:00:11. > :00:14.Happy Monday to you and welcome to It Takes Two. What a glorious
:00:14. > :00:18.weekend Hollywood was. I loved it. On the show tonight if there was an
:00:18. > :00:25.award for the most glamorous exit and sad exit it would go to this
:00:25. > :00:28.lovely lady and her partner, Jerry Hall and Anton Du Beke. If there
:00:28. > :00:32.was an award for getting your shoe out of your dress in the most
:00:32. > :00:39.stylish man ter would go to Victoria and Brendan. Every
:00:39. > :00:49.Hollywood drama needs a villain. He is here, Craig Revel Horwood. Let's
:00:49. > :01:19.
:01:19. > :01:26.Live from Television Centre, this is Strictly - It Takes Two. Please
:01:26. > :01:29.welcome Zoe Ball. APPLAUSE Hello and welcome to
:01:29. > :01:37.Monday's It Takes Two. Hollywood week did not disappoint and in case
:01:37. > :01:40.you missed it, here are the headlines. Thank you.
:01:40. > :01:44.Good evening and here is the news. Nicky and Karen proved it was third
:01:44. > :01:54.time lucky and could not mask their delight at the judges' comments on
:01:54. > :01:59.their quickstep. Last week there was no life, this week it's full of
:01:59. > :02:04.life. Love that energy, love that attack.
:02:04. > :02:07.You're starting to win me over, actually. Back in the game! Michael
:02:07. > :02:17.and Natalie's cha-cha-cha almost ended in disaster when he nearly
:02:17. > :02:25.
:02:25. > :02:28.He is such an adorable doofus. Looks like he nearly got caught out
:02:28. > :02:34.there, and it's taken nearly ten years but we have done it, we have
:02:34. > :02:44.found the one female who is immune to Vincent's charms. Can we keep
:02:44. > :02:45.
:02:45. > :02:50.him? Not a friend of yours, Vincent! Just jealous. For those
:02:50. > :02:52.eagle-eyed viewers who thought Betty looked familiar we can
:02:52. > :03:02.exclusively reveal that last Saturday was not her television
:03:02. > :03:09.
:03:09. > :03:13.It's only Pauline Fowler's four- legged friend, Betty from
:03:13. > :03:20.EastEnders. Those are the headlines. For more gossip look at our
:03:20. > :03:26.exclusive footage from behind the scenes.
:03:26. > :03:36.It's movie week. That means one thing - lights... Camera... Action!
:03:36. > :03:36.
:03:36. > :03:41.Hollywood week. Very exciting. I have seen some of the numbers and
:03:41. > :03:50.they they look really good. Dam! There's going to be drama. It's
:03:50. > :04:00.going to be wonderful. Get in your box. All right! Know
:04:00. > :04:01.
:04:01. > :04:08.your place. We have a trick at the end, but my face is like this.
:04:08. > :04:13.Let's hope that doesn't happen on the night. On that note, ta-ra.
:04:13. > :04:16.movie is Wizard of Oz, we have a real dog. Fingers crossed it goes
:04:16. > :04:23.to plan. Never work with children and animals and this is a live show
:04:23. > :04:29.T could be interesting. # They called it puppy love...
:04:29. > :04:33.I want to have a dog in my routine. She treats me like a dog. You are
:04:33. > :04:39.heavy. What have you been eating? The problem is Vincent and Dani are
:04:39. > :04:43.very small but next to them it rook -- looks like a Great Dane.
:04:43. > :04:47.suggested using a hamster. Betty is a professional. She's going to
:04:47. > :04:57.steal the show. We look very similar, yeah. You have attitude.
:04:57. > :05:04.
:05:04. > :05:08.I am ready for my close-up! What I love about Hollywood week it gives
:05:08. > :05:14.the celebrities a chance to get into character and give us razzle-
:05:14. > :05:20.dazzle. Nicky's coloured his face. Anything to put them off watching
:05:20. > :05:30.the dance. You take your life into your own hands in Strictly when you
:05:30. > :05:33.
:05:33. > :05:38.ask for a couple of cups. Five If Strictly was a movie it would be
:05:39. > :05:43.the biggest dramatic, scary movie. I am hoping for Hollywood boulevard
:05:43. > :05:48.but I might get the boulevard of broken dreams. Tonight I have three
:05:48. > :05:58.big big lifts. There's no room for error. I have her in my arms. I
:05:58. > :06:04.
:06:04. > :06:09.have got to deliver. It's show- Hollywood night I thought was fab-
:06:09. > :06:14.u-lous, darling! I loved every minute. Jerry and Anton should have
:06:15. > :06:20.gone because it was the weakest dance and she made errors in the
:06:20. > :06:24.dance-off and unfortunately that pushed her over the cliff.
:06:24. > :06:32.They failed to graduate from quickstep and ended up on the
:06:32. > :06:38.cutting room floor. Please welcome Jerry and Anton! APPLAUSE Shocked
:06:39. > :06:44.and saddened. I hate Mondays on the losers' sofa. I know. Disaster!
:06:44. > :06:48.Soeufs sad so -- I was so sad to leave but my kids are celebrating
:06:48. > :06:51.because they were fed up with the fridge being empty. There's a good
:06:51. > :06:57.side to everything. Were you surprised to be in the bottom two
:06:57. > :07:02.after Saturday night? Yes. A bit surprised. A little bit. I thought
:07:02. > :07:07.it was a lot better. I was mostly disappointed because I think that
:07:07. > :07:11.Jerry has improved from the first week, every week she improved a
:07:11. > :07:15.little bit. Her marks remained the same. As far as the judges were
:07:15. > :07:19.concerned, she showed no improvement at all. Did that make
:07:19. > :07:22.you cross? Yes, very cross. I thought it was inconsistent. They
:07:22. > :07:28.marked other couples as though they had improved and hadn't done the
:07:28. > :07:34.same to Jerry. I was disappointed about that. I was sad that my
:07:34. > :07:40.swoony-beau and I didn't get to do line dancing. You would have
:07:40. > :07:43.excelled at that. The cowboy boots and the hat. Can we do that in a
:07:43. > :07:48.Christmas special? Sounds amazing. What was the reaction to the others
:07:48. > :07:53.when you went on Saturday? We saw Dani was crying. Everybody was so
:07:53. > :07:57.sweet. It was such a lovely group of people. I loved the whole
:07:57. > :08:02.experience. It was so great. I didn't know dancing could make you
:08:02. > :08:05.so fit. You look amazing. You look amazing already. The dancing is
:08:05. > :08:12.amazing. I am going to take both my daughters for ballroom dancing
:08:12. > :08:19.lessons. Any ideas on who? It's been great for my career. I have a
:08:19. > :08:23.beauty campaign. There were lots of pluses to it. A lot of good things.
:08:23. > :08:29.You have had so many messages, even messages put through my door at
:08:29. > :08:33.home. Pa Trisha said: So sad to see Jerry go.
:08:33. > :08:37.Another says her seven-year-old daughter is Anton's biggest fan.
:08:37. > :08:43.She was so upset last night she cried herself to sleep. Oh! Bless
:08:43. > :08:47.her. He is amazing. He delivers rain or shine, like the postman.
:08:47. > :08:51.The whole package. Have you been compared to a postman before?
:08:51. > :08:55.get up early in the mornings, say no more. Who are you going to miss
:08:55. > :09:00.most? You made great friends on this. Well, I am going to be
:09:00. > :09:05.rooting for Kimberley. I think she's improved so much. I love Sid
:09:05. > :09:09.Owen. I think he is fantastic. loved him on Saturday. We are going
:09:09. > :09:15.to miss your Texan ways combined with the magic of du Beke. Here are
:09:15. > :09:19.your best bits. You will be strutting your stuff with Anton Du
:09:19. > :09:29.Beke! Anton's very charismatic. He is a
:09:29. > :09:31.
:09:31. > :09:41.world. I get to dance with Jerry Hall. I can't think of a better way
:09:41. > :09:42.
:09:43. > :09:47.to spend my day. It's my favourite step, ever! Oh, Jerry, you are a
:09:47. > :09:50.glamazon! You have the assets, use them. I used all kinds of assets! I
:09:50. > :10:00.just don't want to be too good in the beginning because I want to
:10:00. > :10:01.
:10:01. > :10:09.give the other ones a chance. The last time I saw posture like
:10:09. > :10:12.that was this summer in my garden on a praying mantis. I like the mix
:10:12. > :10:16.of steps, your problem is you are too vertical stphaoeu don't think
:10:16. > :10:22.that's --. I don't think that's fair. We didn't make mistakes.
:10:22. > :10:28.at all. Come on! Action! This is my kind of dancing. I am going to get
:10:28. > :10:32.the posture right and walk along. I liked it a lot and it was so much
:10:32. > :10:38.better. The whole thing would have been better behind the screen,
:10:38. > :10:41.frankly. It's decision time. The couple with
:10:41. > :10:48.the most votes will stay in Strictly Come Dancing. Michael and
:10:48. > :10:51.Natalie. Michael and Natalie. and Anton. Michael and Natalie.
:10:51. > :10:56.have loved dancing with you, Anton and you are a wonderful teacher. It
:10:56. > :11:02.was great. Thank you. You are just so wonderful. I have loved every
:11:02. > :11:08.minute of spending time with you. I just - I love you. You are my
:11:08. > :11:18.friend for life. Whether you want to be or not.
:11:18. > :11:19.
:11:19. > :11:27.Anton, what have you learned about Jerry that you think the public
:11:27. > :11:33.haven't had a chance to see yet? Well, she is funny. Oh, made me
:11:33. > :11:38.laugh every day. That's one of the things that makes me so sad is that
:11:38. > :11:41.we could have had more of that and the longer we stayed in more of
:11:41. > :11:44.that we would have got and she's so funny and fabulous all at the same
:11:44. > :11:48.time. Was there one dance you were really looking forward to doing
:11:48. > :11:52.with Jerry that you won't have a chance to now? Line dancing isn't
:11:52. > :12:01.part of ballroom dancing. That's a shame really because that would
:12:01. > :12:06.have been fabulous. It would have been good. Your paso doble, maybe
:12:06. > :12:10.you will do that for us later? I do feel that our lives have been
:12:10. > :12:19.forever enriched by meeting you, Jerry Hall. You are amazing and you
:12:19. > :12:23.are a wonderful man. It's been a great experience. Anton and Jerry!
:12:23. > :12:29.APPLAUSE Mr Bless them. In a -- bless them N a moment Craig Revel
:12:29. > :12:39.Horwood will be here. First, time to test your Strictly knowledge
:12:39. > :12:43.
:12:43. > :12:49.Hello you Strictly experts. I am here to test your Strictly
:12:49. > :12:57.knowledge. In his youth Len worked as a welder
:12:57. > :13:01.in the London docks. Is it Strictly true or Strictly baloney?
:13:01. > :13:11.Oh, you are such a tease! He may have been dressed as the Tin Man on
:13:11. > :13:12.
:13:12. > :13:16.Saturday night but we all think he has plenty of heart. Please welcome
:13:16. > :13:23.Craig Revel Horwood! APPLAUSE AND CHEERING Show me your
:13:23. > :13:27.moves. And big finish. Hello, Craig. Is it me or would the -- were the
:13:27. > :13:32.scores getting lower on Saturday night? Have they been going down
:13:32. > :13:35.week on week and if so, why? Mine haven't actually. I am being myself,
:13:35. > :13:38.normal, honest, you know. I don't know if you are being yourself. You
:13:38. > :13:43.are giving higher marks than I think you have ever given this
:13:43. > :13:48.early on. I think the dancing is better. I am certainly not going to
:13:48. > :13:52.be lying. Or trying to raise the score just because I fancy it, you
:13:52. > :13:58.know. I have to value what I think the dance is worth and score it
:13:58. > :14:01.appropriately. The rest of the panel, however, you can say that to.
:14:01. > :14:03.We might have to have a discussion later on about some of Len's
:14:03. > :14:10.scoring on Saturday which was interesting. Don't start on that
:14:10. > :14:15.one, darling. The second couple to say bye, do you think people choose
:14:15. > :14:21.the right people? I think so. Both dancers were pretty poor, you know
:14:21. > :14:25.and they both have have their strengths and weaknesses. When you
:14:25. > :14:30.see - when you have to do the dance-off it will possibly go wrong
:14:30. > :14:35.and it did. If Jerry hadn't made those errors, then I would have put
:14:35. > :14:40.her through. It could have been a different story. I love her, I love
:14:40. > :14:45.her back stage, her character, personality, everything. I can't
:14:45. > :14:50.judge on potential, either. I think that's what's difficult about the
:14:50. > :14:54.dance-off. The decision has to be based on what happens in front of
:14:54. > :14:57.you that particular moment in time. Let's discuss Michael and Natalie.
:14:57. > :15:02.Why do you think he deserved another chance and do you think he
:15:02. > :15:06.is progressing? I thought he had some slight improvement. The reason
:15:06. > :15:11.I say that is because he didn't go off time as much. Yes, it was
:15:11. > :15:18.littered with mistakes, but dance- off I thought he was a little bit
:15:18. > :15:21.better and he was completely focused. His New Yorks looked all
:15:21. > :15:26.right. Everything was that little bit better than Jerry's. That's the
:15:26. > :15:31.reason I put him through. OK. Let's talk about Denise and James and the
:15:31. > :15:36.foxtrot. You said great posture and control and beautifully acted. How
:15:36. > :15:40.can Denise get those scores up to nine and ten and do you think she's
:15:40. > :15:47.been too good too soon? I don't think so. She's at a level that's
:15:48. > :15:52.dangerous because getting a 9, you have to be almost perfect. The only
:15:52. > :15:56.people that get 10s are people that have really, really studied and
:15:56. > :16:01.absolutely made no mistakes whatsoever. For her to get a 9 she
:16:01. > :16:05.needs to, I guess, tighten up and tidy up her footwork, make sure
:16:05. > :16:09.it's perfect. And not have any gapping that we saw just then. It's
:16:09. > :16:16.tiny little things like that. getting there? Len will be looking
:16:16. > :16:22.for, coming from that sort of world. OK. Let's talk about Sid and Ola. I
:16:22. > :16:26.thought he was ace on Saturday which shows how much I know. He was
:16:26. > :16:31.upset. What was wrong with it. doesn't come from any of the
:16:31. > :16:35.gimmicks and his entry steps. Even if we don't like the concept I mark
:16:35. > :16:43.as soon as they get into hold and that really wasn't good enough. It
:16:43. > :16:45.was very - it wasn't sharp enough. He looked terrified, rather than
:16:45. > :16:49.carrying that character through into the dance. What happened was
:16:49. > :16:53.he was full of characterisation, it was all going well until he got
:16:53. > :17:02.into hold and suddenly stone face, didn't know what he was doing and
:17:02. > :17:05.it was really quite rancid. Lisa and Robin. Everyone gets
:17:05. > :17:11.excited when she gets on the floor. You can almost be confident when
:17:11. > :17:16.you watch her. Why is she so good? She has a natural talent and
:17:16. > :17:22.ability. Obviously, she needs to work on technique, as Len said. I
:17:22. > :17:31.couldn't agree more with Len. But she fills me with joy. I smile when
:17:31. > :17:34.she takes to the floor. I really want it to go well. It's exciting.
:17:34. > :17:43.Particularly on Saturday night when she sort of, you know, shrunk down
:17:44. > :17:47.the stairs like a pan they are and -- panther and went into it.
:17:47. > :17:53.will discuss more of our couples later. A double double dose of
:17:53. > :17:58.Craig on a Monday. Give him a round of applause! APPLAUSE In a moment I
:17:58. > :18:03.will be chatting to Victoria and Brendan, first a quick recap of
:18:03. > :18:10.their romantic rumba. I am beginning to see an actress
:18:10. > :18:15.emerging, which is fantastic. You do look like you have come off
:18:15. > :18:19.that movie set. You look beautiful in that. Just when you were
:18:19. > :18:23.starting to sizzle, you nearly boiled over. Then you got yourself
:18:23. > :18:33.into a mangle and lost concentration. It kind of fizzled
:18:33. > :18:35.
:18:35. > :18:40.out. Keep your eyes on the road The The comments were positive, on
:18:40. > :18:46.the whole. Rehearsals went well today and it's sad when it doesn't
:18:46. > :18:53.quite come together. Let me do it again!
:18:53. > :18:58.Please welcome Victoria and her officer - is he a gentleman?
:18:58. > :19:03.Sometimes. Congratulations. Before we discuss the dance, were you sad
:19:03. > :19:08.to see Jerry go? Definitely. She's been so much fun to have around and
:19:08. > :19:13.she's so funny in terms of wit and one-liners. Nobody can beat her for
:19:13. > :19:18.that. She kept morale up, like a mother hen? She does and sometimes
:19:18. > :19:21.she says the nicest most sincere things and you just go - like she's
:19:21. > :19:25.only talking to you and it means something. Just when you need it
:19:25. > :19:30.most. Are you relieved obviously not to be in the bottom two and you
:19:30. > :19:35.got through it? Yes, so relieved. So relieved! How was it out there,
:19:35. > :19:40.did you enjoy it? I enjoyed it until my heel got stuck and Brendan
:19:40. > :19:45.flashed my bum. Such a lovely bottom, though. I did it for the
:19:45. > :19:49.boys. And us girls, we loved it, too. And nearly strangling myself
:19:49. > :19:54.with chiffon. We are going to call that chiffon-gate. It's not going
:19:54. > :19:59.through a performance. You slipped down one place. Is that annoying,
:19:59. > :20:02.Brendan, or a consequence? Don't even think about where you are on
:20:03. > :20:06.the leaderboard from last week to week. Everyone performs differently
:20:06. > :20:12.and changes week to week. I was pleased with the dance, even with
:20:12. > :20:16.the fumbles here and there because actually as a week, as a concept,
:20:16. > :20:21.Victoria grew and became more of an actor and - she's had a
:20:21. > :20:25.disadvantage with the acting thing. We are getting it out slowly and I
:20:25. > :20:28.was thoroughly thrilled with what we did manage. Last week you were
:20:28. > :20:34.worried about serious face, rumba, romantic face. Was it easier than
:20:34. > :20:37.you thought on the night? It was. We practised a lot me trying to
:20:37. > :20:43.look into Brendan's eyes and looking really in love and the
:20:43. > :20:48.first two days I was giggling like a schoolgirl. Embarrassed. We got
:20:48. > :20:51.there in the end until obviously the chiffon-gate and I started
:20:51. > :21:01.laughing thinking please, let this be over now. A few bum comments
:21:01. > :21:23.
:21:23. > :21:26.from the judges because of this We have to re-enact it. I am sorry.
:21:26. > :21:31.But this week what are you going to be dancing to? This is exciting.
:21:31. > :21:37.Don't tell me the music. I am not allowed to know. Sorry. We are
:21:37. > :21:40.doing a tango. It's one of the easier ballroom dances to get into
:21:40. > :21:45.the character, you attack it. You give it - you can look at Craig's
:21:45. > :21:49.face and enjoy the moment of going... Oh, it's disgusting!
:21:49. > :21:53.are a charmer. He is a lovely boy. I love Craig. He is my favourite of
:21:53. > :21:58.all of them, I mean that genuinely. You are saying that because he is
:21:58. > :22:04.here. See, you have been taking a lot of stick tonight. I like it
:22:04. > :22:09.when he gets mad! Come on, Craig! APPLAUSE That showed you. It's more
:22:09. > :22:12.serious face, more drama. How is the acting coming along? Um...
:22:12. > :22:17.Tomorrow's going to be really helpful for getting that together.
:22:17. > :22:23.What do you say? Definitely. It's early days but we got through the
:22:23. > :22:30.choreography today. Tomorrow it's acting school. We like to call you
:22:30. > :22:38.Little Miss giggles. This is why. Oh, I sound like a chimp when I am
:22:38. > :22:42.laughing. I wish coy stop laughing -- I wish
:22:42. > :22:50.I could stop laughing but I can't. Sorry, it's not funny, it's serious.
:22:50. > :22:53.LAUGHTER Ha-ha! We have gone into delirious
:22:53. > :22:57.mode. LAUGHTER
:22:57. > :23:01.It could be worse, I could be crying.
:23:01. > :23:05.APPLAUSE It's true. We did make you something special. Look, no expense
:23:05. > :23:10.spared here. These are in case you have another
:23:10. > :23:15.little moment this week. Yes, I love those! They're tango colours
:23:15. > :23:22.and everything. Good luck with your tango this week. Thank you. Brendan,
:23:22. > :23:28.you are adorable. Brendan and Victoria! Earlier we teased you
:23:28. > :23:35.with a fact about Len. Was it true or baloney? I hope he was a welder.
:23:35. > :23:42.Was he? I am not sure. I asked you in his youth, Len worked as a
:23:42. > :23:48.welder in the London docks. I bet that got you thinking. It's
:23:48. > :23:58.Strictly true. He worked for the company that built the Titanic.
:23:58. > :23:59.
:23:59. > :24:05.Join me next time for another Strictly true or Strictly baloney!
:24:05. > :24:09.I love that! Len was a welder on the Titanic. No, same company. It's
:24:09. > :24:12.time to talk about the rest of the dancers. Please welcome back Craig
:24:13. > :24:17.Revel Horwood. Do you feel they're giving you a hard time at the
:24:17. > :24:21.moment, those dancers? Yes. You can take it. Dani and Vincent did the
:24:21. > :24:26.foxtrot. You loved this routine. It was beautiful. Talk me through it.
:24:26. > :24:30.What's special about it? She's very clean spins. When she does the
:24:30. > :24:34.turns, the only thing she does do, however, is look at the floor which
:24:34. > :24:41.I pointed out. It will help her if she looks out. Will that come with
:24:41. > :24:45.confidence? I hope so. It's more to do with retraining your body to
:24:45. > :24:52.actually look at a place and go to it. Then that will get higher marks.
:24:52. > :24:58.I think she's fabulous. She's gorgeous. Colin and Kristina and
:24:58. > :25:03.their Argentine tango. I loved this. They didn't have much time. What
:25:03. > :25:08.impressed you the most? Kristina's choreography. They couldn't do a
:25:08. > :25:13.million steps, plus the theme was restricting, because she had to
:25:13. > :25:20.tell the Bond story. The lifts were The Wisest thing to do -- the
:25:20. > :25:24.wisest thing to do and because he is so tall and she is so small,
:25:24. > :25:31.that's why I loved it. In Len's camp he would like to see more
:25:31. > :25:34.tango, a lot more footwork on the floor, of course. But it was
:25:34. > :25:40.Hollywood. You have to make allowances for entertainment.
:25:40. > :25:43.bit at the end with the gun. The timing was impeccable. Richard and
:25:43. > :25:47.Erin's quickstep, you even gave him a compliment this week. We thought
:25:47. > :25:51.you had a knock to the head. He's taking it a little bit more
:25:51. > :25:55.seriously which I really appreciated and I really loved. It
:25:55. > :26:00.shows in his movement. He's really doing this actually rather well.
:26:01. > :26:04.It's not brilliant, obviously. always have to take it back. Give a
:26:04. > :26:09.compliment, take it back! I am starting to enjoy his performances
:26:09. > :26:13.more. I love his face, as well. too. He gets into it. It's not
:26:13. > :26:18.obvious, you know, which is great. Louis and Flavia and their salsa.
:26:18. > :26:22.Quite a climax to Hollywood night. You said it was contained,
:26:22. > :26:25.simmering, understated. Yeah, I like the fact he underdanced it,
:26:25. > :26:33.rather than what you expect from a salsa, which is throwing yourself
:26:33. > :26:36.around like a lunatic and normally it's always connected with a lot of
:26:36. > :26:41.arm-ography and turns and stuff like that. It should be smooth and
:26:41. > :26:45.on one level. I love the fact it was sticking to a story, telling a
:26:45. > :26:49.story. Also, he had really nice hip action. Good hip action.
:26:49. > :26:53.wouldn't want to see that, darling? Careful where you go with that.
:26:53. > :26:59.Nicky and Karen's quickstep. Good to see Nicky back in the game. He
:26:59. > :27:06.had two tricky weeks and he pulled it out of the bag. Energy-wise and
:27:06. > :27:13.focus it was good. He was bbent- kneed all the way through which was
:27:13. > :27:19.driving me nuts. You need to go up on to the rise and he wasn't doing
:27:19. > :27:25.that. It looked like he pooped himself all the way through. Not in
:27:25. > :27:30.yellow trousers. There were more tango legs. Yeah, that is the
:27:30. > :27:34.biggest problem. Does this give encouragement? I am tphourpbged --
:27:35. > :27:39.encouraged because he feels, I think e he's done better and he is
:27:39. > :27:43.improving. If you do get that and a bit of confidence your dance will
:27:43. > :27:48.improve and you will get higher marks. Good, good. Victoria and
:27:48. > :27:54.Brendan and their rumba. You said great straight legs. Good hip
:27:54. > :27:58.action. What does she need to work on? She was doing so well. I was
:27:58. > :28:05.thinking, oh, you know, this is great. Then she turned the wrong
:28:05. > :28:12.way and was wearing the scarf as a shawl. A shame really. I mean, that
:28:12. > :28:17.really shouldn't happen! Is that the thing with costumes and props?
:28:17. > :28:20.She's doing a tango this week. your heel's going to get caught you
:28:21. > :28:26.have to learn thousand get out of it. It's live. All dancers have to
:28:26. > :28:31.learn. I do it in drag in a panto. You have had years of practice.
:28:31. > :28:35.have to be prepared for a costume malfunction! Get it unattached and
:28:35. > :28:39.it will be fine. Will you come back next week? Love to. It's Hallowe'en,
:28:39. > :28:43.I hope you are dressing up. That's all we have time for. A huge thank
:28:43. > :28:50.you to all my guests. Tomorrow I will be joined by the ones who got
:28:50. > :28:53.away, Michael and Natalie and Colin and Kristina will be here and Karen