:00:12. > :00:20.Last weekend, our Strictly staff lived life to the full. It was
:00:20. > :00:27.party politics in the ballroom. There was dancing on the top table.
:00:27. > :00:34.You couldn't wipe the smile off their faces. You put the boy in
:00:34. > :00:42.flamboyant. But one was driven to the exit. Ahmed Qureia and Vincent.
:00:42. > :00:48.Tonight, hail a yellow cab to the Strictly Broadway Spectacular. Our
:00:48. > :00:57.13 stars are giving their regards, and then some. # It's time to play
:00:57. > :01:05.the music # It's time to light the light. # Why do we come back here
:01:05. > :01:15.week after week? We'll never know. You would be a Muppet to miss it,
:01:15. > :01:50.
:01:50. > :01:55.this, is Strictly Come Dancing on APPLAUSE APPLAUSE This is Strictly
:01:55. > :02:05.Come Dancing! It's a Broadway Special. Please, welcome our
:02:05. > :02:05.
:02:05. > :05:06.Apology for the loss of subtitles for 180 seconds
:05:06. > :05:16.O in e Live, from television centre,
:05:16. > :05:27.
:05:27. > :05:34.please, welcome your hosts. Oh! Can we go any further? Is that
:05:34. > :05:39.it? I was going to put it right up there, somewhere. Do, sit down. It
:05:39. > :05:46.really is embarrassing! In a way! Right, good evening, ladies and
:05:46. > :05:56.gentlemen, and children. Welcome to Strictly Come Dancing, it's nice to
:05:56. > :06:01.
:06:01. > :06:11.you, to see you, nice! And it is nice to see you tuerbgs b rrbg uci
:06:11. > :06:12.
:06:13. > :06:20.-- it is nice to see you, too, Bruce, nice to see you tue.
:06:20. > :06:29.And we have Broadway this week. There is Robbie Savage, he could
:06:30. > :06:36.star in Hairspray! And Dell, Mamma Mia!! Tonight, we will be having
:06:36. > :06:42.lots of razzle and dazzle in the ballroom.
:06:42. > :06:47.We have our 13 remaining performers meeting to give it their all to be
:06:47. > :06:52.the top of the bill. We wish them all the best luck, we
:06:52. > :07:02.wish them all to break a leg. It is time to meet the stars of our
:07:02. > :07:03.
:07:03. > :07:13.show. Yes! Astrologer to the stars, Russ
:07:13. > :07:15.
:07:15. > :07:25.and his partner, Flavia Cacace. Lulu and her partner, Cole.
:07:25. > :07:25.
:07:25. > :08:25.Apology for the loss of subtitles for 180 seconds
:08:25. > :08:29.Marvellous! Well, there they all are. In the mix you will find a
:08:29. > :08:34.talented Australian, a very popular senior citizen, a gorgeous young
:08:34. > :08:40.pop star and a steamy man-eating Italian. Hang on, a minute, that
:08:40. > :08:44.sounded more like the judges. Well, tonight, our critics, the
:08:44. > :08:49.judges are to score the Broadway routines and the celebrities ranked
:08:49. > :08:53.on the leaderboard. The scores are combined with your votes, one
:08:53. > :08:58.couple must exit, of course, stage left.
:08:58. > :09:08.If you are a digital viewer press the red button for live commentary.
:09:08. > :09:13.
:09:13. > :09:18.Up in the Gods, there is Karen Hardy and Henry Winkler.
:09:18. > :09:26.He is cool. I've never been so hot in my life.
:09:26. > :09:33.Our first couple is Holly Valance and her partner, Artem Chigvintsev.
:09:33. > :09:40.Now, I was chatting to Holly earlier, she was telling me about
:09:40. > :09:45.the big three sports in Australia. I said which? She said team sport,
:09:45. > :09:55.individual sport and Tie Me Kangaroo Down Sport sport! You
:09:55. > :10:00.promised you would laugh at that. Any way, here they are in training.
:10:00. > :10:07.Just before last week's show I got a nice feeling of calm, rather than
:10:07. > :10:11.sheer terror. So I felt like I got to have a bit more fun with it on
:10:11. > :10:15.stage. He is like a formula car, with all of the top of the range
:10:15. > :10:20.equipment, but there are a few gremlins to tune out.
:10:20. > :10:26.My job is to sell my performance. I could use Jason as inspiration,
:10:26. > :10:30.last week he was amazing to watch. So I have to put my game face on a
:10:30. > :10:36.little more. This week it is Broadway week, we are doing a song
:10:36. > :10:42.from the musical Chicago. I open up in this lovely cage. Go to prison!
:10:42. > :10:47.I'm meant to be in a jail cell for killing my husband! Working in
:10:47. > :10:54.Moscow, life is very hard! I was excited to put my student into the
:10:54. > :10:59.cage. I quite a many teacher. Not eight, seven! Keep moving the hands
:10:59. > :11:05.away, thank you. If she doesn't do the step right, she has to stay in
:11:05. > :11:10.the cell. Artem is tough in the training room,
:11:10. > :11:14.he pushes me very hard. Watch out this week, I may just get
:11:14. > :11:24.my revenge on the dancefloor. Dancing the tango, Holly Valance
:11:24. > :11:24.
:11:24. > :13:15.Apology for the loss of subtitles for 180 seconds
:13:15. > :13:18.You liked that?! Holly, it is over! I didn't recognise you first of all.
:13:18. > :13:25.I tell you. That was great, well done.
:13:25. > :13:29.Now, whilst you two get your breath back, it's a good time to welcome
:13:30. > :13:37.our fabulous singers, Dave Arch and his wonderful Orchestra! And of
:13:37. > :13:43.course, a welcome to our judges! How could we have a night of
:13:43. > :13:50.theatre without them? And when I look at them, they remind me of
:13:50. > :13:57.some great musicals. Bruno is Footloose and probably
:13:57. > :14:07.fancy free! Alesha, is, of course, a Dream Girl. Len, eats Spamalot!
:14:07. > :14:15.
:14:15. > :14:23.And right at the end we have got There we are, Len, what did you
:14:23. > :14:30.think of that opener? Be still, my beating heart! Full of smouldering
:14:30. > :14:36.intensity. As you cut him from the jail, I saw the blood swelling in
:14:36. > :14:42.your bosom. I saw when you caught your heel in the prop, you didn't
:14:42. > :14:46.let that phase you, on with the dance. It was a great start and a
:14:46. > :14:56.great dance! Well done. You are getting into it now! You
:14:56. > :14:58.
:14:58. > :15:02.Alesha? Chicago is one of my favourite musicals, sexy, feisty,
:15:02. > :15:06.dangerous. You were definitely sexy and I could see the actress
:15:06. > :15:09.emerging in you, especially when you were behind the bar, fantastic.
:15:09. > :15:14.I was hoping it would be a little more feisty and I don't know if it
:15:14. > :15:19.was when your skirt got caught in your heel, but it lost a little bit
:15:19. > :15:26.of intent for me. Just at that section, but you picked it up.
:15:26. > :15:30.right then. Bruno? Don't worry, Holly Smoke, you got me going!
:15:30. > :15:36.Tantalising. I want to be a criminal! Everybody can queue up to
:15:36. > :15:39.join you in jail. You are a gorgeous girl and I love the way
:15:39. > :15:45.you approach your dance. Of course, there was an incident, and because
:15:45. > :15:52.of that, after a turn, you lost a bit of balance, but God you've got
:15:52. > :16:00.promises. Plenty! Tell you one thing, Bruno, I don't
:16:00. > :16:02.think you'll be on a promise! Craig? I really like the bold,
:16:02. > :16:06.strong story-telling, thought it was full of drama and drive. I
:16:06. > :16:10.would have liked to have seen a lot more tension however throughout the
:16:10. > :16:16.entire body. Also, cleaner and sharper, finishing lines. That's
:16:16. > :16:20.what makes a tango interesting. But what I think is fantastic is
:16:20. > :16:26.getting out of the costume scenario, it was a bit messy but you got out
:16:26. > :16:31.of that beautifully. And I very much enjoyed it so thank you.
:16:31. > :16:41.Wonderful, Holly, be proud about that. Well done Holly and Artem.
:16:41. > :16:45.
:16:45. > :16:50.Come on Hols, what a smouldering first act! Good job Artem
:16:51. > :16:54.remembered the key though, so relieved! Kicking off the Broadway
:16:54. > :16:58.special in front of ten million viewers, a standing ovation in a
:16:58. > :17:03.packed house. Not bad is it? It's a great start. Wonderful. Holly or
:17:03. > :17:08.Roxie should I call you? Roxie for today. Roxie for today. Artem
:17:08. > :17:13.sometimes gives you a hard time in training. Was it quite satisfying
:17:13. > :17:17.No, he's a delight! Have you seen the terminator in action. Was it
:17:17. > :17:27.satisfying to wipe him out at the end? I did enjoy killing him.
:17:27. > :17:41.
:17:41. > :17:47.Revenge is sweet. Let's hope the Great score. Very strong start for
:17:47. > :17:51.Holly and Artem. Jot down the number and call later in the show
:17:51. > :17:57.if you think Holly should get a repeat performance next week. Don't
:17:57. > :18:01.call until we tell you lines are open. The couple with the lowest
:18:01. > :18:04.combined judges' scores and fewer votes will be Leighing the
:18:04. > :18:14.competition. We are running on with the show. Back to Bruce.
:18:14. > :18:15.
:18:15. > :18:19.The next couple, Dan Lobb and his partner Katya Vishilas. Dan was
:18:19. > :18:24.telling me all about being a breakfast presenter. He said, all
:18:24. > :18:28.you have to do is get yourself in front of a camera and read all the
:18:29. > :18:34.words on the autocue. I said, really, I said, that's so simple,
:18:34. > :18:39.any idiot could do it. He said yes, Bruce, you do.
:18:39. > :18:47.If he was 12 inches shorter, I'd belt him one. Anyway, here they are
:18:47. > :18:52.in training. I was super happy with the
:18:52. > :18:58.performance. We didn't mess up any tricks or lifts and I tried to give
:18:58. > :19:06.it as much as I could. You were swinging her round like a bag of
:19:06. > :19:12.cement. It was lumcesuous. Craig's going to continue making up
:19:13. > :19:19.words, he's going to lose some credibility. He doesn't have any
:19:19. > :19:24.credibility, so he should just carry on. What we are doing now is
:19:24. > :19:29.called the fleckerl. No, you are like Craig, making this up. It's
:19:29. > :19:33.been another hard week. The hours on day break have caught up with me
:19:33. > :19:40.a little bit. My hip flexer. I should be taking more care of my
:19:40. > :19:46.body than I am. I'm not getting any younger. A twing. This week, the
:19:46. > :19:52.music is uplifting. -- twinge. Katya's an actress so I'll take a
:19:52. > :20:00.lot of tips from her. Yes, I can act. Look at this!
:20:00. > :20:06.Then back to that! I've got some tall ens there... I think.
:20:06. > :20:16.Dancing the vee niece waltz, Dan Lobb and Katya Vishilas -- vee
:20:16. > :20:16.
:20:16. > :21:56.Apology for the loss of subtitles for 180 seconds
:21:56. > :22:00.Lovely, lovely. You needed a rest. That's a
:22:00. > :22:05.strenuous dance, that. The Viennese waltz is a killer, really is.
:22:05. > :22:08.Beautiful. Even loved it. Alesha? Dan, you have so much potential in
:22:08. > :22:11.your ballroom dancing and certainly look so much more comfortable in
:22:12. > :22:16.hold. To be honest, generally, you move well around the floor, but I
:22:16. > :22:20.would have liked to have seen a bit more fluidity overall in your
:22:20. > :22:23.movement, it just gets a little bit stop-starty. But generally you move
:22:23. > :22:30.well and I think you will get better.
:22:30. > :22:34.A bit stop-starty. Bruno? Damn, this is Somebody To Love, Queen,
:22:34. > :22:39.the emotional musical little, this song should carry you into another
:22:39. > :22:44.world and you look like a casual acquaintance of Katya. You should
:22:44. > :22:48.be on her tighter and maybe it's because I had the privilege of
:22:49. > :22:56.working with Freddie Mercury, for me, you didn't really capture this
:22:56. > :23:01.at all, the spirit of the song. It was adequate, but for me, I wanted
:23:01. > :23:06.a much more love and intensity into it. It's not terrible, but a
:23:06. > :23:11.personal thing. Now then, Craig? You have an awkward nature about
:23:12. > :23:16.you, generally. The first hold, in that first arm thing, something
:23:16. > :23:19.went wrong there, I don't know what that was meant to be. You don't
:23:19. > :23:22.dance between steps and I mean, when you're in the in hold and when
:23:22. > :23:26.you're out of hold, you stop dancing, you stop dead, you've got
:23:26. > :23:31.to continue the dance all the way through the movement. Hand shapes,
:23:31. > :23:36.you need to look at. Your shoulders half way through started rising
:23:36. > :23:41.further until you had no neck at the end.
:23:41. > :23:46.And the standing spin was also very flat. You needed to get up on your
:23:46. > :23:52.toes. Len, control yourself?! come to praise Dan, not to bury
:23:52. > :23:57.him! Oh, yes! I thought your frame was
:23:57. > :24:02.good, footwork overall was good. You're a very tall chap and it's
:24:02. > :24:07.difficult. You're not an actor, you know, some of these judges want too
:24:07. > :24:11.much. It's Broadway Week. You are supposed to interpret a character.
:24:11. > :24:16.OK, hold your horses old sausage, will ya! OK, you are not the
:24:16. > :24:20.greatest actor of a dance, but you're all trying to get through
:24:20. > :24:25.the dance as best you can and I think that's what you did. So well
:24:25. > :24:29.done. Thanks, listen. And it's only week
:24:29. > :24:38.two. Off you go. We thought it was great, Dan.
:24:38. > :24:43.Off you go, up those stairs. APPLAUSE
:24:43. > :24:48.Go, Dan! Star turn tonight. You are a leading man on Broadway. How did
:24:48. > :24:54.it feel? Felt good. This one felt like we were actually dancing.
:24:54. > :24:59.the drama and the romance, we don't get to see that on Daybreak, do
:24:59. > :25:04.you? If you look closely, there's something between me and my
:25:04. > :25:09.colleague on a daily basis. He's not showbiz but he's getting there.
:25:09. > :25:19.Give it your best and see what happens. The scores are in!
:25:19. > :25:33.
:25:33. > :25:37.24. Happy with that? Yeah. number to call is on the screen:
:25:37. > :25:41.If you're desperate for Dan to grace the dance floor next week,
:25:41. > :25:47.ring. You would like that, Dan, wouldn't you? Of course, who
:25:47. > :25:53.wouldn't?! Back to Bruce. For our next couple, Anita Dobson and her
:25:53. > :25:59.partner, Robin. Lovely Anita. Gorgeous.
:25:59. > :26:05.Let's find out how a West End star's been getting on with a
:26:05. > :26:10.Broadway Jive. Here they are in training.
:26:10. > :26:18.Last week, I felt disappointed in myself because I felt I could have
:26:18. > :26:24.done better. I looked like a little doll on acid.
:26:24. > :26:31.It was like Bonnie Langford being chased by a dalmatian. It's good to
:26:31. > :26:37.be having that stuff pointed out. We are doing a jive to a song from
:26:37. > :26:44.hair spray. You are going to so be in hair spri. As a cleaner...
:26:44. > :26:50.help her get in the mood, who help better to help her than Leanne
:26:50. > :26:55.Jones from Hair spray, the movie. She was adorable and brought us a
:26:55. > :26:59.goody bag. We need a blue bow as well. Getting into the hair spray
:26:59. > :27:04.spirit. Leanne being here I think is what I personally needed. She
:27:04. > :27:11.actually could explain what it felt like to perform that number. This
:27:11. > :27:17.is the chorus, motion on the ocean or the sun in the sky. Leanne's
:27:17. > :27:21.given an extra charge that we needed. You can't stop the beat...
:27:21. > :27:25.Can't wait to see how they do on Saturday, hopefully tens all round.
:27:25. > :27:31.I hope we do OK and whatever happens, we are going to sell to it
:27:31. > :27:41.the hilt! Dancing the jive, Anita Dobson and
:27:41. > :27:41.
:27:41. > :29:25.Apology for the loss of subtitles for 180 seconds
:29:25. > :29:34.CHEERING AND APPLAUSE Look at these people, look! Anita,
:29:34. > :29:39.look at these people. Well done, Anita. Why didn't you
:29:39. > :29:43.have a jive night at the Queen Vic, you would brighten them all up, so
:29:43. > :29:45.miserable there. You have brightened it all up. Your
:29:45. > :29:49.performance level and character essentially is always great. The
:29:49. > :29:53.thing though, on the jive, you have to be a little sharper and your
:29:53. > :29:57.timing sometimes wasn't quite there. Maybe you were taken by his quiff,
:29:57. > :30:07.looks like dancing with a cockatoo. A bit more precise and cleaner on
:30:07. > :30:12.
:30:12. > :30:17.the kicks and flicks, yes. For me I thought it was messy. On
:30:17. > :30:21.the kicks and the flicks you have to straight.your legs, point your
:30:21. > :30:24.toes. Pick up your feet a little more, but I loved the
:30:24. > :30:34.characterisation, I thought that was brilliant! APPLAUSE
:30:34. > :30:35.
:30:35. > :30:42.Now, then, Len? Three words, fun, energy ic, tern takening! APPLAUSE
:30:43. > :30:48.And, we'll finish up with you, Alesha? I don't think the people at
:30:48. > :30:52.home will give two hoots that you didn't point you toes. You came out,
:30:52. > :30:58.performed it, it was entertaining and you lit up the room and you
:30:58. > :31:03.should be proud! You're a dramatic actress, I'm so proud of you, the
:31:03. > :31:12.way you had a go. Thank you again, off you go, the pair of you, lovely.
:31:12. > :31:19.Off you go! APPLAUSE Come on, you two! Just tell me
:31:19. > :31:27.where you have hidden robin? It is his alter e gorbgs o.
:31:27. > :31:32.Our leading lady, -- It is his alter ego.
:31:32. > :31:38.Our leading lady, did it help? did help, but I need to work more
:31:38. > :31:44.on my technique. Well, the jive is the quickest
:31:44. > :31:54.dance so far, how did you find it? He dances so fast on his feet.
:31:54. > :32:03.
:32:03. > :32:13.You didn't break a sweat, Anita! 27 out of 40, happy with that?
:32:13. > :32:15.
:32:15. > :32:20.bad. Now, remember, one celebrity must
:32:20. > :32:25.leave the competition, they all have to put in show-stopping
:32:25. > :32:33.performances tonight. No pressure, guys.
:32:33. > :32:39.No-one wants to flop on Broadway, isn't that right, Bruce? That is so
:32:39. > :32:47.right, Tess, well, I can't hear, can I? There is another famous
:32:47. > :32:52.Jones here tonight, my famous singer Jack Jones! APPLAUSE
:32:52. > :32:58.He is over here for a few weeks. Welcome, Jack, it is always lovely
:32:58. > :33:01.to see you in this country. Now, for our next couple, Alex Jones and
:33:01. > :33:07.her partner, James. APPLAUSE
:33:07. > :33:11.Now, during her routine last week, Alex sat on John Prescott's lap! I
:33:11. > :33:17.told Alex that John had to go to the hospital after the show. She
:33:17. > :33:23.asked if she had hurt him, but I said no, no, he needed a plastic
:33:23. > :33:28.surgeon to get the smile off his face. We don't see him smile much,
:33:28. > :33:33.do we? No! Here they are in training.
:33:33. > :33:37.After her left and right problems, Alex is finally heading in the
:33:37. > :33:43.right direction. Alex, you can dance, you just have
:33:43. > :33:48.to believe it. Nobody has said that to me. I'm not convinced yet. No,
:33:48. > :33:54.you are not. Controlling the nerves is an issue.
:33:54. > :34:02.We have having fun in the studio and she gets into here and it is
:34:02. > :34:09.like... Skapgs scream! ALEX NEVER SPEAKS ABOUT BEING Alex never
:34:09. > :34:12.speaks about being nervous in the training room. I have been going to
:34:13. > :34:22.skpreem tactics. I really don't want to go in here.
:34:23. > :34:23.
:34:23. > :34:30.Are you nervous? Jirbgs if I go wrong, try leaving! Don't you do it.
:34:30. > :34:34.I will kill you. I was terrified, standing in the wings, but I really
:34:34. > :34:38.enjoyed it. Not many people can say that they have danced on the West
:34:38. > :34:43.End stage. They all started standing up. I thought they were
:34:43. > :34:48.leaving, but they stood up and clapped. I'm so pleased that is
:34:48. > :34:58.over. Maybe we can do it every week, well, not every week.
:34:58. > :35:20.
:35:20. > :35:30.-- dancing the Viennese waltz, Alex MUSIC: Memory
:35:30. > :35:30.
:35:30. > :36:46.Apology for the loss of subtitles for 180 seconds
:36:46. > :36:56.CHEERING AND APPLAUSE That was great! Look, leek here,
:36:56. > :37:05.look behind. It was great. When you did that at the end, I thought that
:37:05. > :37:09.AnneWiddecombe was coming out! Craig? That was clever, James, that
:37:09. > :37:13.was simple, uncomplicated, she is in hold, it gives her ever
:37:13. > :37:17.advantage. The only thing I would say is I would like to see it be a
:37:17. > :37:22.little more daring, that is the only thing, but I have to say I
:37:22. > :37:28.loved it. I really loved it. Craig loved it! Settle for that.
:37:28. > :37:33.Don't go any further. Len? It was simple, but it was simply
:37:33. > :37:38.beautiful! Thank you. I know the rugby, the Welsh rugby
:37:38. > :37:44.team didn't win, but I tell you, tonight you're a winner. That was
:37:44. > :37:49.great. Beautiful. I saw a tear in Len's eye, there,
:37:49. > :37:55.Alesha? Absolutely beautiful, Alex. For me, you are the most improved
:37:55. > :37:58.tanser. You looked elegant. Dreamy, you kept your composure, you told a
:37:58. > :38:04.story, it was wonderful. Lovely.
:38:04. > :38:08.Bruno? Alex, those open figures, it was like watching a magical bird,
:38:08. > :38:15.stretching its wings for the first time, ready to take flight and
:38:15. > :38:18.taking us all into a wonderful, wonderful ride. It was, as Len said,
:38:18. > :38:21.absolutely beautiful in its simplicity.
:38:21. > :38:27.Thank you. I would settle for that. You can't
:38:27. > :38:37.ask for more. Get off quick before they change their mind! Off you go!
:38:37. > :38:38.
:38:38. > :38:43.APPLAUSE Come on, Alex! Wow! Unforgettable!
:38:43. > :38:50.Thank you, Tess. Alesha says most improved. Do you
:38:50. > :38:56.remember where you were a couple of weeks ago? Well, Bambi! James is a
:38:56. > :39:01.great teacher. What do you think, James? I agree!
:39:01. > :39:05.About Alex's progress? She has improved immensely. When she said
:39:05. > :39:08.she had never danced, I thought everyone has danced before, but I
:39:08. > :39:18.realised she had not. She has come a long way.
:39:18. > :39:28.Come a long way in a short time! The scores are in! Ladies and
:39:28. > :39:32.
:39:32. > :39:37.gentlemen the judges have their Yes! What about that, then? 32. You
:39:37. > :39:47.have to start believing now. You are a dancer. Well done, Alex and
:39:47. > :39:51.
:39:51. > :39:59.James. Come on!
:39:59. > :40:09.Now, don't go dialling yet as the lines are not open.
:40:09. > :40:14.Right, next up. Next up we have Rory Bremner and his partner Erin.
:40:14. > :40:20.Do you know, Rory even does great impressions of sportsmen. I said
:40:20. > :40:26.what about Wayne Rooney? Can you do an impression of him? He said yes,
:40:26. > :40:31.he kicked me in the shins! Come on, that was a good joke! I'm waiting
:40:31. > :40:41.here! That's it, now the applause should have stopped... Then! Right!
:40:41. > :40:47.
:40:47. > :40:51.Here they are, in training Rory Rory left a lasting impression on
:40:51. > :40:56.the judges but for all of the wrong reasons.
:40:56. > :41:03.You were wrong. It was like a sticky strip.
:41:03. > :41:08.He was right. Shall we go again! The thing about me, is I am a bit
:41:08. > :41:13.of a chameleon, I like to adapt and look the part, but I will have to
:41:13. > :41:19.learn to have to be a slightly calmer chameleon.
:41:20. > :41:22.No! What is that? Erin wants me to have a top hat and a cane. I get
:41:22. > :41:28.frustrated. I can't do it at this stage.
:41:28. > :41:33.I have to say to him to calm down and put all of that energy into his
:41:33. > :41:38.feet. I know I shouldn't beat myself up, that is Craig's job.
:41:38. > :41:42.This show is getting madder and madder. Last week it was John
:41:42. > :41:48.Prescott, this week it is blier blier blier, thank God it was him
:41:48. > :41:52.and not Tony. -- Lionel Blair, thank God it was
:41:52. > :42:00.him and not Tony. He knows what he is doing,
:42:00. > :42:10.hopefully on the night so will I! Dancing the quickstep, Rory Bremner
:42:10. > :42:10.
:42:10. > :43:59.Apology for the loss of subtitles for 180 seconds
:43:59. > :44:05.CHEERING AND APPLAUSE Rory Bremner! Rory, don't miss this
:44:05. > :44:10.moment. I tell you, well done. I loved the Charleston bit. Well, I
:44:10. > :44:14.tell you what, Fred Astaire did not turn in his grave, but I think he
:44:14. > :44:19.may have fidgeted a bit! Len, start us off.
:44:19. > :44:25.You, on Broadway, that was it. The right song, the right style, the
:44:25. > :44:31.right routine. Your best dance, well done, Rory! Thank you.
:44:31. > :44:34.Don't leave Erin out there. Alesha? You really enjoyed that,
:44:34. > :44:38.didn't you, Rory? You held the character of the dance from
:44:38. > :44:42.beginning to end. The timing was great, the framing was great. The
:44:42. > :44:46.quickstep is your dance. That is your dance.
:44:47. > :44:53.Erin is the best, but that was fantastic.
:44:53. > :45:01.Bruno? All of the razzle and dazzle of the great white way, Mr Showbiz,
:45:01. > :45:11.but just be care wfl the trout pout! -- but just be care wfl the
:45:11. > :45:19.trout pout! Craig? Talking about trout pout! Now, I didn't mean
:45:19. > :45:24.that! I didn't even read it, it came out of my head! I'm sorry to
:45:24. > :45:28.put a dampner on this, but the hands, you are leaning over,
:45:29. > :45:33.Redcarin and the posture is not great, but, it was full of style,
:45:33. > :45:37.it was full of panache, it was full of confidence, I think you did a
:45:37. > :45:47.brilliant job. A brilliant job, how about that! Go
:45:47. > :45:48.
:45:48. > :45:54.on, Rory, go on, Erin. Go on up those stairs! APPLAUSE
:45:54. > :46:02.Here comes the quick sterp! We tip our hat, Rory.
:46:02. > :46:05.Well, I owe it all to Erin, she is the Queen of ballroom. I owe it all
:46:05. > :46:09.to her. Did you like it up there? I loved
:46:09. > :46:14.it. It is a classic look. You inhabit the suit.
:46:14. > :46:20.It suited you. Lionel Blair helped you out. He know as little bit
:46:20. > :46:22.about Broadway, did he give you any tips? He was wonderful. He said he
:46:22. > :46:32.was more nervous than I was. Thank you very much.
:46:32. > :47:01.
:47:01. > :47:08.The number to call later: Till co-come, our ballroom guys,
:47:08. > :47:15.Robbie, Harry, Audley, Jason and Russell. And, girls, Chelsee and
:47:15. > :47:25.Nancy. It's razzamatazz time! Razzamatazz Tess! Our next couple
:47:25. > :47:25.
:47:25. > :47:29.is Lulu and her partner, Brendan Cole! Yes, now, Lulu, last week,
:47:30. > :47:34.she danced in front of a massive big mirror, nine feet tall by four
:47:34. > :47:39.feet wide. I said to her, she said to me rather, I wonder where it
:47:39. > :47:44.came from, I said my bathroom, I use it when I shave my chin!
:47:44. > :47:49.Now that's not funny. That is NOT funny. See, the good jokes you miss
:47:49. > :47:54.and that joke you have a go at me. Right, I'm getting angry now. Her
:47:54. > :48:00.they are in training. -- theer they are in training.
:48:00. > :48:10.Last week, I was nervous. Absolutely beautiful. I breathed
:48:10. > :48:11.
:48:11. > :48:15.deeply. Focused. I think it really helped me. You played it with the
:48:15. > :48:21.emotional fragility of a teenager in love whose heart was just about
:48:21. > :48:28.to be broken. What an improvement on last week. Well done. Great
:48:28. > :48:33.improvement. I'm like a cluts. week we are doing the most
:48:33. > :48:37.beautiful track of music from the Phantom Of The Opera. I can't do
:48:37. > :48:44.this, I can't. I'm not anywhere near elegant. No-one's expecting
:48:44. > :48:53.you to be Braille yant at the moment. -- brilliant. I need to
:48:53. > :49:00.change her mindset. You need to go, boom, boom, boom. Bren Brendan
:49:00. > :49:07.decided to bring in some masks today. Do you think this will give
:49:07. > :49:12.me inspiration to dance. Oh, Andrew, you've never been better. Whether
:49:12. > :49:22.she gets it on the night is another story.
:49:22. > :49:22.
:49:22. > :50:58.Apology for the loss of subtitles for 180 seconds
:50:58. > :51:05.Dancing the rumba, Lulu and Brendan CHEERING AND APPLAUSE
:51:05. > :51:12.Yeah, you did it, baby! Lovely, Lulu. Well done, my darling, well
:51:12. > :51:16.done. Look at them here! Oh! And the music and the singing, it was
:51:16. > :51:19.all so beautiful. Magical, thank you so much, guys, just amazing.
:51:19. > :51:24.And the singing was gorgeous. Absolutely. All right, we are going
:51:24. > :51:28.to start off with you, Alesha? felt really nervous for you, but
:51:28. > :51:31.you did it again, a great story and you told it brilliantly. It was
:51:31. > :51:39.romantic and you played it with sensitivity and you are elegant.
:51:39. > :51:43.Don't let me hear you say that again! You are very elegant.
:51:43. > :51:47.can't believe how good you are playing that person being seduced
:51:47. > :51:51.by the dark, is she going to give in and deliver at the end of the
:51:51. > :51:55.story. I was expecting a rock chick and you are so lyrical and fluid.
:51:55. > :52:02.You missed a few passes because the choreography was very, very
:52:02. > :52:09.difficult, but otherwise, very well done. Thank you. Thank you.
:52:09. > :52:12.about you, huh?! Craig? Illegal lifts will not be tolerated, I'm
:52:12. > :52:16.afraid, and will be penalised and I think you are playing with fire. I
:52:16. > :52:22.think you're doing your celebrity a disservice by putting them in.
:52:22. > :52:25.Otherwise everyone can do it. are, from your point of view with
:52:25. > :52:30.that music, would you have done anything other than that? Yes, I
:52:30. > :52:36.would have stuck to the rules. Actually, you know what happened,
:52:36. > :52:41.Craig... They're the rules of ball rooment -- ballroom. We talked
:52:41. > :52:47.about it and discussed it and that was the best thing for the dance.
:52:47. > :52:53.My granddaughter wanted it in, she watched us when we did it and went
:52:53. > :52:57."yeah", so we wanted it in. Len? You have to break eggs to make an
:52:57. > :53:02.omelette and sometimes you have to break rules to make a routine
:53:02. > :53:08.complete and that's what you did. Thanks, Len. Every week you've got
:53:08. > :53:18.better and better. Well done. are getting better and better.
:53:18. > :53:27.
:53:27. > :53:30.Emotion and story-telling. Hello, Broadway! Here I come...
:53:30. > :53:40.A Phantom-inspired rumba, the dance of love. Who thought you two would
:53:40. > :53:44.be doing that a few weeks ago? Patrick Swayze. I feel like
:53:44. > :53:49.Jennifer Gray. That's where we went wrong, she was in the wrong
:53:49. > :53:52.blooming musical. It didn't go wrong, that's the point. It's so
:53:52. > :53:56.inspiring, Phantom Of The Opera, the choreography and to teach Lulu
:53:56. > :54:01.it, I had a great time, thank you very much. You said you couldn't do
:54:02. > :54:11.it, you did it Lulu, you go, girl, the scores are in! The judges have
:54:12. > :54:25.
:54:25. > :54:31.It's a decent score. Call when the phone lines open later if you want
:54:31. > :54:35.Lulu to come back for an encore next week. How does that sound?
:54:35. > :54:42.granddaughter would love it. Ready for more star turns, ladies and
:54:42. > :54:51.gents? They're off. Ready, Brucie? Next tonight is Nancy Dell'Olio and
:54:51. > :54:56.her partner, Anton. Now, Nancy came to my dressing room
:54:56. > :55:00.earlier today and said, I'm very upset, Bruce, everyone thinks I
:55:00. > :55:09.fancy you. It isn't fair. I said, can't we talk about this later,
:55:09. > :55:15.Nancy, there isn't enough room for us in this wardrobe. She was all
:55:15. > :55:23.over me. I hate to be hunted. Anyway... I love to be hunted
:55:23. > :55:28.really. But here they are in training.
:55:28. > :55:34.Everybody will see what happen tonight. Last week, I felt very
:55:34. > :55:39.proud. Not because it was perfect, it was not perfect. I didn't look
:55:39. > :55:44.down at any stage, but I could feel there was a bit of kicking and
:55:44. > :55:52.smuttering going on. I loved it, for the judges it was another story.
:55:52. > :56:02.Absolutely no idea where you went. What counts is the people loved it.
:56:02. > :56:02.
:56:02. > :56:05.Pull me up... This week, we are doing tango from a musical. If you
:56:05. > :56:10.try to resist, I'm going to use this. I'm trying to take control.
:56:10. > :56:15.No, we do this first... No, we do this first. You can go your own way.
:56:15. > :56:18.At the end, because he's very smart, he knows that my ideas are better.
:56:18. > :56:25.I'm going to invite the Italian ambassador to come to see the show.
:56:25. > :56:29.You get your guest list sorted out, I'll do the choreography. I haven't
:56:29. > :56:33.gone with her ideas because they're rubbish. Don't get me wrong, I
:56:33. > :56:43.don't mind her way. Your feet near my head? Are you mad?! She's not
:56:43. > :56:44.
:56:44. > :56:54.the right one. It's impossible. Dancing the tango, Nancy Dell'Olio
:56:54. > :56:54.
:56:54. > :58:40.Apology for the loss of subtitles for 180 seconds
:58:40. > :58:45.CHEERING AND APPLAUSE Come to Brucie! May I say something.
:58:45. > :58:49.You invite me to come to your dressing, I do not remember?! I
:58:49. > :58:53.mean, unbelievable, just for my reputation. There's another show
:58:53. > :58:57.going on over there! Come here, you naughty boy. I know I did invite
:58:57. > :59:07.you and you came to my dressing room No, you invite me... I know I
:59:07. > :59:17.
:59:17. > :59:24.did. We've done that! I think... You were really the tempestuous
:59:24. > :59:28.tempt res, I love the bit on the chair, peekaboo, you see me, you
:59:28. > :59:35.see me not. It actually looked like a tango and you actually looked
:59:36. > :59:44.like you can dance. Carry on this way, much, much improved! OK, OK,
:59:45. > :59:49.OK?! Gracia! Craig? I don't know what Bruno was
:59:49. > :59:57.watching. She was better. Darling, it was like a plodding mule
:59:57. > :00:05.trudging through mud. The only accents were when you threw her
:00:05. > :00:15.into her position. That is plod ck accents, they're in the music which
:00:15. > :00:25.we try to accentuate. You have to recognise an improvement when it's
:00:25. > :00:26.
:00:26. > :00:32.visible for us all to see. Len, Len, I'm sure... It was so terrible last
:00:33. > :00:42.week, anything would have been a blooming improvement. There was
:00:43. > :00:43.
:00:43. > :00:49.lots of style, but no substance. I'm so disappointed. I'm not giving
:00:49. > :00:52.him a putt again. Never ever after this. Alesha? I liked the intro,
:00:52. > :00:56.the drama, you were totally in character, I loved the story-
:00:56. > :01:01.telling, so I applaud you on that, but you knead to strengthen your
:01:01. > :01:06.body from head-to-toe but it was an improvement from last week.
:01:06. > :01:16.improvement. Don't listen to them! I'm going to make you my favourite.
:01:16. > :01:22.
:01:22. > :01:26.Thank you, Bruce. Off you go, my Come on! Come up here, you two.
:01:26. > :01:30.Magnifico, Nancy. At least there was great story telling.
:01:30. > :01:35.Yes, but he tried to finish the story.
:01:35. > :01:40.They kept talking! I tried to finish it off at the end there. I
:01:40. > :01:45.was trying to steal a kiss! Were you really? I didn't mean to
:01:45. > :01:51.interrupt that stkhrap Wow, goodness me! You were not supposed
:01:51. > :02:01.to kiss me back, what's the matter with you! I think we'll go to the
:02:01. > :02:11.
:02:11. > :02:21.20 out of 40. Which bits of the dancing worked
:02:21. > :02:21.
:02:21. > :02:31.best, then? Yours or Nancy's? Nancy's! Call later if you want
:02:31. > :02:38.
:02:38. > :02:44.Nancy to be flying around the Thank you, Tess. Time for our next
:02:44. > :02:51.couple, Audley Harrison and his partner, Natalie.
:02:51. > :02:55.Good. Now, after being in the bottom two last week can Audley,
:02:55. > :03:05.with his size subpoena shoes, impress with the quickstep? Let's
:03:05. > :03:05.
:03:05. > :03:09.find out. Here they are in training. Despite being up on the judges'
:03:09. > :03:14.scorecards... You look like you have a bit of groove going, and a
:03:14. > :03:21.bit of hip rotation. Audley just about managed to save
:03:21. > :03:25.himself from the knock-out row. Keep dancing, Edwina, keep dancing!
:03:25. > :03:29.It is Broadway, we are doing the quickstep.
:03:29. > :03:33.Our song is called Too Darn Hot. I think that Audley will be
:03:33. > :03:39.definitely feeling the heat. You know how intense your boxing
:03:39. > :03:45.training can get? Yep. I thought I would step things up a little bit
:03:45. > :03:52.this week, are you ready to sweat? Yeah, let's do it. Mr Harrisons
:03:52. > :04:02.what are you doing? We're not here to relax, we are here to dance!
:04:02. > :04:07.This is about 100 degrees, this crazy girls has me running, I'm A
:04:07. > :04:12.Celebrity Dancer and dancing in 100 degrees. You can see how hot it is
:04:12. > :04:17.here. I am working really hard. This week we don't want to be in
:04:17. > :04:27.the bottom two. No pain no, gain! Dancing the quickstep, Audley
:04:27. > :04:27.
:04:27. > :06:11.Apology for the loss of subtitles for 180 seconds
:06:11. > :06:17.Audley! Well done. Thank you.
:06:17. > :06:23.You did a great job there. You are right, it is too darn hot
:06:23. > :06:27.in here as well. Craig, start us off? The timing was out in the
:06:27. > :06:32.beginning. All of the Charleston sections you have to put a lot more
:06:32. > :06:36.energy in to. It let the side down. I thought it was much, much lighter
:06:36. > :06:41.than I had anticipated. I thought you would come out heavy,
:06:41. > :06:45.but I really loved all of the acting through it. Well done.
:06:45. > :06:49.Great. Great. Len? This was a little dangerous,
:06:49. > :06:58.that little slide through, you could have ruined your prospects
:06:59. > :07:03.there! Now, listen, it is a dance to, which, from up the top you are
:07:03. > :07:13.joyful and full of verve, but it is from the waist down you have to get
:07:13. > :07:19.better in the footwork, but I have to say, I agree with Craig, ha-ha!
:07:19. > :07:22.I do agree with him. Alesha? There was a lot of great
:07:22. > :07:26.footwork, I clearly commend you for that. You have the right attitude
:07:26. > :07:31.for the competition, you are a hard worker, but work on the feet and
:07:31. > :07:37.get a bit of spring in your step, but for a big guy, you didn't do
:07:37. > :07:47.too bad. Come on, I think he did incredible
:07:47. > :07:48.
:07:48. > :07:55.serve boards and he has to navigate one of the most difficult dances in
:07:55. > :08:03.the ballroom show. He did remarkably well.
:08:03. > :08:08.Audley, you did very well. You are my favourite. You are my favourite
:08:08. > :08:14.too! Come on, then. Yes, Audley. Come on, my love. Too darn hot it
:08:14. > :08:20.looked darn quick! Well done. You are a huge heavyweight boxer, you
:08:20. > :08:24.are not used to moving your feet that quick? Not at all. I did say
:08:24. > :08:30.at some point I would trip over my feet. That was today.
:08:30. > :08:35.Is it true, you are now back to your fighting weight? I am coming
:08:35. > :08:45.close. I have lost a stone. It is getting Strictly Fit. The
:08:45. > :08:58.
:08:58. > :09:03.Bottom two last week, Audley, you don't want to thereby again, do
:09:03. > :09:13.you? No. We don't. We tried to work really hard this week. I feel good
:09:13. > :09:15.
:09:15. > :09:24.about the dance. Go on, Audley, give it some.
:09:24. > :09:29.Now, our next couple is Robbie Savage and his partner, Ola Jordan.
:09:29. > :09:36.Now last week Robbie got a standing ovation. He was over the moon. I
:09:36. > :09:42.said to him when was the last time you saw a crowd stand up and cheer
:09:42. > :09:47.like that, he said when he got sent off! He told me he used to carry a
:09:47. > :09:52.red card in his pocket, in case the referee forgot his. I thought I
:09:52. > :09:59.would say that, I don't know why. It is like working in one of those
:09:59. > :10:05.rotten clubs. Any way, here they are in training.
:10:05. > :10:11.# Today this could be # The greatest day much our lives...
:10:11. > :10:15.# I have to say that was one of the best nights of my life. You little
:10:15. > :10:23.beauty! I'm telling you! I thought Robbie was going to start crying.
:10:23. > :10:28.It was really lovely for him. was showbiz and I loved it.
:10:28. > :10:32.judges' scores have given me the belief I can get up to 29. Can I
:10:32. > :10:36.continue that? I will have to wait and see.
:10:36. > :10:43.We had Robbie's kids coming into training. They were so sweet.
:10:44. > :10:49.Seeing the kids gave me a massive lift. This week we're dancing the
:10:49. > :10:55.tango. One, two! I cannot spin. That is horrible. Even one spin, I
:10:55. > :11:01.don't know where I am. This could turn into Sickly Come Dancing! I am
:11:01. > :11:08.a bit of a big girl's blouse! never heard anyone mooning so much.
:11:09. > :11:15.It is hard this week. Seriously. Hard, mate. Knackered! Is he
:11:15. > :11:22.telling you how hard it is? That's all I hear all day! This is
:11:22. > :11:26.incredibly hard! Dancing the trangow, Robbie Savage and Ola
:11:26. > :11:36.Jordan. -- dancing the tango, Robbie Savage
:11:36. > :11:36.
:11:36. > :13:15.Apology for the loss of subtitles for 180 seconds
:13:15. > :13:22.Robbie! Look, two weeks running! You did it again, son! Ola, what
:13:22. > :13:26.are you doing to this man?! Right, Len, start us off, please? Robbie
:13:26. > :13:30.the Savage attacks the tango. You did. You came out with great intent
:13:30. > :13:34.it was full of attack and aggression, which is basically what
:13:34. > :13:38.the tango is about. You were saying it is hard, it is hard. No-one said
:13:38. > :13:43.it is easy, this process. It is hard. You have to work and get
:13:43. > :13:48.through it, but I tell you what, that was a great effort. Well done.
:13:48. > :13:52.Thank you. Alesha? Yes, Robbie, you should be
:13:52. > :13:56.proud. This dance suits you, bundles of attitude and passion.
:13:56. > :14:00.You came out and strode around the floor with intent and determination,
:14:00. > :14:07.you are fast becoming one of the strongest contenders in this
:14:07. > :14:15.competition. Bruno? Robbie, what can I say?
:14:15. > :14:25.Mamma Mia! Here you go again! How can I resist you?! Stronger and
:14:25. > :14:26.
:14:26. > :14:30.CHEERING AND APPLAUSE Do you know the rest of that?
:14:30. > :14:34.now! I can carry on if you want though. I could have done without
:14:34. > :14:43.all that singing, darling. Full of aggression, Len's absolutely right,
:14:43. > :14:53.it was full of purpose, had attack, it was assertive. Well done. Robbie,
:14:53. > :15:01.
:15:01. > :15:08.You're a contender now! Strictly Come Dancing here we come! Was it
:15:08. > :15:16.hard? Yes, but as Len said, I've got to get better. These are great
:15:16. > :15:26.people here. You are Robbie Savage's hard man from football and
:15:26. > :15:43.
:15:43. > :15:49.here you are dancing to Abba. Better than last week. Pick up the
:15:49. > :15:52.phone later and call to keep them in and you want Robbie to dance
:15:52. > :15:56.again. Show us your teeth, Robbie. There
:15:56. > :16:00.they are! Still to come, Russell and Jason
:16:00. > :16:03.and Harry give their regards to Broadway, yes!
:16:04. > :16:07.But will they get critical acclaim from the judges? We'll find out.
:16:07. > :16:14.Back to Bruce. Thank you, Tess. Our next couple is
:16:14. > :16:20.Russell Grant and his partner, Flavia!
:16:20. > :16:24.Now, after two weeks of impressing the judges with his moves, can
:16:24. > :16:30.Russell shine with the foxtrot? I wouldn't be at all surprised. Here
:16:30. > :16:34.they are in training. Last week, Russell embraced his
:16:34. > :16:40.role as high Queen of the dance floor and I think he enjoyed
:16:40. > :16:48.himself! Oh, was I in my element, it was like having porridge with
:16:48. > :16:52.maple syrup. It was that delicious! You put the boy in flamboyant.
:16:52. > :16:57.I'll take boy! I'll take flamboyant!
:16:57. > :17:03.Absolutely loved it. Fantastic. A standing ovation again. Amazing.
:17:03. > :17:09.When you are doing a number like Don't Rain On My Parade, you
:17:09. > :17:14.shouldn't be in a place like this. Don't stay there, come with us. How
:17:14. > :17:24.are you, darlings? The Savoy. I played this one. We can't even go
:17:24. > :17:24.
:17:24. > :17:29.shopping now without breaking into a cha-cha-cha. It's it divine!
:17:29. > :17:35.Welcome to my world, Flavia, darling. Give me a theatre and I'm
:17:35. > :17:40.so happy. Oh! It's just so fantastic. How have I lived without
:17:40. > :17:47.all this for so many years? Just makes you want to go into a number,
:17:47. > :17:57.doesn't it?! Dancing the foxtrot, Russell Grant
:17:57. > :17:57.
:17:57. > :19:35.Apology for the loss of subtitles for 180 seconds
:19:35. > :19:45.CHEERING AND APPLAUSE What about him?! You've done it
:19:45. > :19:46.
:19:46. > :19:53.again, Russell, look! Look at them. A superstar is born! Oh absolutely,
:19:53. > :19:59.can't stop smiling, oh, what can I say? Do you sell ice-creams?!
:19:59. > :20:03.Alesha? Showbiz, Broadway, ballroom, what can't Russell do?! You are my
:20:03. > :20:06.guilty pleasure, I absolutely adore you and I just want to say, it's so
:20:06. > :20:12.refreshing to have a celebrity contestant who's so positive and
:20:12. > :20:18.grateful to be in this competition. No, I love that. He never moans
:20:18. > :20:23.ever! He's a sweetheart. You are right? Russell, you have the
:20:23. > :20:31.uplifting quality of blazing sunshine. It was a very good
:20:31. > :20:39.foxtrot. You went from funny girl to gypsy Rosie Lee. You did it
:20:39. > :20:46.beautifully. I tell you, I've enjoyed it so much. Thank you!
:20:46. > :20:56.then, Craig. Don't look so severe? I would advise a more masculine
:20:56. > :21:07.
:21:07. > :21:11.Excuse me... Pot and the kettle! little less Barbie and a little
:21:11. > :21:21.more Rambo. You were like a little white cloud drifting across the
:21:21. > :21:21.
:21:21. > :21:27.floor and your little yellow dicky was the sun! Last week you put the
:21:27. > :21:36.boy in flamboyant and this week you put the show in show business.
:21:36. > :21:46.Len, thank you, thank you, very kind, thank you. Go on, everybody
:21:46. > :21:55.
:21:55. > :21:59.APPLAUSE I don't think anyone could rain on
:21:59. > :22:04.your parade right now, Russell, I really don't. No, no, I just love
:22:04. > :22:10.it. I just love everyone out there! I love everyone in here. It just
:22:10. > :22:14.gets better and better doesn't it, musical theatre, right up your 4
:22:14. > :22:19.2nd Street? It was. I had a funny do in the middle, I wanted to
:22:19. > :22:24.become Barbara Streisand and sing the number, you I thought to myself,
:22:24. > :22:26.no, I'm just going to play in butch but it never worked! Never mind.
:22:26. > :22:36.Better luck next time. The scores are in.
:22:36. > :22:49.
:22:49. > :22:59.Ladies and gentlemen, the judges Well done, Russell and Flavia.
:22:59. > :23:05.
:23:05. > :23:08.The number to call when lines open Remember, if you want to see our
:23:08. > :23:14.celebrities face the music and dance again next Saturday, they'll
:23:14. > :23:19.all need your votes. Back to you, Brucie.
:23:19. > :23:28.Now, time for our next couple, Jason Donovan and his partner,
:23:28. > :23:32.Kristina. For tonight's dance, Jason is
:23:32. > :23:37.taking his inspiration from Priscilla, Queen Of The Desert. He
:23:37. > :23:41.starred in this West End show as a female impersonator. I said, what's
:23:41. > :23:49.it like having to put women's clothes on every night, he said, it
:23:49. > :23:54.can be a bit of a drag! I love it! Love it!
:23:54. > :24:01.You're getting better! You can't get worse... Here they
:24:01. > :24:05.are in training. I have to say, I didn't expect it
:24:05. > :24:14.to go as well last Saturday, if I'm really honest. Can you be top of
:24:14. > :24:20.the leaderboard two weeks running? I think so. Getting the nine from
:24:21. > :24:25.Alesha last week was a very special moment. Well done, babe. Give me
:24:25. > :24:31.five. It's Broadway Week. We are visiting a musical in which I spent
:24:31. > :24:37.18 months in. Hello. Hello. I'm going to take Kristina to somewhere
:24:37. > :24:41.special. Kristina, I don't have to say too much. You know, welcome to
:24:41. > :24:48.Priscilla. Let's go. This week is a wonderful opportunity for Kristina
:24:48. > :24:58.to come into my world. Kristina, I'm ready. I can't believe my eyes.
:24:58. > :25:00.
:25:00. > :25:06.Dressed for the occasion, to tango. I just looked at him... There's
:25:06. > :25:11.someone I want you to meet. Priscilla. Never seen anything as
:25:11. > :25:18.camp as that.: she'll get fun, feathers, frocks and tango.
:25:18. > :25:28.I hope she has fun. Dancing the tango, Jason Donovan
:25:28. > :25:28.
:25:28. > :27:01.Apology for the loss of subtitles for 180 seconds
:27:01. > :27:07.MUSIC: I Will Survive APPLAUSE
:27:07. > :27:16.Well, there they are! Standing ovation. Oh, I tell you, that was
:27:16. > :27:21.wonderful. Come here! Come here! Absolutely great. Wonderful. Thank
:27:21. > :27:28.you. Oh! I was trying to remember, I saw you in that show dressed up
:27:28. > :27:32.as a woman. Did you, Bruce? Yes, I thought it was Dame Edna! Bruno?
:27:32. > :27:40.Jason, you will more than survive, you will thrive. Look at you,
:27:40. > :27:50.strong, powerful, aggressive, driving and then camp as Christmas,
:27:50. > :27:50.
:27:50. > :27:56.brilliantly back into character, takesing us to a fantastic ending.
:27:56. > :28:05.Fan-tas-tic! What about that? Yes, I think I can
:28:05. > :28:11.follow that with three sill billions stu-pen-dous.
:28:11. > :28:16.I'll call you the midwife because you keep delivering!
:28:16. > :28:25.Good one! That's a great one. Alesha? Incredible tango with a
:28:25. > :28:31.twist. Kristina, so clever, Jason keep blowing me away, well done.
:28:31. > :28:39.Kristina was spot on, spot on. you go. Be proud! Thank you so much.
:28:39. > :28:44.Thank you. Wow! That was fantastic. Amazing.
:28:44. > :28:49.Audley's left his high heels over there on stage!
:28:49. > :28:53.About a size 70! Strictly leading man, Strictly
:28:53. > :28:57.Broadway special, this is home from home for you, isn't it? Look, the
:28:57. > :29:02.audience just drive you every night and people at home, for all their
:29:02. > :29:06.support, has been absolutely amazing, but I have to say,
:29:06. > :29:12.Kristina's choreography tonight was spot on in terms of the change of
:29:12. > :29:15.character, you know, it's trying to find the theme in the song, but I'm
:29:15. > :29:19.amazed. Thank you. Thank you so much. Top of the leaderboard for
:29:19. > :29:29.two weeks, do you think you did enough to do it again? I don't know.
:29:29. > :29:42.
:29:42. > :29:49.The scores are in! Time to get the 36 out of 40! It's looking like it
:29:49. > :29:55.might be a hat trick! Call when the lines open later in the show if you
:29:55. > :29:58.want the boy from oz to survive into next week and dance again! In
:29:58. > :30:03.tomorrow's result shows, we'll see the second couple leave the
:30:03. > :30:07.competition. Don't worry yet, still two star turns to come, Chelsee and
:30:07. > :30:13.Harry, but will they bring the house down? Let's find out, brutey.
:30:13. > :30:23.We'll find out, Tess. Don't worry. Next up, it's Chelsee Healey and
:30:23. > :30:29.
:30:29. > :30:39.Now, Chelsee is very young and trendy. She told me she went to see
:30:39. > :30:46.that wonderful mblgal, Wicked! I said how was it? She said Wicked!
:30:46. > :30:49.She just kept on. Wicked! Now, I can't stop myself! Here they are in
:30:49. > :30:57.training. Before the show I was feeling very
:30:57. > :31:03.nervous and my legs like jelly. came out and it was full on. Calm
:31:03. > :31:08.down, dear! I think that I do get excited and it make most me lose
:31:08. > :31:16.control. So I do agree. I put my all into it, so I felt on a high
:31:16. > :31:22.after. This week it is Broadway Week, so we are doing the ch-cha.
:31:22. > :31:27.My gran loves the show and loves Pasha, so I thought I would invite
:31:27. > :31:34.her to training. I do quite like him. 7 I'm going
:31:34. > :31:41.for it. It was great to find out that her grandmother loves to dance.
:31:41. > :31:47.Now I need to keep up with the grandmothers! She is better than me.
:31:47. > :31:53.I have never, ever not once seen my gran dance properly, but she pulled
:31:53. > :32:03.it off. She was fabulous. Now I can't wait it show her the dance on
:32:03. > :32:05.
:32:05. > :32:15.Saturday night. You're my favourite! Dancing the
:32:15. > :32:15.
:32:15. > :33:47.Apology for the loss of subtitles for 180 seconds
:33:47. > :33:50.khaHcha -cha it is Chelsee Healey What happened? That was wonderful!
:33:50. > :33:57.Magnificent. There you are, Chelsee. Lovely,
:33:57. > :34:03.darling. Look at them, they adore you, that was Wicked! I can't stop
:34:03. > :34:10.myself! Right, Craig? Your timing, energy and spirit of that is
:34:10. > :34:19.absolutely fantastic! However... Oh,? It is very haphazard, very hit
:34:19. > :34:24.and miss and just too disco, sadly. She said that was OK! Len? I've
:34:24. > :34:28.just written down you need to take more attention to the details of
:34:28. > :34:34.the dance, but what I love, you come out and you give it some welly.
:34:34. > :34:43.You don't mess about. You come out and go for it. Just work on some,
:34:43. > :34:50.you know, you have a step called the Cuban greats and lovely strong
:34:50. > :34:56.footwork and Pasha, she is fidingling about. You know what I'm
:34:56. > :34:59.saying? Yes. Chelsee so close to being a great
:34:59. > :35:04.cha-cha-cha, no-one can deny that you come out and sell the dance,
:35:04. > :35:12.but the guys are right, you have to tighten up a few little things and
:35:12. > :35:16.you are a joy to dance. I love watching you! Bruno? Chelsee focus
:35:16. > :35:26.on the positive, the cha-cha-cha is cheeky, saucey and playful. You
:35:26. > :35:27.
:35:27. > :35:31.have all of that, you little tease! Right, get off quick! Pasha, you
:35:31. > :35:40.are doing a marvellous job. Up you go, there.
:35:40. > :35:45.It was tricky! Come on, my little darling. What a night, Chelsee.
:35:45. > :35:51.Alesha said you sold it and you are a joy to watch. Do you reckon that
:35:51. > :35:55.your gran is proud? I hope so. Is she watching? She is there.
:35:55. > :36:05.Pasha, you turneded in another stunning front of house performance.
:36:05. > :36:20.
:36:20. > :36:24.What do you think of her? I think Yes! 30 out of 40. A great score.
:36:24. > :36:34.Look at those legs going. I guess that means you're happy with that.
:36:34. > :36:36.
:36:36. > :36:42.The phone lines are opening later, you will get to have your say
:36:42. > :36:47.shortly. Back to you, Bruce. Finally, it is Harry Judd and his
:36:48. > :36:53.partner, Aliona. Come on, Harry. Let's have it, Harry. Now, Harry
:36:53. > :37:02.said to me earlier, he was dancing to a song from the musical, Grease.
:37:02. > :37:09.I said oh, Tell Me More, Tell Me More! Yes? Right! Oh, the last one.
:37:09. > :37:16.Here they are in training. When we came down the stairs at the
:37:16. > :37:23.beginning of the show, I saw Tom and Dudley at the front of the
:37:23. > :37:28.seating. I had to concentrate on Aliona and really concentrate.
:37:28. > :37:34.You could be fantastic. If you swing the camera around that
:37:34. > :37:44.way, you will see why it is hard for me to be interviewed.
:37:44. > :37:44.
:37:44. > :37:51.Everyone wanted to be a T-Bird once in their life. When I was 16 I
:37:51. > :38:00.auditioned to be a T-Bird but I didn't get that, so now is my
:38:00. > :38:10.chance I tri that Daniel Gimeno- Traver is a big -- I think that
:38:10. > :38:12.
:38:12. > :38:17.John Travolta is a big Strictly fan! I left Harry a note to help
:38:17. > :38:26.him come with mow and get in character.
:38:26. > :38:32., "Come prepared, Aliona .". I never thought I would be doing a
:38:32. > :38:42.jie pretending to be Danny Zuko, but I'm doing Grease and now I know
:38:42. > :38:42.
:38:42. > :38:52.how John Travolta felt. Dancing the jive, Harry Judd and
:38:52. > :38:52.
:38:52. > :40:29.Apology for the loss of subtitles for 180 seconds
:40:29. > :40:35.There they go again! Look at them. Harry, look! Did you get that after
:40:35. > :40:42.a drum solo? Never! The last four routines have been incredible. Len,
:40:42. > :40:46.what did you think of Harry? Larry, I'm impressed. Lovely sharp kicks
:40:46. > :40:50.and flicks. I would have liked a little less messing about, if I'm
:40:50. > :40:57.honest, but overall, I tell you what, I'm very impressed, and
:40:57. > :41:02.that's your best dance. Well done. Aliona, what you are doing with
:41:02. > :41:08.this guy is marvellous. Alesha? Yes, there was a lot of
:41:08. > :41:12.messing about, but I liked it. Harry, it is so good to see you
:41:12. > :41:17.letting go and having fun. When you were driving you were right on the
:41:17. > :41:24.money. I have nothing bad it say. Now we know at that Alesha like as
:41:24. > :41:30.bit of messing about. Bruno? All growsed up, leather
:41:30. > :41:40.pants, rippling muscles and action- packed expressions, I almost hate
:41:40. > :41:43.
:41:43. > :41:50.you! But... A very good performance! Thank you! Be careful
:41:50. > :41:57.of Bruno in the bar, darling! Harry, you have finaly arrived.
:41:57. > :42:07.What about that ?! Was that it? That's enough. From him that is
:42:07. > :42:12.great praise. Off you go, it was wonderful. Wonderful! APPLAUSE
:42:12. > :42:16.Well done. Harry, that was hot! Thank you.
:42:16. > :42:20.Do you reckon you might get that part of Danny Zuko if you audition
:42:20. > :42:26.for it now? Well, I had so much fun and that is the most important
:42:26. > :42:33.thing to me. It is really scary, but if you can go out there and
:42:33. > :42:37.enjoy it is the most important thing.
:42:37. > :42:41.And do you think that the jive suited you? I hope so. I had so
:42:41. > :42:46.much fun. I think it suited him, did you,
:42:46. > :42:56.ladies and gentlemen? APPLAUSE We love it, Harry, the scores are
:42:56. > :43:03.
:43:03. > :43:08.Ladies and gentlemen, the judges' 33 out of 40, happy with that? It's
:43:08. > :43:12.a great score. What do you reckon your band mates
:43:12. > :43:18.made of that routine? I think they are at home watching and hopefully
:43:18. > :43:25.cheering. Maybe a Grease covering in the
:43:25. > :43:30.future, perhaps? With me singing and dancing! Yes, do it all, Harry.
:43:30. > :43:37.Call this number if you don't want this T-Bird to fly the nest.
:43:37. > :43:42.What about you, guys? Do you want to be here next week? Yes! Right,
:43:42. > :43:47.that's it. All of our couples have given everything in our Broadway
:43:47. > :43:57.spectacular. Let's have a look the at the leaderboard. Up there in the
:43:57. > :44:02.
:44:02. > :44:12.Remember, on of course, you can change all that and it's time to
:44:12. > :44:23.
:44:24. > :44:27.have your say because the phone Line es close at 8.45 tonight. What
:44:27. > :44:32.time's that everyone? Yes, quarter to nine there, you go. Voting
:44:32. > :44:37.details can be found at www.bbc.co.uk/strictly. Behave!
:44:37. > :44:47.Right, to help you decide, I'll look after this lot, here is a
:44:47. > :44:47.
:44:47. > :48:13.Apology for the loss of subtitles for 180 seconds
:48:13. > :48:20.reminder of the show stoppers and Wow! Wow! Thank you all. What a
:48:20. > :48:24.show. Thank you. What a night. We have had a
:48:24. > :48:29.Broadway smash delivered. Sadly though, the celebrity with the
:48:29. > :48:33.lowest votes from the viewers, combined with the celebrity judges
:48:33. > :48:41.will make the final curtain call. Pick up the phone. It could all
:48:41. > :48:45.change. Nobody is safe. It could be you. Tess and Claudia will bid a
:48:45. > :48:49.fond farewell to another couple tomorrow and I'll be back at 6.25
:48:49. > :48:54.next Saturday in the ballroom. magic continues on BBC One with