:00:11. > :00:16.Hello. Welcome to Tuesday's It Takes Two. Despite giving us the
:00:16. > :00:24.Full Monty on Saturday, well almost, Michael and Natalie are here.
:00:24. > :00:30.APPLAUSE Making an appearance after their steamy ar Tyne tango, it is
:00:30. > :00:36.Colin -- Argentine tango, it is Colin and Kristina. She has all the
:00:36. > :00:42.moves - Karen Hardy is in the house. He is our very new fashion
:00:42. > :00:52.ambassador, please salute Mr Julien Macdonald. APPLAUSE Oh what fun!
:00:52. > :01:24.
:01:24. > :01:31.This is Strictly: It Takes Two. Please welcome your host, Zoe Ball.
:01:31. > :01:34.APPLAUSE On Saturday night, Michael and
:01:34. > :01:38.Natalie served up a cha-cha-cha, but the judges thought it was more
:01:38. > :01:48.tepid than hot! They will be here to talk to me in a minute. Let's
:01:48. > :01:48.
:01:48. > :01:56.take a look at their weekend story. Hot, it was not! You give your all
:01:56. > :02:04.and that's so important. Well done. I thought you had good hip action.
:02:04. > :02:14.Last week was Borehamwood - this week is Hollywood! Well done.
:02:14. > :02:20.
:02:20. > :02:30.was waiting for the Full Monty to distract me. Six! I got a six off
:02:30. > :02:31.
:02:31. > :02:36.Len! That will do for me. Craig is harsh! He is tough. Every week.
:02:36. > :02:44.Judges? Michael and Natalie. Michael and Natalie. Jerry and
:02:44. > :02:50.Anton. Michael and Natalie. Please welcome Michael and Natalie. Hello.
:02:50. > :02:54.APPLAUSE Were you surprised to be saved from the bottom two? Yeah.
:02:54. > :02:59.When you get yourselves in that position, Jerry has been great,
:02:59. > :03:03.she's been great value behind-the- scenes. None of us really wanted to
:03:03. > :03:09.see her go. I didn't want to go. So you dance-off and it is a horrible
:03:09. > :03:14.position. It is awful. You could see when the names were being read
:03:14. > :03:18.out, you were waiting, I could see the look on Natalie's face?
:03:18. > :03:25.didn't want Jerry to go. We love her. It is really difficult. She's
:03:26. > :03:31.gone and you are here! Oh no! move on. Yeah! Your performance, in
:03:31. > :03:36.places it was quite funny. Are you playing it for laughs? Or is it in
:03:36. > :03:41.your personality? I'm not going out to dance to make everyone laugh. I
:03:41. > :03:48.am clearly getting my steps wrong in terms of timing. The chair
:03:48. > :03:53.incident wasn't meant to happen. That was brilliant! I thought that
:03:53. > :03:57.was my best move(!) You were in the bottom two. Has that knocked your
:03:57. > :04:03.confidence? You don't want to be there. When you come through it, I
:04:03. > :04:08.spoke to Richard afterwards, you get a lift. You give it your all
:04:08. > :04:14.every time. You always give everything. I can't ask for any
:04:14. > :04:18.more than that. I will be back next week to do the same. Come on! The
:04:18. > :04:21.judges' comments were a bit mixed. Is he improving? Absolutely. You
:04:21. > :04:26.only have to see the difference from the jive week to this week. We
:04:26. > :04:32.have worked on the timing. In the dance-off I was holding you back,
:04:32. > :04:39.giving you the evils so you could stay in time. Every time she
:04:39. > :04:44.mentions "jive" I go... You get damp hands! Was it fun to wear
:04:44. > :04:48.glitter cricket whites? If I was in charge of cricket now, having seen
:04:48. > :04:53.those whites, I would get the team to wear them! Really? I would. A
:04:53. > :04:57.bit of glamour. How would that go down amongst England cricketers
:04:57. > :05:02.right now? Well, knowing a lot of the players quite well, I know they
:05:02. > :05:08.like a spray tan and they like to wear the odd sequins... Doesn't
:05:08. > :05:14.that play havoc with whites? creates havoc with your bedsheets!
:05:14. > :05:17.LAUGHTER Let's discuss that later. This week, it's quickstep time. You
:05:17. > :05:22.got 20 for your waltz. Have you high hopes for the quickstep?
:05:22. > :05:27.think so. Very, very happy with this one. It might be your dance.
:05:27. > :05:31.feel more confident in ballroom. Yeah. I want to arrive one week and
:05:31. > :05:37.just try and get some positive comments from Bruno and Craig. That
:05:37. > :05:41.is my goal. Work hard and then you never know. I might slide across
:05:41. > :05:45.that floor. You never know! Look what happened to Richard, he got a
:05:45. > :05:49.compliment from Craig. Yes. Dreams do come true. We know you are
:05:49. > :05:58.finding the quickstep a bit tiring, but we think we know why. Have a
:05:58. > :06:04.look. Like an old man! I'm not old. LAUGHTER
:06:05. > :06:09.# Granddad... # I need a rest! Rest time. Is that
:06:09. > :06:15.your favourite bit? Yes, sitting down!
:06:16. > :06:23.# That's what we all think of you... Raving - that will look quite cool.
:06:23. > :06:28.Great tune, this. I'm going to look a right fool! Cup of tea? No. Not
:06:29. > :06:33.yet. Brew? No. Come on! I thought you would have brought some cakes!
:06:33. > :06:42.I need a brew. # Granddad... #
:06:42. > :06:46.LAUGHTER Oh. Isn't that brilliant, when they
:06:46. > :06:50.fall over? It's been happening a lot lately. What has he done to
:06:50. > :06:55.you? How is quickstep training going? We are working on the timing,
:06:55. > :07:04.making sure all the steps are in place. Making sure you know it like
:07:04. > :07:08.the back of your hand! It is Hallowe'en Week. Will it be...
:07:08. > :07:13.are playing it straight this week. Just good dancing. It will be a
:07:13. > :07:17.great dance. That is the difficult bit. LAUGHTER You can do it! What
:07:17. > :07:22.about the criticism with the timing? How are you working on the
:07:22. > :07:25.timing? Well, I think it's one thing we really need to work on the
:07:25. > :07:29.most. You remember steps really well. I don't have a problem with
:07:29. > :07:33.you remembering the routine. We have to keep it in time. It is a
:07:33. > :07:38.matter of drilling every day, listening to the music and making
:07:38. > :07:42.sure that Michael can hear the counts properly. I can't wait.
:07:42. > :07:48.of repetitions. Lots of repetition. And do it again and again! We love
:07:48. > :07:52.you. We don't care what the others say. Thank you. Good luck. Thank
:07:52. > :07:57.you. APPLAUSE The choreography on Saturday involved some great
:07:57. > :08:07.storytelling, had some dangerous lifts and what Craig described as
:08:07. > :08:13.
:08:13. > :08:20.stompy, clompy and clumpy. Please APPLAUSE
:08:20. > :08:24.Karen Hardy! In gloves! Look at those. They are beautiful. The
:08:24. > :08:28.dancers had to combine the ballroom and Hollywood. Did they manage it?
:08:28. > :08:33.Yes, there were some highs and there were some lows. We see some
:08:33. > :08:39.that are nailed and some that fall into the traps. Not so many this
:08:39. > :08:43.year. However, the best of mastering Hollywood has to be...
:08:43. > :08:48.Drum roll! Louis and Flavia? Yes. Their salsa was so good. How easy
:08:48. > :08:51.is it for everyone to pull off Dirty Dancing? It was good?
:08:51. > :08:56.Choreography in general is normally a no-no to copy something. You want
:08:56. > :09:00.to be new, exciting and bring something to the floor. Such a
:09:00. > :09:03.dangerous gamble but what I loved was the attention to detail. So
:09:03. > :09:09.having picked the obvious moves that they did, let's look at what I
:09:09. > :09:15.have chosen here. Remember this body ripple that Patrick Swayze
:09:15. > :09:20.did? Oh yes! Brilliant. There's a whole big talking about how the
:09:20. > :09:24.marking went on this. This was Hollywood. It was great
:09:24. > :09:28.choreography. She had everything from the classic lifts, to the
:09:28. > :09:33.detail of the body rolls. He worked exceptionally hard. When you looked
:09:33. > :09:37.closely at the dancing, it was a little bit weak. Really? Never mind,
:09:37. > :09:42.for Hollywood, it was phenomenal and a standing ovation rightly so.
:09:43. > :09:51.I leapt up at the end of that. Lisa and Robin and their jive. Some of
:09:51. > :09:58.the jumings said it needed -- the judges said it needed more bounce?
:09:58. > :10:05.Yes. If we have a look here, she has to bring her weight much more
:10:05. > :10:09.forward. You have to have a saggy bottom. Then the legs can kick much
:10:09. > :10:13.easier. You always kick from the knees, if you kick from the feet it
:10:13. > :10:17.doesn't look like it is light and springy. So what she did there,
:10:17. > :10:20.sadly, the weight was too vertical. Richard and Erin and their
:10:20. > :10:24.quickstep. He was in the bottom two last week. It was so good to see
:10:25. > :10:29.him do well this week. What did Erin do with Richard to make him
:10:29. > :10:33.look so good? We had more dancing and less prancing, which made me
:10:33. > :10:38.very happy. The greatest thing of all is the hidden clever elements
:10:38. > :10:43.that they are doing. Look at this. What he does, he leads her into
:10:43. > :10:46.place. And now he leads her on the dancefloor. How do I know that? She
:10:46. > :10:50.is going backwards all the way around the dancefloor. This puts
:10:50. > :10:54.Richard in control. She has to trust him. This will give him a
:10:54. > :10:59.feeling of confidence. That sort of choreography really lifted Richard
:10:59. > :11:04.and I just thought it was a great performance. He gets a gold star!
:11:04. > :11:08.Now, Sid and Ola and the tango. Was it a case of too much head banging
:11:08. > :11:14.and not enough tango? Yeah. What he had to do, and the piece I have
:11:15. > :11:18.chosen here, he's meant to be going into tango. Actually, this bit of
:11:18. > :11:22.choreography is clever. He is doing tango without a hold. It didn't
:11:22. > :11:27.look like tango because he stomped around and all he's thinking about
:11:27. > :11:30.is this music... He was trying to play the guitar, too! Maybe he
:11:30. > :11:34.should have thrown the guitar aside? He should have done. The
:11:34. > :11:38.character of tango, what is it? You did one of the most memorable
:11:38. > :11:42.tangos of all. Do you remember, down in the knees, if he had done
:11:42. > :11:49.that as well, he would have been brilliant. Sadly, we lost all that.
:11:49. > :11:52.Oh. The thing is, if you get angry when you do the tango, it works!
:11:52. > :11:55.Colin and Kristina and the Argentine tango. Kristina
:11:55. > :12:00.choreographed some incredible lifts. Did she do this to distract from
:12:00. > :12:06.the lack of Argentine tango? It is really sad. I heard they only had
:12:06. > :12:11.ten hours and... That's all they had. He was filming in Canada.
:12:11. > :12:15.we have a look at this straightaway, you can see he's standing and
:12:15. > :12:20.supporting. It was the best they could do. Could you imagine, do you
:12:20. > :12:24.remember the leg decorations, when they do the whole... Can you
:12:24. > :12:28.imagine rubbing Colin's leg?! Oh. It would have been gorgeous. Let's
:12:28. > :12:34.hope that she doesn't have to go through that again and let's look
:12:34. > :12:38.forward to what they are going to do. I loved it. Fern and Artem, the
:12:38. > :12:44.judges were disappointed. What does she need to do to get them on her
:12:44. > :12:50.side? Let's have a look. It just looks like, OK it is soft and
:12:50. > :12:55.elegant. Maybe she was trying to be Mary Poppins? She has got a bit of
:12:55. > :12:59.punch to her? She does. What did we talk about? The character is there,
:12:59. > :13:04.the music is there, but they have to deliver the character of the
:13:04. > :13:09.Charleston, not the character of Mary Poppins! It is so confusing.
:13:09. > :13:13.They can do it. Kimberley and Pasha. Has Kimberley shown that she is a
:13:13. > :13:17.real strong contender? Jerry was saying she would like to see her
:13:17. > :13:20.win? Yeah, I think I said before she fell into that nice category
:13:20. > :13:25.for me. Never want to be in that area. What I saw this time was the
:13:25. > :13:32.fight came back. I loved it. I was excited to watch her performance.
:13:32. > :13:35.That is what Hollywood Week is about. This is something that will
:13:35. > :13:39.go through the entire competition. She goes in beautifully, there was
:13:39. > :13:44.a little hiccup there. There's a moment here that we are going to
:13:44. > :13:48.freeze on. Len picked up on this, saying that she was too much to
:13:48. > :13:54.Pasha's right side. That made the arm out straight. We can see it
:13:54. > :13:59.here. We should never see the right side of the body. Her tummy should
:13:59. > :14:05.be closer to Pasha's tummy? What we teach, take your belly button and
:14:05. > :14:11.turn it into the man. You turn your belly button - look what it will do
:14:11. > :14:18.to my head. My head goes out. simple. Everything else goes out,
:14:18. > :14:22.this is what happens. Think. Belly buttons in. Nicky and Karen and
:14:22. > :14:26.their quickstep. He's here! He's turned it around? He has.
:14:26. > :14:33.Absolutely brilliant. He's got that fight. I refuse to give in! I will
:14:33. > :14:37.get it right! Then he gets it so wrong from the first step. No! Why?
:14:37. > :14:42.Look. They were all commenting about our lovely Nicky looking like
:14:42. > :14:48.he is doing tango. I need to explain what this means. He
:14:48. > :14:53.delivered a fantastic routine with great exertion. The problem is
:14:53. > :14:58.technically he was wrong. Those knees, can you see they are so low?
:14:58. > :15:02.Yes. If we play this on, it makes it look heavy. It is not that you
:15:02. > :15:06.want the legs to be dead-straight, but in a quickstep you need to be
:15:06. > :15:10.slightly higher out of the knees so we call them straight not locked.
:15:10. > :15:16.He's gone to the opposite which was those really heavy knees. However,
:15:16. > :15:20.I have faith in this man. He is going to nail it and he will come
:15:20. > :15:23.out from nowhere. Each time he is getting stronger and stronger.
:15:23. > :15:29.Denise and James? Every week she is sharing the top spot with Louis.
:15:29. > :15:33.What can she do to trump him? was elegant and beautiful. She was
:15:33. > :15:37.a doll, but she's got to sell the emotion of the foxtrot, not the
:15:37. > :15:41.emotion of a doll. Her quality was exceptional. The dragging of the
:15:41. > :15:47.heels, the closing of the feet, first-class, in the hardest dance
:15:47. > :15:53.of them all. She's got to sell each one now. OK. She looked really
:15:53. > :15:56.nervous, Denise. Yes. Stunning. Victoria and Brendan and their
:15:56. > :16:01.rumba. Do you think Victoria would benefit from simpler choreography
:16:01. > :16:06.or do you think she is getting it? No. She needs her cycling coach
:16:06. > :16:11.back in the room, or she needs the big bad Brendan back. I think it is
:16:11. > :16:15.too nice and too sweet. Too much giggling going on. I would like to
:16:15. > :16:20.see that competitive edge. Get the coach in, get big bad Brendan back
:16:20. > :16:23.and say, "If you want to be in this competition, fight!" The only
:16:23. > :16:29.reason I'm saying this is she can be brilliant. She can be brilliant
:16:29. > :16:36.because I have seen it now. Get the coach in! Thank you very much.
:16:36. > :16:38.She's gorgeous. Karen Hardy! APPLAUSE I salute you. Right, our
:16:38. > :16:42.next couple received stellar comments for their passionate
:16:42. > :16:52.Argentine tango and they have lifted themselves up the
:16:52. > :16:52.
:16:52. > :16:56.leaderboard. Let's relive their golden moment from the weekend.
:16:56. > :17:01.only thing in an Argentine tango I would have liked to have seen a
:17:01. > :17:08.much dirtier spy. For me, there wasn't enough Argentine tango going
:17:08. > :17:12.on. But what you did, you did OK. You can take anything they throw at
:17:12. > :17:22.you and she will throw you everything! It was full of
:17:22. > :17:27.
:17:27. > :17:34.authority, dominance, which I loved. Fantastic work. Thrilled. I like
:17:34. > :17:39.the getting dirty! What she asks for she always gets. Please welcome
:17:39. > :17:44.Colin and Kristina! APPLAUSE Hello. Can I say in our household, when we
:17:44. > :17:48.were watching your routine, there was air punching at the end of it.
:17:48. > :17:51.That bit with the... Fantastic choreography. Thank you. She is
:17:51. > :17:56.good. She is great. Were you pleased with your scores? As the
:17:56. > :18:02.weeks have gone on, you got 23, 24 and 26. You are going in the right
:18:02. > :18:07.direction? Absolutely. That is the key. Eventually, you will get to
:18:07. > :18:11.the right place. Were you pleased? I was. It was a tough week. We went
:18:11. > :18:17.to Canada. Skipped three days of training. You did ten hours in
:18:17. > :18:21.total? Yes. In total. It was very challenging. I tried my best. I'm
:18:21. > :18:26.so proud of him. See, what would happen if you gave him only nine
:18:26. > :18:33.hours? No, I don't think we need that experiment! No. The judges
:18:33. > :18:37.loved the lifts. We loved them. Did you? I did enjoy the lifts. It is
:18:37. > :18:45.lovely to flex a beautiful woman in your arms. LAUGHTER Not many can
:18:45. > :18:49.say that! No. Not with such skills. How risky were those lifts? They
:18:50. > :18:57.were. I'm too excited to have Colin as my partner. He is a very
:18:57. > :19:01.strongman, he is tall, I can use my height with the lifts. So quite
:19:01. > :19:09.excited. I can just do many difficult lifts. Imagine where this
:19:09. > :19:13.is going to go. "Absolutely loved it, what a show, fabulous!" Thank
:19:13. > :19:17.you. Lots of praise for your acting as well. Were you more comfortable
:19:17. > :19:21.this week as it was Hollywood Week and you had the Bond character to
:19:21. > :19:25.play? It was more the Argentine tango that gave me the focus. When
:19:25. > :19:32.I was doing my research, if you look online, there's some seriously
:19:32. > :19:37.sexy men on there, who smoulder and the girls have no escape from them.
:19:37. > :19:44.They are these wolves. I used that as my inspiration. There is no
:19:44. > :19:54.secret that you have appeared in a Bond film. We thought we would make
:19:54. > :20:08.
:20:08. > :20:15.You drop us in, we do what we have to do and we get out. We will
:20:15. > :20:19.achieve our mission. I can do this. You can do everything! I know.
:20:19. > :20:24.Pretend it doesn't hurt. Pretend there's no pain. Colin is my James
:20:24. > :20:28.Bond. He is a strong, handsome man and nothing is impossible for us.
:20:28. > :20:38.Very good. Very good, Mr Bond. Kristina is a natural Bond Girl,
:20:38. > :20:39.
:20:39. > :20:43.she is sexy, she has skills. She is dangerous. APPLAUSE Really good.
:20:43. > :20:47.You can keep that forever and show your grandchildren. Thank you.
:20:47. > :20:51.Let's talk about the salsa. I'm imagining that this is a dance you
:20:51. > :20:56.will really enjoy? I am looking forward to it. The hips are back
:20:56. > :21:01.into play. It is sexy. I can smile. I can have fun. I'm out of the
:21:01. > :21:07.frame. He wants to be dirty. Let's discuss this, Darcey wants you to
:21:07. > :21:12.be dirtier. Well, I say, how can you bring that out in a salsa?
:21:12. > :21:14.salsa literally means "sauce" in Spanish, so it is spicy, it is hot,
:21:14. > :21:21.there's lots of different ingredients in there. That is what
:21:21. > :21:25.we will have on Saturday night. few peppers... OK. What are your
:21:25. > :21:29.family thinking of your performance in the show? Are they enjoying the
:21:29. > :21:32.experience of being a Strictly family? My Dad, my family,
:21:32. > :21:40.everybody is backing me, but I spoke to my Dad today, he said, "It
:21:41. > :21:47.is great, but you have to bring yourself to smile more." Is he a
:21:47. > :21:52.good dancer? He's the Dad dancer. He stands and his hips go. I will
:21:53. > :21:57.be using some of your moves, mate! Come on, Dad! Excellent. Are you
:21:57. > :22:02.thinking this could be a good one, Kristina, this weekend? I think so.
:22:02. > :22:06.I think the cha-cha was really good. Colin really enjoyed it. I think
:22:06. > :22:11.the music is really great. We have a great tune. So hips are moving,
:22:11. > :22:16.he feels the rhythm so I am hoping it will be a good dance. I want to
:22:16. > :22:22.throw down! You are going to get dirty? Apparently so. Colin and
:22:22. > :22:26.Kristina! APPLAUSE Thank you. can't wait. Hollywood Week meant
:22:26. > :22:31.the fashion bar was raised higher than ever before. Here to tell us
:22:31. > :22:41.who dazzled on the dancefloor is our new member of the It Takes Two
:22:41. > :22:48.
:22:48. > :22:55.Please welcome our fashion ambassador, Julien Macdonald.
:22:55. > :23:01.APPLAUSE Thanks for bringing more sparkle into our Glitterball studio.
:23:01. > :23:07.So, you have chosen three of your favourite outfits on Saturday night.
:23:07. > :23:13.We will go in reverse order. Who did you like at three? This is the
:23:13. > :23:17.fabulous Lisa! Work it! What was so great about this dress? I love her.
:23:17. > :23:21.Everybody needs a little black dress, but wow, this is an
:23:21. > :23:25.incredible little black dress. It is amazing! What is so amazing? I'm
:23:25. > :23:31.going to fall off my chair! What is so amazing about it? What are the
:23:31. > :23:37.Strictly touches that they have put to this? It is very 19 20s, it has
:23:37. > :23:42.the flapper style. She looks amazing. She is having so much fun
:23:42. > :23:47.in the dress. She is. There's all that movement there. And you have a
:23:48. > :23:53.little black dress but with that extra Strictly thing, the red in
:23:53. > :23:59.there and the red in her hair? red makes it on trend. Red is a
:23:59. > :24:09.great fashion colour. It highlights a fabulous little black dress
:24:09. > :24:11.
:24:11. > :24:15.making it into a fashion must-have. Is this a flattering shape for
:24:15. > :24:21.Lisa? She looks incredible. I want to wear that dress myself! That can
:24:21. > :24:25.be arranged, we have it here. LAUGHTER Well done to Lisa. She was
:24:25. > :24:30.at three. Who is your number two this week? My number two this week
:24:30. > :24:36.is the gorgeous Dani. She is definitely a friend of Dorothy.
:24:36. > :24:43.She's so pretty, so feminine, so light. It looks like candy floss.
:24:43. > :24:47.Yes. So sweet and very girlie and useful, like she is. What arest
:24:47. > :24:52.Strictly touches on this frock? Everybody loves a Prom dress. This
:24:52. > :25:00.is a really Strictly Prom dress. I love the touch of colour. I like
:25:00. > :25:05.the red, I like the fashion details. The fabulous fashion bracelets.
:25:05. > :25:09.With a bit of sparkle on them there. Tell me about the bodice of this.
:25:09. > :25:19.You have still got the gingham, haven't you, of Dorothy?
:25:19. > :25:20.
:25:21. > :25:26.gingham is a great fashion trend at the moment. It's been Strictlified
:25:26. > :25:29.in crystals! I have never seen them in my life. I don't believe that. A
:25:29. > :25:37.beautiful dress and she wore it so well. Did na help her with the
:25:37. > :25:42.dance? She did. She obviously loved the dress and the red shoes and she
:25:42. > :25:48.was amazing, effortless and a total dream to watch. Which leads us to
:25:48. > :25:55.your number one outfit of the weekend. Which belongs to? The one
:25:55. > :26:02.and only Jerry Hall! Jerry, oh, she did look great. What did you like
:26:02. > :26:07.about this dress? Well, she's definitely the lady in red. She's
:26:07. > :26:12.effortless, she is Hollywood. She is a Hollywood star. I can't
:26:12. > :26:15.believe she's gone. I know. Bring her back! Do you think that - this
:26:15. > :26:21.dress looks amazing, but could she wear anything and make it look
:26:21. > :26:25.good? She could make a black bag look fabulous. She has it all -
:26:25. > :26:29.long legs, incredible hair, that she swoops over one side, fabulous
:26:29. > :26:33.red lips. The dress is just effortless. It is a wrap-around
:26:33. > :26:37.dress. She makes it look like she's been sleeping in the dress all
:26:37. > :26:42.night! She probably did. Tell us about the back detailing. It is
:26:42. > :26:49.quite saucy at the back and the reveal of the leg? It's got an
:26:49. > :26:53.amazing split. Look at those godets! I was wondering how long it
:26:53. > :26:58.would be before "godet" came into this. What is a godet? A triangle
:26:58. > :27:05.that is inserted into a skirt to give it lots of volume! It's a
:27:05. > :27:10.godet! Underline that three times! Brilliant. The detailing at the
:27:10. > :27:15.back, you liked that? The detail is great. It is great to see her in
:27:15. > :27:22.something backless. It is a tale of two cities. It is chic at the front
:27:22. > :27:25.and she turns round, wow! Very Katharine Hepburn. One mention - it
:27:25. > :27:29.is not just on Saturday night that our celebrities are working on
:27:29. > :27:33.these fashion trends. Also in the training room, and you have spotted
:27:33. > :27:39.something, haven't you? I have spotted something very, very funny.
:27:39. > :27:44.My fashion fix this week has to be Louis' hair. Look at it. He's
:27:44. > :27:51.shaved all his hair off. It is this little strip, it is like a
:27:51. > :27:56.moustache on the front! LAUGHTER He does fashion it into all different
:27:56. > :28:04.styles. Can we all try this look? I'm going to give it a go myself!
:28:04. > :28:09.Come on! Beautiful. I have a little Louis strip. LAUGHTER But in true
:28:09. > :28:13.Strictly style, it needs a bit of sparkle. It needs a bit of crystal.
:28:13. > :28:19.So... What have you done? I have added a touch of a crystal bow, a
:28:19. > :28:27.bit of Dorothy. Look at that. APPLAUSE I'm doing a Louis! Will
:28:27. > :28:33.you wear that out tonight? I'm not taking it off! Thank you so much to
:28:33. > :28:39.Julien Macdonald. APPLAUSE You gorgeous man! Can I borrow that?