:00:16. > :00:19.Hello and welcome to Strictly: It Takes Two. Happy Bonfire Night! We
:00:19. > :00:25.have a lot of hairspray in here, mind the sparks! They went out with
:00:25. > :00:29.a bang on Saturday, Colin and Kristina are here. APPLAUSE What a
:00:29. > :00:35.display they gave us on Saturday. Yes, him without his vest - Fern
:00:35. > :00:41.and Artem are here. APPLAUSE A man a few of our contestants would like
:00:41. > :00:51.to see on a bonfire - Craig is here! Just kidding! This is It
:00:51. > :01:20.
:01:20. > :01:30.Live from Television Centre, this is Strictly: It Takes Two. Please
:01:30. > :01:31.
:01:31. > :01:34.welcome your host, Zoe Ball! APPLAUSE Hello. Welcome. What an
:01:34. > :01:44.explosive weekend we had on Strictly. We have some breaking
:01:44. > :01:46.
:01:46. > :01:49.news. I thank you. Breaking news for you now. Saturday night, Denise
:01:49. > :01:54.and James were top of the leaderboard receiving their first
:01:54. > :02:04.nines of the series. It will did we know James had badly bruised his
:02:04. > :02:18.
:02:18. > :02:24.ankle backstage earlier in the day. Argh! It is not good. Have you
:02:24. > :02:32.anything to sedate him so we can shut him up for five minutes?! Any
:02:32. > :02:35.medication to sedate him?! loving the concern from all his
:02:35. > :02:41.fellow dancers! It Takes Two has heard James cannot walk on it. He
:02:41. > :02:46.has been instructed to rest up. Sorry Denise, no Artem for you, he
:02:46. > :02:50.is still dancing with Fern. Ian Waite is in the training room.
:02:51. > :02:57.Hopefully, James will be OK to dance on Saturday. We will give you
:02:57. > :03:02.an update on Wednesday when Denise and James join me on the sofa.
:03:02. > :03:09.Thank you. For more backstage gossip, take a look at our footage
:03:09. > :03:13.from behind-the-scenes. Kind of overslept, which is not
:03:13. > :03:21.good. I have come in with my breakfast! I have had a cup of tea
:03:21. > :03:26.and a fruity bun. I'm doing the Samba. Got to get serious, sit
:03:26. > :03:34.tango. I wasn't thinking about it until you mentioned it! I was so
:03:34. > :03:42.ill last week. I have what Louis had. I was trying to wipe out my
:03:42. > :03:49.competition! The Strictly bug is hitting everybody. Live shows
:03:49. > :03:57.thrown into chaos. It is Strictly killing me off! I'm a fighter.
:03:57. > :04:02.snogging this week, then? You know where I am! I have a fun entrance
:04:02. > :04:08.this week. Fingers crossed it will all be all right on the night.
:04:08. > :04:15.is firework weekend. I want them to wow me! I want to see Fern like a
:04:15. > :04:20.banger, boom! Denise doing the Viennese waltz. I want to see her
:04:20. > :04:24.spinning around that floor like a Catherine wheel. That was
:04:24. > :04:32.terrifying. Before you start it, you are negative. I can't remember
:04:32. > :04:42.how many spins. I do need to go through it. You are not standing up
:04:42. > :04:45.
:04:45. > :04:49.properly! Let's go through it now. Wow! I don't know what that means,
:04:50. > :04:58.but all the girls are talking about it. I will have something little,
:04:58. > :05:04.for a change, to eat. Mmm. Pasta. Hello! Oh, the fish. What's in
:05:04. > :05:13.here? Oh, the potato with the peas and broccoli. A bit of chicken is
:05:13. > :05:16.OK. That is all I'm having. unhealthy! No chips, no dressing,
:05:17. > :05:22.no potatoes, just broccoli and chicken, this is supposed to be
:05:22. > :05:29.your male, you a dancer now! they real eyelashes? Of course they
:05:29. > :05:34.are, everything is real! Even the hair?! All very exciting, isn't it?
:05:34. > :05:41.Cannot wait. Proper dancing, that is what we want to see. Yes! Bring
:05:41. > :05:47.it on! One, two, three, one, two, three... All the pro boys have
:05:47. > :05:52.disappeared. Where are they? It is all getting terribly exciting. The
:05:52. > :06:00.dancing is becoming formidable, which I am loving. You have two
:06:00. > :06:06.minutes. Two minutes. There are no gimmicks, tonight it is pure dance
:06:06. > :06:10.and I think that is going to be fantastic. Good evening, ladies and
:06:10. > :06:19.gentlemen and children, welcome to Strictly Come Dancing, it is nice
:06:19. > :06:24.to see you, to see you... AUDIENCE: Nice! I do think the
:06:24. > :06:28.right person went out. To move forward, people need to put a
:06:28. > :06:35.little bit more effort into the minor details because that's what
:06:35. > :06:43.we will be looking for. We have been told! Please welcome
:06:43. > :06:48.Colin and his Bond girl, Kristina. APPLAUSE I didn't want to see you
:06:48. > :06:52.two today. How heartbroken are you, Colin, that your Strictly journey
:06:52. > :07:00.has ended? I'm cut up, really. I enjoyed it. It was fantastic. We
:07:00. > :07:05.were having fun. I got my highest score. That is most unfair, you had
:07:05. > :07:09.27, your highest score. When I was looking down the leaderboard,
:07:09. > :07:13.Colin's safe, that's fine. Then look what happens on the results
:07:13. > :07:17.show. Kristina, were you devastated? I was. It was such a
:07:17. > :07:21.horrible feeling and I didn't see it coming and it was really one of
:07:21. > :07:25.those sad moments. It always happens on the show, a great dance
:07:25. > :07:28.and you are up the leaderboard and there's a shock and somebody goes
:07:28. > :07:35.home. We are all gutted. You have had so many messages of support.
:07:35. > :07:44.These are what set me off last night. "A shock to see Colin Salmon
:07:44. > :07:50.leave, he was a gentle giant." Sue said, "A real gent, they will be
:07:50. > :07:54.sadly missed." How did your fellow contestants react? I'm the old man,
:07:54. > :07:59.so I'm quite supportive of everybody. It was emotional.
:07:59. > :08:04.was your wife? She's been in the studio every week and your daughter
:08:04. > :08:09.was there on Saturday night? Yes. How has it been for them? When I
:08:09. > :08:14.got put in the bottom two, Fiona was resigned, as I was, I didn't
:08:14. > :08:19.know what to do, I had lost it by then. My daughter cracked up. She
:08:19. > :08:23.was crying. It is heartbreaking. It's been great. Everything I said
:08:23. > :08:28.was real. I meant what I said. is emotionally draining. It is like
:08:28. > :08:34.a rollercoaster, the highs are a high and the lows are a low. You
:08:34. > :08:40.were in pieces last night, crying? I know. Every year, you know, when
:08:40. > :08:46.you get to this point, I promise myself, "Don't cry!" I can't help
:08:46. > :08:50.myself. I put my heart and soul in what I do. That is the key to
:08:50. > :08:54.what... I enjoyed my journey with him and it was so shocking and so
:08:54. > :09:00.heartbreaking for me that it's all over. Heartbreaking for all of us.
:09:00. > :09:10.We will be missed. She is off! We have the Glitterball tissues! This
:09:10. > :09:11.
:09:11. > :09:15.will get you going. You are dancing with Kristina! Kristina is a
:09:15. > :09:19.fantastic dancer. I hope I don't let her down. I'm known for being
:09:19. > :09:25.strict. I'm cracking my whip a little bit. Seven, eight, one...
:09:25. > :09:35.think I have done well in dance school. Will I pass? Let's hope
:09:35. > :09:37.
:09:37. > :09:41.it's an A! LAUGHTER Best cha-cha of the night. Kristina is kind, gentle,
:09:41. > :09:51.brilliant at what she does and is the greatest teacher going. That
:09:51. > :09:55.was awesome! I'm going to dance... I think you are dancing more to
:09:55. > :10:04.your height. That is good to see. Well done. A man that can ballroom
:10:04. > :10:09.and Latin. APPLAUSE The dance this week is the Argentine tango. We
:10:09. > :10:19.will be bringing in the Bond element. Colin is my James Bond. He
:10:19. > :10:20.
:10:20. > :10:24.is a strong, handsome man. You can take anything they throw at you and
:10:24. > :10:32.she gave you everything! I would have liked to have seen a dirtier
:10:32. > :10:38.spy. All right! This week, I am dancing the salsa. There is no time
:10:38. > :10:42.to think. This one needs to come very quickly. The footwork was a
:10:42. > :10:47.bit haphazard. Maybe it wasn't a dirty salsa, but it was a saucy
:10:48. > :10:51.salsa this time. You don't get away with anything. They are
:10:51. > :10:57.professionals. They know what they are looking for. I need to show
:10:58. > :11:02.what I can do. I want to make sure I get to the flashy bit! That is
:11:02. > :11:12.lovely. I didn't think I would enjoy it. I'm having a good time
:11:12. > :11:14.
:11:14. > :11:21.out there. You have more extension than Darcey Bussell! Move more! You
:11:21. > :11:26.have to move more. The couple with the most votes will stay in the
:11:26. > :11:30.competition. Richard and Erin. Richard and Erin. Richard and Erin.
:11:30. > :11:34.She is an amazing woman and dancer. Now, a good friend. I have never
:11:34. > :11:39.met a person like him. You are the coolest guy. You made this journey
:11:39. > :11:49.so special for me. I am happy I have met you and you were my
:11:49. > :11:50.
:11:50. > :11:55.partner on the show. APPLAUSE Do you want...? Have one. Do you need
:11:55. > :12:01.one? I might. What was your favourite dance? I really enjoyed
:12:01. > :12:07.Saturday night. I enjoyed the foxtrot, the first run was
:12:07. > :12:12.fantastic. It was. The cha-cha-cha was amazing. I enjoyed them all.
:12:12. > :12:18.Who is your hot tip to win now, to take the...? You know them better
:12:18. > :12:22.than any of us. Who do you reckon? I'm going to back up Lisa and Robin.
:12:22. > :12:31.He is my professional partner and a dear friend. I think they have got
:12:31. > :12:35.what it takes. Colin? My son, Louis! Your boy. He handles the
:12:35. > :12:41.pressure. Will you leave us - we have had lots of people asking this
:12:41. > :12:51.- will you leave us with one final high kick? Of course. APPLAUSE Look
:12:51. > :12:55.at these legs! Shall I just do it? Yes. Woah! It's been a wonderful to
:12:55. > :13:03.meet you. I'm going to embrace, I love him. You are a darling. Well
:13:03. > :13:05.done. We will miss you. Colin and Kristina! Thank you. APPLAUSE
:13:05. > :13:11.done. I'm having a moment. In another moment, Craig will be here
:13:11. > :13:14.to chat about the weekend's performances. First, time to test
:13:15. > :13:24.your Strictly knowledge with another Bruno's Strictly True or
:13:25. > :13:28.
:13:28. > :13:38.Hello, you lovely people. So you think you know a lot about Strictly.
:13:38. > :13:45.
:13:45. > :13:50.Let's see. Sid Owen once had a demi weave perm whilst sat next to Al
:13:50. > :13:56.Pacino - is it Strictly true or Strictly baloney? Thank you very
:13:56. > :14:02.much. Now a man who lights up our screens, it is Craig Revel Horwood.
:14:02. > :14:07.Yes, please! Darling. That must be a first, coming on to Twisted
:14:07. > :14:14.Firestarter!? Yes. How was Saturday for you? How was the overall
:14:14. > :14:20.standard of dancing? Fantastic. I do. Everyone has improved clearly.
:14:20. > :14:25.I was genuinely excited by the dancing. I love it when you are
:14:25. > :14:31.excited. We have had Hollywood and Hallowe'en. Was it good to get back
:14:31. > :14:35.to the old-fashioned nitty-gritty? Yes, you can take so much of all of
:14:35. > :14:41.the ex-trainious ideas. It is wonderful to see people do the
:14:41. > :14:48.dance properly. I adore that. They don't have anything to hide behind.
:14:48. > :14:55.That also is a good test. Let's talk about Richard and Erin. You
:14:55. > :15:01.said it whizz a dance disaster. You had a point, Sir? It was. -- Was a
:15:01. > :15:09.dance disaster. You had a point, Sir? It was. I love the fact she
:15:09. > :15:14.was dancing threw gritted teeth. None of it was going -- through
:15:14. > :15:20.gritted teeth. None of it was going in. They did a fantastic job.
:15:20. > :15:25.Actually, it was very good. I was really delighted. Good. Thank you.
:15:25. > :15:30.Denise and James and their Viennese waltz. It was a proper gasp - this
:15:30. > :15:34.is so good? It was so beautiful. Down to just the finer details of
:15:34. > :15:39.her hand-shaping on his back, all of that. It was beautiful,
:15:39. > :15:44.beautiful to watch. I loved it. tricky was the choreography that
:15:44. > :15:49.James gave her here? Well, the thing is, there's simple steps but
:15:49. > :15:54.they have to be executed in such a professional fashion to make it
:15:54. > :15:59.look as beautiful and lilty like that. She did really well.
:15:59. > :16:04.course, James did it with a bruised foot. Yes. On painkillers. When I
:16:04. > :16:10.looked at it, it looked like a bad tan! I know, but I don't think it's
:16:10. > :16:14.good. I know he was really limping after the show on Saturday night.
:16:14. > :16:20.So I was concerned. Fingers crossed... I might have to fill in!
:16:20. > :16:25.Oh my God! Can you only imagine?! Hold him back! It could happen.
:16:25. > :16:30.LAUGHTER Louis and Flavia and their Samba. Now, confusing here because
:16:30. > :16:34.everyone thought it was brilliant, you gave him some great comments.
:16:35. > :16:42.Then you only scored him six? because it wasn't worth a seven. If
:16:42. > :16:52.he had a bit of that double bounce action, then... Is that not a
:16:52. > :16:52.
:16:52. > :16:57.double-bounce? No. You have to do... And there wasn't any of the ah-ah-
:16:57. > :17:02.ahs, darling! Double bounce, it should have that all the way
:17:02. > :17:09.through it. It is all right us saying this in a chair, but I know
:17:09. > :17:14.what you mean. Dani and Vincent and the jive. This was great, such good
:17:14. > :17:20.energy. Vincent was hilarious? was brilliant. I was trying to say
:17:20. > :17:30.bubbly, bright, fantastic, and I sort of lost the plot a little bit.
:17:30. > :17:38.
:17:38. > :17:44.You were distracted. Yes. You said, cop on eye -full! That is why a
:17:44. > :17:49.lady should keep their legs together! You always keep your legs
:17:49. > :17:56.together! Nicky and Karen's rumba. I was caught up in the romance of
:17:56. > :18:00.this. Yes. Then you gave him a four? She was great. Oh! What was
:18:00. > :18:07.missing? What has he got to give you? It had the romance and the
:18:07. > :18:11.storyline. I wanted to see less posing, less of him presenting her.
:18:11. > :18:15.By that, he stood there a lot holding one arm out while she did
:18:15. > :18:23.all the work. Then she would cross over... Is that not what the rumba
:18:23. > :18:26.is about? He should be moving through the full... Can you
:18:26. > :18:32.demonstrate? It is moving constantly, you know what I'm
:18:32. > :18:37.saying? You have stopped! Keep going. I have stopped NOW, darling!
:18:37. > :18:41.Go. There should be movement... all times? If you are stopped in a
:18:41. > :18:45.position, you don't really stop, you reach and elongate and go to
:18:45. > :18:50.the next step. There wasn't enough for me. I want to see him dance
:18:50. > :18:57.more. Rather than holding his arms out. OK. You have made your point.
:18:57. > :19:02.Will you come back later on? Yes. Don't go anywhere. Craig Revel
:19:02. > :19:06.Horwood! APPLAUSE I like making you do a little dance! We should get a
:19:06. > :19:11.podium. In a moment, I will be chatting to Fern and Artem. Here is
:19:11. > :19:18.a recap of their passionate paso doble.
:19:18. > :19:22.I have to admit I was slightly distracted by Artem's chest! I did
:19:22. > :19:27.manage to see a few wobbles, however, in there. If it was a
:19:27. > :19:32.firework, it is a banger. This fizzed but it never exploded.
:19:32. > :19:35.liked what you did with your skirt. It was assertive. I thought there
:19:35. > :19:43.was a fire, Fern. We have been telling you week after week you
:19:43. > :19:48.have to deliver. You have to get it out there!
:19:48. > :19:56.24, that was all right. This has had a lot to do with it. I enjoyed
:19:56. > :20:01.being thrown about on the floor. You went for it every single time.
:20:01. > :20:09.Did I do the steps coming down better? Yes. Please welcome Fern
:20:09. > :20:13.and with his top on, Artem. APPLAUSE You started it!
:20:13. > :20:17.Congratulations on your paso doble on Saturday night. We will talk
:20:17. > :20:20.about that in a moment. Colin and Kristina have left, is it sad to
:20:20. > :20:27.say goodbye to them? Really horrible. He is lovely. He is a
:20:27. > :20:32.very good dancer. Yeah, I just, I feel bereft. I know. We move on.
:20:32. > :20:37.The good thing is, that during the results show you were called out
:20:37. > :20:43.much earlier! That must be a thrill? That was so nice. Yes.
:20:43. > :20:48.was very nice. Thank you. That was a gift that was appreciated. People
:20:48. > :20:53.are phoning and voting. How was the paso doble for you on Saturday
:20:53. > :21:00.night? Well, it was - I did my best and I forgot a few things,
:21:00. > :21:06.obviously! But I enjoyed it. And there's a good partner there, isn't
:21:06. > :21:10.he? He is all right. He is not too bad. I don't care what the others
:21:10. > :21:15.say, he is all right! Artem, your girl went one place up the
:21:15. > :21:19.leaderboard, you must be pleased? am. It is our best score so far.
:21:19. > :21:25.joint best one. We added five points on. We are doing something
:21:25. > :21:30.right. We are! More of that then. You were quite worried about the
:21:30. > :21:34.paso doble and you were worried about the judges' comments. Yes,
:21:34. > :21:40.fair enough, I can understand that and I try and take it on board. It
:21:41. > :21:46.is very scary when - I have to do this and this and they still - fair
:21:46. > :21:53.enough, dusting and polishing, and I am doing my best. It is - I have
:21:53. > :21:57.to do some more. That is a tough thing. Some people, certain dances
:21:57. > :22:01.may be suit them one week and if you are putting in as many hours as
:22:01. > :22:05.everybody else, it must be hard to come back and they give you
:22:05. > :22:11.frustrating comments? Yes. It was comments that I am used to, but the
:22:11. > :22:16.score was fabulous. We must discuss the top, obviously, or the lack of.
:22:16. > :22:21.Apparently, earlier on in the day you were going to be wearing a
:22:21. > :22:29.gladiator-style top. I was. someone steal it? No. I think it
:22:29. > :22:37.didn't quite work with... It wasn't as flattering on you as it could
:22:37. > :22:43.have been. LAUGHTER His skin was the best to fit! Whose decision was
:22:43. > :22:49.it to go topless? Wasn't mine! Wasn't mine! Thank you to whoever
:22:50. > :22:56.made that decision. APPLAUSE We are all very happy about it. Next week
:22:56. > :23:02.shorts, perhaps. We were thinking suede chaps. Next week, it is the
:23:02. > :23:07.salsa, a fun, party dance, are you enjoying it? Lovely. We have had a
:23:07. > :23:11.lovely day. It is fast and furious. There are lots of steps and arms.
:23:11. > :23:16.We have a good joke, I think. We are not going to tell you what it
:23:16. > :23:26.is. We have got a joke. We will keep it a secret. A bit of humour.
:23:26. > :23:32.Obviously, the judges have been saying push, Fern. Have a look at
:23:32. > :23:39.this. One more time. One more time. One more time. Oh. One more time.
:23:40. > :23:47.One more time. One more time. One, one, one, one, one, one...
:23:47. > :23:54.# One more time. # One more time. Yes! One more time.
:23:54. > :24:00.Please, let it end! Oh! APPLAUSE That is how hard he works her.
:24:00. > :24:05.never get passed one! One... And... Sometimes you don't start on one,
:24:05. > :24:14.you start on two! Oh, man! This time we haven't got four or eight.
:24:14. > :24:20.No, we don't. You are getting it! I'm starting to. Last week, you saw
:24:20. > :24:27.the Flamenco lady, are you doing anything to get in the salsa move?
:24:27. > :24:37.I might. Oh. Fern and Artem! APPLAUSE Earlier on, we quizzed you
:24:37. > :24:39.
:24:39. > :24:49.with a fact about Sid Owen, but was it true or complete baloney? I have
:24:49. > :24:58.
:24:58. > :25:05.asked you Sid Owen once had a demi wave perm while sat next to Al
:25:05. > :25:15.Pacino - is it true? It is. Join me next time for another Bruno's
:25:15. > :25:17.
:25:17. > :25:22.Strictly True or Strictly Baloney? APPLAUSE You should see Craig! That
:25:22. > :25:28.makes me laugh. What is it about Italians and Vincent loving himself
:25:28. > :25:33.to death and Bruno thinking he is the sexiest man on Earth?! 56,
:25:33. > :25:37.please! Wow! Time to welcome back the cat, Craig Revel Horwood!
:25:37. > :25:44.APPLAUSE OK, we have all the other people to get through. Kimberley
:25:44. > :25:51.and Pasha, a great show opener. You used loads of words beginning with
:25:51. > :25:55."L" - lubricious? It comes from lubrication. Of course. It means
:25:55. > :26:04.well-oiled. I use these terminologys with actors when I am
:26:04. > :26:14.working with them. It is what I use in my day job. OK. That is what he
:26:14. > :26:15.
:26:15. > :26:20.tells us! You loved it? Yes. Sometimes she gives the game away.
:26:20. > :26:24.You can tell in her face that she is not confident and she needed to
:26:24. > :26:31.release herself a bit more and trust the steps that she had learnt.
:26:32. > :26:41.If she had of done that, that would have flown. It didn't take off.
:26:42. > :26:42.
:26:42. > :26:49.That step there, is... A bachacada. Can you do them? No, I'm dreadful!
:26:49. > :26:53.Michael and Natalie, great on Saturday, you did say missing the
:26:53. > :26:58.style, swing and sway? For men, it is a difficult thing to use the
:26:58. > :27:03.swing and the sway. That gives it the beautiful shaping. He gets the
:27:03. > :27:08.steps, which is great. I think just as an encouragement he needs to put
:27:08. > :27:17.more style into it, a bit more razzmatazz, a bit more swing and
:27:17. > :27:23.more sway! It gives you that wonderful... It looks finished.
:27:23. > :27:30.Lisa and Robin and their tango, a bit of a ruckus amongst the judges
:27:30. > :27:37.after this. I liked her performance. It was wonderful to see her serious
:27:37. > :27:41.side and to see her not using all that showbiz jazz hands stuff. I
:27:41. > :27:45.really liked how they worked on this together, creating a frame.
:27:45. > :27:52.She still could work on her left hand, that was very flat and to the
:27:52. > :27:56.back and the palm should face the floor. OK. It is tiny details like
:27:56. > :28:03.that that will get them the nines and eventually the tens. Oh. Let's
:28:03. > :28:07.hope we get some of those soon. Fern and Artem, Artem's chest aside,
:28:07. > :28:12.although let's... It is difficult to ignore as we have all been
:28:12. > :28:16.talking about. She did a really nice job. There is a lot of arms
:28:16. > :28:21.that were loose. That was messy. Some of those things could be more
:28:21. > :28:26.efficient. The way you get someone's hands and place it in a
:28:26. > :28:32.definite fashion. If you don't, it is always going to look messy and
:28:32. > :28:37.loose. She was getting some of that Spanish shaping. Good. Generally,
:28:37. > :28:43.marvellous? Marvellous. Do come back next week. We love you. Craig
:28:43. > :28:48.Revel Horwood. APPLAUSE Thank you. That's all we have time for today.
:28:48. > :28:52.A big thank you to my guests. Tomorrow, I will be joined by