:00:48. > :00:58.This is Strictly Come Dancing the results! Please welcome our
:00:58. > :00:58.
:00:58. > :03:39.Apology for the loss of subtitles for 161 seconds
:03:39. > :03:44.MUSIC: "Edge Of Glory" Yes! What a storming start to our
:03:44. > :03:50.Strictly Sundays! This is our first results show of the series, which
:03:50. > :03:54.means our first elimination. Your votes have been counted, combined
:03:54. > :03:59.with the judges'' scores for the last two weeks, and the couple with
:03:59. > :04:03.the lowest score will be sadly leaving tonight. No one wants to be
:04:03. > :04:11.the first to go, but first some people we can never get rid of,
:04:11. > :04:16.Craig, Len, Alesha and Bruno. Looking fine and dandy, thank you,
:04:16. > :04:20.Bruno. We will hear from them in a pit, but I'm thrilled to welcome
:04:20. > :04:25.back my Sunday night park their in crime, it is the luscious Claudy!
:04:25. > :04:30.Thank you, it is fantastic to be back. Coming up tonight, a
:04:30. > :04:36.performance from the wonderful Will Young! Plus we have a brand new
:04:36. > :04:40.feature, the Church's' legs and the rest of them will join me up here
:04:40. > :04:50.for Sundance dissection, but first for the action but on stage and
:04:50. > :05:05.
:05:05. > :05:15.You have the energy of a wild kitten! Fun, flirty and failures.
:05:15. > :05:16.
:05:16. > :05:20.Everything she has got, amazing. That was the first time ever that I
:05:20. > :05:26.have dance they foxtrot. Make the most of that meal, it could be the
:05:26. > :05:36.last supper. It is not me, the foxtrot, this idea of doing what I
:05:36. > :05:38.
:05:38. > :05:42.am told, every fibre of my being All they can let loose, yes!
:05:42. > :05:52.look like you have got a groove going, you enjoyed it. Give me
:05:52. > :06:00.positive comments for you will get Then we go that way, like that, and
:06:00. > :06:06.then... We are not telling you! Miss Jones... I had no idea he was
:06:06. > :06:16.such a glamour puss. I sat on John Prescott's lap, I gave him a right
:06:16. > :06:17.
:06:17. > :06:22.smacker, he seemed happy with that. I think Craig is going to find
:06:22. > :06:26.words to befuddle all of us. the Builder, that is what you will
:06:26. > :06:34.like, you were swinging hair around like a bag of cement! It is a lot
:06:34. > :06:38.of hard work for 21 points. Thanks, coach. Oh, my goodness! Mirror,
:06:38. > :06:44.mirror on the wall, who is the prettiest of them all? The what an
:06:44. > :06:54.improvement on last week, well done. They were being gentle. It is not
:06:54. > :06:56.
:06:56. > :07:00.You flew through his legs, then he flew through yours, he was like a
:07:00. > :07:09.mechanic checking for an oil leak. Please just let go, do not be
:07:09. > :07:12.afraid. I didn't even break my neck! It was like the rat caught on
:07:12. > :07:22.a sticky strip. By was throwing around my hits as much as I can,
:07:22. > :07:39.
:07:39. > :07:48.You little beauty! That was showbiz Well done! Oh, my God. I am still
:07:48. > :07:53.shaking. Excited... Nervous... All those things. A tropical cocktail
:07:53. > :07:56.full of flavour and spice! picked it up straight away, that is
:07:56. > :08:00.all that matters. The art was so much fun, I don't care about the
:08:00. > :08:08.mistakes. It was like Bonnie Langford being chased by a barking
:08:08. > :08:12.Dalmatian, actually. I am not sure I resemble a Dalmatian. Fund and
:08:12. > :08:16.enter tournaments and enjoying themselves, that is what we got. --
:08:16. > :08:21.fun and entertainment. Just channelling my energy into positive
:08:21. > :08:29.thoughts. It was a very seductive foxtrot, and you completely seduced
:08:29. > :08:38.me, it was wonderful. Now, can you be top of the leaderboard two weeks
:08:38. > :08:48.I cannot work out if you were trying to be funny, or is it just
:08:48. > :08:49.
:08:49. > :08:59.was funny. I have never been so Absolutely no idea where you were!
:08:59. > :09:04.
:09:04. > :09:08.You were great, I thought you did Harry, you can dance. It is really
:09:08. > :09:12.hard at there, I know I can do it 10 times better. Let's be honest,
:09:12. > :09:22.you are one of the best dancers in this competition that we have seen
:09:22. > :09:23.
:09:23. > :09:29.You put the boy in a flamboyant, it was really fun. Dancing Queen, you
:09:29. > :09:33.were tonight, definitely. I love the music, I love the rhythm, I
:09:33. > :09:43.love the audience, I love life. Talk about finishing the show on a
:09:43. > :09:48.
:09:48. > :09:52.high, I thank you for it, I What a night! All our 14 stars
:09:52. > :10:02.David Astle at four, but for one couple that best just was not
:10:02. > :10:03.
:10:03. > :10:13.enough. -- couples gave it their In no particular order, the first
:10:13. > :10:31.
:10:31. > :10:41.couple safely through to next week Surviving another we can't... --
:10:41. > :10:42.
:10:42. > :11:45.Apology for the loss of subtitles for 161 seconds
:11:45. > :11:55.another week are... Lulu and Back on the dancefloor next
:11:55. > :12:11.
:12:11. > :12:21.Now, finding themselves in the bottom two tonight and in danger of
:12:21. > :12:24.
:12:24. > :12:34.Orderly and Natalie. The rest of you will discover your fate a
:12:34. > :12:35.
:12:35. > :12:39.So, Alesha, they find themselves and the bottom two, what are your
:12:39. > :12:43.thoughts? I think it is really disappointing, actually. He was not
:12:43. > :12:48.the worst dancer we saw last night, he improved, he came out, he tried
:12:48. > :12:53.so hard, and that is always endear him, so it is a shame. He brought
:12:53. > :13:03.the party. He was not the worst dancer, so I do not think he
:13:03. > :13:03.
:13:03. > :13:06.deserves to be in the Barton two. - - bottom. He is not out yet. Bruno,
:13:06. > :13:10.Alex is safely through. You're all said there had been a huge
:13:10. > :13:15.improvement since last week. stunning. How does she keep that
:13:15. > :13:19.up? She has to keep refining and polishing her performance. This was
:13:19. > :13:23.a ballroom dance, she has the safety of the part not all the way
:13:23. > :13:27.through, so she has to keep the confidence, and when she comes back
:13:27. > :13:32.doing Latin, retain that kind of energy and self-confidence. The
:13:32. > :13:38.talent is there, and she looked absolutely stunning last night,
:13:38. > :13:46.stunning. Keep the confidence, thank you very much. Over to you,
:13:46. > :13:52.Claudia. I have six very relieved couples here, all safely through to
:13:53. > :13:57.next week. I would like to have a little chat with you. You clever
:13:57. > :14:02.human! Are you happy? The doors all down to the choreography, to be
:14:02. > :14:08.fair, with the umbrella. And you hated the umbrella. You would just
:14:08. > :14:11.go out and say, let it have played havoc with my hair! You did
:14:11. > :14:15.absolutely brilliantly. It is worth saying to you, Alex, I think you
:14:15. > :14:20.might be the most nervous person I have ever met. May and Robbie
:14:20. > :14:25.together. You are terrified, but you must be so relieved.
:14:25. > :14:28.estranged, because we do a live show every night, but this is a
:14:28. > :14:32.whole new ball-game. -- it is really strange. You are doing
:14:32. > :14:35.something you have never done before, and you only get one go.
:14:35. > :14:40.You do not even know if your legs are going to work, let alone
:14:40. > :14:46.anything else. I loved your face when she said your name, you went,
:14:46. > :14:51.what, is that my name? I am not sure! How shocked are you? We were
:14:51. > :14:56.third from the bottom, nothing is a given, who knows? I just thought, I
:14:56. > :15:01.could be home next week watching everybody. We have a treat now, get
:15:01. > :15:04.ready, he is one of Britain's best loved singers. He has sold over 8
:15:04. > :15:14.million albums worldwide, and here he is performing his brand new
:15:14. > :15:19.
:15:19. > :15:27.# Walk away. # That's what you do.
:15:27. > :15:34.# And it looks like I'm. # Somebody you once knew.
:15:34. > :15:42.# You're caught in a corner. # With nowhere to hide your eyes.
:15:42. > :15:47.# Do you think you want to? # Say goodbye.
:15:47. > :15:51.# Hey. Always the last to say. # Everything makes you feel like a
:15:51. > :16:01.walking away. # Come on, come on, come on, come
:16:01. > :16:02.
:16:02. > :16:07.# Hey, always the last to say. # Everything makes you feel like a
:16:07. > :16:17.walking away. # Come on, come on, come on, come
:16:17. > :16:18.
:16:18. > :16:24.# There's a bit of me. # That will always be with you.
:16:24. > :16:31.# And something tells me. # This is long overdue.
:16:31. > :16:36.# Hey, always the last to say. # Everything makes you feel like a
:16:36. > :16:45.walking away. # Come on, come on, come on, come
:16:45. > :16:51.# Hey, always the last to say. # Everything makes you feel like a
:16:51. > :17:00.walking away. # Come on, come on, come on, come
:17:00. > :17:10.# Come on, come on, come on, come # Come on, come on, come on.
:17:10. > :17:16.
:17:16. > :17:23.# Come on, come on, come on, come # Like a dream.
:17:23. > :17:29.# The sky is falling. # Is it you who's talking?
:17:29. > :17:36.# Can I take these words away? # Hey.
:17:36. > :17:41.# Hey, always the last to say. # Everything makes you feel like a
:17:41. > :17:48.walking away. # Come on, come on, come on, come
:17:48. > :17:57.# Like a dream. # The sky is falling.
:17:57. > :18:02.# Is it you who's talking? # Can I take these words away?
:18:02. > :18:12.# Like a dream. # The sky is falling.
:18:12. > :18:28.
:18:28. > :18:32.# Is it you who's talking? Absolutely brilliant.
:18:32. > :18:42.The judges have been released from their desk to join me up here.
:18:42. > :18:46.
:18:46. > :18:53.You have got legs. Yes, fully functional. We should say, there is
:18:53. > :19:01.up at the member of the group. Who is it? Prick Up Your ears, it is
:19:01. > :19:06.Len's Lens. That's lovely. Every move they make, every step they
:19:06. > :19:12.take, en brie rule they break, we will be watching them. They won't
:19:12. > :19:18.get away with anything. We can talk about details. You want to
:19:18. > :19:26.specifically mention Nancy and Anton. This is them through Len's
:19:26. > :19:32.Lens. Talk me through it. Look out. I didn't want it in a slow-motion.
:19:33. > :19:40.I wanted speeded up, it went wrong. This is where the heartache began.
:19:40. > :19:46.It was as though they were doing two separate dances. A sell sign
:19:46. > :19:50.and a Foxtrot. It all went pear- shaped. -- a Salsa. We have a clip
:19:50. > :20:00.of Nancy backstage. They are completely wrong. Completely wrong,
:20:00. > :20:00.
:20:00. > :20:06.yes. Completely wrong, boys and girls? She is at crazier than I am!
:20:06. > :20:15.I think this was pretty unanimous. I have never scored lower than
:20:15. > :20:21.Craig. You were very harsh. You want to talk about Chelsee. Yes,
:20:21. > :20:28.eat your heart out, Beyonce. Look at her. It takes a lot of
:20:28. > :20:34.confidence to do that. For Pasha to let us start a routine night that
:20:34. > :20:38.on her own is fantastic. Down she does. Polishing the floor. There
:20:38. > :20:48.are some things you can't teach. She is dancing with her heart and
:20:48. > :20:52.soul. Great energy. Fantastic. Craig, you were very harsh with the
:20:52. > :20:57.Robbie in week one, and then you said he was brilliant. He's having
:20:57. > :21:01.the time of his life. I didn't go that far, actually. It's a vast
:21:01. > :21:05.improvement on last week, definitely, and he was dancing in
:21:05. > :21:14.that time with panache, style, and he copes with the umbrella very
:21:14. > :21:24.very well. A very difficult thing to do with and I thought he did
:21:24. > :21:25.
:21:25. > :21:29.spectacularly well. Bruno, you want to talk about a metre. -- Anita.
:21:29. > :21:33.She got her knickers and a twist but she never really dropped her
:21:33. > :21:41.performance. She covered it other beautifully and carried on like a
:21:41. > :21:45.true professional. Look at her face. She's having a great time. That's
:21:45. > :21:50.what you have to do. Are some things can go wrong but it can't
:21:51. > :21:55.stop you carrying on of. Yes. That's hard. It's very difficult to
:21:55. > :22:00.put up most people collapse and then can't keep it up. They go into
:22:00. > :22:04.a terrible mess but she carried on. She is a performer. When things go
:22:04. > :22:14.wrong, you just get on with it, cover them up and do the best you
:22:14. > :22:14.
:22:14. > :22:24.can have. Thank you. This is for Russell Grant. He is so happy. Look
:22:24. > :22:33.
:22:33. > :22:40.It is ecstasy, he's hires a kite. - - he is as high as a kite. Go on,
:22:40. > :22:46.Russell! He is a beauty. You scored him well for the entertainment
:22:46. > :22:51.factor. He was fun, entertaining, he came out and danced with gusto.
:22:51. > :22:55.You have to respond to the audience, as well. We do it for the public.
:22:55. > :22:59.The audience were on their feet to. He must have done something right.
:23:00. > :23:02.Thank you very much, judges. Now, next week is Broadway Week where
:23:02. > :23:12.our couples must embrace the world of musical theatre. And auditions
:23:12. > :23:12.
:23:12. > :23:55.Apology for the loss of subtitles for 161 seconds
:23:55. > :24:05.I always preferred Phillip I am not practically perfect in
:24:05. > :24:26.
:24:26. > :24:33.There is still hope. I want to make you popular. I'm going to be
:24:33. > :24:43.popular! That green no one has really nailed her character. --
:24:43. > :24:44.
:24:44. > :24:54.The boy on the left has got no control over his feet. Lovely hair,
:24:54. > :25:02.
:25:02. > :25:12.So ungrateful. Where was your motivation? I couldn't see where I
:25:12. > :25:17.
:25:17. > :25:22.was going, could die? Don't call us, That is absolutely brilliant.
:25:22. > :25:29.Broadway is made for you. It it's going to be a lot of fun. Can you
:25:29. > :25:32.give us a clue? A bit of a tango experience. OK, brilliant. So it's
:25:32. > :25:35.Broadway next for these six couples, but what about the rest? Back to
:25:35. > :25:45.you, Tess. Thanks, Claudia. Seven couples left. But who is safe and
:25:45. > :26:25.
:26:25. > :26:35.In no particular order. Safely Rory and Erin. The next couple safe
:26:35. > :26:35.
:26:35. > :27:42.Apology for the loss of subtitles for 161 seconds
:27:42. > :27:46.Dancing again next Saturday are... Nancy and Anton and Edwina and
:27:46. > :27:56.Vincent, One of you is safe. One of you is in the bottom two. I can
:27:56. > :28:01.
:28:01. > :28:11.reveal that the couple in the Congratulations. You are through to
:28:11. > :28:18.
:28:18. > :28:22.Edwina and Vincent are in danger. Are you surprised? I don't want to
:28:22. > :28:27.see Edwina leaving in a hurry because a dance can change from
:28:27. > :28:35.week to week. She could get a dance which suits her style and on she
:28:35. > :28:40.goes. Poor old Edwina. Craig, next week for the first time ever, we
:28:40. > :28:46.are going to Broadway. What are you looking forward to seeing? That's
:28:46. > :28:51.my genre. We are looking for great storytelling, a beginning, middle
:28:51. > :28:58.and an end. Of course, it's all character-driven. Brilliant dancing.
:28:58. > :29:04.On top of that, have to tell a really good story. Thank you,
:29:04. > :29:11.judges. I can't wait for Broadway. Claudia. Thanks, Tess. Tonight's
:29:11. > :29:16.bottom two couples are with me now. You must have loved Len saying he
:29:16. > :29:21.didn't want you to leave. I wish to give any higher marks and said it
:29:21. > :29:27.sooner. Vincent, you said you devastated. We have so much more to
:29:27. > :29:34.show. I'm so proud of her and she has been working hard. We have got
:29:34. > :29:41.some great stuff coming if we stay in. Audley, have you got lots more
:29:41. > :29:46.to give? Yes, 100% up. It has been great. It has been fun. I don't
:29:46. > :29:55.think I deserve to be here, but, you know, it's all good. Thank you.
:29:55. > :30:02.Sadly, we are about to say goodbye to either Audley or Edwina. Here's
:30:02. > :30:06.how they've entertained us. I don't want to go home tonight. I've come
:30:06. > :30:09.from California and I do wonder go back on a plane tonight. My
:30:09. > :30:15.confidence has improved because I am training more, feeling more
:30:15. > :30:20.confident. I'm starting to get into Strictly Come Dancing. I want the
:30:20. > :30:27.people at home to be excited by my routines. I want the public to
:30:27. > :30:31.support me. If I was the first to leave, I would be gutted. I feel
:30:31. > :30:38.I've only just begun to get into it, to figure out what I'm supposed to
:30:38. > :30:44.be doing. Since last week, I have got stronger, but I am not a
:30:44. > :30:47.ballroom dancer, but a Latin chick. I can't wait to get back to that. I
:30:47. > :30:50.don't want to go home because the chance to learn to dance,
:30:50. > :31:00.especially with somebody like Vincent, it's just unbelievable,
:31:00. > :31:02.
:31:02. > :31:12.One of you is about to leave the competition for good. It's the
:31:12. > :31:18.
:31:18. > :31:22.Audley, Craig said you can't run it like a normal person or a boxer.
:31:22. > :31:31.Edwina, Bruno said it was like watching a bendy bus going around
:31:31. > :31:41.the roundabout. I can now reveal the first couple leaving a Strictly
:31:41. > :32:07.
:32:07. > :32:12.Edwina and Vincent, please come and I'm so sorry. Nobody wanted to be
:32:12. > :32:16.the first to go. Edwina, how do you feel saying goodbye to Vincent?
:32:16. > :32:21.feel sorry for Vincent because he has worked very hard, been a
:32:21. > :32:28.terrific teacher, he really has, anything we did wrong, it was
:32:28. > :32:34.entirely my fault. No. Whoever Dances With Vincent is a very lucky
:32:34. > :32:40.lady. I just want to say I had so much fun with the which I didn't
:32:40. > :32:45.expect, because you wear a politician must. That's hard for me.
:32:45. > :32:49.I thank you for that and I will always remember you. It has been a
:32:49. > :32:58.pleasure. Off you go and prepare for your last dance. Thank you so
:32:58. > :33:01.much. Edwina and Vincent will join Zoe on Monday's It Takes Two, 6:0pm
:33:01. > :33:05.on BBC Two. I'll be watching. And for non-stop exclusives, news and