:00:15. > :00:21.Last weekend, Strictly kicked off. Now were Strictly is in Business!
:00:21. > :00:27.Everyone brought something to the party. Bottoms Up! Summer came out
:00:27. > :00:32.of their shells. You could not be more can be if you tried. Others
:00:32. > :00:40.were spitting feathers and won a Boreham a bird brain forgot how to
:00:40. > :00:50.fly! Nothing to shout about. A bad case of the number twos. And worse.
:00:50. > :00:50.
:00:50. > :00:58.But it was a truly amazing bash. Beauty, mate! Tonight, the ballroom
:00:58. > :01:04.dancers. The competition has just got serious! It is knockout timer.
:01:04. > :01:14.It is enough to make grown celebrities cry. Yeah, yeah, yeah!
:01:14. > :01:14.
:01:14. > :02:21.Apology for the loss of subtitles for 66 seconds
:02:21. > :02:24.welcome your hosts. Bruce Forsyth. What Are you wearing? It's
:02:24. > :02:27.embarrassing, please. Good evening ladies, gentlemen and children. And
:02:27. > :02:31.welcome to Strictly Come Dancing. It's nice to see you...
:02:31. > :02:38.AUDIENCE: To see you nice! And it's nice to see you, Bruce.
:02:38. > :02:42.Are you OK? You look a bit annoyed. Well, I am a bit annoyed. The
:02:42. > :02:47.producer came rushing up to me today and asked if I'd seen this
:02:47. > :02:51.great show on TV. She said, "It's fantastic, Bruce. And it's set in
:02:51. > :03:01.the time when you were a child". And I said, "Oh, you mean Downton
:03:01. > :03:10.
:03:10. > :03:19.Abbey?" She said, "No, Planet And there was one dinosaur called
:03:19. > :03:24.camposaurus. He had a bit of a mince. Come back over here, please.
:03:24. > :03:34.Tonight something big is about to happen. All 14 couples dancing on
:03:34. > :03:35.
:03:35. > :03:41.the same bumper ballroom bill. Boil? Bill. It must be a big
:03:41. > :03:44.boiler. That's right. Last weekend, 14 dancing stars were born. But
:03:44. > :03:48.tonight it's a fight for survival because one couple will be the
:03:48. > :03:52.first to leave the competition. Harsh but true. Adrenaline is
:03:52. > :04:02.coursing through their veins. And blood is pumping through their new
:04:02. > :04:03.
:04:03. > :04:11.buff ballroom bodies. Shall we let them rip, Bruce? What was all that
:04:11. > :04:14.about? Enough talk. It's the stars of our show! Astrologer to the
:04:14. > :04:19.stars Russell Grant and his partner Flavia Cacace. Singing Legend Lulu
:04:19. > :04:23.and her partner Brendan Cole. Comedian and Impressionist Rory
:04:23. > :04:28.Bremner and his partner Erin Boag. Waterloo Road's Chelsee Healey and
:04:28. > :04:34.her partner Pasha Kovalev. TV presenter Dan Lobb and his partner
:04:34. > :04:38.Katya Virshilas. Actress and Pop Princess Holly Valance and her
:04:38. > :04:43.partner Artem Chigvintsev. Olympic champion boxer Audley Harrison and
:04:43. > :04:51.his partner Natalie Lowe. Former MP Edwina Currie and her partner
:04:51. > :04:56.Vincent Simone. McFly's Harry Judd and his partner Aliona Vilani.
:04:56. > :05:02.Actress Anita Dobson and her partner Robin Windsor. Premiership
:05:02. > :05:07.football's Robbie Savage and his partner Ola Jordan. Italian siren
:05:07. > :05:12.Nancy Dell'Olio and her partner Anton Du Beke. The One show's Alex
:05:12. > :05:22.Jones and her partner James Jordan. And finally, stage and screen
:05:22. > :05:36.
:05:36. > :05:43.superstar Jason Donovan and his How about that? Yes. There they all
:05:43. > :05:45.are. I hope you've all got over Craig's comments. He upset half of
:05:45. > :05:55.our dancers last week. Mind you, he's promised things will be
:05:55. > :05:59.
:05:59. > :06:02.different this week. He's going to We've got at mutiny on our hands.
:06:02. > :06:05.Last week the judges scored our celebrities, and those scores will
:06:05. > :06:09.be carried over to tonight. Our 14 couples will perform either a
:06:09. > :06:14.fabulous foxtrot or a sexy salsa. And then you'll have the chance to
:06:14. > :06:17.have your say when the phone lines open at the end of the show.
:06:17. > :06:19.celebrity with the lowest combiined points will be the first to leave
:06:19. > :06:23.the competition. If you're a digital viewer, press the red
:06:23. > :06:28.button for live commentary from ex Strictly champ Karen Hardy. And
:06:28. > :06:38.joining her is last year's finalist Pamela Stephenson. Welcome back.
:06:38. > :06:42.
:06:42. > :06:46.That's nice. But there they are. I'm a come all over the place. --
:06:46. > :06:54.I'm looking all over the place. Whatever you are saying, I'm saying
:06:54. > :07:04.yes. Our first couple tonight is Chelsee Healey and her partner
:07:04. > :07:10.
:07:10. > :07:13.There she is in her pyjama bottoms. Chelsee said to me today, "If I
:07:13. > :07:23.manage to get to the final I'm going to sing with joy". Typical
:07:23. > :07:33.Chelsee. They only sing when they're winning. Here they are in
:07:33. > :07:36.
:07:36. > :07:44.I was absolutely terrified. look like a princess. I don't sound
:07:44. > :07:51.like one but I looked like one. The comments, I didn't understand.
:07:51. > :07:56.started off like Petula Clark. don't know who she is. Turned into
:07:56. > :08:02.Lady GaGa. I don't look nothing like Lady GaGa. The new dance is
:08:02. > :08:09.the Salsa. It is fast, with lots of hip movement. I look after doing it.
:08:09. > :08:15.We have only one week to get this dance ready. She could so easily
:08:15. > :08:24.distracted. Put your telephone down. Can I go to the toilet? It's hard
:08:24. > :08:31.for me to keep your focus. I wish I had eggs and bacon. I lose my
:08:31. > :08:36.concentration too easily. As you can probably tell. At school, I
:08:36. > :08:42.used to lose a dead quick. Don't confiscate my telephone. To be
:08:42. > :08:47.honest, it's a good thing, because it makes me work harder. The that
:08:47. > :08:57.is so much better. I'm going to concentrate on myself such and the
:08:57. > :09:01.
:09:01. > :09:11.Dancing the salsa, Chelsee Healey MUSIC: "Higher"
:09:11. > :09:11.
:09:11. > :10:45.Apology for the loss of subtitles for 66 seconds
:10:45. > :10:52.How about that? One of four. -- one before. That was great. -- one
:10:52. > :10:58.before. Issues like a little swizzle stick. It's a good time to
:10:58. > :11:08.welcome our singers Dave Arch and his wonderful orchestra. And of
:11:08. > :11:18.course we have our judges. We all know that Craig is Australian. What
:11:18. > :11:27.
:11:27. > :11:30.we all don't know is that recently As a citizen of this country may I
:11:30. > :11:40.welcome you. And on behalf of Great Britain, I'd like to ask, any
:11:40. > :11:47.chance we can appeal? The sorry about that, Craig. Len,
:11:48. > :11:54.what did you make of this? They let anyone in nowadays, don't they? I
:11:54. > :12:04.was a bit chilly around a Willie, but it warned me up a treat. What's
:12:04. > :12:04.
:12:04. > :12:11.wrong with that? You came out and it was full on Nov. For me, your
:12:11. > :12:17.hair was going like crazy. Your trousers were flapping about.
:12:17. > :12:27.You've got to calm down, dear. It was too much. You've got to take
:12:27. > :12:29.
:12:29. > :12:35.good karma. Having said that, it Now then, birthday girl, Alesha.
:12:35. > :12:41.Fund, flirty and fearless. It's all about the personality. Let me tell
:12:41. > :12:46.you, Chelsee, the section you did here was so impressive on your own
:12:46. > :12:49.there. So impressive. I have to commend you for your lifts for the
:12:49. > :12:56.sometimes you do need to watch your control. I would rather you go for
:12:56. > :13:02.it than held back so, overall, for me, it was brilliant. You're doing
:13:02. > :13:07.a good job. Bruno of. I love you thought you had the energy of a
:13:07. > :13:14.wild kick them. Vivacious and wild boars have every Tom Dick and Harry
:13:14. > :13:19.are very hot under the collar. Your timing is good. Your underarm
:13:19. > :13:29.passes were very good. At times, you went slightly off the but for
:13:29. > :13:31.
:13:31. > :13:41.good reasons because you put That a bit at the start, it nearly
:13:41. > :13:42.
:13:42. > :13:48.blew his hat off. A Craig, what did you think? A bit bouncy for me.
:13:48. > :13:53.Sadly, after a reverse lift, getting into the second one was
:13:53. > :13:59.almost a disaster for the but you save it. I really, absolutely loved
:13:59. > :14:09.the alternating under terms Burma. I thought it was brilliant for the
:14:09. > :14:18.
:14:18. > :14:24.High praise. Get off quick why you Commander, Chelsee. First Micro,
:14:24. > :14:29.what a beautiful, uplifting start to the party. Yes, that is what I
:14:29. > :14:36.wanted. Kicking of the show, it is a lot of pressure. Did you enjoy
:14:36. > :14:40.it? I did, I am knackered now! Elegant last week in the waltz,
:14:40. > :14:45.sexy in the salsa, what more have you got to give us? I have got a
:14:45. > :14:48.lot more. If we have something up our sleeves. If she allowed a
:14:48. > :14:53.celebratory phone call home if she gets through to next week? She is
:14:53. > :15:03.allowed one phone call? Only one. These calls are in. It is time to
:15:03. > :15:18.
:15:18. > :15:23.29! A great score. Well done, a great start. This is the number to
:15:23. > :15:27.note down. That is if you want to see Chelsee score next week on the
:15:27. > :15:31.dancefloor. The phone lines to not open until late in the show. Your
:15:31. > :15:34.vote will not count and you may still be charged. Nobody wants the
:15:34. > :15:41.first to go, but the couple were the lowest combined points will be
:15:41. > :15:51.leaving tomorrow night. Someone has got to go! OK, now for our next
:15:51. > :15:58.
:15:58. > :16:04.couple, Edwina Currie and her Now, I... I told Edwina, you. She
:16:04. > :16:11.said, was it when you spoke to the judges? No, when you flashed your
:16:11. > :16:17.knickers, red ones, too! You came on the wrong night, John! What did
:16:17. > :16:25.David Cameron say to expel her from the party? We will find out, here
:16:25. > :16:29.they eye in training. Last week, I did not feel that I did Vincent and
:16:29. > :16:35.me justice, because it was not supposed to be a comedy routine, it
:16:35. > :16:41.was supposed to be a dance. It is a red hot curry. That is how my feet
:16:41. > :16:47.felt by the time we had finished. The Old Cougar Got To Dance with
:16:48. > :16:57.the toy boy! Tasting the merchandise! You ain't seen nothing
:16:57. > :17:03.yet! It is going to be a challenge to restrain the Cougar. All yours.
:17:03. > :17:11.It is a lovely idea, the predatory older woman during off bits of her
:17:11. > :17:15.toyboy. I wish I was 36 again. only a baby. I want my mummy.
:17:15. > :17:21.your money! He is too easy to flirt with. All the wrong images come in
:17:21. > :17:27.to mind. Look closely. I dare not! She is scared of me. I will take
:17:27. > :17:31.control of you. I am scared of what my husband will say! It will be a
:17:31. > :17:36.challenge, but we will control you. As long as Edwina can restrain her
:17:36. > :17:46.wild side, this foxtrot could be very beautiful. This could get his
:17:46. > :17:46.
:17:46. > :19:43.Apology for the loss of subtitles for 66 seconds
:19:43. > :19:50.Dancing the foxtrot, Edwina Currie Wonderful! Oh, Edwina! Romantic, it
:19:50. > :19:55.was beautiful. That was the first time ever that I have dance Dave
:19:55. > :20:01.Arch tart. The first time ever? Oh, and it could be your last! I did
:20:01. > :20:07.not mean that. I just read it, I do not mean it. What did you make of
:20:07. > :20:11.it? Well, I don't worry, I realised it was the first time you had dance
:20:11. > :20:18.they foxtrot. Make the most of that meal, because that could be the
:20:18. > :20:24.last supper. Oh, that is a bit strong. Too much messing about on
:20:24. > :20:29.the table. I knew he was going to say that. I wanted more content of
:20:29. > :20:38.the foxtrot, and unfortunately I did not get it. I thought he might
:20:39. > :20:46.say that. She was going to pay the bill. What did you say to me?
:20:46. > :20:54.Alesha? They are having a little chat. He said, I don't know nothing.
:20:54. > :20:58.That is all of us! Alesha. Getting into character is brilliant, but
:20:58. > :21:03.Len is right, it was too long getting into the dance. But when
:21:04. > :21:09.you're dancing, it looked really nice. So you should be proud. Next
:21:09. > :21:13.time, yes, dancing a little bit longer. Bruno. Naughty Edwina,
:21:13. > :21:18.spending all the time playing under the table. You forgot about the
:21:18. > :21:23.foxtrot, that is what happened. The foxtrot has to have a smooth flow.
:21:23. > :21:28.The little there was, it was like watching a bendy bus negotiating a
:21:28. > :21:33.tight roundabout. You could never quite getting to it. It is true!
:21:33. > :21:37.You have to put a little bit more dancing into your dance show!
:21:37. > :21:42.the first time ever, I would like to see some of you for the first
:21:42. > :21:47.time doing a foxtrot, and she was wearing Tory blue. Grey. Well, when
:21:48. > :21:52.you finally got into it, you're very hunched in your shoulder, your
:21:52. > :21:57.balance was questionable. If you are brave enough to put that leg in
:21:58. > :22:05.the air, make sure you are pounding the foot at least. The one, point.
:22:05. > :22:15.That is it. Not enough Fox. We all loved it, didn't we? We all loved
:22:15. > :22:25.
:22:25. > :22:30.it! Our crew go, it was marvellous. Come on, Edwina. Give us a roar.
:22:30. > :22:34.think you should have this. Show them what you are made of. Too much
:22:34. > :22:38.messing about, Len said. You used to be a politician, you're not
:22:38. > :22:42.going to let him have the last word. I would have said, you really ought
:22:42. > :22:48.to think about supporting the people who do all the hard work,
:22:48. > :22:54.especially Vincent. I tell you, doing the foxtrot for the first
:22:54. > :23:02.time is just an amazing, terrifying experience. She is living every
:23:02. > :23:06.woman's dream. I think so! Oh, yes! Have a look at this. She is not
:23:06. > :23:16.disagreeing, is she? Wait until you see what we can do next time.
:23:16. > :23:21.
:23:21. > :23:30.Exactly. She teases us, the scores Same as last week. Same as last
:23:31. > :23:36.19 out of 40, an improvement on last week, that is what it is all
:23:36. > :23:40.about. Out of interest, Edwina, what would you have for dessert at
:23:40. > :23:46.the Italian restaurant? I would have been sent! What woman
:23:46. > :23:49.wouldn't? This is the number to call when the phone lines open.
:23:49. > :23:53.That is if you would like another helping of Edwina Currie next
:23:53. > :23:57.Saturday and you want to see her back in the ballroom. Over to you,
:23:57. > :24:07.Bruce. Our third couple is Audley Harrison and his partner Natalie
:24:07. > :24:12.
:24:12. > :24:17.I found out... I found out that Wardley has an 86 inch reach, that
:24:17. > :24:24.is from one fist to the other, 86 inches. I wanted to find out just
:24:25. > :24:33.in case I made a mistake and caught him Audrey. Here they hark, that
:24:33. > :24:39.could have been nasty, here they Last week, Audley took it on the
:24:39. > :24:45.chin. Hands, hands, hands! Flat- footed. The left the judges to
:24:45. > :24:51.fight it out. When you walk by, Punch Craig, would you? I should
:24:51. > :24:55.have! I look at Craig Revel Horwood like a pantomime villain. With
:24:55. > :25:00.constructive criticism, I will knuckle down this week. I will give
:25:00. > :25:07.you a Pass this week, but if you don't like me next week, this left
:25:07. > :25:16.hook is coming for you. Oh, my God, Michael Jackson! I am really
:25:16. > :25:21.excited for the salsa, it will be a I am trying to get into it, what
:25:21. > :25:24.you want from me?! I have flat and lazy feet. In boxing, to have
:25:24. > :25:31.placement with your feet? course! Natalie has forced me to
:25:31. > :25:36.get my feet working. That is the only sure you could find in my size,
:25:36. > :25:41.clown shoes? I wanted to find out what it was like to have a size 17
:25:41. > :25:48.shoe. I am not dancing with the windows. I thought I would try and
:25:48. > :25:56.see what it was like! I cannot take you seriously! Craig Revel Horwood,
:25:56. > :26:06.you are going to be surprised this Dancing the salsa, Audley Harrison
:26:06. > :26:06.
:26:06. > :27:47.Apology for the loss of subtitles for 66 seconds
:27:47. > :27:55.MUSIC: "Don't Stop 'Til You Get How about that? Audley, I have seen
:27:55. > :28:02.a few boxes in America, but you are the best we have ever had, I tell
:28:02. > :28:06.you that. You really are. You have a rhythm about you. Alesha. You lit
:28:06. > :28:11.up the room and put a smile on everybody's face. You tried so hard
:28:11. > :28:21.and you did your best. Of course, lots of improvement but you on the
:28:21. > :28:22.
:28:22. > :28:28.right track. You are enjoying it. And I enjoyed it. Bruno. He cannot
:28:28. > :28:38.lose. You can't do it. The thing is, it was more like disco night down
:28:38. > :28:39.
:28:39. > :28:44.the local pub. The cell set is a different, you lost the Sile --
:28:44. > :28:48.style of the Salsa. There are certain things like the hip action,
:28:48. > :28:58.the smooth movement of the arms of. But the energy was great and it's
:28:58. > :29:00.
:29:00. > :29:05.All right. I think we know what you mean. Craig. Very flat footed but
:29:05. > :29:10.I'm not surprised with those size feet. All for coming down the
:29:10. > :29:19.stairs. When you run it in a dance routine, you can't run it like a
:29:19. > :29:22.Norman person. -- like a normal person. Very plodding. They are two
:29:22. > :29:27.good they must put up this is only so you don't punch me on your exit.
:29:27. > :29:35.You look like you have got a group going, which is fantastic. And a
:29:35. > :29:41.bit of hip rotation, which we like. Len? When I heard the song, I
:29:41. > :29:47.thought, I would have another this up about five seconds but no, I'm a
:29:47. > :29:56.saying no, it is easy for a bigger man to look clumsy, but you didn't.
:29:56. > :30:02.It was nicely placed. Everything was orderly, Audley, and for a
:30:02. > :30:12.bigger man, you did a good job. wasn't hunched up like a boxer.
:30:12. > :30:22.Wonderful posture. I wish I had posture like that. Well done.
:30:22. > :30:30.
:30:30. > :30:35.They were on their feet appear for you, and that was all some. You
:30:35. > :30:41.brought the ball and fight right here. I had to go for it. I gave it
:30:41. > :30:49.my best shot. It was great. Great fun. It look like you are loving
:30:49. > :30:57.every moment. Audley, how much do you want your size 17s on the floor
:30:57. > :31:01.next week? A Yes, I really do. judges scores are in. Let's have a
:31:01. > :31:11.look. The judges have their scores. Craig Revel Horwood. Len Goodman.
:31:11. > :31:22.
:31:23. > :31:28.23. Is it Craig going to get that left hook? He gave me to good
:31:28. > :31:32.comments. He's off the hook. That's a relief. Call 09015 22 20 07 when
:31:32. > :31:38.lines open later if you think Audley is a force to be reckoned
:31:38. > :31:40.with and you want to see him dancing next week. Remember, one
:31:40. > :31:45.celebrity must leave the competition, which means the
:31:45. > :31:49.pressure to perform is huge. The judges' scores are only half the
:31:49. > :31:56.story. Your votes can help save your favourite couple. Back to you,
:31:56. > :32:06.Bruce. Sorry, right. Now for our next couple, Alex Jones and her
:32:06. > :32:10.
:32:10. > :32:20.Last week, they performed a chat chat chat. This week it's the
:32:20. > :32:22.
:32:22. > :32:27.Before last week, when I stood on the actual studio floor, I felt
:32:27. > :32:33.paralysed with fear, and then, of course, it was a lamb to the
:32:33. > :32:37.slaughterhouse. Very starchy, very stiff, and lacked any excitement.
:32:37. > :32:43.They were not great. Alesha encouraged us to go forward in the
:32:43. > :32:49.competition. You're a sexy woman. Next three, go for it. There's only
:32:49. > :32:55.one way to go and that's upwards, hopefully. The Foxtrot is the most
:32:55. > :33:02.technically demanding of all the ballroom dances. I keep going right.
:33:02. > :33:08.I go left. I have a problem with left and right. Left leg. Right.
:33:09. > :33:14.Today, he has brought in some props. How can I be elegant Indies?
:33:14. > :33:20.don't know but it will be funny. They are weighing me down.
:33:20. > :33:28.should try dancing with you. Which way? Let's go to. Right.
:33:28. > :33:38.slightly irritating at the while -- after a while. Shouldn't have to
:33:38. > :33:50.
:33:50. > :34:00.think what armour to move. I did it Dancing the foxtrot, Alex Jones and
:34:00. > :34:00.
:34:00. > :35:35.Apology for the loss of subtitles for 66 seconds
:35:35. > :35:44.What are you doing over there? Well done. Very good. Lovely. Can you
:35:44. > :35:49.dance, Miss Jones? You certainly can. Lovely. Bruno. Oh, Miss Jones!
:35:49. > :35:55.I had no idea you were such a glamour puss. Equal part
:35:55. > :36:01.sophistication, sex-appeal, elegance, great flow like a young
:36:01. > :36:11.Joan Collins. You lost your frame a couple of times, otherwise, I was
:36:11. > :36:20.
:36:20. > :36:30.pleasantly surprised. There we are. Ballroom are definitely suits you
:36:30. > :36:34.
:36:34. > :36:38.You do go a little bit wobbly sometimes. You get willowy in your
:36:38. > :36:42.body and have to firm up a bit. The key to this competition is to
:36:42. > :36:51.improve each week and that is what you have done. You are much better
:36:51. > :36:57.than last week. Yes, OK. Alesha? was understated and charming. Alex,
:36:57. > :37:07.you can dance, you have just got to believe it. Yes, you are a dancer,
:37:07. > :37:14.
:37:14. > :37:23.He yes! Electrifying, Miss Jones! New
:37:23. > :37:33.training methods there. It worked. There's a long way to go. I know my
:37:33. > :37:33.
:37:33. > :37:37.left and right. Did she get off on the right foot James?! Finding it
:37:37. > :37:47.nerve-racking. Everyone is finding it nerve-racking. I could tell she
:37:47. > :37:48.
:37:48. > :37:58.was nervous. John Nott was ready for a kiss. -- John was ready
:37:58. > :38:01.
:38:01. > :38:08.I was lucky to pick two good ones in the audience. The judges have
:38:08. > :38:18.their scores. Craig Revel Horwood. Len Goodman. Alesha Dixon. Bruno
:38:18. > :38:26.
:38:26. > :38:30.Very happy with those? Very happy. Call 09015 22 20 13 if Alex was
:38:30. > :38:34.your Welsh ONE-der. And you want to see her cutting it on the
:38:34. > :38:37.dancefloor next Saturday. You would like that, wouldn't you, Alex?
:38:37. > :38:47.would love it. Remember lines aren't open yet though. Back to you,
:38:47. > :38:48.
:38:48. > :38:54.Bruce. Next up is Dan Lobb and his Last week he made quite a good job
:38:54. > :39:04.of his ballroom but how we cope with his first Latin dance? Here
:39:04. > :39:09.
:39:09. > :39:16.Firstly, he did an amazing job. found the judges' comments are
:39:16. > :39:23.confusing. Craig battled me -- baffled me. But it did feel as if
:39:23. > :39:30.I'd worked really hard on my transitions. Can I give you some
:39:30. > :39:40.criticism? No. He's a sensitive soul. Should she be more
:39:40. > :39:45.understanding? Yes. I used to be a tennis coach. Show me your forehand.
:39:45. > :39:55.What is that? These are two different things. We have a lot of
:39:55. > :40:00.
:40:00. > :40:07.different works to do. Different Welcome to my world. Have you heard
:40:07. > :40:13.of Tim Henman? No. I beat him. That's not the correct footwear for
:40:13. > :40:21.tennis. Well done, super. Can you see the positive reinforcement I'm
:40:21. > :40:31.giving you. I'm good! But the best one yet. Tennis or dancing? Dancing.
:40:31. > :40:41.
:40:41. > :40:51.Dancing the salsa, Dan Lobb and MUSIC: "Upside Down"
:40:51. > :40:51.
:40:51. > :42:27.Apology for the loss of subtitles for 66 seconds
:42:27. > :42:32.Lovely, well done, Dan Lobb! Really great, I loved the tennis pit as
:42:32. > :42:38.well. Start as off. Thank you so much of the hand spring and the
:42:38. > :42:45.smile, darling, that was nice to save. The rest of it, unfortunately,
:42:45. > :42:50.was not good. That round and round step, I would cut that, that was
:42:50. > :42:56.just horrific. That was his favourite, he was so proud of it!
:42:56. > :43:03.Was he? He was so proud! attractive, sadly, some of it,
:43:03. > :43:09.especially getting in and out of the lists. Len. Well, for a nice
:43:09. > :43:16.change, I cannot quite agree with cougar over most of that. He is
:43:16. > :43:26.correct that the Doe's Kido was a little bit... But having said that,
:43:26. > :43:26.
:43:26. > :43:30.at is that the word for it? All the staff, the bottom line is this for
:43:30. > :43:34.you, I reckon this is the one dance that is going to least suit you,
:43:34. > :43:43.and if that is going to be your worst dance, you have got a long
:43:43. > :43:47.way to go. All right, lovely! Now then, Alesha. I do not think my mum
:43:47. > :43:52.would think that was an attractive. I really wanted to be great,
:43:52. > :43:57.because you have got the goods, the lists were great, the flare at the
:43:58. > :44:01.beginning was really brave. Wasn't it? Latin may not be your strongest,
:44:01. > :44:05.you may be stronger in ballroom, but you have that somewhere to
:44:05. > :44:10.start. If that is your worst one, you have got somewhere to go.
:44:10. > :44:18.missed the rehearsal, but you nailed it there, a true performer.
:44:18. > :44:26.Bruno. Dan Lobb, it rhymes with Bob the Builder, that is what you were
:44:26. > :44:33.like. You were swinging hair like a bag of cement! It was lumbering and
:44:33. > :44:39.heavy. Salsa is smooth and flowing. Good effort, but not a good result.
:44:39. > :44:49.Don't worry about that, you do not look worried. No. There are one,
:44:49. > :44:51.
:44:51. > :44:57.off you go, be proud, it was Come on! It is Dan Lobb the
:44:57. > :45:01.builder! Did you enjoy these somersaults? Yeah, we landed them,
:45:01. > :45:04.that was enjoyable, but the most important thing is that neither of
:45:04. > :45:09.us need hospital treatment, and as far as I'm concerned that is a
:45:09. > :45:13.resounding success. I am very proud of you. Did you enjoy the freedom
:45:13. > :45:19.of the Latin more than the ballroom? I did, yeah, that was
:45:19. > :45:25.quite nice. Disappointing that they thought it was our worst dance. Oh,
:45:25. > :45:35.that is a positive, sorry, I was confused by the judges again!
:45:35. > :45:55.
:45:55. > :45:59.Backhanded compliments, tennis 21, four from Craig. Can I go and
:45:59. > :46:04.sit down? You can in a moment, this is the number to call at the end of
:46:04. > :46:14.the show if he wanted to be a case of Play It Again Dannah next week.
:46:14. > :46:23.
:46:23. > :46:33.Still to come tonight, Oglaigh na Our next couple tonight is Lulu and
:46:33. > :46:34.
:46:34. > :46:37.Now, Lulu is one of those performers who is so successful at
:46:37. > :46:44.singing and so popular with the public that they becomes superstars
:46:44. > :46:54.and unknown by just one name. She is up there with the likes of Kylie,
:46:54. > :46:54.
:46:54. > :47:04.Don't be like that! I will clear the space, sarcasm. Here they are
:47:04. > :47:08.
:47:08. > :47:13.Last week's show was a reality check. Len's words run through my
:47:13. > :47:18.ears. You cannot go wrong, that is the first word of. I have got to
:47:18. > :47:24.nail the steps. You are a great performer. I do not want to hear
:47:24. > :47:29.that a great performer, I am a dancer. My brain cannot take it.
:47:29. > :47:33.is a lot to learn, the foxtrot. feels very weird. It is going to be
:47:33. > :47:37.a tough week. There has got to be a breakthrough in How I learned. I
:47:38. > :47:43.have to write and go over it like a mad thing. And a desperate woman, I
:47:43. > :47:46.will be trying everything. Obviously, with Lulu forgetting
:47:46. > :47:52.most of the routine last week, I had to come up with a bit of a
:47:52. > :47:55.solution. Brain food! And what you're going to enjoy is some
:47:55. > :48:04.lovely berries, but you might not enjoy the Brussels sprouts. Would
:48:04. > :48:13.you least going to enjoy... Me and my friend Ted. You took too long.
:48:13. > :48:18.Nice, that is looking more like a foxtrot. I do think that I have
:48:18. > :48:22.made progress. Are you getting the feel of it? A bit more. I think it
:48:22. > :48:28.is working. You just did the whole thing on your own. I might not have
:48:28. > :48:38.a down completely, but I am keeping my fingers crossed. Dancing the
:48:38. > :48:38.
:48:38. > :50:31.Apology for the loss of subtitles for 66 seconds
:50:31. > :50:37.Lovely, Lola! Great job. Brendan is pleased with you, and I am. That
:50:37. > :50:41.was so good, it really was. Len. Last week he went to pieces, but
:50:41. > :50:45.this week you have got through the routine. That is the start. Now you
:50:45. > :50:51.have to work on the Polish, you have got to work on your feet, they
:50:51. > :50:59.need more conviction, your posture needs to be stronger. But what an
:50:59. > :51:03.improvement on last week, a great improvement! So pleased. Alesha.
:51:03. > :51:11.Yes, so much better than last week, you looked much more focused and in
:51:11. > :51:16.control. It was very atmospheric, and I thought you would not make it
:51:16. > :51:24.through without singing, you cannot help it! But it was lovely. Yes,
:51:24. > :51:29.well done. Now then, Bruno! Mirror, mirror on the wall, who is the
:51:29. > :51:33.prettiest of them all? Star! you were tonight, because you
:51:33. > :51:37.played it with the emotional fragility of a teenager in love
:51:37. > :51:40.whose heart is about to be broken, and you were on it all the way
:51:40. > :51:49.through. Len is right, it needs polishing, but you can dance if you
:51:49. > :51:53.want to. That is it. Now then... Craig. I felt like you were trying
:51:53. > :51:57.to keep up with Brendan, and you ended up chasing in a little bit
:51:57. > :52:03.through the dance. Also, you were looking into his chest a lot of the
:52:03. > :52:09.time. You need to make a decision, either left or right. But lovely
:52:09. > :52:19.pivots, a really gorgeous standing spin. You are still my favourite!
:52:19. > :52:27.
:52:27. > :52:31.Off you go, the pair of you, be Nice one, Brendan, well deserved.
:52:31. > :52:39.You remember it all the steps, how relieved are you? We are so happy
:52:39. > :52:45.for you! I know you are. Don't call it a comeback! Wardley is saying do
:52:45. > :52:50.not call it a comeback. Great storytelling, quite right.
:52:50. > :52:56.Seriously, though, how have you found this? Tougher than you
:52:56. > :53:00.imagined? Oh, believe me! I thought it would be difficult, but not this
:53:00. > :53:05.difficult, and I think my nerves kick in this week. Last week I was
:53:05. > :53:11.trigger-happy, and I screwed it all up, but, yeah, much more difficult.
:53:11. > :53:21.Are you kidding?! You do not know until you come near. The scores are
:53:21. > :53:43.
:53:43. > :53:50.Eddie five out of 40, well done! Do not be shy, says Brendan. We have
:53:50. > :53:58.still got plenty more action to come. Bruce. Next tonight is Holly
:53:58. > :54:01.Valance and Ed Parker Artem Chigvintsev. -- her partner. Last
:54:01. > :54:06.week, highly finished near the top of the leaderboard with their cha-
:54:06. > :54:16.cha-cha, but how will she affair with the salsa? Here they are in
:54:16. > :54:16.
:54:16. > :54:22.Last week, I was the first to perform, and to be honest I look
:54:23. > :54:26.like a fold the Thursday it looked out to walk. It is not the best
:54:26. > :54:31.first as I have seen. I thought it was going horribly wrong, he did a
:54:31. > :54:36.little reversal on me. I tell you what, it was close, well done.
:54:36. > :54:41.makes you feel good, it makes you want to keep trying and do better.
:54:41. > :54:45.I am happy with this. He is never happy! I really want to impress the
:54:45. > :54:51.judges, but I'm not grasping the salsa as quick as I thought I would.
:54:51. > :54:57.It feels so wrong. It is all about performing the dance, selling it to
:54:57. > :55:04.the crowd. You need to go for it, give it 100%? She feels a bit funny
:55:04. > :55:08.to try to be sexy. I do not feel sexy at all! Can you just keep
:55:09. > :55:12.dancing and looking at me? She really finds that hard. I might not
:55:13. > :55:19.look at you, but I might look here. It is quite upsetting and
:55:19. > :55:24.depressing sometimes. What is wrong with his face? Because she is an
:55:24. > :55:29.actress, she has to act it out sexy. I will be selling overpriced
:55:29. > :55:36.tickets. It has to look like our little party on the dance floor, so
:55:36. > :55:46.I really need to go for it and Saturday night. Dancing the salsa,
:55:46. > :55:46.
:55:46. > :57:33.Apology for the loss of subtitles for 66 seconds
:57:33. > :57:38.Be happy! That was lovely. It was really good. Really good. Alesha.
:57:38. > :57:44.Please don't question whether you are sexy or not. You are a goddess.
:57:44. > :57:49.You move so well. Everything is well placed, graceful with sexiness.
:57:49. > :57:52.Please just let go. Don't be afraid of. You have got it in there. You
:57:52. > :58:02.are still questioning yourself and you could be amazing. That was
:58:02. > :58:06.
:58:06. > :58:11.brilliant. Yes, amazing. Bruno. are a stunner with a capital S. You
:58:11. > :58:17.have a top-of-the-range equipment. But you have a few gremlins in they
:58:17. > :58:22.you need to tune out. It's like a Formula car. You need a few laps to
:58:22. > :58:31.get going. You have got plenty of mileage in front of you. Q It Up
:58:31. > :58:38.Baby, because you have got it! Words of wisdom they have. Craig?
:58:38. > :58:44.Some timing issues there. The limbo straddle you did, you could have
:58:44. > :58:48.gone further with that idea. Greater hip rotation, though. Great
:58:48. > :58:58.you're putting those ahead of reps in it, what was good. The routine
:58:58. > :59:00.
:59:00. > :59:05.was great. And Len? My overriding criticism is that you wanted to go
:59:05. > :59:12.faster pulls up it's like pulling off a plaster, and you wanted to
:59:12. > :59:17.pull it off and you kept losing your timing. You flew through
:59:17. > :59:27.Artem's legs once and then twice balls-up it's like you're checking
:59:27. > :59:28.
:59:28. > :59:38.for an oil leak! Apart from that, I thought it was great. Oh, Len.
:59:38. > :59:41.
:59:41. > :59:47.Looking for an oil leak. Thank you, Yes! Salsa suits you. Frankly, all
:59:47. > :59:53.of it does. Holly, you went for it. It was more fun this week,
:59:53. > :59:59.definitely. Holly, you're a laidback Australian. Artem is a
:59:59. > :00:06.steely Russian. How is this working out so well? I do what I'm told and
:00:06. > :00:15.then it works. He has got the right attitude. Bitten by the ballroom
:00:16. > :00:25.bug? Definitely. The judges scores are in. Craig Revel Horwood. Len
:00:26. > :00:37.
:00:37. > :00:42.Goodman. Alesha Dixon. Bruno That says strong score. -- that is
:00:42. > :00:44.a strong score. Call 09015 22 20 06 if you don't want Holly to be given
:00:44. > :00:47.the Kiss Kiss off from the competition. Don't underestimate
:00:47. > :00:51.how much these stars need your vote. Without you they won't be back here
:00:51. > :00:55.next week. And at bbc.co.uk/strictly you can log on
:00:56. > :01:05.for all the latest backstage ballroom. Back to you, Bruce.
:01:06. > :01:10.
:01:10. > :01:20.for our next couple, Rory Bremner Rory asked me earlier who my
:01:20. > :01:21.
:01:21. > :01:25.favourite impressionists were. I said, "Monet and Renoir".
:01:25. > :01:35.I will wait! A little high-brow joke to bring some culture to the
:01:35. > :01:40.
:01:40. > :01:46.show. And it does needed, at times! Nice to see you, to see you nous.
:01:46. > :01:50.Imitation is definitely the best firm of flattery. That was a first-
:01:50. > :01:59.class impression of their walls. Your bottom sticks out a bit but
:01:59. > :02:02.for the first week, that was fantastic. Oh, yes. He was
:02:03. > :02:06.absolutely right so you take those things on board and you think about
:02:06. > :02:16.what they are saying and you change it for next time. To be in the show
:02:16. > :02:22.
:02:22. > :02:32.and get through the dance, it was a 1234567. This week we are dancing
:02:32. > :02:35.of the hokey pokey? No, the Salsa. I'm not very sexy, I don't think.
:02:35. > :02:42.The sell side is not a natural dancer to somebody who comes from
:02:43. > :02:49.Edinburgh. -- the Salsa. We are more used to the Gay Gordons.
:02:49. > :02:55.best thing about Rory, he can change character any time he likes.
:02:55. > :03:05.I found out that Erin has a soft spot for Sean Connery. Beautiful.
:03:05. > :03:06.
:03:06. > :03:16.And tonight, dancing the Salsa, Erin and Sean Connery! Dancing the
:03:16. > :03:16.
:03:16. > :04:56.Apology for the loss of subtitles for 66 seconds
:04:56. > :05:06.MUSIC: "Vehicle" Well done, Rory. Well done, made
:05:06. > :05:12.
:05:12. > :05:19.Was fantastic. I loved it that little step you did. There you are.
:05:19. > :05:24.Stop laughing at yourself, Bruno. You were roaring into action, are
:05:24. > :05:31.full throttle attack, full of energy, yes, but you went wrong.
:05:31. > :05:38.Yes, you did. Sometimes, when you push it too much, you lose the
:05:38. > :05:48.floor and the cells faster have the flow. -- Salsa class to have the
:05:48. > :05:56.
:05:56. > :06:06.flow. You have got to keep it going. Now he's got it! But your first
:06:06. > :06:08.
:06:08. > :06:14.lesson from Bruno. Craig? Like a The way too heavily on the floor.
:06:14. > :06:18.No movement or through any of the steps. I was slightly nervous every
:06:18. > :06:25.step you took. It did not make it feel comfortable at all for the I'm
:06:25. > :06:33.glad it made you feel uncomfortable. You know how I feel now sitting
:06:33. > :06:36.next to you every week! Rory, using exactly what I think about this
:06:36. > :06:43.danceable the it's not a natural dancer or an English man, in his
:06:43. > :06:51.fifties, it's not. We flaunt a lot wobbly bits in front of the public.
:06:51. > :06:59.However, you came out, with high energy, and you gave it a go, and
:06:59. > :07:05.that's what you have got to do. gave it a go, that's it up. Alesha?
:07:05. > :07:14.You were a straight in, lots of personality. For me, you need to
:07:14. > :07:18.loosen up a bit and don't be afraid Up I thought it was a big
:07:18. > :07:28.improvement. Didn't you? Thank you, Rory and Erin. Off you
:07:28. > :07:33.
:07:33. > :07:42.go. Come on. Come on. Show us your salsa shimmy again. Well, yes!
:07:42. > :07:48.got up from the props department. I enjoyed it. I was nervous. If you
:07:48. > :07:53.want to know why they should teach Latin in schools, ask Erin for fob
:07:53. > :08:03.what a fantastic teacher. The best Latin teacher I've ever met.
:08:03. > :08:23.
:08:23. > :08:29.We will take that. I think Sean Connery did too proud in its ulcer.
:08:29. > :08:34.There's always next week. -- I think Sean Connery did you proud in
:08:34. > :08:37.that Salsa. Call 09015 22 20 03 when lines open if you want to see
:08:37. > :08:41.Rory make more of an impression on next week. Please don't call until
:08:41. > :08:44.we let you know that the lines are open. If you do, your vote won't
:08:44. > :08:53.count and you may be charged. Back to you, Bruce. Our next couple is
:08:53. > :08:57.Robbie Savage and his partner Ola Jordan. Robbie asked me if he could
:08:57. > :09:00.bring his family down to watch the show one week. I said, "Of course.
:09:00. > :09:10.Bring them all. I've been doing this show for eight years. I'm used
:09:10. > :09:22.
:09:22. > :09:31.to an audience full of Savages". Last week Robbie Savage took on the
:09:31. > :09:38.biggest game of his life. I gave it everything. It was very Abercrombie
:09:38. > :09:45.and Fitch, I'm afraid, darling. Absolutely no dancing whatsoever.
:09:45. > :09:55.got annihilated. It was hard to swallow. Two. To get a two, I felt
:09:55. > :10:01.worthless. He took it hard, the judge's comments, and he has got to
:10:01. > :10:07.man up. I'm going to get into tough on Apple. I'm going to punch him in
:10:07. > :10:15.the stomach and kick his butt. got an umbrella this week and I'm
:10:15. > :10:20.really struggling. It only takes practice. Let's throw it away.
:10:20. > :10:27.If it means we have to do it 100 times, we will. I need hard work
:10:27. > :10:33.and I will push him as much as I can. Turn around and do what I ask.
:10:33. > :10:43.I can't do it. I never want to see an umbrella ever again in my life.
:10:43. > :10:44.
:10:44. > :10:54.I'm going to show Craig I am worth Dancing the foxtrot, Robbie Savage
:10:54. > :11:04.MUSIC: "Ain't That A Kick In The Head"
:11:04. > :11:04.
:11:04. > :12:28.Apology for the loss of subtitles for 66 seconds
:12:28. > :12:36.Robbie Savage, what about that?! Look at this, Robbie! Look at that,
:12:36. > :12:46.look at them standing up! Look at this! Wonderful! Ola, well done,
:12:46. > :12:47.
:12:47. > :12:53.absolutely, that was fantastic. Len! Few little beauty! Oh, yes,
:12:53. > :12:59.number two, give that a two! Listen, the more you give, the more marks
:12:59. > :13:06.you get, and you are giving plenty, and you are going to get plenty!
:13:06. > :13:11.Well done, Robbie, well done indeed. Ola. It is really good to see his
:13:11. > :13:15.smiling and enjoying yourself, that opening sequence was really good,
:13:15. > :13:23.you were light-footed, charming, right back on track, just keep
:13:23. > :13:30.going, Robbie. Bruno. Robbie Savage has gone to Hollywood! Hang
:13:30. > :13:37.glistening in the light like spun gold, teeth like piano keys!
:13:37. > :13:44.Confident, debonair! What a transformation! Yes, it was a
:13:44. > :13:50.transformation. And we don't care what Craig says, do we?! Head
:13:50. > :13:59.placement needs sorting out. It does, but I have got to say that
:13:59. > :14:09.was showbiz and showmanship, and I loved it! Yes! There you mark, well
:14:09. > :14:16.
:14:16. > :14:21.done. Keep it up, you are a great Yes! Robbie is back! Robbie!
:14:21. > :14:28.Robbie! He shoots, he scores, they are on their feet in the studio and
:14:28. > :14:34.up here. How did that feel? Amazing! Didn't it? I used
:14:34. > :14:38.features? Yes, I am. For a man who has only ever dance at his own
:14:39. > :14:43.wedding, his takes a lot of guts. Three weeks ago I had never danced,
:14:43. > :14:53.my wedding, that was it. absolute beginner. The scores are
:14:53. > :15:10.
:15:10. > :15:17.Yes! How about that? 29 out of 40. They are going mad in the studio
:15:17. > :15:22.audience! Happy with that? Call this number later in the show if
:15:22. > :15:29.you want Robbie to get stuck in again next Saturday. Still to come,
:15:29. > :15:33.Harry and Jason's foxtrots, plus Nancy and Russell's salsa! Are you
:15:33. > :15:42.ready for that? After last week, I think we might be in for a treat.
:15:42. > :15:51.Over to you, Bruce. Craig gave him seven, go and have a lie down! Our
:15:51. > :15:56.next couple is Anita Dobson and her partner Robin Windsor. Now then,
:15:56. > :16:02.Anita was telling me that her husband, Brian May, and by the way,
:16:02. > :16:07.he is here, how are you? I have always been a fan! He is the famous
:16:07. > :16:11.musician from the group Queen, and he has agreed to re record one of
:16:11. > :16:17.his hits in support of all the ladies on this show. Isn't that
:16:17. > :16:24.nice? I just hope it is We Are The Champions and not Fat Bottomed
:16:24. > :16:34.Girls. They would be furious! All right, here they are in training. I
:16:34. > :16:36.
:16:36. > :16:40.It was a fantastic evening. It just seemed slightly dreamlike, that was
:16:40. > :16:44.made dancing this wonderful dance. I was kind of almost not ready to
:16:44. > :16:50.take in the Commons, because you are slightly zapped at the end of
:16:50. > :16:55.the first dance. Elegant, poised, beautifully acted. Boy, oh boy,
:16:55. > :17:05.that was incredible! I want to do it again, I want to do more. I
:17:05. > :17:10.cannot wait to learn some more, it This week we are dancing the salsa.
:17:10. > :17:14.It is kind of mad and natty and slightly insane. I'm going to have
:17:14. > :17:19.to get Anita to bring out her saucy side, because it is a very sexy
:17:19. > :17:26.dance. Well, he has said that in order to make me even more at home
:17:26. > :17:30.with the kind of movements, he wants to vocalise the whole dance.
:17:30. > :17:36.Whatever makes it work, if that is what he wants me to do, I will do
:17:36. > :17:40.it. Anita looks at me like I am absolutely crazy, but hopefully
:17:40. > :17:45.these will make sense to her. much better when you do the noises!
:17:45. > :17:50.I respond to his voice, if he makes a noise, I understand what that
:17:50. > :17:58.does. Silently, my body is asking the question, her body is giving
:17:58. > :18:08.the answer. It is cool, isn't it? Dancing the salsa, Anita Dobson and
:18:08. > :18:08.
:18:08. > :19:46.Apology for the loss of subtitles for 66 seconds
:19:46. > :19:51.How about that?! Anita Dobson, I tell you! That was wonderful. Why
:19:51. > :19:58.didn't you ever do that in the Queen Victoria? Nobody would let
:19:59. > :20:02.me! Not without a drink, anyway. Anyway, Len, start as off. Were, I
:20:02. > :20:05.don't anyone saying he has got double standards, and I know there
:20:05. > :20:15.were one or two incidents when there was a faux pas, but having
:20:15. > :20:16.
:20:16. > :20:21.said that, I thought it was fantastic. It was fun, fun, fun.
:20:21. > :20:29.Alesha, Maya love. He put us all in the mood for cocktails! That was so
:20:29. > :20:34.much fun, I don't care about the mistake, that was brilliant, Anita.
:20:34. > :20:38.It was a tropical cocktail follow flavour and spice that raises the
:20:38. > :20:43.heat, so much so that he went on the wrong foot a couple of times,
:20:43. > :20:50.but who cares? We had so much fun with it, and that is what sulci is
:20:50. > :20:54.all about. I love the bump and grind you gave to Craig. You should
:20:54. > :21:01.have seen his face. I thought it was like Bonnie Langford being
:21:01. > :21:07.chased by parking Dalmatian. think that is probably good thing,
:21:07. > :21:12.actually! Unintentional break for the worst in there, sadly, on the
:21:12. > :21:22.wrong foot, but I thought you dance it brilliantly. A happy ending,
:21:22. > :21:31.
:21:31. > :21:36.Yes, Anita, you have got that Strictly smile, that party spirit.
:21:36. > :21:43.Has it surprise you, how much you have taken to this ballroom lark?
:21:43. > :21:48.Yes, it has, I love it to bits! can tell. Next week is a Broadway
:21:48. > :21:54.special on Strictly, or your stage experience, you will be chomping on
:21:54. > :22:04.the bit to get there. I do not know about jumping, but we will say!
:22:04. > :22:18.
:22:18. > :22:23.bit of Broadway action? The scores 28 out of 40, the smile is back,
:22:23. > :22:27.well done. This is the number to call later if you want Anita back,
:22:27. > :22:30.smiling and starring in our Broadway special next week.
:22:30. > :22:37.Remember, all our celebrities need your votes to save them from
:22:37. > :22:47.elimination. Tonight we have still got all this to come. Fancy seeing
:22:47. > :23:04.
:23:04. > :23:09.Wright, time now for our next couple, Jason Donovan and his
:23:09. > :23:14.partner Kristina Rihanoff. Wonderful! Now, Jason could not
:23:14. > :23:23.have got off till a better start than last week, amazing, but can he
:23:23. > :23:32.keep the standard up? That is the Jason's debut performance storms to
:23:32. > :23:37.the top of the charts. Now Strictly is in business! Kate even left
:23:37. > :23:44.Craig a bit sticky. interpretation of the Australian
:23:44. > :23:49.colloquialisms was not bad at all. A full house, 8! It was one of
:23:49. > :23:55.those great moments in my career, a special moment. The hips do not
:23:55. > :23:59.live. Last Saturday was the first time in four years. That is your
:23:59. > :24:03.elbow leading you. I am going to work Jason really hard this week to
:24:04. > :24:13.get that again. Sue has asked me to come here for training, apparently
:24:13. > :24:23.it is all about getting into Put your hat on and start getting
:24:23. > :24:26.
:24:26. > :24:36.I think Jason got a little bit of a shock when he saw me coming through
:24:36. > :24:38.
:24:38. > :24:44.When I came in here today, I felt like I was in a Hollywood movie
:24:44. > :24:54.from 1942. Let's hope we can do as well as we did last week. Smooth,
:24:54. > :24:54.
:24:54. > :26:39.Apology for the loss of subtitles for 66 seconds
:26:39. > :26:47.Dancing the foxtrot, Jason Donovan Hit looked as though he turned it
:26:47. > :26:53.up! Come over here. Can he keep the standard that? I tell you, that was
:26:53. > :26:59.marvellous, it was a little bit of Hollywood there. Alesha. Jason, you
:26:59. > :27:04.are a real showman, UN character even before the music started. You
:27:04. > :27:07.commit 100% to your performance, you moved brilliantly around the
:27:07. > :27:10.floor, you mirror each other brilliantly, and it was a very
:27:10. > :27:18.seductive foxtrot, and you completely seduced May, it was
:27:18. > :27:25.wonderful. Behave yourself! In a very nice clean away. Bruno. Jason,
:27:25. > :27:29.she is not bad, she has just drawn that way. That was so LA
:27:29. > :27:34.Confidential, the fan fatale seducing the good guy, playing with
:27:34. > :27:38.him, toying with him and disposing of them. But you are just acting,
:27:38. > :27:47.this is a piece of acting that you do. It is absolutely great to see,
:27:47. > :27:57.I love it. Wonderful story. OK, now then, Craig. Your head position
:27:57. > :27:59.
:27:59. > :28:04.needs attention, especially in the standing spin, it is just a stiff,
:28:04. > :28:10.but magnificent routine, Class C, stylish. Then, to agree about the
:28:10. > :28:14.head position? Yes, his head could be to the left a bit more, but it
:28:14. > :28:19.is not in my nature to be nasty. It was full of flair and personality,
:28:19. > :28:25.that is what I have got to say, the footwork was mostly good. Now, can
:28:25. > :28:35.you be top of the leaderboard two weeks running? I think so. Here we
:28:35. > :28:43.
:28:43. > :28:50.go, off you go, be proud, it was A standing ovation. Come on up here.
:28:50. > :28:55.How was that? Well, it's tougher the second week around. The Foxtrot
:28:55. > :29:04.is such a concentrated effort. I think there is more personality
:29:04. > :29:12.last week. I'm happy with that. What do your children think? They
:29:12. > :29:17.will be waiting on the footpath for me tonight. As they did last week.
:29:17. > :29:24.They are waiting for you to come home. Very happy to go to school on
:29:24. > :29:27.Monday morning with their heads held high a. Embarrassing dad
:29:27. > :29:35.scenario for the The judges scores are in. The judges have their
:29:35. > :29:45.scores. Craig Revel Horwood. Len Goodman. Alesha Dixon. Bruno
:29:45. > :29:51.
:29:51. > :29:55.33 out of 40. The top score of the night. Now we are firing. Call
:29:55. > :30:00.09015 22 20 14, when phone lines open later in the show if you want
:30:00. > :30:03.Jason to give it some Ballroom Bonza next week. Loads more to look
:30:03. > :30:13.forward to tonight. Harry's Foxy Foxtrot and Russell's one-of-a-kind
:30:13. > :30:22.
:30:22. > :30:30.We are ready. Feeling hot, hot, hot? Bruce? What about you? Don't
:30:30. > :30:35.mind me. La cucaracha, la cucaracha! I want high marks! But,
:30:35. > :30:45.you guessed it. Next up is Nancy Dell'Olio and her partner Anton Du
:30:45. > :30:46.
:30:46. > :30:52.APPLAUSE No, it wasn't Nancy and Anton feather snake wrestling.
:30:52. > :31:02.It was a mess. Nancy asked me to look after this for her. I said,
:31:02. > :31:12."Why?" She said, "It might come in handy when I strangle Craig". A
:31:12. > :31:16.
:31:16. > :31:21.sorry, Nancy. Oh, that tickles! Lastly, disaster for Nancy when she
:31:21. > :31:31.found she had unwanted comedy on the dance floor. We had the feather
:31:31. > :31:32.
:31:32. > :31:39.boa constrictor, as it's now known. -- keep going. It's going well.
:31:39. > :31:49.word of advice, darling, forget props altogether. Don't come up,
:31:49. > :31:55.
:31:55. > :32:05.stay there. We are dancing the You are teaching the the language
:32:05. > :32:06.
:32:06. > :32:16.of Italian. Hell of a teacher, you are. He is not yet good at Italian.
:32:16. > :32:23.
:32:23. > :32:30.Why are you laughing at my Italian? I think we should pointed at Len to
:32:30. > :32:40.entice him to give you better marks. I'm going to try with all of them.
:32:40. > :32:40.
:32:40. > :34:32.Apology for the loss of subtitles for 66 seconds
:34:32. > :34:39.Dancing the salsa, Nancy Dell'Olio Oh, come here, my lovely. Nancy.
:34:39. > :34:47.How are you feeling? Are you all right? What do you mean is she OK?
:34:47. > :34:57.It's like trying to wrestle a tiger out there. You always complain.
:34:57. > :35:07.
:35:07. > :35:17.Tell him what you are feeling. It's so difficult. Nancy, champagne,
:35:17. > :35:18.
:35:18. > :35:25.champagne today. You look like you added two gallons! You had no idea
:35:25. > :35:29.of where you were. But what grates guile -- but with great style and
:35:29. > :35:34.glamour. It doesn't matter for I think you broke the record for how
:35:34. > :35:43.many times a person has gone wrong in this competition. But you did it
:35:43. > :35:51.beautifully, with style. Yes, style and grace. At Craig. A frenetic
:35:51. > :35:57.sort of springs to mind, darling. Frantic, frenzied. Any of those F-
:35:57. > :36:07.words, really. Be careful, Craig. You've only just got your
:36:07. > :36:08.
:36:08. > :36:17.citizenship, remember that. OK, Len, come in a quick. You've made him
:36:17. > :36:23.laugh. Be careful. Don't worry, Bruce. The most exciting part was
:36:23. > :36:26.when I took a crafty glance up your dress. You are a game a girl
:36:26. > :36:31.because they are a few incidents out there but you ploughed on it
:36:31. > :36:38.and you kept going, and well done for that. Exactly, you should be
:36:38. > :36:44.very proud of that. I'm a bit confused as I can't work out
:36:44. > :36:51.whether you were trying to be funny or whether it was just funny.
:36:51. > :36:58.never been so insulted in my life! If it was trying to be funny, then
:36:58. > :37:04.that's different. I'm speechless, sorry. Don't say anything else.
:37:04. > :37:10.do you feel? I feel fine of. It is not fantastic on my leg but I think
:37:10. > :37:20.I did it. We all appreciated it. Thank you, Nancy and Anton. Off you
:37:20. > :37:32.
:37:32. > :37:42.Nancy, we love you. She just said to be on the stairs, what did I do
:37:42. > :37:47.
:37:47. > :37:57.wrong? Were you trying to be funny? Of curse we were trying to be funny.
:37:57. > :38:06.
:38:06. > :38:13.That's exactly how we choreographed it. The judges scores are in.
:38:13. > :38:23.judges have their scores. Craig Revel Horwood. Len Goodman. Alesha
:38:23. > :38:35.
:38:35. > :38:42.Ups, 14. Two from Alesha, uncharacteristically harsh. I can't
:38:42. > :38:48.believe Len gave it gorgeous Nancy five, and it looked up her skirt.
:38:48. > :38:52.If God we worth at least seven. She looks lovely. Call 09015 22 20 12
:38:52. > :38:56.at the end of the show if you think that the Italian siren should be
:38:56. > :39:01.voted into next week. The lines are opening at the end of the show,
:39:01. > :39:11.which means you'll get to have your say. Bruce. Next up it's Harry Judd
:39:11. > :39:18.
:39:18. > :39:21.A couple of the boys from the ban by here. -- band are here. As you
:39:21. > :39:25.know, Harry is in the boyband McFly. And he thinks I don't appreciate
:39:25. > :39:28.young people's music. I said, "I'll have you know I'm a huge fan of
:39:28. > :39:33.young men who play together in a band". He said, "Really, who's your
:39:33. > :39:39.favourite?" I said, "The Coldstream Guards". Come on, that was better
:39:39. > :39:49.than that. You are getting tired! It was better than that. Here they
:39:49. > :39:52.
:39:52. > :39:58.Harry got the show of to a flying start. It was a very fit
:39:58. > :40:03.performance. A make my day, Harry. A bit mechanical. I tell you what,
:40:03. > :40:12.very good, you are, I tell you. was very pleased with my scores.
:40:12. > :40:18.There's plenty of room for Today I was rudely interrupted by
:40:18. > :40:26.three young men, my band mates. have come to see him rehearse of
:40:26. > :40:33.the Foxtrot. It was great to see them for that I've spent more time
:40:33. > :40:38.with them than anyone on this planet. It was very enjoyable
:40:38. > :40:44.watching them taking a grilling from Aliona. Something I have been
:40:44. > :40:50.doing for pushing three weeks now. Lead me. Be a man! I have got lots
:40:50. > :40:55.of admiration for Harry. That was useless. Harry is good at most
:40:55. > :41:03.things and I would not be surprised if he won. I'm rooting for Jason
:41:03. > :41:08.Donovan. I would like to see Holly Valance go all the way. The guys
:41:08. > :41:18.will be my toughest critics. If I can do it in front of them, I will
:41:18. > :41:18.
:41:18. > :42:59.Apology for the loss of subtitles for 66 seconds
:42:59. > :43:09.Dancing the foxtrot, Harry Judd and Look at this, Harry, look at that,
:43:09. > :43:09.
:43:09. > :43:15.enjoy it! Even your boys! Look! They loved it. Well done. Thank you.
:43:15. > :43:20.So good together. Right, all right, Craig, what did you think? Harry,
:43:20. > :43:26.you can dance. But, Aliona, you have got to sort his posture and,
:43:26. > :43:30.he is looking down a lot, his wrists need attention, his thumb
:43:30. > :43:37.needs attention, there is so much detail that needs to be done, but
:43:37. > :43:41.you could be fantastic. Yes. All those things need attention, but
:43:41. > :43:45.whatever you do, don't have an operation. I will not speak to you,
:43:45. > :43:49.Aliona, because I heard you say that you never listen to the
:43:49. > :43:56.Church's, so I'm going to speak to you, Harry. There was nothing great
:43:56. > :44:00.about it, but there was netting terrible. The thing is, it lacked
:44:00. > :44:05.finesse, your left arm is too far forward, your right arm... And try
:44:05. > :44:10.to help this chap, we are required for a few seconds? And your chin is
:44:10. > :44:15.always down, you have got to lift up, stretch up, flat back, why
:44:15. > :44:23.their elbows. Do that, my old sausage, and you will be all right.
:44:23. > :44:27.Good. Lift your chin up. Imagine what this is like! What did you
:44:27. > :44:33.think? Harry, I think you move brilliantly, you are one of the
:44:33. > :44:37.best dancers in this competition. Yes, you are. One I would say is,
:44:37. > :44:41.because the judges see the potential, they might be tougher,
:44:41. > :44:48.but you can turn that into a positive, that is what I would say
:44:48. > :44:54.to you, because you are going to go far, trust me. Very important. It
:44:54. > :44:58.was romantic. It was, I think there was something very, very special
:44:58. > :45:02.about Harry. You are strong, you are focused, you work very hard.
:45:02. > :45:08.You have got a great feel for the music. With the right nurturing,
:45:08. > :45:18.you are going to be fantastic. you are, all good, just work on it.
:45:18. > :45:22.
:45:22. > :45:26.Off you go, well done, Harry and Harry, my boy, they are on their
:45:26. > :45:30.feet in his studio, another great reaction, I used surprised by how
:45:30. > :45:34.well you are doing? I'm just trying to enjoy myself, I'm having an
:45:34. > :45:44.amazing time, Aliona is an incredible coach, I am just happy
:45:44. > :46:01.
:46:01. > :46:05.to be here. Dynamite on the 27 for Harry and Aliona, call this
:46:05. > :46:09.number if you do not want Harry flying out of here. Please do not
:46:09. > :46:14.call and tell the lead to know the lines are open. If you do, your
:46:14. > :46:21.vote will not count and you may be charged. Time now for Russell Grant
:46:21. > :46:26.and his partner Flavia Cacace. Yes, I know you want to see Russell,
:46:26. > :46:31.everybody wants to, but listen, wasn't he great in his dance last
:46:31. > :46:36.week? We all thought it was fantastic. I said to him, your
:46:36. > :46:41.performance was like something I saw at Glastonbury. He said,
:46:41. > :46:51.Glastonbury? You mean I was like a pop star? No, you were as camp as a
:46:51. > :46:54.
:46:54. > :46:57.row of tents! What did he say?! Diva Russell wasted no time coming
:46:57. > :47:07.out of the shell for his first for a onto the dancefloor, and the
:47:07. > :47:16.
:47:16. > :47:21.A standing ovation! Look, look! Russell, look at that! I was amazed
:47:21. > :47:28.and so thanks for. I cannot believe it, it has taken until the age of
:47:28. > :47:33.60 to get a standing ovation! This week's dans is the salsa. Well,
:47:33. > :47:40.hopefully it is going to be more showy than last week. I am loving
:47:40. > :47:50.this! I have one wish, when I was asked to do Strictly, and that was
:47:50. > :47:50.
:47:50. > :47:55.It feels like we have known each other for ever, really. We laugh at
:47:55. > :48:01.the same thing is, we have this psychic telepathy. We both said the
:48:01. > :48:06.same word at the same time! It is an amazing alliance. This woman,
:48:06. > :48:13.when this end, I do not know what I'm going to do. I am going to sow
:48:13. > :48:21.my serve. Hey, listen, don't be maudlin, the best is yet to come. I
:48:21. > :48:31.am not doing that again! Dancing the salsa, Russell Grant and Flavia
:48:31. > :48:31.
:48:31. > :50:18.Apology for the loss of subtitles for 66 seconds
:50:18. > :50:28.High tally a... High tally a... Enjoy this, Russell, look at them!
:50:28. > :50:30.
:50:30. > :50:36.Everybody upstairs is on their Bow, and even downstairs, the
:50:36. > :50:44.celebrities there! And may I say, the perfect song! Yes! What you
:50:44. > :50:49.mean, Bruce? You know what I mean! Camp as a row of tents, yes.
:50:49. > :50:54.cannot get a better song, perfect. Honestly, what it lacked in
:50:54. > :50:58.technique and content, it made up for in fun and entertainment, and
:50:59. > :51:05.you put the boy in a flamboyant. The boy in flamboyant, where did
:51:05. > :51:09.you get that one from?! You must stay up at night! You are adorable,
:51:09. > :51:14.clearly you are having the time of your life, and for as it is
:51:14. > :51:20.brilliant watching you, you light up the room, you really do. Flavia
:51:20. > :51:28.is having the time of your life as well! And never seen her so happy,
:51:28. > :51:32.even with Jimmy Tarbuck! Bruce. Russell, you have more collector,
:51:32. > :51:39.more than a carnival float! Talk about finishing the show on a high,
:51:39. > :51:46.I thank you for it, and I absolutely loved it! Craig,
:51:46. > :51:52.whatever you do, don't spoil it, please, I beg you, my Liege! Well,
:51:52. > :52:02.it wasn't without flaws... The Dancing Queen you were tonight,
:52:02. > :52:03.
:52:03. > :52:13.There you are up, a lovely couple, off you go, up the stairs, up the
:52:13. > :52:24.
:52:24. > :52:30.We loved it, save to say! Two weeks, two standing ovations, having the
:52:30. > :52:36.time of your life, are you? Yes, so nervous, even when you get out
:52:36. > :52:43.there, but Kinnock, can I just say, I am more thrilled about my friend
:52:43. > :52:53.Robbie getting such fantastic marks. Honestly! It is very spot in our
:52:53. > :53:08.
:53:08. > :53:15.view, thank you so much, we loved 25 out of 40, a very respectable
:53:15. > :53:19.score! OK, you can call this number when the phone lines over and very
:53:19. > :53:23.shortly if you want Russell to be granted a place on next week's
:53:23. > :53:28.dance floor. OK, that is it, all of our couples have given it
:53:28. > :53:38.everything. We are going to carry over the scores from last week and
:53:38. > :53:45.
:53:45. > :53:48.Remember, you can change all of that by picking up the phone and
:53:48. > :53:58.voting for your favourite, and there is no time like the present
:53:58. > :53:58.
:53:58. > :54:05.because the phone lines are now open! Yes! Calls cost 15p from a BT
:54:05. > :54:11.landline. The lines are going to close at 8:30pm tonight. Voting
:54:11. > :54:21.details can be found on the website. To help you decide, a reminder of
:54:21. > :54:21.
:54:21. > :58:13.Apology for the loss of subtitles for 66 seconds
:58:13. > :58:19.tonight's performances and the all- Well, there's only one thing to say,
:58:19. > :58:23.didn't you all do well! What a wonderful night. They have been
:58:23. > :58:26.living the boardroom dream for four weeks, but one of our 14
:58:26. > :58:31.celebrities must leave the competition. Your votes will make a
:58:31. > :58:36.difference, so pick up the phone. Tomorrow night is our first results
:58:36. > :58:41.show, and one couple will perform their last stands. To tally the