:00:24. > :00:29.Right you lot, listen up. Each of you have worked your socks off to
:00:29. > :00:34.get this far. You don't want to throw it away. What happens here
:00:34. > :00:39.will stay with us for the rest of your lives. So let's get out,
:00:40. > :00:49.fulfil those dreams, put on your dancing shoes and show Wembley you
:00:49. > :00:51.can dance! APPLAUSE
:00:51. > :01:00.Dobson, Donovan, Healey, Jones, Judd, Grant. Grant, do I not like
:01:00. > :01:06.that? All right. Perhaps I do like it!
:01:06. > :01:16.Savage. Savage. Wembley, here I come. Those others, they're going
:01:16. > :01:20.
:01:20. > :01:24.to miss the bus. This week is huge. The Wembley
:01:24. > :01:29.butterflies have well and truly kicked in. The competition is
:01:29. > :01:35.fierce. The stars need to give it 110%.
:01:35. > :01:42.They are all ready to play the beautiful ballroom game. This is
:01:42. > :01:52.Strictly Come Dancing 2011. Get stuck in!
:01:52. > :01:52.
:01:52. > :03:18.Apology for the loss of subtitles for 86 seconds
:03:18. > :03:28.From Wembley there, is Strictly MUSIC:
:03:28. > :03:28.
:03:28. > :05:28.Apology for the loss of subtitles for 86 seconds
:05:28. > :05:35.# It's a kinda magic CHEERING AND APPLAUSE
:05:36. > :05:45.Live from Wembley, please welcome your hosts Sir Bruce Forsyth and
:05:46. > :05:49.
:05:49. > :05:53.Tess Daly. Listen to that.
:05:53. > :06:03.. CHEERING AND APPLAUSE Thank you.
:06:03. > :06:08.
:06:08. > :06:11.CHEERING AND APPLAUSE Sit down. Sit down. Save yourselves,
:06:11. > :06:16.for goodness sake. Good evening, ladies and gentlemen
:06:16. > :06:20.and children, welcome to Strictly Come Dancing. Isn't it a big place
:06:20. > :06:22.this? It is. There is over 6,000 people
:06:22. > :06:26.out there. I know. I know.
:06:26. > :06:32.I think I will have to do the next bit in stages. All the people on my
:06:32. > :06:37.left, nice to see you, to see you. ALL: Nice.
:06:37. > :06:40.The people on my right, it is nice to say to see you, to see.
:06:40. > :06:44.ALL: Nice. And all the people in front of me,
:06:44. > :06:50.nice to see you, to see you. ALL: Nice.
:06:50. > :07:00.You are so much better than last week.
:07:00. > :07:02.
:07:03. > :07:12.I can't go on like this, we'll be in the Ten O'Clock News.
:07:13. > :07:22.
:07:22. > :07:29.This is the biggest weekend of dancing yet.
:07:29. > :07:33.This arena has played host to so many superstars, but who will join
:07:33. > :07:37.the Wembley hall of fame and who will leave this competition?
:07:37. > :07:42.Whatever happens we have got a sell out crowd here and they are baying
:07:42. > :07:51.for ballroom, who are we to argue, Brucie? Shall we? We certainly
:07:51. > :08:01.shall. It is time to meet the stars, you can get down there, don't worry.
:08:01. > :08:01.
:08:01. > :08:54.Apology for the loss of subtitles for 86 seconds
:08:54. > :09:03.Let's meet the stars of our show. CHEERING AND APPLAUSE
:09:03. > :09:07.There they are. There they all are.
:09:07. > :09:13.Are you applauding yourselves? For goodness sake! I know you're all
:09:13. > :09:19.trying to come to terms with this vast arena, but just think of it as
:09:19. > :09:21.the Coliseum and you're going to be thrown to the lions!
:09:21. > :09:24.LAUGHTER And there they are, champing at the
:09:24. > :09:28.bit. There we are, the judges. All right,
:09:28. > :09:33.I don't want to put you off in anyway at all.
:09:33. > :09:38.A big thank you to everyone at Wembley who by buying tickets
:09:38. > :09:43.raised over �102,000 for Children In Need.
:09:43. > :09:47.CHEERING AND APPLAUSE Thank you, it is amazing. Keep donating. All the
:09:47. > :09:52.details will be at the end of the programme.
:09:52. > :09:56.�102,000, thank you all of you. It is incredible. Tonight our couples
:09:57. > :10:03.are performing to some of Britain's best loved hits. It is our
:10:03. > :10:06.celebration of the best of British. Our judges will be scoring and our
:10:06. > :10:09.couples will be ranked on the leaderboard.
:10:09. > :10:13.Scores will be combined with your votes and sadly one of our couples
:10:14. > :10:18.will be leaving the arena, with the ballroom dreams in tatters.
:10:18. > :10:19.He is right, you know. That's the biggest ah, we have ever
:10:19. > :10:24.had. It is, indeed.
:10:24. > :10:34.If you are a digital viewer, you can press the live button for
:10:34. > :10:37.
:10:37. > :10:41.commentary, we have Karen Hardy and Martine ma Martine Mc Cutcheon.
:10:41. > :10:46.Hello guys. Hello.
:10:46. > :10:53.Who gave her a line? I didn't give her a line.
:10:53. > :10:59.Our first couple is Robbie Savage and his partner, Ola.
:10:59. > :11:04.CHEERING AND APPLAUSE Now they are doing the salsa. It is
:11:04. > :11:13.a dance that requires the three Ss, that normally means sexually, saucy
:11:13. > :11:15.and sassy, but in Robbie's case it means styling, shampoo and set.
:11:15. > :11:25.LAUGHTER I like that.
:11:25. > :11:26.
:11:26. > :11:30.Last week proved to be my best dance.
:11:30. > :11:33.You are constantly moving in the right direction.
:11:33. > :11:39.I thought the whole routine was good.
:11:40. > :11:47.My aim is to get a seven or an eight or a nine.
:11:47. > :11:50.We did it! Our best score. I'm dancing the salsa at Wembley,
:11:50. > :11:54.life doesn't get much better than that. It is a tough dance with
:11:54. > :11:58.tricks and lifts, but if I can pull it off I think the crowd will love
:11:58. > :12:01.it. I can't believe we're playing at Wembley this weekend. We're so
:12:01. > :12:09.excited. Robbie, you know what... Don't
:12:09. > :12:14.worry, I feel at home out there. Me and Wembley have history!
:12:14. > :12:24.I love you, Robbie. I can't stop mate, I've got to get
:12:24. > :12:28.
:12:28. > :12:35.to Wembley. Good luck, Robbie.
:12:35. > :12:41.This is it. Are you ready for me, Wembley?
:12:41. > :12:46.Robbie, what are you doing? It's Wembley Stadium. Its the big one,
:12:46. > :12:56.are you ready? You know we're dancing at Wembley Arena, not
:12:56. > :13:08.
:13:08. > :13:18.Wembley Stadium. Dancing the salsa Robbie Savage and
:13:18. > :13:52.
:13:52. > :14:02.MUSIC: MUSIC: Let Me Entertain You by
:14:02. > :14:02.
:14:02. > :15:00.Apology for the loss of subtitles for 86 seconds
:15:00. > :15:09.What a start! What a great routine. Look at you, look at you! Come here,
:15:09. > :15:19.you marvellous pair. Enjoy it. These are moments she will never
:15:19. > :15:20.
:15:20. > :15:25.forget. Well, I think they liked it! I do think they liked it!
:15:25. > :15:27.Absolutely marvellous. Whilst you two take a breather, it's a good
:15:27. > :15:34.time to welcome our fabulous singers, Dave Arch and his
:15:34. > :15:44.wonderful orchestra. APPLAUSE Not forgetting our judges,
:15:44. > :15:46.
:15:46. > :15:49.welcome. Len is very worried this week about the Italian debt crisis.
:15:49. > :15:59.What happened was he lent Bruno a couple of pounds for a cappuccino
:15:59. > :16:01.
:16:01. > :16:05.and he hasn't got it back yet. It may seem a bit futile. Len, what do
:16:05. > :16:10.you think? I know what is at Wembley, but you treat this like
:16:10. > :16:18.the FA Cup final. I don't know what happened, you tried to straddle a
:16:18. > :16:22.goal post or something. It was wild and savage. Unfortunately. Against
:16:22. > :16:28.that, it was great entertainment and a wonderful start to the
:16:28. > :16:34.evening. APPLAUSE It was great entertainment.
:16:34. > :16:39.You could bring variety back. Robbie, your opened the show like
:16:39. > :16:43.it was your own rock concert. Full of gusto and energy. I love the
:16:43. > :16:46.left's, crazy as they were. It did not have the salsa feel, but aside
:16:46. > :16:56.from that, it was great entertainment.
:16:56. > :16:58.
:16:58. > :17:07.APPLAUSE Bruno? Robi... The salsa is the dance of courtship. You went
:17:07. > :17:15.at it as if it was a primeval fertility rite. You were throwing
:17:15. > :17:19.Ola into unimaginable positions. Len is right. Because of that, it
:17:19. > :17:29.lost the slinky knits in the timing. It has to be more refined, but I
:17:29. > :17:29.
:17:30. > :17:36.appreciate the effort. Craig? flat fitted throughout. -- flat-
:17:36. > :17:44.footed. Your hips were devoid of any rotation whatsoever. I liked
:17:44. > :17:53.your upper body, and the arm work. You liked that? And also that
:17:53. > :17:58.wonderful left. Don't ever attend a jump in second like that without
:17:58. > :18:05.straightening your legs and getting some height, darling. Never mind
:18:05. > :18:15.all that, we loved it! Off you go, be proud. Wonderful.
:18:15. > :18:17.
:18:17. > :18:24.APPLAUSE Well done, you. Kicking it off at Wembley, to a
:18:24. > :18:28.standing ovation. Have you cut your nose? Not again! You have done the
:18:28. > :18:32.double. You have played football in the stadium and dance appear Reina.
:18:32. > :18:41.How did it feel? That was for the public and the supporters. They
:18:41. > :18:46.have been brilliant. And how does the ballroom compare to the boss of
:18:46. > :18:51.a football match? Tonight it was perfect, 6500 people. And the cat
:18:51. > :19:01.suit. That will get a few votes all suit. That will get a few votes all
:19:01. > :19:18.
:19:18. > :19:23.by itself! Time to get the scores Was that fair? What do you think?
:19:23. > :19:30.Call this number later on the show if you want Robbie to entertain you
:19:30. > :19:34.on the dance floor next week. Please don't call until we let you
:19:34. > :19:36.know that lines are open. If you do, your vote won't count and you may
:19:36. > :19:39.be charged. The couple with the lowest combined judges' scores and
:19:39. > :19:43.viewer votes will leave the competition. We're up and running,
:19:43. > :19:49.Wembley are you loving it?! I think that's a yes. Over to you, Bruce.
:19:49. > :19:59.Now for our next couple, Alex Jones and her partner James.
:19:59. > :20:27.
:20:27. > :20:37.I've always wanted to do that at Wembley. Besides that, I didn't
:20:37. > :20:39.
:20:39. > :20:47.have a joke. Here is Alex and James Last Saturday, the pressure was to
:20:47. > :20:50.start the show off on a high. I think it worked. It was so full of
:20:50. > :21:00.verve and gusto, I thought it was terrific! It was an incredible
:21:00. > :21:01.
:21:01. > :21:05.opening. It was a joy. The tango is everything that Alex is not. I need
:21:05. > :21:10.to see that you're more assertive and strong, more powerful. Stop
:21:10. > :21:15.smiling. Who is the most assertive person you know? My director Ron
:21:15. > :21:18.The One Show. There you go. Come with me. -- my director on The One
:21:18. > :21:26.Show. Here we are outside the studios and apparently I'm going to
:21:26. > :21:31.do some directing. You need to get more assertive. Read that, and I
:21:31. > :21:35.will talk to you through this. Let's go for a rehearsal. Welcome
:21:35. > :21:44.to The One Show, I'm Alex Jones. Take this seriously. I have not
:21:44. > :21:47.finished. This is live television, no time to mess about. Six days
:21:47. > :21:50.into the rickshaw challenge... are looking at the wrong camera.
:21:50. > :21:55.How difficult can this be? difficult as you make the tangle
:21:56. > :22:00.look. Enough of your cheek. That is all for this night -- that is all
:22:00. > :22:05.for tonight. Seriously, you're not concentrating. Are you angry?
:22:05. > :22:15.forced on so you are ready for the tango at Wembley! Put me down! Put
:22:15. > :22:15.
:22:15. > :24:16.Apology for the loss of subtitles for 86 seconds
:24:16. > :24:22.APPLAUSE Lovely, lovely. Alex and James, you have done so
:24:22. > :24:28.well. It was beautiful. It was beautiful. There you are. I was
:24:28. > :24:32.enthralled. That was lovely. What do you think? From the jive last
:24:32. > :24:37.week, to a seductive tango, the transition from one style to
:24:37. > :24:42.another has been brilliant. You have taken to the tango so well. It
:24:42. > :24:47.was atmospheric, you had drama, and most importantly, it was believable.
:24:47. > :24:55.Good job. Really good job. APPLAUSE You have done well,
:24:55. > :25:00.absolutely. Now, Bruno? Alex, so fascinating, so Lorraine, so poised,
:25:00. > :25:04.so stylish! I loved that look that you make touch me, but I do not
:25:04. > :25:13.know if you can afford me. You got it absolutely right!
:25:13. > :25:22.APPLAUSE I don't think anybody could fool you. Craig? I believe we
:25:23. > :25:31.may be seeing some improvement. APPLAUSE oh, yes!
:25:31. > :25:36.Come on! But you do need to. Your foot on the drag. It was sharp, it
:25:36. > :25:45.was to cattle, it was theatrical and intense. All of those wonderful
:25:45. > :25:50.things. -- staccato. Len, staggered? I don't trust Craig when
:25:50. > :25:56.he is nice because the next one out is going to turn nasty. People
:25:56. > :26:03.think I am hard to please but I'm not. This is what I like. The tango,
:26:03. > :26:09.dance to beautifully. Fabulous. don't ask for much, just
:26:09. > :26:19.perfection! It was beautiful. Well done. Improving all the time. It is
:26:19. > :26:20.
:26:20. > :26:26.a long way, but it is worth it. Welcome. The judges loved it.
:26:26. > :26:29.can't believe it. Greeks see some improvement. High praise indeed.
:26:29. > :26:33.is just brilliant. It is a fantastic experience to be here,
:26:33. > :26:38.but to do a dance that we have really enjoyed this week, and to
:26:38. > :26:44.pull that off, it has been amazing. Seven weeks in, dancing in front of
:26:44. > :26:52.that enormous audience, he won a long way from The One Show now.
:26:52. > :27:02.Does it feel good? Amazing. This Does it feel good? Amazing. This
:27:02. > :27:20.
:27:20. > :27:24.Congratulations. 35, your highest score. Can I say, I am so proud of
:27:24. > :27:28.you. The first week, I was a little scared. You were more than scared!
:27:28. > :27:33.Now he tells you! It is such a privilege to dance with you. You
:27:33. > :27:41.are such a wonderful person. Thank you. I think we're going to have
:27:42. > :27:45.tears in a minute. Well done. down this number, 09015 22 20 13,
:27:45. > :27:48.and call later if you want Alex to 'relax' knowing she is on next
:27:48. > :27:52.week's dancing bill. That sound good to you, Alex? Back to you,
:27:52. > :28:02.Bruce. Now for our next couple. Holly Valance and her partner,
:28:02. > :28:06.
:28:06. > :28:16.Very popular tonight. Because of Artem's injury, Brendan has been on
:28:16. > :28:24.standby to dance with Holly. We are delighted that Artem is able to
:28:24. > :28:34.carry on. And you are as well. And you we have wholly in training with
:28:34. > :28:36.
:28:36. > :28:40.both of them. Artem was injured last week saw Brendan was my man.
:28:40. > :28:44.That is a lot of responsibility. I was a little nervous. It ended up
:28:44. > :28:48.being one of the most fun nights. Considering you have changed
:28:48. > :28:52.partners, you have done exceptionally well. It feels
:28:52. > :28:56.strange to see her dance with Brendan. He did an amazing job.
:28:56. > :29:05.was a fun dynamic and it worked. We came out with something that was
:29:05. > :29:12.positive. In case the injury returns, Brendan is here again in
:29:12. > :29:17.training. Brendan and Artem were giving each other a lot of
:29:17. > :29:24.attention. I am in the corner, trying to work out what is going on.
:29:24. > :29:30.Don't mind me. You would like me to join in now? I think there is a
:29:30. > :29:37.romance going on. I don't think I'm part of it. What is it? It is just
:29:37. > :29:42.Dancer stuff. It is nice, all this time together. That was nice.
:29:42. > :29:47.love spending time with Brendan. He is a good partner. At this point in
:29:47. > :29:53.the competition, everyone that is left is very, very good. Going out
:29:53. > :29:59.at Wembley, that makes me sick. It is getting scary. Again? As it
:29:59. > :30:09.turns out, Artem is fit and raring to go so we will go all out there
:30:09. > :30:28.
:30:28. > :30:38.Dancing the quickstep, Holly MUSIC:
:30:38. > :30:38.
:30:38. > :32:03.Apology for the loss of subtitles for 86 seconds
:32:03. > :32:13.MUSIC: CHEERING AND APPLAUSE
:32:13. > :32:13.
:32:13. > :32:17.What about it? Holly and Artem and that was
:32:17. > :32:24.wonderful. It was more like the Olympics, isn't it, around here.
:32:24. > :32:31.Bruno. Holly, Holly, at times you are
:32:31. > :32:35.thrilling and at times you're maddening. I know you're capable,
:32:35. > :32:41.but there are moments that are splendid and then it looks like
:32:41. > :32:44.that either you overthink or you go behind it. Stop it. I want you you
:32:44. > :32:51.to go for it, my darling, because you can.
:32:51. > :32:55.Is he getting through? Thank you. Right, Craig.
:32:55. > :32:59.Fantastic single pirouette on the stairs, really tough to do
:32:59. > :33:07.especially in heels. It went a little bit horribly wrong after
:33:07. > :33:11.that moment. You lost timing after that and your weight is travelling
:33:11. > :33:15.too far forward for Artem as he is going around. You need to keep
:33:15. > :33:19.together and keep your centre and tighten the whole thing up really.
:33:20. > :33:28.But it was a good job and a fantastic routine.
:33:28. > :33:33.OK. There was a terrific use of space. You started up on the stage
:33:33. > :33:36.and down and around the thing. That I thought was great and it is great
:33:36. > :33:41.for the quickstep, but because it was so fast and so intense, it did
:33:41. > :33:45.lose a little bit of control now and again, but it was fast and full
:33:46. > :33:50.on and well done to you both. APPLAUSE
:33:50. > :33:53.Fast and full on. We will finish with Alesha, darling.
:33:53. > :33:57.This morning you didn't know who you would be dancing with and that
:33:57. > :34:01.must have been unsettling and the quickstep really suits you. You had
:34:01. > :34:06.a really light and effortless feel, but the guys are right you did lose
:34:06. > :34:16.a little bit of control, but overall I liked it.
:34:16. > :34:20.
:34:20. > :34:26.We loved it. Off you go. Off you go. Well done Artem and Holly.
:34:26. > :34:34.Mixed comments from the judges. Mostly positive, but you brought
:34:34. > :34:35.the audience to their feet here in the arena.
:34:35. > :34:40.APPLAUSE Describe what the atmosphere is
:34:40. > :34:45.like. I'm shaking. I'm so happy I made it
:34:45. > :34:54.this far. Well done you guys. Will the judges please reveal their
:34:54. > :35:04.scores. Craig Revel Horwood. 7. Goodman.
:35:04. > :35:04.
:35:04. > :35:12.Alesha Dixon. 8. And Bruno Tonioli. 8. Pm
:35:12. > :35:21.Make a a note of the number. If you enjoyed Holly's quickstep
:35:21. > :35:26.and you want to fast-track her into next week. We have Harry and
:35:26. > :35:31.Russell and Jason. You don't want to miss miss it.
:35:31. > :35:34.For our next couple, we have Anita Dobson and her partner, Robin.
:35:34. > :35:42.CHEERING AND APPLAUSE Another lovely couple. Another
:35:42. > :35:52.lovely couple. Now, Anita said to me, "Bruce, I would love to see a
:35:52. > :35:52.
:35:52. > :36:02.Mexican wave at Wembley. Can you organise it for me?" Here goes,
:36:02. > :36:03.
:36:03. > :36:07."Seat F 78." Hello Manwell. APPLAUSE
:36:07. > :36:16.Anita, can you see him? I hope you were' watching -- you're watching.
:36:16. > :36:22.I think it was one of our strongest performances.
:36:22. > :36:27.Queen of drama, you can tango. And then we went from up there to
:36:27. > :36:31.down there. We found out wherp in the last two
:36:31. > :36:40.-- we were in the last two I was completely shocked and devastated.
:36:40. > :36:45.I was thinking, "Does that mean I'm out?" I don't have any words.
:36:45. > :36:50.I'm still here and I get to go to Wembley so I'm absolutely thrilled.
:36:50. > :36:58.In order for Anita to bounce back this week, I think she needs to
:36:58. > :37:03.pull a little bit of inspiration from something or someone.
:37:03. > :37:12.I'm here in good old Albert Square. How does it feel to be back here?
:37:12. > :37:16.Weird, but I loved Angie. You don't make me anything, Denis.
:37:16. > :37:21.You could knock her down and the next day she would be up ready to
:37:21. > :37:25.rock. If I can get a feeling of that survival instinct. What do you
:37:26. > :37:30.have to do to get a drink around here? Outrageous, that would never
:37:30. > :37:34.have happened in my day. Anita is already a survivor. This
:37:34. > :37:40.would help give her that extra nudge to give an extra good
:37:40. > :37:46.performance at the weekend. It is Wembley, are you ready for it
:37:46. > :37:56.Anita? I don't know. We'll just have to wait and see won't we?
:37:56. > :37:57.
:37:58. > :38:07.CHEERING AND APPLAUSE Dancing the samba, Anita Dobson and
:38:08. > :38:08.
:38:08. > :39:48.Apology for the loss of subtitles for 86 seconds
:39:48. > :39:54.MUSIC: Come on Eileen by Dexys CHEERING AND APPLAUSE
:39:54. > :40:01.They loved it. They loved it. Well done, that was beautiful.
:40:01. > :40:08.Do you do the washing up in those gloves? Craig, start us off.
:40:08. > :40:13.Your shoulders were hunched almost all the way through that. You were
:40:13. > :40:16.leaning too far forward from the top of your torso, it was very very
:40:16. > :40:20.muddy and murky footwork. Your thumb that was sticking out like
:40:20. > :40:25.this, it would be nice to tuck that baby under. We're getting very
:40:25. > :40:30.specific now, I mean, you know the semi-finals are coming up so I'm
:40:31. > :40:37.just trying to help you, darling. On a good note, the timing was very,
:40:37. > :40:39.very good and you have gorgeous movement.
:40:39. > :40:49.APPLAUSE OK, Len.
:40:49. > :41:00.
:41:00. > :41:01.Well, what I like, you come out every dance and you give it 100%.
:41:02. > :41:04.APPLAUSE It could have been a little sharper
:41:04. > :41:06.and crisper here and there, it it could have been a little sharper
:41:06. > :41:07.and crisp, but I thought your thumbs were particularly attractive.
:41:07. > :41:10.Well done to you. APPLAUSE
:41:10. > :41:14.Especially in those gloves. Alesha. Bundles of energy and full of
:41:14. > :41:21.personality, you created a party atmosphere, Anita, nobody can take
:41:21. > :41:24.that away from you. I don't think you you embodied that samba grove
:41:24. > :41:29.and I disagree with Craig, you lost timing, but your spirit and
:41:29. > :41:36.enthusiasm always carries you throw the dance and the crowd loves you.
:41:36. > :41:40.APPLAUSE They do. They do. Anita, I love you
:41:40. > :41:45.because you always really work it and play it for all it's worth.
:41:45. > :41:51.What happened was there was so much fire up above you forgot the fire
:41:51. > :41:55.down below. The samba required such a sharp and precise execution and
:41:55. > :41:58.at the same time you have to create the party atmosphere so to get the
:41:58. > :42:02.two together is very, very hard and you did well, but you know
:42:03. > :42:06.sometimes we all have dances that don't quite come out as we expect.
:42:06. > :42:12.It is a bit like that. Would you like to be my favourite? Yes,
:42:12. > :42:18.please. You are my favourite as usual. Well
:42:18. > :42:25.done, Robin. Off you go. That's it. CHEERING AND APPLAUSE
:42:25. > :42:28.Thank you, Robin and Anita. CHEERING AND APPLAUSE
:42:28. > :42:33.Come on Anita, more like! What is it like performing in front
:42:33. > :42:40.of that audience? It's fantastic. APPLAUSE
:42:40. > :42:43.I loved it. I loved it. Len said you gave it 100%. You can't do much
:42:43. > :42:49.more than that. We saw how being in the bottom two affected you last
:42:49. > :42:52.week. You don't want a repeat performance of that, do you, Anita?
:42:52. > :42:56.And this was the hardest dance. We don't want a repeat performance
:42:56. > :43:01.of that, do we, Wembley? The scores are in.
:43:01. > :43:08.The judges have their scores, Craig Revel Horwood.
:43:08. > :43:18.Len Goodman? Alesha Dixon.
:43:18. > :43:20.
:43:20. > :43:26.Bruno Tonioli. Well done, Anita.
:43:26. > :43:31.Call this number when lines open later if you don't want Anita to be
:43:31. > :43:39.in the bottom two later. Who is your favourite? Who ever it is are
:43:39. > :43:48.going to need your vote. Next up is Harry Judd and his
:43:48. > :43:52.partner... CHEERING AND APPLAUSE
:43:52. > :43:55.Yes, and they are doing the salsa. It is a saucy dance and in order to
:43:55. > :44:00.embrace the flavour of this dance, Harry may have to perform with his
:44:00. > :44:07.shirt open! Would you like Harry to dance with
:44:07. > :44:17.his shirt open? CHEERING AND APPLAUSE
:44:17. > :44:18.
:44:18. > :44:23.Ask a silly! Like a lot of savages, I liked the Argentine tango, it was
:44:23. > :44:27.a great dance. The judges had great comments. You will never be
:44:27. > :44:31.stronger. You will be never be more attractive. It was filth and I
:44:31. > :44:34.liked it. It was my first time at the top of
:44:34. > :44:39.the leaderboard. That felt amazing.
:44:40. > :44:43.Yeah, it was awesome. Oh, we have the big one.
:44:43. > :44:46.We yes, the salsa. And it is tough.
:44:46. > :44:50.Real tough. Men and the salsa can't really be
:44:50. > :44:53.friends. I'm struggling with the hips.
:44:54. > :44:59.It is all about the hips. You have to have the hips.
:44:59. > :45:03.And he doesn't. Can we swap hips? I don't want your
:45:03. > :45:06.hips. I'm becoming obsessed, I'm
:45:07. > :45:11.practising everywhere. It is embarrassing. It's not.
:45:11. > :45:16.It is. Harry, will you stop it? It is
:45:16. > :45:20.embarrassing. I just wish you wouldn't undermine
:45:20. > :45:25.me in front of people. I don't.
:45:25. > :45:29.Are you sure you should behaving that? Why? Well a moment on the
:45:29. > :45:34.lips is a lifetime on the hips. had a breakthrough at lunch. I
:45:34. > :45:39.think I can do it. Oh yes. Yes.
:45:39. > :45:45.I'll have what she's having. And three days later here we are. I
:45:45. > :45:55.never expected it to be so magical. It is so special. I couldn't be
:45:55. > :45:55.
:45:55. > :47:48.Apology for the loss of subtitles for 86 seconds
:47:48. > :47:57.CHEERING AND APPLAUSE How about that?! Look at this place. Harry
:47:57. > :48:06.and Aliona, look! They are eating it up. Eat it up, enjoy it. Well
:48:06. > :48:13.done. Let us start with you, Len. Not that is what I call foul on
:48:13. > :48:20.Samba. You went for it, non-stop. - - a full on Samba. It was high
:48:20. > :48:24.energy. I would have liked, Harry, and don't start on May, because I
:48:25. > :48:30.know you have a way with you, but I would have liked more hip action.
:48:30. > :48:34.The back step, this is the truth, please listen to me. On the back
:48:34. > :48:40.step, it is too big, and so you cannot get your bum over your back
:48:40. > :48:49.leg because the step is too big. It should have been more compact. But
:48:49. > :48:54.I loved it. Well done. Thank goodness. Alesha? I thought you
:48:54. > :48:58.handle that with these. There was a natural feel to the dancing. --
:48:58. > :49:06.handle the that with ease. The left, going into the splits, that was
:49:06. > :49:10.brilliant. Good job. What a team you are. Bruno? I think you are
:49:10. > :49:19.overdressed for the occasion! I think you should have worn my
:49:19. > :49:23.costume. It would have fitted to perfectly. It was sexy, pulsating,
:49:23. > :49:32.vibrant and playful. Work on your bum, but we can talk about that
:49:32. > :49:38.later. APPLAUSE It is technical. I know, I
:49:38. > :49:45.know. You will get a technical knockout in a minute. I love the
:49:45. > :49:55.routine and I thought the left was spectacular. But it did not have
:49:55. > :50:03.the groove at all. It was badly paced. He did have the groove.
:50:03. > :50:13.got the groove. Don't listen to that. We love you. We loved you. Go
:50:13. > :50:20.
:50:20. > :50:26.on, you were marvellous. Off you go and be very proud. Well done. Give
:50:26. > :50:34.him his shirt back! Bruno said he was overdressed, but Brendan, that
:50:34. > :50:39.is outrageous. You just got over 6000 people standing. Feel-good?
:50:39. > :50:45.Amazing. What an experience. Thank you to everyone who is supporting
:50:45. > :50:48.us. We are having an amazing time. How did it feel being centre stage
:50:48. > :50:55.without the rest of McFly? I am happy being at the back, as the
:50:55. > :51:05.drummer but I loved it, thank you so much. Time for the judges'
:51:05. > :51:21.
:51:21. > :51:26.A 34. The number to jot down for later on, 09015 22 20 11, if you
:51:26. > :51:30.enjoyed Harry's salsa and you want him back next Saturday. All our
:51:30. > :51:34.stars as a -- have a ticket to ride if they want a return journey to
:51:35. > :51:44.next week, they're going to need your vote. Over to you, Bristol.
:51:44. > :51:51.Thank you. Next tonight, Russell Grant and his partner, Flavia. A's
:51:51. > :51:55.-- APPLAUSE We have seen Russell loves to sing.
:51:55. > :52:00.He cannot stop singing to the number he is dancing to. We have
:52:00. > :52:05.seen it, all these weeks. I told him that I love singing as well and
:52:05. > :52:13.I use any opportunity to sing. I had been doing that all high-life.
:52:13. > :52:23.# Is the name of the game and I wanna play the game with few... #
:52:23. > :52:28.Don't laugh, it will hurt! Here they are in training. American
:52:28. > :52:32.smooth with no surprises? Not if Russell has anything to do with it.
:52:32. > :52:39.I could not wait to do a quick change. When I came out from behind
:52:39. > :52:49.the screen, there was such a reaction. He could not wait to get
:52:49. > :52:49.
:52:49. > :52:59.out of the closet! Immortal, darling. I am planning on hanging
:52:59. > :53:05.around for a long time. This week, Wembley. It is Baker. It is
:53:05. > :53:12.spectacular. -- it is big. I love it. It is the biggest ever live
:53:12. > :53:17.Strictly audience. I love it. It is a dream come true. The song we are
:53:17. > :53:21.dancing to this week, it tells us to reach for the stars. And that is
:53:21. > :53:26.what we're going to do. I wanted to bring you here because I was
:53:26. > :53:33.brought up in Middlesex. My family have lived here for centuries.
:53:33. > :53:38.There is a great view across to Wembley. Look, over there. Wow.
:53:38. > :53:45.reckon the stars will shine on us. Absolutely. They have got enough
:53:45. > :53:55.here so far, thank you so much, to the stars above. # You and me, we
:53:55. > :53:58.
:53:58. > :54:08.can light up the sky."Wembley, we come. Dancing the jive, Russell
:54:08. > :54:08.
:54:08. > :55:59.Apology for the loss of subtitles for 86 seconds
:55:59. > :56:09.You can't help loving it. Absolutely! You have done it again!
:56:09. > :56:17.Look at them, standing up. I know you like being sent up, but by
:56:17. > :56:20.Canon! Just when you think you have seen it all. -- by a cannon. The
:56:21. > :56:24.best entrance I have seen on Strictly. Actually, I was secretly
:56:24. > :56:30.hoping that he would do a little tour around the arena, but jokes
:56:30. > :56:35.aside, I am so pleased that you got to Wembley, because what you lacked
:56:35. > :56:43.in technique, you made up for in entertainment. I love you, Russell.
:56:43. > :56:50.Bruno? Russell, the incredible flying machine! Like a satellite,
:56:50. > :56:55.in orbit, an orbit of madness. I loved the peek-a-boo thing at the
:56:55. > :57:05.end. It has nothing to do with jive, but I loved it.
:57:05. > :57:11.
:57:11. > :57:21.APPLAUSE You cannot say fairer than that. Craig? Gumbo springs to mind.
:57:21. > :57:28.
:57:28. > :57:36.-- Dumbo. BOOING. Revolutionary. Have you got anything to add to
:57:36. > :57:41.that? Not really. The thing is, I do not care how many great dancers
:57:41. > :57:46.they have, and how many series of Strictly Come Dancing there are,
:57:46. > :57:53.people will always say"Do you remember when Russell Grant flew
:57:53. > :57:59.out of that can in?"It was an iconic number that will always be
:57:59. > :58:03.remembered. -- that can in. As entertainment, you're the top.
:58:03. > :58:11.You're so right. CHEERING AND APPLAUSE I do not know about
:58:11. > :58:21.reaching for the stars, but you are one. Off you go. Thank you, Gris. -
:58:21. > :58:31.
:58:31. > :58:37.He deserves those kisses. It was an iconic moment. It was an explosive
:58:37. > :58:42.first. Did you enjoy you're maiden voyage? Goodness, isn't Wembley
:58:42. > :58:46.Mark Willis?! APPLAUSE Amazing. And you used to
:58:46. > :58:50.live here. -- Mark Willis. What is it like returning here as a
:58:50. > :58:55.ballroom hero? I used to walk here to play football, but I never
:58:55. > :59:00.thought I would come out of the canon. I have just had the best
:59:00. > :59:10.time of my life. Thank you, Britain, for getting us here. Thank you so
:59:10. > :59:22.
:59:22. > :59:31.For the sheer insanity of it all, seven!
:59:31. > :59:37.APPLAUSE 24 out of 40. We love it. Make a note of this number, 09015
:59:37. > :59:42.22 20 11, and call later if you want Russell, are a human
:59:42. > :59:48.cannonball, to be fired on to next week's dance floor. Will it be
:59:48. > :59:53.written in the stars? I don't know, but these people are my friends and
:59:53. > :59:59.this is marvellous. He is feeling the love. We're having a lovely
:59:59. > :00:04.time. Keep up-to-date with all the goings-on backstage online. We have
:00:04. > :00:12.some sneaky behind the scenes pictures. Falls on Twitter. We are
:00:12. > :00:22.feeling the love it. Back to you, a Our next couple is Chelsee Healey
:00:22. > :00:23.
:00:23. > :00:28.and her partner, Pasha. Now they are doing the samba. It is
:00:28. > :00:33.a party dance. So all 6,000 of you, just pretend that you're at a
:00:33. > :00:35.partyment the band is playing. Everyone is having a good time and
:00:35. > :00:40.Len Goodman is is buying the drinks!
:00:40. > :00:48.Now there is a first! LAUGHTER
:00:48. > :00:52.Here they are in training. I didn't expect last week to go as
:00:52. > :00:54.well as it did. I don't expect you to be able to
:00:54. > :00:57.dance with this much ease and elegance.
:00:57. > :01:00.It is nice to surprise people, but I'm still surprising myself because
:01:00. > :01:03.some of the things that I've done, I don't think I can do myself
:01:03. > :01:07.anyway. You're starting to tick all my
:01:07. > :01:10.boxes. Well done. Wembley, here we come.
:01:10. > :01:15.She is is so excited. I can't wait.
:01:15. > :01:18.It is November and cold and grey so this week, we're trying to create a
:01:18. > :01:23.routine that really warms up the Wembley crowd.
:01:23. > :01:27.I'm hoping that my samba does bring sunshine, but at the moment I'm
:01:27. > :01:31.thinking it will bring a thunderstorm instead. What's wrong,
:01:31. > :01:35.Chelsee? It is this weather and it gets me down.
:01:35. > :01:45.But we are doing samba, it is all about sunshine, just use your
:01:45. > :01:47.
:01:47. > :01:57.Thank you. It is not bad this samba lark, is
:01:57. > :02:04.
:02:04. > :02:09.Pasha, I'm loving this. It is Pasha, I think doing the samba at
:02:09. > :02:13.Wembley will be like being on summer holiday.
:02:13. > :02:17.Here we are, Wembley Arena. That's in front of 6,000 people, we can't
:02:17. > :02:25.do that. Just remember the sunshine. Come on.
:02:25. > :02:35.CHEERING AND APPLAUSE Dancing the samba, Chelsee Healey
:02:35. > :02:35.
:02:35. > :03:25.Apology for the loss of subtitles for 86 seconds
:03:25. > :03:35.MUSIC: Spice Up Your Life by The MUSIC: Spice Up Your Life by The
:03:35. > :04:14.
:04:14. > :04:22.CHEERING AND APPLAUSE There they go again. They're on
:04:22. > :04:28.their feet. They're on their feet again. Oh, Chelsee my darling, that
:04:28. > :04:35.was just so wonderful. Pasha, what a job you're doing with her. That
:04:36. > :04:42.was fantastic. Bruno. Chelsee, you're so rhythmic. You
:04:42. > :04:46.have got a feeling for the music. Bless you baby. It was going so
:04:46. > :04:51.well, but I'm telling you, it was near perfect
:04:51. > :04:54.Oh, near perfect. APPLAUSE
:04:54. > :04:59.What did Craig think? Your arm was placed a little bit too high on one
:04:59. > :05:04.section. You missed a turn at the beginning which for your -- through
:05:04. > :05:09.your timing off, but your finishes darling, are generally excellent.
:05:09. > :05:14.All the way through the spins were fantastic. The bounce was fantastic.
:05:14. > :05:18.Brilliant. APPLAUSE
:05:18. > :05:24.Right, Craig, sorry, Len. I thought you were brave to do that
:05:24. > :05:26.first little section on your own out there in this huge arena.
:05:26. > :05:32.APPLAUSE That took a bit of nerve. Took a
:05:32. > :05:39.bit of doing. That spiced up my night because it was full on, full
:05:39. > :05:44.of energy, a proper samba. Well done to you guys. A proper samba.
:05:44. > :05:48.Now Alesha. A very, very strong opening, Chelsee. You had great arm
:05:48. > :05:54.placement as usual. You captured the spirit of the samba. You had
:05:54. > :05:57.that natural bounce that we want to see and I think you're really
:05:58. > :06:02.coming into your own. Be very proud. Off you go.
:06:02. > :06:08.CHEERING AND APPLAUSE Pasha and Chelsee. A marvellous job
:06:08. > :06:13.done. Off you go, a great performance.
:06:13. > :06:20.CHEERING AND APPLAUSE How nerve-wracking was that? That
:06:20. > :06:25.was, I have never been so nervous in my life. It is so overwhelming,
:06:25. > :06:29.yeah and that's it. I love her to bits. Bruno said it
:06:30. > :06:36.was near perfect. Yeah. High praise, indeed.
:06:36. > :06:46.The dance floor is six times than big -- six times bigger than normal.
:06:46. > :06:58.
:06:58. > :07:08.I can feel it.. It is true, she is APPLAUSE
:07:08. > :07:11.
:07:11. > :07:16.Top scores, Chelsee. Well deserved. Right we have got one more
:07:16. > :07:21.performance to come and it promises to be a big old supplies of
:07:21. > :07:25.ballroom. Time for our final couple, Jason
:07:25. > :07:33.Donovan and his partner, Kristina Rihanoff.
:07:33. > :07:38.CHEERING AND APPLAUSE Now then. As you know, as you know,
:07:38. > :07:44.Jason is Australian and some of the most feared creepy crawlies in the
:07:44. > :07:49.world come from Australia. The funnel-webbed spider, the red fire
:07:49. > :07:56.ant and the most feared of all, of the creepy crawlies is Craig Revel
:07:56. > :08:01.Horwood! LAUGHTER
:08:01. > :08:11.It is the only one. It sends a cold shiver down my back. Anyway, here
:08:11. > :08:12.
:08:12. > :08:17.The waltz was probably up there as one of my best dance. I went in
:08:17. > :08:19.there with a big smile on my face. I'm telling you, it was very, very
:08:19. > :08:23.good. I do know the competition is
:08:23. > :08:31.hotting up. There are some extremely good dancers and if we're
:08:31. > :08:36.going to go the distance, I'm going to have to dig deeper. I can't wait
:08:36. > :08:43.to get back to Wembley Arena, I performed there in the past, but to
:08:43. > :08:47.dance there, it will be amazing. I feel like Don Johnson from Miami
:08:47. > :08:50.Vice and we are dance to go an 80s classic.
:08:50. > :08:56.Try to smile. Jason, I know it is a hard dance,
:08:56. > :09:03.but remember the 80s? You have got to search your memories for
:09:03. > :09:10.inspiration. How about this for for some 80s inspiration.
:09:10. > :09:14.# Stand and deliver deliver # No, no, Jason, not this kind of 80s.
:09:14. > :09:23.# Too many dreams can be broken in two #
:09:23. > :09:29.Stop it. Stop it, enough. What's with the hair? What is that?
:09:29. > :09:34.# Wake me up before you go go # That's more like it, Jason.
:09:34. > :09:44.# Don't leave me hanging on like a yo-yo #
:09:44. > :09:44.
:09:44. > :11:28.Apology for the loss of subtitles for 86 seconds
:11:28. > :11:34.MUSIC: Wake Me Up Before You Go Go CHEERING AND APPLAUSE
:11:34. > :11:38.Here they go again. Jason and Kristina.
:11:38. > :11:42.CHEERING AND APPLAUSE What a routine!
:11:43. > :11:51.All go. Wake me up, wake everybody up. Craig, what did you think?
:11:51. > :11:56.suppose that would have been phenomenal if it wasn't for that
:11:56. > :12:06.last moment where you lost it with the whole kick section there and of
:12:06. > :12:06.
:12:06. > :12:09.course, the two lifts. Amazing. Amazing.
:12:09. > :12:13.APPLAUSE Len. I'm really disappointed for
:12:13. > :12:23.you because I can tell by your foot placement, the bounce, you've
:12:23. > :12:24.
:12:24. > :12:27.worked your socks off on getting those right and it is live, if it
:12:27. > :12:31.wasn't, you would have done it again and get it perfect. I have
:12:31. > :12:37.got to agree with Craig, I am starting to see more and more lifts
:12:37. > :12:43.creeping into the routines so I'm not going to penalise you for that
:12:43. > :12:48.tonight, if I start to see lifts, I will knock off points. Unlucky.
:12:48. > :12:50.Well, it is the rules, ladies and gents. Don't start getting on me.
:12:50. > :12:53.Unlucky. All right, Alesha.
:12:53. > :12:57.It is a shame Jason because you were doing so well. I thought the
:12:57. > :13:01.kicks, the flicks, everything your side by sides were great. The
:13:01. > :13:07.energy from start to finish was incredible and you should still be
:13:07. > :13:09.proud even though you went wrong because you picked yourself back up
:13:09. > :13:13.again. People still don't realise the
:13:13. > :13:16.hours and hours that all these people spend rehearsing and
:13:17. > :13:21.training. They don't realise it because that's it. Bruno, what do
:13:21. > :13:27.you think? Well, Jason, the beginning it looked like you turned
:13:27. > :13:33.back the hands of time. You were an energetic teenager going for it. It
:13:33. > :13:42.was mag nif icant -- magnificent, I think the occasion overwhelmed you
:13:42. > :13:47.and you lost time and your step, but otherwise up to there amazing.
:13:47. > :13:54.Amazing. Well done, both of you. Kristina and Jason. Away you go.
:13:54. > :13:59.CHEERING AND APPLAUSE It is a wonder they have got the
:13:59. > :14:04.energy to get back. Did you love it, Wembley?
:14:04. > :14:12.ALL: Yes. I love the T-shirt.
:14:12. > :14:16.Yeah, I mean, what can I say? The situation did overwhelm me, but you
:14:16. > :14:26.know, I really enjoyed TI loved being at Wembley. Thank you
:14:26. > :14:27.
:14:27. > :14:30.everyone for coming tonight. APPLAUSE
:14:30. > :14:32.Thank you very much, there is the most incredible atmosphere, you
:14:32. > :14:35.have you have sung here at Wembley Arena. It is a different experience.
:14:35. > :14:39.It is like being an athlete when you dance, but no, great tonight.
:14:39. > :14:48.It is strenuous? Yeah, I just wish he had got them last couple of
:14:48. > :14:58.kicks, but that's life. It is time to get the scores from
:14:58. > :15:05.
:15:05. > :15:09.Write down this number, 09015 22 20 14, and call shortly if you don't
:15:09. > :15:19.want our Aussie to 'Go go' from the competition. Have you got more to
:15:19. > :15:19.
:15:19. > :15:22.give Jason? Judges' scores alone may not be enough to save your
:15:22. > :15:25.favourite but remember you, the people of Britain are the fifth
:15:25. > :15:31.judge! That's it. All our couples have done Wembley proud with their
:15:31. > :15:41.fabulous routines. So let's take a fabulous routines. So let's take a
:15:41. > :15:44.
:15:44. > :15:49.look at the leaderboard. Alex and James and Chelsee and Pasha, at the
:15:49. > :15:59.top. At the bottom, Russell and Flavia have three points. Remember,
:15:59. > :15:59.
:15:59. > :16:02.the phone lines are now open, so Calls cost 15p from a BT landline.
:16:02. > :16:05.Other operators may vary and calls from mobiles will be considerably
:16:05. > :16:07.higher. Lines close at 8.45pm tonight. Voting details can be
:16:07. > :16:11.found at bbc.co.uk/strictly. To help you decide, here's a reminder
:16:11. > :16:21.of tonight's Wembley Wonders and the all important numbers. It's
:16:21. > :16:21.
:16:21. > :18:40.Apology for the loss of subtitles for 86 seconds
:18:40. > :18:43.been a big night for ballroom, I I think you'll agree, it's been a
:18:43. > :18:47.big night for ballroom. All our eight remaining couples have given
:18:47. > :18:49.us a Wembley experience that we won't forget. So pick up the phone,
:18:49. > :18:54.your votes can change everything! Your stars need you because one
:18:54. > :19:04.couple must leave. Find out who in Sunday's results show at 7.25pm.
:19:04. > :19:34.
:19:34. > :19:44.All that is left to do is thank all Chelsee and Pasha. Harry and Aliona.
:19:44. > :20:08.