:00:13. > :00:18.It's Tuesday. On tonight's show they had the fright of their lives
:00:19. > :00:23.but they danced to fight again. Colin and Kristina will be here.
:00:23. > :00:29.Nicky and car listen be here. She's got us all under her spell. I'm
:00:29. > :00:34.talking about the enchanting Karen Hardy. And he's such a scream,
:00:34. > :00:44.Julien MacDonald is here to talk Strictly Fright Night fashion. This
:00:44. > :01:13.
:01:13. > :01:16.CHEERING AND APPLAUSE Hello and welcome to Tuesday's
:01:16. > :01:19.edition of Strictly - It Takes Two. Saturday night was terrific and
:01:19. > :01:24.terrifying. For one couple it almost turned into a complete
:01:24. > :01:30.nightmare when they nearly left the competition. I will be talking to
:01:30. > :01:35.Colin and cyst crist in a moment. First a re-- and Kristina. First a
:01:35. > :01:40.reminder of their performance. footwork for me was a little happen
:01:40. > :01:45.hazards, you but the positive side is you do have that disco groove,
:01:45. > :01:50.which is lovely to watch. Maybe it wasn't a dirty salsa but it was
:01:50. > :01:55.definitely a saucy salsa this time. Hit a lovely rhythmic tick
:01:55. > :02:00.throughout. I was very encouraged that but it wasn't just a little
:02:00. > :02:05.mistake. There was a major incidents.
:02:05. > :02:12.I had a groovy time but the bit in the middle where the footwork went,
:02:12. > :02:17.that's always been a sticky one. happens. What can you do? You don't
:02:17. > :02:22.get away with anything out there. Those guys are professionals. We'll
:02:22. > :02:27.find out who will be back to dance again next week. Judges it is
:02:27. > :02:31.decision time. Colin and Kristina. Colin and Kristina. Colin and
:02:31. > :02:37.Kristina. Please welcome Colin and Kristina! CHEERING
:02:37. > :02:41.Well done on making it through. It is so tough, even watching that
:02:41. > :02:45.back then my stomach was churning for you. You were ninth on the
:02:45. > :02:50.leaderboard this week, which is the lowest position you've been. Did
:02:50. > :02:54.you have a feeling this was coming. Kristina, we were watching you on
:02:54. > :02:59.the stairs and you were hiding in Colin's chest. I was. I kind of had
:02:59. > :03:05.a feeling. It always a dangerous position to be in that low to
:03:05. > :03:11.middle part of the board. And it had been a weird week. The whole
:03:11. > :03:16.Hallowe'en vibe, it wasn't good in salsa. I've been dressing up as a
:03:16. > :03:20.black cat. It is not good idea. Unlucky for some. Yes. How did you
:03:20. > :03:25.feel it had gone on the night? was an incredible show. Everybody
:03:25. > :03:29.danced at the top of their game when the error did occur, it was a
:03:29. > :03:34.horrible feeling. Watching that back, that's emotional stuff there.
:03:34. > :03:40.You - you actually turned away. You mentioned going wrong there.
:03:40. > :03:44.Why was Len so hard on you, do you think? I think Len is an expert in
:03:44. > :03:50.his field and ultimately it is about the steps and executing them
:03:50. > :03:53.proper. The rhythm and steps and if something depose out of time, for
:03:53. > :03:58.him it's the deal breaker. I totally understand what he was
:03:58. > :04:03.saying. It was one of the dances that didn't gel with us. It does
:04:03. > :04:07.happen, you have dances that really you and you get the right music and
:04:07. > :04:12.the outfit and other weeks it feel as little... Superstition is an
:04:12. > :04:16.incredible fun track. I was back in the club basically. We know it is
:04:16. > :04:26.quite tough for you Kristina coming up with choreography week after
:04:26. > :04:46.
:04:46. > :04:55.week, so we thought we would lend How sexy was that!
:04:55. > :05:00.APPLAUSE That's my stuff. There is a huge
:05:00. > :05:02.party of ladies waiting to take you disco dancing and I'm driving the
:05:02. > :05:09.bus. This week you are doing the foxtrot.
:05:09. > :05:12.You can't do lifts, hate to be classic ballroom. I think he is
:05:12. > :05:19.happy there are no lifts. His shoulder is killing him. I've been
:05:19. > :05:23.strapped up for weeks. You made it look so effortless. But it is tough.
:05:23. > :05:31.This week foxtrot, a nice bit of calm dancing. A great piece of
:05:31. > :05:35.music with all the rhythms in it. Darcey wantsed a dirty arrange Tyne
:05:35. > :05:42.tango and a sexy salsa, what are you going to do in the foxtrot -
:05:42. > :05:45.fruity? I was trying to think. Fruity foxtrot, yes. Fleet of foot.
:05:45. > :05:50.You've been consistent with your scores, in the 20s. How are you
:05:50. > :05:55.going to up your game and stay out of the bottom two? What's the plan?
:05:55. > :06:01.To work as hard as possible and think about what music you have and
:06:01. > :06:05.bring it on the dancefloor, the moves. And the lyrics, he really
:06:05. > :06:11.likes the tune and hopefully it will be his dance. You are not
:06:11. > :06:15.allowed to tell us. It is romantic and it swings. It's jazz. What have
:06:15. > :06:20.you learnt about yourself in this competition, Colin? I've learnt, I
:06:20. > :06:24.was really pleased with myself on Saturday night. It sounds a crazy
:06:24. > :06:27.thing to say, but dealing with the criticism and withing in that
:06:27. > :06:32.position, I was interested to see how I would react. I've had a good
:06:32. > :06:38.time and I feel I have given it 100%, so I realise if you do the
:06:38. > :06:43.prep and you give it all you have got there is nothing you can't do.
:06:44. > :06:49.That and working with Kristina as well. It is brilliant. You are a
:06:49. > :06:56.special couple and your journey isn't over yet. A foxtrot this week.
:06:56. > :06:59.Will it be beautiful. Give it up for Colin and Kristina! Here to
:06:59. > :07:09.talk us through Her Majestyic moments of the weekend, here's
:07:09. > :07:17.
:07:17. > :07:24.She can't be tricked but she's always a treat, please give it up
:07:24. > :07:29.for Karen Hardy, Gangnam style. That was a great moment. Bruce, who
:07:29. > :07:34.would have thought? Also of props and gimmicks, did
:07:34. > :07:39.they add to the choreography or did they distract? In general it added.
:07:39. > :07:45.The whole show was alive, full of energy. There were some that were
:07:45. > :07:50.even greater than others, but for me this year not many disasters.
:07:50. > :07:54.And they are all really improving. Denise and James and their cha-cha
:07:54. > :07:58.chat. Bruno said Denise needs to get more to grips with the basics,
:07:58. > :08:02.you do agree? The problem here was the gamble with this dress. We know
:08:02. > :08:06.she's good and we've talked about how technically strong she, is but
:08:06. > :08:10.if you are taking the gamble of putting a lady with no skirt, it
:08:10. > :08:14.means a little bit of movement only and you are going to expose any
:08:15. > :08:18.weaknesses. In the short time they have been learning, to master this
:08:18. > :08:23.really perfect straight legs with the hip action, it is very
:08:23. > :08:28.difficult. It was a gamble that I think possibly exposed her a little
:08:28. > :08:31.bit too much, but just for James, completely loved the natural top my
:08:31. > :08:36.darling. Absolutely beautiful. I know lit probably go over the heads
:08:36. > :08:42.of most. Like me. Very difficult basic step which she nailed very
:08:42. > :08:46.well. Natural top. Tell me afterwards in the bar. Lisa and
:08:46. > :08:55.Robin and their Charleston ston. Every week they get a standing
:08:55. > :09:01.ovation, but are we going to see all the virth? I'm going to be the
:09:01. > :09:07.-- All the variety? I'm going to be the bad lady. All I'm getting every
:09:07. > :09:11.week is the hand dance all the time. If we complete turn the music off
:09:11. > :09:15.we should be able to identify what the dance is. I'm finding it hard
:09:15. > :09:22.now that each week they are coming out side by side and just carrying
:09:22. > :09:25.out the arm dances. I'm looking for a lot more partnering between them.
:09:25. > :09:29.Richards ander inand the paso doble. The judges aren't satisfied. Craig
:09:29. > :09:34.said he needed to dance through the floor more. What does that mean?
:09:34. > :09:41.you don't get the basics right, it creates a weakness. What it has
:09:41. > :09:48.done here is just made him look very straight. Now, I'm going to do
:09:48. > :09:52.a little demo. Is that alright? APPLAUSE Thank you. Paso doble.
:09:52. > :09:55.We've got to take the weight right over the balls of the feet, so the
:09:55. > :10:03.toes are gripping. Because we are doing, that its means the knees are
:10:03. > :10:08.always soft. Lovely knees? pelvis is pushed right the way
:10:08. > :10:14.forward. It is a very hard position to hold. Then you have to elevate
:10:14. > :10:18.your ribcage so it is much higher so that everything creates this
:10:18. > :10:23.huge shape. Matador! That says Flamenco when you do that. It is
:10:23. > :10:27.taking the weight that far forward, drives you into the floor rather
:10:27. > :10:33.than Tippie toeing across the top of the floor. And the shape's not
:10:34. > :10:38.quite right. That's what Craig is talking about. Aha! Now I
:10:38. > :10:44.understand. Kimberley and Pasha. Len said he wanted more aggression,
:10:44. > :10:50.but Craig said fiery and punchy. Who do you agree with? The thing
:10:50. > :10:56.with a panel of adjudicators everyone has different elements. We
:10:56. > :11:02.often see Craig go for the more theatrical and Len is more
:11:02. > :11:06.technical and in-depth. You can see here as she goes the locks it is
:11:06. > :11:09.really high and soft and too sweet. The assertiveness needs to be
:11:09. > :11:13.because of the technique, but getting that shaping that I said
:11:13. > :11:19.and the pushing into the floor and driving with the heels. That's
:11:19. > :11:23.tougher. A lot harder. I'm learning a lot today. Fern and art emand
:11:23. > :11:27.their American smooth. Len said there was no wow factor and Craig
:11:27. > :11:33.said it was dulling. What did you think of the American smooth?
:11:33. > :11:39.agreeing here. She's so in fear of getting it wrong for him. There's a
:11:39. > :11:46.moment I've got here, a beautiful move, they are stunning. I was like,
:11:46. > :11:51.push him away. Be involved with it, not, "Art em, am I doing this
:11:51. > :11:54.right?" This is it. Take control. Yes. Even if we make mistakes we
:11:54. > :11:59.make the mistakes look brilliant. She video should have been the
:11:59. > :12:03.killer Queen of this performance. Louis and Flavia and their tango.
:12:03. > :12:09.He got the first nines of the competition. Did he deserve them?
:12:09. > :12:12.Absolutely, and so brilliant by our Flavia. Took a gamble. Why? Such
:12:12. > :12:16.complex choreography. It could have gone drastically wrong, but he
:12:16. > :12:20.nailed it. He managed to create the acting of the Hallowe'en, there's a
:12:21. > :12:25.brilliant moment here when he goes into the dance and then bites into
:12:26. > :12:30.her neck supposedly and that's not important, I want to tango. Gets
:12:30. > :12:36.straight on with it and he makes a heap of mistakes afterwards but
:12:36. > :12:40.he's so confident with his delivery that you couldn't even fault it.
:12:40. > :12:44.made mistakes and we had no idea. Brilliant stuff. Michael and
:12:44. > :12:49.Natalie and their quickstep. It seems that ballroom is his forte.
:12:49. > :12:55.This is a ballroom boy. I'm in a suit, I've got a woman in my arms.
:12:55. > :12:59.I'm going love this. And he flies across the room. Gets his timing
:12:59. > :13:03.right. Why is is he goes wrong in the Latin and getting it flight the
:13:03. > :13:08.ballroom? His mentality, he's a ballroom dancer. Physically I think
:13:08. > :13:13.the more you leave him on his own he's in a danger zone. If a man
:13:13. > :13:18.goes out Dan dancing with a woman, he wants to hold her. He likes to
:13:18. > :13:23.hold Natalie and then he feels all macho and manly. You can't blame
:13:23. > :13:28.him though, she is gorgeous. Victoria and Brendan and the tango.
:13:28. > :13:34.You wanted to see the Olympician on the floor and she did. Her highest
:13:34. > :13:38.score, 31. Is it encouraging? brilliant. I don't want to show you
:13:38. > :13:43.what I'm going to show you but it is important. And we are going to
:13:43. > :13:48.learn from it. We've been looking for the flawless performance.
:13:48. > :13:53.She made a tiny mistake but what's important is how she recovers. We
:13:53. > :14:01.are going to show it here. A tiny mistake, the feet go wrong there
:14:01. > :14:06.but bang! I am in this. There are those eyes. I am in this. What has
:14:06. > :14:09.happened before when she went wrong, "We've had this moment on the
:14:09. > :14:14.dancefloor..." this is what we've been looking for. That's what we
:14:14. > :14:22.want to see from her every week. Move forward, drive, forget about
:14:22. > :14:25.that. I didn't notice that footwork. Karen, brilliant. Thank you as
:14:25. > :14:30.always. APPLAUSE On Saturday whacky Nicky and his
:14:30. > :14:36.lab assistant had all the chemistry to create their tango. Here is how
:14:36. > :14:40.they got on. The whacky professor has found his secret formula. You
:14:40. > :14:44.went at it like a rooster with a booster.
:14:44. > :14:50.You've got to have tighter hold and you stomped with your footwork but
:14:50. > :14:55.it was sharp, it was crisp and you got through it beautifully.
:14:55. > :14:59.need to sort your posture out. That is the main priority and concern.
:14:59. > :15:06.You are picking your feet up way too much and that's why it is
:15:06. > :15:12.looking stompy, but I really liked the routine.
:15:12. > :15:16.My feet were lifting. I was so aware if I didn't lift them to do
:15:16. > :15:21.the turns the I wouldn't get round quick enough. To get a six from
:15:21. > :15:23.Craig is really impressive. They may have found the formula for
:15:23. > :15:28.dancing success. Please welcome Nicky and Karen!
:15:28. > :15:32.CHEERING Hooray! Well done you two on
:15:32. > :15:36.Saturday. It was great. First of all was it a shocker Colin and
:15:36. > :15:43.Kristina being in the bottom two? How was it among the rest of the
:15:43. > :15:47.troops? I think that was a shock. Colin was pretty shocked as well. I
:15:47. > :15:50.think backstage I don't think Fern was happy with her performance. She
:15:50. > :15:55.probably felt she was going in and right at the last minute Fern was
:15:55. > :15:59.kind of announced out of the dance- off and Colin was in. Look, every
:15:59. > :16:03.week now you can't pick it, because there's people who are very good
:16:03. > :16:06.and there's people who aren't, say, brilliant but they are putting in
:16:06. > :16:12.so much evident to be good. You can't call it. And six different
:16:12. > :16:16.couples have been in the bottom two. My dad pointed that out to me.
:16:16. > :16:21.How's he doing? He's going to Venice and it's flooded but
:16:21. > :16:25.anyway... You dropped two places on the leaderboard but how happy were
:16:25. > :16:30.you with your tango on Saturday? It was brilliant. It was happy, I'm
:16:30. > :16:33.not going to lie. If I get to the judges and they are smiling and
:16:33. > :16:39.they say, "We love the aggression and the character" that's it for me.
:16:39. > :16:44.The technical side of it we work so hard on. I did stomp but all week I
:16:44. > :16:47.was trying to keep my feet close to the floor. I was trying to glue his
:16:47. > :16:51.feet on the floor. The posture, to be honest with you, I don't know
:16:51. > :16:58.what more I can do. It is really like this at this point. The feet
:16:58. > :17:01.yes, the posture, even when I see those clips I'm like, to my eyes I
:17:01. > :17:06.can't see the posture being wrong. What do you think about the judges
:17:06. > :17:11.keep going on about his posture? What do you think of his posture?
:17:11. > :17:16.We've been working really hard and it has improved. There's little
:17:16. > :17:22.things, he is not as consistent in but we are working on it. I think
:17:22. > :17:27.he's done a great job on it. We has to stay away from me. I keep
:17:27. > :17:32.telling him, "Keep away from me" but one step at a time. I was a
:17:32. > :17:39.goalkeeper by trade so I was train to do so be on my toes and to. So
:17:39. > :17:44.when I'm dancing I'm like, I've got be on my heels. It is retraining
:17:44. > :17:48.your mind and it is not a natural position, that ballroom. Quickstep
:17:48. > :17:52.is that position and this week tang other is bent leg and this week it
:17:52. > :18:00.is straight again. It is so confusing. There is we think when
:18:00. > :18:07.you two are training possibly a bit of a language barrier between you.
:18:07. > :18:13.Boom! Boom. I have no idea what you mean.
:18:13. > :18:23.Ka-ka. Are you sure about that? I speaking in Spanish? I think you
:18:23. > :18:28.
:18:28. > :18:37.should check the man yum. Choop, ka-ka... What's that? Up pom-pom.
:18:37. > :18:41.OK, alright! APPLAUSE She's a lunatic. How am I supposed to get
:18:41. > :18:44.the posture right if I'm dealing with that? That doesn't mean
:18:44. > :18:48.anything in English, Spanish or Irish by the way. Goodness me,
:18:48. > :18:54.brilliant. You are doing the rumba this week. How is the romance and
:18:54. > :18:58.the speed? Are you loving it? started yesterday and it's
:18:58. > :19:03.different. The song is a really good song, which for me coming from
:19:03. > :19:10.a musical background, if the song is brilliant, I kind of feel you've
:19:10. > :19:19.got half the battle won with the public. I'm learning the rumba. It
:19:19. > :19:22.is very slow. I'm one, two... I think how I do it in my head is
:19:22. > :19:27.learn the steps... Learn the character and put it together in
:19:27. > :19:31.the week. I'm the opposite, character and put the steps on to
:19:31. > :19:36.the character. It is a bit crazy, but I think he's doing great though.
:19:36. > :19:41.It started out good. A bit hectic, a bit unstable, but we are going to
:19:41. > :19:46.get there. Really? She's telling you this now. It is for your own
:19:46. > :19:50.good. Your wife Georgina was persuading tow do this competition,
:19:50. > :19:56.is she proud of you, and your boy? They are loving it, they've been
:19:56. > :20:02.over every week in the audience and the kids watch it at home. Week one,
:20:02. > :20:08.they said you shouldn't have lifted her. I didn't get the memo.
:20:08. > :20:14.last week it was like, "We like Craig, he was the Tin Man, he's
:20:14. > :20:19.cool." It does take over your life. My mother and sister and Georgina's
:20:19. > :20:25.sister and brother, everybody loves it. Good luck with your rumba and
:20:25. > :20:28.keep it slow. I will remember, one, two and three. And slower again.
:20:28. > :20:32.Nicky and Karen! CHEERING
:20:32. > :20:37.Saturday's theme was of course Hallowe'en and the Strictly costume
:20:37. > :20:47.department went into overdrive. Here is our very own dedicated
:20:47. > :20:55.
:20:55. > :20:57.follower of fashion, Julien Please welcome our ambassador of
:20:57. > :21:01.fashion, it's Julien MacDonald! CHEERING
:21:01. > :21:06.Welcome back to Strictly - It Takes Two. The costume department
:21:06. > :21:09.surpassed them with Hallowe'en. was incredible. It took me by
:21:09. > :21:15.surprise - a glamorous new Hallowe'en. You really were like,
:21:15. > :21:20.wow, this is brilliant. You picked out your top three must-see looks
:21:20. > :21:25.of the weekend. In reverse order. Who is your number three of the
:21:25. > :21:34.weekend? My number three of the week is the gorgeous Fern Britton.
:21:34. > :21:43.I love Fern. She always looks super chic and elegant. I want to be that
:21:43. > :21:49.won. She's great! -- I want to with that -- I want to be that woman,
:21:49. > :21:54.she's great! That can be arranged. This is rich, deep velvet, gorgeous.
:21:54. > :21:59.Very sexy. And here we have this incredible embroidered neckline.
:21:59. > :22:02.The neckline is baroque. It has hundreds of crystals and beads. It
:22:02. > :22:08.takes hours to do something like this. And we see the straps of the
:22:08. > :22:15.dress, which helps her look very slim and elongates her body.
:22:15. > :22:20.has lost loads of weight. Why does this outfit work so well for a
:22:20. > :22:25.curvey woman? The combination of the velvet, the georgette, the full
:22:26. > :22:31.skirt. The vev et helps you to suck in and the stretch neck on the arms
:22:31. > :22:37.wrap round the dress. It makes you look and feel confident and feel
:22:37. > :22:43.like a woman. With the way you talk it makes it sound so sumptuous,
:22:43. > :22:48.oozing. Who is your number two of the week? The gorgeous Victoria
:22:48. > :22:54.Pendleton. I love this dress. The thing is apparently it is three
:22:54. > :22:58.dresses which have been chopped up and made into one fabulous white
:22:58. > :23:02.wedding dress. It is incredible isn't it. She says she is getting
:23:02. > :23:09.married and is taking ideas for her own wedding. What stood out for you
:23:09. > :23:15.about this dress? Skirt I love, because it is made from tulle. It's
:23:15. > :23:23.a transparent net with our fashion designers use to make frothy skirts.
:23:23. > :23:27.I am learning so much. You get so excited it is almost disturbing.
:23:27. > :23:31.What about the del tail? Lots of chains and crystals draped around
:23:31. > :23:37.the body. It reminds me a bit of Madonna in Desperately Seeking
:23:37. > :23:42.Susan. It is very 1980s fashion. You could see a young girl wearing
:23:42. > :23:46.this dress perhaps with a pair of big black boots. It is very Camden
:23:47. > :23:52.market for young kids. We'll all be out this weekend buying three
:23:52. > :23:58.dresses and sewing them together. What's about the make-up? It is
:23:59. > :24:03.gothic, dark eyes, and long eyelashes. If they get any longer
:24:03. > :24:08.they will touch the ceiling. I love the fascinator hat. It is a shame
:24:08. > :24:11.she didn't wear it on the night. It reminded me of something that
:24:11. > :24:16.Carrie Bradshaw would wear in Sex And The City.
:24:16. > :24:21.Yes! Incredible. And your number one spot this week July afternoon?
:24:21. > :24:28.The number one Strictly fashion pick has to be... Kimberley!
:24:28. > :24:35.Marvellous. What did you love about her outfit? She's a very saucy and
:24:35. > :24:40.sexy Red Riding Hood, the red cape, the glamorous hood and, my God, the
:24:40. > :24:47.body that is underneath. She has this incredible body. I've dressed
:24:47. > :24:52.Kimberley lots of times. She is so curvey and gorgeous stkhfplt That
:24:52. > :24:55.tiny waist. Not many women could wear this waist with the hips?
:24:55. > :25:00.wouldn't recommend this look to a lot of people, as you do have to
:25:00. > :25:07.have an incredible body. If you want to go for a crop top I would
:25:07. > :25:12.layer it and layer it and layer it. Like a vest? I would put a body, a
:25:12. > :25:17.T-shirt and the crop top on the top. This is a theatrical costume and
:25:17. > :25:23.you could turn into a fashion disaster if you left the house with
:25:23. > :25:33.nothing but that top on. Goodness me. I shall put mine aside. Even I
:25:33. > :25:37.did spot the Gawdets in this dress. Apparently there's sight in one
:25:37. > :25:47.skirt. Outrageous! It is a fashion designer's dream.
:25:47. > :25:53.But these are dip dyed, pleet, nipped with silk and covered in
:25:53. > :26:01.hundreds of cyst ands! I'm really hoping that someone will sample
:26:01. > :26:07.that and make into it a record. And now your guilty pleasure of the
:26:07. > :26:15.week. My guilty pleasure is the very handsome this week Richard
:26:15. > :26:21.Arnold. Butch, handsome, countries eled jaw line, a -- chiselled jaw
:26:21. > :26:28.line. Covered in rocks. Look out. The thing is an embroiledered
:26:28. > :26:33.jacket is the fashion must-have of the season for women. Not many men
:26:33. > :26:41.can carry that look off. It is not fair that you girls get all the fun.
:26:41. > :26:45.Us guys need a bit of sparkle as well. Stunning. Did he have
:26:45. > :26:50.painted-on stubble? I don't think he shaved for a week. All that
:26:50. > :26:56.dancing around. So good. We've talked a lot about Strictly fashion
:26:56. > :27:01.and translating into the real world. You've got a treat for us I
:27:01. > :27:10.believe? I'm taking Denise van Outen's dress and put it on Amy who
:27:10. > :27:16.works in a zoo. Fantastic. Let's see fit worked.
:27:16. > :27:22.Hi I'm Amy and I'm a zoo keeper at Battersea Park children's zoo. This
:27:22. > :27:25.is what I usually wear at work. Let's go feed some animals. My
:27:25. > :27:34.colleagues have very jealous. They would have loved to have done it
:27:34. > :27:38.themselves but I'm the fan, so I got to do it.
:27:38. > :27:44.It is such an unglamorous job normally so it is nice to wear
:27:44. > :27:48.something pretty and sparkly rather than wellies. These are the ring-
:27:48. > :27:52.tailed lemurs. Let's see how they take to my outfit.
:27:52. > :27:56.Wearing the outfit is fantastic. There are a few issues with wearing
:27:56. > :28:04.stilettos in the enclosures. Wearing heels in sand doesn't
:28:04. > :28:09.really mix. This isn't the most glamorous part
:28:09. > :28:14.of the job but let's see if this will give it a bit more sparkle.
:28:14. > :28:21.When I was cleaning out the enclosures and I was bending down,
:28:21. > :28:26.I was trying to convince my boss that this is the way forward for
:28:26. > :28:33.the new uniforms. But it is not practical enough. Who knows, maybe
:28:33. > :28:39.some of the glamour has rubbed off. Let's here it for Amy -- hear it
:28:39. > :28:46.for Amy! A lot of women in you said you will be wearing Denise van
:28:46. > :28:51.Outen's dress, they would be terrified. She's got an amazing
:28:51. > :28:56.body, and here is Amy looking gorgeous. Cleaning up lemur poop.
:28:56. > :29:00.Will you come back next week Julien? Definitely. Julien