a
0:07:32 > 0:07:37wonderful time. Can I do one of my big leaps again? Chelsee and Harry
0:07:37 > 0:07:43at the top, and Audley at the bottom. And all the judges agree
0:07:43 > 0:07:48that perhaps that was his worst dance. Great night. I've loved it!
0:07:48 > 0:07:51A fabulous night of dancing, I think you'll agree, amazing. Who
0:07:51 > 0:08:00impressed you enough to secure their place at Wembley? The results
0:08:00 > 0:08:10are in. In no particular order, the first couple through to next week
0:08:10 > 0:08:28
0:08:28 > 0:08:38is... Robbie and Ola! Also through are... Chelsee and
0:08:38 > 0:08:51
0:08:51 > 0:09:01Pasha! Dancing again next week are...
0:09:01 > 0:09:10
0:09:10 > 0:09:20Jason and Kristina! The next couple safe is... Holly
0:09:20 > 0:09:23
0:09:23 > 0:09:33and Brendan! In the bottom two tonight and in
0:09:33 > 0:09:33
0:09:33 > 0:09:42danger of leaving the competition are... Audley and Natalie.
0:09:42 > 0:09:45The rest of you you have to wait to learn your fate.
0:09:45 > 0:09:49Alesha, Audley and Natalie are here for the fourth time. Can they
0:09:49 > 0:09:52possibly survive again? Audley has survived three times. He clearly
0:09:52 > 0:09:56has a lot of support. You never know what way it could go. I wish
0:09:56 > 0:10:01him the best of luck tonight. He's been a star. He can hold his head
0:10:01 > 0:10:05up high. He's been brilliant. That's what you want to see. That's
0:10:05 > 0:10:09all can you ask for. Never lost that smile. Len, what do you think
0:10:09 > 0:10:14of the standard of dancing from our celebrities at this stage? There's
0:10:14 > 0:10:17so many of them who are truly outstanding. I can't wait for the
0:10:17 > 0:10:21thing to continue. They're just going to get better and better.
0:10:21 > 0:10:25APPLAUSE Everybody's raising their game.
0:10:25 > 0:10:28Thank you judges. Over to you Claudia.
0:10:28 > 0:10:34Thank you, Tess. Congratulations to our first four safe couples. You
0:10:34 > 0:10:38are all over the moon. First, you, Mr Arm placement, as I'm going to
0:10:38 > 0:10:43call you, Robbie you cracked Craig, how happy were you? Happy, he's
0:10:43 > 0:10:48been playing hard to get. I think I've finally won him over. Chelsee
0:10:48 > 0:10:52your first ten. Yes! So happy. Massive congratulations. What's so
0:10:52 > 0:10:56sweet, every week you're like "I can't really dance. I'm moving
0:10:56 > 0:11:04around and there's music. Yeah then I'm going to go home." You got a
0:11:04 > 0:11:13ten. Do you feel like a dancer? I don't feel like a dancer. No, I
0:11:13 > 0:11:17don't. Do you realise now that you're good at it? No. Chelsee, by
0:11:17 > 0:11:19the way, on behalf of us all, you're really, really good at it,
0:11:20 > 0:11:25just so you know. APPLAUSE
0:11:25 > 0:11:29Jason, you're through. You wanted to get to Wembley. You've played
0:11:29 > 0:11:33there before. Is it terrifying or magnificent? It's such a big arena.
0:11:33 > 0:11:36Holly and myself are from Australia, you know, and I've even heard of
0:11:36 > 0:11:42Wembley in Australia, as a kid growing up with the football. To
0:11:42 > 0:11:45actually have played there, massive. I'm sure for all of us, it's a
0:11:45 > 0:11:49bench mark and that's where we've all wanted to get to. We're very
0:11:49 > 0:11:55excited. Congratulations. Lovely to see Artem there. Congratulations,
0:11:55 > 0:12:00you got your girl and boy through. She became an overnight success
0:12:00 > 0:12:05after one play of this song on an American dance show. It led to 18
0:12:05 > 0:12:15million u tube hits and a record deal. Here singing Jar of Hearts,
0:12:15 > 0:12:16
0:12:16 > 0:12:18welcome the brilliant Christina # I know I can't take one more step
0:12:18 > 0:12:24towards you, # Cause all that's waiting is
0:12:24 > 0:12:30regret # And don't you know I'm not your
0:12:30 > 0:12:40ghost anymore? # You lost the love I loved the
0:12:40 > 0:12:41
0:12:41 > 0:12:50most, # I learned to live half-alive
0:12:50 > 0:12:57# And now you want me one more time, # And who do you think you are?
0:12:57 > 0:13:04# Runnin' round leaving scars # Collecting your jar of hearts.
0:13:04 > 0:13:10# And tearing love apart # You're gonna catch a cold.
0:13:10 > 0:13:18# from the ice inside your soul # don't come back for me,
0:13:18 > 0:13:23# Who do you think you are? # and dear, it took so long just to
0:13:23 > 0:13:28feel alright, # Remember how to put back the
0:13:28 > 0:13:34light in my eyes # I wish I had missed the first
0:13:34 > 0:13:40time that we kissed, # 'Cause you broke all your
0:13:40 > 0:13:49promises. # and now you're back
0:13:49 > 0:13:53# you don't get to get me back. # And Who do you think you are?
0:13:53 > 0:13:59# Runnin' 'round leaving scars # Collecting your jar of hearts,
0:13:59 > 0:14:07# And tearing love apart # You're gonna catch a cold,
0:14:07 > 0:14:13# From the ice inside your soul # don't come back for me,
0:14:13 > 0:14:19# Don't come back at all # And who do you think you are?
0:14:19 > 0:14:25# Runnin' 'round leaving scars # collecting your jar of hearts,
0:14:25 > 0:14:31# tearing love apart # You're gonna catch a cold,
0:14:31 > 0:14:41# From the ice inside your soul # Don't come back for me,
0:14:41 > 0:14:43
0:14:43 > 0:14:53# Don't come back at all # Who do you think you are?
0:14:53 > 0:14:54
0:14:54 > 0:14:59CHEERING AND APPLAUSE Absolute lay maizing. Beautiful dancing from
0:14:59 > 0:15:02Robin and Kristina. Now we welcome the judges! Thank sow much for
0:15:02 > 0:15:07coming up here. This is when we look at the dances in detail. I've
0:15:07 > 0:15:14said it before, we can't do it alone. We need the help from...
0:15:14 > 0:15:18Len's Lens. Yes! Look at those lovely close-ups.
0:15:18 > 0:15:22Thank you again for coming up. The first thing I've got, a small gift
0:15:22 > 0:15:25to us all. It's not just about dance. It's also about singing this
0:15:25 > 0:15:35competition. We had Audley's microphone up. Have a listen to
0:15:35 > 0:15:43
0:15:43 > 0:15:47this. # Woo-hoo #
0:15:47 > 0:15:54It's lovely. He was in the mood. Len, I'm going to ask you about
0:15:54 > 0:15:59Jason and Kristina. I know you like getting specific. You used the F
0:15:59 > 0:16:03Word, the fleckerl. Was it perfect? No. What do you mean? It wasn't
0:16:03 > 0:16:09perfect. It's lovely. He's too high on his balls unfortunately. Having
0:16:09 > 0:16:14said that, it's a tricky thing. You have to do two in front, one behind.
0:16:14 > 0:16:17There he goes, two in front, look out and one behind. That is the
0:16:17 > 0:16:22fleckerl. It can go to the right which is the natural and it can go
0:16:22 > 0:16:26to the left which is the reverse. If I see that step, I always like
0:16:26 > 0:16:34it. Because a lot just do a thing called a standing spin, when you
0:16:34 > 0:16:40just run, run, run. That was the fleckerl. Good on him. Old Jason
0:16:40 > 0:16:48done a bunk beautiful. I'd like to talk about Chelsee and Paddy
0:16:48 > 0:16:53Ashdown ya. You gave them a ten. -- -- Chelsee and Pasha. You gave them
0:16:53 > 0:16:57a ten. Look at how beautiful she is. It's one of the most difficult
0:16:57 > 0:17:00dances to do. She make it's look effortless. I don't think she's
0:17:00 > 0:17:05training as much as everybody else. She's been working as well. That
0:17:05 > 0:17:10shows how incredible she is. Can you imagine how amazing she'll be
0:17:10 > 0:17:15when she puts more hours in. This girl is stunning. Yes, everybody
0:17:15 > 0:17:18agrees. What's so sweet, she really thinks
0:17:18 > 0:17:26she's quite bad. She's humble. She doesn't realise how good she is.
0:17:26 > 0:17:31Craig, can I talk about Alex and James. I fell you were pernikety
0:17:31 > 0:17:38about their kicks. When you watch this back, you'll change your mind.
0:17:38 > 0:17:44Look, turn, here we go. Her feet aren't exactly apart or together
0:17:44 > 0:17:49here. The timing is out. The floppy foot is ghastly. This isn't going
0:17:49 > 0:17:54like I thought it would. No. It's showing every single flaw. The
0:17:54 > 0:18:00reason I said if she pointed her toes that would land the line of
0:18:00 > 0:18:07that particular kick and flick. wonder if that's the style. I think
0:18:07 > 0:18:11it was lindy hop, kind of. still either choose to fleck or --
0:18:11 > 0:18:16flex or point. Not in between. had a lovely bounce. And the energy
0:18:16 > 0:18:20was great. The timing was good. Bruno, I have almost my favourite
0:18:20 > 0:18:25clip ever of you. Anita had just danced. You were struck by the
0:18:25 > 0:18:35passion. She was into it. This is a clip of you.
0:18:35 > 0:18:40
0:18:40 > 0:18:44What am I doing. Wait. Look! You little tiger.
0:18:45 > 0:18:50I think regardless of the role of the judge, if somebody puts so much
0:18:50 > 0:18:54into their performance, I just respond to it. What she did was so
0:18:54 > 0:18:59into character. She was going for it. I love it and appreciate that.
0:18:59 > 0:19:04It gets me going. I couldn't be more delighted. We've got slow
0:19:04 > 0:19:10motion of Anita and Robin. I totally agree. Look at her face.
0:19:10 > 0:19:14Look! She's into it. She knows what she wants. Yes. She's not going to
0:19:14 > 0:19:18give it away easily. She is in charge. She did it great. The thing
0:19:18 > 0:19:22about Anita, she's always get the characters right. She always knows
0:19:22 > 0:19:27how to play it, not just how to dance it. It is great to see.
0:19:27 > 0:19:30I want to compare that, that was real intensity with Harry's
0:19:30 > 0:19:38intensity. Which you thought was wrong. Mr, I've just been on
0:19:38 > 0:19:44holiday. No, no, don't start little winkle person. You're not correct.
0:19:44 > 0:19:51You're going to eat those words. Have a look. It doesn't get more
0:19:51 > 0:19:57intense than that. Go for it Harry. What are you on about. You have
0:19:57 > 0:20:01just said to Claudia, you have said Anita full of passion. So is he!
0:20:01 > 0:20:07Give us a break. The man play it's different than the woman. He's
0:20:07 > 0:20:12there. Look he's like a rampant little stallion. No, he isn't.
0:20:12 > 0:20:17There was no intensity. Yes there is! It's there. It's blatant.
0:20:17 > 0:20:22Let Len have his say. Let me just say this, I gave one an eight and
0:20:22 > 0:20:26one a nine. It wasn't exactly one was terrible and one was brilliant.
0:20:26 > 0:20:31This is the thing what people don't understand with dancing. It's like
0:20:31 > 0:20:35eating brufl sprouts. I like a brusel. Somebody else doesn't like
0:20:35 > 0:20:40one. They might like carrots. doesn't mean they're wrong and I'm
0:20:40 > 0:20:44right, it's taste. It's not an exact science. For me Anita's had
0:20:44 > 0:20:50more intensity than Harry's. It's not a big deal, is it? No. There
0:20:50 > 0:20:55you are. Oh, dear. This is going to bond us
0:20:55 > 0:21:05all. It's a fabulous moment. We always have to show him, the Grant.
0:21:05 > 0:21:06
0:21:06 > 0:21:10This is the best clip. Here we go. Off he goes! He's off! Like a
0:21:10 > 0:21:11golden glitterball spinning around for his life. Isn't that absolutely
0:21:11 > 0:21:16brilliant. Thank you very much judges!
0:21:16 > 0:21:20APPLAUSE Now, four couples have bagsied
0:21:20 > 0:21:24their seats on the Wembley bus so far. Who will be joining them? Over
0:21:24 > 0:21:32to you Tess. Thank you. Four couples left, but
0:21:32 > 0:21:41who's safe and who's in danger? It's time to find ou. -- out.
0:21:41 > 0:21:51In no particular order safely through to Wembley are... Harry and
0:21:51 > 0:22:01
0:22:01 > 0:22:06Aliona! Also safe are... Russell and
0:22:06 > 0:22:16Flavia! APPLAUSE
0:22:16 > 0:22:17
0:22:17 > 0:22:24Oh, wow! Thank you. That means Alex and James and Anita
0:22:24 > 0:22:33and Robin, one of you is safe, one of you is in the bottom two. I can
0:22:33 > 0:22:40reveal that the couple in the bottom two tonight is... Anita and
0:22:40 > 0:22:48Robin. So Alex and James, congratulations,
0:22:48 > 0:22:52you're through to Wembley. Bruno, you gave Anita and Robin a
0:22:52 > 0:22:55nine on Saturday night. How disappointed are you? I am stunned,
0:22:55 > 0:23:00shocked and appalled. Actually, she always, apart from the dancing,
0:23:00 > 0:23:06that was very, very good, she performed a very, very good
0:23:06 > 0:23:10Argentine tango. Her performance is not just Saturday, but every week,
0:23:10 > 0:23:13being so focused. She's so professional. She gets the
0:23:13 > 0:23:17characters right. She's a pleasure to watch. So I really do not
0:23:17 > 0:23:22understand how she could be in this position. I don't understand.
0:23:22 > 0:23:26of people agree with you. Don't blame the judges.
0:23:26 > 0:23:29Craig next week we're live from Wembley. That's a lot of pressure
0:23:29 > 0:23:34performing for 6,000 people. What do our dancers have to choreograph
0:23:34 > 0:23:38in their routines? Because it's a much larger space, one has to be a
0:23:38 > 0:23:43little bit more theatrical. You have to have broader brush strokes
0:23:43 > 0:23:48with all the work. It's got to be dramatic and of course, mostly,
0:23:48 > 0:23:51you've got to be entertaining. When it's a lot of people, 6,000, that's
0:23:51 > 0:23:56enormous compared to our studios here. Even bigger and better.
0:23:56 > 0:23:59going to be a shock to everybody. Thank you judges.
0:23:59 > 0:24:08Now it's Remembrance Sunday today. To mark the occasion, Vincent and
0:24:08 > 0:24:14Flavia went to this year's Silence in the Square.
0:24:14 > 0:24:23Today's the 11th of November. We're here for Silence in the Square.
0:24:23 > 0:24:28feel proud to have been asked to be part of this amazing day. Watching
0:24:28 > 0:24:33Flavia and Vincent just takes you back to the days when you used to
0:24:33 > 0:24:37be thrown around the dance floor. It just fitted the occasion
0:24:37 > 0:24:44beautifully. Everyone here is quite moved by it, actually. You made my
0:24:44 > 0:24:49day. We were amazed how many people made an effort to be here. The
0:24:49 > 0:24:52square was jam packed. It was absolutely wonderful, a lot of lads
0:24:52 > 0:25:02that didn't come back would be very grateful I'm sure. It's been quite
0:25:02 > 0:25:05
0:25:05 > 0:25:15APPLAUSE Now performing We'll Meet Again and
0:25:15 > 0:25:15
0:25:15 > 0:28:03Apology for the loss of subtitles for 126 seconds
0:28:03 > 0:28:10joined by Anton and Erin, welcome CHEERING AND APPLAUSE Absolutely
0:28:10 > 0:28:16brilliant. Audley, this is the fourth time we've had this chat.
0:28:16 > 0:28:21Are you confident that you could get through again? I think, it's
0:28:21 > 0:28:26been fourth time now, and you know, I'm dancing as best as I can.
0:28:26 > 0:28:30Really, I mean, I don't want to go against Anita. I feel really bad
0:28:30 > 0:28:34that Anita is here. She danced great. She deserves to go through.
0:28:34 > 0:28:41No way. APPLAUSE
0:28:41 > 0:28:45You are all, there is such a sense of camraderie. How shocked are you
0:28:45 > 0:28:48Anita? From being our best score and getting two nines. I was quite
0:28:48 > 0:28:52euphoric and suddenly, you're in the bottom two. Yes, of course,
0:28:52 > 0:28:56it's a shock, yes. How sad would you be not to make it to Wembley
0:28:56 > 0:29:02and leave Strictly? It's been devastated to leave the show, but
0:29:02 > 0:29:06if people think it's time I went, then that's what I have to do.
0:29:06 > 0:29:11All right. Cuddle her. Audley or aneat are about to be
0:29:11 > 0:29:17knocked out of the competition. Here's what we'll miss.
0:29:17 > 0:29:20Here I am again, twinkly lights above my head, looking at
0:29:20 > 0:29:25elimination. Next week is Wembley and I do not want to go home before
0:29:25 > 0:29:29then. I've boxed here six or seven times. I had my professional debut
0:29:29 > 0:29:35at Wembley Arena. The opportunity to go back there and dance in front
0:29:35 > 0:29:40of 6,000 people, I would love to do that.
0:29:40 > 0:29:44Dancing live on Strictly is nervewracking, exciting, scary,
0:29:44 > 0:29:49wonderful. The more I do it, the more I love it. I've done a lot of
0:29:49 > 0:29:52wonderful things in my career, but this is unlike anything I've ever
0:29:53 > 0:29:57done. But the best thing has to be dancing with Robin.
0:29:57 > 0:30:07If I stay in the competition, I'm just going to do my best to let
0:30:07 > 0:30:10
0:30:10 > 0:30:14people share a little with me the Audley and Natalie, and Anita and
0:30:14 > 0:30:24Robin, one of you is about to leave the competition for good.
0:30:24 > 0:30:34It's the moment of truth. Audley, Len said the only way you're going
0:30:34 > 0:30:34
0:30:34 > 0:30:41to Wembley is on the Jubilee Line. Anita, Bruno described you as a
0:30:41 > 0:30:51sexy mama queen of drama. But did the public agree? I can now reveal
0:30:51 > 0:30:54
0:30:54 > 0:31:04the couple leaving Strictly Come Dancing tonight is... Audley and
0:31:04 > 0:31:04
0:31:04 > 0:31:14Natalie. Congratulations Anita and Robin.
0:31:14 > 0:31:19
0:31:19 > 0:31:25Audley and that thely please come and join me.
0:31:25 > 0:31:25-- Audley and Natalie, please come and join me. Come on over, my
0:31:25 > 0:31:31darling. CHEERING
0:31:31 > 0:31:36You have been such a great sport throughout this competition. That
0:31:36 > 0:31:40smile has never left your face. What's been your highlight? There's
0:31:40 > 0:31:44been many. It's been a lot of fun. I've really enjoyed myself. The
0:31:44 > 0:31:51first week I think I was 100 to one to go out the first week. All those
0:31:51 > 0:31:58people who lost money on me, hopefully they got their money back
0:31:58 > 0:32:01supporting me now. Natalie, anything you'd like to say?
0:32:01 > 0:32:07excited we got this far. Thank you to the people at home who voted for
0:32:07 > 0:32:14us and kept us in. It's been fun, but I've got to run.
0:32:14 > 0:32:21He's always got the rime. -- rhyme. Thank you so much. If you'd like to
0:32:21 > 0:32:27take your place, Audley and Natalie, ladies and gentleman. The big man,
0:32:27 > 0:32:34I know, bid him farewell. Audley and Natalie join Zoe on Monday, It
0:32:34 > 0:32:39Takes Two, 6.30pm, BBC Two. For all the back stage gossip go to
0:32:39 > 0:32:45bbc.co.uk/Strictly. Also follow us on Twitter. Next week is the