:00:26. > :00:33.Zoe! Zoe! I so loved working with you last series. I'd love to help
:00:33. > :00:43.you, but I just don't think I can. And I've found a new dance partner,
:00:43. > :00:44.
:00:44. > :00:50.any way. Oh, no!
:00:50. > :01:00.Choreography, choreography, choreography corner - that is so
:01:00. > :01:00.
:01:00. > :01:06.last year! It's all about freestyle!
:01:06. > :01:16.You understand, don't you? You understand.
:01:16. > :01:18.
:01:18. > :01:24.It's time to meet the stars of our show.... Johnny Ball.
:01:24. > :01:31.Welcome to Strictly. ALARM BUZZING
:01:31. > :01:41.Oh, this is a dream. Johnny Ball has just been confirmed
:01:41. > :02:12.
:02:12. > :02:22.Live, from Television Centre, this is Strictly, t takes two. Please
:02:22. > :02:28.
:02:28. > :02:33.Hello. Welcome to a brand new series of It Takes Two. We're back,
:02:33. > :02:38.a little bit excited and all of your dreams, and some of my night
:02:38. > :02:43.marries, love you dad, will come trying over the next two weeks as
:02:43. > :02:49.we have access to all the Strictly gossip. My guests are primed and
:02:49. > :02:59.oiled and look beautiful. Tonight, we have an Olympian, an Australian
:02:59. > :03:00.
:03:00. > :03:07.and a Glamazon. From a mag nifpbt performance on
:03:07. > :03:17.Saturday night it's Louis and Flavia, and we also have Jerry and
:03:17. > :03:22.Anton. And Craig, how svelt you look. Years of dieting. What a
:03:22. > :03:31.weekend it was. We had broken noses and all sorts. These are the
:03:31. > :03:36.headlines. Good evening - the news. Week one,
:03:36. > :03:40.and already the surprises have started topping the leader board,
:03:40. > :03:47.Lisa and Robin proved to be the weekend's star performance with a
:03:47. > :03:54.cheeky cha-cha-cha. I thought it was great. What it
:03:54. > :04:01.lacked in technique just made up for in energy, enthusiasm and fun.
:04:01. > :04:07.Was it is a lift or was it a swoosh?
:04:07. > :04:11.Is new girl, Karen a rule breaker? Craig was not best pleased. I'm not
:04:11. > :04:15.particularly happy, actually, Karen. There are no lifts in the waltz.
:04:15. > :04:22.One foot should remain on the floor at all times. So you will be marked
:04:22. > :04:28.severely down for that. Unfortunately for Brendon, it
:04:28. > :04:38.seemed like the curse of the Cole had returned, with Victoria
:04:38. > :04:38.
:04:38. > :04:46.forgetting her cha-cha-cha in what can only be called "doing a Lulu."
:04:46. > :04:54.You're a champion. You've fallen off the bike before. Get back on it.
:04:54. > :05:04.And finally, an It Takes Two drama, on Friday's group number, James
:05:04. > :05:09.
:05:09. > :05:14.Poor James. It's awful. They broke his nose during a lift. It's not
:05:14. > :05:20.often I've seen James lying on the floor in quite so much pain, so I
:05:20. > :05:27.think it must have hurt him. I'm so sorry. I really didn't mean to.
:05:27. > :05:36.Shall we try again? No, I'm so sorry. Can I have a kiss.
:05:36. > :05:41.Those were the Strictly headlines. Thank you. Now, this year's line-up
:05:41. > :05:47.has been hailed as the best ever, but just what do our judges make of
:05:47. > :05:52.the new batch? Oh, Fern. The nation's sweetheart.
:05:52. > :05:58.She loves dancing. If you have an attitude like that, you can win.
:05:58. > :06:04.think Fern will do all right. Kimberly is going to do great. The
:06:04. > :06:14.professionals are going to love throwing her around. She's
:06:14. > :06:15.
:06:15. > :06:20.something kind of.... Kids love Strictly and kids love Dani Harmer.
:06:20. > :06:27.She'll be an absolute fire cracker. She has to ignite a sense of fun
:06:27. > :06:37.and energy. And remember, technique. Denise, as an Essex girl, fake tan,
:06:37. > :06:39.
:06:39. > :06:47.lashes, darling, pouchy lips. has the looks and the physique.
:06:47. > :06:55.let's not forejet the bejazzle. Lisa 100% woman. You've got to use
:06:55. > :07:00.what you've got and if you've got it, flaunt it and win it. Victoria
:07:00. > :07:06.is fabulous and used to going hideously fast around the velodrome,
:07:06. > :07:14.will she do the same on the dance floor? Did you see Victoria's abs?
:07:14. > :07:21.I am shamed. I am going to the gym straightaway. It's not always the
:07:21. > :07:25.case that supermodels can dance. She can walk, Jerry Hall. Give me
:07:25. > :07:33.that superglamour. You never know who is going to rise to the top and
:07:33. > :07:40.who is going to sink without trace. Come on!
:07:40. > :07:46.Time now to welcome the impossibly glamorous megastar, who is probably
:07:46. > :07:49.one of the world's most be guileing beauties, and luckily for us, he's
:07:49. > :07:55.brought along his celebrity superstar.
:07:55. > :08:01.So, Jerry, one dance down. How was it for you on Saturday? Oh, it was
:08:01. > :08:08.fantastic. My cha-cha-cha was OK, but I was thrilled with how I
:08:08. > :08:14.worked that fur stole. You did. I could see you on the balcony
:08:14. > :08:19.preparing it. And throwing it away so beautifully. You got mixed
:08:19. > :08:24.comments from the judges. Len wants you to excite him more. How are you
:08:24. > :08:32.intended to do that and can he take it? Well, today we've been working
:08:32. > :08:34.on our foxtrot. There's a lot of on our foxtrot. There's a lot of
:08:34. > :08:42.pushing your pelvis forward. And have you got over Craig's
:08:42. > :08:48.comment when he said, "You were taking minimal to a whole new level
:08:48. > :08:53.on Saturday?." Yes, we cake out of that quite well, to be honest. I
:08:53. > :08:58.didn't want to go too mad with back flips and bells and whistles in the
:08:58. > :09:03.number because I wanted Jerry to do it, and pull it off and feel
:09:03. > :09:09.comfortable and achieve the number. And I thought she did all those
:09:09. > :09:14.things and was marvellous, so we can go on from that. He was easing
:09:14. > :09:22.me in. And when you're out in front of the audience, it's terrifying.
:09:22. > :09:28.So you have to ease in. I loved the pose. I can't do it. And what is
:09:28. > :09:34.your approach to dancing and teaching Jerry? Obviously slowly
:09:34. > :09:37.slowly. Catches the monkey. Jerry has so many assets, she looks
:09:37. > :09:43.amazing and stands beautifully and she has a wonderful understanding
:09:43. > :09:48.of her body, and that was a great advantage in the cha-cha-cha.
:09:48. > :09:54.can walk. Boy, can you walk! she brings all this to the dance
:09:54. > :10:01.floor and it's a great asset to me and I he try to use as much as I
:10:02. > :10:08.can. And she is the model student. Have a look at this. I've never
:10:08. > :10:17.known anybody in the show look that hot. The catwalk thing, I feel
:10:17. > :10:23.quite comfortable with that. The hair ography. A lot of posing
:10:23. > :10:28.and sexy things. It's too much, cut back on the glamour. Do you know
:10:28. > :10:34.how hard that is? It's all about posing and style. Yeah, I like that.
:10:34. > :10:41.It sort of makes it feel more my dance.
:10:41. > :10:49.Oh, so hot! You are a goddess. would you not love that! Look at
:10:49. > :10:53.that! We'll turn out a foxtrot. Which is what you are doing this
:10:53. > :10:58.week. How is it go going? It's great, because there is a lot of
:10:58. > :11:04.walking involved in it. Is it walking? It is. Forwards and
:11:04. > :11:10.backwards. You just have to stay together when you do it. It's
:11:10. > :11:16.closer than the cha-cha-cha. I like it. I think I'm getting the essence
:11:16. > :11:23.of ballroom dancing. Middle-aged women rubbing against young men.
:11:23. > :11:33.you're getting me all saucey. Is it true that Bill Wyman chose your
:11:33. > :11:35.
:11:35. > :11:40.music on Saturday? He did. I got advice from Bill Wymam. Mick Jagger,
:11:40. > :11:46.and Bob Geldof. What did he suggest? Something for the waltz.
:11:46. > :11:53.What is the world coming to. Good luck with your foxtrot, I know it
:11:53. > :11:59.will be something to look forward to. Thank you very much, Ton and
:11:59. > :12:06.Jerry! Now, this is what happened when our
:12:06. > :12:10.cameras went backstage as the couples made their debuts. ALL:
:12:10. > :12:17.Welcome to another series of Strictly Come Dancing. Come on,
:12:17. > :12:23.guys....yeah, yeah. First day back and a new cast.
:12:23. > :12:28.is the big one. Feeling sick already. What have I done! Look who
:12:28. > :12:34.it is. I still managed to go shopping.
:12:34. > :12:41.First rehearsal with a live band. He's looking a bit dabber in this.
:12:41. > :12:46.Off to a funeral. It's so funny when you've not seen anyone do
:12:46. > :12:52.anything for three weeks. When he first came, he couldn't walk. Now
:12:52. > :13:02.look at him. He's dancing. When you get on that floor, it's a whole new
:13:02. > :13:05.
:13:05. > :13:11.game. Ow! My feet hurt. I'm more nervous this year than any other
:13:11. > :13:17.year. You want to do your best. Bring on Friday night.
:13:17. > :13:21.I'm stitched into fuschia. Five minutes! You can almost smell
:13:21. > :13:30.the tension. It's great! And I'm not even
:13:30. > :13:40.dancing. Is it time for the show? Am I late!
:13:40. > :13:43.
:13:43. > :13:49.Come on. Day two. Oh, Strictly! Good morning. Well, SSS. Strictly
:13:49. > :13:59.stress spot! It's a new one for me. Yesterday, I was terrified, so
:13:59. > :14:00.
:14:00. > :14:04.today I'm like this....Aaaaaargh! Are you snefrbz No. He should be.
:14:04. > :14:10.wish I could say something, but I couldn't.
:14:10. > :14:18.I'm out of breath and she is not at all. I'm the fat one and he's more
:14:18. > :14:24.out of breath than me! It's that time. Ten minutes before
:14:24. > :14:30.we begin. Tension mounts! I'm just getting ready to waltz.
:14:30. > :14:36.It's show time and Anton has been riding me hard! I tell you, it's
:14:36. > :14:46.good fun, a hard man! Let's go do this.
:14:46. > :14:51.Show time! Welcome to Strictly Come Dancing. It's nice to see you, to
:14:51. > :14:55.see you...ALL: Nice. What a fantastic start to series ten. The
:14:55. > :15:00.highs, the lows. I can't wait for next Saturday night to see what
:15:00. > :15:06.happens. A dramatic weekend all round and
:15:07. > :15:16.now a man who can create a whole load of drama on his own. It's
:15:16. > :15:21.Craig revel Horwood. Is there a move? Oh, look at that.
:15:21. > :15:24.What was that move? I can't possibly tell you. A little bit of
:15:25. > :15:30.salsa. How did you enjoy the weekend? I absolutely loved it. I
:15:30. > :15:34.thought it was fantastic. I know from my face and comments you
:15:34. > :15:40.probably thought I didn't. You were in a bit of a grub on Friday. And
:15:40. > :15:46.better on Saturday. Well, there was definitely better dancing on
:15:46. > :15:51.Saturday, actually. Is there room to improve? Yes, but they have been
:15:51. > :15:56.practising for some time now. weeks. Three weeks is a lot.
:15:56. > :16:02.Generally they only have one week to learn a dance, so this should
:16:02. > :16:06.have been spot on. Let's start with Lisa and Robin. You gave them an
:16:06. > :16:11.eight which is amazing for the first week. What did you love?
:16:11. > :16:17.love the fact that she has natural rhythm and she really actually
:16:17. > :16:21.dances. She does have what I call an inner motor and that is what is
:16:21. > :16:25.fascinating about her. We didn't think for one moment or except that
:16:25. > :16:31.level of dancing. I don't know how she is going to go in the ballroom
:16:31. > :16:36.stuff, though. Will that transfer to the ballroom? Well, because she
:16:36. > :16:42.has natural rhythm she'll be able to get her slow, quick, quicks
:16:42. > :16:48.together. It's just her posture to concentrate on. But a fantastic
:16:48. > :16:55.start. Nicky and Karen in the waltz. You gave them a two because you
:16:55. > :17:01.were penalising them for the lift. She tried to call it a swoosh.
:17:01. > :17:07.both feet were off the floor. a new girl. Is she likely to know
:17:07. > :17:12.that? Yes, it's written clearly in the rule book. Do you have time to
:17:12. > :17:19.read that? We all read it. If she wants to continue doing that and
:17:19. > :17:23.she thinks it's worth it, go right ahead, but she will get severely
:17:23. > :17:28.marked down. And I think she will have learnt from that. Kimberly and
:17:28. > :17:33.Pasha and their cha-cha-cha. They started on Saturday, a brilliant
:17:33. > :17:41.opening and you said it was incandescent. It was. She is
:17:41. > :17:47.another one with great natural rhythm. Yes, she has had dancing
:17:47. > :17:52.before. Just a little bit. But not in the ballroom. And we hope to see
:17:52. > :17:57.her shine there too. Victoria and Brendan and the cha-cha-cha. We
:17:57. > :18:02.didn't hear a comment from you, because we didn't have time. Where
:18:02. > :18:07.did it go wrong? Right here. She totally messed that section up. And
:18:07. > :18:12.unfortunately when you do that, it's difficult to recover.
:18:12. > :18:22.Especially in the cha-cha-cha, when you're in hold it might be easier.
:18:22. > :18:23.
:18:23. > :18:30.My only add advise 5 vice, would be make up your own steps. Then we
:18:30. > :18:35.might not be aware. Just make it up. Make it up, darling and a smile
:18:35. > :18:39.covers everything. Denise and James and their waltz, you said on Friday
:18:40. > :18:45.they had saved the best to last. Were you surprised then when Len
:18:45. > :18:49.was tough on her foot work? Yes, I think he was being a bit picky, but
:18:49. > :18:55.he has every right as a professional dancer and an
:18:55. > :19:00.adjudicator. Yes, she has problems as everybody does. There's good and
:19:00. > :19:05.bad about every single dance. I could easily say how wonderful
:19:05. > :19:15.everything is, but it's much better to know, if you're the celebrity to
:19:15. > :19:15.
:19:15. > :19:21.know what is wrong and improve on it. Now my dad. I was tweeted on
:19:22. > :19:27.Saturday and asked "did you want to lamp Craig for being so mean to
:19:27. > :19:31.your dad." You didn't like him miming the words. No, I'm not fond
:19:31. > :19:37.of that because it distracts from looking at the dance and dance
:19:37. > :19:43.tells a story with your body. did he get right? The fact that he
:19:43. > :19:49.got all the steps right. He did them. In the right order, which was
:19:49. > :19:54.fantastic. It's just the execution of the steps that I was slightly
:19:54. > :20:03.bewildered by. Richard and Erin's waltz. The word came out, I thought
:20:03. > :20:10.you might have saved it -- spatulistic. Oh, yes. What do you
:20:10. > :20:17.mean by that? You can't tell in this because he's in hold. But when
:20:17. > :20:23.he is out of hold his hands look out of shape and like a spatula.
:20:23. > :20:29.And using your arm in the correct way. And to have at least some...So
:20:29. > :20:34.How should it be? You want it to be shaped and formed. And the other
:20:34. > :20:40.judges said they wanted him to be more camp? No, I don't agree with
:20:40. > :20:44.that. I think he played the waltz perfectly well. It's a serious and
:20:44. > :20:52.beautiful dance, but one can smile through it, however. And I thought
:20:52. > :21:02.he looked butch. We don't want a reooccurrence of Julian Clary, do
:21:02. > :21:09.we. I don't know. No, we don't. Colin's dance you said there could
:21:10. > :21:19.have been bits it could have done without. What did you mean? He did
:21:19. > :21:25.a lot of this nasty freestyle stuff which I didn't take to at all.
:21:25. > :21:31.Isolation, yes, and then there's horrible isolation. If you're going
:21:31. > :21:37.to isolate your body then isolate in a proper fashion that is at
:21:37. > :21:42.least watchable. Are we all following? ALL: Yes. Dani and
:21:42. > :21:50.Vincent and their waltz. A glorgeious little couple. You said
:21:50. > :21:55.she needs to lengthen her line, but you loved her back. She also needs
:21:55. > :22:01.to lengthen that leg. I loved her back because it's quite loose and
:22:01. > :22:05.what I mean by that is when she does that spin on one leg and she
:22:05. > :22:12.releases her leg she has a lovely curve to her spine. Some people
:22:12. > :22:19.have a very stiff back, which never looks good. But all in all not bad
:22:19. > :22:25.for the first week. Not bad. next week, the dance-off is back.
:22:25. > :22:31.Power to the judges. I feel all powerful. Thank you for coming back.
:22:31. > :22:37.But we must point out the sparkly shoes. To match your set. You have
:22:37. > :22:42.to match the cushions. Thank you, darlingment
:22:42. > :22:50.Earlier on, we heard the judges thoughts on this year's teams. Time
:22:50. > :22:55.now to hear what they thought of the boys. Rickkkkkay! We all like a
:22:55. > :23:01.bit of rough. I'm hoping he will come literally from the dance
:23:01. > :23:05.gutters up and surprise us all. Michael Vaughan. Actually
:23:05. > :23:09.cricketers, historically have done very, very well. I think he is
:23:09. > :23:14.obviously up for the challenge. Even though he's used to the
:23:14. > :23:20.audience and the tension, when you get on the dance floor it's very
:23:20. > :23:26.different. It's not like a cricket pitch. Let's hope Richard uses his
:23:26. > :23:31.time wisely and doesn't get involved in show business gossip.
:23:31. > :23:39.He must concentrate on dancing. like him. He can be a bit camp and
:23:39. > :23:49.that does a world of good. Johnny Ball, the oldest contestant ever.
:23:49. > :23:50.
:23:50. > :23:58.He looks very fit for his age. on, Johnny, do it for the oldies.
:23:58. > :24:07.Colin Salmon. 007! Will he be shaken and not stirred? A little
:24:07. > :24:13.bit of Salmon every day is very good for you. That sounds filthy.
:24:13. > :24:19.Westlife just stand up on a key change, they very rarely dance.
:24:20. > :24:27.hope he comes out and gives it welly. I think he will find it
:24:27. > :24:33.tough. Louis Smith will be a great surprise for us all. Hunky dunky on
:24:33. > :24:36.the pommel horse. Come on. If he can only replicate his success in
:24:36. > :24:45.the Olympics, he will be a sensation.
:24:45. > :24:51.He is a bit of a sensation, he scored silver and bronze in the
:24:51. > :24:59.Olympics, but can his partner steer him to the glitter ball? It's Louis
:24:59. > :25:05.and Flavia. You had to wait until the end to go on, how was it for
:25:05. > :25:11.you? It was tough. She was jumping around all night, but I tried to be
:25:11. > :25:16.composed. He was very composed I couldn't believe it. Five minutes
:25:16. > :25:21.before he got a bit nervous. does this pressure compare to the
:25:21. > :25:25.Olympics? It's two different types of competition, obviously. The
:25:25. > :25:30.Olympic Games was horrible. The nerves were really stressful.
:25:30. > :25:36.Whereas this, it's like a fun scaryness, if you know what I mean.
:25:36. > :25:42.So it's two very different types. So slightly less pressure? Slightly.
:25:42. > :25:52.So far, Darcey could not take her eyes off you on Saturday. That was
:25:52. > :26:20.
:26:21. > :26:26.hilarious. We had a camera on her. It was almost disbelief! I think
:26:26. > :26:31.she loves you! Did you know the thrust of your hips could have that
:26:32. > :26:39.effect? I didn't realise she was licking her teeth through that
:26:39. > :26:45.routine. She'll be going "oh, no." And she said you used muscles you
:26:45. > :26:53.never thought you had, but have you found you've got new ripples?
:26:53. > :27:00.thought I would be more prepared for how sore the training would be,
:27:00. > :27:07.but I am aching. Flavia is working you hard. And last year, you were
:27:07. > :27:12.working with Russell. Yes. Is your approach slightly different? Yes,
:27:12. > :27:18.it has to be. Each year, a new partner and new challenge. This is
:27:18. > :27:24.totally different. Last year I had the best time ever, but, yes, a
:27:24. > :27:29.very different mind set this year, with a little of last year. A few
:27:29. > :27:39.judges said you were serious on Saturday, but we've watched you in
:27:39. > :27:44.
:27:44. > :27:49.training and we've seen you have # I've got the moves like Jagger
:27:49. > :27:55.# I've got the moves, moves, like Jagger
:27:55. > :28:01.# I don't need to control you # I'll love you to my eyes, I'll
:28:01. > :28:10.own you # I've got the moves like Jagger
:28:10. > :28:16.# I've got the moves like Jagger # I think Vincent has a bit of
:28:16. > :28:23.eyebrow competition this year. How is the Viennese waltz going so far,
:28:23. > :28:30.familiaria? Obviously the ballroom is different. At the moment I think
:28:30. > :28:36.you're a Latin boy, but I think you'll get into the ballroom. We
:28:36. > :28:41.have to keep working on the posture and the drive it's harder than you
:28:41. > :28:46.thought. Definitely. It when she stands there and watches over me.
:28:46. > :28:51.have to see what you're doing. luck with it this weekend.