:00:12. > :00:19.Hello. It is Thursday. Welcome to It Takes Two, squashed into the
:00:19. > :00:22.sofa this evening. Kimberley and Pasha are here! APPLAUSE They
:00:22. > :00:28.always brighten the show when they come in. It could be something to
:00:28. > :00:32.do with Robin's tan - one coat or two? Lisa and Robin are here!
:00:32. > :00:40.APPLAUSE We will have a look at what our couples are wearing this
:00:40. > :00:50.weekend. Queen of the judges, Darcey Bussell, is on the show.
:00:50. > :01:18.
:01:18. > :01:23.APPLAUSE OK. Fifth positions and Live from Television Centre, this
:01:23. > :01:30.is Strictly: It Takes Two. Please welcome your host, Zoe Ball.
:01:30. > :01:34.APPLAUSE Hello and welcome to It Takes Two. Saturday's live show is
:01:34. > :01:38.days away and our couples are frantically practising their
:01:38. > :01:42.shimmies and chasses. I will be chatting to Kimberley and Pasha.
:01:43. > :01:47.But before that, let's look at how some of our couples are getting on
:01:47. > :01:54.in the training room. This week we are doing the foxtrot. It is a
:01:54. > :01:58.beautiful dance, but it's certainly a bit of a brain - it's taking me
:01:59. > :02:03.time to get it into my head. It is extremely difficult. There are a
:02:03. > :02:09.lot of things that he needs to think about, especially timing.
:02:09. > :02:13.way! He wants to go quick-quick, I want him to go slow. No. I am
:02:13. > :02:16.putting more content than I would usually put in. This will be a
:02:16. > :02:21.disaster! There is so much to remember. There are times when you
:02:21. > :02:27.are so annoyed with yourself and you think... The frustration comes
:02:27. > :02:35.out. One, two - argh! If he keeps his cool, then it will be a
:02:35. > :02:40.brilliant night. This week, we are dancing salsa. It's great fun and I
:02:40. > :02:47.really feel so much freer with it and enjoying it. It is much more
:02:47. > :02:54.social, much more happy. I think salsa will suit Fern. Artem's
:02:54. > :03:03.really pleased. Good. Very nice. seem to be able to get it. I'm so
:03:03. > :03:10.happy. That was it. I can do it! Skirtography we have exhausted so
:03:10. > :03:16.we are going for bumography! It is a joyful dance and we can smile!
:03:16. > :03:19.think the salsa could be her dance. This week, we are dancing the
:03:19. > :03:26.Viennese waltz. It is very elegant. It is very beautiful. We need to
:03:26. > :03:31.make sure that we make it smooth and floating. Still stepping on
:03:31. > :03:35.Pasha's feet quite a lot! Nice(!) It's got a lot of potential. Your
:03:35. > :03:42.left leg is fine. Let's work on your right! The Viennese waltz is a
:03:42. > :03:47.technical dance sm it is about- turns and -- dance. It is about
:03:47. > :03:51.turns and pivots. We know what the steps are and where we are supposed
:03:51. > :03:56.to be. But we are making mistakes because I don't know what I'm doing.
:03:56. > :04:05.Yeah? Not sure. I'm praying I can step it up on the ballroom as well
:04:05. > :04:11.as the Latin. Please welcome Kimberley and Pasta - I mean Pasha!
:04:11. > :04:15.APPLAUSE Are you hungry? Always! That is the way uh-huh, uh-huh, Len
:04:15. > :04:19.likes it! So good, so good, because Len has been tough on you with all
:04:19. > :04:25.your choreography and your steps and stuff. He was a very pleased
:04:25. > :04:30.Len on Saturday night. I was really happy that Len was happy. And I was
:04:30. > :04:36.a little bit nervous about going towards the judges' table. Yeah, I
:04:37. > :04:44.went for it. I enjoyed it. That was the key. You really went for it?
:04:44. > :04:49.Yes. When you see a dancer doing that, you really enjoy it? Do you
:04:49. > :04:54.watch it back? Sometimes I do. Maybe once and then I'm like I
:04:54. > :05:02.can't watch it again. Move on. Pasha, you got a nine, you must be
:05:02. > :05:09.pleased with your girl? Absolutely. The first nineer. The firs of many.
:05:09. > :05:13.I hope -- the first of many? I hope so. It was a surprise. You did all
:05:13. > :05:19.that. Yeah. LAUGHTER I tried. LAUGHTER You did. How is the knee,
:05:19. > :05:22.by the way? You had a tough week last week? My knee is getting much
:05:23. > :05:27.better. We know what is going on with it now so we can control it,
:05:27. > :05:32.which is so much better. Like we are dancing for 15 minutes and
:05:32. > :05:38.sitting for five and icing. Or peas, or whatever... We are in control of
:05:38. > :05:42.the knee now, which is good. imagine that does help(!) We think,
:05:42. > :05:49.though, our It Takes Two voles who work very hard may have discovered
:05:49. > :05:59.why you really hurt your knee, OK? Our lovely Pasha might have been a
:05:59. > :06:03.
:06:03. > :06:13.little rough with you. # Dance the kung fu... #
:06:13. > :06:17.
:06:17. > :06:27.Kick, kick. Yeah. # You sway to your left... #
:06:27. > :06:34.
:06:34. > :06:44.Releasing the energy. One, two, three... Argh! LAUGHTER I like that
:06:44. > :06:44.
:06:44. > :06:49.kick. Your kicks are so high. This week, the Viennese waltz. Tell me
:06:49. > :06:54.about it. How is it? I actually love the dance. I love the song
:06:54. > :06:58.that we are dancing to, the choreography is amazing. It's
:06:58. > :07:02.starting to come together. It is quite tricky. I do find the
:07:02. > :07:07.ballroom a lot more difficult, so I have to really focus this week and
:07:07. > :07:10.try and hold it together. Ian Waite was complimenting you on your Eros
:07:10. > :07:14.yesterday, that is where you go back and then forward? Yes. Very,
:07:14. > :07:19.very good. How were the spins? Have you counted how many spins you have
:07:19. > :07:26.to do? There's a lot of spins! The worst part is that when I spin away
:07:26. > :07:29.from Pasha and have to come back and I am look boom! She was
:07:29. > :07:34.attempting to elbow me a couple of times. I dodged it.
:07:34. > :07:39.choreography is arms up and then out. There will be more than
:07:39. > :07:43.bruised knees! You are dancing to this music.
:07:43. > :07:47.# I believe... # Christina Perri from The Twilight
:07:47. > :07:52.Saga: Breaking Dawn. You are a bit of a mix of Edward and Jacob, I
:07:52. > :08:00.think. I never heard that before! OK. Take it. I will take it. I will
:08:00. > :08:06.try anything! Some pasta? For two? Girls Aloud, would you ever dance
:08:06. > :08:10.to one of your own records? I would love to dance to one of our records.
:08:10. > :08:15.I don't know if it will happen. The Promise would be good. Love Machine
:08:15. > :08:19.would be a good quickstep. We have done that already. Maybe someone
:08:19. > :08:25.else could do it. It may happen. Is the Viennese waltz a tough dance to
:08:25. > :08:31.learn for the girls? It is not that tough as far as steps. Judges
:08:31. > :08:39.expect a lot and we are trying to... Step it up. Yeah. That is where all
:08:39. > :08:44.the difficulty lays. What is the toughest thing for you this week?
:08:44. > :08:48.If one thing goes wrong, I will lose the whole dance! Start again.
:08:48. > :08:51.He's been trying to tell me how to just carry on. Also this weekend,
:08:51. > :08:55.you are battling for a place at Wembley. You have played there
:08:55. > :09:01.three times. How much do you want to be there for Strictly? I would
:09:01. > :09:05.love to go to Wembley. It is amazing. It is such a nice arena.
:09:05. > :09:10.Yeah, fingers crossed. Good luck this weekend. Kimberley and Pasha.
:09:10. > :09:14.Thank you. Thank you. APPLAUSE Now, I'm sure you know the difference
:09:14. > :09:24.between a novelty Christmas sock and a verruca sock. Can you guess
:09:24. > :09:46.
:09:46. > :09:50.which of our professionals are Dainty feet - Vincent perhaps? Back
:09:50. > :09:53.to the training rooms for more updates on our couples. This week,
:09:53. > :09:59.I will be dancing the quickstep. I have been looking forward to this
:09:59. > :10:05.one. It will be a lot of fun. Quickstep is a dance that suits
:10:05. > :10:11.Victoria. She seems really happy to be doing it. I'm definitely happy
:10:11. > :10:17.to be back holding on to Brendan! He is my stabilisers. Step, hop,
:10:17. > :10:22.side to side... I have done it wrong! You had done it right.
:10:22. > :10:28.have to try every single teaching method you can. A lot of this
:10:28. > :10:35.process is emlaigs. I want to show her what she is supposed to look
:10:35. > :10:40.like and hope she will copy me. Sometimes I will look like a girl!
:10:40. > :10:45.The waltz is a very elegant dance, so you have to really glide across
:10:45. > :10:55.the dancefloor. There's a lot of lunging and having to be powerful
:10:55. > :11:00.through the lunge. The knee is a bit sore. Tell me if you need to
:11:00. > :11:04.rest. It's fine. You have to use your feet correctly. There are some
:11:04. > :11:09.heel leads and toe leads. Flavia keeps telling me about posture and
:11:09. > :11:13.head left. Keep the head left. Achieve the Big Top line, both
:11:13. > :11:18.dancers have to look away from each other. Every week is a tough week.
:11:18. > :11:24.There is not an easy week on Strictly. Good with the head, but
:11:24. > :11:30.your body has to move forward. can't do that! Loads of pressure
:11:30. > :11:36.this week. I'm doing the tango. I'm dancing with the God - Vincent.
:11:36. > :11:42.is a special dance. Can you make it sharper? You have to look strong
:11:42. > :11:49.and full of passion and drama. It is about telling a story. Bella,
:11:49. > :11:55.how you do? Vincent has been trying to bring out my jealous side.
:11:55. > :12:00.going to call Rachel Stevens. you call her! The tango is so fast.
:12:00. > :12:05.By the end of it, Vincent is knackered. It is tough. I need a
:12:05. > :12:12.pair of lungs. I thought he was supposed to be the professional?
:12:13. > :12:16.Too much passion! This week, we are dancing the paso doble. It's been a
:12:16. > :12:21.difficult start because James is injured. So Ian has come in to help
:12:21. > :12:29.me out. You have a nice tight bum. To watch Denise dance with another
:12:29. > :12:33.man, I'm a bit jealous. Two's company, three's a crowd. I have
:12:33. > :12:38.tried to have as much input into her paso doble as possible. It is
:12:38. > :12:43.hard for me to be sitting down when all I want to do is get up and
:12:43. > :12:48.dance with her. I like the choreography. The dance is good. It
:12:48. > :12:54.is a bit aggressive which will come easily when I'm dancing with James!
:12:54. > :12:59.By hook or by crook, I will be dancing on Saturday night.
:12:59. > :13:02.Fingers crossed for James. Please welcome now a lady who has brought
:13:02. > :13:08.some much-needed girlie glamour to The Three Stooges on the judging
:13:08. > :13:17.panel, Darcey Bussell! # Baby, you light up... #
:13:17. > :13:22.Come on! Shimmy! Oh! APPLAUSE Gorgeous. How are you? Come on,
:13:22. > :13:29.that's what we need. Craig does spins. The bum move you didn't need.
:13:29. > :13:32.We needed it! That can stay. Six weeks in, have you settled in?
:13:32. > :13:36.enjoying myself a lot more. And the boys don't have to tell me what to
:13:36. > :13:42.do all the time now. Who is the naughtiest up there? Obviously,
:13:42. > :13:46.Bruno. He can't help himself. I have been encouraged to be naughty
:13:46. > :13:51.with him. He is always reaching across to touch me. We are liking
:13:51. > :13:54.the naughty side of Darcey Bussell! Last week, in the results show, you
:13:54. > :13:59.were saying you didn't think Richard and Erin or Colin and
:13:59. > :14:05.Kristina should have been in the bottom two. I wasn't thinking of
:14:05. > :14:09.anybody specific. I think Richard had an unfortunate performance.
:14:09. > :14:16.But he shined when he did it. There wasn't anybody specific I would
:14:16. > :14:21.have put in the dance-off. I was really sad to see Colin and Richard
:14:21. > :14:26.there. It didn't feel right. I was feeling sentimental about the boys.
:14:26. > :14:32.This is what happens. More boys going than girls. We don't want the
:14:32. > :14:38.boys to go. When you give critique, you seem to give very positive
:14:38. > :14:44.comments for the dancers to improve? Yes. Who would you say has
:14:44. > :14:49.taken on board? So many have taken on board. I suppose the major
:14:49. > :14:51.transformation is Michael. I don't know, he seems to have gained that
:14:51. > :14:57.confidence so maybe enhancing confidence into somebody has
:14:57. > :15:01.changed him. It works. Natalie is doing wonders. I think he just
:15:01. > :15:07.loves her to bits. He will do anything she says. He is back in
:15:07. > :15:10.the Latin this weekend. I know. am hoping he gets this one. A great
:15:10. > :15:15.question - she really likes your positive criticism. She asks how
:15:15. > :15:19.much do you draw on your experience as a dancer? It is all from my
:15:19. > :15:22.experience. All my coaches would have given me all positive,
:15:22. > :15:29.constructive criticism. That is where it comes from. That is why
:15:29. > :15:32.you want to improve and come back. That is how I have learnt. I do, I
:15:32. > :15:36.pass everything from what I have learnt. People are liking it a lot.
:15:37. > :15:40.How impressed are you at the standard this year? I am really
:15:40. > :15:43.surprised. I wasn't expecting it to be that good. You have such variety
:15:43. > :15:48.of different personalities, but they all seem to be coming out of
:15:48. > :15:52.their shell and being performers. Technique will always be difficult.
:15:52. > :15:56.And you can see when some people find it easier and harder. But
:15:56. > :16:02.generally they are performing for us. They are having a great time.
:16:02. > :16:07.It is so exciting. There doesn't seem to be a clear winner? Not at
:16:07. > :16:13.all. Do you have a favourite performance so far? My most
:16:13. > :16:17.favourite is Lisa and her cha-cha. She is here tonight! I really
:16:17. > :16:22.didn't know you were going to be here tonight. This... What was so
:16:22. > :16:27.great about this? The choreography is brilliant. Robin did an amazing
:16:27. > :16:32.thing. She had so much energy, so much rhythm, the musicality. This
:16:32. > :16:37.was so early on. And she was like give it to me, I want more! That
:16:37. > :16:43.was so exciting to watch. Well done to both of them. The score you have
:16:43. > :16:47.given the most is six. You have given 19 sixes. What do we need
:16:47. > :16:53.from the contestants for you to get those scores higher? We haven't had
:16:53. > :16:56.a ten this year so far? It will be a while before we get a ten. It has
:16:56. > :17:01.to be the music, the choreography, the technique, the performance
:17:01. > :17:08.value, the telling the story, we could go on and on! Yeah. I'm a bit
:17:08. > :17:14.hard on the scoring, but I think it is an encouragement to get a better
:17:14. > :17:22.score. If you give them too big a score straightaway, there is
:17:22. > :17:29.nothing to work for. I would prefer - the musicality is quite important
:17:29. > :17:33.and the choreography. OK. Quick question to finish with. Who do you
:17:34. > :17:39.think would win if Bruno, Len and Craig were competing? I love that
:17:39. > :17:44.question! Thank you. Bruno is very competitive. Just having my little
:17:44. > :17:50.experience of dancing with them, I think Bruno would want to outshine
:17:50. > :17:54.all of them. It is funny, Craig would get quite nervous. He is
:17:54. > :17:59.quite a perfectionist. I think he winds himself up. Len, I don't know,
:17:59. > :18:03.I think he's done it all. Seen it and done it. We need to make this
:18:03. > :18:10.happen. Can we make it happen? I judge them? You can judge them.
:18:10. > :18:15.It will be great. Thank you very much. Lovely. Pleasure. APPLAUSE
:18:15. > :18:19.Earlier on, we asked you if you could guess which one of our
:18:19. > :18:29.dancers was boogying in their socks. Take a look and see if you got it
:18:29. > :18:34.
:18:34. > :18:38.Those toes belonged to Ola. Earlier on, I popped down to the costume
:18:38. > :18:44.department to have a look at the weekend's outfits.
:18:44. > :18:49.Time to talk to Vicky Gill. APPLAUSE Hello, darling. Amazing
:18:49. > :18:55.again last week. So this week we have five ballroom dances. Do you
:18:55. > :18:59.have a preference, ballroom or Latin and if so, why? I don't. I
:18:59. > :19:03.enjoy pulling the concepts together from the music, to production's
:19:03. > :19:08.wishes, to what the celebrities are aiming for. Often, it is the
:19:08. > :19:13.enthusiasm of building it up rather than the dance style. Also lots
:19:13. > :19:18.talking about the Strictly body that you get when you do the job.
:19:18. > :19:23.It is brilliant! Who has changed the most? Lisa has changed the most.
:19:23. > :19:27.She entered the show, I don't think she cared, but she has gone down
:19:27. > :19:32.two dress sizes. Brilliant. She looks stunning. Yes. Always great
:19:32. > :19:36.fun as well. I think Fern, she wanted us to cut her skirt much
:19:36. > :19:41.higher so... Come on! You see, this is what happens. A lot more flesh
:19:41. > :19:44.on the boys. Is Artem wearing a top? Let's not talk about that! How
:19:44. > :19:51.much input do the celebrities have into the design? At the beginning,
:19:51. > :20:00.we try to involve them a lot. We are generaling up on what their
:20:00. > :20:04.dislikes -- genning up on what their dislikes are. We try to make
:20:04. > :20:11.sure that we answer their brief. This week, Denise is doing the paso
:20:11. > :20:16.doble. Hopefully, with James. Maybe with Ian Waite. She is dancing to
:20:16. > :20:20.Seven Nation Army by The White Stripes. Tell me about her frock.
:20:20. > :20:25.He dress looks quite modern. This happened at the beginning of the
:20:25. > :20:29.week. We will include more black lace. We will make it more
:20:29. > :20:35.traditional. Big split up the centre front. She will separate
:20:35. > :20:39.this in the routine. Use that as the cape? Yes. Love it. The back
:20:39. > :20:43.will probably be cut out more and we may plunge the front. I see the
:20:43. > :20:50.sketches, they have arms, by the weekend, they have gone. She looks
:20:51. > :20:56.so gorgeous. Dani is doing a tango. Let's have a look at her dress.
:20:56. > :21:03.Again, a bit more modern. That is not right. Dani is a bubbly little
:21:03. > :21:08.girl. Black doesn't seem right, even though tango often requires it.
:21:08. > :21:15.'50s style working good on her. it because she is little? Yes. We
:21:15. > :21:20.don't want the dress to empower her. Also with tango, that is quite
:21:20. > :21:24.short? Yes. She is confident. She can cope with the footwork, so...
:21:24. > :21:28.She doesn't need to hide her feet. It will be up here soon! I must say
:21:28. > :21:33.good afternoon to Gemma Edwards. Her Mum tweeted me. This is her
:21:33. > :21:38.favourite part. She likes to guess the mystery dress. Reveal the
:21:38. > :21:42.mystery dress. Oh! Look at that. Give us a clue? I can never tell
:21:42. > :21:48.you much. This is a fun character on and off the floor. I hope you
:21:49. > :21:58.guessed. Good luck. Thank you. APPLAUSE Thank you. Back to the
:21:58. > :22:02.training room. I am thrilled to do the Charleston.
:22:02. > :22:07.Look at your face. I love the Charleston. It is by far the dance
:22:07. > :22:13.so far that fits my character. and-up! Richard is the Charleston.
:22:13. > :22:16.He is bubbly and alive and he is full of fun and character. I love
:22:16. > :22:23.the Charleston. I love the Charleston. It is the first time I
:22:23. > :22:33.have done a dance where I can lift Erin. And if I drop her, I know she
:22:33. > :22:40.will do it with a flourish! pull up! If he forgets his routine,
:22:40. > :22:44.I could be splattered all over the floor. I'm dancing salsa this week.
:22:44. > :22:51.It is a fun dance. The most difficult thing about salsa is to
:22:51. > :22:55.make it look easy. There's so much going on. Don't fall into it.
:22:55. > :23:01.all about the timing. Keeping rhythm, keeping time. I could have
:23:01. > :23:06.a good week. Almost. If the timing is wrong, it is game over, simple.
:23:06. > :23:10.You do have to lead the girl. Your hands have to be in the right place.
:23:10. > :23:15.You have to be manoeuvring her around. I'm dancing the dance with
:23:15. > :23:20.my eyes closed. You are the boss. I don't know what you are doing.
:23:20. > :23:26.Natalie wants the salsa King in me. I am looking forward to Saturday
:23:26. > :23:35.night. This week, we are dancing the foxtrot. This is a happy
:23:35. > :23:39.foxtrot. With smiles and canes and fun, fun, fun. But very technically
:23:39. > :23:43.correct. Toe, toe, toe... It is footwork all the way. Never does
:23:43. > :23:49.that foot come off the floor. is what I have been doing. I don't
:23:49. > :23:56.care if it takes 100 hours. I will have Lisa having amazing footwork.
:23:56. > :24:00.Footwork. Go into a heel turn, Len will be watching this. I can feel
:24:00. > :24:07.him watching. Turn... I want the judges to go, "Your feet were in
:24:07. > :24:16.the right place at the right time at the right speed." Cool.
:24:16. > :24:20.Please welcome the gorgeous Lisa and Robin. APPLAUSE It was only
:24:20. > :24:25.your second ballroom dance last weekend. Did you love it? I loved
:24:25. > :24:30.it. I really did. We worked really hard. It was really great. Just
:24:30. > :24:37.obviously to do something different and to do that... I love that bit.
:24:37. > :24:44.What are they called, the flip- flips? I call them earring bashers!
:24:44. > :24:49.Perfect! Vicky Gill, she was talking about how you dropped a
:24:49. > :24:55.couple of dress sizes. With you loving your new Strictly body?
:24:55. > :24:59.weight is falling off me. They are toned! They are toning. It is mad.
:24:59. > :25:03.I'm constantly like pulling my trousers up. Like the other day, he
:25:03. > :25:10.had to put a hair bobble around my leggings. They kept falling down.
:25:10. > :25:16.love that. Have you had the same? Yeah, my jeans are falling down...
:25:16. > :25:19.Shall we check? They are still there. Robin, you have yet to match
:25:19. > :25:24.your score from the cha-cha-cha. Will this weekend be the weekend?
:25:24. > :25:27.This week, with the song, the dance, the happiness, the fun aspect to
:25:27. > :25:32.this dance, I think we could be on to a winner. You don't know what is
:25:32. > :25:38.going to happen on Saturday night. So far so good. You never know. I
:25:38. > :25:41.hope that they notice this week that I have really tried. The steps,
:25:41. > :25:46.and I have thrown myself into it. I'm doing the giraffe neck, you
:25:46. > :25:52.know. And all that. I hope they notice it. I have tried this week.
:25:52. > :25:57.We will talk about that in a moment. The judges have talked about your
:25:57. > :26:03.footwork. Ian was talking about - heel leads, release the toes.
:26:04. > :26:09.Did you see that? I did. I do get it. And I have worked hard on it.
:26:09. > :26:16.lot. A lot. It's been quite painful at times this week. We have...
:26:16. > :26:20.whom? Both of us! LAUGHTER Excellent. We also talked about
:26:20. > :26:24.Lisa's affections, swaying perhaps to Artem. Have a look at this.
:26:24. > :26:32.Robin does have to sort out personal parts of his pruning
:26:32. > :26:40.regime. Oh my God! I'm not vain. I just like to pluck a few bits here
:26:40. > :26:45.and there. This room makes you look pastey. Where am I going to get a
:26:45. > :26:51.spray tan? It is about learning the dance. Look at me today, I'm having
:26:51. > :26:55.an overgrown day. My beard used to... Still on the beard! Your
:26:55. > :27:01.vanity of the week... Will I wake up looking like this every day?
:27:01. > :27:05.What you see on Saturday night is not how I wake up in the morning.
:27:05. > :27:09.APPLAUSE Brilliant. We are only being silly. You know we love you.
:27:09. > :27:15.He is the vainest person in the world! Underlined! Let's hear the
:27:15. > :27:20.music you are dancing to. # This will be
:27:20. > :27:25.# This will be... # Sometimes it comes together, the
:27:25. > :27:29.foxtrot, the music, you have got hats and canes. This will be a good
:27:29. > :27:35.one. I can feel it? I hope so. I have fallen in love with ballroom.
:27:35. > :27:39.I really hope we get it right this week. How are the hats and the
:27:39. > :27:48.canes? They are good to help with your neck. When your hat is sturdy,
:27:48. > :27:54.you can keep your neck out as well! Sounds like a Hardyism! Anthony
:27:54. > :27:57.Cotton is a good mate of yours. He's been down to watch you. How
:27:57. > :28:00.are your friends and family finding the whole experience of watching
:28:00. > :28:04.you? They can't believe it. They genuinely are loving everything
:28:04. > :28:10.that is happening within the show. People are coming up to me Dad
:28:10. > :28:13.going, "Your daughter is playing a blinder!" It is wonderful.
:28:13. > :28:17.Obviously, Anthony Cotton is a great friend. He likes the sequins
:28:17. > :28:22.more than me! If the truth be known. Would he do the show? He would love
:28:22. > :28:27.to do the show. He is a fantastic dancer! Is he? We will keep that
:28:27. > :28:35.between you and me. Maybe get bit of commission. Good luck on
:28:35. > :28:40.Saturday. Thank you. Lisa and Robin. APPLAUSE I want a hat! That is it
:28:40. > :28:45.for today. Thanks to all my guests. Join me here tomorrow. I will be
:28:45. > :28:52.chatting to Dani, Vincent, Nicky and Karen, plus a Friday Panel not