:00:50. > :01:00.This is Strictly Come Dancing, the Broadway Results. Please welcome
:01:00. > :01:00.
:01:00. > :03:24.Apology for the loss of subtitles for 143 seconds
:03:24. > :03:28.CHEERING AND APPLAUSE Yes! What a great way to kick off Sunday's
:03:28. > :03:32.Strictly. Now Saturday night saw our couples
:03:32. > :03:36.make their Broadway debut, delivering high drama and dazzling
:03:36. > :03:40.dancing. You voted. The judges scored and tonight, the final
:03:40. > :03:44.curtain will fall on the couple with the lowest combined points.
:03:44. > :03:48.First, let's meet the people who like to make a song and dance about
:03:48. > :03:55.just about everything, they're our judges - Craig, Len, Alesha and
:03:55. > :03:59.Bruno! APPLAUSE
:03:59. > :04:02.We'll hear from them later. Now let's see what else is on the bill
:04:02. > :04:04.tonight with the divine Miss Claudia.
:04:04. > :04:08.APPLAUSE Thank you Tess. We have the best
:04:08. > :04:12.show in town tonight, with an exclusive performance from the
:04:12. > :04:17.stars of Footloose. Another look through Len's Lens and the legend
:04:17. > :04:21.that is Susan Boyle, right here in the studio. First, here's all the
:04:21. > :04:24.drama both on stage and back stage from Saturday night. What a night.
:04:24. > :04:28.I loved it. # Oh, what a night #
:04:28. > :04:33.I'm excited. # There's no business, like show
:04:33. > :04:43.business... Timing babe, it's all about timing. I'm starting to get
:04:43. > :04:46.
:04:46. > :04:49.Tantalising behind bars, I want to be a criminal. I saw the little
:04:49. > :04:58.thing when your heel got caught in your frock. You didn't let that
:04:58. > :05:02.faze you at all. I'm bummed out about my skirt. You have an awkward
:05:02. > :05:07.nature about you generally. that all right? It was good. You
:05:07. > :05:11.were a little bit nervous. course, something to do with live
:05:11. > :05:14.television. You moved well, but I would have liked more fluidity
:05:14. > :05:21.after all. I can't make them say nice things. There's no point
:05:21. > :05:24.worrying about it really. Three words - fun, energetic,
:05:24. > :05:28.entertaining. I'd love to see somebody else at 62 dance a jive
:05:28. > :05:35.like that, that fast. It was fantastic. I don't think
:05:35. > :05:45.anybody else could do that job. bless! You kept your composure. You
:05:45. > :05:46.
:05:46. > :05:52.told a story. It was wonderful. It was like watching a magical bird.
:05:52. > :05:57.It was simple, but very, very effective.
:05:57. > :06:04.Rory was the surprise of the night though. Yeah. Wasn't he just.
:06:04. > :06:11.best dance. Well done, Rory! Dancing-wise it's been the best
:06:11. > :06:18.night of my life. Illegal lifts will not be tolerated, I'm afraid.
:06:19. > :06:22.We're bad. Five. You have to break eggs to make an omelette and
:06:22. > :06:29.sometimes you have to break rules to make a routine complete. Seven!
:06:29. > :06:34.We're so bad. So bad. She's going to be great tonight. I can feel it
:06:34. > :06:38.in my water. It actually looked like a tango. It was like a
:06:38. > :06:46.plodding mule, truthing through mud. No, no. No comment about Craig's
:06:46. > :06:51.comments. You have to recognise an effort and improvement when it's
:06:51. > :06:55.visible. From the waist up you're joyful and
:06:55. > :07:00.full of verve. It's from the waist down. I did say at some point I
:07:00. > :07:05.would trip over my feet and today, I tripped over my feet. You've got
:07:05. > :07:10.the right attitude for this competition. You're a hard worker.
:07:10. > :07:18.You came out, strode around the floor with intent and determination.
:07:18. > :07:26.How, how, how can I resist you? can't believe it. I were dance --
:07:26. > :07:30.I'm a dancer, well, not yet. ( Eight! I would advise a more
:07:30. > :07:34.masculine approach for this particular dance. I think Craig's
:07:34. > :07:39.jealous. Last week you put the boy in flamboyant. This week you put
:07:39. > :07:43.the show in show business. When I got to my favourite bit, I
:07:43. > :07:53.so wanted to join in singing. If she's happy, I'm happy. We come
:07:53. > :07:56.
:07:56. > :08:06.together as a pair. Stu-pen-dous! I'm going to call you
:08:06. > :08:06.
:08:06. > :08:11.the midwife because you keep delivering. Nine. Nine. Nine.
:08:11. > :08:14.It's very haphazard and just too disco. I can make it not disco
:08:14. > :08:24.though. Just need to tighten up on a few little things. I love
:08:24. > :08:27.
:08:27. > :08:32.watching you dance. All greased up, rippling muscles. I love Bruno. I
:08:32. > :08:39.gave him a wink back tonight. pulled it out of the bag today,
:08:39. > :08:45.finally. Apparently I've arrived. This is good news.
:08:45. > :08:55.I don't anyone to really go home. know. My dressing room is this way.
:08:55. > :09:00.
:09:00. > :09:09.So, our 13 stars have made their Broadway debut, but who's worthy of
:09:09. > :09:12.an encore. The results are in. In no particular order, the first
:09:12. > :09:22.couple safely through to next week couple safely through to next week
:09:22. > :09:40.
:09:40. > :09:50.is... Audley and Natalie! Also safe are... Alex and James.
:09:50. > :10:02.
:10:02. > :10:12.The next couple safe is... Rory and Erin!
:10:12. > :10:23.
:10:23. > :10:33.Surviving another week are... Holly and Artem!
:10:33. > :10:45.
:10:45. > :10:55.Back on the dance floor next Saturday are... Anita and Robin!
:10:55. > :11:07.
:11:07. > :11:17.Also safe, for another week are... Robbie and Ola!
:11:17. > :11:19.
:11:19. > :11:29.And now finding themselves in the bottom two tonight and in danger of
:11:29. > :11:30.
:11:30. > :11:39.leaving the competition... Dan and Katya. The rest of you will
:11:39. > :11:43.discover your fate later on. So Len, Dan and Katya in the bottom
:11:43. > :11:48.of two. Is that a surprise? It is, do you know, I thought Dan did a
:11:48. > :11:52.really good job, with a very difficult dance. You know, it's got
:11:52. > :11:56.to have a lot of emotion about it. It's a romantic dance. In addition
:11:56. > :12:00.to that, it's quite a simple dance, just the rotation. I thought his
:12:00. > :12:04.frame was good. His foot work was good. I don't think he deserves to
:12:04. > :12:09.be where he is. APPLAUSE
:12:09. > :12:16.Thank you. Over to you Claudia. Thank you Tess. I have six over the
:12:16. > :12:22.moon couples here. CHEERING
:12:22. > :12:27.Audley, your face! Bottom two last week, was there a bit of you who
:12:27. > :12:31.thought it might happen again? Definitely. I'm so thankful to the
:12:31. > :12:36.people who have kept us in the show. Massive congratulations and you as
:12:36. > :12:43.well, Rory. You looked surprised. Len said it was your dance. Yeah,
:12:43. > :12:46.well, Erin, where's Erin, there you are! That's not Erin. What's your
:12:46. > :12:49.name again? She's so good with ballroom. I was in good hands.
:12:49. > :12:52.Everyone was nervous. The band played through the different styles.
:12:52. > :12:56.They were the heroes. APPLAUSE
:12:56. > :13:00.Absolutely brilliant. You did fantastically well. Thank you very
:13:00. > :13:04.much. Now we have a very special treat for you now. They've jetted
:13:04. > :13:08.in from America to perform exclusively for us. Please welcome
:13:08. > :13:18.the stars of the brand new Footloose movie, hof hof hof and
:13:18. > :13:21.
:13:21. > :13:31.Kenny Wormald! -- Julianne Hough and Kenny Wormald! # Where have all
:13:31. > :13:35.
:13:35. > :13:40.the good men gone the good men gone
:13:40. > :13:49.# And where are all the gods? # Where's the street-wise Hercules
:13:49. > :13:53.# To fight the rising odds? Shret # Isn't there a white knight
:13:53. > :13:56.upon a fiery steed? # Late at night I toss and I turn
:13:56. > :14:00.# and dream of what I need # I need a hero
:14:00. > :14:04.#I'm holding out for a hero 'til the morning light # He's gotta be
:14:04. > :14:07.sure # And it's gotta be soon # And he's gotta be larger than life #
:14:08. > :14:12.Through the wind and the chill and the rain # And the storm and the
:14:12. > :14:16.raging flood # Oh, his approach is like a fire in my blood # I need a
:14:16. > :14:20.hero # I'm holding out for a hero # 'til the morning light # He's gotta
:14:20. > :14:23.be sure # And it's gotta be soon # and he's gotta be larger than life
:14:23. > :14:33.# Been working so hard, # I'm punching my card # Eight hours. #
:14:33. > :15:02.
:15:02. > :15:09.For what? # I'm punching my card
:15:09. > :15:18.# Eight hours, for what? # Oh, tell me what I got
:15:18. > :15:27.# I get this feeling # time's still holding me down
:15:27. > :15:30.# I'll hit the ceiling # Or else I'll tear up this town
:15:30. > :15:33.# Tonight I gotta cut loose, footloose
:15:33. > :15:41.# Kick off your Sunday shoes # Please, Louise
:15:41. > :15:46.# Pull me offa my knees # Jack, get back
:15:46. > :15:54.# Com on before we crack # Lose your blues
:15:54. > :16:03.# Everybody cut footloose # Whoah
:16:03. > :16:13.# we got to turn you around # And put your feet on the ground
:16:13. > :16:22.
:16:22. > :16:25.# Kick off your Sunday shoes # Please, Louise
:16:25. > :16:35.# Pull me offa my knees # Jack, get back
:16:35. > :16:37.
:16:37. > :16:39.# Come on before we crack # Lose your blues
:16:40. > :16:49.# Everybody cut, everybody cut # Everybody cut, Everybody cut
:16:50. > :17:12.
:17:12. > :17:16.Absolutely amazing. Please welcome our brilliant judges!
:17:16. > :17:22.APPLAUSE Thank you so much for coming up
:17:22. > :17:30.here. We're talking about details. Because there's a fifth member of
:17:30. > :17:36.the group. Len's Lens. Of course. Look, it picks up some
:17:36. > :17:41.wonderful details. So you can discuss and die sect.
:17:41. > :17:45.-- disect. Len I'm starting with you. Go on. You want to talk about
:17:45. > :17:50.Lulu and Brendan. Because you had a bit of a Barney on Saturday night.
:17:51. > :17:55.A little bi. My feeling was that Craig went overly grumpy. I wanted
:17:55. > :17:58.to come to their defence. I'm one of those upstanding young men who
:17:58. > :18:05.normally doesn't like the lifts and if anyone does them. However, on
:18:05. > :18:12.this occasion, I felt it fitted the music beautifully. It's against the
:18:12. > :18:16.rules. You and your rules. You're getting on my wick a bit. Look at
:18:16. > :18:21.Lulu's face. This is the rumba, every detail is magnified because
:18:21. > :18:28.of the fact it's such a slow dance, it's even slower now. Look at her
:18:28. > :18:31.angelic face. A hint of lip gloss. Oh, come on Lulu-bell! She's Dewey
:18:31. > :18:35.and juicy. She looked lovely. For a rumba, which is a very, very
:18:35. > :18:39.difficult dance, I thought she did a great job. I know there was the
:18:39. > :18:46.lift. And who knows, without the lift, it could have been an eight
:18:46. > :18:50.from me. You mentioned omelettes, who doesn't love them? Everyone
:18:50. > :18:52.loves an omelette. Let's talk about Alex and James. Up said it was
:18:52. > :19:01.beautiful. It really was. You all beautiful. It really was. You all
:19:01. > :19:05.loved it. Oh, look. Stunning. Alex is so elgant. It was a simple
:19:05. > :19:10.routine, but she executed it perfectly. I couldn't fault it.
:19:10. > :19:15.They're so in sync as well. It was dreamy. That's what you want. You
:19:16. > :19:19.want to look at a ballroom routine and be swept away. You don't want
:19:19. > :19:24.to think of the out of place thumb. With that dance you could just
:19:24. > :19:30.enjoy it. Craig, let's talk about Nancy and Anton. You didn't like it,
:19:30. > :19:35.even though, I mean, I think Bruno you said there was more content...
:19:35. > :19:39.Look at this. Look at the state of it, darling. You're just bitter for
:19:39. > :19:42.the sake of it. You have to recognise improvement. My point was
:19:42. > :19:49.that she was slamming around the dance floor and not really actually
:19:49. > :19:56.dancing. And that was my problem with it darling. I don't know what
:19:56. > :20:04.you were looking at. Don't have an argument. Let's talk about Jason
:20:04. > :20:09.and Kristina. He went from hmm... From mucho macho to mucho campo.
:20:09. > :20:15.Switching character, he's on it. Masculine. Look. I'm going to get
:20:15. > :20:22.you! Oh, yeah, determined, strong, powerful. Look at this! Camp as a
:20:22. > :20:32.row of tents. We were screaming, to switch
:20:32. > :20:33.
:20:33. > :20:40.character, it's insane. Bruno in slow mo is funnier. That's a great
:20:40. > :20:46.slow mo is funnier. That's a great skill to switch on a six pence. You
:20:46. > :20:52.have a whole West End show in one- and-a-half minutes. We also caught,
:20:52. > :20:59.you were so happy with it. Let me show you this clip of Len holding
:20:59. > :21:04.Jason's nine paddle. LAUGHTER
:21:04. > :21:09.APPLAUSE A stunner. Now my favourite clip of
:21:09. > :21:19.the night. Look at this, wait a minute. Here we go. He's going
:21:19. > :21:25.
:21:25. > :21:28.He's adorable. Thank you the judges! Now they say that Strictly
:21:28. > :21:32.is all hard work. But I can reveal that behind-the-scenes sometimes
:21:32. > :21:42.it's a bit of a holiday. Right now they're all following in the
:21:42. > :21:42.
:21:42. > :21:47.footsteps of their camp leader. It's all just show business. Oh, I
:21:47. > :21:53.thank you. I'm going to finish in the
:21:53. > :21:58.spotlight. No, I want to finish in the spotlight. It's mine. Have you
:21:58. > :22:02.seen what I'm wearing? I'm going to steal the show. I want to take this
:22:02. > :22:12.to Another Level, darling. Look at that, no glitter. How am I supposed
:22:12. > :22:15.
:22:15. > :22:20.Six couples have received Broadway success, what about the rest? Back
:22:20. > :22:30.to you Tess. Thank you. Six couples left, one of
:22:30. > :22:30.
:22:30. > :22:39.you is in danger tonight. But which one? It's time to find out.
:22:39. > :22:49.In no particular order, safely through to next week are... Lulu
:22:49. > :22:52.
:22:52. > :23:02.and Brendan! APPLAUSE
:23:02. > :23:05.
:23:05. > :23:15.Dancing again next Saturday are... Harry and Aliona!
:23:15. > :23:22.
:23:22. > :23:32.APPLAUSE The next couple safe is... Jason
:23:32. > :23:34.
:23:34. > :23:44.and Kristina! APPLAUSE
:23:44. > :23:46.
:23:46. > :23:56.Surviving another week are... Russell and Flavia!
:23:56. > :24:00.
:24:01. > :24:06.So that means Chelsee and Pasha and Nancy and Anton, one of you is safe,
:24:06. > :24:16.one of you is in the bottom two. I can reveal that the couple in the
:24:16. > :24:17.
:24:17. > :24:19.bottom two tonight is... Nancy and Anton.
:24:20. > :24:24.So Chelsee and Pasha, congratulations, you're through to
:24:24. > :24:28.next Saturday. APPLAUSE
:24:28. > :24:32.Now Bruno, you said that Nancy had improved a lot this week. Are you
:24:32. > :24:37.disappointed to see her in the bottom two? Yes, I am. There is a
:24:37. > :24:40.great sense of anticipation every time she turns up. It's almost like
:24:40. > :24:44.lighting a firecracker, you never know if she's going to burn you or
:24:44. > :24:48.you're going to be safe. You never know. But I have to admit, she was
:24:48. > :24:55.better. She was better in the tango. She did a good job. I think she has
:24:55. > :24:59.the potential to improve more. I would like to see that. OK. Showing
:24:59. > :25:08.improvement, yes. After all Rome was not built in a day. Thank you
:25:08. > :25:13.Bruno. Over to you Claudia. OK, she was catapoulted from West
:25:14. > :25:17.Lothian obscurity to worldwide fame. She has become a singing phenomenon.
:25:17. > :25:27.Here, with Unchained Melody, hold hands, please welcome, the one and
:25:27. > :25:36.
:25:36. > :25:46.only, Susan Boyle! # Oh, my love
:25:46. > :25:47.
:25:47. > :25:57.# My darling # I hunger for your touch
:25:57. > :26:08.
:26:08. > :26:18.# Are you still mine? # I need your love
:26:18. > :26:24.
:26:24. > :26:34.# God speed your love # to me
:26:34. > :26:35.
:26:35. > :26:45.# Lonely rivers flow # To the sea
:26:45. > :26:57.
:26:57. > :27:07.# Wait for me # I'll be coming home
:27:07. > :27:27.
:27:27. > :27:37.# My darling # I hunger for your touch
:27:37. > :27:44.
:27:44. > :27:54.# Are you still mine? # I need your love
:27:54. > :27:54.
:27:54. > :28:44.Apology for the loss of subtitles for 143 seconds
:28:44. > :28:48.Absolutely brilliant. Dan, are you shocked? Alesha said you were
:28:48. > :28:53.getting better and better, are you surprised to find yourself in the
:28:53. > :28:57.bottom two? I was in the bottom three with the judges. I shouldn't
:28:57. > :29:02.be too shocked. It's always a surprise. You want to do your best.
:29:02. > :29:08.If you go through to next week, will awe tack it? Yeah, yeah of
:29:08. > :29:12.course. Will you listen to me more? Say yes, just say yes. Nancy, oh,
:29:12. > :29:17.my goodness. Some of the judges were harsh. Bruno said, we've seen
:29:17. > :29:21.content, this is different. How sad would you be to leave? Of course,
:29:21. > :29:27.you be sad because so much that we still have to do it. Definitely
:29:27. > :29:33.would be sad. Because it's strictly is such incredible, magical world
:29:33. > :29:38.you entered. So just the beginning of this coverage, so I would be sad.
:29:38. > :29:41.Good luck to both of you. Dan or Nancy is about to leave their
:29:41. > :29:46.dancing days behind. Here's how they've entertained us. There's
:29:46. > :29:50.nothing that can prepare you for the whirlwind that is Strictly Come
:29:50. > :29:56.Dancing. A couple of highlights, one would be not messing up any
:29:56. > :30:00.steps in the first waltz that we did. And not falling over during my
:30:00. > :30:03.flip at the beginning of our salsa routine. The reason that I want to
:30:03. > :30:10.stay in the competition and keep going is because I'm involved in
:30:10. > :30:17.something, which I really want to do and that's to learn how to dance.
:30:17. > :30:22.The best part of being in Strictly is definitely is about learning,
:30:22. > :30:25.dancing with Anton will be subject of my next book. I'm not going to
:30:25. > :30:30.say everything here otherwise you're not going to buy the book.
:30:30. > :30:36.Definite love to stay in the competition. I want to continue
:30:36. > :30:41.laughing. There's so much I have to learn. Strictly Come Dancing is a
:30:41. > :30:46.Magic World to join in. APPLAUSE
:30:47. > :30:56.Dan and Katya, and Nancy and Anton, one of you is about to leave the
:30:57. > :30:57.
:30:57. > :31:02.competition for good. It's the moment of truth. Dan, Bruno said
:31:02. > :31:09.you looked like a casual acquaintance of Katya's. Nancy,
:31:09. > :31:14.Craig said it was like a plodding mule, truthing through mud. --
:31:14. > :31:24.trudging through mud. Did the public agree? I can now reveal that
:31:24. > :31:33.
:31:33. > :31:36.the couple leaving tonight is... Dan and Katya. That means Nancy and
:31:36. > :31:41.Anton, we'll see you next week. Come on, guys.
:31:41. > :31:46.I'm so sorry. What have you enjoyed most about
:31:46. > :31:50.this experience, it's been brief, I hope it's been fun. Just dancing
:31:50. > :31:54.with kautsa. It's a won opportunity to dance with somebody who is so
:31:54. > :32:00.talented. Anything you want to say to Dan? I loved every moment of it.
:32:00. > :32:04.I loved my tennis lesson, thank you. I didn't get to get up at 3.30am.
:32:04. > :32:06.No. You can still do that if you want.
:32:06. > :32:10.LAUGHTER It's been a pleasure. Short, but
:32:10. > :32:18.very sweet. Off you go and prepare for your
:32:18. > :32:24.last dance. Thank you very much. Come in my darling. A sad goodbye
:32:24. > :32:31.to our second couple, Dan and Katya. They join Zoe on Monday, It Takes
:32:31. > :32:37.Two, 6.30pm, BBC Two. For Non Stop news and skhruesives go to
:32:37. > :32:47.bbc.co.uk/ Strictly. We're back in the ballroom next Saturday, 6.25pm.
:32:47. > :32:50.
:32:50. > :32:59.Now with their final dance, it's life
:32:59. > :33:03.# Always look on the bright side of -- light side of life
:33:03. > :33:06.# If life seems jolly rotten, there's something you've for gotten
:33:06. > :33:11.# That's to laugh and smile and dance and sing
:33:11. > :33:14.# When you're feeling in the dumps, don't be silly chumps
:33:14. > :33:23.# Just purse your lips and whistle that's the thing
:33:23. > :33:31.# And always look on the bright side of life