Episode 16

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:00:12. > :00:16.Hello, welcome to It Take Two, it's Monday, what a scarely good weekend

:00:16. > :00:21.of Hallowe'en dancing it was. We loved it. Sadly our Ghostbusters

:00:21. > :00:26.have bust their final moves on the dance floor. Sid and Ola will be

:00:26. > :00:31.here. Fancy a sausage sandwich, Dani and Vincent will be popping by.

:00:31. > :00:41.He put the fright into fright night, Craig will be talking over the

:00:41. > :01:13.

:01:14. > :01:18.week's dancing. This is Strictly It Hello and welcome to It Take Two,

:01:18. > :01:22.so the Hallowe'en theme certainly did not disappoint, as this weekend

:01:22. > :01:29.delivered a whole load of Spence, shocks and thrills. In case you

:01:29. > :01:34.missed any of it. Here are the Strictly headlines!

:01:34. > :01:38.Good evening, here is the news, who would have thought it, Saturday saw

:01:38. > :01:44.underdogs Michael and Victoria both putting game-changing performances

:01:44. > :01:54.to see them joint second on the leaderboard.

:01:54. > :01:54.

:01:54. > :01:59.That was more than magical, it was a miracle! I really thought the

:01:59. > :02:05.routine was brilliant, it was excellent. You were the true Tango

:02:05. > :02:12.woman of the night. The judges called 999, but this was no dance

:02:12. > :02:21.floor emergency. Louis and flaf have a's great Tango had the first

:02:21. > :02:31.nines of the night, Craig, of course, gave it an eight.

:02:31. > :02:34.

:02:34. > :02:37.That really was a Tango with a bite. Inhe haveable, darling, I loved it!

:02:37. > :02:41.Although Saturday's Strictly had been billed as a Hallowe'en special,

:02:41. > :02:48.few viewers were prepared for the unspeakable horrors that awaited.

:02:48. > :02:58.Yes, it happened, Brucie did it gangnam-style.. Tonight you will be

:02:58. > :03:02.

:03:02. > :03:12.seeing many different styles of dance, except gangnamstyle! Stop it,

:03:12. > :03:12.

:03:12. > :03:18.stop it, stop T Tele gold, I think you will agree.

:03:18. > :03:25.Dani and Vincent's lovingly recreated homage to scoopy do was

:03:25. > :03:31.wasted on Bruno. I just can't look at Vincent, I

:03:31. > :03:37.thought I was watching Loose Women, it looks like Denise Welch. He's

:03:37. > :03:40.supposed to be Shaggy. Those were the Strictly headlines, thank you.

:03:40. > :03:50.Now, even more gossip from the weekend, here is all the action

:03:50. > :03:52.

:03:52. > :04:02.from behind the scenes. It's Hallowe'en week, Strictly Come

:04:02. > :04:03.

:04:03. > :04:07.Dancing, welcome. It's Halloween tonight, we have to get dressed up

:04:08. > :04:14.all spooky! I'm excited for tonight, it will be a really good show.

:04:15. > :04:18.Mwahhhhh. It is a busy day, lots to do. It is

:04:18. > :04:25.amazing in here tonight, the way it is decorated and things being done,

:04:25. > :04:30.it is a special show. How did that go, did it go all

:04:31. > :04:36.right?! Sliding on the floor and doing a backspin, got an injury,

:04:36. > :04:41.for the love of my art, my dancing. I have got a really bad knee, it is

:04:41. > :04:50.already I have it all strapped up. If I have to carry her, I will. We

:04:50. > :04:58.will just try to do this, then. have got a massive prop, actually.

:04:58. > :05:06.We have got the monster, yes. really scary. We have a cage and a

:05:06. > :05:11.whip, yes, I have got a good whip action, years of practice, say no

:05:11. > :05:21.more! I'm excited about getting the top hat and tail, I hope it will

:05:21. > :05:23.

:05:23. > :05:33.inspire me to dance. Getting strictfied. I'm under the weather.

:05:33. > :05:41.We have lots of specialist looks. Corpse, bride, groom, zombie. It is

:05:41. > :05:46.stylish zombie, that is the brief. This is Strictly. As you all know

:05:46. > :05:52.it is Halloween, some of the guys have taken on odd personality

:05:52. > :05:57.traits. # What's that coming over the hill

:05:57. > :06:02.Hahahaha. It is freaking me out, just a little bit. Obviously I have

:06:02. > :06:09.been sampling ideas for my wedding next year! You don't know unless

:06:09. > :06:17.you try it! Practising my cape work, or as I like to call it Cape Fear,

:06:18. > :06:20.on opening night. I'm exhausted. I'm off to the bar. Ladies and

:06:20. > :06:29.gentlemen, five minutes until show time gang.

:06:29. > :06:39.Come on people, five minutes, let's get it going. So excited. I haven't

:06:39. > :06:48.

:06:48. > :06:55.I think the standard all round is phenomenal, it will get more and

:06:55. > :06:59.more competitive. Sid and Ola. did a magnificent job, all the way

:06:59. > :07:04.through, particularly in the ballroom stuff. It was very sad to

:07:04. > :07:08.see him go tonight. unfortunately it was a Halloween

:07:08. > :07:12.nightmare on Saturday, as our Ghostbusters were busted out of the

:07:12. > :07:17.competition. Please welcome Sid and Ola.

:07:17. > :07:20.Proper sulk faces all round at Balty Towers, we are all very

:07:20. > :07:25.grumpy about you going out of the competition. How are you feeling d

:07:25. > :07:30.it? I feel all right now. Looking back, no-one wants to leave, I was

:07:30. > :07:39.gutted. But it was the right decision on the night. I didn't, I

:07:39. > :07:44.sort of went to pot, really. I can make a million excuses, but I felt

:07:44. > :07:47.Ola wasn't very happy, so I wasn't happy. Everyone smashed it on the

:07:47. > :07:51.night, everyone was really good. Everyone was so good, the whole

:07:51. > :07:55.thing went up, everyone was improving, and we didn't improve

:07:55. > :07:59.that week. I think that was just a bad week for us. A really bad week.

:07:59. > :08:04.It was a really terrible week, you had to go back to Poland, you

:08:04. > :08:08.didn't get the chance to practice. We weren't dancing together all

:08:08. > :08:13.week, I came in on Friday and did two hours. It was just not there.

:08:13. > :08:17.It is really sad, I'm getting quite cross. Were you nervous going into

:08:17. > :08:20.the dance-off, did you think that's it, I'm a cooked goose? I was a

:08:20. > :08:24.little bit, and then I thought, it can't go worse than the Saturday

:08:24. > :08:28.night show. So I have to try to make the most of it. Enjoy it.

:08:28. > :08:34.were definitely fighting. You did fight, and it was better? It was a

:08:34. > :08:38.lot better. It was awful on Saturday. I hold my hands up.

:08:38. > :08:42.wasn't awful. I was awful. Did it give you some encouragement that

:08:42. > :08:48.Len said he would have saved you? It was lovely. That is very nice

:08:48. > :08:51.from Len, thank you. I wish one of the others had. In your Waltz, week

:08:52. > :09:01.one, you wowed everybody, and you got 26, what has happened since

:09:02. > :09:04.

:09:04. > :09:09.then, on your Strictly Skupts journey. We had a bad couple of

:09:09. > :09:15.weeks and it affected it. How have the others reacted to you going?

:09:15. > :09:19.Everyone seems really sad, it seems strange. I was like get a grip,

:09:19. > :09:23.they were crying. I'm happy to have taken part in it, it has been such

:09:23. > :09:28.a great experience. It is too short, because we had a great partnership,

:09:28. > :09:32.we had really, really good partnership. We just like dancing

:09:32. > :09:38.together. It is a shame. It is a real shame. It just feels it is a

:09:38. > :09:42.bit too soon. Let's have a look at your best bits. You will be sharing

:09:42. > :09:48.the Strictly drama with Ola Jordan. When I got Ola, I thought, wow,

:09:48. > :09:57.this is a dream come true. Everyone like as little bit of Ola.

:09:57. > :10:03.having great fun with Sid, he's a great laugh. She's a bit bossy.

:10:03. > :10:09.Strict low Ola! This was very, very good. I'm going to love watching

:10:09. > :10:17.you every work, you have something very, very special. Don't cry.

:10:17. > :10:23.not crying. He has tears in his eyes. I did get choked up, I'm

:10:23. > :10:29.sorry. Sid is finding the salsa a bit harder. I'm 40 years old, she

:10:29. > :10:39.thinks I'm about 20. Really tough, just wipe the sweat off my head,

:10:39. > :10:43.

:10:43. > :10:50.just pray it all comes off on the night. It was happen -- haphazard

:10:50. > :10:58.on the night. I'm trying to get to grips with the counting. What is

:10:58. > :11:04.after four? Five. 1, 2, 3 and 56789 Not 3 and 56789

:11:04. > :11:09.It wasn't too bad, but not sharp enough. Too smooth. You did a great

:11:09. > :11:15.job, everything right that I asked for, you are brilliant.

:11:15. > :11:22.This week I'm dancing with Yvetta, she's lovely, makes a change not to

:11:22. > :11:26.have someone shouting at me. I miss Ola, can't wait to see her back and

:11:26. > :11:32.dancing. Fabulous to see more dance content, you have moves there.

:11:32. > :11:38.couple with the most votes will stay in the competition. Colin and

:11:38. > :11:41.Kristina. Colin and Kristina. and Kristina. He's an amazing

:11:41. > :11:50.character, so much fun to be around him, it won't be the same. He has

:11:50. > :11:55.been a great mate, I will miss him terribly.

:11:55. > :11:59.Artemtearing up for you. What has been the best thing about Strictly?

:11:59. > :12:04.Everything. Dancing with me, you're supposed to say. Of course. Just

:12:04. > :12:07.lurpbg to -- learning to dance. I would never get the opportunity

:12:07. > :12:17.otherwise. I'm really grateful for that. Who would you like to see go

:12:17. > :12:22.on and win? I would like. Go on, give me a name, you can. Do it?

:12:22. > :12:26.Either Denise and James, or Louis. I think he has really taken it

:12:26. > :12:32.serious, and he's quite passionate about it. He's not a performer, so

:12:32. > :12:40.I think he's in with a great chance. We are really going to miss you.

:12:40. > :12:46.Sid and Ola. Soon Craig will be here, a brand

:12:47. > :12:54.new It Take Two puzzler, I know you can tell an Artem move from a

:12:54. > :13:04.Flavia move, can you identify our dancers from their feet. Whose feet

:13:04. > :13:22.

:13:22. > :13:30.Well, I know whose feet they weren't. He wouldn't be seen dead

:13:30. > :13:35.in a pair of shoes like that, it is Craig Revel Horwood.

:13:35. > :13:39.A little move, oh. Ta-daa. What an incredible whistle you are wearing

:13:39. > :13:44.there, I love that. Thank you darling. It is nice to see someone

:13:44. > :13:48.has made an effort today. What an amazing reversal of fortune on the

:13:48. > :13:52.show for Saturday, did you enjoy the surprises? I did, indeed. I

:13:52. > :13:57.love all the dressing-up any way. It gives them a focus, it gives

:13:57. > :14:01.them a good reason to dance. And it relieves them of any untoward sort

:14:01. > :14:06.of thoughts about their foot work. Which I think is good. Are you sad

:14:06. > :14:11.to see Sid and Ola go? Yeah, because he was a really fantastic

:14:11. > :14:14.person to have in the show. You know, he had had some fantastic

:14:14. > :14:19.dances at the beginning. And unfortunately, he got all the Latin

:14:19. > :14:23.stuff towards the end of it. It really is, you can throw the dice,

:14:23. > :14:27.and land a Latin dance, and if you are not particularly good at it, it

:14:27. > :14:30.is the week you might be weaker, then you will go out. And then

:14:30. > :14:35.everybody else is good, I suppose. You voted to save Colin and

:14:35. > :14:39.Kristina, why did they deserve to stay over Sid? The reason I vote

:14:39. > :14:43.for them, is because, for me, I think there was a lot more natural

:14:43. > :14:48.rhythm, and particularly leaving someone by themselves is always

:14:48. > :14:53.difficult. And it proved that Colin, actually does dance, quite, well,

:14:53. > :14:57.and I think, out of both of them, to have him go through, I thought,

:14:57. > :15:02.is the best thing to do. Let's talk about his salsa, you were quite

:15:02. > :15:07.critical of his foot work, what is he getting wrong? In his salsa,

:15:07. > :15:10.he's very flat-footed, it gets very stompy, it is all very flat and

:15:10. > :15:15.even. That stops, all that wonderful hip action happening.

:15:15. > :15:22.need to pick up on the ball of the feet? You need to go through it,

:15:22. > :15:26.darling. You have to get the hips snakey! Michael and Natalie in

:15:26. > :15:32.their quickstep, what an amazing week for Mikele ka, what a turn

:15:32. > :15:36.around, this was fan it is a -- Michael, what a turn around, it was

:15:36. > :15:43.fantastic. I was in seventh heaven, the fact he had put so many hours

:15:43. > :15:46.into the dance. He had really tried and trained, and Nat is a master.

:15:46. > :15:50.She is totally on it, she didn't want to go through the

:15:50. > :15:54.embarrassment of the week before. I think they won the day brilliantly.

:15:54. > :15:58.And next week he's doing an American Smooth, can we expect

:15:58. > :16:02.another great performance? Nat is perfect at that stuff, and will

:16:02. > :16:09.have him whipped into action. Richard and Erin in the paso doble,

:16:09. > :16:14.you were disappointed, and said he shouldn't have done the jette

:16:14. > :16:22.entourment? It is that bit there. You need a delicious leg to get the

:16:22. > :16:26.height to it, and then you should finish in a beautiful long lunge,

:16:26. > :16:36.it was all Squidgy and short, and mean and small, it should be hugely

:16:36. > :16:37.

:16:37. > :16:47.expressive. It should be matadorish, he needed more flight. Louis and

:16:47. > :16:48.

:16:48. > :16:51.flaf have a and the Tango, another great moment be -- Flavia, another

:16:51. > :16:56.great moment? It was great, he had the knees all the way through, his

:16:56. > :17:04.thumb bothered me, on the back, the big thumb up. How many times, over

:17:04. > :17:08.the past nine years, darling, have I been saying? 9,000 times you have

:17:08. > :17:13.said it? Thumb down. He could have bandaged that, and nobody would

:17:13. > :17:17.have seen it. Would it have been a nine for you with the thumb down?

:17:17. > :17:22.Yes. Nicky and Karen and their Tango. Only a six from you, you

:17:22. > :17:27.said you liked the routine, but he needs to improve his posture?

:17:27. > :17:32.getting more upright, but he has a tendency to lean to his partner.

:17:32. > :17:36.Which makes the line not as nice. You know, it should be a lovely V-

:17:36. > :17:40.shape on occasion. He should be proud in that, and be pulled up.

:17:40. > :17:44.He's just a little bit too straight up and down. Point taken, though.

:17:44. > :17:48.Hopefully this week we will see an improvement, don't go away, we need

:17:48. > :17:54.to discuss the girls. Craig Revel Horwood everybody?

:17:54. > :17:58.on Saturday night it was Scooby Snacks all round, as Dani and

:17:58. > :18:03.Vincent delivered another great performance. Here is a reminder of

:18:03. > :18:08.their Cha Cha Cha. If that dance was some food, it

:18:08. > :18:12.would be a sausage sandwich. Tasty, satisfying, and set you up for the

:18:12. > :18:16.day ahead. It was really spirited fun, nice

:18:17. > :18:21.and tight foot work, very well placed. You must extend through

:18:21. > :18:26.your lines, and you have to accentuate those finshes, otherwise

:18:26. > :18:33.it just don't look right. If you can do something that fast and

:18:33. > :18:38.achieve that many moves, that was amazing.

:18:38. > :18:44.I'm over the moon, I'm well chuffed. Vincent has been telling me all the

:18:44. > :18:54.time to extend my arms, and I didn't do it enough. It was too

:18:54. > :18:58.

:18:58. > :19:02.fast. Yes! Please welcome the meddling kids themselves, Dani and

:19:02. > :19:08.Vincent. Those glasses, familiar? thought I would wear them in honour

:19:08. > :19:12.of Sid Owen, I know he likes his false glasses. Were you sad to see

:19:12. > :19:17.him leave? I was so upset, it is getting hard for to see people

:19:17. > :19:20.leave. I like your glasses, sexy today? Wicked opening to the

:19:20. > :19:25.Halloween show, was it nerve racking to go on first, or great to

:19:25. > :19:28.get out there and do it? It was really nerve racking, I was pleased,

:19:28. > :19:33.I thought we will get it over and done with quickly, there is so much

:19:33. > :19:38.pressure going first. I'm glad I have done it now. You still get

:19:38. > :19:44.nervous Vincent? He's worse than me. It is not fair on little people!

:19:44. > :19:49.It's not fair. Did you enjoy your Scooby theme, it was so good?

:19:49. > :19:55.I absolutely loved it T at first I was a bit, oh, and then to see

:19:55. > :20:00.Vincent in the wig. I'm going to grow it out now. And turn it blonde.

:20:00. > :20:06.I think your wig was trending at one point. I think your wig should

:20:06. > :20:16.have its own show! Obviously Bruno said you looked like Denise Welch,

:20:16. > :20:17.

:20:17. > :20:23.from Loose Women? I agree. It was more Boris Johnson? I like that,

:20:23. > :20:29.he's a guy, no. We were confused, you had Shaggy's clothes on but

:20:29. > :20:33.Fred as hair? It was unusual. couldn't decide which one to be, so

:20:33. > :20:43.he changed it up. Can you recreate the moment, one each, just because

:20:43. > :20:45.

:20:45. > :20:52.we love it so much? We love it too. There you go.

:20:52. > :20:56.Bring it on. Take it off, you are putting me off. Len called you a

:20:56. > :21:00.little "sausage sandwich". I have never been called that before, I

:21:00. > :21:05.didn't know where he was going with that. It was a nice compliment.

:21:05. > :21:08.gave you an eight? He did, he's my favourite. He was calling you a

:21:08. > :21:14.little sausage sandwich, we know you have a huge fan of your's on

:21:14. > :21:24.the show, we thought we would show you this, just the one. Have a look

:21:24. > :21:28.

:21:28. > :21:33.at this Vincent. So beautiful. The little Vincent is so beautiful!

:21:33. > :21:42.Stop checking yourself out in the mirror. How can I, the mirror loves

:21:42. > :21:52.me! Sorry, I was looking at myself in the mirror. Sexy beast. Stop

:21:52. > :21:52.

:21:52. > :21:57.looking at yourself. I can't help it. Some women don't even think I

:21:57. > :22:07.exist, they think I'm a fantasy. You are so beautiful, I can't help

:22:07. > :22:10.

:22:10. > :22:20.it. I so love myself. I just can't resist. I know, you're not the

:22:20. > :22:21.

:22:21. > :22:27.first one, you won't be the last one. Just a bit dizzy. Of course,

:22:27. > :22:30.you're dancing with me! It's a masterpiece. He just sat there and

:22:30. > :22:34.said, how long is this going on. You are staying with the Latin, you

:22:34. > :22:38.are doing the jive this week. How is it going? It is going well,

:22:38. > :22:41.seeing as it is only Monday. It seems OK. It could be one of her

:22:41. > :22:46.best dances. Do you think this could be the week to break into the

:22:46. > :22:53.30s? We have to, I want to be at the stop of the leaderboard for

:22:53. > :22:56.once in my life. Last week you said you were making the choreography

:22:56. > :23:02.tougher for Dani because she can cope with it, is that continuing?

:23:02. > :23:09.The jive is very fast on its own, I'm putting sots of sin co-passions

:23:09. > :23:15.and spins. -- syncopations and spins. It didn't go well today.

:23:15. > :23:20.does it to me all the time. You're rubbish! Is it getting easier to

:23:20. > :23:23.come in each week and pick up a new dance? Not really, every week is a

:23:23. > :23:29.completely different style of dancing. You have gone from the

:23:29. > :23:33.foxtrot, into, you know. What did we do this week? Oh the chacha, and

:23:33. > :23:40.it is a bit difficult to swap your mind that quickly. We think you

:23:40. > :23:45.will be brilliant. We are loving it. Get in the 30s this week, Dani and

:23:45. > :23:55.Vincent. Back to those dancing feet, were you able to guess whose boots

:23:55. > :24:05.

:24:05. > :24:09.Yes, it was the wonderful witch of oz, Natalie Lowe. Did you guess

:24:09. > :24:13.that correctly? Liar. Of course I did. Let's talk about the girls,

:24:13. > :24:18.Denise and James on Saturday night did the Cha Cha Cha, you said

:24:18. > :24:21.Denise's leg to hip action was a bit jolty and wooden? Only because

:24:21. > :24:27.she's not getting all the hip action that I know she can do. It

:24:28. > :24:32.is a real shame, she's get -- getting the straight leg but it is

:24:32. > :24:37.notes going to the knee to the hip. It is the hip that reacts to the

:24:37. > :24:42.foot the knee and that's it. could be a song? It might be, one

:24:42. > :24:45.for Christmas. She still good or up there? Brilliant, I love her, she's

:24:45. > :24:49.fantastic. A great study. Which means she gets in there, works hard

:24:49. > :24:53.and wants to learn. Lisa and Robin in their Charleston, for the first

:24:53. > :24:57.time you weren't hugely impressed, you gave her a six. You said she

:24:57. > :25:00.danced poorly and not enough Charlesen to, what was missing?

:25:00. > :25:05.Missing in my eyes, she was doing step touches rather than the cross

:25:05. > :25:09.and swivel. The cross and swivel in the Charles ten gives it its

:25:09. > :25:15.character. She's capable of doing it. It is a concentration thing.

:25:15. > :25:23.She concentrates on the arms too much and negates the foot work. It

:25:23. > :25:30.really should do a complete cross like that. Do it at full speed? You

:25:30. > :25:35.see that's what we need. You need to get it going. Kimberly and Pasha,

:25:35. > :25:38.you scored seven, you had nothing but praise for this fiery and

:25:38. > :25:42.fantastic. What was so good? attitude throughout the whole thing.

:25:42. > :25:49.The fact that she's placed and creating those wonderful intent

:25:49. > :25:53.lines, she was doing it with conviction. And a beautiful rende

:25:53. > :25:59.which I thought was gorgeous. Victoria and Brendan and their

:25:59. > :26:03.Tango, another surprise. Good to see her doing brilliantly. You used

:26:03. > :26:08.the b-word, brilliant? She is doing really well now. I think it is to

:26:08. > :26:14.do with confidence. Once you have a little bit of confidence, that goes

:26:14. > :26:17.an awful long which with dance. Particularly when you are --

:26:17. > :26:23.awfully long way with dancing, particularly in front of millions.

:26:23. > :26:26.She has a problem with the hand on the back, the tum tucks under, so

:26:26. > :26:32.you don't see it -- thumb tucks under so you don't see it, the hand

:26:32. > :26:40.should be shaped and flat to the floor. She was getting ballroomish,

:26:40. > :26:45.not Tango. Fern and Artem, you only gave them a four in the Tango?

:26:45. > :26:48.be honest I thought it was dull. It didn't go anywhere, it didn't do

:26:49. > :26:52.anything. There wasn't of any impact moments, nothing really

:26:52. > :26:56.happened. I was bored. Do you think there was a confusion, she was

:26:56. > :27:01.trying to play the killer Queen, but it was an American Smooth?

:27:01. > :27:08.that at panto, and my killer Queen don't look like that. Don't we know

:27:08. > :27:13.it. Where are you this year in panto? The Swan in High Wycombe, it

:27:13. > :27:18.is almost sold out, hurry up. and Vincent, you loved her spans

:27:18. > :27:24.and fast foot work? She is a clean technician, that is what I love

:27:24. > :27:29.about her. When she puts the arm up, not just place it, hyperextend it.

:27:29. > :27:34.Go over the top with the line. She pops the arm up, that is not enough,

:27:34. > :27:38.you have to go literally forward with it, and extend it fully. She

:27:38. > :27:43.isn't gift with the length of bone that you and I have darling. Look

:27:43. > :27:47.at the length of that bone. But, because of that, she needs to

:27:47. > :27:50.really hyperextend, and really go for it. But I mean, fantastic

:27:51. > :27:55.characterisation, I thought they looked great together. I think

:27:55. > :27:59.Vincent really should go blonde, shouldn't he. Did you like the

:27:59. > :28:03.Denise Welch? I want a poster on my wall in my bedroom. Going into this

:28:03. > :28:07.weekend. What do our couples, what do you really need for them at this

:28:07. > :28:12.point in the competition? At this point there are no trick, no

:28:12. > :28:18.cobwebs, no gimmick, you have to do the technique, and that's exactly

:28:19. > :28:22.what we are looking for next week. Technique, brilliant, brilliant

:28:22. > :28:27.technique and acting and gorgeous flow around the floor. Who is

:28:27. > :28:31.shining up there at the top? Denise is still shining for me. She still

:28:31. > :28:36.has problems. They all come with problems, let's face it. I think

:28:36. > :28:39.she will really win the day. She has the right mentality for it.

:28:39. > :28:46.Fantastic. Thank you very much for coming to see us. Isn't he gorgeous,

:28:46. > :28:51.Craig Revel Horwood. I want to see you do more dancing.