:00:13. > :00:22.Good evening. It's boys' day on the show. I'll discuss Halloween, trick
:00:22. > :00:27.or treat with Fern and Artem. Hollywood, Halloween! Also we
:00:28. > :00:33.discuss, is the tango truly terrifying, if so, is it for Nick
:00:33. > :00:38.and Karen? He's all on his lonesome tonight, but we don't care cos
:00:38. > :00:41.Sid's here! We'll have a peek at the fabulously fiendish costumes
:00:41. > :00:51.our couples will be wearing this weekend and we have a look in the
:00:51. > :01:19.
:01:19. > :01:28.training rooms. Let's get on with Live from Television Centre, this
:01:28. > :01:32.is Strictly It Takes Two. Please welcome your host, Zoe Ball!
:01:32. > :01:37.Hello and welcome to It Takes Two. Today's Halloween extravaganza is
:01:37. > :01:40.days away and the fear is creeping in. I'll be talking scare tactics
:01:40. > :01:44.with Fern and Artem in a moment but first a look at how some of the
:01:44. > :01:49.girls are getting on in training. Looking good, ladies.
:01:49. > :01:54.This week, we are dancing the cha- cha-cha. The fun and games are over
:01:54. > :02:00.so I think she's going to see the tough, scary James this week.
:02:00. > :02:04.say to turn? No. So what does that mean? Don't turn. She cracks jokes
:02:05. > :02:10.and it make mess smile but I'm not reacting. Crack a smile. We are
:02:10. > :02:14.half way through and still haven't finished the routine. Really trying
:02:14. > :02:19.to create a great dance and I'm struggling. You have to help me
:02:19. > :02:23.with using your feet. All right. I get frustrated. I want to know the
:02:23. > :02:28.routine so I can work on the technique. I'm stressing about the
:02:28. > :02:34.choreography and what it's going to look like. I'm freaked about
:02:34. > :02:38.Saturday. The Strictly does Halloween, Brendan and I will be
:02:39. > :02:43.dancing the tango. The great thing about tangos is it allows you to do
:02:43. > :02:47.dramatic, powerful stuff. I want you attacking it and in it! I'm not
:02:47. > :02:57.confident with the steps. I find it hard to stamp them out with any
:02:57. > :03:12.
:03:12. > :03:15.kind of authority. One, two, three, four, five, six, seven....
:03:15. > :03:17.Powerful, Dance It And Get On Your Feet! Focus On The Attack Of This
:03:17. > :03:20.Dance. Blow The Others Out Of The Water! Brendan want mess really
:03:20. > :03:23.just to go for it and commit. We'll get there. Still a couple more
:03:23. > :03:25.days' training to go. It will be plain sailing and lots of fun from
:03:25. > :03:27.here on in. This week is American Smooth.
:03:27. > :03:31.quick, slow. Good. There is these driving steps. It's very technical.
:03:31. > :03:39.A heel turn. I think that's what it's called! And they're quite hard
:03:39. > :03:42.to get right. One, two, three, bend You are counting and dancing
:03:42. > :03:46.something different. The simple steps will only done good when they
:03:46. > :03:51.are done technically correct. Slow, quick, queck... Artem is drilling
:03:51. > :03:57.me on a lot of steps. Bend your right leg to go into the next step.
:03:57. > :04:01.With a bit of luck, I shall get them right for him. We are doing
:04:01. > :04:06.quite OK actually. Because they are practically perfect in every way.
:04:06. > :04:10.Please welcome Fern and Artem. Pch-APPLAUSE
:04:10. > :04:14.It's tough watching that, it's tough watching it. We have had a
:04:14. > :04:19.difficult week. One of those weeks?! We have had that kind of
:04:19. > :04:24.week, yes. Your charleston last week. Did you enjoy being Mary
:04:24. > :04:28.Poppins? Loved it all. The routine and the costumes. We enjoyed it,
:04:29. > :04:32.didn't we? We did. Did your kids enjoy it? They were watching
:04:32. > :04:37.something else! You are joking! they are very laid back about this.
:04:37. > :04:42.They are not watching the other side? I think they were watching a
:04:42. > :04:47.DVD. Perfectly acceptable. Slipped a bit in the lead eboard and
:04:47. > :04:52.despite that, do you feel like you are improving? Can you feel the
:04:52. > :04:56.change? Yes! Yes. Thank you. Nice prompting Artem, brilliant. Just in
:04:56. > :05:01.case any of the judges are watching! You are the first to
:05:01. > :05:06.Charlton here. Does that make it more daunting if no-one's done the
:05:06. > :05:10.dance before or does it make it easier to do with no-one else to
:05:10. > :05:15.follow? Actually, I enjoyed it and we had fun doing it. If someone
:05:15. > :05:20.else had gone before, maybe it would have been more daunting. It
:05:20. > :05:27.was more daunting to go out first again! You are a show opener!
:05:27. > :05:34.said to me beforehand, first out, first off! Encouraging! Yes,
:05:34. > :05:39.exactly. Talking of the judgeser Artem, Craig said it was laboured,
:05:39. > :05:44.Len said he wanted more charleston. Your thoughts, please? My thoughts.
:05:44. > :05:51.I think Fern is improving and it's a shame that we have slipped down
:05:51. > :05:54.the leaderboard because I thought she did better. I was sad for Fern
:05:54. > :05:58.that she didn't get the praise that I thought she deserved. But hey,
:05:58. > :06:03.the judges are there to judge us so fair comment I guess. Do you think
:06:03. > :06:06.there's anything in different ages of contestants that perhaps, like
:06:06. > :06:14.engulf and take all these things like handicaps into consideration.
:06:14. > :06:18.If you are a bit older, do you think so, no?Er No. They don't, do
:06:18. > :06:25.they? I try and be as physically fit as possible. You did say to me
:06:25. > :06:28.a few weeks ago "Fitness is not a problem". Well, it's not. I think
:06:28. > :06:34.we should have different expectations from different people,
:06:34. > :06:39.isn't it? The expectation for Fern, I thought she was right for it. I
:06:39. > :06:44.don't think you could have done any better than we did. I agree.
:06:44. > :06:49.whole week when we rehearsed, always the parts that didn't go
:06:49. > :06:56.quite the way they were supposed to and on the night everything went
:06:56. > :07:02.fine. Perfectly, yes. We did the best we could, Well I did the best
:07:02. > :07:06.I could. Is it an American smooth quickstep or foxtrot? Foxtrot. I
:07:07. > :07:14.didn't know that till yesterday. How is it going? Let us have a
:07:14. > :07:18.listen to your music. Halloween week remember. Nice! Nice tune.
:07:18. > :07:23.Fabulous. It's a fantastic routine and we have been working hard on it
:07:23. > :07:27.and we haven't, you know, let's say we've had a couple of tense moments.
:07:27. > :07:34.Yeah, we did. Has the terminator made a return to the training room?
:07:34. > :07:39.I think he may have had a couple of terminator pills, but then, you
:07:39. > :07:43.know that's fine because we talk about it. That's OK. Never quite
:07:43. > :07:47.goes away, he never does, put it that way. He's always in there.
:07:47. > :07:51.Always brooding. Are you doing any lifts? You are allowed three lifts
:07:51. > :07:54.in the American smooth? We are doing lifts. I'm lifting him and
:07:54. > :07:59.spinning him round. You were giving Lisa and Robin a run for their
:08:00. > :08:09.money in the training room. Let's have a look at this. You are skinny.
:08:09. > :08:16.Am I? Yes, I can get my arms all around you. Skinny. Oh, my God. You
:08:16. > :08:26.just did a lift to me. Of course I can lift you. Strong. I am strong.
:08:26. > :08:32.He needs to know that I'm still in charge!
:08:32. > :08:42.Have you got any props? We have had skird og ra fi, brolly og ra fi,
:08:42. > :08:42.
:08:42. > :08:47.anything else? Mir rog-ography. Good luck on Saturday, it's going
:08:47. > :08:52.to be beautiful and keep that terminator friend locked in the
:08:53. > :08:56.cupboard. He's a good boy. There's a lot of love between you. He's so
:08:56. > :09:00.gorgeous. Gorgeous. Thank you. week we show youd some fantastic
:09:00. > :09:07.moments that were recreated by some of you at home. We are loving this!
:09:07. > :09:17.Some more brilliant ones have come in. These with - are two of our
:09:17. > :09:17.
:09:17. > :10:33.Apology for the loss of subtitles for 75 seconds
:10:33. > :10:38.Back to the training rooms to see how some of the boys are shaping up,
:10:38. > :10:42.oh yes! This week, we are doing the
:10:42. > :10:45.quickstep and the challenges with those are that they are quick steps
:10:46. > :10:50.and anything cha's challenging, it can go wrong. There's loads of
:10:50. > :10:56.content. Lots of things to remember. You can not step one foot out of
:10:56. > :11:01.place in quickstep. Very, very hard to pick it back up. A fraction
:11:01. > :11:06.late... We have worked incredibly hard, our feet need ice buckets.
:11:06. > :11:10.Five exsix, seven eight, good... It's all about hard graft. We are
:11:10. > :11:14.not going to leave a stone unturn and I won't let him go out there
:11:14. > :11:19.until he knows the routine like the back of his hand. Desperate not to
:11:19. > :11:25.be in the bottom two, desperate to improve and get better marks.
:11:25. > :11:31.week, Richard and I are doing the paso doble. Richard will be the
:11:31. > :11:35.matador and there'll be no mincing. I don't mince. And I am his cape.
:11:35. > :11:41.Usually up for more of a caper than a cape. He's got to be angry and
:11:41. > :11:46.I've been making him angry. trying to... What, what? Argh...
:11:46. > :11:51.She's winding me up deliberately to get me into character and it's
:11:51. > :11:55.working! There is a lot of acting involved. He's got to become the
:11:55. > :12:00.matador and remember the steps. I know he can do it. The simplest of
:12:00. > :12:05.steps as well. This are you teen from the beginning hinges on me
:12:05. > :12:12.rising to the occasion and if I droop, the whole thing will fall
:12:12. > :12:18.apart. I'm training with Sid because Ola
:12:18. > :12:22.is away and we'll be doing cha-cha. Cha-cha is good, difficult, a lot
:12:22. > :12:28.to remember. Sid has a difficult job this week. He'll have to please
:12:28. > :12:33.two teachers, me and Ola. Good job. We've done a lot. She's been really
:12:33. > :12:41.good. Fatigue's kicked in really today I think. I learn steps quite
:12:41. > :12:46.easily but it's doing it in time which is the tricky part. I think
:12:47. > :12:53.he can handle pretty much anything I have ready for him and I'm
:12:53. > :12:57.confident he'll do really well. He showed us his inner rock God
:12:57. > :13:01.last week - I quite enjoyed it. Sid Owen!
:13:01. > :13:07.Hello, Sid. How are you? Before we start, we must say you are sat here
:13:07. > :13:12.on your own because Ola's not here. Are you missing her? I do in a
:13:12. > :13:16.strange way yes. Even though she tortures you week after week.
:13:16. > :13:23.She'll be back hopefully for next Saturday. Last Saturday, have you
:13:23. > :13:27.watched it back? How was the whole experience grour? -- for you?
:13:27. > :13:30.haven't watched it. I watched the first couple. I was so upset after
:13:30. > :13:34.this, I didn't feel like watching it. You could see how visibly upset
:13:34. > :13:39.you were. In training, Ola said last week she felt you might have
:13:39. > :13:43.been a bit embarrassed of the character you had to play? No, it
:13:44. > :13:49.was just the song. Not that I know that much about music and dance,
:13:49. > :13:56.but I didn't put tango to that song and it was such a transition from
:13:56. > :14:02.going rock and into a tango. If you feel it doesn't really work - I had
:14:02. > :14:07.a similar thing with the paso doble. Yes, I wasn't feeling it. Difficult
:14:07. > :14:14.to do wit conviction, although you looked like you were playing proper
:14:14. > :14:19.chordz on the guitar. Yes, I did my homework. The three boys gave you a
:14:20. > :14:23.hard time?: yes, it was a bit of a shock because you've done it before,
:14:23. > :14:30.you know, all that's important is not to mess up the steps, do it in
:14:30. > :14:35.time which I thought I did. So I thought, well, it could have been,
:14:35. > :14:44.I could have got a few better remarks. You looked visibly upset.
:14:44. > :14:49.I thought all the women would run on to the floor to kiss you because
:14:49. > :14:53.you looked upset. Did you go away and get upset? On the Thursday and
:14:53. > :14:58.Friday I kept getting it wrong and I didn't want to let Ola down. She
:14:58. > :15:04.had a tough week and we weren't feeling it, so I was more worried
:15:04. > :15:07.about getting my steps right because I kept getting it wrong on
:15:07. > :15:17.the Friday and in the Saturday dress so I was overjoyed that I
:15:17. > :15:21.didn't mess the steps up. And you still got negative comments. Leslie
:15:21. > :15:24.from Crawley said: Great per more fans, sue peesh effort, didn't feel
:15:24. > :15:30.the judges' comments were totally fair and not at all constructive.
:15:30. > :15:33.Boo to the Junes this time. Leslie's 100% right, ain't she.
:15:34. > :15:39.Leslie is his mum! Cheers, Les! Does it give you a boost to have
:15:39. > :15:43.the public behind you? Yes, it's incredible. I want to do well, it's
:15:43. > :15:49.disappointing when we try to get a bit of a boost from the judges
:15:49. > :15:53.because it does help. It does knock you down a bit. Monday, Tuesday, I
:15:53. > :15:58.thought, I'm not feeling it. Tough to pick yourself up? With a new
:15:58. > :16:05.partner as well. But she's lovely, so patient, completely different
:16:05. > :16:10.from Ola. It's like being on holiday! It's an Ola-day! Yes.
:16:10. > :16:16.are doing the cha-cha-cha this week. How is it going? It's going. It's
:16:16. > :16:21.all right, yeah. I'm not a lover of this song. The song yet again, here
:16:21. > :16:25.we go, listen to this... Something strange in the
:16:25. > :16:30.neighbourhood # Who you gonna call
:16:30. > :16:37.# Ghostbusters... # They are making you dress up again
:16:37. > :16:42.for Halloween? I don't know. I've got a gimmick but not for too long.
:16:42. > :16:47.I've got a gun to throw away. week a guitar, this week a gun. You
:16:48. > :16:52.are not being the marshmallow man? No. Ola is coming back to dance
:16:52. > :16:55.with you on Saturday. How much practise time will you have? A few
:16:55. > :17:02.hours tomorrow and the dress run and that's it. It will be brilliant,
:17:02. > :17:06.Sid, keep the faith. You are brilliant. Fingers crossed. Leslie
:17:06. > :17:11.liked it. She loved it. Time to check up on the rest of the
:17:11. > :17:15.girls to see how they are handling the Halloween choreography.
:17:15. > :17:19.This week we are dancing the charleston. It's insanely quick.
:17:19. > :17:25.Who needs aerobics when you do this dance. The sweat is flowing. You
:17:25. > :17:32.are like a swimming pool. It's grost. My legs are caning me now. -
:17:32. > :17:38.- gross. Any part of it you can do sitting down here? Did youds miss a
:17:38. > :17:42.step? Yes. It's the first time I've got a sector of the routine where
:17:42. > :17:45.I'm dancing all by myself. mostly worried that if she gets
:17:45. > :17:50.that wrong, it will freak her out for the rest of the number and it
:17:51. > :17:55.will all fall the pieces. So sorry. Stop crossing, Lisa! If I don't get
:17:55. > :18:01.that right, we are in trouble because that sets it all up. I
:18:01. > :18:05.can't move. Can't move. Ff This we can we are going the cha-
:18:05. > :18:11.cha-cha, it's so fast, my feet won't keep up with it. Unsure how
:18:11. > :18:16.I'll make this look half decent. decided to raise the bar. The
:18:16. > :18:24.choreography is complicated and Dani's panicking. It's too fast, I
:18:24. > :18:28.can't do it. It's not. It is. beautiful. I'm petrified. If I can
:18:28. > :18:33.take the speed up by 50%, it will be perfect. I want to show
:18:33. > :18:36.everybody what she can do on the dance floor. You can do this.
:18:36. > :18:42.I know, I can. Vincent is dragging me around because I've got no idea
:18:42. > :18:47.what I'm doing. Hopefully he can drag me through on Saturday.
:18:47. > :18:56.We are dancing a paso doble. I'm getting on well with the dance this
:18:56. > :19:01.week. Don't look at me. The paso is all about the character. I'm trying
:19:01. > :19:06.to get Kim into the character. It's scary, dramatic. Scared yet? It's
:19:06. > :19:10.not working out so far. Look at me. Every time I try and go for it and
:19:10. > :19:15.be Red Riding Hood, I catch a glimpse of myself and start
:19:15. > :19:21.laughing. Then, when I catch a glimpse of Pasha trying to be the
:19:21. > :19:31.big bad wolf, that makes me laugh even more. If we really can portray
:19:31. > :19:37.
:19:37. > :19:42.the character, it will be a good It's me! The gravestone. Vicky is
:19:42. > :19:46.here from wardrobe. Can I say first of all before we even start,
:19:46. > :19:49.Hollywood week wardrobe, absolute triumph. Thank you. So good.
:19:49. > :19:52.Another week, another theme, Halloween. How much do you love
:19:52. > :19:57.that theme? I quite like it actually although there is a lot of
:19:57. > :20:02.work. To put it into perspective, how many costumes do you have to
:20:02. > :20:06.make? 60 on Friday we are going to fit, so quite a lot. We won't keep
:20:06. > :20:08.you long! Fourth week, you must be getting to know the celebrities
:20:08. > :20:14.quite well now on the their individual styles and what they
:20:14. > :20:17.like to wear and stuff? Yes. they getting more daring? Hopefully
:20:17. > :20:22.and hopefully they trust us more and relaxed when they come into
:20:22. > :20:27.fittings instead of think, oh, my goodness. I think we are gelling
:20:27. > :20:33.quite nicely. Getting there. Let us have a look at what Lisa is wearing.
:20:33. > :20:41.Halloween, the charleston equals? She's a witch. She's teaching Robin
:20:41. > :20:46.how to be a witch or witchcraft, I suppose. Lots of green, an unusual
:20:46. > :20:50.design for the witch. She's doing charleston so from a dance
:20:50. > :20:55.perspective and choreography, she has lots of splits so it's easy for
:20:55. > :21:02.her to move and gives her an opportunity to reveal her lovely
:21:03. > :21:07.legs. Great legs and they move so fast. Fluorescent green there?
:21:07. > :21:11.it's called apple blossom, which I find unusual. Very exciting for
:21:12. > :21:15.Halloween. Loads of gems there as well? Yes, emerald gems. Stuck on
:21:15. > :21:18.individually, let's not forget. Victoria's doing the tango. What
:21:18. > :21:24.Victoria's doing the tango. What about her design? A typical
:21:24. > :21:28.ballroom dress it started off as. It's been slashed, ripped, twisted,
:21:28. > :21:33.chains and studs. And it's white because she's dancing to white
:21:33. > :21:38.wedding? Yes. It must lend itself to lots of props this week too.
:21:38. > :21:43.What is going on? Nicky, the scientist will start off in the lab
:21:43. > :21:47.coat and geeky glasses, however he'll reveal a nicer outfit.
:21:47. > :21:55.imagine this might be a prop for somebody? Yes, don't know who that
:21:55. > :22:05.is for? Little Red Riding Hood's basket. Gosh don't look in there!?
:22:05. > :22:07.
:22:07. > :22:11.Ooh, it's beautiful. What can you tell us about who is going to wear
:22:11. > :22:15.this? Gorgeous, beautiful young lady. We have a signature hip
:22:15. > :22:23.detail going on which she's had on a couple of her frock this is
:22:24. > :22:26.series, so you might know who it is. I wore a crop top in 1983, it was a
:22:26. > :22:29.big mistake, but she is look beautiful. Thank you very much
:22:29. > :22:33.Vicky, you are wonderful, we love you.
:22:33. > :22:39.Time now to see how the rest of the boys are getting on in training.
:22:39. > :22:46.Seriously, have you seen what's in here?!
:22:46. > :22:52.Strictly does Halloween, we are doing a tango. It will be
:22:52. > :22:56.zombiifyed. Tango is serious and angry. Punchy. I'm going to keep it
:22:56. > :23:02.traditional. Lots of head movements, body actions. It's a bit like
:23:02. > :23:08.having a fight on the dance floor. So we should be quite good at that.
:23:08. > :23:11.Having a fight? Yes yes. I've always tried to work a lot on the
:23:11. > :23:15.performance for Louis because he's not an actor and doesn't come from
:23:15. > :23:19.that world. It's alien to him. hope I give a terrifying
:23:19. > :23:28.performance in the right way. performance is very, very, very
:23:28. > :23:32.important and I think he's actually going to be quite good at it.
:23:33. > :23:37.This week I'm dancing the salsa. Soulful, swinging, sexy. Seems like
:23:37. > :23:43.Colin understands the rhythm quite well, he can pick up steps OK. A
:23:43. > :23:46.few problems with lifts. Oh, baby... For Colin, it's still a new
:23:46. > :23:50.territory. He's learning to do lifts and tricks with me, how to
:23:50. > :23:57.support my body weight. I'm feeling the impact of last week if I'm
:23:57. > :24:00.honest. Going to Vancouver and back has taken its toll. Good to be back.
:24:00. > :24:08.Incredibly fast number, salsa, flying and smoothing along quickly
:24:08. > :24:14.so no real time to think. This one needs to come very quickly. One
:24:14. > :24:17.wrong step and it all goes woop! This week it's the tango. Lots of
:24:17. > :24:27.character. Again quite a bit of acting in there. I'm up for that
:24:27. > :24:31.
:24:31. > :24:36.challenge. Nick is more driven which is what we need. Focus.
:24:36. > :24:39.romantic and aggressive. Posture... He needs to have magnificent
:24:39. > :24:44.posture. It's the passion that we are going to have together that
:24:44. > :24:49.will have to come through in the tango. If I can learn the steps, I
:24:49. > :24:58.can put some character into it, it will work well. It's coming
:24:58. > :25:02.together. We are not out of the woods just yet. It was good. I know.
:25:02. > :25:09.On Saturday night, they scored the highest marks of the competition so
:25:09. > :25:15.far and left the others green with envy. Welcome Nicky and Karen.
:25:15. > :25:20.Well done. After two dances, joint bottom and then Saturday zing bat
:25:20. > :25:27.bing, you must have been thrilled? Yes, I think we needed it. My
:25:27. > :25:31.confidence needed something. The first few weeks I was strgling. I
:25:31. > :25:35.struggled at the start of this and I didn't get the steps until
:25:35. > :25:38.probably Wednesday. Until wnz I was thinking, God, I don't know, I'm so
:25:38. > :25:42.far down -- until Wednesday. Mentally it was challenging. But
:25:42. > :25:44.yes, it came together. It came yes, it came together. It came
:25:44. > :25:48.yes, it came together. It came together. Is this the Nicky you
:25:48. > :25:52.were desperate to show off, you knew what he could be? Definitely.
:25:52. > :25:57.We have been working so hard. The first few weeks were really, really
:25:57. > :26:01.tough. Last week, he just really gave it and I was really surprised
:26:01. > :26:06.because during rehearsals he was like crazy and we were both under
:26:06. > :26:11.pressure. Then all of a sudden, he just comes out on stage and it was
:26:11. > :26:16.just like wow, where's this Nicky been, I love this Nicky?! Bruno
:26:16. > :26:22.said you should wear a mask every week. Have you got one this week?
:26:22. > :26:27.do have one in I need one, yes. you feel the pressure on Saturday?
:26:27. > :26:31.Did you have sweaty dreams on Friday night in anticipation?
:26:31. > :26:35.morning on that Saturday morning within you wake up - sorry, what
:26:35. > :26:40.was that?! - you wake up knowing you are doing something massive
:26:40. > :26:44.that evening. Bruno was right, he was probably saying it it tongue-
:26:44. > :26:49.in-cheek but it helped, I felt like I was playing a character and I had
:26:49. > :26:53.extra confidence that jumped into me. I thought, I have nothing to
:26:53. > :26:57.lose and nobody knows it was me and it worked. Was it hard to keep his
:26:57. > :27:02.spirits up because Nicky said until Wednesday he didn't think he could
:27:02. > :27:06.get the hang of it. How did you keep his spirits up? I became a
:27:06. > :27:09.therapist overnight. It's part of your role isn't it? Yes. I needed
:27:10. > :27:14.to keep him confident and, you know, it's a lot of pressure, but he's
:27:14. > :27:19.pulling through and he pulled through, definitely. We noticed
:27:19. > :27:22.that you got rather strict with him in training. Check in out, mum!
:27:22. > :27:26.Karen's been more strict this week. Something's switched in her mind
:27:26. > :27:33.that it's a bit more like we've a job to do here so let's get our
:27:33. > :27:40.game head on. Posture. You look like a soldier. I had to really
:27:40. > :27:47.push him. One, two, three, four... She's driven, competitive, wants to
:27:47. > :27:57.do well. No, you want heel. Do not give them an inch. One, two, three,
:27:57. > :27:58.
:27:58. > :28:02.four, five, six, seven eight... Yes, sergeant. Drill it. I give up.
:28:02. > :28:06.That's how we role. Good. This is our ticket. This is what we need
:28:06. > :28:11.this week and I'm not picking at you, you know, to be mean, I'm just
:28:11. > :28:18.picking at it because this is what we need as a team. Sounds like I
:28:18. > :28:22.just gave a speech from Braveheart! Rousing stuff from hot lips there!
:28:22. > :28:27.Last week, Craig said the quickstep was like a tango, this week you are
:28:27. > :28:31.doing a tango. What is the tango like? A waltz. He said my knees
:28:31. > :28:35.were bent and it was driving him insane. So that is good because the
:28:36. > :28:39.tango is all about knees bent. If I can do that again, I'll think I'm
:28:39. > :28:42.doing the quickstep again and it will work. You came on the Friday
:28:42. > :28:48.panel with Westlife last year and Shane said you were a tango man.
:28:48. > :28:52.Was he referring to your dancing or was it a skin colour thing? I think
:28:52. > :28:56.he probably didn't know what a tango was! Are the boys voting for
:28:56. > :28:59.you and supporting you? Yes, they all want to come down, they are
:28:59. > :29:03.trying to organise to come down at some point if I stay in and Shane
:29:03. > :29:06.said that he was a better dancer than me on Twitter at some point.
:29:06. > :29:14.There should be a challenge. dance-off. Good luck. Brilliant
:29:14. > :29:18.last week and will be this week. Nicky and Karen skhral --!