:00:11. > :00:14.Welcome to It Takes Two. It's freaky Friday. Woo-hoo. I am a
:00:14. > :00:19.little bit excited. All of the show tonight - they were resurrected
:00:19. > :00:21.last week - the quick step. Richard and eron are here.
:00:21. > :00:27.APPLAUSE No child's play for these two. Oh,
:00:27. > :00:33.no, they were top of the leader board, Denise and James. And these
:00:33. > :00:38.girl s are amazed at my amazing panel this Friday. It's only Paloma
:00:38. > :00:47.Faith, Mel Giedroyc and Larry Lamb. Later if you behave yourselves
:00:48. > :00:57.we'll sneak next door and have a little chat with Louis and Flavia.
:00:58. > :01:21.
:01:21. > :01:27.This is It Takes Two. Live from television Centre this is
:01:27. > :01:32.Strictly Come Dancing: It Takes Two. Please welcome your host Zoe Ball.
:01:32. > :01:36.Ow! Good evening. Good evening. All this week we have been gearing up
:01:36. > :01:42.for the Strictly Hallowe'en special - just a bit excited - squeak! It's
:01:42. > :01:45.only 23 hours, 58 minutes and 37 seconds until the witching hour is
:01:45. > :01:50.upon us. WITCH CACKEL
:01:50. > :01:54.In just a moment I'll be talking to Richard and Erin about how
:01:54. > :01:59.petrifyed that are for this weekend, but first, here's a reminder of how
:01:59. > :02:04.they quick stepped their way to success on Saturday.
:02:04. > :02:08.It was bright. It was lively. It was a little bit mincey
:02:08. > :02:12.occasionally in the footwork. is a lot of improvement. Your frame
:02:12. > :02:16.was better. Your footwork was better. Richard, your best dance so
:02:16. > :02:22.far. APPLAUSE
:02:22. > :02:32.I didn't mind it, actually - some nimble footwork. Well done. Six.
:02:32. > :02:33.
:02:33. > :02:40.Seven. Six. Oh, darling, come here, darling. Say hello, darling. Having
:02:40. > :02:44.your name up in lights and that cross stitch on your pillow - I am
:02:44. > :02:48.going to sleep with it every night. Hoping to terrify the judges into
:02:48. > :02:53.giving them high scores, please welcome Richard and Erin. Welcome,
:02:53. > :02:57.welcome to the show. Get you last weekend! Welcome back against all
:02:57. > :03:02.odds, Zoe. That's not what I meant at all. I thought you were
:03:02. > :03:07.brilliant last week. Thank you. We turned it in, didn't we? You went
:03:07. > :03:10.for it. Can I say you have the cutest little face when you're
:03:10. > :03:14.dancing, and you received praise from Craig. We were worried - I
:03:14. > :03:17.thought somebody had put something in his bubbly milk before the show
:03:17. > :03:22.because he was full of complements. He was. I didn't know where to look
:03:23. > :03:27.because with the judges normally you get more out of mount rushmore,
:03:27. > :03:31.set in stone. When the complemented starting coming in, I had to remind
:03:31. > :03:35.myself where it was. No, it was a huge buzz, being saved by the
:03:35. > :03:39.judges last week, then the fact people supported thus week, I was
:03:39. > :03:43.over the moon - least of all because it was Dolly. Your
:03:43. > :03:50.favourite! To feel the love from the public must be quite special.
:03:50. > :03:54.You must get that every time you get out shopping. Oh, mobbed. But a
:03:54. > :03:59.bumpy start to the competition for you, Erin. Yes. But now your boy is
:03:59. > :04:03.doing so well, you must be so pleased with him to see him
:04:03. > :04:06.improving week after week. I am. But he put so much effort into his
:04:06. > :04:12.training. He enjoys coming into the training room which is half the
:04:12. > :04:17.battle for me. It's nice to see him improve. I know we started off
:04:17. > :04:22.slowly with the waltz, but we're getting there slowly. I am like a
:04:22. > :04:26.toddler waiting to be suckled. Please, teach me something! Teach
:04:26. > :04:31.me. Does he progress to the nine- year-old, 10-year-old rather
:04:31. > :04:34.quickly? After Tuesday. That's all right. We have a dreadful gu,
:04:34. > :04:40.that's normal. Then he starts to understand it, and by Wednesday
:04:40. > :04:44.it's clearing. By Thursday, we're off. He's dancer! He's a dancer. We
:04:44. > :04:47.have seen in the training rooms your confidence is growing - did I
:04:47. > :04:51.say confidence? I mean you have become quite bossy. Have a look at
:04:51. > :04:55.this. She was the bost last week. This week it's me. From the top,
:04:55. > :05:00.Erin. This time I want you to apply yourself. Raise your game. Series
:05:00. > :05:02.ten for you. This is a first for me. Don't phone it in. Come on, then,
:05:02. > :05:10.beautiful. Right. From the top. Come on, then. From the top. Come
:05:10. > :05:15.on. One - wrong foot. You did. Ready? Yeah. I don't think you are.
:05:15. > :05:20.First positions. Don't forget it, then. I won't. She can't get her
:05:20. > :05:25.steps right. She's really got to raise her game. It's getting a bit
:05:25. > :05:32.awkward. You cheeky little monkey. That's hilarious. This week the
:05:32. > :05:38.paso doble, yes, please. It's bad enough going down those stairs -
:05:38. > :05:42.the paso doble - we have butched up. Yes, you have. There will be no
:05:42. > :05:47.mincing this week. Last week Len said you were a bit mincey. I was a
:05:47. > :05:52.bit confused last week because it's like the bull and the matador but
:05:52. > :05:59.it's the bull and the cape. What are you going to be wearing,
:05:59. > :06:05.Richard? I am wearing a bolero. Where's the badness in that? Please.
:06:05. > :06:08.A sequined bole bolero jacket. Austin Healy did it he had no vest.
:06:08. > :06:13.Sid obviously died his eyebrows last week, I thought I am going to
:06:13. > :06:16.shave my chest. There's an image. Conjure that if you will. I walk
:06:16. > :06:21.into wardrobe, and the verdict is already in. They say, no, we're
:06:21. > :06:24.putting you in a roll neck, so they want to cover my entire body.
:06:24. > :06:31.hear the music you're dancing to this week. Come on!
:06:31. > :06:35.MUSIC I don't know about you, but the
:06:35. > :06:40.omen on a Saturday night, that's just the kind of floor filler I
:06:40. > :06:47.like to toe tap to. Family entertainment. Can we talk about
:06:47. > :06:53.daybreak - so far you have beaten Lob. That wasn't difficult. So far
:06:53. > :06:58.you'll have beaten Fiona Phillips. You have to get through eight weeks
:06:58. > :07:02.before you beat Gareth. You're going to have to make the final.
:07:02. > :07:07.Last week she said to me she's never gone out on a quick step.
:07:07. > :07:12.This week she's says she's the keen of the pass of. You're amazing.
:07:12. > :07:17.Richard and eron. Good luck. Thank you. Adore him. Saturday night
:07:17. > :07:23.Denise and James foxtroted their way to the top of the leader board.
:07:23. > :07:27.Here's a reminder of why she was the judge's favourite deputy.
:07:27. > :07:31.giving you a verbal pat on the back. That was excellent. Beautiful clean
:07:31. > :07:39.hands. The pivots were so well done. Just a very elegant couple, you
:07:39. > :07:43.were. You combine the character with the
:07:43. > :07:46.smooth, gliding action of the foxtrot. I thought it was great.
:07:46. > :07:52.Smooth, great control and beautifully danced. I really,
:07:52. > :07:57.really liked it. Eight. Yes! happy with Denise because she did
:07:57. > :08:02.what I asked her to to get the footwork right. Four eights, really
:08:02. > :08:04.pleased with our score, really good marks. Hoping to hypnotise the
:08:04. > :08:13.judges tomorrow night, please welcome Denise and James.
:08:13. > :08:17.APPLAUSE Well done on proper aceness on
:08:17. > :08:21.Saturday. Thank you. It was absolutely stunning. Was it happy
:08:21. > :08:26.faces all-around? Yeah, we were really pleased, weren't we? Very
:08:26. > :08:31.happy. I was pleased Len liked it. He commented on the footwork.
:08:31. > :08:36.looking at your little face and it looked like you had a little bit of
:08:36. > :08:40.a wobbley lip. I thought the Denise looks really scared. I was worried,
:08:40. > :08:44.wasn't I, because of the footwork. We spent so much time working on it.
:08:44. > :08:48.I was afraid Len would say it was bad. I was expecting bad news, but
:08:48. > :08:53.then it was good news. It was one of the scariest dances I have done
:08:53. > :08:58.it on the show. You did it so graceful. Did you go out for a
:08:58. > :09:03.shimmy and shandy afterwards? don't drink. I stayed out really
:09:03. > :09:09.late, much later than I should have. I went out with Sid. Van Outen and
:09:09. > :09:16.Owen out on the town - they're still clearing the bottles. Eight...
:09:16. > :09:19.Amazing. How are you going to top that each week? I thinks there is
:09:19. > :09:22.pressure each week especially because everyone expects her to be
:09:22. > :09:28.amazing. This week, for example, between Monday and Thursday, I have
:09:28. > :09:35.worked it out, we're doing 32 hours of training - in the cha-cha.
:09:35. > :09:43.hours - that is impressive. I would be so tired. Close my eyes when I
:09:43. > :09:48.talk to you. I am. Most people do. What is it going to take to get 8s
:09:48. > :09:50.and 10s? We haven't seen much of those this season? I think it's a
:09:50. > :09:53.combination of the choreography and the music is important. And
:09:53. > :09:57.technically - it's the whole package. It's not just one thing
:09:57. > :10:01.being great. I think it's when the dance comes together with the music
:10:01. > :10:05.and you get that special feeling and when people watch it, it's
:10:05. > :10:09.special. Fingers crossed you'll get that this weekend. We have been
:10:09. > :10:15.watching, and we know how scary this man can be when you don't get
:10:15. > :10:19.it right. The truth at last. James, please. James sometimes does a bit
:10:20. > :10:23.of a freaky look normally when he's angry. You do always look like
:10:23. > :10:28.you're quite angry with me when we start. I have that look.
:10:28. > :10:34.I like you. Teacher. Student. You better not do it like that on the
:10:34. > :10:40.night. Cha-cha-cha! How many times do I have to tell you that? Quite a
:10:40. > :10:47.few. I think sometimes he needs to chill A. We have half - half - one
:10:47. > :10:54.step. When he gets angry, it does make mela. He gets bright red.
:10:54. > :10:59.don't think I can take much more. What time did you get here? 5.00pm.
:10:59. > :11:02.Help me, please! No, there is no heart - no, nothing. Bless him.
:11:02. > :11:06.Right. Hallowe'en this week and cha-cha-cha. I am imagining having
:11:06. > :11:10.seen your jive - it was brilliant - you would be quite good at the cha-
:11:10. > :11:14.cha-cha. How is it going this week? I don't know. Look at the face.
:11:14. > :11:18.had to put in a lot of time this week because you didn't find it as
:11:19. > :11:24.easy as the jive, did you? Yeah, the jive came a bit more naturally
:11:24. > :11:28.to me because it's bouncing around and jumping. But this, I have sore
:11:28. > :11:31.hips. You're killing me. I feel like an old lady. You have got
:11:31. > :11:37.possibly the tune of the night. Stop it, you. There is two of us
:11:37. > :11:43.here. We'll take you down. You've got the tune of the night, though,
:11:43. > :11:47.I reckon. # She's a superfreak! Rick James!
:11:47. > :11:50.Will we see whiplash two? A bit fast obviously? I don't know.
:11:50. > :11:53.Actually, yeah, possibly. wanted to put the running man in,
:11:53. > :11:59.didn't you? You wanted it in there. You said it first of all. Then he
:11:59. > :12:04.tried to do it. It was so bad... had to take it out. We need to make
:12:04. > :12:08.you do that. Will you be playing any tricks or treats on anybody
:12:08. > :12:12.this week? Yeah, no more than normal. Every week I play tricks on
:12:12. > :12:16.someone. Going to take your mask off? Take it off now.
:12:17. > :12:20.Listen, good luck this weekend with your cha-cha. Thank you. Give it up
:12:20. > :12:26.for our team! APPLAUSE
:12:26. > :12:29.They love you. They love you. Last week, Jimmy, the meerkat, predicted
:12:29. > :12:33.wrongly that Kimberly and Pasha would be top of the leader board.
:12:33. > :12:40.They were joint third, so this week Jimmy is on holiday. We have asked
:12:40. > :12:50.his little friend Scamp to predict who he thinks is going to be top of
:12:50. > :13:10.
:13:10. > :13:14.the leader board. Remember, it's There we have it. Scamp, thank you
:13:14. > :13:19.very much. He thinks Lisa and Robin will be top scorers Saturday night.
:13:19. > :13:26.Will he be right? It's time now to hear from three people who between
:13:26. > :13:28.them know how to conjure up the perfect performance we hope. Please
:13:29. > :13:33.welcome my Friday panel, Mel Giedroyc, Larry Lamb and Paloma
:13:33. > :13:36.Faith. APPLAUSE
:13:36. > :13:40.Beautiful. You look absolutely stunning. Mel, first,
:13:40. > :13:46.congratulations on a brilliant series of the Great British Bake-
:13:46. > :13:48.Off. Thank you. Were you happy James won John won, but no, it was
:13:48. > :13:55.emotional. It was... It was emotional. There were highs. There
:13:55. > :14:00.were lows. It's a baking show, Paloma. She doesn't watch telly,
:14:00. > :14:08.although she watches Strictly Come Dancing. Oh, you do watch Strictly.
:14:08. > :14:16.Larry, I heard you're a bit of a mover yourself. Is it true you just
:14:16. > :14:26.came back from Ibiza Yes, for my mate's club. Are you a proper a
:14:26. > :14:30.
:14:30. > :14:36.river? Si, Chica. SPEAKS ITALIAN
:14:36. > :14:41.Paloma e bambino! You're performing Sunday night on the show. Will you
:14:41. > :14:45.be speaking in English? I'll be speaking in English. I am a little
:14:45. > :14:48.bit nervous. I was saying to some of the contestants, actually,
:14:48. > :14:52.Richard that I am finding it difficult to remember just the four
:14:53. > :14:59.steps forward I have to do, just walking. It's like, when do those
:14:59. > :15:04.four steps come? So hopefully, I won't embarrass myself. You won't
:15:04. > :15:07.be judged on that. Let's have a look at what you're going to be
:15:07. > :15:14.singing Sunday. # I was standing
:15:14. > :15:19.# You were there. # Two worlds collided #
:15:19. > :15:26.Oh, look at you - you always have an amazing barnett, paloma. Thank
:15:26. > :15:30.you. This one is based on the Jewish bread. We have had that on
:15:30. > :15:36.the Bake-Off. Can we talk about dancing? Let's talk about dancing.
:15:36. > :15:40.Right. Sid and ola are going to be doing did cha-cha-cha Sunday. Larry,
:15:40. > :15:44.Sid had a tough time last week. The judges gave him a touch time.
:15:44. > :15:47.Can he bounce back with his cha- cha-cha? Of course he can. Of
:15:47. > :15:52.course he can. If you can dance your way with that wig he had on
:15:52. > :15:56.the other week - forget about it. That was intense. That was a
:15:56. > :16:01.serious, intense week. Week four on Strictly, notice how the chest in
:16:01. > :16:07.the men lists. Ah! And why is that? It's week four, something to do
:16:07. > :16:13.with week four. They suddenly think they can do it. That's it. Would
:16:13. > :16:15.you stop it? I am sliding off my chair. The music he's dancing to is
:16:15. > :16:19.this - # Something strange in the
:16:19. > :16:26.neighbourhood # Who you going to call? #
:16:26. > :16:28.The soft rock, the judges weren't keen on. Can he cha-cha to Ghost
:16:29. > :16:31.Busters? It's an a ambitious choice!
:16:31. > :16:37.LAUGHTER But I reckon Sid can do anything.
:16:37. > :16:41.Yes, he can. Larry would know. Let's ask him about that now. Fern
:16:41. > :16:48.was doing the American smooth. Last week the judges said they wanted
:16:48. > :16:51.more from Fern. What do you make of her foxtrot? She's very committed.
:16:51. > :16:56.They're dancing to Queen is the music
:16:56. > :17:02.# She's a killer! # What are your thoughts on Fern?
:17:02. > :17:07.thing is with all of these things - it's a question of who you're
:17:07. > :17:13.matched up with and what the routine is. She's got hidden fire,
:17:13. > :17:19.and it is beginning to be ignited. We saw her practise today. I am
:17:19. > :17:24.taking it far too, too, seriously today. I live and breathe it.
:17:24. > :17:30.She'll hold it all in until week four, when she'll emerge like a
:17:30. > :17:37.Phoenix. Pirouette down the aisle. Nicky last week pulled it out of
:17:37. > :17:41.the bag with his quick step. Can he continue his success with the
:17:41. > :17:47.tango? I think we have Hallowe'en this week. We're a family!
:17:47. > :17:50.world! When people are in fancy dress and Nicky had the mask on
:17:50. > :17:56.last week, something was released on him. You'll be in costume, and
:17:56. > :18:00.that'll, again, release him. partner is incredibly attractive.
:18:00. > :18:05.Anybody who doesn't have chemistry with a woman like that - well,
:18:05. > :18:10.sorry, mate. Even I want to do a tango with her. I am sure she'd be
:18:10. > :18:14.up for that. Let's talk about Louis and Flavia. They're also doing the
:18:14. > :18:18.tango. There is so much to say about him. There is not enough time.
:18:18. > :18:23.Come on! He has realised, week three, last week, he's realised
:18:23. > :18:27.he's a born dancer. Really? That's how much you know... He realises it.
:18:27. > :18:32.He has. I can see it in his eyes last week. Absolutely. I can't see
:18:32. > :18:38.it in this video, I am afraid. not happening for you? I just feel
:18:38. > :18:43.he's not looking at her or it doesn't feel like there is
:18:43. > :18:48.chemistry going on. We want to feel that after they have finished, they
:18:48. > :18:53.go home together and do whatever. OK! I think there is a good chance
:18:53. > :18:58.if you watch him dance in the competition that could be going on.
:18:58. > :19:05.It's a family show. Dani is doing a cha-cha-cha. She excelled in her
:19:05. > :19:08.salsa last week. How is her latin doing? They're dancing to Scooby-
:19:08. > :19:12.Doo, of course. For my money - a little slip there but I think Dani
:19:13. > :19:17.is going to go - top three. I don't want to jinx it, but I think she's
:19:17. > :19:21.got it! She sells it. Larry, she's an actress. Does that help with
:19:21. > :19:25.this kind of competition, do you think? The skills? There is a focus
:19:25. > :19:29.if you've got a theme. The problem is - it's the routine that counts
:19:29. > :19:34.because the routine in the dance is the same as the words in acting. If
:19:34. > :19:39.you've got a focus, and you've got a good routine, you're on a winner,
:19:39. > :19:43.but you can't act your way out of a dodgy one. You're right. He's so
:19:43. > :19:48.gorgeous. I know. It's amazing. I am loving it. But also, they've got
:19:48. > :19:53.to sell it. They've got to be actors and salesmen - people -
:19:53. > :19:57.sales people. You need to have a chat before the show. Get me
:19:58. > :20:04.involved. Please, I am gagging. Can't stop gagging. Victoria and
:20:04. > :20:11.Brendan are doing a tango to White Wedding. There you go. Karen on
:20:11. > :20:21.Tuesday, Choreography Corner - she thinks Victoria should stop
:20:21. > :20:26.whimpering and get on with it. She's an Olympian. She'll be in a
:20:26. > :20:31.Hallowe'en comessy. The bride of Frankenstein will release her.
:20:31. > :20:35.Material Girl gloves! Paloma needs to get involved in the styling.
:20:35. > :20:39.They're going to fly. Have a look at. This Michael has been
:20:39. > :20:44.entertaining for the past two weeks - possibly people say not for the
:20:44. > :20:51.right reasons, but he's a ballroom boy. How does this quick step look
:20:51. > :20:53.to you, paloma? Not very quick. Observed - very good.
:20:53. > :20:58.LAUGHTER I can't remember my four steps
:20:58. > :21:02.forward. Who am I to judge? This is what they're dancing to.
:21:02. > :21:07.# Old black magic has me # A classic little bit of jazz.
:21:07. > :21:12.I wonder if he's feeling the pressure because Dan did so well,
:21:12. > :21:15.the other cricketers on the show have done really well. Perhaps he's
:21:15. > :21:20.under the cricket pressure. might be, on the crease. Can he
:21:20. > :21:25.avoid the bottom two, Mel? I hope so. I love him. Who is going to be
:21:25. > :21:31.the top of the leader board this weekend, Larry? I think Sid. Mel?
:21:31. > :21:37.am going for Dani. Paloma? Denise. Brilliant. You're marvellous, all
:21:37. > :21:41.three of you. Can you come back? Yes, every day! Every day. Well
:21:41. > :21:47.done. A different language every week. Can you?
:21:47. > :21:51.APPLAUSE We may have mentioned once or twice
:21:51. > :21:56.that tomorrow's Vic strict is a Hallowe'en special. All of our
:21:56. > :22:00.couples are hoping for a good performance. For some of them, this
:22:00. > :22:03.is why... The scariest part is waiting on the stairs to do the
:22:03. > :22:08.walk-down. It suddenly dawns on you millions of people are watching the
:22:08. > :22:12.show and you want to dance well. The scariest part of the weekend is
:22:12. > :22:15.actually waiting up with Tess, and that's not a reflection on her
:22:15. > :22:22.company. It's the pacing I do up there with nerves - I am exhausted
:22:22. > :22:32.by the time I go down to the floor. That voice-over. Oh, I can't stand
:22:32. > :22:32.
:22:32. > :22:39.it. Dancing the cha-cha... Scary voice, "Dancing the paso doble
:22:40. > :22:44.is..." At that point, my stomach goes. That's it. It's just you and
:22:44. > :22:51.the band. Waiting for the music to start. Waiting - it's going to
:22:51. > :22:55.start any second, and we're off! There is a deep breath. Your mouth
:22:55. > :23:00.dries. The pulse is beating in your temples. It's pretty scary, but
:23:00. > :23:04.you've just got to go and face the music, really. My biggest fear of
:23:04. > :23:09.the night is either falling over or going home, neither of which I want
:23:09. > :23:13.to do. I generally get butterflies in my stomach by Thursday morning.
:23:13. > :23:17.By Saturday I have a packed house of butterflies inside it. I love
:23:17. > :23:22.watching the rest of them doing their rehearsals. When they're a
:23:22. > :23:26.bit too good, I quietly sit down and don't freak myself out. I start
:23:26. > :23:30.to get nervous when we go into the makeup room. It's funny because all
:23:30. > :23:34.the girls are charter boxes, but on a Saturday night before the show,
:23:34. > :23:37.everybody's silent because we're so scared. My biggest fear on the
:23:38. > :23:43.night would probably be forgetting my steps Steps disappearing from
:23:43. > :23:46.your feet and you don't know what to do - without question, that's my
:23:47. > :23:50.biggest fear. The scariest part of the weekend is probably the
:23:50. > :23:57.elimination, praying you're not in the dance-off. You think, it's OK.
:23:57. > :24:03.You'll be fine, but it is very scary waiting there. You don't want
:24:03. > :24:08.to be in the dance-all. You get sweaty Psalms. It's horrible.
:24:08. > :24:12.It's me. Over the past couple of days - I walk like a zombie - the
:24:12. > :24:17.Strictly set has gone through a transformation - pumpkins
:24:17. > :24:25.everywhere - all right, Brendan? Look down here. These are some of
:24:25. > :24:31.the ladies. How are you, Lisa? all right, darling. Have you
:24:31. > :24:36.practised yet? No, I am going to have a tan, then practise. Fern?
:24:36. > :24:41.Good, thank you. There are a few mistake, but we're going to be fine.
:24:41. > :24:48.Kain, how are you? I love this little lady bundle. I want to join
:24:48. > :24:53.All the couples want to stay, including this couple, Louis and
:24:53. > :24:59.Flavia. Hello. Lovely to see you. It seems like an awful long time
:24:59. > :25:05.since last Saturday. How was your salsa snake hips? Good. It wasn't
:25:05. > :25:09.really a Saulsa, but it was like a mambo-y salsa, but we loved it
:25:09. > :25:14.Loved it. I couldn't take my eyes off your face. You looked like you
:25:15. > :25:19.were having such a good time. the time of my life! Time of our
:25:19. > :25:24.lives. The end of the show - quite a long build-up. So intense. How do
:25:24. > :25:30.you cope with the nerves? It was hard - hard to watch everyone else
:25:30. > :25:36.going, Hollywood week, a big week, everyone was doing amazing routine,
:25:36. > :25:40.and so to take such a quick dance and everyone being so good...
:25:40. > :25:45.a lift... It was hard. When they give you a standing ovation like
:25:45. > :25:49.that, does that make your body tingle? It felt good. They kept
:25:49. > :25:53.clapping. That was the amazing thing. They kept going. I know. We
:25:53. > :25:59.were all jumping up and down on the sofa going, yes. All the judges
:25:59. > :26:04.gave you 8s, except Len who gave you a 6. Did that make you furious?
:26:04. > :26:10.No, I know where he's coming from. I like the salsa to be strong as
:26:10. > :26:15.well, but being in a pink, floaty dress, it was more a mom back,
:26:15. > :26:22.recreating the iconic scene. I didn't want to spoil that by making
:26:22. > :26:25.it a traditional Saulsa. I see what he's saying. If we could do it
:26:25. > :26:30.another week with a traditional Saulsa, we would do. It was
:26:30. > :26:36.Hollywood week. You have a bit of artistic license. We all loved it.
:26:36. > :26:41.The judges said a they wanted you to loosen up. You're quite driven
:26:41. > :26:45.and centred. I know what you mean. He's quite chilled and cool.
:26:45. > :26:49.Normally when I focus, it's quite serious - get in the zone,
:26:49. > :26:53.concentrate and do your job. Normally, I am normally never on
:26:53. > :26:59.the pommel horse like this... doesn't really suit the pommel
:26:59. > :27:03.horse! It is quite tricky. He has his own He's not the most
:27:03. > :27:10.flamboyant, so you don't want to bring that to the table, but you
:27:10. > :27:15.want to bring a cool, moody side. # Sophisticated mama #
:27:15. > :27:19.I love that you're doing the tango this week. How are you liking it?
:27:19. > :27:26.Oh, it has been tough. What's so tough about it? It's quite tricky
:27:26. > :27:29.to master, isn't it? It is. It's snappy and sharp, tricky to master
:27:29. > :27:34.especially when you're doing eight hours in the studio with Flavia.
:27:34. > :27:37.She's a task master, but I think you can take it. She has so much
:27:37. > :27:40.energy. She doesn't stop! should be able to keep up. You're
:27:40. > :27:46.12! And I have heard that in training you're always asking her
:27:46. > :27:53.random questions to try and put her off, like, "What sandwich would you
:27:53. > :27:57.be if you were a sandwich?" What sandwich would you be? Wensleydale
:27:57. > :28:00.and chutney. It gets you thinking. Then before we know it, we have had
:28:00. > :28:03.a five-minute break. It's Hallowe'en this week. Is that
:28:03. > :28:08.helping you get into the mood of the dance? I think so. It adds a
:28:08. > :28:14.bit more excitement to it. Good. How is your mum Elaine? Is she
:28:14. > :28:20.loving the dancing? She is. I tried to show her some of the routine on
:28:20. > :28:29.my phone, but she said "I want it to be a surprise." You're going to
:28:29. > :28:35.give us a little peek at your dance. So go get yourselves ready. I quite
:28:35. > :28:45.like sitting here. I think I could stay here. Here is a tantalising
:28:45. > :29:11.
:29:11. > :29:16.little teaser of Louis and Flavia's I don't know about you, but I think
:29:16. > :29:18.that looks very, very good indeed. You can see all our couples on the