:00:23. > :00:28.The footballer went for the full Monty. That's an interesting look.
:00:29. > :00:34.McFly's poster boy took 39 steps to an almost perfect score. Our Welsh
:00:34. > :00:41.wonder girl got into choppy waters. BOOING
:00:41. > :00:46.And for Anita, it turned out to be the last picture show.
:00:46. > :00:50.Quarter-finals, baby. This is where you need to lift your game. Yeah!
:00:50. > :00:56.Tonight it's the main feature, and it promises to be box office gold.
:00:56. > :01:00.Show me the rumba. Are you talking to me? Bravo! Six movie idols with
:01:01. > :01:07.blockbuster ballroom ambitions. Glitter ball, dead ahead! But who
:01:07. > :01:13.will live up to the hype? Sorry. And who will get a panning from the
:01:13. > :01:19.critics? Shut up! May the force of ballroom be with you. I'm your
:01:19. > :01:29.father. Nooo! This is Strictly... Movie Night! We'll be back!
:01:29. > :01:29.
:01:29. > :02:12.Apology for the loss of subtitles for 42 seconds
:02:12. > :02:18.It's a movie special on Strictly # I know where I'm going to go
:02:18. > :02:27.# I'm going to pick up my baby # And take her to the picture show
:02:27. > :02:34.# Everybody in the neighbourhood # Is dressing up to be there too-
:02:34. > :02:38.oo-oo # And with all I have
:02:38. > :02:44.# Is a lengthy excuse # Saturday night
:02:44. > :02:48.# At the pictures # When you're hugging with your
:02:48. > :02:55.baby # Up and in the balcony
:02:55. > :02:58.# Well, it's technoscope # And the popcorn in the candy
:02:58. > :03:06.stand # Makes it all seem twice as good
:03:06. > :03:08.# There is always lots of pretty girls
:03:08. > :03:15.# But they never can compare to the girl
:03:15. > :03:19.# Sitting by my side # Saturday night at the movies #
:03:19. > :03:20.CHEERING AND APPLAUSE # When you're hugging with your
:03:20. > :03:28.baby # Up in the balcony
:03:28. > :03:32.# Oh, Saturday night at the movies # Who cares what picture you see
:03:32. > :03:42.# When you're hugging with your baby #
:03:42. > :04:08.
:04:08. > :04:14.welcome your hosts, Sir Bruce Hold on! Hold on. Exciting moment!
:04:14. > :04:18.Oh, dear. Oh, dear. Anyway, good evening, ladies, gentlemen and
:04:18. > :04:23.children. Welcome to Strictly Come Dancing. It's nice to see you, to
:04:23. > :04:32.see you... Nice! And it's nice to see you, Bruce. It's movie week.
:04:32. > :04:36.Are you so excited? I'm excited. Not now, Addison. No, in the warm-
:04:36. > :04:39.up, she wouldn't leave me alone. She's got a friend. I don't know
:04:39. > :04:45.who she is. LAUGHTER
:04:45. > :04:50.Moving on... She's keen. Tonight, our couples will dance to a song
:04:50. > :04:53.that represents a famous movie. At one time, a producer wanted me to
:04:53. > :04:58.dance with all the female dancers on the show, and they were told to
:04:58. > :05:08.pretend they were all madly in love with me. I said, "What film did
:05:08. > :05:13.that represent?" She said, "Mission No, that's not funny. What are you
:05:13. > :05:18.laughing at? I'm not laughing. hope nobody told you to laugh.
:05:18. > :05:23.That's all I hope. Lights, camera, action. Our A-listers are ready to
:05:23. > :05:28.show us the ballroom. Yes, this could be a night of movie magic
:05:28. > :05:34.with only five places live - five places -
:05:34. > :05:39.LAUGHTER Shut up. It was her... Putting you
:05:39. > :05:44.off. With five places in the semi- finals up for grabs. I think
:05:44. > :05:49.they're ready on set. Shall we? think we'd better, yes. Action.
:05:49. > :05:59.Roll the cameras. It's time to meet - I hope I fall - meet the movie
:05:59. > :05:59.
:05:59. > :06:42.Apology for the loss of subtitles for 42 seconds
:06:42. > :06:47.stars in our show. I don't! Yes, What about them? There they all are.
:06:47. > :06:49.There they all are. I'm just checking to make sure Brendan isn't
:06:49. > :06:55.still here - LAUGHTER
:06:55. > :07:01.And I also have a very important role in this evening's movie night.
:07:01. > :07:04.If anyone fancies a choc-ice, I'll be standing over there. On to me.
:07:04. > :07:08.You, yes. Our judges will be scoring, and our couples will then
:07:08. > :07:13.be ranked on the leader board. Those scores will then be combined
:07:13. > :07:17.with your votes, and sadly, one couple's ballroom dreams will not
:07:17. > :07:23.come true - shame, shame, shame, only two weeks short of the Grand
:07:23. > :07:29.Final in Blackpool. That's right. If you're a digital viewer, press
:07:29. > :07:39.the red button for live commentary. We have with us comedian Rory
:07:39. > :07:43.
:07:43. > :07:48.Now, then, our first couple tonight is Robbie Savage and his partnerola.
:07:48. > :07:54.-- partner ola. They're our first couple. There they are. Everybody
:07:54. > :08:04.loved them. I said to Robbie, I bet I know what film you'll be dancing
:08:04. > :08:07.
:08:07. > :08:17.too. He said, "What?" I said, Good luck to everyone tonight. Here
:08:17. > :08:21.Last Saturday I was incredibly nervous. There was so much to think
:08:21. > :08:27.about in the routine. There were promenades and runs. I just knew I
:08:27. > :08:34.had an ace up my sleeve. It wasn't completely successful, the psalm
:08:34. > :08:38.back, but you can always go on stripping. 25 points. I was
:08:38. > :08:43.completely and utterly left adrift at the bottom of the leader board.
:08:43. > :08:48.Things weren't looking good. But the public saved me again,
:08:48. > :08:52.which was absolutely fantastic. Now we're in the quarter-finals. How
:08:52. > :08:57.has that happened? This room, ballroom, a quick step - I'm going
:08:58. > :09:03.to try to go and get my best score. You know we're dancing to a song
:09:03. > :09:08.from Reservoir Dogs. My God, we're going to look sensational. Well,
:09:08. > :09:13.you don't quite have the right look for it. Come on in. Who are you?
:09:13. > :09:18.Have you come to fit me for a suit? No, Robbie. He's here to cut your
:09:18. > :09:25.hair. Whoa, Whoa, Whoa! Hold it right there, mister. I think you'll
:09:25. > :09:30.find it's Ola that needs a haircut. Whoa, Whoa, Whoa, Savage. Don't try
:09:30. > :09:36.to turn this around. We have been friends for some time now but I
:09:36. > :09:44.won't hesitate to blow your hair off. Let's put our tools down, and
:09:44. > :09:54.let's talk. Don't make me do this. Ahh! No!! I hope you're pleased
:09:54. > :09:54.
:09:54. > :11:43.Apology for the loss of subtitles for 42 seconds
:11:43. > :11:52.with yourself, Ola. I don't think Well done. Well done. Wasn't that
:11:52. > :11:57.wonderful? Great. Oh, Ola, a beautiful routine, a lovely routine.
:11:57. > :11:59.Lovely, but a bit overdressed, a bit -
:11:59. > :12:03.LAUGHTER For you - and you - the pair of you.
:12:03. > :12:08.Anyway, while you get your breath back, it's a good time to welcome
:12:08. > :12:11.our fabulous singer Dave Arch and his wonderful, wonderful orchestra.
:12:11. > :12:17.APPLAUSE Also, our judges. Welcome, our
:12:17. > :12:23.judges. APPLAUSE
:12:23. > :12:30.And just when you thought it was safe to go back on to the
:12:30. > :12:36.dancefloor - (THEME FROM JAWS)
:12:36. > :12:43.Even our judges have their own movie music. Now, if you judges
:12:43. > :12:53.were in films, Alesha would be A Star is Born. Ahh! And the three of
:12:53. > :12:53.
:12:53. > :12:59.you would be The Good, the Bad and the Ugly! Oh! Make up your mind who
:12:59. > :13:03.is who. All right, then? But, Len, only kidding, of course. What did
:13:03. > :13:07.you think of that? I'll tell you what, Robbie, you have given me a
:13:07. > :13:10.lot of pleasure all through this series, and you didn't disappoint
:13:10. > :13:12.again tonight. You've got the enthusiasm.
:13:12. > :13:16.APPLAUSE You've got that sportsman's will to
:13:16. > :13:21.win, but it was a little bit rough around the edges for me, you know?
:13:21. > :13:25.I'm sorry. You made the best of what you've got. Now, this is the
:13:25. > :13:31.nitty-gritty. Someone's going to go home, and I just hope it's not you.
:13:31. > :13:36.I haven't seen the others, but it wasn't top notch. Oh, well, a lot
:13:36. > :13:40.of disappointment here, but Alesha? Robbie, you're a smooth operator.
:13:40. > :13:44.Last week it was all about the entertainer. This week you're back
:13:45. > :13:51.in business, good posture, light footed. It was clean. It was
:13:51. > :13:56.definitely a cool quick step and I liked it. What about Bruno? Yeah, I
:13:56. > :14:00.love the combination of sharp looks and clear attitude. The way you
:14:01. > :14:04.were strutting your stuff - somewhere between Kate Moss and
:14:04. > :14:09.Russell Brand. In a strange way, it works. You put a lot of tricky
:14:09. > :14:13.footwork into this quick step. You really, really paid a lot of
:14:13. > :14:16.attention to your erect posture. You tried really hard, and I saw an
:14:16. > :14:23.improvement. And I thought it was better. Your ballroom is better.
:14:23. > :14:27.Yes. Yes. They all agree. OK. Craig, now, what did you, you think?
:14:27. > :14:31.knee pulses at the beginning were completely out of time. Your head
:14:31. > :14:35.position needs to go a lot more left, darling and lacked any swing
:14:35. > :14:37.or sway, sadly, which made it stiff. I thought you could drive the dance
:14:37. > :14:43.a little bit more. BOOING
:14:43. > :14:48.It was sort of like a rabbit - it was a little bit like a rabbit
:14:48. > :14:52.doing a trot around. BOOING
:14:52. > :15:01.I did love the concept, and I did love your performance of it.
:15:01. > :15:05.APPLAUSE You can say no more. Did you say
:15:05. > :15:10.knee pulses? I didn't know you could take a pulse with your knee!
:15:11. > :15:18.Brucey, thank you. A bit over- dressed, as I said, but off you go.
:15:19. > :15:24.Off you go. Hey, Robbie, I'm surrounded, you may notice, by all
:15:24. > :15:30.the great and the good - Hollywood's finest - hello! Shrek
:15:30. > :15:35.on my right. "One cool quick step" - is that the fastest you have ever
:15:35. > :15:39.moved your feet? The fastest I have moved in ten years. Is it? You have
:15:39. > :15:43.come a long way. You have started this competition with two left feet,
:15:43. > :15:46.and now you're two weeks away from the final. How do you feel about
:15:46. > :15:52.that? It would be amazing, you know? I have never danced, and ten
:15:52. > :15:56.weeks into it, to perform a quick step in front of so many people -
:15:56. > :16:06.ten weeks ago, I couldn't dance. It has been a tough week. I'm just
:16:06. > :16:28.
:16:28. > :16:32.glad I got through it. The scores scores for Robbie and all Ola. The
:16:32. > :16:40.number to call is on your screen. Want to be there? Yeah. You would
:16:40. > :16:46.love to be there. Please don't call because if you do, your votes won't
:16:46. > :16:51.count, and you'll be charged. There is plenty more movie madness to
:16:52. > :16:57.come. Grab the popcorn and settle in. Sweet or salty?
:16:57. > :17:01.Sweet! Sweet. Now, next, Harry Judd and his partner Aliona. He was
:17:02. > :17:08.wonderful last week with the quick step, the two of them. They're
:17:08. > :17:14.dancing to the theme from the movie Robin Hood, and Harry told me all
:17:14. > :17:18.about him. He said Robin once was imprisoned at the top of the castle
:17:18. > :17:25.tower and still managed to escape. I said, "How did he manage that?"
:17:25. > :17:35.He said, "He had a ladder in his tights."! I'm sorry. I'm sorry.
:17:35. > :17:38.
:17:38. > :17:45.What a - what a stupid joke. I Last week was absolutely amazing.
:17:45. > :17:51.That was outstanding. Superb. certainly didn't expect three tens.
:17:51. > :17:56.Sorry, Harry, no nines. It's a ten. But there is room for improvement -
:17:56. > :18:02.obviously - one more point. The swing-a-thon was awesome. To top it
:18:02. > :18:08.off, we won it. That was even better. Top of the leader board and
:18:08. > :18:11.winners of the swing-a-thon. # What a feeling #
:18:11. > :18:17.This week it's movie week. Quite used to it. I am dancing to the
:18:17. > :18:22.song from Robin Hood Prince of Thieves. Robin Hood wears tights in
:18:22. > :18:27.the movie. We should get you some. You definitely won't be getting me
:18:27. > :18:35.in tights. You heard it here. "If you ever want to dance with Aliona
:18:35. > :18:40.in the -- again, meet me in the forest, lots of love, the Sheriff
:18:40. > :18:50.of Nottingham". Aliona, where are you? This isn't is funny. Aliona?
:18:50. > :18:56.
:18:56. > :19:00.Harry, help. Right, Rottingham, let's find out
:19:00. > :19:06.who you really are. Brendan, what do you think you're doing? I just
:19:06. > :19:16.wanted the chance to dance again this week. Your dancing days are
:19:16. > :19:16.
:19:16. > :21:05.Apology for the loss of subtitles for 42 seconds
:21:05. > :21:13.over. Anita was your last chance. Oh, Harry, look! Look what you've
:21:13. > :21:18.done! Aliona, look what you've done. That was wonderful. Well, Aliona,
:21:18. > :21:22.you've got him in a different mood this week, a different Harry, a
:21:22. > :21:28.different Harry. Alesha, did that get you? The best number I have
:21:29. > :21:32.seen from a male celebrity in a long time. Oh! It was touching. It
:21:32. > :21:37.was sensitive. It was very romantic. He had good hip action, good
:21:37. > :21:42.control. It was by no means awkward. It looked very natural and very
:21:42. > :21:45.convincing. Thank you. Lovely, very nice. Bruno? I should say, Harry, I
:21:45. > :21:49.was very apprehensive because usually at this stage a rumba can
:21:49. > :21:54.break or make a man! And I tell you, you turned something that could
:21:54. > :21:58.have been tragic into a little bit of magic. You pitched it just right,
:21:58. > :22:03.the right balance of romance and passion, a great mix of steps, a
:22:03. > :22:03.good - a few basics here and there, but great shapes. You did a great
:22:03. > :22:08.job. APPLAUSE
:22:08. > :22:12.Thank you very much, Len. It was a gamble this week to have that dance.
:22:12. > :22:20.Craig, what did you think? Well, it was hard not to notice that you've
:22:20. > :22:25.obviously been working on your hip action. Were were you looking?
:22:25. > :22:31.to the tightness of those trousers, but I have to say, I did love it.
:22:31. > :22:37.It was simple. It was clean. It was basic. One small - one small...
:22:37. > :22:42.one! Wobbly movement over here, sadly, but... Oh, sadly, just one -
:22:42. > :22:49.oh. Len? A little bit spikey in the hands on occasions, Harry. Spikey?
:22:49. > :22:53.Yeah. Listen. Someone - you know, it's movie
:22:53. > :22:57.night, and someone's dreams are going to be left on the cutting
:22:57. > :23:00.room floor, but I tell you what - it won't be you.
:23:00. > :23:10.APPLAUSE Can't say more than that. Well done,
:23:10. > :23:17.
:23:17. > :23:21.Aliona. Well done, Harry. Off you powerball. Did you feel the power
:23:21. > :23:26.of that rumba? I did. I loved it. Everyone has been saying how tough
:23:26. > :23:29.it is, which it is. I really enjoyed it this week. A convincing
:23:29. > :23:33.job you made of it. You're top of the leader board. Are you feeling
:23:33. > :23:38.the pressure to stay on top? I tell you, there is pressure every week
:23:38. > :23:42.to stay on top, but we're just focusing week to week to do our
:23:42. > :23:47.best and enjoying ourselves. you wearing the kept underneath?
:23:47. > :23:57.must admit, I kept the nights from before for the winter, just in case.
:23:57. > :24:13.
:24:13. > :24:19.score. I had a dream of that number. The dream came true, Harry. Write
:24:19. > :24:29.down this number and call later if our Harry had you all aquiver and
:24:29. > :24:29.
:24:29. > :24:33.you want him to make your day next Saturday - do you? Do you? Punk!
:24:33. > :24:38.got there in the end! With 12 gruelling weeks with barely a day
:24:38. > :24:43.off, nobody wants to leave a day before the semi-final, but who is
:24:43. > :24:52.going to get your vote? Thank you. Now for our next couple,
:24:52. > :24:58.Alex Jones and her partner James. Now, they're dancing to the title
:24:58. > :25:02.track of the film Pretty Woman, Richard Gere - yes. Didn't you love
:25:02. > :25:06.that movie? Oh, it was such a wonderful movie, and I remember she
:25:06. > :25:12.thought that he'd gone back to New York, but he surprised her by
:25:12. > :25:19.turning up in a white stretch limo with a bunch of flowers. I got so
:25:19. > :25:23.emotional. I cried in the end. But then I - I always get upset
:25:23. > :25:27.when I run out of popcorn. APPLAUSE
:25:27. > :25:37.You know, you've got that big thing - anyway, I'll be all right in a
:25:37. > :25:41.Last weekend, we performed the Charleston.
:25:41. > :25:45.# Oh, sometimes I get a good feeling #
:25:45. > :25:51.Everybody stood up, which is an amazing feeling, and I thought, God,
:25:51. > :25:55.that went well, didn't it? I felt you took a major step backwards
:25:55. > :26:01.tonight. Oh, sit down, everybody. Turns out
:26:01. > :26:06.it wasn't that amazing. It was mediocre!! James was furious, and
:26:06. > :26:09.he didn't do a good job of hiding # A riot
:26:09. > :26:14.# I predict a riot # But at the end of the day, the
:26:14. > :26:18.people at home decided to keep us in, and that's what's important.
:26:18. > :26:22.This week we're dancing the American smooth, which is like a
:26:22. > :26:27.foxtrot with lifty bits, and we're dancing it to the tune of Pretty
:26:27. > :26:32.Woman. I love that film. This is not a race. I don't know what's
:26:32. > :26:36.happened to James. Don't turn your head! But he's become a little bit
:26:36. > :26:40.tough. I know I'm always really harsh on you, but you've made it
:26:40. > :26:50.all the way to the quarter-finals, and I want you to go and treat
:26:50. > :26:52.
:26:52. > :26:57.yourself. Thanks, James. Where is she? Bye!
:26:57. > :27:00.# Well, she's all you'd ever want # She's the kind I'd like to flaunt
:27:00. > :27:06.and take to dinner # She's a lady
:27:06. > :27:12.# Whoa, Whoa, Whoa # Hi! Where have you been? You told
:27:12. > :27:22.me to treat myself. I meant get myself lunch. Big mistake - huge
:27:22. > :27:22.
:27:22. > :29:05.Apology for the loss of subtitles for 42 seconds
:29:05. > :29:13.mistake! Didn't you like it? It was great.
:29:13. > :29:19.It was great, a happy ending, yeah. All right. Bruno? My darling, don't
:29:19. > :29:20.worry because Pretty Woman is an understatement. You were absolutely
:29:20. > :29:25.gorgeous! APPLAUSE
:29:25. > :29:30.Fabulous transitions in and out of lifts, great turns, fluid. There
:29:30. > :29:36.was a tiny incident, but... Yes. tell you, it doesn't spoil the
:29:36. > :29:41.gorgeousness of this dance. It was absolutely lovely. Well, lovely -
:29:41. > :29:45.that's great. All right, then, Craig? You have finally learned how
:29:45. > :29:52.to put "sexy" into dance. APPLAUSE
:29:52. > :29:56.Oh! Because you know that. Well, you do now, yes. It was all going
:29:56. > :30:00.swimmingly well, and then there was just these feather steps. Listen, I
:30:00. > :30:05.loved the dance. I thought you did it great. The lifts were clean and
:30:05. > :30:09.good. You came out and really sold it - just that little incident, but
:30:09. > :30:13.well done to you. APPLAUSE
:30:13. > :30:18.And Alesha? A beautiful song and a gorgeous routine, which you danced
:30:18. > :30:22.with elegance and class, and for me, you have been consistently
:30:22. > :30:28.improving in this competition, and I think you deserve credit for that.
:30:28. > :30:33.The improvement - the improvement... It was beautiful, honestly. Don't
:30:33. > :30:37.beat yourself up because I can tell... She's a bit disappointing.
:30:37. > :30:40.It was stunning. It was stunning. It was wonderful. Thank you.
:30:40. > :30:45.the improvement over the weeks has been tremendous. You wait until you
:30:45. > :30:49.look back at some of the other shows, and you'll see, you're doing
:30:49. > :30:52.marvellous. No, no. That's what it's all about, this show,
:30:52. > :31:02.improvement. And you have improved. Off you go. Off you go.
:31:02. > :31:08.
:31:08. > :31:11.beat yourself up. The audience loved it, right? I'm sorry.
:31:11. > :31:15.CHEERING AND APPLAUSE Dress date again! Dress date. I
:31:15. > :31:21.understand Pretty Woman is your favourite movie of all time. Mine
:31:21. > :31:25.too! Yours is Ghost. She knows you so well. It must be a dream come
:31:25. > :31:33.true ballroom dancing. Completely. It was such a nice song to do. I
:31:33. > :31:40.wanted to wear the dress and to feel like a film star for the day.
:31:40. > :31:46.No wardrobe malfunctions there. Do you reckon James could double as a
:31:46. > :31:56.Richard Gere double? Perhaps if we take the lipstick off the cheek!
:31:56. > :32:09.
:32:09. > :32:14.Write down this number. Call when lines open later if you want our
:32:14. > :32:18.Pretty Woman to get to dance again next Saturday! Coming up in our
:32:18. > :32:24.movie night special, Jason is going to be singing in the rain with his
:32:24. > :32:29.American smooth, and Chelsee is going to be driving with Shrek.
:32:29. > :32:38.Yeah, he's in the building. See, in there? I'm green with envy. Back to
:32:38. > :32:43.Now for our next couple, Holly Valance and her partner, Artem, a
:32:43. > :32:48.very popular lady and a wonderful dancer. Yes, they're performing to
:32:48. > :32:53.the soundtrack of that marvellous film Zorro. Holly said she thought
:32:54. > :33:00.I would make a good Zorro. I said, "Is that because I could handle
:33:00. > :33:05.myself in a sword fight?" No. She said, "Because you would look so
:33:05. > :33:10.much better in a mask". How could a beautiful girl like that be so
:33:10. > :33:14.horrible to me? I hope she doesn't tell me! Anyway, here they are in
:33:14. > :33:18.training. We're ready to rock 'n' roll.
:33:18. > :33:24.I definitely get 100% from my foxtrot, and I got to do a bit of
:33:24. > :33:31.solo dancing. I didn't muck up one move, which I couldn't believe.
:33:31. > :33:37.Holly! Probably the dance I am most proud of so far. I thought it was
:33:37. > :33:42.fantastic! Well done! I have heard him say it too many times, but I
:33:42. > :33:46.might make it my ring tone. I was disappointed we were in the bottom
:33:46. > :33:51.two - again. I feel like I am letting Artem down again. I am just
:33:51. > :33:58.last glad we have the opportunity to come back for another week. I am
:33:58. > :34:03.so amped up about getting to do the paso, my passion and fire - it
:34:03. > :34:06.suits me better than the fluffier stuff. It's about facing up to each
:34:06. > :34:16.other. I think Artem has something up his sleeve to help me get into
:34:16. > :34:41.
:34:41. > :34:51.not being in the bottom two and getting into the semi-final - that
:34:51. > :34:51.
:34:51. > :36:53.Apology for the loss of subtitles for 42 seconds
:36:53. > :36:59.would be a dream. love Irish dancing. Yes. Craig, we
:36:59. > :37:07.will start off with you. That, my darling, must be your personal best.
:37:07. > :37:12.Thank you. The skirt worked. The only thing is you do look at the
:37:12. > :37:16.floor always. You need to bring the eye line up, darling. Yes. She just
:37:16. > :37:21.wants to know where it is. Lovely to know there's a floor there.
:37:21. > :37:26.Right. Len? This competition is all about not where you start, but
:37:27. > :37:31.where you finish, and I tell you, you're finishing strong. Well done.
:37:31. > :37:37.There again - the improvement. It is the improvement, especially over
:37:37. > :37:41.these last three or four weeks. Alesha? I was rooting for you the
:37:41. > :37:45.whole way, Holly. Your arms and hands were superb. I loved the
:37:45. > :37:48.routine, Artem. I love this week you were really fighting - sorry,
:37:48. > :37:55.the table! You were working it. You were totally there character, and
:37:55. > :38:02.you have stepped it up a notch. Good for you. Well done, my darling.
:38:02. > :38:12.Well done. Finally, Holly, you sources re! That's what I want! And
:38:12. > :38:14.
:38:14. > :38:17.I have to point out, the flam enkco a capella sequence is wrong. In
:38:17. > :38:27.that Dan, sometimes you do look down because you have to build it
:38:27. > :38:28.
:38:28. > :38:33.up and bring it up - even higher. She was brilliant. You do. You have
:38:33. > :38:37.to bring it up. You have to look on the floor when you do that. It was
:38:37. > :38:47.wonderful. Artem, a marvellous routine. Off you go, and be proud.
:38:47. > :38:56.
:38:56. > :39:01.Be proud. audience and the judges. This was
:39:01. > :39:07.the dance you were waiting to do. Was it worth the wait? I absolutely
:39:07. > :39:11.loved it. The choreography was amazing, getting to stamp my feet.
:39:11. > :39:16.Your personal dance. You're fighting to stay out of the bottom
:39:16. > :39:21.two. Absolutely. We're working hard to do it. Hopefully, tonight we'll
:39:21. > :39:31.do it, but fingers crossed - we're ten out of 12 weeks, can't complain.
:39:31. > :39:50.
:39:50. > :39:57.The passion was phenomenal. Loved the bag. The audience are happy
:39:57. > :40:03.about that. Your personal best score of the series. Well done,
:40:03. > :40:13.Holly. Make a note of the number. Call this number later if you don't
:40:13. > :40:17.
:40:17. > :40:22.want Holly and indeed Artem to say hasta la vista to Strictly.
:40:22. > :40:29.Bbc.co.uk/strictly for to have a nosey on the latest in ballroom.
:40:29. > :40:38.And with the final coming up, there is plenty going on, a bit like
:40:38. > :40:42.behind me - behave, children. Over to you, Brucey. Next up is Jason
:40:42. > :40:47.Donocan -- Donovan and his partner Kristina. Another popular couple!
:40:47. > :40:52.Now, they're dancing to Singing in the Rain, the greatest of all
:40:52. > :40:58.musicals. Jason came up to me today and said, "Bruce, can you possibly
:40:58. > :41:05.help me?" I said, "Of course. You want me to choreograph the routine
:41:05. > :41:10.or just a bit of voice coaching for singing?" He said, "No, I just want
:41:10. > :41:17.to borrow your umbrella?" So I gave him my umbrella and walked away and
:41:17. > :41:27.left him - lying there. Can't believe that! Oh, oh, oh. Here they
:41:27. > :41:28.
:41:28. > :41:32.The Charleston was dance I was happy with. It was truly fabulous.
:41:32. > :41:39.Well done. Some great scores. But I felt we were going to do a little
:41:39. > :41:43.bit better in the swing-a-thon. It's the Juddmeister and that
:41:43. > :41:52.Chelsee - those two are on fire. This week I am officially the
:41:52. > :41:56.oldest person in the competition - wow! Never felt old in my life. I
:41:56. > :42:01.know it's kind of hard. We were dancing the classic American smooth
:42:01. > :42:07.to Singing in the Rain. This is the final push. There is some
:42:07. > :42:10.competition. You just have to keep digging deeper. Hey, Jason. What's
:42:10. > :42:16.with the umbrella? Ever since we have started this competition, the
:42:16. > :42:22.most strangest things have happened to me. I am standing at a bus stop.
:42:22. > :42:28.Suddenly, it starts raining. I put my brolly up. The other people look
:42:28. > :42:32.at me like I'm crazy. I sit down for a breather in the park. Again
:42:32. > :42:39.it starts raining - the bloke next to me, completely dry as a bone.
:42:39. > :42:45.And to make matters worse, I can't even eat a sandwich without getting
:42:45. > :42:54.wet. Maybe you just need some rest. What are you doing? Exactly what I
:42:54. > :42:59.say! Yeah, OK. Hmm. # I'm never going to stop the rain
:42:59. > :43:03.by complaining # Kristina, what are you doing?
:43:03. > :43:13.just trying to help you to get into the mood of the dance. Really
:43:13. > :43:13.
:43:13. > :45:21.Apology for the loss of subtitles for 42 seconds
:45:21. > :45:27.Well done. And Kristina - listen to that. So lovely. What a great
:45:27. > :45:32.number, a great, great number. Now, then, what's going on here? We were
:45:32. > :45:38.just chatting. Some excitement tonight. OK. We'll get on with the
:45:38. > :45:42.excitement in just a second. Len? Singing in the Rain is such an
:45:42. > :45:47.iconic dance, and as soon as you hear the music, your expectation
:45:47. > :45:51.are enormous and Gene Kelly's shoes are big to fill, but I tell you
:45:52. > :45:58.what, I loved it. The actual foxtrot was right on the money,
:45:58. > :46:03.lovely footwork. Jason, you did really, really well. Well done!
:46:03. > :46:07.Well done. Cheer up. It's over. It's over. Alesha? A wonderful
:46:07. > :46:10.concept which suits you down to a tee. The beginning on the own was
:46:10. > :46:15.fabulous. The lift section was brilliant. It was elegantly played,
:46:15. > :46:19.and you made it look easy, and I am really happy for you, Jason,
:46:19. > :46:23.because I genuinely believe you deserve to be in the semi-finals.
:46:23. > :46:27.She said it. She said it. Now, then... Jason goes to Hollywood!
:46:27. > :46:31.And I tell you, actually, you took a huge risk with this and Len
:46:31. > :46:35.pointed it out. I am not going to repeat it because we're talking
:46:35. > :46:41.about one of the best movies ever made, but you made it your own. It
:46:41. > :46:46.was a clever tribute, beautifully set up. The foxtrot was classic,
:46:46. > :46:48.excellently executed, well placed, and a great Hollywood ending. It
:46:48. > :46:53.was a very, very special performance. I loved it.
:46:53. > :46:57.APPLAUSE Well, I can't wait for Craig. Craig,
:46:57. > :47:06.what did you think? It's getting boring now. Everyone's good!
:47:06. > :47:12.LAUGHTER Uh, I really loved it. I really did.
:47:12. > :47:18.A lot of charisma. It was just really fantastic, really.
:47:18. > :47:22.Marvellous! You're really good tonight, Craig. Isn't he good?
:47:22. > :47:32.know, behaved. Get off before he changes his mind - quick. Off you
:47:32. > :47:35.
:47:35. > :47:40.Len said you filled Gene Kelly's shoes. Was that a glorious feeling?
:47:40. > :47:43.Well, it felt right, and I - before the actual dance, I sort of thought,
:47:43. > :47:51.just relax and enjoy it, and particularly the first section I
:47:51. > :47:55.felt was right in the pocket, but it was - as Craig would say, it was
:47:55. > :47:59.a bonzer, mate. More lifts than you have ever done. Do you think that's
:47:59. > :48:03.enough to get you into the semis next week? Well, we try hard, and
:48:03. > :48:13.there is some talent here. A lot of competition. Let's just hope the
:48:13. > :48:29.
:48:29. > :48:34.public vote for us and want us to Woo! It's raining tens! Raining
:48:34. > :48:41.tens. Congratulations. Well deserved, a fabulous routine. Call
:48:41. > :48:49.this number later did you want our very own Aussie Gene Kelly to come
:48:49. > :48:52.back like a boomerang next week. Does that sound bonser, Jason?
:48:52. > :48:54.overwhelmed. Thank you very much. Your vote could mean the difference
:48:55. > :49:00.between your favourite staying or going.
:49:01. > :49:10.Back to you. Thank you, Tess. Our next couple
:49:10. > :49:20.tonight is Chelsee Heeley and her partner Pasha. What a night tonight.
:49:20. > :49:21.
:49:21. > :49:26.They're dancing to the theme from the movie Shrek. The movie features
:49:26. > :49:33.all the famous cartoon characters like Sleeping Beauty, who sleeps
:49:33. > :49:38.for a hundred years - big deal - did you counted up all my afternoon
:49:38. > :49:41.naps! Here they are in training. When I step on to the dancefloor,
:49:41. > :49:46.it's a very scary feeling. There was a lack of intensity to the
:49:46. > :49:50.dance. I didn't show what I should have been showing. Just act the
:49:50. > :49:55.dance more. The steps were great. You nailed them. The passion is the
:49:55. > :49:59.next step. I enjoyed it so much. To get on that floor and dance each
:50:00. > :50:02.week, I enjoy it so much. I really don't want it to be the end. It's
:50:02. > :50:05.coming to the end of the competition. The level of dancing
:50:06. > :50:09.is really high, and judges are looking for better and better
:50:09. > :50:13.performances each week. I am kind of proud of myself for once. I
:50:13. > :50:18.never thought I would get this far. This week I am dancing the jive to
:50:18. > :50:25.a song from the movie Shrek. Come on, Princess, smile. Apparently I
:50:25. > :50:31.am playing the Us Princess, a beautiful long dress, a tiara. I
:50:31. > :50:38.reckon it's probably the nearest I'll get to being a Princess.
:50:38. > :50:42.trip was organised to Shrek, the Musical in the West End, so it will
:50:42. > :50:48.help me get into character. people in there will help you get
:50:48. > :50:54.all dressed up into character. you on stage. OK, Chelsee, are you
:50:54. > :50:59.ready? Aaaah! # Hey, now, you're an all-star #
:50:59. > :51:06.There has been some sort of mistake. Look at me. You look perfect.
:51:06. > :51:11.thought you said I was going to be a Princess. But you are a Princess,
:51:11. > :51:21.Princess Fiona. That's how she looks. But definitely still a
:51:21. > :51:21.
:51:21. > :53:16.Apology for the loss of subtitles for 42 seconds
:53:16. > :53:21.Princess? That's how she looks. They deserve that. Chelsee, have a
:53:21. > :53:30.look. Look. And down here. Acknowledge them here. And the
:53:31. > :53:38.judges were jumping up and down. What a dance! What a dance. What a
:53:38. > :53:44.dance! Huh? That was really good. Thank you! Oh, my darling, I'm
:53:44. > :53:54.telling you, the fairy tale really has a happy ending. This gets you
:53:54. > :53:55.
:53:55. > :54:01.fast-tracked to the semis, I am sure. Absolutely. It was wonderful.
:54:01. > :54:05.OK. Craig? It is, darling, a little disconcerting, I have to say. I
:54:05. > :54:09.love the routine. You need to pick your knees up a little bit more.
:54:09. > :54:12.It's a small detail, but it was incredible.
:54:12. > :54:22.BOOING I was just saying it was incredible.
:54:22. > :54:22.
:54:22. > :54:28.Applause. Details. OK. Who cares! Who cares. On the ceiling.
:54:28. > :54:37.goodness sake! I got in just before Len there. If you're not back next
:54:37. > :54:43.week, I'll pickle me walnuts! did I say? What did I say? And
:54:43. > :54:49.Alesha, my darling. Chelsee and Shrek, you look amazing. Listen. It
:54:49. > :54:52.was cute. It was fun. It was punchy and playful. You were kicking and
:54:52. > :55:00.turning like nobody's business. You found your dance. It was incredible.
:55:01. > :55:04.Thank you so much. Yes! And I know I turned down the part
:55:04. > :55:09.of the donkey, but it was so wonderful to watch you... Thank you,
:55:09. > :55:19.Bruce. And the atmosphere - you have given us a wonderful finish to
:55:19. > :55:28.
:55:28. > :55:32.Wow, in a word - a bit green around the - a bit off colour there, Pasha.
:55:32. > :55:37.Can you hear me?! You were described as a Princess earlier on
:55:37. > :55:42.in the competition. Now you actually got to play one tonight.
:55:42. > :55:49.How did it feel? Amazing. Princess dress - it's just a shame about the
:55:50. > :55:57.Prince. All he needs is a Prince. Do you feel like you're starring in
:55:57. > :56:07.your own Strictly bonanza of a movie? Um, I don't know! "Fairy
:56:07. > :56:33.
:56:33. > :56:38.tale fast tracked to the semis" 39 out of 40 - your highest score,
:56:38. > :56:43.Chelsee... Yes. And the best reaction to a ten all night. Right.
:56:43. > :56:47.Jot down the number and call when lines open very shortly if our
:56:47. > :56:51.Chelsee's jive had you up in the aisles cheering. We're two weeks
:56:51. > :56:54.from the final in Blackpool. Can you believe it, Chelsee? No. It's
:56:54. > :57:00.coming up. Do you want to be there? I would love to, yeah. That's it.
:57:00. > :57:10.All of our scene-stealing couples have brought us blockbuster
:57:10. > :57:14.
:57:14. > :57:16.performances tonight. Here is how Remember, you can change that
:57:16. > :57:26.because the phone lines are now open.
:57:26. > :57:34.
:57:34. > :57:44.Get voting. 8.30pm they close. Details can be found at
:57:44. > :57:54.bbc.co.uk/strictly. Brendan? Here to help to remind me of those
:57:54. > :57:54.
:57:54. > :59:47.Apology for the loss of subtitles for 42 seconds
:59:48. > :59:54.I hope you agree it's been a silver screen classic, and I'm sure our
:59:54. > :59:58.movie stars didn't disappoint. Next weekend it's the semi-finals, but
:59:58. > :00:01.alas for one couple their ballroom dream will be gone with the wind,
:00:01. > :00:07.unfortunately. Pick up the phone and dial those numbers because your
:00:07. > :00:12.votes can change everything. Your stars really do need you. In the
:00:12. > :00:15.Results Show tomorrow at 7.25pm, Tess and Claudia will say a sad
:00:15. > :00:19.cheerio to one of our couples. It's sad, but that's what's going to
:00:19. > :00:24.happen, and we'll be back in the ballroom next Saturday at the
:00:24. > :00:30.slightly earlier time of 6.30pm because they'll be doing two dances