:00:11. > :00:20.Welcome to It Takes Two. It is Wednesday. Tonight, I have three
:00:20. > :00:26.superstar partnerships on the sofa. They are Denise and James. APPLAUSE
:00:26. > :00:34.Fresh from their Brazilian Samba, Louis and Flavia are here. APPLAUSE
:00:34. > :00:41.And our very own Vegas showgirl with her Vegas showboy, Victoria
:00:41. > :00:51.and Brendan are here. APPLAUSE My ex-is here - Ian Waite is here!
:00:51. > :01:20.
:01:20. > :01:29.Live from Television Centre, this is Strictly: It Takes Two. Please
:01:29. > :01:34.welcome your host, Zoe Ball! APPLAUSE
:01:34. > :01:39.Hello and welcome to Wednesday It Takes Two. We are down to our top
:01:39. > :01:42.ten. Today we get our first look at how our couples are getting on with
:01:42. > :01:49.their new dances. With Wembley around the corner, they are pulling
:01:49. > :01:53.out all the stops to impress. Here is a reminder of how Victoria and
:01:53. > :01:58.Brendan have brought some Vegas to Shepherd's Bush.
:01:58. > :02:04.To come up here on this and dance in front of millions of people, I
:02:05. > :02:09.think is very brave and very commendable. Oh yes, Victoria does
:02:09. > :02:15.Vegas! The problem started when you went to the dancefloor. It was
:02:15. > :02:18.Laszlo with a hangover! -- Las Vegas with a hangover! I thought it
:02:18. > :02:28.was glumpish. You are a true showgirl. You lose your focus at
:02:28. > :02:31.
:02:31. > :02:38.the very end. That is the only thing! I had a shaky Las Vegas
:02:38. > :02:44.hangover. I have wanted one of them for years! They have recovered.
:02:44. > :02:49.Victoria and Brendan are here. APPLAUSE Ace Samba on Saturday
:02:49. > :02:55.night. Did you enjoy it? I was terrified. Really? Terrified about
:02:55. > :02:58.it. Why particularly this week? Was it the dance? Was it too
:02:58. > :03:02.complicated? The dance is pretty tough. But also I just had one of
:03:02. > :03:08.those weeks where nothing seemed to go in my brain. I couldn't get the
:03:08. > :03:14.stops. I didn't feel confident. Oh gosh, I can't watch it! Have you
:03:14. > :03:20.watched it back? I haven't watched it back! Really?! LAUGHTER It is
:03:20. > :03:26.not that bad. It is all right. I can't! It was quite a bold move
:03:26. > :03:31.to start on the judges' desk. I am taking that wasn't your idea?
:03:31. > :03:36.did ask permission, I said, "Do you want to do this?" All right.
:03:36. > :03:43.thought the desk was wider! I'm going to step off into somebody's
:03:43. > :03:46.lap by mistake. I was hoping for that! That must be scary. You have
:03:46. > :03:51.four people sitting underneath your dress, I can understand that would
:03:51. > :03:57.be quite terrifying. Later on, it seemed you were possessed with the
:03:58. > :04:02.spirit of the Samba. But by the time you got up to Tess' area, you
:04:03. > :04:12.couldn't stop yourself! LAUGHTER You have to laugh. Look althe
:04:12. > :04:15.wiggle. Tess -- at the wiggle. Tess... Craig said, "You coped
:04:16. > :04:20.quite well". What did you make of that as a comment? I was very
:04:20. > :04:24.pleased that he thought I coped quite well. We knew it wasn't going
:04:24. > :04:29.to be a fantastic routine. We had one of those weeks that you don't
:04:29. > :04:33.want to remember. It wasn't good. We have moved on from that. We have
:04:33. > :04:38.moved on. We are all happy. Before you move on one last time, I want
:04:38. > :04:48.to show you this VT. Brendan was so good at helping you through it in
:04:48. > :05:01.
:05:01. > :05:05.Hey! Hey! You ready for a session? You are a dancer. Become the dancer
:05:06. > :05:09.you want to be. You are going to be a dancer. You are a dancer. I'm not
:05:09. > :05:14.a dancer. It is time to start thinking like one. You can become
:05:14. > :05:22.the inner dancer you know you want to be. There you go. That was so
:05:22. > :05:32.good. Take your time. This is good. Good stuff! Fantastic, fantastic! I
:05:32. > :05:41.
:05:41. > :05:49.That's amazing. You are so good at your job! LAUGHTER You are so good
:05:49. > :05:55.at your job! You spend a lot of time, seven, six hours a day,
:05:55. > :06:00.sometimes the stuff you come up with is ridiculous. Madness is what
:06:00. > :06:07.it is! Quickstep this week. Victoria, compose yourself. Are you
:06:07. > :06:12.enjoying it more? SNORTING No snorting! Love bg it. It's been
:06:12. > :06:17.really good -- loving it. It's been really good fun. How does it look?
:06:17. > :06:22.That was day one. That's good. fun. I am looking forward to it.
:06:22. > :06:27.That was day two, yesterday. One of your favourites, are you pleased
:06:28. > :06:35.with it? We have a fantastic bit of music. It's got that thing, it's
:06:35. > :06:42.got that zest... A bit of magic. get a smile on my face. And a
:06:42. > :06:46.tickle... I'm sorry?! Not from me! Legs! Of course(!) You admitted
:06:46. > :06:51.this ballroom style suits you more. Is the choreography getting more
:06:51. > :06:55.complex? Yes, it is. I have always got the fact that I can grab on to
:06:55. > :07:01.Brendan and he can drag me around the dancefloor if it goes wrong,
:07:01. > :07:07.which is reassuring. I pushed the boat out on this one. This is
:07:07. > :07:10.difficult. I know she can do it. You know she can do it? Yes. It is
:07:10. > :07:16.Wembley calling if you get through this. You have had massive public
:07:16. > :07:19.support behind you for the Olympics. How important is it for Strictly?
:07:19. > :07:25.I'm so grateful to everyone for voting. We were second from the
:07:25. > :07:28.bottom and we were saved. Thank you. My Mum can't vote. She is not here.
:07:28. > :07:35.We need the extra ones. quickstep could be the one for you
:07:35. > :07:39.this week. Good luck. Thank you. APPLAUSE It's time to find out how
:07:39. > :07:49.the ladies are shaping up in the first of our double dose - I'm a
:07:49. > :07:56.
:07:56. > :08:03.dancer - I wish I was - of the He really is a dancer! No costume
:08:03. > :08:09.this week, please welcome Ian Waite. APPLAUSE You have your own legs on
:08:09. > :08:13.today. I know. All in proportion! We are heading towards the half-way
:08:13. > :08:17.point of the competition. It is really hotting up. Speaking from
:08:17. > :08:22.experience, what will our pros be doing right now? They will probably
:08:22. > :08:25.be putting in more hours now. Obviously, they have to perform
:08:25. > :08:29.better. All the celebrities are getting better, even the ones that
:08:29. > :08:34.were slow starting, they are starting to improve. It is kind of
:08:34. > :08:39.evening out. If you have a bad show, you might go out. So you have to
:08:39. > :08:43.keep it snappy. Yes. Dani and Vincent, fantastic last week. This
:08:43. > :08:49.week, the tango. This looks seriously fast. How is she doing?
:08:49. > :08:54.Great dance because she's got Vincent, which is great. She makes
:08:54. > :09:00.very good lines. What I would like her to do - if I get my wand out...
:09:00. > :09:03.The wand is out! APPLAUSE I would like to keep this - I have told you
:09:03. > :09:07.this before - talking about things this before - talking about things
:09:07. > :09:14.to try and make things... I want to make a vase shape. You keep the
:09:14. > :09:19.base in. And keep the top wide. Sorry about that(!) Think about
:09:19. > :09:24.your head as being a flower in a vase. Basically, she's got to reach
:09:24. > :09:29.out like that. We understand, yeah? You can do this thing... You always
:09:29. > :09:33.used to say that to me and I thought it was a head in a vice!
:09:33. > :09:38.Kimberley and Pasha shone in the salsa. Back to ballroom for her and
:09:38. > :09:41.a Viennese waltz. It is a difficult dance. There is a lot of turn in it.
:09:41. > :09:46.They are kind of walking through the steps. She is hanging on a bit
:09:46. > :09:53.to him. I would like to show you this. She is making this look
:09:53. > :09:58.effortless. What is it called? is an Eros, basically. Of course!
:09:58. > :10:03.She is doing it very easily. The ending... She fell off a bit there.
:10:03. > :10:09.They will sort that out. LAUGHTER Yeah, probably it will be a good
:10:09. > :10:13.dance for her. Lisa and Robin are doing a foxtrot. How is Lisa
:10:13. > :10:17.getting on? Now, her flow across the floor is very good. Good.
:10:17. > :10:22.Although, I think it could be improved if she releases her toes
:10:22. > :10:27.when she goes backwards. Release the toes! Explain what you mean.
:10:27. > :10:31.When she is moving backwards, you always release your toes so you
:10:31. > :10:36.move on to the back foot more efficiently. If you keep the toe on
:10:36. > :10:42.the floor, you are not going to move so easily. OK. Also, she does
:10:42. > :10:47.a reverse turn into a reverse weave, so when she does that, she needs to
:10:47. > :10:55.be doing proper heel leads. I know she is wearing boots again this
:10:55. > :11:01.week. He doesn't like it! No. She's got a few flat feet. Proper shoes.
:11:01. > :11:06.Fern and Artem are doing a salsa. Is it going to be saucy? She seems
:11:06. > :11:09.to be embracing the character. the skirt! Look at those pins!
:11:09. > :11:14.is wearing a nice short skirt. She is getting into the rhythm of it. I
:11:14. > :11:18.wanted to stop it here and emphasise this. She is not - I
:11:18. > :11:24.won't be her favourite person. won't love you for that(!) There's
:11:24. > :11:32.a few points - one, two and three. First point is she needs to raise
:11:32. > :11:37.her hips, get her hips up, point two get the knees together. Hips up,
:11:37. > :11:44.knees together. We know what you mean! And heels up as well and feet
:11:44. > :11:47.together. That sounds so tricky. Come on, Fern. Victoria and Brendan,
:11:47. > :11:52.liking the quickstep. Brendan has made it complicated. How is she
:11:52. > :11:57.looking? It is a fast-flowing dance. Lots of changes of rhythm. Lots of
:11:57. > :12:00.variations in steps. There's lots of hopping steps where if you don't
:12:00. > :12:05.get the rise and fall right, you could very well be at a different,
:12:05. > :12:10.you could be like this, jumping up- and-down at different times. So
:12:10. > :12:18.what I suggest is that they get the centre, she gets her centre up to
:12:18. > :12:26.him and sticks to him like vil crow, then she will -- like velcro, then
:12:26. > :12:30.she will feel his body. Let's talk about Denise and Ian. James has
:12:30. > :12:33.hurt his ankle and you are training with her. Look at you and your
:12:33. > :12:37.muscles! How is Denise doing? is doing all right. She is doing
:12:37. > :12:43.quite well. Working very hard. Quite difficult choreography. But
:12:43. > :12:48.what I would say is that she needs to shape her arms more and use her
:12:48. > :12:52.arms, create more space under her arms. Don't do that, you have a
:12:52. > :12:59.sweaty patch! LAUGHTER She needs to get these - that's wrong. She needs
:12:59. > :13:04.to get these arms out on every step. But also clench these cheeks
:13:04. > :13:10.together. Feel that! That feels all right. Really hard. She needs to
:13:10. > :13:14.keep that really toned. That's lovely. Thanks for that. Ian Waite.
:13:14. > :13:19.Excuse me! APPLAUSE We will discuss the boys later on. Thank you. One
:13:19. > :13:24.of my favourite parts of the show is seeing all the re-enactments you
:13:24. > :13:34.have sent in. We have had another one in from France. We had to show
:13:34. > :14:07.
:14:07. > :14:08.APPLAUSE Please keep them coming in. APPLAUSE Please keep them coming in.
:14:08. > :14:13.Send your clips to ittakestwo@bbc.co.uk. Clips should
:14:13. > :14:17.be no longer than 30 seconds. Full instructions and terms and
:14:17. > :14:21.conditions can be found at bbc.co.uk/ittakestwo.
:14:21. > :14:29.In a moment, I will be joined by Louis and Flavia. First, a reminder
:14:29. > :14:39.of how they blew up the dancefloor with their saucy Samba. You have to
:14:39. > :14:39.
:14:39. > :14:46.be the King of pelvic gyrations. You have made it look very
:14:46. > :14:52.masculine. I was disappointed. It was a bit safe. Every dance studio
:14:52. > :15:02.in Britain will be congratulating you because there was so many
:15:02. > :15:02.
:15:02. > :15:09.recognisable Samba steps. Yeah! Darcey still gave us a seven. She
:15:10. > :15:14.still loved the performance. More sex next week for Darcey! Look left.
:15:14. > :15:20.Please welcome the snake-hiped Olympian Louis and his gorgeous
:15:20. > :15:25.partner, Flavia. APPLAUSE Lovely to have you here. Super sexy Samba on
:15:25. > :15:30.Saturday. We loved it. But one of your lowest scores. Not that low,
:15:30. > :15:34.by comparison, but how did you feel about that? It wasn't too bad. I
:15:34. > :15:39.have taken quite well to ballroom, but Latin I find it quite hard to
:15:39. > :15:43.get good scores. I think the scores we have got, or I think I was quite
:15:43. > :15:48.happy with. I have to say lots of your fans were furious that what
:15:48. > :15:55.they said was low marking. Hannah said, "I loved it. What more can he
:15:55. > :15:58.do to get a high mark?" And, "Undermarked, his solo section was
:15:58. > :16:04.fabulous." That is what the fans think. No secret Darcey has loved
:16:04. > :16:09.you from the beginning. Were you shocked? She said she was
:16:09. > :16:14.disappointed? Darcey! Naughty Darcey! I prepare myself for
:16:14. > :16:17.negative comments. We are not dancers and we are picking up a new
:16:17. > :16:25.profession. I prepare myself for criticism. Come on, Darcey! Samba
:16:25. > :16:30.is a tricky one. It is quite hard for the celeb boys. It's always
:16:30. > :16:33.going to be hard to get high scores on a dance like that. Having said
:16:33. > :16:39.that, when Karen Hardy was here yesterday, she did point out
:16:40. > :16:46.several of the moves that Louis did and she said they were spot on.
:16:46. > :16:51.did fab. Well done. APPLAUSE Did it help - no, we have noticed you are
:16:51. > :16:58.a bit shy. You are coming out of your shell. Flavia is coaxing you
:16:58. > :17:02.out, check this out! Slowly. Look at you. Showing off your guns. Nice.
:17:02. > :17:10.Favourite bit still to come. They are huge! Wait for it. Wait for it.
:17:10. > :17:16.We are going to get the finger point. Here it comes. I love that.
:17:16. > :17:20.It makes me laugh. Can we put that in the routines? No. Did that help
:17:20. > :17:24.you get in the mood? A little bit. It is nice to do different things
:17:24. > :17:28.and try and get out your shell before the show. Flavia has been
:17:28. > :17:33.doing quite a good thing with you, she has been encouraging you to
:17:33. > :17:40.take on the persona of some of the male pro celebrity dancers. This is
:17:40. > :17:47.good. Yes. Do an impression of what a Latin dancer looks like.
:17:47. > :17:56.right. Hello, baby. Don't... like my cha-cha, do you? Can you
:17:56. > :18:06.pick anyone but Anton? No, that is Robin. LAUGHTER No, don't do that.
:18:06. > :18:07.
:18:07. > :18:15.Victoria, I... Right, Brendan. LAUGHTER Who am I? Vincent does
:18:15. > :18:21.that. Do I look good? Oh! Your Robin is priceless! This week, you
:18:21. > :18:25.are back in the ballroom. You are doing a waltz. How is it going?
:18:25. > :18:30.is going really well. After the Samba, it is nice to go back to
:18:30. > :18:33.something calming. We have a nice song and, yeah, we are working hard.
:18:33. > :18:37.Do you find Louis is more willing when he is doing ballroom? He is
:18:37. > :18:42.more comfortable because it takes less, you have to be less
:18:42. > :18:49.flamboyant so in a training studio it is quite hard at 10.00am to be
:18:49. > :18:54.flamboyant and go for it. With the waltz it is more his natural kind
:18:54. > :19:00.of feel and mood. It suits him a bit more. Your Mum has been down to
:19:00. > :19:04.the training room. How is it when your Mum pops in? I love my Mum. I
:19:04. > :19:11.wish she would just stay away. love it. She is on my side! When
:19:11. > :19:20.she comes in, what does she do? brings food. Then she starts
:19:20. > :19:24.interfering. No, she is helping! Stay away... Come again! Do you get
:19:24. > :19:29.embarrassed having to dance in front of your Mum? She was telling
:19:29. > :19:34.me what she thinks I should be doing. That is Flavia's job. I want
:19:34. > :19:39.the support. That is hysterical. Your Strictly Dad left this weekend,
:19:39. > :19:44.Colin, and he said that you were his hot tip to win. Thank you,
:19:44. > :19:49.Colin. Good luck this weekend with your waltz. Give my love to Elaine.
:19:49. > :19:52.Louis and Flavia! APPLAUSE In a moment, I will be chatting to
:19:52. > :20:02.Denise and James. Here is a reminder of how they found
:20:02. > :20:12.themselves back on top after a rather romantic Viennese waltz.
:20:12. > :20:16.
:20:16. > :20:25.More turns than a Catherine wheel. Absolutely spectacular! Seamless!
:20:25. > :20:31.One word - a-ma-zing. Yeah! She is a ballroom girl! We got three nines.
:20:31. > :20:36.Yeah! The judges gave amazing comments but I still want more.
:20:36. > :20:45.There were a couple of moments where I was disappointed with you.
:20:45. > :20:49.All right. Thank you. He is so naughty. Our meerkat prediction
:20:49. > :20:53.came right, top of the leaderboard. Denise and James, well done.
:20:53. > :20:58.APPLAUSE Thank you. It was so beautiful to watch on Saturday. Did
:20:58. > :21:04.you enjoy it? I loved it. It was the first week I felt more relaxed,
:21:04. > :21:08.really enjoyed the dance. It was great. All on an injured ankle?
:21:08. > :21:14.Were you worried you weren't going to be able to perform? No, I knew I
:21:14. > :21:19.would be able to get through it. I was concerned whether I would make
:21:19. > :21:25.it a lot worse, which I did. It was worth it. It was. Three nines,
:21:25. > :21:31.totally worth it. And after the comments you had... Do you...
:21:31. > :21:35.looks great. I am very proud. Dress rehearsal was a nightmare. Isn't
:21:35. > :21:40.that better, get it wrong? really. It doesn't give you the
:21:40. > :21:45.confidence before you go on to the live show. It panics me. You were
:21:45. > :21:50.quite nervous about it. A fleckerl in there and I know for a fact they
:21:50. > :22:00.are really hard to do. She did. She kept her feet flat on the floor as
:22:00. > :22:01.
:22:01. > :22:04.well. Good teacher. He is. That is true(!) He is going to swell now!
:22:05. > :22:10.Viennese waltz makes you a little bit dizzy and we did notice that
:22:10. > :22:19.you did lose your bearings last week? Stay on your right leg. Turn.
:22:19. > :22:29.And get on to your left leg. # I've been driving in my car.
:22:29. > :22:29.
:22:29. > :22:36.# Hrbl Which way you turning? Please say left. --
:22:36. > :22:41.# I've been driving in my car. # Which way you turning? Please say
:22:41. > :22:47.left. To the right, to the right. That is turning right. That is
:22:47. > :22:52.turning left. There you go. It is not rocket science. Yes! Well done.
:22:52. > :22:56.APPLAUSE I get confused. We have made these for you. Thank you. I do
:22:56. > :23:00.get confused with my left and right. You know what is good? It shows
:23:00. > :23:05.that - I put a lot of spins in the routine. She doesn't find it
:23:05. > :23:10.natural to spin. But when she gets it, she spins well. They are quite
:23:10. > :23:14.special. Come on! Word! Paso doble this week. Do you like it? I love
:23:14. > :23:19.it. We haven't had a chance to dance it properly because of his
:23:19. > :23:23.injured ankle. Update us. How is your leg? How is Ian Waite in the
:23:23. > :23:30.training room? Ian has been brilliant. Obviously, I have tried
:23:30. > :23:34.to choreograph the routine from a chair. Have you got a stick? I feel
:23:34. > :23:38.sorry for him. I haven't given him full control over Denise because my
:23:38. > :23:42.aim is to dance on Saturday night. It is very, very painful. Ian
:23:42. > :23:46.wasn't able to come in today so I tried to dance with you, but I was
:23:46. > :23:50.in a lot of pain. I have had to make the routine easier for me,
:23:50. > :23:54.where normally you are saying can you make it easier and I'm saying
:23:54. > :24:01.no. At this stage in the game, what are the chances of you dancing on
:24:01. > :24:08.Saturday? I will dance on Saturday. OK. Ian's devastated. Now, you have
:24:08. > :24:12.had a fab-u-lous from Craig, you have had an a-ma-zing from Craig.
:24:12. > :24:18.What will you get for your paso doble? Shocking! At this
:24:18. > :24:22.moment...it will be shocking. has been the hardest week. I'm a
:24:22. > :24:26.bit nervous this week. I need to be able to dance it with Denise. At
:24:26. > :24:32.the end of the day, she will be dancing with me. How difficult is
:24:32. > :24:38.it for you having two men in the... It's been lovely! Has it? Every
:24:38. > :24:45.girl's dream to double up! LAUGHTER It's been really nice. Because Ian
:24:45. > :24:50.is so lovely, he's been really helpful. Oh my Lord! It is
:24:50. > :24:57.difficult. You do get used to dancing with your partner. He is
:24:57. > :25:03.much more handsome than James! Don't set them off against each
:25:03. > :25:07.other. Give me your paso face. Oh good. It is not a pout! I don't
:25:07. > :25:15.know if I'm meant to be the bull. Are you the cape or the bull?
:25:15. > :25:20.don't know. What is she? Bull! LAUGHTER Like a bull in a china
:25:20. > :25:25.shop. Good luck on Saturday. Thank you. APPLAUSE It is time now to
:25:25. > :25:35.focus on the boys. In the second instalment of Ian Waite's Wednesday
:25:35. > :25:38.
:25:38. > :25:44.Warm Up. Ian Waite is back. Did you hear
:25:44. > :25:49.that? You might not get to dance it on Saturday. Let's hope it gets
:25:49. > :25:52.better, James(!) We are down to four male celebrities. Do you think
:25:52. > :25:56.that the females, the ladies, are stronger this year? I thought that
:25:56. > :26:01.in the Launch Show. I thought we have a really strong bunch of
:26:01. > :26:06.ladies here. It goes to show that these boys need to up their game.
:26:06. > :26:11.Yes. Shape up or ship out. Erin and Richard. They were in the bottom
:26:11. > :26:16.two. Saved in a glorious comeback. Can they avoid it with their
:26:16. > :26:20.Charleston? I think this will suit Richard's personality. It is cheeky.
:26:20. > :26:23.It is fun. I have slowed this down. They are dancing some, a lot of
:26:23. > :26:30.side by side actions. Here they are dancing it together. Just watch
:26:30. > :26:40.this next bit with the knee coming up. Is that not supposed to happen?
:26:40. > :26:43.No. It will be a bit of a disaster. They will sharpen it up! Michael
:26:43. > :26:48.and Natalie are doing a salsa this week. He has had two strong weeks
:26:48. > :26:55.in ballroom. Can he turn it around with his Latin? It is a shame. He
:26:56. > :27:00.has all the attributes, he is moving his hips, he's got some
:27:00. > :27:05.great armography. His posture is good. I want to highlight this area,
:27:05. > :27:10.good. I want to highlight this area, really. That is a good look! He is
:27:10. > :27:13.so handsome. That is unfortunate. He looks like the Tin Man. He needs
:27:13. > :27:17.to have more expression, especially with something like the salsa. You
:27:17. > :27:20.have to get into it with your face and with your whole body. Show us.
:27:20. > :27:28.What is his face supposed to be like?
:27:28. > :27:32.AUDIENCE: Oh yes! It makes me laugh. Good luck, Michael. They always get
:27:32. > :27:36.comments, do they, Nicky and Karen about their dance content. They are
:27:36. > :27:41.doing the foxtrot. How is the content? There's lots of foxtrot in
:27:41. > :27:48.here. She's worked him very hard. My main concern about Nicky, and it
:27:48. > :27:52.has been every week, is his posture. Certain parts of it have improved.
:27:52. > :27:56.He has tucked his bottom under. When he is taking a step, any step,
:27:56. > :28:00.he tends to sort of dip when he - he needs to make sure that he
:28:00. > :28:06.pushes off the back foot and the backside and pushes through so that
:28:06. > :28:12.he creates some more distance in the steps. A bit of movement.
:28:12. > :28:16.push with the top half, he lets his elbows go behind his back. Where
:28:16. > :28:23.should they be? Up and forward to create more space. So she can
:28:23. > :28:28.create this vase effect. Louis and Flavia and their waltz. Can Louis
:28:28. > :28:33.wow in the waltz? Some parts of this are brilliant. That promenade
:28:33. > :28:37.there and it is a waltz, it is a great dance to do. I'm sure it will
:28:37. > :28:44.be very emotive. What I have pointed out here is there's a few
:28:44. > :28:51.points here, if I point them out? One there. You have two here which
:28:51. > :28:57.is the arm. And three there. OK. 25 seconds to tell me... When we are
:28:57. > :29:02.pivoting, keep the bottom in, one. Two, he needs to keep his right
:29:02. > :29:06.elbow forward and up. OK. Three, he needs to keep his head left. That
:29:06. > :29:14.is good. Keep going round. This is beautiful. I could stay like this
:29:14. > :29:20.all night. Good luck, Louis. Thank you very much, Ian. That is it for
:29:20. > :29:25.today. Thanks to all my guests. Join me at 6.30pm tomorrow. I'll be